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Volume 88, Number 4 - California Historical Society

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california history<br />

volume <strong>88</strong> number 4 2011 The Journal of the <strong>California</strong> <strong>Historical</strong> <strong>Society</strong><br />

Interim Executive Director<br />

Mary Morganti<br />

Editor<br />

JANET FIREMAN<br />

Managing Editor<br />

Shelly Kale<br />

Reviews Editor<br />

JAMES J. RAWLS<br />

Spotlight Editor<br />

jonathan spaulding<br />

Design/Production<br />

sandy bell<br />

Contributing Writer<br />

Marie silva<br />

Editorial Consultants<br />

LARRY E. BURGESS<br />

ROBERT W. CHERNY<br />

JAMES N. GREGORY<br />

JUDSON A. GRENIER<br />

ROBERT V. HINE<br />

LANE R. HIRABAYASHI<br />

LAWRENCE J. JELINEK<br />

PAUL J. KARLSTROM<br />

R. JEFFREY LUSTIG<br />

SALLY M. MILLER<br />

GEORGE H. PHILLIPS<br />

LEONARD PITT<br />

c o n t e n t s<br />

From the Editor: Ties That Bind. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2<br />

Collections: Hipolita Orendain de Medina . . . . . . . . . . . . . . . . . . . . . . 3<br />

Invisible Borders: Repatriation and Colonization of<br />

Mexican Migrant Workers along the <strong>California</strong> Borderlands<br />

during the 1930s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5<br />

By Benny J. Andrés Jr.<br />

If Walls Could Speak:<br />

San Diego’s Historic Casa de Bandini. . . . . . . . . . . . . . . . . . . . . . 22<br />

By Victor A. Walsh<br />

“Saludos from your comadre”: Compadrazgo as a<br />

Community Institution in Alta <strong>California</strong>, 1769–1860s. . . . . . . . . . . . 47<br />

By Erika Pérez<br />

Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63<br />

Reviews . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74<br />

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79<br />

Donors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84<br />

Spotlight. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <strong>88</strong><br />

<strong>California</strong> History is printed in<br />

Los Angeles by Delta Graphics.<br />

Editorial offices and support for<br />

<strong>California</strong> History are provided by<br />

Loyola Marymount University,<br />

Los Angeles.<br />

on the front cover<br />

<strong>California</strong> State Parks’ recent renovation of the Cosmopolitan Hotel in Old Town San Diego State<br />

Historic Park was as much a discovery as a restoration. Peeling back layers of construction from previous<br />

decades revealed a treasure trove of physical evidence about owner Albert Seeley’s conversion of the singlestory<br />

Casa de Bandini adobe into a two-story fashionable hotel and stage office in 1869, whose restoration<br />

is depicted in this photograph. Archaeologists also uncovered building materials from 1827–29, when<br />

Don Juan Bandini erected his beloved home overlooking the pueblo’s plaza. The casa’s legacy, and the<br />

historical and cultural memory it preserves, is explored in Victor A. Walsh’s article, “If Walls Could<br />

Speak: San Diego’s Historic Casa de Bandini” (pages 22–46).<br />

Photograph by Sandé Lollis<br />

1


f r o m t h e e d i t o r<br />

ties that bind<br />

CALIFORNIA HISTORY, September 2011<br />

Published quarterly © 2011 by <strong>California</strong><br />

<strong>Historical</strong> <strong>Society</strong><br />

LC 75-640289/ISSN 0162-2897<br />

$40.00 of each membership is designated<br />

for <strong>California</strong> <strong>Historical</strong> <strong>Society</strong> membership<br />

services, including the subscription to <strong>California</strong><br />

History.<br />

KNOWN OFFICE OF PUBLICATION:<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong><br />

Attn: Janet Fireman<br />

Loyola Marymount University<br />

One LMU Drive<br />

Los Angeles, CA 90045-2659<br />

ADMINISTRATIVE HEADQUARTERS/<br />

NORTH BAKER RESEARCH LIBRARY<br />

678 Mission Street<br />

San Francisco, <strong>California</strong> 94105-4014<br />

Contact: 415.357.1848<br />

Facsimile: 415.357.1850<br />

Bookstore: 415.357.1860<br />

Website: www.californiahistoricalsociety.org<br />

Periodicals Postage Paid at Los Angeles,<br />

<strong>California</strong>, and at additional mailing offices.<br />

POSTMASTER<br />

Send address changes to:<br />

<strong>California</strong> History CHS<br />

678 Mission Street<br />

San Francisco, CA 94105-4014<br />

THE CALIFORNIA HISTORICAL SOCIETY is a<br />

statewide membership-based organization designated<br />

by the Legislature as the state historical<br />

society. The <strong>California</strong> <strong>Historical</strong> <strong>Society</strong> inspires<br />

and empowers <strong>California</strong>ns to make the past a<br />

meaningful part of their contemporary lives.<br />

A quarterly journal published by CHS since 1922,<br />

<strong>California</strong> History features articles by leading<br />

scholars and writers focusing on the heritage<br />

of <strong>California</strong> and the West from pre-Columbian<br />

to modern times. Illustrated articles, pictorial<br />

essays, and book reviews examine the ongoing<br />

dialogue between the past and the present.<br />

CHS assumes no responsibility for statements<br />

or opinions of the authors. MANUSCRIPTS for<br />

publication and editorial correspondence should<br />

be sent to Janet Fireman, Editor, <strong>California</strong><br />

History, History Department, Loyola Marymount<br />

University, One LMU Drive, Los Angeles, CA<br />

90045-8415, or jfireman@lmu.edu. Books for<br />

review should be sent to James Rawls, Reviews<br />

Editor, <strong>California</strong> <strong>Historical</strong> <strong>Society</strong>, 678 Mission<br />

Street, San Francisco, CA 94105-4014.<br />

No one could be surprised that the soulful songster Bruce Springsteen would<br />

write: “Now you can’t break the ties that bind / You can’t forsake the ties that<br />

bind.” Sentiments of love and belonging are surely universal, but their expression<br />

is more overt and more conspicuous in some cultures than others.<br />

“Invisible Borders: Repatriation and Colonization of Mexican Migrant Workers<br />

along the <strong>California</strong> Borderlands during the 1930s,” by Benny J. Andrés Jr.,<br />

tells the back story of a voluntary Mexican repatriation in the 1930s, motivated<br />

by love for homeland, fueled by strategies to secure fair wages and improving<br />

working conditions, and made possible by the supportive administration of<br />

President Lázaro Cárdenas. How it came to be that 175 Mexican families living<br />

in the San Joaquin Valley, Santa Barbara, Santa Monica, and the Imperial Valley<br />

formed a convoy and traveled to the Mexicali Valley in Baja <strong>California</strong> to establish<br />

a farm commune on land the Mexican government had expropriated from<br />

powerful foreign owners offers fresh insight on received understanding of Mexican<br />

farm workers during the Great Depression.<br />

Acknowledging the significance of places that preserve our cultural memories,<br />

stories, and identities, <strong>California</strong> State Parks recently restored the nineteenthcentury<br />

Cosmopolitan Hotel in San Diego. In “If Walls Could Speak: San<br />

Diego’s Historic Casa de Bandini,” Victor A. Walsh recounts the story of this<br />

landmark historic building that stands as a testament to waves of change from<br />

Californio to American frontier society. With its later commercially stimulated<br />

alterations inspired by affection for a much romanticized Spanish past stripped<br />

away, the full history of the current hotel, restaurant, and bar is revealed for<br />

readers and visitors alike.<br />

Compadrazgo, or godparentage, practiced extensively during the Spanish and<br />

Mexican eras—and beyond—helped create spiritual, familial, and community<br />

bonds, as well as business networks. Erika Pérez introduces the concept and<br />

provides numerous examples of its application by Native American, Spanish,<br />

Mexican, and Anglo-American families in “‘Saludos from your comadre’: Compadrazgo<br />

as a Community Institution in Alta <strong>California</strong>, 1769–1860s.”<br />

Nation, family, home, tradition: these are the ties that bind.<br />

Janet Fireman<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong><br />

www.californiahistoricalsociety.org<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


c o l l e c t i o n s<br />

Hipolita Orendain de Medina<br />

maintained this album for almost<br />

forty years as a sentimental record<br />

of love and friendship. It contains<br />

sonetos and other poems, canciones<br />

(songs), and notes, written for<br />

her by family, friends, and acquaintances<br />

in Spanish, English, and<br />

German, as well as sketches, pressed<br />

ferns and flowers, cards, stickers,<br />

and, sadly, an obituary for Czarina<br />

Celsa, the Medinas’s daughter.<br />

Most of the writings in the album<br />

treat the themes of romantic love,<br />

platonic fidelity, and religious duty,<br />

though politics occasionally intervenes,<br />

as in a simple 1865 dedication:<br />

La paz, progreso y libertad<br />

(peace, progress, and liberty).<br />

Album, 1865–1908, Hipolita Orendain<br />

de Medina correspondence and<br />

miscellany, MS 1441, <strong>California</strong><br />

<strong>Historical</strong> <strong>Society</strong><br />

Hipolita Orendain de Medina<br />

To the images of missions, ranchos,<br />

and caballeros—and the romance of<br />

Mexican <strong>California</strong> they evoke—CHS’s<br />

Hipolita Orendain de Medina collection<br />

stands in clear contrast, offering<br />

a glimpse into the domestic, cultural,<br />

and political life of a cosmopolitan,<br />

multilingual community of native<br />

Californios and Latino immigrants in<br />

San Francisco in the second half of the<br />

nineteenth century.<br />

Correspondence, notebooks, sheet<br />

music, poetry, ephemera, cards, photographs,<br />

and an album of remembrance<br />

(above)—Hipolita collected them all as<br />

recuerdos de amistad (tokens of friendship).<br />

Intimate in scale, the collection<br />

nonetheless registers larger historical<br />

forces—the Franco-Mexican War, the<br />

rise of Mexican and Latin American<br />

nationalisms, the development of the<br />

Spanish-language press in <strong>California</strong>—


c o l l e c t i o n s<br />

as they shaped the lives of Hipolita, her<br />

husband Emigdio Medina, and their<br />

families in Mexico and <strong>California</strong>.<br />

Hipolita Orendain was born in Mexico<br />

in 1844 and moved to San Francisco<br />

with her mother, the widowed heiress<br />

Francisca Tejada de Orendain, and<br />

her sister Virginia in the late 1850s. In<br />

1868, she married the Mexican-born<br />

musician, journalist, editor, and real<br />

estate investor Emigdio Medina. While<br />

Emigdio pursued business and literary<br />

ventures, founding San Francisco’s<br />

Spanish-language newspaper La Republica<br />

in 1<strong>88</strong>1, the educated and polyglot<br />

Hipolita became an active member<br />

of the city’s junta patriótica (patriotic<br />

assembly) and worked as a dressmaker,<br />

naming herself head of the Medina<br />

household in the 1900 census.<br />

These images from the Hipolita<br />

Orendain de Medina Collection<br />

sample Hipolita and Emigdio’s wideranging<br />

commitments—to literature<br />

and music, family and religion, the<br />

Mexican American community and the<br />

nascent Mexican republic—while opening<br />

a sentimental, sometimes surprising<br />

view onto their world.<br />

One of more than sixty photographs in the collection, Hipolita presented this cartede-visite,<br />

made in San Francisco on Christmas day 1<strong>88</strong>1, when she was in her late<br />

thirties, to her sister Virginia. Like many of the cartes-de-visit it bears an affectionate<br />

inscription: to “muy amada hermanita” (much loved little sister). A note on<br />

the card indicates that Hipolita was “referred to affectionately as Grammacita,” a<br />

hybrid term of the English “Grandma” and the Spanish diminutive “cita.”<br />

Cabinet card, 1<strong>88</strong>1, MSP 1441; CHS2011.585.tif<br />

Emigdio Medina’s business card presenting him as editor and manager of Los<br />

Angeles’s El Estandarte Mexicano is one of more than 100 business cards in the<br />

collection. Medina was active in the Spanish-language press on both sides of the<br />

Mexico-United States border, representing a variety of newspapers. This restless<br />

and enterprising journalist was also a poet, musician, and principal of Emigdio<br />

Medina & Co., Mining & Agricultural Land Agency in San Francisco.<br />

Business card, ca. 1908, MS 1441<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


Invisible Borders: Repatriation and Colonization<br />

of Mexican Migrant Workers along the <strong>California</strong><br />

Borderlands during the 1930s<br />

By Benny J. Andrés Jr.<br />

The Mexican peon does not settle; he comes and earns something and goes back.<br />

—Harry Chandler, Colorado River Land Company, Mexicali, Baja <strong>California</strong>, 1930 1<br />

In December 1934, two weeks after the presidential<br />

election of Lázaro Cárdenas, Mexico’s<br />

twentieth-century champion of agrarian and<br />

working-class reform, the first tremor in a<br />

seismic shift rumbled through the <strong>California</strong>-<br />

Baja <strong>California</strong> borderlands. Joe Herrera, editor<br />

of La Gaceta del Valle Imperial, wrote a rare and<br />

unprecedented article for his parent newspaper<br />

The Brawley News, reporting on the voluntary<br />

repatriation of 175 Mexican families from Corcoran,<br />

Santa Barbara, Santa Monica, Santa Paula,<br />

Calipatria, and other areas in <strong>California</strong>. The<br />

Mexican government had arranged for 700 colonists<br />

to settle on 6,700 acres in a farm cooperative<br />

directly across the border in Baja <strong>California</strong>’s<br />

Mexicali Valley. The repatriation caravan, consisting<br />

of 152 persons, was the advance party. 2<br />

The caravan stopped in Brawley, the center of the<br />

irrigated desert agricultural region, to pick up<br />

additional colonists eager to return to Mexico for<br />

better opportunity. There the repatriates shared<br />

food and supplies, while the group’s orchestra<br />

entertained the “jolly crowd” with music. Most<br />

of the participants had saved thousands of dollars.<br />

“We do not want any help. We have already<br />

arranged everything about the land,” remarked<br />

the group’s leader. The Mexican consul in Calexico<br />

(the American town adjacent to Mexicali, capital<br />

of the northern Baja <strong>California</strong> territory) had<br />

their repatriation papers in order. Herrera served<br />

up a subtle warning to American agribusiness<br />

for cracking down harshly on Mexicans during<br />

labor strikes that year: “They are glad to go back<br />

to their homeland.” 3<br />

The convoy’s journey across the international<br />

line to establish a farm commune in the Mexicali<br />

Valley is part of a larger story about the ways in<br />

which Mexican migrants on the <strong>California</strong>-Baja<br />

<strong>California</strong> borderland navigated rapidly changing<br />

economic and political conditions during the<br />

Great Depression. Mobile workers on the U.S.<br />

side of the international border strove to improve<br />

their lives through migration, strikes, and voluntary<br />

repatriation to Mexico. Legal and illegal residents<br />

used the services of mutualistas (benevolent


societies) to forestall deportation and forced repatriation<br />

for receiving public assistance. Across<br />

the border in the Mexicali Valley, workers used<br />

xenophobic arguments to persuade the Mexican<br />

government to force out Asian competitors,<br />

deploying nationalistic rhetoric steeped in the<br />

Mexican Revolution’s ideology to justify demands<br />

for their government to expropriate land owned<br />

by foreigners and redistribute it to Mexicans. 4<br />

Historians have narrowly interpreted Mexican<br />

repatriation during the 1930s through an immigration/citizenship<br />

framework, whereby “repatriation”<br />

means forced expulsion from the United<br />

States. This perspective confuses immigration for<br />

permanent settlement with the act of temporary<br />

migration. Indeed, only a small percentage of<br />

Mexicans intended to become U.S. citizens, as<br />

reflected in the naturalization records. 5 Circular<br />

movement across the international line was not<br />

only a rejection of American citizenship; one<br />

could argue that the regularity and repetition of<br />

this pattern rendered the border invisible. The<br />

immigration/citizenship focus also ignores the<br />

Mexican government’s response to the brutal<br />

treatment of its citizens in the United States. 6<br />

This rigid nation-state model has straitjacketed<br />

American scholars, preventing deeper consideration<br />

of ethnic Mexicans’ repatriation to their<br />

native land. 7<br />

With very few exceptions, for the past seventy-six<br />

years historians have followed a narrative similar<br />

to that presented in Carey McWilliams’s 1935<br />

Factories in the Field: The Story of Migratory Farm<br />

Labor in <strong>California</strong>, which only briefly relates the<br />

callous actions of U.S. welfare and immigration<br />

officials in forcibly repatriating ethnic Mexicans<br />

during the Great Depression. 8 The standard<br />

interpretation of repatriation in this era is that<br />

city and county welfare agencies worked in conjunction<br />

with the U.S. Border Patrol to expel ethnic<br />

Mexicans who received public aid in violation<br />

of current immigration law. This accepted narrative,<br />

however, does not explain what transpired<br />

in the Imperial Valley, where the failure of farm<br />

workers’ strikes and an influx of competitors for<br />

their jobs—not county efforts to reduce public<br />

assistance—prompted the valley’s Mexican workers<br />

to voluntarily repatriate.<br />

The north-south framework presented in Factories<br />

in the Field is also inaccurate. In actuality, Mexican<br />

migrants followed irregular, often circular<br />

paths. 9 Mexican border crossers were migrants<br />

rather than immigrants, traversing familiar<br />

transnational and domestic circuits. 10 Another<br />

flaw in the repatriation paradigm is its chronicle<br />

of a great injustice done to a powerless people.<br />

Rather, the agency of Mexican repatriates in battling<br />

to secure fair wages and improving working<br />

conditions is a more accurate account. For<br />

campesinos (field workers) in the Imperial Valley,<br />

migration, mutualistas, strikes, and repatriation<br />

were all viable strategies for economic survival.<br />

This article offers a new interpretation of Mexican<br />

repatriation, weaving together the body of<br />

scholarship on farm workers’ activities in the<br />

Imperial Valley during the 1930s with published<br />

Spanish-language sources of the “Mexicanization”<br />

of Mexicali by repatriates to demonstrate<br />

how their strategies for improved labor conditions<br />

empowered them to significantly change<br />

transborder migration patterns. The Mexican government’s<br />

active involvement in repatriation and<br />

colonization of its northern borderlands under<br />

President Cárdenas, and its coordination with<br />

the U.S. Border Patrol, established the working<br />

relationship for the binational labor agreement<br />

known as the Bracero Program (1942–64). 11<br />

Roots of Repatriation<br />

Mexican officials routinely attempted to prevent<br />

migration to the United States, especially after<br />

the creation of the U.S. Border Patrol in 1924<br />

and during the massive forced repatriation efforts<br />

by the U.S. government in the 1930s. 12 During<br />

the early years of the Great Depression, Mexico<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


struggled to resettle its repatriated and deported<br />

citizens. Unlike his predecessors, Cárdenas’s<br />

administration (1934–40) developed a settlement<br />

program in agricultural communities along the<br />

borderlands, 13 vigorously encouraging repatriation<br />

to populate and economically develop the<br />

Mexicali Valley. In 1937, when Cárdenas expropriated<br />

the vast landholdings of the Colorado River<br />

Land Company (CRLC)—a Los Angeles-based<br />

syndicate headed by the owner of the Los Angeles<br />

Times—thousands of Mexicans escaped a hardscrabble<br />

life by flocking to the Mexicali Valley.<br />

Consequently, the harsh treatment of Mexican<br />

nationals during the Great Depression played<br />

into Mexico’s long-term objective to build up its<br />

northern borderlands, regain its citizens living<br />

in the United States, and give repatriates a fresh<br />

start as small farmers.<br />

The Imperial-Mexicali Valley, an agricultural cornucopia<br />

nourished by the Colorado River, was located at the intersection<br />

of <strong>California</strong>, Arizona, Sonora, and Baja <strong>California</strong>.<br />

This 1927 map, published by the Boulder Dam Association,<br />

shows the region with the proposed 82-mile-long All-<br />

American Canal—an irrigation network connecting the<br />

Imperial and Coachella Valleys with the Colorado River.<br />

Running parallel to the Mexico-<strong>California</strong> border, its completion<br />

in 1940 propelled the growth of the Imperial Valley’s<br />

agricultural industry.<br />

Courtesy of the author


Local newspapers such as The Brawley News and<br />

the Calexico Chronicle provide extensive details<br />

of this transnational history. Yet these two media<br />

outlets catered to distinct constituencies and<br />

perspectives. The Brawley News, an agribusiness<br />

organ, hewed a conservative, anti–field labor,<br />

anti-Mexican, Republican viewpoint. In contrast,<br />

the Calexico Chronicle was the mouthpiece for<br />

Calexico’s merchants who owed their existence to<br />

commerce and crossborder tourism in Mexicali.<br />

With its pro-Mexican perspective, the Calexico<br />

Chronicle closely reported both nations’ borderenforcement<br />

activities, as well as news from<br />

Mexicali, major events in Mexico, and agriculture<br />

in the Mexicali Valley, particularly regarding the<br />

CRLC, which owned most of the land in the Mexicali<br />

Valley (over 800,000 acres) and which purchased<br />

its food and supplies across the border in<br />

Calexico. The CRLC shipped its products by train<br />

through Calexico, since the Mexicali Valley had<br />

no land transportation link to the Mexican interior.<br />

Calexico’s dependence on the CRLC’s trade<br />

explains why the Calexico Chronicle closely followed<br />

Mexican repatriation to the Mexicali Valley.<br />

The repatriation story dates to colonization of<br />

this arid region for agribusiness in 1900, when<br />

the isolated Imperial-Mexicali Valley was sustained<br />

by a canal that brought water from the<br />

Colorado River. World War I demand for farm<br />

products transformed the region on both sides<br />

of the international line into a cotton mecca,<br />

requiring an abundance of seasonal pickers. In<br />

1920, a scarcity of pickers prompted Imperial<br />

Valley farmers to join Arizona cotton growers in<br />

forming a labor-recruitment organization—the<br />

first time large numbers of Mexican migrants<br />

were brought to the area. From this point on,<br />

the valley’s farmers were among the staunchest<br />

supporters of an open border for campesino<br />

migrants. After the war, farmers diversified into<br />

labor-intensive crops and relied primarily on<br />

mobile Mexican workers. Supported by police<br />

and judges, they suppressed field unions and<br />

crushed strikes. 14<br />

In the Mexicali Valley, the CRLC raised cattle and<br />

grew cotton. The company hired Chinese tenants<br />

and imported Chinese cotton pickers in order to<br />

discourage Mexican settlement and demand for<br />

land. 15 Its exclusion of Mexicans ended during the<br />

United States’ post–World War I economic recession.<br />

Across the border in the Imperial Valley,<br />

farmers had promised U.S. immigration officials<br />

that they would send imported Mexicans on contract<br />

back to Mexico after the cotton harvest. But<br />

bankrupted by the recession, they did not have<br />

the money to return the campesinos. Stranded<br />

Mexicans drifted into the Mexicali Valley, squatted<br />

on CRLC land, and petitioned the governor of the<br />

northern territory of Baja <strong>California</strong> for jobs. 16<br />

Campesinos faced a formidable opponent. Territorial<br />

military governors funded their governments<br />

by taxing foreign landowners. 17 They<br />

frequently sent soldiers to break up strikes and<br />

land disputes. 18 In 1921, the Mexican government<br />

responded to anti-Chinese violence on the northern<br />

borderlands by banning the entry of Chinese<br />

laborers. In November 1925, officials in Mexicali<br />

announced strict enforcement of a law requiring<br />

that half of all paid workers had to be Mexicans. 19<br />

Incessant demands for land in the Mexicali Valley<br />

forced the governor to establish several farming<br />

communes beginning in 1924. 20<br />

Mexico’s ban on imported Chinese workers<br />

spurred the CRLC to bring workers from Sinaloa<br />

and Sonora. 21 Between 1921 and 1924, 13,000<br />

Mexicans arrived in Mexicali, 22 but they did<br />

not linger there long when Americans induced<br />

them with higher wages to cross the line. Thus,<br />

the CRLC supported and sustained the circular<br />

migration corridor from western Mexico to the<br />

Mexicali Valley and into the United States, 23<br />

employing 8,000–10,000 Mexicans, 4,000 Chinese,<br />

and 800 Japanese by 1930. 24 After each<br />

harvest, the CRLC discharged tenants and day<br />

laborers and burned their makeshift huts to prevent<br />

squatting. 25<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


Around 1900, early irrigation efforts transformed the dry, sandy Imperial Valley into a garden of abundance for<br />

specialty crops. Shortly afterward, cotton, a labor-intensive crop requiring a large labor force, was introduced to<br />

Imperial County. In this photograph from the early 1900s, cotton bales are stacked next to a railroad track at a<br />

typical cotton gin in the Imperial-Mexicali Valley.<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>; CHS2011.583.tif<br />

The 1930 Strike<br />

Repatriation in the Imperial Valley began with<br />

a violent pea strike in January 1930. The brutal<br />

crackdown that crushed the walkout resulted in<br />

the valley’s first large-scale voluntary repatriation<br />

movement. The union’s defeat set in motion a<br />

chain of events that culminated in the redirection<br />

of circular migration to repatriation in the Mexicali<br />

Valley. In the midst of the strike, A. Mejía, the<br />

union president, sent telegrams to Mexico’s president<br />

and agricultural department requesting aid<br />

to repatriate thousands of Mexicans. When the<br />

union announced that the Mexican government<br />

had granted Mejía’s request, an overflow crowd<br />

in Brawley’s union hall spilled into the street,<br />

cheering wildly. Mejía declared: “We believe that<br />

colonization on a Mexican agricultural project will<br />

be better than 30 to 35 cents an hour in Imperial<br />

valley.” He then closed the hall to all meetings<br />

except those dealing with repatriation. 26<br />

Within three months, Brawley’s union militants<br />

had organized the Vanguardia de Colonización<br />

Proletaria (Vanguard of Proletariat Colonization).<br />

The campesinos were ambitious. The group’s<br />

representative told a leading Mexico City newspaper<br />

that he was in the nation’s capital to convince<br />

government officials to support the Vanguardia’s<br />

plan to relocate millions of ethnic Mexicans<br />

from the United States to a gigantic colonization<br />

enterprise in Mexico. He claimed that the group<br />

had 40,000 Mexican and Mexican American<br />

members and $40,000 in the bank and that they<br />

anticipated raising $12–15 million within five<br />

months to enact the plan. 27<br />

The existence of this strategy and others like<br />

it suggests the enthusiasm with which ethnic<br />

Mexicans in the United States viewed repatriation,<br />

though it is doubtful that the Mexican government<br />

provided land for the Imperial Valley


Upon purchasing land in northern Baja <strong>California</strong> in the early 1900s, the Los Angeles-based Colorado River<br />

Land Company (CRLC) began to construct an irrigation system, creating a highly productive agricultural empire<br />

in the Mexicali Valley. This newly dug main canal (note the absence of weeds on the banks) snaked through the<br />

fertile desert to irrigate the CRLC’s vast landholdings.<br />

Sherman Library<br />

repatriates at this time. In 1934, a Brawley mutualista<br />

report documented local labor conditions,<br />

revealing that campesinos there had organized “a<br />

mass repatriation” that “was only partially accomplished.<br />

Similar groups with identical ideas were<br />

formed practically all over the State of <strong>California</strong>,<br />

particularly in Southern <strong>California</strong>.” The popularity<br />

of repatriation schemes showed “how hopeless<br />

the Mexican situation was” in America. 28<br />

Imperial Valley campesinos were in a tenuous<br />

position because farmer-worker relations there<br />

were as contentious as in the Mexicali Valley,<br />

where governors set minimum wages and arbitrated<br />

labor disputes, usually favoring employers.<br />

Yet workers in Mexicali could appeal directly<br />

to the territorial governor and to the executive<br />

branch in Mexico City for redress. Although<br />

unions were plentiful and workers frequently<br />

went on strike, once a governor made a laborrelated<br />

decision, it was final. If workers did not<br />

return to work, Mexicali troops scattered picketers<br />

and arrested the leaders. Hard-core labor<br />

activists were occasionally dispatched to prison.<br />

Executive labor decisions minimized massive<br />

walkouts, but Mexico’s political structure also<br />

gave unions bargaining power by instructing<br />

workers to strike in order to force the governor<br />

to raise wages. Power to set wages put governors<br />

10<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


in the tenuous position of balancing the needs of<br />

business and labor, which often resulted in workers’<br />

dissatisfaction. Workers responded to unfavorable<br />

decisions by petitioning the president to<br />

replace the governor. Though the territorial government<br />

in the Mexicali Valley differed distinctly<br />

from the Imperial Valley’s political structure,<br />

pro-landowner bias often was similar. Harsh<br />

conditions in the Mexicali Valley thus factored<br />

into migrants’ decisions of whether to leave the<br />

Imperial Valley, strike, or voluntarily repatriate to<br />

Mexico.<br />

Migrants were caught in a borderland’s vice. In<br />

the Imperial Valley they faced declining wages<br />

and a repressive police state; in the Mexicali Valley<br />

they encountered unsympathetic governors,<br />

a scarcity of available land, and a lack of jobs<br />

due to the Depression’s devastation of the cotton<br />

industry. Within months of the 1930 strike, Mexican<br />

officials expressed alarm over the explosion<br />

of expatriates deported and forcibly repatriated<br />

from the United States. The Mexican government<br />

sent Secretary of Communications and<br />

Public Works General Juan Andreu Almazán to<br />

investigate conditions on Mexico’s northwestern<br />

borderlands. Almazán’s report to President<br />

Pascual Ortíz Rubio strongly recommended<br />

immediately purchasing “at any cost” the CRLC’s<br />

fiefdom and resettling there industrious but<br />

unemployed Mexican nationals living in the<br />

United States. Almazán argued it was a matter<br />

of national security because Americans, including<br />

the CRLC, had been and were scheming to<br />

acquire part of Sonora, as well as Baja <strong>California</strong>.<br />

The nationalistic report criticized Asians and<br />

recommended their deportation. Almazán also<br />

urged colonization of the region to increase Colorado<br />

River water use as a strategy to strengthen<br />

Mexico’s negotiating position in allocating the<br />

river before Boulder (later Hoover) Dam became<br />

operational. 29 Two months later, Ortíz Rubio<br />

directed the agricultural ministry to cancel or<br />

revise the CRLC’s land concession. In the meantime,<br />

the government reduced customs duties<br />

for items that the repatriates brought with them<br />

into Mexico. Additionally, Mexicali officials began<br />

deporting Chinese and Japanese to free up tenant<br />

and farm jobs. 30<br />

The Public Charge, Self-Help, and<br />

Strikes<br />

In the United States, Mexican emigrants, many<br />

of whom were undocumented aliens, feared poverty<br />

and long-term unemployment because of the<br />

increased risk of deportation. According to the<br />

immigration code’s “likely to be a public charge”<br />

provision, they could be deported or forced to<br />

repatriate for vagrancy, inability to pay medical<br />

bills, or application for public assistance. 31 To<br />

minimize violations of the public charge provision,<br />

Mexico instructed its consuls in the United<br />

States to organize mutualistas to provide charity<br />

to the sick, unemployed, and destitute. 32<br />

In 1925, when U.S. officials refused public assistance<br />

to Mexican nationals, the Mexican consul<br />

created local chapters of the mutualista la Cruz<br />

Azul Mexicana in several Imperial Valley towns.<br />

The consul instructed the charity’s officers in<br />

Brawley to inform the local judge that Mexicans<br />

would no longer burden him with pleas for<br />

public assistance. 33 In Calexico, where Mexicans<br />

comprised 60 percent of the community’s 6,500<br />

residents, a mutualista operated several clinics<br />

and maintained half a dozen beds reserved for<br />

ethnic Mexicans in the hospital. 34 Despite these<br />

self-help efforts, whites continued to stereotype<br />

Mexicans as addicted to public aid. Countering<br />

this perception, the state labor statistician told<br />

farmers that contrary to popular opinion, “It is<br />

not his nature that makes the Mexican take charity,<br />

but the fact that he is underpaid. He has little<br />

share in the wealth which he helps create.” 35<br />

Campesinos’ ability to engage in circular migration<br />

and avoid transgressing the public charge<br />

11


Beginning in the early twentieth century, Mexican communities created mutualistas—cultural, political, service, and<br />

social organizations that included the families of workers. For Mexican migrants and Mexican Americans living in<br />

poverty conditions in the Imperial Valley, such institutions provided significant economic support. This structure, which<br />

housed the Centro Mutualista de Zaragoza in Tijuana, Baja <strong>California</strong>, is similar to the mutualistas found on both sides<br />

of the U.S.-Mexico border.<br />

San Diego History Center<br />

provision diminished during the Great Depression.<br />

Nationally, the U.S. Border Patrol aggressively<br />

deported legal and illegal Mexicans who<br />

applied for public assistance or who could not<br />

pay their medical bills. In various states, relief<br />

workers pressured ethnic Mexicans who received<br />

public assistance to repatriate. 36 Towns in the<br />

Imperial Valley set up privately funded programs<br />

to feed and clothe residents, but migrants did<br />

not receive aid. By the summer of 1933, the sheer<br />

number of aid cases overwhelmed private relief,<br />

compelling state and federal welfare agencies to<br />

provide food and clothing to the needy, including<br />

noncitizens, even during strikes. 37 Around the<br />

country, the introduction of New Deal welfare<br />

programs shifted funding sources and decisionmaking<br />

from locals to outsiders with different<br />

criteria for giving or denying aid. This played a<br />

significant role in ending large-scale Mexican<br />

repatriation across the United States.<br />

In the Imperial Valley, the introduction of federal<br />

aid provoked controversy. Early in 1934, for<br />

example, farmers were furious when striking<br />

pea pickers received relief. Local officials seized<br />

control of the relief decisions and ensured that<br />

welfare policy would be predicated on the needs<br />

of agribusiness. By the beginning of the cantaloupe<br />

harvest later that summer, 9,895 persons<br />

received public assistance. Although Mexicans<br />

made up only one-third of the county’s population,<br />

they accounted for more than 57 percent of<br />

those receiving aid. 38 Welfare provided an incentive<br />

for migrants to stay in the area, but it served<br />

the needs of Imperial Valley farmers as well. By<br />

allowing campesinos to get relief between har-<br />

1 <strong>California</strong> History • volume <strong>88</strong> number 4 2011


vests, growers maintained an overabundance of<br />

labor that drove wages down. 39<br />

Momentous events in the latter half of the year<br />

convinced migrants to avoid the Imperial Valley,<br />

voluntarily repatriate to the Mexicali Valley, and<br />

demand land from the Mexican government.<br />

Privation, failed strikes, deportations, and forced<br />

repatriation in <strong>California</strong> combined to radicalize<br />

many campesinos in the Imperial-Mexicali Valley.<br />

The introduction of socialist and communist<br />

organizers on both sides of the international line<br />

fueled transborder radicalism and exploded in<br />

massive strikes on both sides of the border.<br />

The Imperial Valley cantaloupe strike of 1934 has<br />

been well documented. Crushing it required a<br />

combination of unprecedented violence and the<br />

strike-breaking activities of the Mexican consul<br />

Joaquín Terrazas, who siphoned workers away<br />

from the campesino union and into a pro-farmer<br />

union under his control. 40 Local welfare officials<br />

soon entered the fray. In the midst of the labor<br />

walkout, they moved to intimidate campesinos<br />

by announcing the forced repatriation of 1,200<br />

aliens on relief. The timing of this threat, and the<br />

fact that there was no follow up to it, suggests it<br />

was a warning to workers to get back to work. 41<br />

After the strike, the relief office transitioned into<br />

a farm employment agency. Relief recipients<br />

were stricken from the relief rolls if they did not<br />

take low-paying field jobs. Agribusiness functionaries<br />

also used public assistance as a weapon<br />

against strikers. 42 Migrant disempowerment<br />

continued the next year when Consul Terrazas<br />

was transferred to another post. Without him, the<br />

field union evaporated, leaving campesinos without<br />

union representation. 43<br />

Land Expropriation<br />

Immediately following the strike, agraristas<br />

(agrarian militants) in the Mexicali Valley began<br />

organizing and petitioning the government for<br />

ejidos (communal farms). Unlike the small, pri-<br />

vately owned farm cooperatives and the territorial<br />

cooperatives already in existence, the ejidos<br />

were federal projects. Petitioners for ejidos were<br />

emboldened by the government’s increasingly<br />

nationalistic stance toward the CRLC. In the<br />

midst of the 1934 presidential election, Mexican<br />

officials forced an American to sell his 18,000-<br />

acre ranch to the government, which then distributed<br />

parcels to Mexican yeoman farmers<br />

supported by long-term government loans. While<br />

campaigning in September of that year, candidate<br />

General Lázaro Cárdenas, who supported redistributing<br />

foreign-owned land, visited Mexicali to<br />

inspect the agricultural colonies. 44 Upon his election<br />

in November, Mexicans on both sides of the<br />

Baja <strong>California</strong> borderland sent him numerous<br />

telegrams expressing their hardships and asking<br />

for help. Cárdenas responded by dispatching federal<br />

officials to investigate conditions and resolve<br />

disputes. 45 In time, the return of thousands of<br />

expatriates pressured Mexican officials to negotiate<br />

land sales from the CRLC and to develop the<br />

region for Mexican farmers.<br />

When the aforementioned repatriation convoy<br />

crossed into Mexicali, the December 15 issue of<br />

the Calexico Chronicle described their entrance<br />

with “chickens, goats, ducks, geese, farm implements,<br />

household goods and innumerable<br />

Momentous events in the latter<br />

half of the year [1934] convinced<br />

migrants to avoid the Imperial<br />

Valley, voluntarily repatriate to the<br />

Mexicali Valley, and demand land<br />

from the Mexican government.<br />

1


The December 1934 caravan of Mexican nationals who voluntarily repatriated to Mexico settled on Colónia<br />

Mexico Libre, a 2,800-acre communal farm expropriated from foreign landowners as part of Mexico’s agrarian<br />

reform movement. Departing Calexico, the 152 colonists crossed the border at Mexicali, Baja <strong>California</strong>,<br />

stopping at the checkpoint of the international boundary (foreground).<br />

Courtesy, Pomona Public Library, Pomona, CA<br />

children” in twenty-eight cars and trailers. They<br />

had been planning the move for eight months.<br />

Several months prior, they had sent a delegation<br />

to select their land and to confer with Mexican<br />

authorities who had negotiated the deal. U.S.<br />

and Mexican customs and immigration officials<br />

cooperated to speed the group across the border,<br />

but the repatriates waved away all offers of U.S.<br />

assistance, explaining that they had squirreled<br />

away the necessary funds during their years of<br />

planning. 46<br />

Two days later, the Calexico Chronicle shed additional<br />

light on the colonization of the Mexicali<br />

Valley, reporting on a discussion about the<br />

repatriation convoy between <strong>California</strong> governor<br />

Frank Merriam and General Agustín Olachea, the<br />

governor of the northern territory of Baja <strong>California</strong>.<br />

Olachea indicated that he was pleased the<br />

migrants were returning home. He asserted that<br />

Mexico stood to gain from the scientific knowledge<br />

the campesinos had acquired while working<br />

on commercial farms in the United States.<br />

Merriam emphasized that the migrants had done<br />

nothing to cause <strong>California</strong> authorities to request<br />

their removal. 47<br />

The exchange between the two executives underscores<br />

the different meanings each attached to<br />

repatriation. Whereas Olachea expressed smug<br />

satisfaction that the migrants’ return would<br />

benefit Mexico, Merriam inferred that the<br />

campesinos were welcome to labor in <strong>California</strong><br />

as long as they did not request relief. Indeed, the<br />

1<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


decision of thousands of migrants to abandon<br />

their circular migration patterns to settle in the<br />

Mexicali Valley boded ill for <strong>California</strong> farmers<br />

in general and in particular for growers in the<br />

Imperial Valley who had become dependent on<br />

mobile campesinos.<br />

As the Great Depression and strikes crippled<br />

agricultural production in the Imperial Valley, in<br />

1935 the Mexicali Valley’s farm economy broke<br />

out of its economic slump. Farmers planted<br />

100,000 acres in cotton, 35,000 acres in wheat,<br />

and various other crops. Local leaders expressed<br />

optimism for solid profits and plentiful jobs. The<br />

giddy head of the Mexicali Chamber of Commerce<br />

bragged that every available acre had been<br />

planted and that farmers had even plowed “virgin”<br />

ground. The sheer size of the cotton acreage<br />

required another 1,000 pickers recruited from<br />

Mexico’s interior and other parts of Baja <strong>California</strong>.<br />

When cotton prices rose suddenly in December<br />

1935, Mexicali farmers sent urgent notices for<br />

harvesters. For the first time since the depression<br />

began, field hands were making good money.<br />

Bountiful cotton profits convinced farmers to<br />

plant an additional 15,000 acres in 1936. 48<br />

Functionaries of the Mexican government continued<br />

to express grave concerns about the hardship<br />

and abuses endured by its emigrants across<br />

the border. High-level officials frequently visited<br />

southern <strong>California</strong> to explore the feasibility of<br />

settling repatriates onto ejidos in the Mexicali<br />

Valley. The Cárdenas administration forced the<br />

CRLC to sell portions its holdings to repatriates<br />

on long-term mortgages backed by the nation’s<br />

farm bank. In March 1935, for example, government<br />

officials finalized the sale of a 2,800-acre<br />

ranch, renamed Colonia México Libre, home<br />

of the repatriation convoy that had arrived the<br />

previous December. The bank furnished loans to<br />

purchase equipment for the farmers’ communal<br />

use and seed to grow animal feed crops and cotton.<br />

Deeds to their private holdings were for 40<br />

acres. Colonia México Libre symbolized both the<br />

This railroad labor camp along the Colorado River Delta,<br />

among the vast holdings of the Colorado River Land Company<br />

in 1934, housed workers and their families. Built from timber<br />

and brush from the Colorado River, the camp is representative<br />

of the harsh housing and working conditions of campesinos in<br />

rural Mexicali Valley. Confiscating foreign-owned land for use<br />

by campesinos would become a significant element of President<br />

Cárdenas’s six-year agricultural reform program.<br />

Sherman Library<br />

hope of the new property owners and the act of<br />

throwing off the yoke of foreign landowners. In<br />

line with the government’s push to educate the<br />

masses, officials pledged to erect a school. 49<br />

The Mexican government had published its intention<br />

to colonize Baja <strong>California</strong> in early 1935. The<br />

high priority given to populating Mexicali was<br />

reflected in the government’s actions to make<br />

the region attractive. Responding to frequent<br />

requests, in mid-1935 farm implements were<br />

added to the list of products allowed to pass duty<br />

free through the Mexicali port of entry. Although<br />

the duty had been small, the decree was another<br />

measure that helped to pull expatriates back to<br />

Mexico. A year later, officials purchased material<br />

to build six modern rural schools. 50<br />

President Cárdenas sent scores of bureaucrats<br />

to prepare for land redistribution. In April 1935,<br />

1


Migrant families in the Imperial Valley often lived year round in ramshackle homes made of discarded lumber, tarps,<br />

burlap, and cardboard. Nearby ditches provided water for cooking, bathing, and drinking. There were no latrines. The<br />

most important items for mobile workers were the stove (see pipe protruding from the roof) and the automobile. In this<br />

photograph, a young girl peeks out the door of her makeshift dwelling against the backdrop of a harvested field.<br />

Library of Congress, photograph by Dorothea Lange<br />

Secretary of Agriculture Tomás Garrido Canabal<br />

toured Mexicali to inspect the conditions among<br />

the repatriates and to plan for further colonization.<br />

His entourage included twelve commissioners<br />

and subcommissioners, experts in irrigation,<br />

agriculture, land development, and engineering.<br />

At a gigantic open-air gathering in Mexicali, and<br />

later in Los Angeles, Canabal promoted the government’s<br />

ambitious plans to encourage one million<br />

Mexicans living in the American Southwest<br />

to settle in the Mexicali Valley as self-supporting<br />

yeoman farmers. The impetus for the plan,<br />

he explained, was the severe disappointment<br />

expressed by migrants who had left their native<br />

land with high expectations of work in the United<br />

States but instead had found unemployment<br />

and hardship. Returning penniless, they became<br />

a burden upon Mexican society. The Cárdenas<br />

administration’s plans for interior colonization<br />

would diminish the individual and collective<br />

effects of the campesinos’ disappointments. 51<br />

Later that fall, Baja <strong>California</strong> governor General<br />

Gildardo Magaña conferred with business and<br />

government leaders in Mexico City on how to<br />

develop the Mexicali Valley. Afterward, a federal<br />

commission arrived in the valley to explore all<br />

aspects of settling the region. On November 23,<br />

Secretary of the Interior Silvano Barba González<br />

announced a forthcoming visit to Mexicali to<br />

inspect the border immigration stations and<br />

investigate the feasibility of establishing farming<br />

cooperatives. Within days, General Saturnino<br />

Cedillo, the new secretary of agriculture, arrived<br />

with a contingent of army officers to tour the territory.<br />

He then traveled to Los Angeles to exhort<br />

Mexicans to move to Mexicali. Magaña and other<br />

government officials also visited Los Angeles to<br />

encourage repatriation. After attending a picnic<br />

in his honor, the governor flew to Mexico City to<br />

finalize colonization plans. Between 300 and 400<br />

people a month moved to the Mexicali Valley,<br />

based on the number of border-pass applications<br />

to shop in Calexico. 52<br />

1<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


Despite the intense government activity in settling<br />

the Mexicali Valley, the CRLC sold few individual<br />

plots. A combination of inertia and a lack<br />

of settlers with sufficient capital resulted in slow<br />

land sales. In April 1936, the CRLC finally inked<br />

a contract with the Mexican government to sell<br />

165,000 acres of its developed land to Mexican<br />

farmers in parcels ranging from 40 to 375 acres.<br />

Although the agreement provided for twenty-year<br />

financing, it effectively locked out the vast majority<br />

of campesinos, most of whom did not have<br />

the funds or access to credit to purchase property,<br />

equipment, and other necessities. 53<br />

These events marked the end of an era of Mexican<br />

circular migration on the <strong>California</strong>-Baja<br />

<strong>California</strong> borderland. Following the 1934 cantaloupe<br />

strike, the domination of campesino labor<br />

in the Imperial Valley began to shift with the<br />

arrival of thousands of destitute workers in 1935.<br />

A deluge of white and black domestic migrants<br />

from the South and the Southwest fleeing economic<br />

dislocation arrived in the Imperial Valley,<br />

along with 6,000 male Filipino workers, some<br />

from as far away as Alaska. The newcomers<br />

saturated the labor market, took jobs from ethnic<br />

Mexicans, and lowered wages for all. In 1936,<br />

with the arrival in <strong>California</strong> of almost 85,000<br />

Dust Bowl refugees, white transients began<br />

replacing Mexicans as <strong>California</strong>’s dominant<br />

farm labor force. By mid-1937, they comprised<br />

half of the valley’s field workers. According to the<br />

periodical Country Gentlemen, farmers claimed<br />

whites were “better workers, less transient but<br />

more labor conscious,” making “agricultural<br />

unions more potent.” Agribusiness responded<br />

to numerous resulting strikes by creating the<br />

Associated Farmers, a militant organization<br />

whose “special deputies” broke up picketing and<br />

smashed unions. 54<br />

A perfect storm now brewed along the Baja<br />

<strong>California</strong> borderlands. A superabundance of<br />

workers and low wages in the Imperial Valley<br />

combined with opportunities to acquire land in<br />

A perfect storm now brewed along<br />

the Baja <strong>California</strong> borderlands. A<br />

superabundance of workers and<br />

low wages in the Imperial Valley<br />

combined with opportunities to<br />

acquire land in the Mexicali Valley<br />

made repatriation to the Mexicali<br />

Valley even more attractive to<br />

campesinos.<br />

the Mexicali Valley made repatriation to the Mexicali<br />

Valley even more attractive to campesinos. To<br />

free up jobs, Mexican repatriates and unions in<br />

Baja <strong>California</strong> petitioned government officials<br />

to expel Asian laborers and tenants. Xenophobic<br />

screeds prompted the Chinese consul in Mexicali<br />

to send the Chinese home. 55 The Mexicali Valley’s<br />

Japanese colony departed as well. 56<br />

Salvador España, a young engineer, was an<br />

influential local advocate for ejidos in the mid-<br />

1920s. A decade later, he launched a transnational<br />

movement on the Baja <strong>California</strong> borderlands to<br />

encourage the landless to petition for the federal<br />

government’s expropriation and redistribution<br />

of the CRLC estate. Although deathly ill and bedridden,<br />

España worked tirelessly to see his life’s<br />

work come to fruition. 57 In June 1936, ejido activists<br />

brought together 3,000 campesinos in Mexicali<br />

to demand land. 58 Baja <strong>California</strong> residents<br />

also requested government favors and subsidies.<br />

In July 1936, for example, the new territorial<br />

1


governor, General Gabriel Gavira, met with President<br />

Cárdenas to discuss speeding up land sales<br />

and building a railroad line to the adjoining state<br />

of Sonora. 59 To placate frustrated residents, the<br />

government purchased construction material and<br />

announced plans to start laying tracks, putting<br />

700–800 men to work. 60<br />

After a year of investigations and reports on<br />

colonizing the Mexicali Valley, President Cárdenas<br />

urged citizens in a national radio address in<br />

September 1936 to support his vision of building<br />

up the southern territory of Quintana Roo<br />

and the northern territory of Baja <strong>California</strong>. He<br />

estimated a cost of eight million pesos to build<br />

schools, rail lines, irrigation projects, and eliminate<br />

import duties. He referred to negotiations<br />

with the United States to allow a satisfactory portion<br />

of the Colorado River to irrigate Mexicali and<br />

invited expatriates to return to Mexico. A week<br />

later, the Mexican Senate affirmed Cárdenas’s territorial<br />

development plan. 61<br />

Over a period of nine months following its April<br />

1936 contract with the Mexican government,<br />

the CRLC had settled only a few hundred colonists.<br />

Disaffected ejidatarios (supporters of communal<br />

farms) responded to the slow pace with<br />

violence. Agraristas seized farms and compelled<br />

the government to legitimize their actions. Their<br />

defiance is celebrated today in the Mexicali Valley<br />

as “El Asalto a las Tierras” (The Assault on the<br />

Lands). At a rowdy meeting with the governor on<br />

January 26, 1937, a leader exclaimed: “Look Mr.<br />

Governor, Article 27 of the Constitution says that<br />

the lands are the property of the nation; that is<br />

why we request them. If you are going to deny<br />

us our constitutional rights as Mexicans, we will<br />

use force to take the lands, and if you do not<br />

give us water, we will break the floodgates.” 62<br />

The next morning, some 400 agraristas seized<br />

CLRC ranches and chased off the Asian and<br />

Mexican tenants. Troops hauled the leaders to the<br />

stockade, but President Cárdenas immediately<br />

released them. Taken aback by the brazen land<br />

grab, Cárdenas requested the agraristas send a<br />

delegation to Mexico City to meet with him. 63<br />

In the interim, militants took over farms and<br />

told small landowners, tenants, and even longtime<br />

farmers living on the territorial communes<br />

to leave. When reports of these abuses reached<br />

Cárdenas, he ordered the territorial governor<br />

to send soldiers to quell the disorder. In a stern<br />

message, the governor released a statement<br />

from the president that called illegal land seizure<br />

treason. Over the next few days, troops arrested<br />

some eighty squatters. But agraristas ignored<br />

the soldiers, leaving tenants and Mexican farmers<br />

wondering whether to proceed with planting<br />

or wait until the government resolved the crisis.<br />

Although a new governor, Colonel Rodolfo Sánchez<br />

Taboada, assured the public that unrest and<br />

squatting would not be tolerated, the Cárdenas<br />

administration gave no assurances to the small<br />

landowners who had signed long-term mortgages<br />

with the CRLC or to the residents of the territorial<br />

cooperatives that their property would be protected<br />

beyond the current year. 64<br />

News of the agraristas’ land seizure galvanized<br />

the country’s major labor organizations to send<br />

messages to President Cárdenas urging him<br />

not to use the military against the militants. In<br />

Mexico City, the meeting between the delegation<br />

of agraristas and Cárdenas had the desired effect.<br />

No longer willing to tolerate the suffering of the<br />

peasantry, the president jettisoned the colonization<br />

plan for self-supporting farmers and decided<br />

instead to expropriate the CRLC’s estate in March<br />

1937. The stunning announcement came from<br />

the chief of the agrarian department, who would<br />

remain in Mexicali until the transfer of CRLC<br />

property to ejidos was complete. The government<br />

opened a land bank and an agrarian agency with<br />

an engineer to oversee the technical aspects of<br />

the operation. The National Bank of Communal<br />

Farm Credit in Mexico City pledged a million<br />

pesos in farm financing to 2,500 ejidatarios. 65<br />

1<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


Bolstered by the expropriation announcement,<br />

agraristas issued menacing threats to the small<br />

landowning farmers, cooperative farmers, and<br />

tenants. Spurred by rumors of impending violence<br />

and land seizure, the governor reiterated<br />

that current contracts and tenant agreements<br />

would be enforced. Terrorized by militants,<br />

farmers and tenants sent telegrams to President<br />

Cárdenas begging for assurance their property<br />

rights were secure. Receiving no reply, a delegation<br />

of yeoman farmers traveled to Mexico City<br />

to personally state their case. A few days later,<br />

a thousand small farmers and tenants staged a<br />

U.S.-style sit-down strike in the territorial palace<br />

demanding protection and exemption from the<br />

ejido plan. When union members sympathetic to<br />

the small farmers met in Mexicali, several hundred<br />

agraristas assaulted them. In the countryside,<br />

armed militants told farmers to leave. 66<br />

With the government unwilling to enforce martial<br />

law in the rural areas, farm families converged<br />

in the territorial palace’s park. For twenty<br />

days, 10,000 protesters held a sit-down strike,<br />

refusing to leave until they met with the president.<br />

When Cárdenas rejected their demands,<br />

they sent a scathing letter accusing officials of<br />

misleading him. Cárdenas assigned a presidential<br />

commission to resolve the dispute. But the “striking<br />

farmers” had allies among the commercial<br />

sectors of Mexicali and with trade unions, and<br />

expressions of support poured in from around<br />

the nation. As tense negotiations dragged on, the<br />

determined farmers and their allies threatened a<br />

general shutdown of Baja <strong>California</strong>. Local and<br />

national support for the strikers convinced Cárdenas<br />

to modify his communal plan. He exempted<br />

the territorial cooperatives, eleven newly created<br />

federal colonies, four privately owned colonies,<br />

nine colonies created by the CRLC under the<br />

original colonization contract, and Colonia<br />

México Libre, established for the December<br />

1934 repatriation caravan. Government officials<br />

also pledged compensation to farmers for losses<br />

caused by the agraristas. 67<br />

The Mexican government swiftly prepared ejidos<br />

for landless residents and repatriates. Shipments<br />

of farm machinery arrived, surveyors marked<br />

boundaries, and tenants were given final dates to<br />

harvest crops and vacate ranches. In a surprising<br />

announcement, after years of lobbying by Mexicali<br />

merchants and businesses, Cárdenas decreed<br />

a (mostly) duty-free zone along the Baja <strong>California</strong><br />

borderlands in June—another example of the<br />

president’s determination to populate and spur<br />

economic growth on the borderlands. By July,<br />

the Agrarian Commission had created over forty<br />

ejidos with almost 5,000 settlers. When Cárdenas<br />

left office three years later, the government had<br />

taken over 422,000 acres dedicated to more than<br />

fifty communal farm settlements. Between 1915<br />

and 1946, a total of sixty-four ejidos and thirty-six<br />

colonies were carved out of the CRLC’s fiefdom. 68<br />

divergent economic outcomes<br />

The astounding developments in the Mexicali<br />

Valley had an immediate impact on the Imperial<br />

Valley labor force. The overabundance of labor<br />

that had pleased Imperial Valley farmers ended at<br />

the same time as the expropriation of the CRLC<br />

estate. In March 1937, ten days after the CRLC<br />

seizure, a roundtable discussion among prominent<br />

state and local officials and agribusiness<br />

leaders had conferred to address unemployment,<br />

welfare, and seasonal labor for the upcoming harvests.<br />

Traditionally in June, when the cantaloupe<br />

season reached its zenith, plenty of workers vied<br />

for jobs. But migratory campesinos were not<br />

arriving as before and employers complained of<br />

a severe shortage of “experienced” (the code word<br />

for Mexicans, in agricultural parlance) melon<br />

pickers to harvest the highly perishable crop.<br />

Although white men were begging for jobs, the<br />

employment director affirmed, “Let it be understood<br />

that I want and will accept only thoroughly<br />

experienced men.” Despite his request of 150<br />

pickers from other county employment agencies,<br />

1


would show up. In February 1938, some 2,000<br />

white families from Texas and Arizona answered<br />

advertisements for American pea pickers. It<br />

appears that campesinos had rejected the Imperial<br />

Valley as a destination on the migration<br />

circuit. Lackluster crop prices in 1938 and 1939<br />

further reduced migrant jobs. 70 Thus, events on<br />

both sides of the invisible Imperial-Mexicali border<br />

drew repatriates to the Mexicali Valley.<br />

A Mexican migrant worker thins and weeds cantaloupe plants in the<br />

Imperial Valley in March 1937. Illustrative of back-breaking industrial<br />

agriculture, each cantaloupe in this field had a waxed paper<br />

“cap” placed on it by hand and spread over a wire wicket to protect<br />

against cold and to accelerate growth. By June, campesinos had<br />

found better working and living conditions across the border, impacting<br />

the availability of Mexican laborers in the Imperial Valley.<br />

Library of Congress, photograph by Dorothea Lange<br />

150 Mexicans from other areas who were released<br />

from the welfare rolls spurned the Imperial Valley.<br />

Only twenty-six men showed up, with a few<br />

small groups trickling in later. 69<br />

In October of that year, while officials in the<br />

Mexicali Valley were settling repatriates on ejidos<br />

across the border, the Imperial County employment<br />

officer who had played an instrumental<br />

role in forcing unemployed persons off the welfare<br />

rolls and into the fields could not explain<br />

why Mexicans had not arrived to pick cotton,<br />

despite the availability of 500 jobs. “Migratory<br />

farm laborers are not coming back to the valley<br />

this year as early as in past years,” he remarked.<br />

Three weeks later, he was still hoping migrants<br />

In 1939, President Cárdenas embarked on a<br />

two-month, 6,000-mile farewell tour of Mexico’s<br />

northern border. He inspected 400 communities,<br />

devoting nearly all his time on agrarian<br />

projects ushered in during his administration.<br />

Cárdenas spent five days in Mexicali, conferring<br />

day and night with peasants and small farmers.<br />

In a speech at an ejido, he exhorted the settlers<br />

to work hard, shun drinking, and rebuild the<br />

Mexican economy. In another speech, he urged<br />

Mexicans living in the United States to return<br />

home. Cárdenas deepened his commitment<br />

to develop the desert region by approving of a<br />

twelve-million-peso irrigation district on the former<br />

CRLC estate. In addition to pledging to finish<br />

the railroad to Sonora, he endorsed a two-millionpeso<br />

bond to finance a 131-mile road to the port of<br />

San Felipe to develop fishing and tourism, as well<br />

as other business-friendly initiatives. 71<br />

Underscoring the high government priority given<br />

to colonizing the Mexicali Valley, Cárdenas designated<br />

Ramón Beteta, Mexico’s undersecretary of<br />

state for foreign affairs, with overseeing the repatriation<br />

of Mexican nationals living in <strong>California</strong>.<br />

Cárdenas set up the northern territorial colonization<br />

commission, headed by the territorial<br />

governor. As chief colonizing agent, the governor<br />

was given broad powers to speed up settlement.<br />

He was also instructed to recruit colonists from<br />

both sides of the U.S.-Mexico border. Cárdenas’s<br />

efforts to Mexicanize the northern portion of Baja<br />

<strong>California</strong> paid handsome dividends. The region’s<br />

1940 census (including Tijuana) revealed that<br />

77,509 of the 78,907 residents were Mexicans.<br />

0 <strong>California</strong> History • volume <strong>88</strong> number 4 2011


In the Mexicali Valley, the population increased<br />

from 29, 985 in 1930 to 44,399 a decade later. 72<br />

Bridging Eras<br />

The Great Depression ended a generation of<br />

Mexican family circular transnational and domestic<br />

migration. A repertoire of strategies including<br />

U.S. migration, mutualista self-help, strikes, and<br />

voluntary repatriation, which had given Imperial<br />

Valley campesinos the ability to improve their<br />

economic status, ended when wages declined,<br />

strikes failed, and jobs became scarce. National<br />

and international events overshadowed changing<br />

local conditions. The United State’s deportation<br />

and massive forced repatriation of Mexican<br />

nationals played into President Lázaro Cárdenas’s<br />

vision of colonizing Mexico’s northern borderlands<br />

with small farmers. In 1937, when Cárdenas<br />

expropriated the CRLC’s vast landholdings,<br />

Mexican repatriates embraced the opportunity to<br />

exchange a difficult itinerant lifestyle in America<br />

for the prospect of farming in the Mexicali Valley.<br />

Although repatriation, land expropriation, and<br />

colonization took place across the U.S.-Mexico<br />

borderland, recent scholarship on Cárdenas’s<br />

repatriation efforts in the Mexican states adjoining<br />

Texas most closely resembles what transpired<br />

in the Imperial-Mexicali region, albeit with<br />

significant differences. More ethnic Mexicans<br />

lived in Texas than in any other U.S. state and<br />

most repatriates came from Texas, which had a<br />

reputation of being virulently anti-Mexican. Consequently,<br />

there were more repatriate colonies<br />

in the Mexican states south of Texas. One of the<br />

unique factors of colonization in the Mexicali<br />

Valley was Baja <strong>California</strong>’s vulnerability to U.S.<br />

annexation, which propelled Mexico to populate<br />

the region. Another difference between the<br />

Mexicali Valley and other parts of Mexico’s far<br />

north involved the race to build up water usage<br />

from the Colorado River before the completion of<br />

Boulder Dam.<br />

Voluntary repatriation bridged two eras of Mexican<br />

mobility: family circular migration and the<br />

Bracero Program. The depopulation of ethnic<br />

Mexicans from the United States alarmed American<br />

employers during World War II. The loss of<br />

plentiful low-wage campesino migrants, however,<br />

presented an opportunity to create a new<br />

seasonal Mexican labor regime, but this time<br />

without families, theoretically avoiding the vexing<br />

issues of housing, schooling, and assimilating<br />

ethnic Mexicans. Building on the cooperation<br />

between the U.S. Border Patrol and Mexico’s<br />

Migration Service for voluntary repatriation, the<br />

two governments enacted the Bracero Program,<br />

a partnership creating a labor migration arrangement<br />

restricted to men.<br />

The Bracero Program was initially appealing<br />

to Mexico because it now regulated migration,<br />

thereby maintaining a steady flow of remittances<br />

while providing a safety valve for excess<br />

unemployment. It also minimized the number<br />

of expatriates and eliminated the need to resettle<br />

thousands of Mexican nationals expelled from<br />

the United States during an economic downturn.<br />

U.S. employers strongly supported the Bracero<br />

Program because it gave them the ability to regulate<br />

seasonal labor needs. Braceros eventually<br />

replaced most American migrant farm workers<br />

in the American West and significantly reduced<br />

strikes, which served to maintain wages and<br />

working and living conditions satisfactory to U.S.<br />

employers.<br />

Benny J. Andrés Jr. is Assistant Professor, Department<br />

of History and Latin American Studies Program, at the<br />

University of North Carolina at Charlotte. His current work<br />

is a manuscript tentatively titled “Power and Control in the<br />

Imperial-Mexicali Valley: Nature, Agribusiness, Labor and<br />

Race Relations, 1900–1940.”<br />

1


If Walls Could Speak:<br />

San Diego’s Historic Casa de Bandini<br />

By Victor A. Walsh<br />

From the far side of the historic plaza, the<br />

restored, two-story Cosmopolitan Hotel<br />

with turned wooden columns and baluster<br />

railings stands in the soft morning light—a<br />

sentinel to times gone by. Originally built in<br />

1827–29 as the family residence of Juan Bandini<br />

and forty years later converted into Old Town’s<br />

principal hotel and stage office, it is one of the<br />

most noteworthy historic buildings in the state. 1<br />

Few buildings in <strong>California</strong> rival its scale or size<br />

(8,000 sq. ft.) or blending of nineteenth-century<br />

Mexican adobe and American wood-framing construction<br />

techniques. It boasts a rich and storied<br />

past—one that has been buried in the material<br />

fabric and hidden in written and oral accounts<br />

left behind by previous generations.<br />

Over its 182-year history, this San Diego landmark<br />

changed and evolved to accommodate new<br />

uses, new construction methods and materials,<br />

and new cultural values and tastes. Like history, it<br />

is not a museum piece. As Juan Bandini’s singlestory<br />

adobe home, its construction depended<br />

largely on local materials and the availability of<br />

Kumeyaay Indian labor from nearby Mission San<br />

Diego de Alcalá. Its very size, advanced design,<br />

zaguán (central entranceway), and elevated position<br />

on the plaza represented the elite status<br />

and patriarchal values of a man who envisioned<br />

his home as the center of family life and pueblo<br />

activities. It also signified something less tangible<br />

or obvious: Bandini’s resolve to stay and make<br />

San Diego his patria (homeland).<br />

In 1869, when Albert Lewis Seeley, the Texas<br />

stage master, converted Bandini’s adobe into the<br />

Cosmopolitan Hotel, Old Town was already losing<br />

much of its Mexican orientation and part of<br />

its Californio character—a way of life that was<br />

largely seasonal, task-oriented, and oral. The<br />

hotel, the pride of an American frontier society in<br />

transition, personified this cultural shift. It incorporated<br />

new building materials, architectural<br />

elements, and interior furnishings and features,<br />

as well as such amenities as clocks, newspapers,<br />

printed fees, and schedules. It offered a multiplicity<br />

of relatively new commercial services,<br />

including a post office and barbershop, along<br />

with its operation as a hotel, bar, restaurant, and<br />

stage office. In a word, the hotel embodied what<br />

society was becoming: more mobile in terms of<br />

distance and speed and more disciplined and<br />

exacting in time. It also reflected the differentiation<br />

between public and private space that was<br />

less sharply delineated in the earlier Mexican era.<br />

Beginning in 1930, three successive remodels<br />

transformed the building into an upscale tourist<br />

attraction. The first, undertaken by Bandini’s<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


The recently renovated Cosmopolitan Hotel in Old Town San Diego stands once again on the historic plaza, resplendent<br />

in its original nineteenth-century glory. It is, as one current observer put it, “a resurrection of the past,” when<br />

many envisioned the hotel’s opening in 1869 as a sign of a new and more prosperous era for the tiny frontier community.<br />

This historic landmark—initially the home of Juan Bandini, one of Mexican <strong>California</strong>’s most prominent<br />

citizens, and today a hotel, restaurant, and bar—fulfills the long-term goal of many San Diegans to recognize and<br />

preserve a part of their cultural and architectural heritage.<br />

Photograph by Sandé Lollis<br />

grandson Cave J. Couts Jr., was the most important<br />

because it signified a cultural redirection<br />

by a struggling community hoping to capture a<br />

portion of the heavy auto-tourist traffic en route<br />

to the city’s acclaimed <strong>California</strong> Pacific International<br />

Exposition. <strong>Historical</strong> myths celebrating<br />

southern <strong>California</strong>’s Spanish origins arose out<br />

of nostalgia for an idealized past shattered by the<br />

sudden rise of a modern, urban-industrial society.<br />

Future operators, attracted by potential profits<br />

from Old Town’s identity with a Spanish past,<br />

converted the building into a luxurious Spanish<br />

Colonial hacienda that not only misrepresented<br />

its history and those associated with it, but also<br />

ignored the nineteenth-century Mexican Californio<br />

heritage.<br />

The preservation of historic buildings, structures,<br />

and landscapes provides tangible links to<br />

an otherwise physically vanished past. They are<br />

part of a “living tradition”—voices from the past<br />

that help tell us how those who came before us


once lived and worked. They narrow the “space<br />

of experience” that separates us from them. This<br />

is why <strong>California</strong> State Parks, with invaluable<br />

assistance from local preservation organizations,<br />

decided to restore this historic landmark to its<br />

appearance as the Cosmopolitan Hotel. 2<br />

Historic preservations and restorations are<br />

important for another less tangible but equally<br />

compelling reason. They are places that hold collective<br />

memories, multiple stories. 3 They offer us<br />

a coherent identity. The question or challenge is<br />

which cultural memories, stories, or identities<br />

can or will be remembered. The Cosmopolitan<br />

Hotel is a case in point. Recently, the San Diego<br />

Reader published an article arguing that its restoration<br />

as an American hotel ignores by necessity<br />

or choice its Mexican origins and heritage. 4 The<br />

implication is clear: either the building should<br />

have been left alone, unrestored in its nonhistoric<br />

state, or it should have been restored as the Casa<br />

de Bandini, requiring the removal of the entire<br />

second floor in violation of preservation standards<br />

and law. Neither of these options is acceptable.<br />

The solution, if one exists, is to provide<br />

tours, a documentary film or commemoration, or<br />

nonintrusive exhibits that address the building’s<br />

multiple layers of history and those cultural<br />

memories associated with it.<br />

Mexican <strong>California</strong>: The Casa and<br />

the Don, 1829–1859<br />

Juan Bandini would become one of the most<br />

prominent men of his day in <strong>California</strong>. Born in<br />

Arica, Peru, on October 4, 1800, he was the son<br />

of Captain José María Bandini, a Spanish-born<br />

naval officer stationed near Lima, and Ysidora<br />

Blancas, a native Peruvian of Spanish descent.<br />

The only surviving child of that marriage, Bandini,<br />

like his father, was the product of the<br />

Old and New Worlds. In his youth they sailed<br />

together to Europe, where Bandini completed his<br />

schooling in Spain and Italy with a focus on law. 5<br />

During the second decade of the nineteenth century,<br />

Spain’s New World territories were in the<br />

throes of rebellion against Spanish rule. Captain<br />

Bandini, who had returned to a politically unstable<br />

Lima, spent much of his time on the open<br />

sea, stopping and trading at Latin American and<br />

Mexican ports. In 1819 and 1821, he sailed up the<br />

Pacific coast from San Blas to deliver supplies<br />

and troops to the presidios at San Diego, Los<br />

Angeles, and San Francisco. A year later, by then<br />

retired, a widower, and a loyal citizen of Mexico,<br />

he decided to resettle in San Diego, lured by the<br />

promise of a new beginning. His twenty-twoyear-old<br />

son Juan, who admired his father and<br />

had no lasting ties to Lima, accompanied him. 6<br />

In 1827, Governor José María Echeandía granted<br />

Juan Bandini and José Antonio Estudillo, his<br />

brother-in-law, adjoining house lots on the plaza,<br />

measuring “100 varas square [277.5 x 277.5 ft.]<br />

in common.” 7 Through his marriage to Dolores<br />

Estudillo and after her death in 1833 to Refugio<br />

Argüello, the daughter of another influential<br />

Spanish Californio family, Bandini carved out an<br />

illustrious career as a politician, civic leader, and<br />

rancher. He allied his large family with influential<br />

American immigrants and welcomed American<br />

statehood. His American sons-in-law included<br />

Abel Stearns, the wealthy Los Angeles trader and<br />

cattle baron, Colonel Cave J. Couts, a prominent<br />

San Diego rancher, and Charles Robinson Johnson,<br />

a Los Angeles business associate. 8<br />

Bandini’s one-story adobe home was originally<br />

U-shaped, with two wings extending away from<br />

the plaza parallel to present-day Juan and Calhoun<br />

Streets. 9 It featured built-in, adobe-layered<br />

cornices and unexposed roof rafters—Spanish<br />

Colonial elements usually found only in the<br />

designs of <strong>California</strong>’s missions. According to<br />

Mariano Guadalupe Vallejo’s drawing from memory,<br />

10 the house had eight rooms, 11 a zaguán, a<br />

kitchen attached to the wing on Calhoun Street, 12<br />

and two patios in the rear, 13 along with a corral<br />

and shed for rigging and harnessing horses.<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


In 1856, the artist Henry Miller traveled<br />

throughout Alta <strong>California</strong> along the El<br />

Camino Real, from San Francisco to San<br />

Diego, sketching cities, towns, missions,<br />

and landscapes. “For one view of San<br />

Diego,” the jurist Benjamin Hayes wrote,<br />

“Mr. Miller received the beggarly sum of<br />

$10. An artist here cannot make enough<br />

to pay his bill at the hotel for four days.”<br />

Despite this obstacle, Miller completed<br />

a sketch illustrating the pueblo, a detail<br />

of which shows Juan Bandini’s adobe<br />

and the adjacent Casa de Estudillo, the<br />

pueblo’s two largest homes.<br />

Courtesy of The Bancroft Library,<br />

University of <strong>California</strong>, Berkeley


<strong>California</strong> State Parks’<br />

Restoration<br />

The three-year renovation of the Cosmopolitan Hotel by<br />

<strong>California</strong> State Parks, with support from local preservation<br />

organizations and companies, began in 2007. In this photograph,<br />

archaeologists patiently uncover the original cobblestone<br />

foundation of the north wing of the Casa de Bandini, which<br />

collapsed during an earthquake in 1862 and was never rebuilt.<br />

Cobbles were stacked in multiple layers to support the weight<br />

of the former adobe brick wall. Measuring as much as 7 ft. in<br />

width, the foundation extends outward with a cobble skirt sloping<br />

downward beyond the wall in order to deflect water runoff<br />

from the roof.<br />

Courtesy of <strong>California</strong> State Parks<br />

Water was available from two hand-dug wells.<br />

The drawing reveals that no exterior doorways<br />

opened onto the main streets or plaza, probably<br />

because the building stood on a level cobblestone<br />

foundation well above the street grade, making<br />

access difficult. 14 At the southwest corner directly<br />

across from the plaza, archaeologists have uncovered<br />

sections of the original foundation. It rises<br />

4 1 ⁄ 2 ft. from the original street grade to the adobe<br />

block. The building literally sat on a pedestal<br />

dominating the plaza. 15<br />

Alfred Robinson, the New England shipping<br />

agent for the trading agency Bryant, Sturgis &<br />

Co., described the stately whitewashed adobe in<br />

1829 as a “mansion,” which “when completed<br />

[will] surpass any other in the country.” 16 Built at<br />

the same time as the Estudillo adobe, the Casa<br />

de Bandini would take nearly two years to finish.<br />

The rooms had 3- to 3 1 ⁄ 2-ft.-thick adobe walls<br />

and deep-seated windows with wooden shutters.<br />

Cobalt blue floral patterns were painted on<br />

the finished lime-painted plaster of some of the<br />

interior walls. The ceilings were heavily beamed<br />

and covered with muslin to trap insects and dirt.<br />

The roof was covered with thatch and later clay<br />

tile. Materials such as the tiles, wood beams, and<br />

lintels probably were salvaged from the hilltop<br />

presidio, already in a state of deterioration. In<br />

1828, Bandini ordered palos colorados (redwood<br />

posts) from the American merchant John Cooper<br />

in Monterey. The posts, which measured 1 ⁄ 3 vara<br />

(11 in.) in diameter and 4.5–5 varas (12.5–13.9 ft.)<br />

in length, probably were used for the veranda facing<br />

the lower patio. 17<br />

The household maintained rigid hygienic standards,<br />

according to Arcadia Bandini Brennan,<br />

Juan Bandini’s great-granddaughter. One interesting<br />

practice carried out by Indian servants was<br />

hauling the household’s “slops” to the beach,<br />

where they were buried in holes and braced or<br />

enclosed with logs. The logs were then removed<br />

and the human wastes were carried out to sea<br />

by sand swept in by the waves. Adobe walls were<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


either painted with lime (whitewash) or plastered<br />

with slaked lime mixed with sand because the<br />

high acidic (Ph) levels in the lime kept the walls<br />

free of fungus and other bacteria. 18<br />

The front sala (parlor room) was the hub of<br />

“social gaiety” in old San Diego. Here, Bandini,<br />

a superb dancer, hosted lavish parties, including<br />

the weddings of two of his five daughters,<br />

Dolores and Ysidora, and met with representatives<br />

from the Mexican Republic and the United<br />

States. Measuring 33 x 16 ft., the large room was<br />

the only one in the house with a wooden (white<br />

pine) floor, and it was well worn by years of<br />

dancing. Brennan recalled a family tradition of<br />

placing “little gold dollars” in painted cascarones<br />

(eggshells), which were tossed to the guests by<br />

Indian servants during the parties. By the late<br />

1840s, the room sported a huge Yankee clock<br />

case, several English fox hunting paintings, a<br />

picture of George Washington, and an American<br />

flag, according to U.S.A. Major Samuel P.<br />

Heintzelman. 19<br />

Most of the other rooms had compact earthen<br />

floors. In her memoir, Brennan noted an interesting<br />

household practice as described by her<br />

grandaunt. “She told me that . . . the floors were<br />

fixed by having the ground in each room well<br />

swept, then wet down by buckets of water. When<br />

dry, green grasses or soft leafy branches were put<br />

all over, evenly laid and the beautiful rugs were<br />

rolled out.” 20<br />

Alfred Robinson wrote an evocative account of<br />

the festivities surrounding the blessing of the<br />

newly constructed home on December 28, 1829.<br />

The ceremony began at noon, attended by the<br />

governor (then in residence in San Diego), presidio<br />

officers, family, and friends. A priest from<br />

the nearby mission walked from room to room,<br />

beginning with the sala, sprinkling holy water on<br />

the walls. Guests then sat down to a sumptuous<br />

afternoon dinner. That evening, men, women,<br />

and children from the entire community, “without<br />

waiting for the formality of an invitation,”<br />

Robinson recalled, crowded into the grand home.<br />

In the candlelit sala, a graceful couple performed<br />

el jarabe (Mexico’s national dance) amid “shouts<br />

of approbation”: “The female dancer . . . cast her<br />

eyes to the floor, whilst her hands gracefully held<br />

the skirts of her dress, suspending it above the<br />

ankle so as to expose to the company the execution<br />

of her feet. Her partner . . . was under the<br />

full speed of locomotion, and rattled away with<br />

his feet with wonderful dexterity. His arms were<br />

thrown carelessly behind his back, and secured,<br />

as they crossed, the points of his serape, that still<br />

held its place upon his shoulders. Neither had he<br />

doffed his ‘sombrero,’ but just as he stood when<br />

gazing from the crowd, he had placed himself<br />

upon the floor.” 21<br />

Bandini envisioned his home as a gathering<br />

place for family and friends. He was deeply fond<br />

of his daughters Arcadia and Ysidora, who had<br />

moved to Los Angeles in 1841 when fourteenyear-old<br />

Arcadia married Abel Stearns. Twelveyear-old<br />

Ysidora was sent as a companion to her<br />

older sister. 22 In 1846, he set about refurbishing<br />

the casa and grounds in hopes of tempting them<br />

to visit Refugio and him on a more regular basis.<br />

He ordered fifty pieces of glass, all 8 x 10 in., for<br />

the installation of paned, wood-framed windows.<br />

The following year, he replanted the gardens with<br />

“pretty flowers,” remodeled the lower patio with<br />

clay brick, and built a detached wooden bathhouse<br />

for the comfort and privacy of his daughters<br />

when they visited. “I think they are going to<br />

like it very much,” he wrote to Stearns. 23<br />

As time passed and the family grew, more rooms<br />

were added to both wings. By the late Mexican<br />

period, there were between twelve and fourteen<br />

rooms, according to contemporaries. William Kip,<br />

<strong>California</strong>’s first Episcopal bishop, who stayed at<br />

the casa in January 1854, described it as “built in<br />

the Spanish style, around the sides of a quadrangle<br />

into which most of the windows open.” 24<br />

To Bandini, a man driven by an exacting sense<br />

of duty, caring for the home meant caring for


his family. The casa was the pride of the sparsely<br />

populated Mexican community, a symbol of the<br />

family’s patrimony and elite social position. He<br />

built it to last, to put down roots. San Diego had<br />

become his patria. 25<br />

In 1831, Bandini helped launch a successful<br />

revolt against Governor Manuel Victoria and an<br />

abortive uprising in 1836–38 against Governor<br />

Juan Bautista Alvarado. 26 Like his father, he saw<br />

tremendous potential in a resource-rich Alta<br />

<strong>California</strong>, provided it could free itself from the<br />

yoke of political dominance by Monterey and<br />

Mexico City. The “great Mexican Federal Republic,”<br />

he concluded in his Historia de la Alta <strong>California</strong>,<br />

had deprived Californios of reaping the<br />

“advantages and benefits” of their territory. It had<br />

failed to promote colonization, to protect citizens<br />

against Indian unrest, to support institutions of<br />

civil government, and to capitalize on a global<br />

hide-and-tallow trade by waiving import duties on<br />

foreign goods. “It is <strong>California</strong> that has suffered<br />

the most from the misfortunes that afflict us,” he<br />

wrote his close friend Mariano Vallejo in 1836. 27<br />

To Bandini, a man driven by<br />

an exacting sense of duty,<br />

caring for the home meant<br />

caring for his family. The<br />

casa was the pride of the<br />

sparsely populated Mexican<br />

community, a symbol of the<br />

family’s patrimony and elite<br />

social position. He built it<br />

to last.<br />

Prior to the U.S.-Mexican War (1846–48), Bandini<br />

had coordinated the sale and shipment of<br />

provisions to the U.S. military by boat through<br />

the American consul Thomas Larkin of Monterey.<br />

28 Ongoing business dealings with American<br />

traders, especially his ranching activities with<br />

his son-in-law and business partner Abel Stearns<br />

and son-in-law Cave J. Couts, had convinced him<br />

that <strong>California</strong>’s future lay with the United States,<br />

not Mexico. 29<br />

During the war, Bandini forged close relations<br />

with U.S. military officers stationed in San Diego,<br />

including Commander Samuel F. Dupont, Lt.<br />

Colonel John C. Frémont of the <strong>California</strong> Battalion,<br />

and later Commodore Robert F. Stockton,<br />

who had arrived in San Diego in November 1846<br />

on the frigate USS Congress. Stockton’s mission<br />

was to fortify and garrison the pueblo and thereby<br />

protect U.S. access to the bay, the only real harbor<br />

south of San Francisco, and Bandini’s home<br />

became his headquarters. “Don Juan Bandini and<br />

family received the Commodore elegantly at their<br />

mansion and entertained him sumptuously,”<br />

recalled the jurist Benjamin Hayes. 30<br />

San Diego remained an armed camp, its<br />

residents uneasy in the wake of continued skirmishes<br />

and cattle rustling. Stockton had fortified<br />

the abandoned hilltop presidio with gun emplacements<br />

and U.S. dragoons drilled on the plaza,<br />

renamed Washington Square. In early December<br />

1846, messengers from General Stephen Watts<br />

Kearny’s Army of the West arrived at Bandini’s<br />

home to inform Stockton that hostile forces had<br />

surrounded Kearny’s troops in the San Pasqual<br />

Valley. 31 Stockton sent out a large force to rescue<br />

the battered column and escort it back to San<br />

Diego. On December 12, a wounded Kearny and<br />

his exhausted men arrived at the plaza, greeted<br />

by the strains of “Hail, Columbia” from Stockton’s<br />

band. 32<br />

After the war, the pueblo became a welcome<br />

stopover for thousands of miners en route to the<br />

Sierra goldfields. A brisk commerce developed as<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


hotels, restaurants, billiard halls, tobacco shops,<br />

and hardware, dry goods, and clothing stores<br />

sprang up around the plaza, soon to be named<br />

Old Town, to cater to the throngs of male fortune<br />

seekers. In 1850, Bandini opened a store in his<br />

home. Its profits and loans enabled him to make<br />

improvements to the casa and the following year<br />

erect a magnificent, two-story, wood-framed lodging<br />

house east of the plaza, which he named Gila<br />

House. 33<br />

Bandini’s extravagant lifestyle and penchant for<br />

entertaining continued. Doña Refugio recalled<br />

the Gold Rush as “the reign of prosperity and<br />

plenty”: “How often did we spend half the night<br />

at a tertulia [salon]—till 2 o’clock in the morning—in<br />

the most agreeable and distinguished<br />

society. Our house would be full of company;<br />

thirty or forty persons at a table; it would have<br />

to be set twice. A single fiesta might cost a thousand<br />

dollars. But, in those days, receipts at my<br />

husband’s store might pass $18,000 a month.” 34<br />

With his grand home and extravagant ways,<br />

Bandini embodied the manners and bearing of<br />

a transplanted Spanish aristocrat. In later years<br />

and after his death, he was often referred to as a<br />

don, the signature title of Old World origins and<br />

rank. The American author Richard Henry Dana<br />

Jr., who had met Bandini in 1836, described<br />

him as “accomplished and proud, and without<br />

any office or occupation, to lead the life of most<br />

young men of the better families—dissolute and<br />

extravagant when the means were at hand. . . . He<br />

had a slight and elegant figure, moved gracefully,<br />

and waltzed beautifully, spoke the best of Castilian,<br />

with a pleasant and refined voice and accent,<br />

and had throughout the bearing of a man of high<br />

birth and figure.” 35<br />

However, Bandini’s letters to Mariano Vallejo<br />

and Abel Stearns during the late Mexican period<br />

reveal a far different man—a hardworking<br />

rancher beset by chronic illness, periodic hardship,<br />

worry over his family and property, and<br />

uncertainty about the future of his “native land,”<br />

During the Mexican era, Juan Lorenzo Bruno Bandini (1800–<br />

1859) served as secretary to Governor Pío Pico, congressional<br />

delegate, assembly member, town council member, customs collector,<br />

mayor, and San Gabriel Mission administrator. During<br />

the American transition period, he was a San Diego district<br />

superior judge and city treasurer. His home, Casa de Bandini,<br />

was at the center of San Diego’s social and political life during<br />

the 1830s–50s. Despite documentation of burdensome financial<br />

failures and political disillusionment, it is Bandini’s reputation<br />

as a wealthy, Spanish-bred gentleman steeped in romantic, cultural,<br />

and literary pursuits that remains in the forefront of our<br />

cultural memory.<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>; CHS2011.584.tif<br />

<strong>California</strong>. He frequently asked for assistance<br />

unavailable to him in the form of food or medicines,<br />

like quinine and castor oil, to relieve his<br />

coughing, asthma, and headaches and to treat<br />

assorted illnesses afflicting his family and his<br />

workers. After a poor harvest in 1836, he wrote<br />

Vallejo in the “name of friendship,” confessing<br />

that he and his family were in “great need.” He<br />

asked his close friend if he could spare “a little bit<br />

of wheat and other things whose use will be adequate<br />

to sustain life.” Continuing, he explained,<br />

“Feeding my family is all I yearn for, since misfortune<br />

has reached its utmost, I lose sleep, I


work incessantly to obtain sustenance, but oh my<br />

friend, even this doesn’t suffice, this is an unfortunate<br />

time. . . . I beg you not to miss the opportunity<br />

if you can send me something to eat.” 36<br />

William H. Thomes, a crew member of the<br />

Admittance who met Bandini in 1843, described<br />

him as “prematurely old” with heavy-set eyes,<br />

deep wrinkles around the temples, and a decided<br />

stoop to his shoulders—an indication that hardship<br />

and worry had taken a toll on his health.<br />

“This was only five years after Mr. Dana had seen<br />

him,” noted a surprised Thomes, “and the change<br />

must have been great in that short time.” 37<br />

By the summer of 1847, Bandini’s initial optimism<br />

about American rule had given way to<br />

growing disillusionment. He decried the coarseness<br />

of American manners, the breakdown of<br />

civil order as a result of the Gold Rush, and passage<br />

of the U.S. Land Act in 1851 allowing U.S.<br />

claimants to challenge the validity of Spanish and<br />

Mexican land grants in court. “One sees in the<br />

towns nothing but drunkenness, gaming, sloth,<br />

and public manhandling of the opposite sex,” he<br />

despaired in a letter to Abel Stearns. 38<br />

Forced to abandon several ranchos due to Indian<br />

attacks and to defend others in costly court proceedings,<br />

Bandini became an outspoken critic of<br />

American policies and legal jurisprudence. He<br />

condemned the Land Act as a land grab. “We<br />

are wronged, reviled and insulted,” he wrote in<br />

the Southern <strong>California</strong>n, a Los Angeles–based<br />

Spanish-English newspaper. The law, he correctly<br />

noted, required landholders to present evidence<br />

in the form of surveys to support their claims<br />

rather than diseños (hand-drawn maps), as was<br />

the custom under Mexican rule. “The modes of<br />

procedure were strange to us, everything was foreign,<br />

even our manner of speech,” he explained.<br />

“Our inheritance is turned to strangers—our<br />

houses to aliens.” 39<br />

Once the placer (or surface) gold had run out,<br />

the miners stopped coming through San Diego<br />

en route to the goldfields, and many businesses,<br />

including the Gila House, folded overnight. With<br />

no profits from his store, falling cattle prices, and<br />

wasteful investments, Bandini mortgaged his<br />

family home and other properties in April 1851 to<br />

a French gambler, Adolfo Savin, for $12,822.90<br />

to cover the loan plus interest that he owed this<br />

creditor. Disaster was only averted when Bandini’s<br />

son-in-law Charles Johnson, who recently<br />

had married Bandini’s daughter Dolores, asked<br />

Stearns to help. “They are awfully cast down<br />

about this affair,” he wrote to Stearns the following<br />

month. Stearns interceded and repaid Savin’s<br />

loan and interest in late 1851. 40<br />

That year, a debt-ridden and disheartened Bandini<br />

renounced his U.S. citizenship and returned<br />

to Baja <strong>California</strong>. Expelled for inciting political<br />

unrest, he moved back to Old Town by April 1854<br />

and opened a tienda barata (cheap goods store),<br />

in the front sala of his casa. The effort failed,<br />

however, and by August he had leased part of the<br />

house to county treasurer Joseph Reiner, who<br />

opened a hardware and dry goods store. 41<br />

The following year, Bandini attempted unsuccessfully<br />

to sell his properties. On August 19,<br />

1859, he transferred ownership of his home and<br />

ranchos in Tecate and Guadalupe to Stearns, to<br />

whom he owed $32,000. He died less than three<br />

months later on November 1, 1859, at Stearns’s<br />

home in Los Angeles. 42<br />

Over the next decade, the old mansion, reflecting<br />

Old Town’s decline, fell into disrepair. By 1860, it<br />

was unoccupied, a forgotten epitaph to Bandini’s<br />

death. In 1862, an earthquake cracked the adobe<br />

walls in several rooms and collapsed one of the<br />

end walls. Clearly frustrated by his inability to<br />

maintain or lease “the old house in San Diego,”<br />

Stearns wrote to Couts in 1864 that “it would be<br />

well to nail up the doors and encharge some one<br />

there to look after it.” 43<br />

0 <strong>California</strong> History • volume <strong>88</strong> number 4 2011


American Transition: The Cosmopolitan<br />

Hotel, 1869–1<strong>88</strong>8<br />

In 1869, Stearns at last found a buyer in Albert<br />

Seeley, a thirty-seven-year-old stage driver from<br />

Texas, who bought the ruin for $2,000 in gold<br />

coin. A driver since the age of seventeen, the 5 ft.<br />

10 in. ruddy-faced Illinoisan had arrived in Old<br />

Town from Los Angeles in 1867 with his English-born<br />

wife, Emily, and their children. Shortly<br />

afterward, he was awarded a government contract<br />

to carry mail and passengers between Los Angeles<br />

and San Diego. 44<br />

Seeley and his partner, Charles Wright, remodeled<br />

and refurnished the Franklin House on the<br />

south side of the plaza. Their new operation, the<br />

U.S. Mail Stage Line, faced multiple difficulties.<br />

The mail never arrived on time (three times<br />

weekly) due to poor road conditions, especially<br />

during winter when rainstorms washed out entire<br />

sections of the coastal route to San Juan Capistrano.<br />

River crossings were particularly dangerous,<br />

and holdups, although infrequent, did occur. 45<br />

The purchase of Bandini’s house and adjoining<br />

lots provided Seeley with an opportunity to build<br />

the necessary facilities for his stage operation and<br />

to house his passengers in what he called a “firstclass<br />

hotel.” With Emily’s recent inheritance of<br />

$8,000, he hired the contractors Henry F. and<br />

Samuel H. Parsons to renovate the deteriorating<br />

adobe and add a wood-framed second story and<br />

new balcony. 46<br />

An experienced stage driver, Albert Lewis Seeley (1832–<br />

1898) arrived in 1867 in Old Town, where he operated<br />

the U.S. Mail Stage Line between San Diego and Los<br />

Angeles from the Franklin House. Two years later, he<br />

erected the Cosmopolitan Hotel with money from his<br />

wife Emily’s inheritance. As his business and investments<br />

grew, the fashionable hotel became the town’s<br />

social hub, noted for its “delightful festivity.” Seeley was<br />

an effective self-promoter, given to exaggeration and fanfare.<br />

In 1874, he purchased “the largest and most splendid<br />

stagecoach in San Diego County [and] gave everyone<br />

in Old Town a free ride.”<br />

Courtesy of <strong>California</strong> State Parks<br />

The Cosmopolitan Hotel, or Seeley House as it<br />

was nicknamed, was an imposing vernacularstyle<br />

Greek Revival building. Eight thousand<br />

square feet in size, it represented a fusion of<br />

nineteenth-century Mexican adobe and American<br />

wood-framing construction techniques.<br />

The siding on the second story was mill-sawn,<br />

old-growth redwood clapboard. The first-floor<br />

veranda featured turned wooden columns, and<br />

the second-story balcony was enclosed with<br />

turned baluster railings. The doorways had fullheight<br />

pilasters, and the windows were framed<br />

by large wooden shutters. Bandini’s clay tile<br />

roof was replaced with a wood-shingled hip<br />

roof featuring a wide, level overhang covering<br />

the balcony. The lime-plastered adobe walls on<br />

the first floor were scored or lined to resemble<br />

mortared stone—a common practice employed<br />

to beautify commercial buildings. A large sign<br />

on the rooftop read Cosmpolitan Hotel. Another<br />

sign painted on the first-floor adobe façade next<br />

to the entrance read Los Angeles Stage Office. An<br />

1


“The very best Concord stages run on this line,” boasted proprietors Albert Seeley and Charles Wright in an advertisement for<br />

their stage line between San Diego and Los Angeles, which departed from the Cosmopolitan Hotel in Old Town San Diego.<br />

Though billed as mail coaches, the Concord stagecoaches also transported passengers, gold, and currency throughout the western<br />

United States. In an interview, Don Luis Serrano, a Seeley stage driver, reflected on the twelve-hour trip on a coach with<br />

“tough mustangs, about half-broken. . . . I drove two years without an accident, due no doubt to the efficacy of prayer.”<br />

San Diego History Center<br />

exterior stairway in the back and an interior stairway<br />

from the entrance hallway provided access to<br />

the second-story guest rooms. 47 “The new hotel<br />

of Mr. A. L. Seeley . . . is truly an elegant building,”<br />

opined the San Diego Union. “Its broad<br />

verandahs above and below extending on three<br />

sides of the whole building give the place a comfortable<br />

southern air.” 48<br />

The Cosmopolitan Hotel opened in September<br />

1869, serving also as a post office and stage office<br />

for Seeley’s stage line from 1871 to 1<strong>88</strong>7. Advertisements<br />

in the San Diego Union billed it as a<br />

“first-class hotel” whose “large and commodious<br />

hotel” featured “large, well ventilated, and finely<br />

furnished” rooms and a well-stocked table and<br />

bar boasting “the choicest wines, liquors and<br />

cigars.” 49<br />

Contrary to Seeley’s self-promotional efforts, the<br />

hotel was not a first-class establishment. It did<br />

not have gas lighting, plumbing, or private suites.<br />

Like many frontier institutions, it was multifunctional,<br />

serving as a telegraph and post office, stage<br />

depot, and hotel with a bar, billiard room, and<br />

barbershop operated by a “gentleman of color.” 50<br />

Except for the corner suite overlooking the plaza,<br />

the second-story guest rooms were small, indicating<br />

that private space, unlike today, was not a<br />

highly valued commodity. The rooms facing the<br />

street were about 14 ft. deep x 11 ft. wide, while<br />

those overlooking the rear courtyard, occupied<br />

by single boarders, were 10 x 11 ft. 51 The rooms<br />

probably had window shades or possibly blinds,<br />

one or two mahogany bedsteads with straw or<br />

woolen mattresses, a washstand, lamp, and a<br />

table with bowl, pitcher, and mirror. The large<br />

corner room overlooking the plaza featured a red<br />

brick fireplace and sliding pocket doors with an<br />

oak faux finish. 52<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


The Seeley House catered to visitors traveling by<br />

stage and to residents of the sparsely settled outlying<br />

areas with family and business connections<br />

in Old Town. These included Miguel de Pedrorena<br />

Jr. of Jamul Valley, whose married sister<br />

Isabel lived in Old Town; William J. Gatewood,<br />

the recently hired editor of the San Diego Union;<br />

and Andrew Cassidy, an Irish-born Soledad Valley<br />

rancher and county supervisor. Interestingly,<br />

members of Bandini’s immediate family—Refugio,<br />

daughters Arcadia and Dolores, and sons<br />

José María and Juan Bautista—stayed at the hotel<br />

when visiting relatives. Unfortunately, none of<br />

them left a written record of what it was like to<br />

revisit their former home. 53<br />

<strong>California</strong> State Parks’<br />

Restoration<br />

Grander and larger than the upstairs guest<br />

rooms, the bar and sitting rooms on opposite<br />

sides of the entry hall were the hotel’s public<br />

show places. The tongue-and-groove Douglas fir<br />

floors were stained a deep red-brown finish. Most<br />

of the original woodwork, including the redwoodbeaded<br />

wainscoting, window wells, and trim, has<br />

remained intact. The bar itself was probably a<br />

front-back bar counter, made of either mahogany<br />

or black walnut with recessed panels. 54<br />

Along with wine, champagne, and assorted<br />

liquors, the bar sold its male clientele imported<br />

Havana cigars for twenty and twenty-five cents<br />

each; fresh lager beer by the glass, bottle, or gallon;<br />

all choice brands of liquor; and the “Uncle<br />

Toby” brandy-rum punch, five for twenty-five<br />

cents. 55 Ice was available, as were “all the newspapers<br />

of the day.” Although no known record<br />

of the bar’s furnishings exists, it most likely<br />

included an iron safe, a key rack, wall clock,<br />

hanging lights with ceiling medallions, armchairs<br />

and tables, and such conventional items as<br />

ten- and twenty-gallon kegs and spittoons. 56<br />

Seeley enlarged Bandini’s sala into a “spacious<br />

sitting room with a fire.” Like the bar, it provided<br />

a gathering place where female guests and their<br />

children, boarders, and visitors could take their<br />

As the cement stucco, chicken wire, and tar paper on the second<br />

story were removed—remnants from a 1930s remodel by Bandini’s<br />

grandson, Cave J. Couts Jr.—workers discovered that the hotel’s original<br />

door and window opening had been boarded up with roof decking,<br />

providing a perfect blueprint of their locations and dimensions.<br />

Nearly all of the original mill-sawn redwood clapboard remained<br />

intact. To see the knot-free, smooth-grained, old-growth redwood is to<br />

connect with a forgotten past when Old Town was a struggling, dustridden<br />

frontier hamlet.<br />

Courtesy of <strong>California</strong> State Parks


the whole thing hugely. American ladies as well<br />

as gentlemen being among the lookers-on, from<br />

the balcony of the Franklin and Cosmopolitan.” 58<br />

Guests of Albert Seeley’s Cosmopolitan Hotel enjoyed a grand<br />

view of the plaza’s activities—both unique and mundane—from<br />

the building’s newly constructed second story. The artist of this<br />

1<strong>88</strong>7 drawing, originally printed in Harper’s Weekly, preferred<br />

to capture the romantic notions of the plaza’s Californio past,<br />

with caballero, bird, and mission bell singing the virtues of an<br />

earlier time.<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>/USC Special Collections<br />

meals and relax. By the early 1870s, as Emily<br />

and Albert’s social standing rose, the large room<br />

with the red-brick fireplace’s warming glow had<br />

evolved into the town’s community center. It was<br />

the scene of raffles, family reunions, dances,<br />

Christmas parties, evening balls, and weddings. 57<br />

The hotel’s upstairs balcony was literally the<br />

town’s grandstand where guests and locals could<br />

observe an array of activities on the plaza—from<br />

holiday celebrations and circus performances to<br />

mule team races and bullfights. Rufus Porter, the<br />

correspondent for the San Francisco Daily Evening<br />

Bulletin, left a detailed account of one such<br />

bullfight in December 1869: “Last week Old San<br />

Diego was in all its ancient and pristine glory—<br />

the Plaza fenced in and scores of poor bulls<br />

driven round by the Hijos del Pays [País, Sons<br />

of the Country] on horseback, care having been<br />

taken first to saw off the animals’ horns. . . . The<br />

saloon, store and hotel-keepers seemed to enjoy<br />

The stage line was the modus operandi for the<br />

hotel’s existence. By 1871, Seeley had purchased<br />

the adjoining lot, rebuilt a large barn to house his<br />

coaches and mud wagons, bought the Blackhawk<br />

Livery Stable, and put up corral fencing and a<br />

windmill for pumping water from a red-brick,<br />

lime-mortared well. The windmill, erected in<br />

1870 and designed and built by William I. Tustin<br />

of Vallejo, featured wide horizontal blades,<br />

a turntable beneath the main shaft, and a selfregulating,<br />

360-degree turning wheel that could<br />

shut itself off by turning out of the wind during<br />

dangerous high-wind conditions. It represented<br />

mechanical technology far ahead of its time. In<br />

1872, Seeley purchased the two remaining block<br />

lots, built another Tustin-designed windmill outside<br />

the yard, rebuilt or replaced several sheds,<br />

and planted eucalyptus trees along Juan Street as<br />

a windbreaker. In 1873–74, the improved hotel lot<br />

was valued at $2,000. 59<br />

Seeley’s profit margin was based on delivering<br />

the U.S. mail, not passengers. By 1871, his Los<br />

Angeles–San Diego stage service was running<br />

every day except Sundays in order to service the<br />

increasing volume of mail. With an overnight<br />

stop at San Juan Capistrano, the trip took thirtyfive<br />

hours and cost ten dollars, plus meals. A year<br />

later, it was cut to twenty-three hours. Passengers<br />

made the trek in sturdy canvas-roofed Concord<br />

coaches, while the mail was hauled in lighter<br />

mud wagons. Over the next several years, Seeley<br />

and Wright extended their operation into more<br />

remote areas where mining and farming were<br />

developing. In 1874, they contracted with Wells<br />

Fargo and Co. to run coaches to local mountain<br />

mines and deliver mail and passengers to the<br />

gold-mining town of Julian. Four years later, the<br />

U.S. Postmaster General granted Seeley contracts<br />

from San Bernardino to Los Angeles, Anaheim to<br />

San Diego, and San Diego to Julian. 60<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


Among the watercolor sketches of<br />

<strong>California</strong>’s adobes by Eva Scott Fenyes<br />

(1849–1930)—initiated at the urging of<br />

Charles Fletcher Lummis “as a means<br />

to record an imperiled landscape”—is<br />

this 1907 painting of Juan Bandini’s<br />

renovated Cosmopolitan Hotel during the<br />

Akerman-Tuffley era. Fenyes overlooked<br />

the building’s worn condition to create<br />

an idealized image of the old hotel—<br />

adjacent to the Casa de Estudillo—that<br />

promoted her romantic vision of the<br />

state’s Spanish and Mexican heritage.<br />

Braun Research Library, Autry National<br />

Center; FEN.64<br />

The great fire of 1872 devastated the historic plaza<br />

and without sea or rail connection, the community<br />

languished. “Old Town is a heap of adobe<br />

ruins with a few scattering habitable dwellings,”<br />

wrote the historian Hubert Howe Bancroft after a<br />

visit to Benjamin Hayes in early 1874. The number<br />

of guests at the Cosmopolitan Hotel steadily<br />

dropped. As of 1<strong>88</strong>2, it was “without a guest,”<br />

noted the travel writer William Henry Bishop. 61<br />

The arrival of the railroad to Los Angeles in 1878<br />

and New San Diego in 1<strong>88</strong>5 signified the end of<br />

an era in Old Town. By 1<strong>88</strong>7, Seeley had ceased<br />

running stages, except for a local line between<br />

San Diego and Ocean Beach. The following year,<br />

he sold his hotel and stables to Israel Cohnreich<br />

from San Francisco for $15,000 in gold coin. 62<br />

Boardinghouse: Akerman and Tuffley,<br />

1<strong>88</strong>8–1919<br />

In the decade that followed, the hotel became<br />

a rooming house. In 1896, the English entrepreneurs<br />

Edward Akerman and Robert Tuffley<br />

leased the building, including Seeley’s large barn,<br />

from Josephine Newman, who had purchased it<br />

from Cohnreich earlier that year. They converted<br />

the barn and, a few years later, the downstairs of<br />

the hotel into olive-pickling and -packing rooms.<br />

Bandini’s beloved sala became their office. The<br />

Old Mission Olive Works won many national<br />

and international awards for their olive products,<br />

in part because the building’s thick adobe walls<br />

provided a cool, year-round “even temperature.”<br />

The Akerman and Tuffley families, along with a<br />

few of their employees and friends, lived in the<br />

upstairs guest rooms. 63<br />

In her memoir of her years growing up in Bandini’s<br />

casa, Susan Davis Tiffany, a family friend<br />

of the Akermans, recalled many of the physical<br />

details of the house during the early 1900s. “The<br />

Bandini house had neither plumbing nor electricity<br />

when I went there [in 1898], but both were<br />

installed later. . . . There was a large fireplace in a<br />

big room downstairs which had presumably been<br />

the Bandini parlor, and two small grates were in<br />

upstairs rooms. None of these supplied adequate<br />

warmth and we supplemented them with portable<br />

kerosene-burning heaters. . . . Small kerosene<br />

hand lamps were our only lighting.” Cooking was<br />

performed on a wood-burning iron stove. As in<br />

days past, water was kept cool in ollas (earthenware<br />

jars). There was no telephone, no gas and<br />

no refrigeration. 64


The house and grounds, however, had been<br />

significantly altered since the Cosmopolitan<br />

Hotel’s heyday. The second-story rooms were<br />

divided up and rented out to boarders, including<br />

the Tiffany family. Eucalyptus and pepper trees<br />

shaded the house and morning glory and honeysuckle<br />

vines grew in profusion on the porches.<br />

There were also outdoor tennis and croquet<br />

courts. The two old wells dating to Bandini’s<br />

time—one located at the end of a wing and the<br />

other in the horse corral—were boarded up. 65<br />

The Tiffany memoir provides insight into the<br />

boarding house experience in early twentiethcentury<br />

America. The household was multiethnic<br />

and multigenerational. Along with<br />

Mexican and Indian servants who lived nearby,<br />

the residents included the Akermans and Tuffleys;<br />

the Altamiranos, an old Californio family<br />

related to the Pedrorenas and Estudillos; and<br />

Susan, her sister Elizabeth, and their great aunt,<br />

Rebecca Davis from North Carolina. The children<br />

were the household’s bonds. “We grew<br />

up together like sisters and brothers,” recalled<br />

Susan. “There were usually twelve or more<br />

regular residents in the house, and sometimes<br />

visitors for a short period. . . . So in the Historic<br />

Bandini house were several generations and a<br />

variety of national and genealogical lines.” 66<br />

Akerman and Tuffley operated the olive works<br />

at the hotel until 1915, when construction of<br />

their new plant, a large Mission-style building<br />

a block away, was completed. 67 The Casa de<br />

Bandini’s association with an industry dating to<br />

the Franciscan missionaries “seems to remind<br />

one of the days ‘before the Gringo’ came when<br />

black-eyed senoritas would sit in the evening<br />

thrumming the guitar and gossiping over<br />

the last Fandango,” noted a San Diego Union<br />

reporter in 1902. 68<br />

Nostalgia, though, did not halt the historic<br />

building’s deterioration. Photographs from<br />

the 1920s show huge chunks of plaster broken<br />

off from the adobe walls, railings missing, and<br />

a badly rotting porch deck. By 1920, only four<br />

boarders—Edward Akerman, his wife Ysabel<br />

Altamirano, his sister Ellen, and Robert Tuffley—remained.<br />

The following year, the building’s<br />

assessed value dropped to a mere $300 from<br />

$1,250 in 1900. By 1928, it stood vacant, abandoned<br />

by the misfortune of time. 69<br />

A Landmark Saved: Couts’s Restoration,<br />

1928–1945<br />

On July 21, 1928, Bandini’s grandson Cave J.<br />

Couts Jr. bought the entire block on which the<br />

old hotel stood for $12,500. Two years later, he<br />

transformed the dilapidated family home into<br />

a hotel and restaurant remodeled in the thenpopular<br />

Steamboat Revival style. The establishment<br />

was called the Miramar Hotel. 70<br />

The first-floor porch was plastered and trimmed<br />

with a balustrade railing of “cast stone,” or<br />

concrete. Decorative white lath curved screens<br />

embellished the tops of the porch and balcony on<br />

all sides. The cement stucco walls were painted<br />

yellow, the window sashes white, and the porch<br />

trim green and brown. The wide, horizontally<br />

In the early 1930s, Cave J. Couts Jr. (1856–1943)—<br />

the self-described “Last of the Dons” (opposite,<br />

inset)—remodeled his grandfather Juan Bandini’s<br />

former residence in the fashionable Steamboat Revival<br />

architectural style. He stuccoed the entire building,<br />

covered the roof with asphalt shingles, and embellished<br />

the tops of the porch and balcony with white lath<br />

screens. Despite adding modern conveniences, Couts<br />

publicly associated his new hotel with the cultural<br />

traditions of a festive and romantic Spanish past. In<br />

later years, he spearheaded efforts to restore the Pala<br />

Mission, beautify Old Town’s plaza, and repair the<br />

County Courthouse. His final project, a plan to create<br />

El Pueblito Centro Internacional on the historic<br />

community’s plaza, never bore fruition.<br />

Couts’s portrait: Courtesy of County of San Diego, Parks<br />

and Recreation History Office; Couts’s Casa de Bandini/<br />

Miramar Hotel: <strong>California</strong> <strong>Historical</strong> <strong>Society</strong>/USC Special<br />

Collections<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


extended overhang that graced the roof of the<br />

Cosmopolitan Hotel was removed. The wooden<br />

shingles of the old hotel were replaced with<br />

asphalt shingles. Junipers, century plants, and<br />

other exotic shrubbery lined the garden beds<br />

along Mason and Calhoun Streets. For the first<br />

time, the building was equipped with plumbing<br />

to provide hot and cold running water for the<br />

bathrooms and kitchen and gas lines for modern<br />

appliances, such as a three-burner gas-plate<br />

range. The electrical system, installed in the<br />

century’s first decade, was upgraded. 71<br />

The development of the auto-tourist industry and<br />

the public’s captivation with the state’s Spanish<br />

origins had convinced Couts, who envisioned<br />

himself as “the last of the dons,” to market the<br />

hotel as an upscale tourist destination that celebrated<br />

a Spanish heritage rich in pageantry and<br />

refinement. His decision was influenced by the<br />

city’s transformation into a tourist Mecca noted<br />

for its Mediterranean-like climate and gay festive<br />

spirit and by efforts to promote the historic<br />

community’s Spanish heritage.<br />

In 1908, sugar magnate and investor John D.<br />

Spreckels had extended his downtown streetcar<br />

line to Old Town and hired local architect Hazel<br />

W. Waterman to restore the Casa de Estudillo, by<br />

then a ruin, adjacent to the Casa de Bandini. It<br />

was restored “as a typical old Spanish <strong>California</strong><br />

dwelling,” she explained, not “as it was originally,<br />

nor as it developed thru changes and alterations.”<br />

Completed in 1910 on the eve of the Panama-<br />

<strong>California</strong> Exposition, the restoration launched<br />

one of <strong>California</strong>’s earliest historic tourist attractions<br />

and helped engender a mythical fascination<br />

with the state’s early Spanish heritage. Under<br />

showman Tommy Getz’s management, the<br />

historic adobe was promoted as “Ramona’s Marriage<br />

Place,” attracting a steady stream of sightseers<br />

who believed that the chapel in the casa<br />

was the real setting of a marriage between the<br />

two principal characters in the bestselling 1<strong>88</strong>4<br />

novel, Ramona, by Helen Hunt Jackson. Couts,<br />

who had consulted on the restoration, admittedly<br />

dismissed the novel as a “greatly distorted”<br />

romance, but as he confessed to Mrs. S. I. Harritt<br />

of the Pioneers <strong>Society</strong> of San Diego, “I certainly<br />

would hesitate in doing anything that would<br />

detract from ‘Ramona’s Marriage Place’ at Old<br />

Town” out of friendship to Getz and appreciation<br />

of Spreckels. 72<br />

Other changes followed. The 37-acre Presidio<br />

Park, overlooking Old Town, opened on July 16,<br />

1929, the 160th anniversary of the founding of<br />

<strong>California</strong>’s first mission. The park’s terraced<br />

grassy expanses, groves of trees, and strikingly<br />

beautiful white stucco Junipero Serra Museum,<br />

with its 70-ft.-high domed tower, recast the historical<br />

memory of San Diego’s Spanish origins.<br />

Its development under civic leader George Marston<br />

and completion of the new Pacific Highway<br />

spurred Couts and others to reinvent Old Town’s<br />

historic identity. 73<br />

Couts’s hotel, however, never prospered during<br />

the Great Depression and World War II. Few<br />

tourists visited. Rent money often was directed<br />

back into maintenance. Rooms sometimes were<br />

crowded with local transients to reduce expenses,<br />

and finding responsible or reliable lessees was an<br />

ongoing problem. Mrs. J. W. Fisher, who managed<br />

the leasing contracts and took a personal<br />

interest in the building, complained in one of<br />

her letters to Couts that “poor old men from the<br />

county [are] sleeping two, three & four in a room,<br />

two in the cantina between the dining room &<br />

scullery and all the other rooms similarly filled.<br />

Of course that makes it [the casa] not an apartment<br />

house, club or rooming house or hotel. It is<br />

just a rest home.” 74<br />

In March 1935, Couts leased the building to<br />

Margaret Adams Faulconer, who operated the<br />

business as a cultural venue under the name<br />

Casa de Bandini. The timing seemed opportune.<br />

The <strong>California</strong> Pacific International Exposition<br />

would open that summer at San Diego’s Balboa<br />

Park. Couts hoped to attract visitors from the fair<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


The image of Spanish dancers illustrating the cover of the official guide to San Diego’s <strong>California</strong> Pacific<br />

International Exposition (1935–36) reinforced the city’s focus on “its glorious past dedicated to a glorious<br />

future.” “Here in southern <strong>California</strong>,” wrote exposition President Frank Belcher, “we have a rich heritage<br />

from the gracious days of the Spanish dons. Hospitality has always been a keynote in our lives.”<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>


y linking the Casa de Bandini with the cultural<br />

traditions of Old Spain as exemplified by his<br />

grandfather. 75<br />

Cave J. Couts Jr. promoted the casa’s proximity to the enormously<br />

popular exposition in Balboa Park—“6 Minutes from the Exposition”—in<br />

this tourist brochure. Inviting visitors to “Live as the Dons<br />

did,” he appealed to the public’s fascination with “Old Spain.”<br />

“Your stay within its walls,” he promised potential hotel guests, “will<br />

become an exquisite memory.” Couts’s description of a residence that<br />

was “preserved intact as it was in the days of the Dons, and changed<br />

only by the addition of all modern conveniences” may have appealed<br />

to popular taste for Spanish romance, but it misrepresented his<br />

significant changes to the adobe’s original architectural elements.<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong><br />

Faulconer ran full-page advertisements in the San<br />

Diego Union featuring images of gaily dressed<br />

dancers and guitar-strumming caballeros (gentlemen)<br />

posing in the courtyard garden. One advertisement<br />

proclaimed: “In all <strong>California</strong> there is<br />

no more romantic building than the Casa de<br />

Bandini, located in Old Town San Diego. Here,<br />

where once the dashing Dons and lovely senoritas<br />

recreated the social grace of aristocratic Castille,<br />

in this one-time province of Spain, has endured<br />

for nearly a century and a quarter the tradition of<br />

a great family. Out of the pages of the past onto<br />

the stage of the present comes a restored and<br />

brilliant Casa de Bandini. In this transition from<br />

yesterday to today, nothing of its former charm or<br />

beauty has been lost. Much of <strong>California</strong>’s history<br />

has centered in this truly magnificent specimen<br />

of real <strong>California</strong> architecture. . . . It was the home<br />

of Don Juan Bandini, noted caballero. Today it is<br />

still owned by the Bandini family, in the person<br />

of Cave Couts, grandson of Don Juan. On May 25,<br />

a few days previous to the opening of the <strong>California</strong><br />

Pacific International [Exposition], the Casa<br />

de Bandini once again will assume its traditional<br />

place as the center of <strong>California</strong>’s social gaiety.” 76<br />

During this time, the Casa de Bandini hosted a<br />

full repertoire of theatrical, literary, and historical<br />

events, including evening historical lectures<br />

and slide shows and workshops by the San Diego<br />

State Teachers College on “early <strong>California</strong> plays.”<br />

The Daughters of the American Revolution and<br />

other organizations held dinners and meetings,<br />

usually in the old sala, now a dining area. There<br />

was even a Spanish costume ball. Theatrical performances<br />

often focused on the rich pageantry of<br />

events associated with the region’s early history.<br />

Evening performances of Heart’s Desire, a play<br />

about the Bandinis set at the casa in 1846 during<br />

the U.S.-Mexican War, were staged on the<br />

rear patio and balcony, glowing with footlights.<br />

0<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


A reviewer characterized “Don Juan Bandini” as<br />

“a man of culture and refinement” and observed<br />

that “Bandini, his wife Dolores, and his three<br />

beautiful daughters, Ysidora, Arcadia and Josefa,<br />

were the center of social activities in San Diego.”<br />

He noted that “each night scores of their friends<br />

and acquaintances gathered to dance and enjoy<br />

the beauty of the Bandini home and garden.”<br />

Such plays and the promotional literature of the<br />

day helped popularize a legendary Bandini who<br />

was celebrated and remembered for his Old<br />

World gentility and rank—the “Prince of Hosts,”<br />

in the words of historian and San Diego Union<br />

columnist Winifred Davidson. 77<br />

Of course, Couts’s remodel played upon the<br />

refrain of an imagined past. The building was<br />

not a “magnificent specimen of real <strong>California</strong><br />

architecture” but the Cosmopolitan Hotel remodeled<br />

in a Steamboat Revival architectural style.<br />

The casa’s historic adobe walls and other features<br />

were concealed beneath cement stucco façades.<br />

Balconies and porches that had never existed<br />

in Bandini’s time were decorated with white<br />

vertical lath. 78<br />

Couts’s work crews salvaged and reused nearly<br />

everything from Seeley’s hotel. They covered the<br />

massive adobe walls with chicken wire and then<br />

applied a thick lime plaster over them. This not<br />

only served as a bonding agent for the stucco, but<br />

also insulated the adobe from the stucco, allowing<br />

it to breathe and wick away moisture. The<br />

hotel’s original door and window openings on<br />

the second story were boarded up with roof decking.<br />

These sections stand out from the redwood<br />

clapboard siding, providing a perfect blueprint<br />

of the locations and dimensions of the doors and<br />

windows of the Cosmopolitan Hotel. In addition,<br />

the stucco layered over chicken wire and tarpaper<br />

protected the clapboard and square-top ironcut<br />

nails.<br />

With the country then mired in the Great Depression,<br />

it was both costly and impractical for contractors<br />

to replace existing building materials<br />

The building is a veritable<br />

museum of historic fabric,<br />

layer upon layer revealing<br />

the secrets of lost crafts<br />

and building practices. . . .<br />

Such firsthand evidence is<br />

the single most important<br />

source of information<br />

about the building’s<br />

history. Nothing—historic<br />

photographs, drawings,<br />

written records, or off-site<br />

salvaged materials—can<br />

replace it.<br />

with goods shipped by boat or train. As a result,<br />

the building is a veritable museum of historic<br />

fabric, layer upon layer revealing the secrets of<br />

lost crafts and building practices. In some areas<br />

of construction, such as the brass pipe for the<br />

water lines and tongue-and-groove Douglas<br />

fir flooring on the second floor, Couts did not<br />

scrimp on money.<br />

Nonetheless, there was a concerted effort to reuse<br />

existing material. As a result, much of the historic<br />

fabric and many architectural features were<br />

concealed and preserved on-site. Such firsthand<br />

evidence is the single most important source<br />

of information about the building’s history.<br />

Nothing—historic photographs, drawings, written<br />

records, or off-site salvaged materials—can<br />

replace it. Unknowingly, Bandini’s grandson<br />

helped save a family historic landmark for future<br />

restoration. 79<br />

1


<strong>California</strong> State Parks’<br />

Restoration<br />

Tourism and Myth: The Cardwell<br />

Ownership, 1945–1968<br />

In 1945, the proprietors James H. and Nora<br />

Cardwell bought the Casa de Bandini from the<br />

Couts estate for $25,000. 80 With their financial<br />

backing, their son Frank renovated it into an<br />

upscale motel in the image of a Spanish Colonial<br />

hacienda. The Cardwells hired local architect<br />

Lloyd Ruocco, an associate of the noted San Diego<br />

architect, Richard Requa, for the redesign. 81<br />

Undertaken during 1947–50, when the building<br />

stood vacant, the renovation was extensive.<br />

Prominent Steamboat Revival features such as<br />

the lath, railing, and posts were removed. The<br />

building assumed a quasi-Spanish Colonial<br />

appearance with its stucco columns, decorative<br />

wrought-iron trim, rustic wooden posts and railings<br />

on the balcony, and ceramic and stone tiles.<br />

Tropical plants such as palms, banana trees, and<br />

birds of paradise decorated the courtyard, and<br />

succulents bordered a large lawn. City directories<br />

listed the property as the Casa de Bandini Hotel<br />

under James H. Cardwell’s management from<br />

1950 to 1965. Cardwell claimed that the remodel,<br />

which included soundproofing the rooms and<br />

overhauling the electrical and water systems, cost<br />

$100,000. 82<br />

In 1930, Cave Couts Jr.’s work crews covered the massive<br />

exterior walls of the Casa de Bandini with cement stucco.<br />

This photograph documents the surprise discovery by renovation<br />

crews of the intact adobe brick on the first floor,<br />

with traces of lime paint dating to the Seeley period. The<br />

patch of thick lime plaster in the upper corner was applied<br />

in 1930. The adobe’s walls—some 12 ft. high and 31⁄2 ft.<br />

thick—are an enduring testament to the grueling ordeal of<br />

nineteenth-century hand labor.<br />

Courtesy of <strong>California</strong> State Parks<br />

Cardwell portrayed his hotel as representative<br />

of early Old Town’s Spanish period even<br />

though it had no association with either the<br />

historic building or the community. Tourist brochures<br />

described the “lavish restoration” as the<br />

embodiment of “the charm of the early Spanish<br />

atmosphere.” Images of costumed dancers and<br />

musicians with guitars and Caribbean drums<br />

graced many of the pages. 83<br />

Conflicting Goals: A State Historic<br />

Park, 1968–2007<br />

In 1968, the 12.5 acres surrounding the historic<br />

plaza became Old Town San Diego State Historic<br />

Park. On December 18 of that year, the state of<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


<strong>California</strong> acquired the Casa de Bandini and<br />

other Old Town properties from the Cardwells<br />

for $898,176. 84 Over the next decade, the Casa<br />

de Bandini stood empty, except for two years,<br />

1974–76, during which it operated as the park’s<br />

visitor center. In 1978, it was leased to Diane<br />

Powers, a talented interior designer who had successfully<br />

launched her stylish Bazaar del Mundo<br />

in the park’s historic Casa de Pico Motor Hotel<br />

in 1971. 85<br />

Completed in 1950, Frank and Nora Cardwell’s three-year,<br />

$100,000 renovation transformed the historic building into<br />

a lavish vernacular Spanish Colonial hacienda. The massive<br />

stucco columns, wide arcade, decorative wrought-iron<br />

fixtures, and stone front steps created a false sense of history<br />

and perpetuated old San Diego’s association with the<br />

then-popular Spanish heritage fantasy.<br />

San Diego History Center<br />

Over the next two years, Powers altered the rear<br />

courtyard and first floor to accommodate indoor<br />

and outdoor dining. Decorated with her unique<br />

and bright décor, the dining ambiance was more<br />

South American, especially Peruvian, than Spanish<br />

or Mexican. Powers installed new lighting<br />

and doors, timbered false beams, glass panels in


wall partitions, and stone and ceramic tiles and<br />

regraded and raised the courtyard outdoor dining<br />

area around a large fountain. She expanded<br />

and upgraded kitchen facilities in the adobe end<br />

room of the Calhoun Street wing, adding a foodpreparation<br />

area and a separate freezer space.<br />

Much of the building’s façade, especially along<br />

Mason Street, was concealed beneath a tangle<br />

of tropical shrubbery. 86 The second-story guest<br />

rooms were converted into offices and storage<br />

spaces. 87<br />

The state’s long-term plan to restore the building<br />

to its appearance as the Cosmopolitan Hotel triggered<br />

internal divisions and disagreements over<br />

the state’s preservation standards. Apparently,<br />

local staff had allowed Powers to remove portions<br />

of historic interior walls in the first-floor dining<br />

area, dating to Seeley’s or possibly Akerman’s<br />

time, without the knowledge or approval of the<br />

Resource Preservation and Interpretation Division<br />

(RPID) of Parks and Recreation. <strong>88</strong><br />

On May 23, 1979, the issue reached a head when<br />

RPID head James P. Tryner sent a memo to Richard<br />

A. May, chief of the Development Division,<br />

stating that “this project must be stopped immediately”<br />

to prevent further “destruction of historic<br />

interior walls that are composed of full-dimension<br />

timbers, square nails, and other material aspects<br />

indicating a 19th-century date.” In subsequent<br />

correspondence, Tryner and Dr. Knox Mellon, the<br />

State Historic Preservation Officer, explained that<br />

the removal of historic fabric should be kept to a<br />

minimum, or if that was not possible, properly<br />

documented, marked, and stored. On June 18,<br />

May wrote Tryner that the rear partition wall in<br />

the proposed dining area, already altered with a<br />

door opening, “will be completely removed.” 89<br />

Historians, archaeologists, and other preservation-minded<br />

individuals argued that Powers’s<br />

remodel of the Casa de Bandini was but another<br />

example of a park run amuck by commercialism.<br />

State Senator James Mills, who helped spearhead<br />

the park’s creation, told the state Park and Recreation<br />

Commission in 1980 that “Old Town . . . has<br />

taken on the theme of a shopping center.” He<br />

accused the state of allowing Powers to take a<br />

150-year-old building “with an unhistoric appearance<br />

and make it much more unhistoric than it<br />

was before.” Writer-historian Richard W. Amero<br />

called the Bazaar del Mundo and Casa de Bandini<br />

remodels a “garish intrusion into a historic state<br />

park” and blamed the Department of Parks and<br />

Recreation for allowing it to occur. Others, such<br />

as park concessionaire Geoffrey Mogilner, argued<br />

that the building should have been restored<br />

under the state plan as the Cosmopolitan Hotel<br />

rather than remodeled as an exotic contemporary<br />

restaurant. 90<br />

Public sentiment, however, sided with Powers.<br />

Under her management, the Casa de Bandini<br />

Restaurant became an immediate success and<br />

extremely popular with local San Diegans. The<br />

San Diego Union described its opening in 1980 as<br />

the dawn of a “new era”: “Every effort has been<br />

made to create the house that thrived 100 years<br />

ago. Intricacies of <strong>California</strong>’s history and memorabilia<br />

are scattered throughout, as well as the tile<br />

and paint artistry of Craftsmen from Mexico and<br />

Southern <strong>California</strong>. Furnishings and statuary of<br />

rich wood and brass make every corner a source<br />

of charm; woven upholstery and wall hangings,<br />

from the looms of Mexico and Guatemala grace<br />

every room. Outside the sunny patio surrounds<br />

a romantic fountain on the very site of Juan<br />

Bandini’s original structure. Patrons dine in an<br />

environment of lush gardens, colorful umbrellas,<br />

shrubbery and trees that closely duplicate the<br />

surroundings that Juan Bandini himself enjoyed.<br />

An extensive menu incorporates the best of<br />

Spanish Mexican and Early <strong>California</strong> cuisine. A<br />

sampling; Especial de San German, Red Snapper,<br />

Taco Feast, (and) Crab Enchiladas.” 91<br />

Powers, like Couts and Cardwell before her, promoted<br />

the casa’s history as a fanciful recreation<br />

of a past that had never existed in early San<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


Diego. Over this fifty-year period, the building’s<br />

historic identity and meaning became a masquerade<br />

concealed by imposing stucco columns<br />

and walls, wrought iron grillwork, ceramic and<br />

stone tiles, and exotic gardens. By the 1980s,<br />

it had taken on the appearance of a luxurious<br />

quasi-Spanish Colonial hacienda that in no way<br />

resembled either Bandini’s original home or<br />

Seeley’s hotel.<br />

Why had this happened Historic architect Ione<br />

Stiegler argues that the alterations were “commercially<br />

motivated . . . always conducted under<br />

the claim of authentic restoration representing<br />

<strong>California</strong>’s romantic Spanish past.” This raises<br />

several questions: Why did Couts, Cardwell,<br />

Powers, and so many others embrace what the<br />

social reformer and journalist Carey McWilliams<br />

has called the “Spanish heritage fantasy” What<br />

explains the nostalgia for an idealized Spanish<br />

heritage that seemed to grip southern <strong>California</strong><br />

in general and San Diego in particular 92<br />

San Diego, like much of southern <strong>California</strong>,<br />

was an instant creation that had evolved over<br />

several decades into a modern, sophisticated, and<br />

progressive city, despite its limited size. Its civic<br />

leaders and boosters were aware that its bayside<br />

location, warm and health-inducing climate,<br />

unspoiled beauty, and Spanish origins made it<br />

a unique and inviting place, a harbinger of an<br />

urban future designed as much for leisure as<br />

for work. This period of cultural transformation<br />

was framed by the 1915–16 Panama-<strong>California</strong><br />

and 1935–36 <strong>California</strong> Pacific International<br />

Expositions. Internationally acclaimed, the fairs<br />

showcased the city’s prominence and introduced<br />

millions to Spanish Colonial architectural styles<br />

and the region’s identity with a romantic Spanish<br />

past. During its 377 days of operation, the second<br />

exposition attracted 7.2 million visitors. “The<br />

world,” remarked board chairman G. Aubrey<br />

Davidson, had become “San Diego conscious.” 93<br />

At the heart of Spanish<br />

fantasy in Old Town<br />

is the man Juan<br />

Bandini. . . . He was the<br />

epitome of a Spanish<br />

don, “the aristocracy of<br />

the country.” Bandini,<br />

in short, became an<br />

American invention, a<br />

caricature of his real self.<br />

Newcomers and tourists, largely white and middle<br />

class, came to San Diego with the expectation<br />

of finding what historian Phoebe S. Kropp has<br />

called “the Spanish-inspired good life.” Developers,<br />

entrepreneurs, publicists, architects, artists,<br />

and writers promoted this Anglo-American version<br />

of the past not only to further commerce<br />

and growth, but also to instill a regional identity<br />

and pride. As historian Kevin Starr points out, its<br />

allure stemmed in part from the fact that it “had<br />

behind it the force of history, in that <strong>California</strong><br />

began as part of the Spanish Empire.” 94<br />

At the heart of the Spanish fantasy in Old Town<br />

is the man Juan Bandini. In the words of his<br />

grandson Cave J. Couts Jr., he was a “noted caballero”<br />

who embodied the grace and elegance of<br />

Old Spain. 95 In this remote frontier society, his<br />

proud bearing, education, flamboyant dress,<br />

and extravagant ways set him apart. He was the<br />

epitome of a Spanish don, “the aristocracy of the<br />

country,” according to Dana. 96 Bandini, in short,<br />

became an American invention, a caricature of<br />

his real self.


This is the cultural memory enshrined in San<br />

Diego’s folk annals and traditions. Bandini is<br />

remembered, as one writer recently put it, as a<br />

“legendary renaissance Californio” who entertained<br />

“legions of notables.” 97 His home in Old<br />

Town likewise has become fused with the memory<br />

of him as a don whose life embodied the<br />

traditions of Old Spain. Even the building itself,<br />

despite multiple uses, alterations, and changes in<br />

name, is registered on the <strong>California</strong> State <strong>Historical</strong><br />

Landmarks as the Casa de Bandini. 98<br />

Postscript: <strong>California</strong> State Park’s<br />

Restoration, 2007–2010<br />

In April 2010, <strong>California</strong> State Parks completed a<br />

three-year, $6.5 million rehabilitation and restoration<br />

of the historic landmark, returning it to its<br />

appearance as the Cosmopolitan Hotel. Roughly<br />

80 percent of the original fabric and features<br />

have been preserved or accurately reconstructed,<br />

including the hotel’s redwood clapboard siding,<br />

turned wooden columns and baluster railings,<br />

wood-shingled hip roof, chimneys, tongue-andgroove<br />

wainscoting and flooring, and doors, door<br />

fenestrations, windows, and trim. In addition,<br />

much of the adobe brick, remnants of whitewashed<br />

walls, most of the original cobblestone<br />

footprint, and hand-hewn lintels dating to Bandini’s<br />

time were preserved.<br />

This was an unprecedented historic restoration,<br />

arguably the most important one currently in the<br />

state. Few other buildings rival its scale or size,<br />

blending of adobe and wood-framing construction,<br />

association with significant people and<br />

events, and retention of historic fabric. 99<br />

The building is important for another, perhaps<br />

more compelling reason: It allows us the opportunity<br />

to ask how we should interpret it and those<br />

connected to it. As an adobe mason who worked<br />

on the building, I am still haunted by what I<br />

saw and felt. I remember seeing a fragment of a<br />

smooth, white-plaster medallion buried in debris,<br />

patches of fading lime paint and plaster on interior<br />

walls, and always the long red-brown adobe<br />

bricks with their deep X-grooved, Mission-era<br />

scratch marks. They are part of a living tradition,<br />

but whose tradition We will never know<br />

the answer. Those workers—Indian, Californio,<br />

Mexican, immigrant, or American; men, women,<br />

or children—are gone, missing from our cultural<br />

memory, but their legacy survives in their toil, in<br />

what they left behind. 100<br />

Victor A. Walsh is a historian and adobe conservator<br />

with the San Diego Coast District of <strong>California</strong> State Parks.<br />

He earned a Ph.D. in American history, with a focus on<br />

nineteenth-century ethnicity and race, from the University of<br />

Pittsburgh in 1984 and taught as a lecturer at San Francisco<br />

State University, the University of San Francisco, and College<br />

of San Mateo. In 1991, he won the Carlton C. Qualey Award<br />

for his article on Irish drinking customs (published in the<br />

Journal of American Ethnic History), followed in 2004 by the<br />

Institute of History Preservation Award for his article on the<br />

Casa de Estudillo of Old Town San Diego (published in The<br />

Journal of San Diego History). In 2008, he published an article<br />

in <strong>California</strong> History on Torrey Pines State Reserve, another<br />

one of his parks.<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


“Saludos from your comadre”:<br />

Compadrazgo as a Community Institution in<br />

Alta <strong>California</strong>, 1769–1860s<br />

By Erika Pérez<br />

“. . . inasmuch as the province [i.e. territorio] depends more exclusively than any other portion of<br />

Spanish America on extraneous supplies, and here, accordingly, foreigners and natives cordially<br />

mingle together as members of one and the same harmonious family.”<br />

—Sir George Simpson (1841–42) 1<br />

In 1851, Victoria Bartholomea Reid, the missionized<br />

Gabrielino wife of Scotsman Hugo Reid,<br />

wrote to the Los Angeles businessman and landowner<br />

Abel Stearns hoping to enlist his help during<br />

a time of personal distress. Unable to locate<br />

her husband, Victoria asked her “dear compadre”<br />

Stearns for assistance in finding him, closing her<br />

letter, “remember me to my comadre Arcadia.” 2<br />

Like the Reids, the Stearns were an interethnic<br />

couple: Abel Stearns was a Massachusetts-born<br />

merchant and his wife Arcadia Bandini was a<br />

<strong>California</strong>na. 3 However, the Stearns held greater<br />

political and social clout than the Reids due to<br />

their wealth. Aware of this asymmetry, Victoria<br />

invoked the bonds of obligation and reciprocity<br />

inherent in compadrazgo (godparentage), an<br />

institution of Catholic sponsorship that required<br />

compadres (spiritual coparents) to offer each other<br />

assistance and respect. Her letter demonstrates<br />

that interethnic and intercultural ties forged<br />

through Catholic sponsorship during the Mexican<br />

era still maintained social currency in the<br />

early years of American conquest in southern<br />

<strong>California</strong>.<br />

Practiced throughout the Spanish, Mexican, and<br />

American eras, compadrazgo in southern <strong>California</strong><br />

generated spiritual and familial bonds of<br />

intimacy between people of different cultures,<br />

nationalities, genders, and socioeconomic strata. 4<br />

This intimacy constitutes moments of sexual contact<br />

and marriage as well as cultural exchanges<br />

and the spectrum of emotions generated from<br />

colonial encounters—from affection and loyalty<br />

to suspicion, ambivalence, and hate. 5<br />

This article represents an ongoing exploration<br />

into compadrazgo’s meaning, applications, and<br />

participants. It argues that compadrazgo emerged<br />

as an effective instrument in establishing interethnic<br />

ties that furthered community formation<br />

in southern <strong>California</strong>, embodying both spiritual<br />

and material dimensions. Within the mission<br />

system, compadrazgo also offered native peoples<br />

a new way of ritualizing and affirming kinship<br />

bonds, though these ties, paradoxically, were<br />

threatened by the missionization process itself<br />

through invasion and demographic decline. In<br />

this article, the focus on godparentage in southern<br />

<strong>California</strong> rests not on whether it developed


differently than other regions, but rather in its<br />

ability to withstand transitions in political power<br />

and changing social climates, offering a new perspective<br />

on an established practice that helped<br />

shape <strong>California</strong>’s early history and the American<br />

West. 6<br />

The Mission Era<br />

Rooted in Iberian Catholic traditions, Spanish-<br />

Mexican settlers replicated compadrazgo in<br />

southern <strong>California</strong> and other regions of the<br />

Spanish borderlands. 7 Godparents promised to<br />

aid in the spiritual upbringing of their godchild,<br />

assuming the role of spiritual coparents alongside<br />

the individual’s natural parents. In colonial<br />

Latin America, compadrazgo’s emphasis on the<br />

relationship between godparent and godchild<br />

or between compadres varied, depending upon<br />

region, time period, and the participants’ ethnicity,<br />

race, class, and gender. In southern <strong>California</strong>,<br />

Catholic sponsorship represented more<br />

than a mere transplanting of respected customs<br />

for the benefit of colonial settlers. Its practice<br />

furthered the spiritual conquest of the region<br />

by encouraging Spanish-Mexican Christians,<br />

or gente de razón (people of reason), to sponsor<br />

native peoples, modeling Spanish-Catholic values<br />

and behaviors to neophytes (new converts). 8<br />

Conquest depended upon the establishment of<br />

indigenous Catholic communities that would<br />

eventually become integrated into the Spanish<br />

empire as taxpaying populations and act as a<br />

defensive buffer zone to thwart imperial rivals. 9<br />

Thus, compadrazgo not only advanced a spiritual<br />

purpose in southern <strong>California</strong>, but addressed<br />

economic and political goals as well.<br />

From the very beginning of <strong>California</strong>’s mission<br />

system, asymmetrical relationships developed<br />

between Spanish Mexicans and indigenous communities.<br />

Godparents listed in various southern<br />

<strong>California</strong> mission registers during the missions’<br />

founding years were overwhelmingly Spanish-<br />

Mexican soldiers, servants, and their wives. At<br />

Mission San Buenaventura, <strong>88</strong>.9 percent of all<br />

baptisms of Indian males from 1782 to 1787 were<br />

sponsored by Spanish Mexicans, the overwhelming<br />

majority of them soldiers and their female<br />

kin. From 1783 to 1787, gente de razón godparents<br />

sponsored an average of 85.4 percent of<br />

Indian female baptisms. 10<br />

Later, native communities provided increasing<br />

numbers of baptismal sponsors to neophytes,<br />

demonstrating their adaptation to Catholic sponsorship.<br />

Only three years after its 1771 founding,<br />

Mission San Gabriel witnessed a surge in both<br />

Alta and Baja <strong>California</strong> Indian godparents, the<br />

latter arriving with Franciscans in Alta <strong>California</strong><br />

in 1769, as illustrated below.<br />

Baptismal Sponsorship of Alta <strong>California</strong> Indians at Mission San Gabriel<br />

Godparents<br />

1771–1773<br />

(76 baptisms)<br />

1774–1775<br />

(173 baptisms)<br />

1800–1801<br />

(195 baptisms)<br />

1810–1811<br />

(568 baptisms)<br />

Gente de razón 95.3% 23.2% 7.1% 9.8%<br />

Baja <strong>California</strong> Indian 2.9% 36.1% 0.6% 0%<br />

Alta <strong>California</strong> Indian 1.8% 38.1% 52% 85.2%<br />

Zero (0) 0% 1.3% 36.8% 1.0%<br />

Dual: 1 male, 1 female 0% 1.3% 3.5% 4.0%<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


An example of an Iberian tradition transplanted to <strong>California</strong> is this 1857 certification of the May 7, 1844 baptism<br />

record for Maria Alejandra Atherton, daughter of Faxon Dean Atherton and Dominga Goñi, from Valparaiso, Chile,<br />

1857. In 1840, the American-born Atherton settled in Chile, where he became a successful merchant and married the<br />

daughter of the prominent Goñi family. The Spanish Catholic practice of compadrazgo is evident in the listing of the<br />

names of the godparents, “Padrinos, Francisco Prietos and Guadalupe Goñi.”<br />

Faxon Dean Atherton Papers, Vault MS 5, <strong>California</strong> <strong>Historical</strong> <strong>Society</strong>


y offering indigenous sponsors. This godparenting<br />

analysis also reveals periods of demographic<br />

decline: 1800 to 1801 witnessed a rate of 36.8<br />

percent of Indian baptisms without a named<br />

godparent, signifying a baptism performed due<br />

to danger of death. Finally, the sample taken from<br />

1810 to 1811, consisting of 568 Indian baptisms,<br />

reveals that 85.2 percent of neophytes received<br />

Indian godparents. As this table indicates, Baja<br />

<strong>California</strong> Indians played a stronger role during<br />

the early years at Mission San Gabriel, as did<br />

gente de razón godparents, but by 1800, local<br />

Indians sponsored themselves for baptism in<br />

significant numbers, reflecting the emergence of<br />

new indigenous Catholic communities. 11<br />

Mission San Gabriel Arcángel was the fourth in the chain<br />

of twenty-one <strong>California</strong> missions, often referred to as the<br />

“Godmother of the Pueblo of Los Angeles.” The mission’s<br />

baptismal font, a hammered copper basin still intact today,<br />

was the site of more than 25,000 baptisms between the<br />

mission’s founding in 1771 and 1834—the largest number of<br />

baptisms in the mission chain.<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>/USC Special Collections<br />

Although the San Buenaventura and San Gabriel<br />

missions’ founding years demonstrated the most<br />

intensive rates of interethnic sponsorship, no set<br />

formula existed as to when mission communities<br />

or missionaries transitioned away from gente de<br />

razón to neophyte godparents. The slight delay<br />

in the development of intracommunity godparentage<br />

exhibited in Alta <strong>California</strong> also occurred<br />

earlier in colonial Mexico, revealing similarities<br />

in the evolution of indigenous godparentage. 12<br />

Nevertheless, the presence of soldiers and their<br />

families at missions meant that gente de razón<br />

godparents continued occasionally to sponsor<br />

indigenous <strong>California</strong>ns throughout the mission<br />

period. 13<br />

While gente de razón godparents in this sample<br />

peaked at a rate of 95.3 percent from 1771 to 1773,<br />

their numbers quickly plummeted to 23.2 percent<br />

from 1774 to 1775. These were transitional, as<br />

sponsorships of native baptisms by Baja <strong>California</strong><br />

Indian godparents increased to 36.1 percent<br />

and those by Alta <strong>California</strong> Indians—local neophytes—to<br />

38.1 percent. Apparently, missionaries<br />

here were less concerned with the duration of<br />

Catholic training among indigenous godparents<br />

than with the desire to encourage new baptisms<br />

Sponsorship Selection<br />

One telling indication of the uneven nature of<br />

compadrazgo in early southern <strong>California</strong> is the<br />

lack of reciprocal sponsorship between Indian<br />

Christians and Spanish Mexicans. Despite the<br />

presence of indigenous Christians by the 1790s,<br />

they remained excluded as sponsors of Spanish<br />

Mexicans for baptism; the rare exception<br />

consisted of Christian Indian brides of Spanish-<br />

Mexican husbands who sponsored jointly. 14 This<br />

lack of mutual sponsorship is hardly surprising.<br />

0<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


The first page of the baptismal register of the Mission San Buenaventura was signed by Father Junípero Serra on Easter Sunday,<br />

March 31, 1782, the day the mission was founded. By 1816, more than 1,000 neophytes were living at the mission. The<br />

Chumash neophyte María Rosa and her husband Bartolomé Miguel Ortega, owner of Rancho las Vírgenes (Rancho Talepop<br />

in mission records), were godparents to Chumash from surrounding villages. Such kinship relationships, though spiritual in<br />

nature, generated social, political, and economic associations between native people and their Hispanic neighbors.<br />

Braun Research Library, Autry National Center; P.17775<br />

1


Interethnic compadrazgo ties in<br />

Spanish Alta <strong>California</strong> flowed<br />

vertically, connecting people across<br />

class and ethnic lines, rather than<br />

horizontally among social equals.<br />

Such sponsorship of gente de razón godchildren<br />

would require that they and their natural parents<br />

pay respect and deference to Indian padrinos<br />

(godparents). 15 Spanish-Mexican settler Antonio<br />

Franco Coronel recalled the typical exchange<br />

between godparent and godchild, stating, “When<br />

young people met their godparents anywhere,<br />

they were obliged to take off their hats and ask<br />

a blessing. The godparents’ obligation was to<br />

substitute for the parents if they should die, if<br />

necessary provide for the godchild’s keep and<br />

education, and give good advice.” 16 The social,<br />

political, and economic hierarchies instituted<br />

by Spanish-Mexican colonizers in Alta <strong>California</strong><br />

required that they remain at the top of the<br />

godparenting complex above native peoples. 17<br />

Interethnic compadrazgo ties in Spanish Alta<br />

<strong>California</strong>, then, flowed vertically, connecting<br />

people across class and ethnic lines, rather than<br />

horizontally among social equals. 18<br />

An obvious question that emerges from this study<br />

is whether Franciscans selected godparents for<br />

Indian neophytes, or whether Indians exercised a<br />

choice or preference in their spiritual coparents.<br />

According to James Sandos, the Father President<br />

Junípero Serra selected a Spanish soldier as the<br />

proposed godfather to a Diegueño baby who was<br />

to receive Spanish clothing and serve as the first<br />

baptism in Alta <strong>California</strong>. 19 Certainly the lack of<br />

familiarity between Spanish Mexicans and native<br />

<strong>California</strong>ns suggests that missionaries assigned<br />

godparents in the early years of conquest. However,<br />

on at least seventy-four occasions, native<br />

relatives stood as godparents, implying that some<br />

families exercised a preference. For example, an<br />

Indian woman Gertrudis stood as madrina to<br />

her nephew Diego from the village of Apinjaibit<br />

at Mission San Gabriel in 1811. That same year,<br />

María Cleofe was madrina to her brother Juan de<br />

la Cruz at Mission San Gabriel. 20<br />

Interethnic Compadrazgo<br />

Interethnic kinship bonds between Spanish<br />

Mexicans and native peoples offered material<br />

incentives and encouraged cultural exchanges.<br />

These intimate ties may have stabilized tensions<br />

following violent encounters that generated<br />

deep-seeded animosity and mistrust between<br />

these groups. 21 Food proved welcome to native<br />

<strong>California</strong>ns in the aftermath of ecological and<br />

microbial revolutions that threatened traditional<br />

food sources and their health. 22 “Out from the<br />

presidio come great heaps of tortillas sent by<br />

godfathers for their godsons,” wrote Father Serra<br />

in a letter to Father Guardian Francisco Pangua<br />

in 1774, continuing, “Even though each day a<br />

mighty cauldron of pozole is filled and emptied<br />

three times over [at the mission], these poor little<br />

fellows still have a corner for the tortillas their<br />

godfathers send them.” Not only food but other<br />

material goods possibly drew Indians into compadrazgo<br />

relationships with Spanish soldiers.<br />

Again noting the attraction of compadrazgo in<br />

a letter to Viceroy Bucareli dated 1775, Father<br />

Serra indicated that “heaps of remnants given in<br />

exchange, or as gifts by godfathers to their spiritual<br />

sons” were welcomed by families. 23<br />

Anecdotal examples reveal that some indigenous<br />

godchildren maintained contact with gente de<br />

razón godparents after sponsorship. During<br />

the 1830s and 1840s, interethnic tensions grew<br />

in the San Diego region, and unconverted and<br />

Christianized native peoples plotted to kidnap<br />

gente de razón women and attack ranchos (Spanish-Mexican<br />

land grants). Candelaria, the Indian<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


In this 1<strong>88</strong>5 photograph of a mission ramada (shady place), a gente de razón couple (seated, left, and standing, right)<br />

visits with mission Indians at Mission San Juan Capistrano. Though gente de razón couples godparented one another’s<br />

children, often reaffirming blood bonds or longstanding friendships, their sponsorship of neophytes established bonds of<br />

obligation and reciprocity where none existed before, furthering the conquest of Alta <strong>California</strong>.<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>/USC Special Collections<br />

goddaughter and servant of Doña Josefa Carrillo<br />

de Fitch, revealed the plot saving her godmother<br />

and others. 24 Whether Candelaria’s actions were<br />

due to affection for her godmother, loyalty, or fear<br />

that she would become ensnared in the plot’s<br />

ensuring investigation is unclear. Nevertheless,<br />

she alerted rancho owners of impending danger.<br />

Chumash Fernando Librado recalled seeing his<br />

gente de razón godfather Ramón Valdez at Mission<br />

Santa Ines for the Corpus Christi celebration<br />

where Librado sang the Catalan mass. 25 While<br />

Librado’s testimony reveals no emotion toward<br />

his padrino, Candelaria’s example demonstrates<br />

the difficulty for some indigenous godchildren in<br />

balancing loyalty to the indigenous community<br />

and gente de razón godparents. 26<br />

The existence of sponsorship rituals among<br />

indigenous <strong>California</strong>ns offers one possibility for<br />

convergence between indigenous and Catholic<br />

rituals. Precontact sponsorship practices such as<br />

Indian puberty rituals, which assigned same-sex<br />

sponsors to adolescent initiates, possibly eased<br />

Indian acceptance of Catholic godparentage.<br />

For example, Luiseño adolescents underwent<br />

the Mani (toloache, or jimson weed) ceremony,<br />

which required the participation of village elders


Indigenous Compadrazgo<br />

Puberty rituals such as the toloache ceremony enlisted adult<br />

sponsors, often of the same sex, who imparted sacred knowledge<br />

and new responsibilities upon initiates. Catholic sponsorship<br />

may have resonated with native <strong>California</strong>ns, possibly easing<br />

their acceptance of compadrazgo.<br />

Braun Research Library, Autry National Center; P.1185<br />

who instructed younger initiates in the songs<br />

and other cultural teachings of their people. The<br />

Cahuilla kiksawal puberty ceremony also required<br />

sponsorship by adult members who paired with<br />

initiates to teach them and assist them through<br />

the process. During the waxan (pit-roasting ceremony),<br />

Gabrielino women cared for and sang to<br />

younger women who reached the age of maturity,<br />

typically the onset of menarche. 27 Diegueño,<br />

Luiseño, and Cahuilla girls also experienced rituals<br />

and sponsorship by adult women in their<br />

communities. 28 Evidence of some traditional<br />

male leadership roles, such as village captains,<br />

persisting within the mission system is further<br />

indication that native peoples transplanted some<br />

traditional roles and practices to the mission<br />

setting. 29<br />

Defined by acts of reciprocity and obligation,<br />

compadrazgo among native <strong>California</strong>ns was<br />

unlikely to include the same offerings of European<br />

goods or foods as interethnic godparentage.<br />

However, indigenous godparents maintained<br />

more frequent contact with godchildren by residing<br />

at the mission or a neighboring ranchería<br />

(Indian village), thereby offering enhanced<br />

spiritual sustenance and intimacy. Furthermore,<br />

indigenous godparents quite possibly contributed<br />

financially to traditional or indigenous-influenced<br />

ceremonies and dances to commemorate life<br />

events, as did Latin American godparents. 30<br />

According to Fernando Librado, a “godfather<br />

might pay the paha [ceremonial leader] $2.50,”<br />

who in turn gave the money to a village or<br />

mission captain to pay for the performance of<br />

the Fox Dance at a wedding or baptism. This<br />

payment to honor important events remained<br />

consistent with the ceremonial complex in early<br />

southern <strong>California</strong>. 31 Thus, intracommunity<br />

godparents potentially fulfilled the material and<br />

spiritual needs of their community as well. In<br />

fact, indigenous compadrazgo offered native<br />

peoples greater fulfillment of traditional kinship<br />

and community obligations than did interethnic<br />

godparentage, especially if indigenous godparentage<br />

included payments for indigenous rituals.<br />

Whatever significance godparentage held for<br />

indigenous Catholics, mission records provide<br />

examples of individual neophytes sponsoring<br />

scores of their community members, a pattern<br />

not typical of all missionized peoples. In a<br />

sample analysis of Mission San Gabriel baptisms<br />

for the year 1811, a few individuals stand out. Of<br />

forty-four total Gabrielino male and female neophytes<br />

and their spouses mentioned that year as<br />

godparents, five (11.4 percent) godparented fellow<br />

mission Indians more than 100 times each<br />

throughout their lifetime, an uncharacteristic<br />

level of sponsorship. María del Carmen sponsored<br />

as many as 180 indigenous godchildren<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


A large body of knowledge of Chumash Indian language, lore, traditional history, and Chumash-Christian adaptations<br />

has been preserved through the relationship between the Chumash Fernando Librado Kitsepawit and the<br />

linguist-ethnographer John P. Harrington, who recorded Librado’s tribal knowledge. Born circa 1930s and raised<br />

at Mission San Buenaventura, where he was baptized, Librado recalled how an indigenous godfather contributed<br />

financially to a traditional wedding or baptism ritual.<br />

Braun Research Library, Autry National Center; P.618<br />

between 1783 and 1806. Even more impressive<br />

was Ana María, who stood as godmother to 202<br />

neophytes in her community between 1808<br />

and 1815. 32<br />

Indigenous men also were prolific godparents<br />

during the Spanish period. At Mission San Diego<br />

de Alcalá, Thomas Locau served as a spiritual<br />

parent to over sixty Indian converts from 1786<br />

to 1804. 33 Justo and Benito José of Mission San<br />

Gabriel sponsored 165 and 175 mission community<br />

members, respectively. Those individuals<br />

who sponsored mass community members for<br />

Catholic sacraments illustrate the impact of one<br />

person within a mission community. Southern<br />

<strong>California</strong> mission records reveal that every mission<br />

maintained a core group of Indian godparents<br />

who resided in houses adjacent to the<br />

mission or in a neighboring ranchería. These<br />

people may have been called upon frequently<br />

because missionaries entrusted them to serve as<br />

Catholic role models and assigned them; alternatively,<br />

local Indians turned to individuals whom<br />

they accepted as community sponsors.<br />

In contrast to the minority who frequently sponsored,<br />

many neophytes did not. Thirty-three of<br />

the forty-four Gabrielinos studied (or 75 percent)<br />

sponsored fewer than ten people during their<br />

lifetime. Ana María’s husband, Rogerio, never<br />

appeared as a baptismal godparent, and María del<br />

Carmen’s husband, Marcelino, sponsored only<br />

two baptisms. Others from that locale, including<br />

married couples Pasqual and Pasquala and<br />

Victorico and Victorica, sponsored only one baptism<br />

each. 34


Given the symbolic importance of conversions<br />

of native elites in each cycle of conquest by the<br />

Spanish, some of the prolific sponsors probably<br />

participated to maintain their elite status. The<br />

wife of an Indian captain, María Serafina Hilachap,<br />

sponsored twenty-four San Diego neophytes<br />

in the 1780s and 1790s, ensuring a sense of continuity<br />

for her community by her visibility at the<br />

mission. Indian captains residing at rancherías<br />

and missions personally sponsored Indians<br />

for sacraments, or had close family members<br />

undergo sacraments, a minimum of 241 times at<br />

Mission San Diego de Alcalá from 1769 to 1840,<br />

seventy-three times at Mission San Fernando Rey<br />

from 1798 to 1816, seventy-three times at Mission<br />

San Gabriel from 1774 to 1823, and thirteen<br />

times at Mission San Buenaventura from 1783<br />

to 1804—a conservative accounting. 35 Although<br />

this represented a small percentage of all sacraments<br />

administered to Indians, the participation<br />

of Indian captains and their kin encouraged commoners<br />

to accept Catholic sacraments.<br />

Fray Fermín Francisco de Lasuén noted how one<br />

Indian captain drew converts to Mission Santa<br />

Barbara. Commending José María, a Chumash<br />

leader at the mission, Lasuén wrote that “he<br />

collaborates in bringing about the subjection,<br />

pacification, and education of those who are<br />

Christians, and the conversion of the pagans. He<br />

is beloved by the whole nation.” 36 However, the<br />

degree of authority wielded by these “captains”<br />

remains uncertain. As Edward Spicer notes in<br />

his research on northern Mexico, some designated<br />

as “captains” may have been individuals<br />

who showed more willingness to establish contact<br />

with missionaries. Thus, while the designation<br />

of some captains in Alta <strong>California</strong> mission<br />

registers signifies a continuation of precontact<br />

leadership roles among elites, others who lacked<br />

such status during this era made new claims of<br />

authority or represented a faction willing to collaborate<br />

with missionaries. 37<br />

Campadrazgo by Foreign Converts<br />

Compadrazgo was perpetuated not only among<br />

Spanish-Mexican inhabitants and indigenous<br />

<strong>California</strong>ns, but also among foreign-born<br />

merchants entering <strong>California</strong> from the 1820s<br />

onward. Such participation in compadrazgo by<br />

extranjeros (foreigners) linked them to existing<br />

family networks, enhanced their business and<br />

interpersonal connections, and furthered their<br />

acculturation. The aforementioned Abel Stearns<br />

and Hugo Reid engaged in a business partnership<br />

and friendship over a number of years<br />

before they memorialized their closeness through<br />

Catholic godparentage. Prior to Stearns’s marriage<br />

in 1841 to the elite <strong>California</strong>na Arcadia<br />

Bandini, Reid assured his friend that “should<br />

there be anything which my family can do for<br />

you in household affairs in order to facilitate<br />

matrimonial matters, command with the necessary<br />

confidence of a friend.” 38 Shortly thereafter,<br />

Reid stood as a sacramental witness at Stearns’s<br />

wedding, as did other merchant traders who<br />

sponsored their foreign-born peers for Catholic<br />

baptism and marriage to Alta <strong>California</strong> women.<br />

Reciprocation of compadrazgo ties among converted<br />

extranjeros and native-born Catholic<br />

inhabitants remained a common practice in<br />

Mexican <strong>California</strong>. Years after his friend’s wedding,<br />

Reid wrote Stearns stating, “I am obliged<br />

to use other measures to accelerate [sic] our compadrazco,”<br />

and he offered tortas de pan (loaves<br />

of bread) made by his wife Victoria, Stearns’s<br />

“comadre,” as an enticement to the couple’s<br />

request that the Stearns sponsor their son Carlitos<br />

Reid for holy confirmation in March 1843.<br />

In letters exchanged after the event, the two men<br />

referred to each other as “compadre” and to his<br />

compadre’s wife as “comadre,” honorific terms of<br />

affection that acknowledged their socioreligious<br />

and kinship bonds. 39 Despite his wife’s reluctance<br />

to write, Reid frequently included “saludos<br />

from your comadre,” offering Victoria’s affection<br />

in letters to the Stearns. 40 Following Carlitos’s<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


A daughter of Doña Dolores Estudillo and Don Juan<br />

Lorenzo Bruno Bandini, one of San Diego’s most<br />

distinguished citizens, Arcadia Bandini de Stearns<br />

Baker (1852–1912) (right) married Abel Stearns, the<br />

Los Angeles cattle baron and trader (below), in 1841<br />

at Mission San Gabriel. She was fourteen and he was<br />

forty-three. Stearns would become Los Angeles’s greatest<br />

landowner and Arcadia one of the state’s wealthiest<br />

women at the time of her death. The influential<br />

Stearns were compadres to Scotsman Hugo Reid and<br />

his wife Victoria Bartholomea Reid, a Gabrielino<br />

woman from the village of Comicrabit. Acculturated<br />

foreigners such as Reid and Stearns, fluent in Spanish<br />

and comfortable with local customs, relied upon compadrazgo<br />

to integrate themselves into Californio society<br />

and further their business dealings in the region.<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>/USC Special Collections<br />

confirmation, Reid turned to Stearns for advice<br />

and assistance during moments of economic distress,<br />

demonstrating the men’s ability to speak of<br />

intimate concerns.<br />

A world within a world emerged in Mexican and<br />

transitional <strong>California</strong> through mutual sponsorship<br />

for baptism and marriage among interethnic<br />

couples. Scottish-born Reid sponsored the Englishman<br />

Henry “Perfect Ugo” Dalton for baptism<br />

at Mission San Gabriel in 1847, paving the way<br />

for Dalton’s marriage to <strong>California</strong>na Doña Guadalupe<br />

Zamorano. Significantly, Reid had previously<br />

worked as an agent for Dalton’s trading<br />

company in Peru, and the men sacramentalized<br />

their relationship through godparentage. When<br />

the Belgian-born, naturalized Mexican citizen<br />

Victor Eugene August “Don Agustin” Janssens<br />

married María Antonia Pico on January 27, 1843,<br />

the Scottish shipmaster Señor Juan Wilson and<br />

his <strong>California</strong>na wife Doña Ramona Carrillo de<br />

Pacheco attended as the couple’s witnesses. One<br />

year later, Janssens and Wilson entered into a<br />

proprietary partnership in a Santa Barbara store,<br />

their business relationship strengthened by compadrazgo<br />

and their shared history as husbands


A world within a world<br />

emerged in Mexican and<br />

transitional <strong>California</strong><br />

through mutual sponsorship<br />

for baptism and marriage<br />

among interethnic couples.<br />

of <strong>California</strong>nas and patriarchs of growing mixed<br />

families. 41<br />

Godparentage also strengthened existing blood<br />

ties among <strong>California</strong>nas who married foreigners,<br />

as in the case of the Carrillo family. Doña<br />

María Josefa Carrillo and her Boston-born husband<br />

William “Guillermo” Dana requested that<br />

María Josefa’s father Carlos Carrillo and her sister<br />

María Antonia Carrillo sponsor the couple’s<br />

one-day-old daughter, María Josefa Antonia<br />

Sirila Dana, in 1829. María Josefa’s cousin Doña<br />

Ramona Carrillo and her Scottish-born husband<br />

John “Don Juan” Wilson sponsored Juan Francisco,<br />

another child of María Josefa and William<br />

Dana, for baptism in 1836. In 1840, the Wilsons<br />

bestowed the same honor upon the Danas by asking<br />

them to serve as baptismal sponsor to their<br />

daughter María Ygnacia Felipa Wilson. In 1845,<br />

the Wilsons also godparented Ysabel Robbins,<br />

the daughter of Ramona’s cousin Encarnación<br />

Carrillo and her American husband Thomas<br />

“Tomas” Robbins. As these examples indicate,<br />

<strong>California</strong>nas often played a pivotal intermediary<br />

role by incorporating foreign-born husbands into<br />

local godparenting networks, while simultaneously<br />

reaffirming preexisting kinship bonds. 42<br />

Godparentage also reinforced ethnic and national<br />

links among Frenchmen during the Mexican and<br />

early American eras. The presence of increasing<br />

numbers of extranjeros from France and the British<br />

Isles evidenced the increasing cosmopolitan<br />

flavor of southern <strong>California</strong> beginning in the<br />

1820s. Several French husbands of <strong>California</strong>nas<br />

sponsored the children of Gallic countrymen. For<br />

example, Luís Bauchet of France and his <strong>California</strong>na<br />

wife Basilia Alanis sponsored Espiridion<br />

Baric, the son of Carlos and Sofia Baric of “Burdeos”<br />

(Bordeaux), France. Frenchman Victor<br />

Leon Prudhomme and his wife María Merced<br />

Tapia requested that bachelor Estevan Jourdain of<br />

France and Basilia Alanis, Luís Bauchet’s widow,<br />

stand as godparents to their daughter María Emidia<br />

Tomasa Prudhomme in 1848. 43<br />

Like the French, men from the British Isles and<br />

New England sponsored compatriots for baptism<br />

and marriage and were godparents to their mixed<br />

offspring produced from unions with <strong>California</strong>nas.<br />

Irishman James “Santiago” Burke and his<br />

wife Josefa Borunda became padrinos to the son<br />

of Gorge [George] Antonio Allen of Ireland and<br />

his <strong>California</strong>na wife Petra Bermudez on October<br />

19, 1832. Anita de la Guerra and her Boston-born<br />

husband Alfredo [Alfred] Robinson became the<br />

spiritual parents of José María Alfredo Hill, son<br />

of Bostonian Daniel Hill and Rafaela Ortega. Hill<br />

and Ortega honored the godfather Don Alfredo<br />

Robinson by bestowing his name upon the child.<br />

In the Mexican era, extranjeros, often joined by<br />

their <strong>California</strong>na wives, godparented interethnic<br />

offspring for baptism at least forty-three times<br />

prior to 1848 in southern <strong>California</strong> and fourteen<br />

additional times during the early American<br />

period. 44 Evidence of continuing participation in<br />

compadrazgo by extranjeros after American conquest<br />

lends credence to their continued respect<br />

for this socioreligious practice, despite the formal<br />

transfer of political power into American hands. 45<br />

Compadrazgo and Indian Labor<br />

Although Catholic godparentage offered potential<br />

material benefits to some Indian converts during<br />

the Spanish era and provided one way for them<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


to ritualize and reaffirm kinship ties, over time<br />

the practice evolved into a tool for Californios and<br />

extranjeros to access Indian labor. According to<br />

Antonio Franco Coronel, Indian children, probably<br />

Yumas orphaned and captured in warfare<br />

with Spanish Mexicans, arrived in southern <strong>California</strong><br />

in 1840 or 1841 with a settler from Sonora.<br />

Coronel took an interest in a girl aged twelve or<br />

fourteen years old, testifying “I acquired her as a<br />

houseservant [sic], [and] had her baptized Encarnación.”<br />

46 Recall as well the Indian goddaughter<br />

Candelaria, who revealed an Indian conspiracy<br />

to attack ranchos in San Diego. Her proximity to<br />

her godmother as the family servant suggests the<br />

This christening bib of fine needle lace from the 1800s was<br />

owned by Francisca Vallejo McGettigan, granddaughter<br />

of Mariano Guadalupe Vallejo, who married Charles D.<br />

McGettigan in San Francisco. <strong>California</strong>-born wives<br />

of Frenchmen, New Englanders, and British Islanders<br />

integrated their husbands into existing kinship networks<br />

through marriage and Catholic sponsorship. These couples<br />

mutually sponsored each other for marriage and the mixed<br />

children produced from such unions for baptism. Increasing<br />

numbers of interethnic families emerged in places such<br />

as Monterey and Santa Barbara by the 1840s.<br />

Autry National Center; 2004.22.4.11


incorporation of some godchildren into households<br />

as laborers. As these examples reveal, baptism,<br />

godparentage, and Indian labor occasionally<br />

intersected in Mexican <strong>California</strong>. This “exploitation<br />

of Native American labor” continued into the<br />

American period, signifying a cultural compatibility<br />

rather than a clash. 47<br />

Foreigners and Californios, indeed, shared a<br />

paternalistic ideology with respect to native<br />

peoples in the early American era. This Catholic<br />

paternalism or maternalism dating to the Spanish<br />

era converged with new American indenture<br />

laws in the 1850s and 1860s that codified into<br />

law the inability of Indians to exercise freedom of<br />

movement or independence. According to Tomás<br />

Almaguer, kidnappings and auctions of Indians<br />

resulted in the trafficking of approximately 4,000<br />

children between 1852 and 1867. 48 Children without<br />

families to defend them certainly fell victim<br />

to indentures and vagrancy laws, which is not to<br />

suggest that all of these trafficked children were<br />

baptized by locals or even Catholic. However, the<br />

possibility remains that godparentage paved the<br />

way for the binding of Indian children to southern<br />

<strong>California</strong> households or ranchos during the<br />

early American era through claims of spiritual<br />

obligation.<br />

One motivation for sponsorship of Indian<br />

children for baptism by Californios and extranjeros<br />

at this time lay in their ability to check<br />

competition from outsiders for Indian labor.<br />

Alternatively, others possibly thought that they<br />

could better protect indigenous peoples from<br />

abuse by newcomers through sponsorship and<br />

the regulation of Indian labor. Whether or not<br />

Indian children were incorporated into southern<br />

<strong>California</strong> households as godchildren, the widescale<br />

trafficking of and market for Indian labor<br />

decimated native communities by tearing apart<br />

existing family units.<br />

A few examples of indentured servant agreements<br />

and legal petitions in the mid to late nineteenth<br />

century reveal how <strong>California</strong>nas relied<br />

upon new American legal instruments to attach<br />

Indian godchildren to their households and family<br />

ranchos. Doña Ysidora Bandini de Couts,<br />

Arcadia Bandini’s sister and the <strong>California</strong>na<br />

wife of the American military man and ranchero<br />

Cave J. Couts, submitted a petition through<br />

her husband to retrieve her runaway godson<br />

Francisco in 1858. 49 Introduced into Catholic<br />

godparenting practices by Ysidora, Couts vigorously<br />

defended her claim to the local justice of<br />

the peace. 50 In accordance with American laws<br />

passed in the early 1850s and 1860s, Indian children<br />

were subject to indentured servitude until<br />

the age of eighteen (later extended to twenty-five).<br />

Indian vagrants, that is, those considered unemployed<br />

without any regular attachment to a rancho<br />

or home, also fell vulnerable to involuntary<br />

servitude through the auctioning of their bodies<br />

and labor to the highest bidder. 51<br />

Significantly, Ysidora’s petition cited preexisting<br />

godparenting ties while parroting the language<br />

of American indenture agreements. The document<br />

stated that she held “care and control of<br />

said Indian Boy, and that said child has been provided<br />

with suitable food and clothings[.]” It also<br />

indicated that the boy had resided on the Couts’s<br />

ranch, Rancho Guajome, but was “enticed away<br />

by others,” suggesting interference from outsiders.<br />

Justice William C. Ferrell, citing the “custom<br />

of the country”—specifically, Ysidora’s baptism of<br />

Francisco in church—ordered the boy’s return to<br />

the rancho, where he was to remain until the age<br />

of eighteen. 52<br />

During the 1850s and 1860s, the Couts-Bandini<br />

family participated in other indentures that<br />

bound native peoples and at least one black<br />

minor to them. 53 Ysidora’s adoption of American<br />

indenture practices is evidenced by a contract<br />

dated April 1855 for Juan, a boy of ten or eleven<br />

years of age. Her obligations included a payment<br />

of $2.50 per month to Vicente and Comada,<br />

Juan’s adopted parents, in exchange for the boy’s<br />

0<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


Abel Stearns gave Rancho Guajome as a wedding gift to his American brother-in-law, Cave J. Couts, who married<br />

Ysidora Bandini, Arcadia’s sister, in 1851. The Couts family placed indentured children and godchildren to work on<br />

the rancho and in the household as servants and laborers. One godchild, Francisco, was the subject of an 1858 petition<br />

for recovery after running away from his godmother’s home.<br />

Braun Research Library, Autry National Center; P.17037<br />

services and labor; she also agreed to provide<br />

clothing and provisions to Juan until adulthood.<br />

One phrase in the agreement is revealing of the<br />

cultural superiority shared among Californios<br />

and Americans over native peoples at this time:<br />

“This boy is thus bound for his own good, as well<br />

as for the maintenance of Vicente + his woman<br />

Comada.” Only upon reaching the age of maturity,<br />

would Juan be “set free or at liberty.” 54<br />

The contract also prevented Juan’s removal from<br />

Ysidora’s control in the event of his adopted parents<br />

Vicente and Comada’s deaths. This agreement’s<br />

language would be echoed in the petition<br />

for Ysidora’s godson Francisco three years later.<br />

Conveniently, Cave Couts, who was a witness<br />

to Juan’s indenture agreement, and William B.<br />

Couts, his brother, who witnessed a different<br />

agreement in 1866, both did so in their capacity<br />

as justices of the peace in the San Luis Rey<br />

township. 55 Although the family probably did not<br />

baptize all children who fell under their control<br />

as indentures, Couts certainly increased the productivity<br />

and value of his land with the sweat and<br />

labor of his wife’s Indian godchildren and those<br />

indentured to the family. Adding further context<br />

to his willingness to defend his wife’s compadrazgo<br />

claims, Couts came from a slave-owning<br />

family in Tennessee.<br />

Californio households bound Indian godchildren<br />

and adopted children, passing them to other<br />

1


Compadrazgo remained embedded<br />

with multiple layers of meaning<br />

and power in <strong>California</strong> from the<br />

Spanish period into the Mexican<br />

and early American eras.<br />

family members like moveable property in wills.<br />

María Gabriela Pollorena’s will, dated May 11,<br />

1832, bequeathed to her natural daughter a Yuma<br />

orphan whom she considered “almost a daughter,<br />

named Teresa.’” 56 At least sixty-six Yuma captives<br />

were baptized at southern <strong>California</strong> missions<br />

between 1826 and 1848 and incorporated into<br />

Californio households, by chance coinciding<br />

with the rise of the rancho era and the need for<br />

Indian labor in Mexican <strong>California</strong>. Following the<br />

American conquest, <strong>California</strong>nas continued the<br />

practice of transferring Indian children through<br />

wills. Juana Ballesteros bequeathed her orphaned<br />

godchild Francisco to her natural son in a will<br />

dated July 24, 1859: “I confer and place [as] the<br />

guardian of my god child, an orphan of father<br />

and mother, and under age, named, Francisco,<br />

to my son Juan Avila to take care and educate . . .<br />

until he becomes of age or till he marries, should<br />

he marry before his minority.” 57 These two wills,<br />

one authored during the Mexican period and the<br />

other in the American, reveal the persistence of<br />

unequal and intimate ties between Indian godchildren,<br />

orphans, and <strong>California</strong>na godmothers<br />

and guardians.<br />

Shaping the American West<br />

Clearly, compadrazgo remained embedded with<br />

multiple layers of meaning and power in <strong>California</strong><br />

from the Spanish period into the Mexican<br />

and early American eras. Indian converts in Alta<br />

<strong>California</strong>, forced to adopt compadrazgo under<br />

missionization, nonetheless managed to use it to<br />

regenerate community ties severely undermined<br />

by invasion and demographic decline. Not only<br />

did this socioreligious practice establish intimate<br />

ties between ethnic groups with no prior<br />

familiarity, it also aided in the incorporation and<br />

acculturation of newcomers such as foreign-born<br />

merchants. <strong>California</strong>nas utilized godparentage<br />

to enhance their prominence and esteem in their<br />

respective communities and families. In later<br />

years, Spanish Mexicans and Anglo Americans<br />

shared an ideology of paternalism toward native<br />

peoples, as evidenced by the language of obligation<br />

and reciprocity invoked by godparents and<br />

in new American indenture servitude laws that<br />

regulated Indian bodies at mid-century. The institution<br />

of compadrazgo played a key role in shaping<br />

families and communities in the American<br />

West, a notion that historians of <strong>California</strong> are<br />

now appreciating, although almost certainly further<br />

research on compadrazgo’s intersection with<br />

labor practices is likely to yield fresh perspectives.<br />

Erika Pérez is currently a visiting assistant professor in<br />

American Cultures Studies at Loyola Marymount University<br />

in Los Angeles, where she teaches undergraduate courses on<br />

colonial American history, nineteenth-century U.S. history,<br />

and twentieth-century race, gender, and sports history. She<br />

completed her dissertation, “Colonial Intimacies: Interethnic<br />

Kinship, Sexuality, and Marriage in Southern <strong>California</strong>,<br />

1769–1<strong>88</strong>5,” in August 2010 at the University of <strong>California</strong>,<br />

Los Angeles under the guidance of Stephen Aron. Her<br />

research and teaching interests include the Spanish Borderlands/American<br />

West, gender and sexuality, Native American<br />

history, and Chicano-Latino Studies. A native of southern<br />

<strong>California</strong> with family roots in El Paso, Texas, she developed<br />

her research on compadragzo after twice becoming a godmother.<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


n o t e s<br />

Invisible Borders: Repatriation and<br />

Colonization of Mexican Migrant<br />

Workers along the <strong>California</strong><br />

Borderlands during the 1930s, By<br />

Benny J. Andrés Jr., PP 5–21<br />

I would like to thank David García and Alicia<br />

Carrillo for research assistance. My sincerest<br />

gratitude goes to Tom Rogers, Mary<br />

Ann Irwin, Shelly Kale, and Janet Fireman<br />

for their insightful comments and editorial<br />

suggestions. I also thank four anonymous<br />

readers for their comments.<br />

1 Statement of Harry Chandler, U.S. Congress,<br />

House Committee on Immigration<br />

and Naturalization, Western Hemisphere<br />

Immigration: Hearings on H.R. 8523, H.R.<br />

8530, and H.R. 8702, 71st Cong., 2nd sess.<br />

(Washington, DC: Government Printing<br />

Office, 1930), 70; http://babel.hathitrust.<br />

org/cgi/ptid=mdp.39015014316932, acc.<br />

Jan. 16, 2011.<br />

2 The Brawley News (hereafter cited as TBN),<br />

Dec. 14, 1934; for the figure of 152 repatriates,<br />

see the Calexico Chronicle (hereafter<br />

cited as CC), Dec. 17, 1934; for the origin of<br />

the families, see CC, Dec. 15, 1934.<br />

3 TBN, Dec. 14, 1934.<br />

4 For the agency of peasants, see James C.<br />

Scott, Weapons of the Weak: Everyday Forms<br />

of Peasant Resistance (New Haven: Yale University<br />

Press, 1985).<br />

5 According to the 1920 census, 2.7 percent<br />

of Mexican alien men over the age of 21<br />

in <strong>California</strong> were naturalized. <strong>California</strong><br />

Mexican Fact-Finding Committee, Mexicans<br />

in <strong>California</strong>, Report of Governor C. C. Young’s<br />

Mexican Fact-Finding Committee (San Francisco,<br />

CA: R and E Research Associates,<br />

1970 [© 1930]), 63.<br />

6 Mercedes Carreras de Velasco, Los<br />

Mexicanos que devolvió la crisis, 1929–1932<br />

(Tlatelolco, MX: Secretaría de Relaciones<br />

Exteriores, 1974). For the best scholarly<br />

treatment on Mexican repatriation, see<br />

Fernando Saúl Alanís Enciso, Que se queden<br />

allá: El gobierno de México y la repatriación<br />

de mexicanos en Estados Unidos (1934–1940)<br />

(Tijuana, MX: El Colegio de la Frontera<br />

Norte, 2007).<br />

7 For studies of repatriation during the<br />

Great Depression, see Manuel Gamio, Mexican<br />

Immigration to the United States: A Study<br />

of Human Migration and Adjustment (New<br />

York: Arno Press and The New York Times,<br />

1969 [© 1930]) and The Mexican Immigrant:<br />

His Life-Story (New York: Arno Press and<br />

The New York Times, 1969 [© 1931]); Paul<br />

S. Taylor, A Spanish-Mexican Peasant Community:<br />

Arandas in Jalisco, Mexico (Berkeley:<br />

University of <strong>California</strong> Press, 1933); James<br />

C. Gilbert, “A Field Study in Mexico of the<br />

Mexican Repatriation Movement” (master’s<br />

thesis, University of Southern <strong>California</strong>,<br />

1934); Emory S. Bogardus, The Mexican in<br />

the United States (Los Angeles: University of<br />

Southern <strong>California</strong> Press, 1934).<br />

8 In chronological order, see Carey McWilliams,<br />

Factories in the Field: The Story of<br />

Migratory Farm Labor in <strong>California</strong> (Hamden,<br />

CT: Archon Books, 1969 [© 1935]), 129<br />

and North from Mexico: The Spanish-Speaking<br />

People of the United States (New York: Praeger,<br />

1990 [© 1948]), 176; Abraham Hoffman,<br />

Unwanted Mexican Americans in the<br />

Great Depression: Repatriation Pressures,<br />

1929–1939 (Tucson: The University of Arizona<br />

Press, 1974); Francisco E. Balderrama,<br />

In Defense of La Raza: The Los Angeles Mexican<br />

Consulate and the Mexican Community,<br />

1929 to 1936 (Tucson: The University of<br />

Arizona Press, 1982); Dennis N. Valdés, Al<br />

Norte: Agricultural Workers in the Great Lakes<br />

Region, 1917–1970 (Austin: University of<br />

Texas Press, 1991), chaps. 3 and 4; George<br />

J. Sánchez, Becoming Mexican American:<br />

Ethnicity, Culture, and Identity in Chicano<br />

Los Angeles, 1900–1945 (New York: Oxford<br />

University Press, 1993), chap. 10; Zaragosa<br />

Vargas, Proletarians of the North: A History<br />

of Mexican Industrial Workers in Detroit and<br />

the Midwest, 1917–1933 (Berkeley: University<br />

of <strong>California</strong> Press, 1993), chap. 5; Camille<br />

Guérin-Gonzales, Mexican Workers and<br />

American Dreams: Immigration, Repatriation,<br />

and <strong>California</strong> Farm Labor, 1900–1939<br />

(New Brunswick, NJ: Rutgers University<br />

Press, 1994); David G. Gutiérrez, Walls and<br />

Mirrors: Mexican Americans, Mexican Immigrants,<br />

and the Politics of Ethnicity (Berkeley:<br />

University of <strong>California</strong> Press, 1995), 72–74;<br />

Dionicio N. Valdés, Barrios Norteños: St. Paul<br />

and Midwestern Mexican Communities in<br />

the Twentieth Century (Austin: University of<br />

Texas Press, 2000), chap. 3; Matt García, A<br />

World of Its Own: Race, Labor, and Citrus in<br />

the Making of Greater Los Angeles, 1900–1970<br />

(Chapel Hill: University of North Carolina<br />

Press, 2001), chap. 3; Francisco E. Balderrama<br />

and Raymond Rodríguez, Decade of<br />

Betrayal: Mexican Repatriation in the 1930s,<br />

rev. ed. (Albuquerque: University of New<br />

Mexico Press, 2006), 236–63; Gabriela F.<br />

Arredondo, Mexican Chicago: Race, Identity,<br />

and Nation, 1916–39 (Urbana: University<br />

of Illinois Press, 2008), chap. 3; Kathleen<br />

Mapes, Sweet Tyranny: Migrant Labor,<br />

Industrial Agriculture, and Imperial Politics<br />

(Urbana: University of Illinois Press, 2009),<br />

216–20.<br />

9 Paul S. Taylor, Mexican Labor in the United<br />

States: Migration Statistics, vols. 2 and 3<br />

(Berkeley: University of <strong>California</strong> Press,<br />

1933) and vol. 4 (1934); <strong>California</strong> Mexican<br />

Fact-Finding Committee, Mexicans in <strong>California</strong>,<br />

chap. 1. For an excellent contemporary<br />

analysis of Mexican circular migration,<br />

see Josef Barton, “At the Edge of the Storm:<br />

Northern Mexico’s Rural Peoples in a New<br />

Regime of Consumption, 1<strong>88</strong>0–1940,” in<br />

Land of Necessity: Consumer Culture in the<br />

United States-Mexico Borderlands, ed. Alexis<br />

McCrossen, 217–47 (Durham, NC: Duke<br />

University Press, 2009) and “Borderland<br />

Discontents: Mexican Migration in Regional<br />

Contexts, 1<strong>88</strong>0–1930,” in Repositioning North<br />

American Migration History: New Directions<br />

in Modern Continental Migration, Citizenship,<br />

and Community, ed. Marc S. Rodriguez, 141–<br />

205 (Rochester, NY: University of Rochester<br />

Press, 2004).<br />

10 Donna R. Gabaccia, “Is Everywhere<br />

Nowhere: Nomads, Nations, and the Immigrant<br />

Paradigm of United States History,”<br />

The Journal of American History 86, no. 3<br />

(Dec. 1999): 1115–34.<br />

11 See, for example, Repatriation of Mexican<br />

Nationals, file 55957/456, Department of<br />

Labor and Naturalization Service, Record<br />

Group 85, National Archives, Washington,<br />

DC.<br />

12 Andrés Landa y Piña, El servicio de<br />

migración en México (Talleres Gráficos de<br />

la Nación, MX: Secretaría de Gobernación,<br />

1930); Arthur F. Corwin, “Mexican Policy<br />

and Ambivalence toward Labor Emigration<br />

to the United States,” in Immigrants and<br />

Immigrants: Perspectives on Mexican Labor<br />

Migration to the United States, ed. Arthur F.<br />

Corwin, 179–94 (Westport, CT: Greenwood<br />

Press, 1978).<br />

13 John J. Dwyer, The Agrarian Dispute: The<br />

Expropriation of American-Owned Rural Land<br />

in Postrevolutionary Mexico (Durham, NC:<br />

Duke University Press, 2008); Casey Walsh,<br />

Building the Borderlands: A Transnational<br />

History of Irrigated Cotton along the Mexican-<br />

Texas Border (College Station: Texas A & M<br />

University Press, 2008).<br />

14 Paul S. Taylor, Mexican Labor in the United<br />

States: Imperial Valley (New York: Arno Press<br />

and The New York Times, 1970 [© 1930]).


n o t e s<br />

For the Imperial Valley’s defense of undocumented<br />

migrants, see file 0766-0775, 0782-<br />

0786, 0793-0796, 0828-0837, 0857-0861,<br />

roll 15, Records Group 85, Records of the<br />

Immigration and Naturalization Service<br />

Series A, Subject Correspondence Files<br />

pt. 2: Mexican Immigration 1906–1930,<br />

National Archives and Records Administration<br />

(Bethesda, MD: University Publications<br />

of America, 1993); Louis Bloch, “Report on<br />

the Mexican Labor Situation in the Imperial<br />

Valley,” 22nd Biennial Report of the Bureau<br />

of Labor Statistics of the State of <strong>California</strong>,<br />

1925–1926 (Sacramento: <strong>California</strong> Bureau<br />

of Labor Statistics, 1926): 116–23; Mark<br />

Reisler, By the Sweat of Their Brow: Mexican<br />

Immigrant Labor in the United States,<br />

1900–1940 (Westport, CT: Greenwood Press,<br />

1976), 60–67. For a general history, see<br />

Benny J. Andrés, “Power and Control in the<br />

Imperial Valley: Nature, Agribusiness, Labor<br />

and Race Relations, 1900–1940” (PhD diss.,<br />

University of New Mexico, 2003).<br />

15 For the history of the CRLC from the company’s<br />

perspective, see Dorothy P. Kerig,<br />

“Yankee Enclave: The Colorado River Land<br />

Company and Mexican Agrarian Reform<br />

in Baja <strong>California</strong>, 1902–1944” (PhD diss.,<br />

University of <strong>California</strong>, Irvine, 19<strong>88</strong>); for<br />

the Mexican view of the CRLC, see Pablo<br />

Herrera Carrillo, Reconquista y colonización<br />

del valle de Mexicali y otros escritos paralelos<br />

(Mexicali, MX: Universidad Autónoma de<br />

Baja <strong>California</strong>, 2002), chaps 17–24; also<br />

important are Eugene K. Chamberlin, “Mexican<br />

Colonization versus American Interests<br />

in Lower <strong>California</strong>,” Pacific <strong>Historical</strong><br />

Review 20, no. 1 (Feb. 1951): 43–55; Robert<br />

H. Duncan, “The Chinese and the Economic<br />

Development of Northern Baja <strong>California</strong>,<br />

1<strong>88</strong>9–1929,” Hispanic American <strong>Historical</strong><br />

Review 74, no. 4 (Nov. 1994): 615–47.<br />

16 David Acosta Montoya, “Precursores del<br />

agrarismo” y “El Asalto a Las Tierras” en el<br />

Estado de Baja <strong>California</strong> (Mexicali, MX:<br />

Universidad Autónoma de Baja <strong>California</strong>,<br />

1985), 26–86.<br />

17 TBN, June 12, 1920.<br />

18 Oscar Sánchez Ramírez, Crónica agrícola<br />

del valle de Mexicali (Mexicali, MX: Universidad<br />

Autónoma de Baja <strong>California</strong>, 1990),<br />

82–84, 101–4.<br />

19 For the ban, see Duncan, “The Chinese,”<br />

633; TBN, Nov. 7, 1925.<br />

20 TBN, Sept. 12 and 15, 1924; Sánchez<br />

Ramírez, Crónica agrícola, 72–82; Carrillo,<br />

Reconquista y colonización, 162–64; Abelardo<br />

L. Rodríguez, Memoria administrativa<br />

del gobierno del Distrito Norte de la Baja<br />

<strong>California</strong>, 1924–1927 (Mexicali, MX: Universidad<br />

Autónoma de Baja <strong>California</strong>, 1993<br />

[© 1928]), chap. 4.<br />

21 Statement of Harry Chandler, 72.<br />

22 Taylor, Mexican Labor in the United States:<br />

The Imperial Valley, 17–18.<br />

23 Taylor, Mexican Labor in the United States:<br />

Migration Statistics, 4:36–49.<br />

24 Statement of Harry Chandler, 62, 64.<br />

25 Carrillo, Reconquista y colonización,<br />

179–80.<br />

26 TBN, Jan. 14, 1930.<br />

27 Balderrama and Rodríguez, Decade of<br />

Betrayal, 199–200.<br />

28 “Report Rendered to the Honorable Federal<br />

Board of Investigation by the Comité<br />

Mexicano de Bienestar Social (Mexican<br />

Social Welfare Committee) of Brawley, <strong>California</strong>,<br />

February 1934,” carton 14, folder 38,<br />

n.p., Inventory of the Paul S. Taylor Papers,<br />

MSS 84/38C, The Bancroft Library Archival<br />

Collections, University of <strong>California</strong>,<br />

Berkeley.<br />

29 Spanish and English translation of an<br />

excerpt from “Report Submitted by General<br />

Juan Andrew Almaz[á]n, Secretary of<br />

Communications and Public Works, to the<br />

President of the Republic, with Reference<br />

to His Journey through the Northwestern<br />

Part of the Country, Mexico, July, 1930,”<br />

29–37, in the Spanish report, file Mexico,<br />

folder 1, Imperial Irrigation District Archive,<br />

Imperial, CA.<br />

30 TBN, Sept. 30 and Oct. 2, 1930.<br />

31 Natalia Molina, “Constructing Mexicans<br />

as Deportable Immigrants: Race, Disease,<br />

and the Meaning of “Public Charge,” Identities:<br />

Global Studies in Culture and Power 17<br />

(2010): 641–66 and Fit to Be Citizens: Public<br />

Health and Race in Los Angeles, 1879–1939<br />

(Berkeley: University of <strong>California</strong> Press,<br />

2006), 120–30, 136–41.<br />

32 Jaime R. Aguila, “Protecting ‘México de<br />

Afuera’: Mexican Emigration Policy, 1876–<br />

1928” (PhD diss., Arizona State University,<br />

2000) in Dissertations & Theses: Full Text<br />

(Publication No. AAT 9990715), 65–82, ret.<br />

May 6, 2011.<br />

33 TBN, Apr. 20, 1925.<br />

34 Statement of C. B. Moore, U.S. Congress,<br />

Senate Committee on Immigration, Restriction<br />

of Western Hemisphere Immigration:<br />

Hearings on S. 1437, 70th Cong., 1st sess.<br />

(Washington, DC: Government Printing<br />

Office, 1928), 61; http://babel.hathitrust.<br />

org/cgi/ptid=mdp.39015014316940, acc.<br />

Jan. 16, 2011.<br />

35 TBN, Apr. 10, 1926.<br />

36 Agnes K. Hanna, “Social Services on<br />

the Mexican Border,” National Conference<br />

of Social Work (1935): 692–702; Norman<br />

D. Humphrey, “Mexican Repatriation from<br />

Michigan Public Assistance in <strong>Historical</strong><br />

Perspective,” The Social Service Review 15,<br />

no. 3 (Sept. 1941): 497–513; www.jstor.org/<br />

stable/30013706, acc. July 5, 2010.<br />

37 Andrés, “Power and Control,” 223–28.<br />

38 TBN, May 2, 1934.<br />

39 Andrés, “Power and Control,” 230–35.<br />

40 For the 1934 strikes, see Cletus E. Daniel,<br />

Bitter Harvest: A History of <strong>California</strong><br />

Farmworkers, 1870–1941 (Ithaca, NY: Cornell<br />

University Press, 1981), chap. 7; Gilbert G.<br />

González, “Company Unions, the Mexican<br />

Consulate, and the Imperial Valley Agricultural<br />

Strikes, 1928–1934,” The Western<br />

<strong>Historical</strong> Quarterly 27, no. 1 (Spring 1996),<br />

60–73 and Mexican Consuls and Labor<br />

Organizing: Imperial Politics in the American<br />

Southwest (Austin: University of Texas Press,<br />

1999), 174–96; Andrés, “Power and Control,”<br />

2<strong>88</strong>–315.<br />

41 TBN, June 6, 1934.<br />

42 Ibid., Nov. 15 and 16, Dec. 27, 1934.<br />

43 CC, Apr. 16 and 22, May 8, 1935.<br />

44 Dwyer, The Agrarian Dispute, 46, 59; CC,<br />

Sept. 19, 1934; for the land sale, see CC,<br />

Sept. 21, 1934.<br />

45 Dwyer, The Agrarian Dispute, 181.<br />

For Lázaro Cárdenas’s relations with<br />

campesinos as the governor of Michoacán,<br />

see Christopher R. Boyer, Becoming<br />

Campesinos: Politics, Identity, and Agrarian<br />

Struggle in Postrevolutionary Michoacán,<br />

1920–1935 (Stanford, CA: Stanford University<br />

Press, 2003), chap. 6.<br />

46 CC, Dec. 15, 1934.<br />

47 Ibid., Dec. 17, 1934, Jan. 11, 1935.<br />

48 Ibid., Mar. 4 and 27, July 23, Nov. 21, Dec.<br />

6 and 17, 1935, and May 6, 1936.<br />

49 CC, Mar. 6, 1935; for the CRLC’s perspective<br />

of land sales and expropriation, see<br />

Kerig, “Yankee Enclave,” 314–81.<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


50 CC, Mar. 5 and May 28, 1935 and July 9,<br />

1936.<br />

51 Ibid., Apr. 6, 12, 13, and 15, 1935.<br />

52 CC, Nov. 12, 23, and 25, 1935; Dwyer, The<br />

Agrarian Dispute, 48; CC, Jan. 23 and 27 and<br />

May 14, 1936.<br />

53 CC, Nov. 21, 1935 and Feb. 11 and Apr. 17,<br />

1936.<br />

54 Ibid., Nov. 21, 1935, July 20 and Sept. 17,<br />

1937.<br />

55 CC, Sept. 27, 1934; for sinophobia, see<br />

Marco Antonio Samaniego López, “Formación<br />

y consolidación de las organizaciones<br />

obreras en Baja <strong>California</strong>, 1920–1930,”<br />

Mexican Studies/Estudios Mexicanos 14,<br />

no. 2 (Summer 1998): 329–62; www.jstor.<br />

org/Mon., July 24 23:41:58 2006, acc. July<br />

24, 2006.<br />

56 CC, Apr. 2, 1936.<br />

57 Ibid., Jan. 5, 1937.<br />

58 Dwyer, The Agrarian Dispute, 61.<br />

59 CC, July 15, 1936.<br />

60 Ibid., June 8 and Aug. 5, 1936.<br />

61 Ibid., Sept. 30 and Oct. 8, 1936.<br />

62 Dwyer, The Agrarian Dispute, 44–45.<br />

63 Acosta Montoya, “Precursores del<br />

agrarismo,” 73–77, 87–109, 129–37; Sánchez<br />

Ramírez, Crónica agrícola, 104–6. For<br />

agrarista identity and agency, see Boyer,<br />

Becoming Campesinos, chap. 4.<br />

64 CC, Jan. 28, Feb. 2, and Mar. 4, 1937;<br />

Sánchez Ramírez, Crónica agrícola, 111–14.<br />

65 CC, Mar. 13 and 16, 1937; the Calexico<br />

Chronicle converted the peso amount to<br />

$277,500. Kerig, “Yankee Enclave,” 358.<br />

66 CC, Mar. 13 and 30, Apr. 1, 7, and 17,<br />

1937.<br />

67 Ibid., Apr. 20, 22, 23, 24, 26, 27, 28, 29,<br />

May 1, 3, 4, 6, 7, 8, 10, 1937; for “striking<br />

farmers,” see CC, May 11 and 12, 1937.<br />

68 CC, Apr. 16, June 28 and 29, 1937; Kerig,<br />

“Yankee Enclave,” 380; for the 1915–46 statistics,<br />

see María Eugenia Anguiano Téllez,<br />

Agricultura y migración en el Valle de Mexicali<br />

(Tijuana, MX: El Colegio de la Frontera<br />

Norte, 1995), 100; for a breakdown of the<br />

different categories of colonies in Mexicali<br />

from 1915 to 1945, see 102 (Table 8).<br />

69 CC, Mar. 23 and June 21 (quote) and 22,<br />

1937.<br />

70 CC, Oct. 7 (quote) and 28, 1937; TBN,<br />

Feb. 7, 1938; CC, Apr. 6 and Aug. 3, 1938,<br />

Dec. 14, 1939 and, for hundreds of ethnic<br />

Mexicans destroying pea vines in anger<br />

because of a lack of jobs, Jan. 14, 1939.<br />

71 CC, July 5, 6, 7, and 10, 1939; TBN, July<br />

5, 10, and 13, 1939; for Mexico’s agreement<br />

to pay the CRLC and 318 other American<br />

owners for expropriated land, see Dwyer,<br />

The Agrarian Dispute, 258–59.<br />

72 CC, July 18, Aug. 24, Oct. 23, 24, and 26,<br />

1939; Chamberlin, “Mexican Colonization,”<br />

55; Duncan, “The Chinese,” 620.<br />

If Walls Could Speak: San Diego’s<br />

Historic Casa de Bandini, By Victor A.<br />

Walsh, Pp 22–46<br />

The author wishes to thank Shelly Kale<br />

for reviewing the manuscript and pointing<br />

out the important conceptual link between<br />

cultural memory and historic preservation;<br />

Ellen Sweet, an independent historian, for<br />

her extensive research; <strong>California</strong> State<br />

Parks senior interpreter Mary Helmich for<br />

comments on the Seeley stage operation;<br />

<strong>California</strong> State Parks archaeologist Nicole<br />

Turner for assistance with images; and Nena<br />

Reid and Cynthia Hernandez for transcriptions<br />

and translations of Spanish-language<br />

documents.<br />

Caption sources: Victor Walsh, “The Cosmopolitan:<br />

A Resurrection of the Past,” Save<br />

Our Heritage Organisation Magazine 41, no.<br />

1 (2010); Benjamin Ignatius Hayes, Pioneer<br />

Notes from the Diaries of Judge Benjamin<br />

Hayes, 1849–1875 (Los Angeles: M. T. Wolcott,<br />

1929); “That Delightful Dance, Seeley’s<br />

Place a Treasury of Delight Tuesday Night,”<br />

The Daily World, Sept. 26, 1872; “A. L. Seeley’s<br />

Personal Story,” typescript, n.d., Document<br />

Vertical File, San Diego Coast District<br />

Library (hereafter cited as SDCDL); James<br />

Mills, “Journalistic Remarks on the Los<br />

Angeles and Tucson Mails,” San Diego <strong>Historical</strong><br />

<strong>Society</strong> Quarterly 3, no. 3 (July 1957);<br />

“<strong>Historical</strong> Miscellany,” San Diego <strong>Historical</strong><br />

<strong>Society</strong> Quarterly 4, no. 1 (Jan. 1958); Virginia<br />

Scharff and Carolyn Brucken, “The House<br />

of the Three Women: A Family Legacy in the<br />

American Southwest,” <strong>California</strong> History 86,<br />

no. 4 (September 2009); Ellen L. Sweet, “A<br />

Landmark Saved: Couts Preservation Work,”<br />

Cosmopolitan Chronicle 3, no. 14 (June 12,<br />

2009); <strong>California</strong> Pacific International Exposition:<br />

Official guide, program and souvenir<br />

picture book (San Diego, CA: G. R. Wolcott,<br />

1935); Arthur Conan Doyle, The Boscombe<br />

Valley Mystery (Strand Magazine, 1891).<br />

1 A. P. Nasatir and Lionel U. Ridout,<br />

“Report to the Mayor and City Council and<br />

<strong>Historical</strong> Site Board on <strong>Historical</strong> Survey of<br />

Old Town Plaza” (typescript, 1967), 11.<br />

2 They include Save Our Heritage Organization<br />

(San Diego), IS Architecture (La Jolla),<br />

Heritage Architecture and Planning (San<br />

Diego), and ASM Affiliates Inc. (Carlsbad).<br />

Soltek Pacific Construction (San Diego) was<br />

the general contractor. Funding was provided<br />

by the <strong>California</strong> Cultural and Historic<br />

Endowment, <strong>California</strong> State Parks, and<br />

previous concessionaire Delaware North<br />

Companies.<br />

3 The French historian Pierre Nora has<br />

argued that memory is attached to places or<br />

“sites” that are concrete and physical—such<br />

as battlefields, cathedrals, buildings, or<br />

burial places that embody tangible notions<br />

of the past—as well as nonmaterial—such<br />

as spectacles, rituals, and public displays<br />

or commemorations that impart an aura of<br />

the past. He calls such places of collective<br />

significance “sites of memory.”’ See Steven<br />

Hoelscher and Derek H. Alderman, “Memory<br />

and Place: Geographies of a Critical<br />

Relationship,” Social and Cultural Geography<br />

5, no. 3 (Sept. 2004): 347–55; Greg Hise,<br />

“Sixty Stories in Search of a City,” <strong>California</strong><br />

History 83, no. 3 (2006): 8–26.<br />

4 Bill Manson, “Who’s Looking Out for<br />

These Ladies” San Diego Reader 39, no. 39<br />

(Sept. 30, 2010): 24–41.<br />

5 Hubert Howe Bancroft, History of <strong>California</strong>,<br />

vol. 2 (San Francisco: A. L. Bancroft &<br />

Company, 1<strong>88</strong>5), 708–9; Margaret Gaffey<br />

Kilroy, historical and biographical notes<br />

regarding Juan Bandini manuscript and<br />

typescript (1985), box 1, folder 7, Bandini<br />

Family Papers, MSS Coll. 101, Special Collections,<br />

Young Research Library, University<br />

of <strong>California</strong>, Los Angeles (hereafter cited<br />

as Bandini Family Papers); José Bandini, A<br />

Description of <strong>California</strong> in 1828, trans. Doris<br />

Marion Wright (Berkeley, CA: Friends of<br />

the Bancroft Library, 1951), vi–vii; Arcadia<br />

Bandini Brennan, Arcadian Memories of <strong>California</strong>,<br />

32 (typescript, 1952), box 1, folder 5,<br />

MSS C-D 5206, Bancroft Library, University<br />

of <strong>California</strong>, Berkeley. This source is also<br />

available at the San Diego History Center,<br />

San Diego. The Bancroft collection also contains<br />

photographs and additional folders on<br />

the family, including copies of the Bandini<br />

crest and shield. The crest, entitled Laus Dio<br />

Bandini, features two snakes coiled around<br />

a cross; the shield, entitled Bandini Giustiniani—Prince<br />

of Rome, the double-headed<br />

eagle.


n o t e s<br />

6 Bancroft, History, 2:261, 440, 708; Bandini,<br />

A Description of <strong>California</strong>, vii; Brennan,<br />

Arcadian Memories, 12. Sometime<br />

after Ysidora’s death in 1801, José Bandini<br />

married Manuela Masuelos y Capaz of Arequipa,<br />

Peru, by whom he fathered six children.<br />

The fifth child, Manuel Antonio, born<br />

on June 13, 1814, became the twenty-fourth<br />

archbishop of Lima.<br />

7 Bancroft, History, 2:546–47. One vara is<br />

33.3 in.<br />

8 See Hubert Howe Bancroft, History of<br />

<strong>California</strong>, vol. 3 (San Francisco: The History<br />

Company, 1<strong>88</strong>5), 136, 189, 612, 633; Katherine<br />

L. Wagner, “Native of Arica: Requiem<br />

for a Don,” The Journal of San Diego History<br />

17, no. 2 (Spring 1971): 3–4; H. D. Barrows,<br />

“Juan Bandini,” <strong>Historical</strong> <strong>Society</strong> of Southern<br />

<strong>California</strong> 4 (1899): 243–44; William E.<br />

Smythe, History of San Diego, 1542–1908, vol.<br />

1 (San Diego: The History Company, 1908),<br />

164–67; Patricia Baker, “The Bandini Family,”<br />

The Journal of San Diego History 15, no. 1<br />

(Winter 1969): 26–27; Daily Alta <strong>California</strong>,<br />

Aug. 23, 1849; San Diego Herald, Apr. 22,<br />

1854; Los Angeles Times, Sept. 24, 1944, in<br />

Brennan, Arcadian Memories, 63–64.<br />

9 Bancroft states that José Bandini built the<br />

house; Bancroft, History, 2:708. It is more<br />

likely that it was a joint effort, given the<br />

scope of construction, the fact that the older<br />

Bandini suffered from gout, and that the<br />

house lot was owned by Juan Bandini.<br />

10 Mariano Guadalupe Vallejo, “Plano de la<br />

Casa Havitacion de Don Juan Bandini en<br />

San Diego,” n.d., box 1, folder 211, Alviso<br />

Family Papers, MSS C-B 66, Bancroft<br />

Library. Vallejo visited the house in 1829,<br />

but the date of his drawing, apparently from<br />

memory, is unknown. The drawing shows<br />

two doorways on opposite sides of the<br />

zaguán (entrance hall) facing the side street.<br />

Four other doorways opened out onto the<br />

inner patios. One interior doorway opened<br />

into the sala. See also “Juan Bandini,” (typescript,<br />

n.d.), Bandini I, Documents Vertical<br />

File, Department of Parks and Recreation,<br />

San Diego Coast District Library, San Diego<br />

(hereafter cited as “Juan Bandini” SDCDL).<br />

11 One of the rooms facing Calhoun Street<br />

had a tabique (thin partition wall) that did<br />

not support the weight of the structure.<br />

12 The kitchen may not have been constructed<br />

with ceiling-high adobe walls. ASM<br />

Affiliates archaeologists, hired to assist<br />

in archaeological excavations, uncovered<br />

a brick-lined, sandstone-block drainage<br />

system beneath the earthen floor from the<br />

rear or upper courtyard that cut across the<br />

room emptying onto the Calhoun St. side;<br />

Jerry Schaefer, draft report, 2010 (hereafter<br />

cited as Schaefer 2010). It most likely dates<br />

back to the late 1840s or early 1850s, since<br />

the bricks are American. Bandini may have<br />

hired a skilled Mormon mason in 1847 to<br />

build a brick-lined well on the patio. The<br />

drain may have been part of that job. Judging<br />

from the ash and charcoal deposits,<br />

open hearths were used for cooking.<br />

13 The traspatio (rear patio) occupied<br />

higher ground above the lower patio. ASM<br />

Affiliates archaeologists uncovered the<br />

cobblestone foundation of an adobe wall<br />

dividing the two patios, whose purpose was<br />

to reduce sediment runoff onto the lower<br />

patio during rainstorms.<br />

14 The absence of doorways and steps may<br />

also indicate that this socially elevated family<br />

sought privacy from the din of public<br />

activities on the plaza. ASM Affiliates<br />

archaeologists uncovered remnants of a cobblestone<br />

foundation within the footprint of<br />

the original 1829 south wing along Calhoun<br />

Street. There is a remnant lintel embedded<br />

in the adobe wall. The foundation below<br />

the lintel drops more than a foot, suggesting<br />

that a doorway may have existed here.<br />

The original street grade at this location is<br />

about 1 1 ⁄2 ft. below the adobe base, making<br />

it feasible to build a doorway here. Stephen<br />

Van Wormer (ASM Affiliates archaeologist),<br />

in discussion with the author, Apr. 25, 2008;<br />

Schaefer 2010.<br />

15 For an informed discussion of the<br />

pedestal-type design at the corner and south<br />

and west sides of the building, see Nini<br />

Minovi, David Felton, and Karen Hildebrand,<br />

Historic Structural Investigations at<br />

the Cosmopolitan Hotel, Old Town San Diego<br />

State Historic Park (Sacramento, CA: Department<br />

of Parks and Recreation, Archaeology,<br />

History and Museum Division, 2007), 58.<br />

16 Alfred Robinson, Life in <strong>California</strong> (Oakland,<br />

CA: Biobooks, 1947), 12.<br />

17 See Ione R. Stiegler et al, Historic Structures<br />

Report for the Casa de Bandini (La Jolla,<br />

CA: Department of Parks and Recreation,<br />

2004), 15, 19–20, 28; Fred A. Tinker,<br />

“Casa Bandini: Its Owner and His Days of<br />

Intrigue, Joy and Despair,” in La Campana<br />

de Escuela . . . Old School House Historians,<br />

ed. Dr. James R. Moriarty, 55 (n.p.: Old<br />

Town San Diego, 1974); Brennan, Arcadian<br />

Memoirs, 34; Merle Clayton, “The Bandinis:<br />

Grandees in an Era of Grandeur,” San Diego<br />

Magazine 21, no. 6 (Apr. 1969): 155–56;<br />

Bandini to John M. Cooper, 7 de Julio de<br />

1828, 7 de Agosto de 1829, 7 de Octubre de<br />

1829, 7 de Noviembre de 1829, 21 de Marzo<br />

de 1831, Mariano Guadalupe Vallejo Papers,<br />

MSS X-X 2 Film, Bancroft Library (hereafter<br />

cited as Vallejo Papers).<br />

18 The practice of removing human wastes<br />

and nonburnable trash to the beach helps<br />

explain why archaeologists before and during<br />

the restoration discovered only a few<br />

shallow trash sites on the property dating<br />

to Bandini’s time. On-site inspections also<br />

revealed remnants of lime wash and plaster<br />

on the first-floor adobe walls, including an<br />

entire section of lime plaster underneath the<br />

stairway in the entrance hall leading to the<br />

second story when the building operated as<br />

the Cosmopolitan Hotel. Lime wash or paint<br />

was commonly used in nineteenth-century<br />

hospitals because of its hygienic properties.<br />

Scott Wolf, Associate Archaeologist, ASM<br />

Affiliates, Inc., in correspondence with the<br />

author, June 13, 2011; Brennan, Arcadian<br />

Memories, 34; Bandini Era Finishes, draft<br />

report, n.d., 1–6.<br />

19 Symthe, History of San Diego, 133; Daily<br />

Alta <strong>California</strong>, Feb. 27 and May 17, 1851;<br />

Stiegler et al, Historic Structures, 21; Tinker,<br />

“Casa Bandini,” 55–57; John S. Griffin, A<br />

Doctor Comes to <strong>California</strong> (San Francisco:<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>, 1943), 76;<br />

Brennan, Arcadian Memories, 23; Walter<br />

Gifford Smith, The Story of San Diego (San<br />

Diego: City Printing Co., 1892), 50; William<br />

Heath Davis, Seventy-five Years in <strong>California</strong>,<br />

ed. Harold A. Small (San Francisco: John<br />

Howell Books, 1967), 215; John L. White,<br />

“Founder of Fort Yuma; Excerpts from the<br />

Diary of Major Samuel P. Heintzelman,<br />

U.S.A., 1849–1852” (master’s thesis, University<br />

of San Diego, 1975), 14–15.<br />

20 Brennan, Arcadian Memories, 34–35.<br />

21 Robinson, Life in <strong>California</strong>, 33–34;<br />

Hubert Howe Bancroft, <strong>California</strong> Pastoral<br />

(San Francisco: The History Company,<br />

1<strong>88</strong>8), 412, 416.<br />

22 Bandini often mailed presents to his<br />

daughters and, in his correspondence to<br />

Stearns, frequently sent them unsolicited<br />

advice about how to behave. In one letter, he<br />

wrote: “I beg you to tell Ysidorita to change<br />

the clothes of her brothers, to mend them<br />

so they are not raggedy, to arise early and<br />

clean her room and the room of her sister,<br />

to make the coffee, to sweep early, and to<br />

dust, for this exercise is good for the health<br />

and is beneficial to the interest and to the<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


good education as well” and Bandini to<br />

Stearns, 16 de Septiembre de 1842, box 1,<br />

folder 1, Bandini Family Papers. See also<br />

Bandini to Stearns, 8 de Diciembre de 1841,<br />

SG box 5, Abel Stearns Coll., Huntington<br />

Library, San Marino, CA (hereafter cited as<br />

Stearns Coll.).<br />

23 Bandini to Stearns, 29 de Mayo de 1846,<br />

Bandini to Stearns, 23 de Junio de 1846, SG<br />

box 6, Stearns Coll.<br />

24 William Ingraham Kip, The Early Days<br />

of My Episcopate (New York: T. Whittaker,<br />

1892), 59 (quote).<br />

25 See Richard L. Kagan, Urban Images of the<br />

Hispanic World, 1493–1793 (New Haven: Yale<br />

University Press, 2000), 129–32.<br />

26 Bandini was the “leading spirit” of insurrection<br />

against Alvarado, despite the fact<br />

that he had been appointed administrator<br />

of San Gabriel Mission by the governor.<br />

On Christmas night in 1838, Alvarado sent<br />

troops to Bandini’s casa to arrest him. The<br />

house was packed with guests, including<br />

Pio and Andrés Pico, who were watching<br />

a performance of the traditional Pastorela<br />

in the sala. Bandini was not present and<br />

thus escaped arrest. The Picos, who supported<br />

the revolt, were taken prisoners. See<br />

Smythe, History of San Diego, 164–65.<br />

27 Juan Bandini, Apuntes Para la Historia de<br />

la Alta <strong>California</strong> Desde el año de su fundacion<br />

en 1769 hasta año de 1845, 6, 264–84, 283<br />

(quote), MSS C-D, Bancroft Library; Bandini<br />

to Mariano G. Vallejo, 21 de Marzo de 1836,<br />

Vallejo Papers; “Abel Stearns Correspondence<br />

and Legal Papers, 1832–1868,” box 2,<br />

folder 1, Bandini Family Papers; Bancroft,<br />

History, 3:1<strong>88</strong>–89, 200–10, 247, 367, 371–75,<br />

419–20, 478–99, 515–21, 556–66, 613;<br />

Hubert Howe Bancroft, History of <strong>California</strong>,<br />

vol. 5 (San Francisco: The History Company,<br />

1<strong>88</strong>6), esp. 282–83; Ray Brandes and James<br />

Robert Moriarty III, History and Archaeological<br />

Report, Master Plan Old Town San Diego<br />

State Historic Park (Sacramento, CA: Department<br />

of Parks and Recreation Archives,<br />

1974), 315; Baker, “The Bandini Family,”<br />

23–24; Tinker, “Casa Bandini,” 56–57.<br />

28 See Bandini to Larkin, 28 de Junio de<br />

1844, no. 127, MSS C-B 38, pt. 1, and Bandini<br />

to Larkin, 26 de Febrero de 1845, no.<br />

41, MSS C-B 39, pt. 3, Documents for the History<br />

of <strong>California</strong>, Bancroft Library.<br />

29 See box 5, folder 18 (Juan Bandini),<br />

Joseph Mesmer Papers, MSS Coll. 539,<br />

Special Collections, Young Research Library,<br />

UCLA; Carolina Lokrautz, “María Arcadia<br />

Bandini, First Century Families” (typescript,<br />

1962), 6, box 6, <strong>California</strong> Ephemera Collection,<br />

MSS Coll. 200, Special Collections,<br />

Young Research Library, UCLA; Cave J.<br />

Couts to Abel Stearns, Feb. 8, 1852, box 2,<br />

folder 3, Bandini Family Papers.<br />

30 See John Charles Frémont, Memoirs of My<br />

Life (New York: Cooper Square Press, 2001),<br />

564; Extracts from Private Journal-Letters of<br />

Captain S. F. DuPont, while in command<br />

of the Cyane, during the war with Mexico,<br />

1846–1848 (Wilmington, DE: Ferris Bros.,<br />

1<strong>88</strong>5), 98; Bancroft, History, 5:326–28, 330,<br />

356, 433; Benjamin Hayes, Emigrant Notes,<br />

456, 459, MSS C-E 62, Bancroft Library;<br />

Mark J. Denger, “Historic <strong>California</strong> Posts,<br />

Forts DuPont and Stockton,” http://www.<br />

militarymuseum.org/DuPont-Stockton.<br />

html; Bandini to Vallejo, 29 de Enero de<br />

1847, Vallejo Papers; Smith, The Story of San<br />

Diego, 89; Baker, “The Bandini Family,” 24;<br />

Tinker, “Casa Bandini,” 58–59.<br />

31 In one of the few battles fought in<br />

<strong>California</strong>, Kearny’s column suffered 31<br />

casualties, including 19 killed, while the<br />

Californios under General Andrés Pico lost<br />

one soldier.<br />

32 For a general discussion of San Diego<br />

during the war, see Smythe, History of San<br />

Diego, 200–27; Richard Griswold del Castillo,<br />

“The U.S.-Mexican War in San Diego,<br />

1846–1847: Loyalty and Resistance,” The<br />

Journal of San Diego History 49, no. 1 (2003):<br />

21–41; Hayes, Emigrant Notes, 459.<br />

33 Stiegler et al, Historic Structures Report,<br />

23–24; Daily Alta <strong>California</strong>, Jan. 1, 1853;<br />

Hayes, Emigrant Notes, 229; “Keen Memory<br />

of Angelo Smith, Who Lived in the Day of<br />

the Bandinis, Pedrorenas, and Other Noted<br />

Spanish Families” (news clipping, San<br />

Diego Union), box 68, Old Town History<br />

Subject Vertical File, San Diego <strong>Historical</strong><br />

Center (hereafter cited as Subject Vertical<br />

File, SDHC). According to “Letter from San<br />

Diego” published in the Daily Alta <strong>California</strong>,<br />

Mar. 28, 1869, Bandini built a balcony<br />

to provide seating “for the judges who<br />

resided over those taurine tournaments” of<br />

not long ago. The balcony was accessible<br />

by either a trap door or possibly a stairway.<br />

Benjamin Hayes (Emigrant Notes, 319) notes<br />

the discovery of the trap door.<br />

34 Hayes, Emigrant Notes, 591.<br />

35 Richard Henry Dana, Two Years Before<br />

the Mast (New York: Penguin Books, 1964),<br />

222–23; see also Lokrantz, “María Arcadia<br />

Bandini,” 4.<br />

36 Hayes, Emigrant Notes, 226; Bandini to<br />

Vallejo, 21 de Agosto de 1836, 21 de Marzo<br />

de 1836, Vallejo Papers; Bandini to Stearns,<br />

23 de Junio de 1846, SG box 6, Stearns Coll.<br />

37 William H. Thomes, On Land and Sea:<br />

<strong>California</strong> in Years 1843–1845 (Chicago: Laird<br />

& Lee, Publishers, 1892), 257.<br />

38 Bandini to Stearns, 7 de Junio de 1847,<br />

SG box 6, Stearns Coll., as quoted in Wagner,<br />

“Native of Arica,” 5.<br />

39 “Law Report,” Daily Alta <strong>California</strong>, Oct.<br />

16, 1854; Juan Bandini, “Los títulos de los<br />

terrenos en <strong>California</strong>,” Southern <strong>California</strong>n,<br />

11 de Abril de 1855; see also Southern<br />

<strong>California</strong>n, 23 de Mayo de 1855, reprinted<br />

in Benjamin Hayes, Scrapbooks, <strong>California</strong><br />

Notes and Incidents, vol. 4, 4<strong>88</strong>–91, The Bancroft<br />

Library.<br />

40 Stiegler et al, Historic Structures Report,<br />

24–25; Pitt, Decline of the Californios (Berkeley,<br />

University of <strong>California</strong> Press, 1966),<br />

111; Charles R. Johnson to Abel Stearns, May<br />

26, 1851, SG box 36, Stearns Coll.; Wagner,<br />

“Native of Arica,” 5–7.<br />

41 See business advertisements in the San<br />

Diego Herald, Aug. 26, Sept. 16, 1854, Feb.<br />

3, 1855; Brandes and Moriarty, History and<br />

Archaeological Report, 320; Henry Miller’s<br />

1856 sketch of San Diego in <strong>California</strong><br />

Mission Sketches by Henry Miller, Bancroft<br />

Library.<br />

42 See sales advertisements in Spanish and<br />

English in the San Diego Herald, Dec. 15,<br />

1855. Other property listed in the transfer<br />

included 2,000 head of cattle, 300 horses,<br />

and 300 sheep of “all classes, ages, and<br />

descriptions” in <strong>California</strong> and Lower<br />

<strong>California</strong>, as well as Rancho Jurupa, the<br />

Gila House site (destroyed in an 1858<br />

windstorm), and Bandini’s mark and cattle<br />

brand. See Wagner, “Native of Arica,” 10;<br />

Stiegler et al, Historic Structures Report, 26.<br />

43 Stearns to Cave J. Couts, Nov. 16, 1864,<br />

SG box 37, CT 2223, Stearns Coll.; Benjamin<br />

Hayes, Notes on <strong>California</strong> Affairs,<br />

490–93, box 1, folder 9, MSS C-E 81, Bancroft<br />

Library. The earthquake also cracked<br />

Thomas Whaley’s sturdy brick home in<br />

several places. Other damaged buildings<br />

included the Pico and Wrightington adobes<br />

and the Colorado House, a three-story woodframe<br />

hotel.<br />

44 See “Seeley Stable” (brochure), 1, box 68,<br />

Subject Vertical File, SDHC; Richard B.<br />

Yale, “Albert Lewis Seeley, Stage Line Operator,<br />

U.S. Mail Contractor, Innkeeper” (Sac-


n o t e s<br />

ramento: Department of Beaches and Parks,<br />

Jan. 1973), 3, 21–23, 34–35, Dick Yale Papers,<br />

SDCDL; Barbara Palmer, “Albert Seeley,”<br />

Old Town Character Studies: Sketches and<br />

Sources (San Diego: San Diego Coast District,<br />

Department of Parks and Recreation,<br />

2001), n.p, SDCDL. On Seeley’s residence,<br />

see City of San Diego, Population Manuscript<br />

Census Schedule, 1870, and County of San<br />

Diego, Tax Assessment List (1873–1874), box<br />

6, item 28, Public Records Coll., SDHC<br />

(hereafter cited as Tax Assessment List,<br />

SDHC).<br />

45 Franklin House advertisement, San Diego<br />

Union, Oct. 10, 1868; letter to the editor in<br />

defense of Seeley, San Diego Union, Apr. 14,<br />

1869; “How The Mails Are Not Carried to<br />

San Diego,” San Diego Union, Mar. 24, 1869,<br />

and “The Mails Again,” San Diego Union,<br />

Apr. 7, 1869; “Letter from San Diego (From<br />

Our Own Correspondent),” San Francisco<br />

Daily Evening Bulletin, June 6 and 15, 1868.<br />

46 For Seeley’s use of inheritance money<br />

to build the hotel, see Daniel Cleveland,<br />

“Pioneer Tells of Romance of San Diego,”<br />

San Diego Union, Dec. 13, 1925. American<br />

businessmen often converted single-story<br />

Mexican adobes into commercial operations<br />

by adding wooden second stories.<br />

The Exchange Hotel, Franklin House, and<br />

American Hotel in Old Town followed this<br />

construction pattern.<br />

47 See William H. Godfrey, Apr. 1872, photographs<br />

15519, 20203-2, 20203-3, 20203-4,<br />

and Parker, 1874, photograph OP 16391-38,<br />

Photograph Coll., SDHC; Stiegler et al,<br />

Historic Structures Report, 30–33; San Diego<br />

Union, June 22, 1873.<br />

48 San Diego Union, Sept. 8, 1869.<br />

49 See, for example, San Diego Union, Jan. 6,<br />

Mar. 3, Oct. 20, and Nov. 17, 1870.<br />

50 San Diego Union, July 20, 1873 (quote).<br />

51 These measurements are based on the<br />

witness marks of the original rooms and<br />

discovery of toe-nosed studs with iron-cut,<br />

square-head nails.<br />

52 In 1930, Cave J. Couts Jr. completely<br />

rehabilitated the hotel guest rooms on the<br />

second floor, including refinishing them<br />

with lath and lime plaster and installing<br />

bathrooms in the smaller box-size rooms<br />

overlooking the rear courtyard. On-site<br />

inspections have uncovered remnants of<br />

first-floor ceiling lath and 2” x 3” studs toe<br />

nailed to floor plates with iron-cut, squarehead<br />

nails in several second-story rooms,<br />

indicating that Seeley, most likely, had<br />

used lath and lime plaster to cover interior<br />

walls. On room furnishings, see Inventory<br />

of Effects of Franklin House, Old Town,<br />

Tyler Curtis & Co. vs. James W. Cullen and<br />

Manuel Torres, 17th District Court, Case 435,<br />

October 1870, box 13, file 1, Public Records<br />

Coll., SDHC (hereafter cited as Inventory of<br />

Effects, SDHC).<br />

53 See Cosmopolitan Hotel Register, Apr. 21,<br />

1870–July 1, 1<strong>88</strong>7, <strong>California</strong> State Library,<br />

Sacramento (CSL); Ellen L. Sweet, Cosmopolitan<br />

Register Names (typescript, Mar. 27,<br />

2008), SDCDL. The latter source provides a<br />

list of all registered guests whose names are<br />

legible from 1870 to 1874, the dates of their<br />

stay, and a brief biographical vignette of<br />

each individual. After that year, the names<br />

were seldom recorded in the register.<br />

54 Bruce Coons (historical consultant) in<br />

discussion with the author, Aug. 29 and<br />

Sept. 9, 2008; Susan L. Buck, Cross-Section<br />

Paint Microscopy Report, Cosmopolitan Hotel,<br />

San Diego, <strong>California</strong> , unpublished draft (La<br />

Jolla, CA: IS Architecture, 2008), 128–31.<br />

An advertisement in the Cosmopolitan Hotel<br />

Register refers to a billiard room.<br />

55 This popular punch was a blend of lemon<br />

juice and pulp, sugar, boiling water, brandy,<br />

rum, and sometimes porter. See Jerry<br />

Thomas, The Bar-Tenders Guide or How to<br />

Mix Drinks (New York: Dick and Fitzgerald,<br />

1<strong>88</strong>7).<br />

56 San Diego Union, June 9, 1870 (quote),<br />

July 20, 1873, Aug. 24, 1876; Inventory of<br />

Effects, SDHC.<br />

57 Buck, Cross-Section Paint Microscopy<br />

Report, 104–6; San Diego Union, June 9,<br />

1870 (quote), July 27, 1873, “The Ball at Old<br />

Town,” Jan. 8 and 25, 1874, July 1, 1874,<br />

June 1, 1875; “Christmas Social Party, Cosmopolitan<br />

Hotel, Thursday Evening, Dec.<br />

24, 1874,” Invitations, Documents Vertical<br />

File, SDHC.<br />

58 “Letter from San Diego,” San Francisco<br />

Daily Evening Bulletin, Dec. 21, 1869. In his<br />

opinion, Porter considered the bullfight a<br />

spectacle of torment more akin to bull baiting<br />

than bull fighting: “When a poor terrorstricken<br />

bull could not be made to face any<br />

kind of an enemy, not even by fire crackers,<br />

the muchachos [boys] would fasten a tin can<br />

to his tail and then his gyrations caused<br />

immense applause. One would frequently<br />

break through the barrier and escape outside<br />

in a vain endeavor to fly from his tormenters;<br />

but he was speedily captured by<br />

the hijos [sons] on horseback, and dragged to<br />

the scene of his suffering again.”<br />

59 Richard Pourade, The Glory Years (San<br />

Diego: Union-Tribune Publishing Company,<br />

1964), 46–47; Mary A. Helmich and<br />

Richard D. Clark, Interpretive Program, Old<br />

Town San Diego State Historic Park, vol. 2<br />

(Sacramento: Department of Parks and Recreation,<br />

1991), n.p.; Kevin Moore, Historic<br />

Information Design Report, Historic Windmill<br />

Reconstruction Project, Old Town San Diego<br />

State Historic Park (Cloverdale, CA: Rock<br />

Ridge Windmills, LLC, 2008), esp. 3–4; San<br />

Diego Union, June 23, 1870, Jan. 18, 1874;<br />

Tax Assessment List (1873–74), 28, SDHC;<br />

see also Schiller, 1869, photograph 3861-A<br />

and Godfrey, 1872, photograph 80:3286,<br />

Photograph Coll., SDHC.<br />

60 San Diego Union, Mar. 24, 1869, June 23<br />

and July 4, 1874; “Information Sheet Seeley<br />

Stable,” 3–4, Seeley Documents Vertical<br />

File, SDCDL; Yale, “Albert Lewis Seeley,” 11;<br />

James D. Sleeper, “The Best Parts of <strong>California</strong><br />

as Seen from a Seeley & Wright Stage,”<br />

Butterfield Express 5, no. 3 (Jan. 1967): 1; San<br />

Diego Daily World, Dec. 1, 1871.<br />

61 Hubert Howe Bancroft, Personal Observations,<br />

MSS C-E 113, 19, Bancroft Library;<br />

“Who Was Albert Seeley” (brochure, n.d.),<br />

Seeley Documents Vertical File, SDCDL;<br />

San Diego Union, Jan. 6, 1876; William<br />

Henry Bishop, “Southern <strong>California</strong>,”<br />

Harper’s New Monthly Magazine 66, no. 391<br />

(Dec. 1<strong>88</strong>2): 62. Bancroft came to Old Town<br />

to arrange to buy Hayes’s vast collection of<br />

scrapbooks, manuscripts, and papers on<br />

Southern <strong>California</strong>—“the most valuable in<br />

the state,” according to this distinguished<br />

historian, with the exception of his own.<br />

62 Railroad development out of Los Angeles<br />

had affected Seeley’s business by the<br />

late 1870s. The run from San Diego to Los<br />

Angeles, for instance, was shortened to San<br />

Diego to Anaheim, where the railroad could<br />

pick up the mail. It reduced the run from<br />

23 to 17 hours. Winifred Davidson, “Tales of<br />

the Old Southwest,” San Diego Union, Sept.<br />

24, 1939; “Who Was Albert Seeley”, San<br />

Diego Union, May 3, 1<strong>88</strong>7; Abstract of Titles:<br />

Old Town, Block 451, Public Records Coll.,<br />

SDHC.<br />

63 Susan Davis Tiffany, “Memory Like the Ivy<br />

Clings”: Reminiscences of One Who Lived in<br />

the Bandini House 1898–1911 (unpublished<br />

manuscript, 1973), 42–43, 45, 51, SDHC;<br />

Los Angeles Times, Dec. 17, 1899; “<strong>California</strong><br />

Olive Oil,” San Diego Union, Apr. 22, 1902;<br />

“Medals Received from Two Expositions,”<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


San Diego Union, Sept. 6, 1902, “Akerman<br />

& Tuffley, San Diego Manufacturers Win<br />

Gold Medal for Olive Oil,” San Diego Union,<br />

Oct. 7, 1900; “San Diego Olive Oil Gets<br />

First Prize at London,” San Diego Union,<br />

Nov. 22, 1902; Stiegler et al, Historic Structures<br />

Report, 34–35.<br />

64 Tiffany, “Memory Like the Ivy Clings,”<br />

11–12.<br />

65 Ibid., 1–5.<br />

66 Ibid., 49–50.<br />

67 Nancy Carol Carter, “San Diego Olives:<br />

Origins of a <strong>California</strong> Industry,” The Journal<br />

of San Diego History 54, no. 3 (Summer<br />

2008): 150–51; “Akerman & Tuffley to Have<br />

Big Modern Pickling and Oil Factory,” San<br />

Diego Union, Apr. 9, 1911.<br />

68 “<strong>California</strong> Olive Oil” (quote).<br />

69 Stiegler et al, Historic Structures Report,<br />

37–40; Casa de Bandini, 1928, photograph<br />

S-442 and Passmore, Jan. 4, 1930, photograph<br />

1136B, Photograph Coll., SDHC.<br />

70 See Ellen L. Sweet, “A Landmark Saved:<br />

Bandini-Couts Family, 1924–1930,” Cosmopolitan<br />

Chronicle 3, no. 13 (June 5,<br />

2009); deed of title to Cave Couts Jr., July<br />

21, 1928, box 79, folder 10, Cave Johnson<br />

Couts Papers, The Huntington Library,<br />

San Marino, CA (hereafter cited as Couts<br />

Papers).<br />

71 Invoice from Ingle Manufacturing<br />

Company, June 25, 1930, box 79, folder<br />

10, Couts Papers; Stiegler et al, Historic<br />

Structures Report, 41; William F. Mennell,<br />

“Bathrooms,” Part II, Cosmopolitan Chronicle<br />

2, no. 17 (Jan. 2, 2009); “Home of Don<br />

Juan Bandini,” Old Town San Diego, San<br />

Diego County, <strong>California</strong>, Historic American<br />

Buildings Survey, HABS Survey CAL.46<br />

and Index Cal.37-Olto 2–1 (1937), Library of<br />

Congress. See also Guy J. Giffen, 1935, photographs<br />

17076 and 17155, Braun Research<br />

Library, Autry National Center, Los Angeles,<br />

CA.<br />

72 Phoebe S. Kropp, <strong>California</strong> Vieja: Culture<br />

and Memory in a Modern American Place<br />

(Berkeley: University of <strong>California</strong> Press,<br />

2006), 44; Stiegler et al, Historic Structures<br />

Report, 42–43; Victor A. Walsh, “Una Casa<br />

del Pueblo—A Town House of Old San<br />

Diego,” The Journal of San Diego History 50,<br />

no. 1 & 2 (Winter/Spring 2004): 1–16; Hazel<br />

W. Waterman, “Restoration of Typical Spanish<br />

<strong>California</strong> Dwelling Known as ‘Marriage Place<br />

of Ramona,’” 6 (quote), Hazel Waterman<br />

Papers, MSS-226, box 1, folder 12, SDHC; Event,” “Historic Casa To Be Scene of Lecture;<br />

Show,” “College to Offer Early Califor-<br />

“Bandini Home, Old Town,” n.d., box 79,<br />

folder 13, Couts Papers; Los Angeles Times, nia Play Course,” “Bandini Home in Old<br />

June 12, 1932; Cave J. Couts to Mrs. S. I. San Diego Scene of Stirring Drama of City’s<br />

Harritt, July 24, 1924 (quote), box 45, Couts Early History, Back in Year 1846,” “Long<br />

Papers; Robert G. Wright, Interview with Ago in San Diego, Don Juan Was Prince of<br />

Elaine Sweet (June 17, 1973), 7, SDHC. Hosts” (news clippings, 1930s), San Diego<br />

73 Union and San Diego Tribune, Old Town,<br />

Gregg P. Hennessey, “Creating a Monument,<br />

Re-Creating History: Junipero Serra<br />

Casa de Bandini, box 67, Subject Vertical<br />

File, SDHC.<br />

Museum and Presidio Park,” The Journal of<br />

78<br />

San Diego History 45, no. 3 (Summer 1999): Stiegler et al, Historic Structures Report,<br />

136–65; George W. Marston, “History of San 45.<br />

Diego City Parks, 1936,” 11–13, George W. 79 For a discussion of the Cosmopolitan<br />

Marston Papers, MSS-35, box 2, folder 37,<br />

Hotel restoration, see Minovi et al, Historic<br />

item 3b, SDHC; Victor A. Walsh, “A History<br />

Structural Investigations at the Cosmopolitan<br />

of the Old Town Plaza,” (unpublished typescript,<br />

2006), 4, SDCDL.<br />

Hotel, esp. 10–16, 57; Victor A. Walsh, “The<br />

Art of Historic Detection,” Parts I and II,<br />

74 Winifred Davidson (San Diego <strong>Historical</strong><br />

<strong>Society</strong>) to Couts, Nov. 14, 1934, box 46, 2008), no. 6 (Apr. 18, 2008) and “The Chal-<br />

Cosmopolitan Chronicle 1, no. 5 (Apr. 11,<br />

folder 2, Faulconer to Couts, July 18, 1935, lenge of Historic Preservation,” no. 8 (May<br />

box 79, folder 11, Mrs. Fisher to Couts, Apr. 2, 2008).<br />

8, 1940, box 79, folder 13, Couts Papers. 80 Couts died in July 1943.<br />

75 The exposition’s popularity further convinced<br />

long-time civic leader George Mar-<br />

81 Requa passed away in June 1941 and thus<br />

played no role in the design.<br />

ston, along with Richard Requa, the fair’s<br />

82<br />

chief architect, that the historic community Stiegler et al, Historic Structures Report,<br />

could be turned around by focusing on its 48, 50, “Historic Residence at Old Town<br />

Spanish heritage. In 1937, the San Diego to Be Remodeled Soon,” San Diego Tribune<br />

Chamber of Commerce hired the architect Sun, June 20, 1945; “Casa de Bandini,” Old<br />

to design the area around the plaza into San Diego (San Diego: San Diego County<br />

a popular Mexican Mart, modeled after <strong>Historical</strong> Days, 1950), 10, Old Town Documents<br />

Vertical File, SDCDL; Casa de Ban-<br />

Los Angeles’s then popular Olvera Street.<br />

The first step in Marston’s revitalization dini Motel, circa 1955, photographs 1742<br />

effort was the Casa de Pico Motor Hotel, an and 12423-1355, Old Town Buildings, box<br />

upscale Spanish Colonial auto court that 128, Photograph Coll., SDHC; Casa de Bandini,<br />

ca. 1960, photograph OTSD-46 and<br />

opened in 1940 on Calhoun Street. Unlike<br />

Olvera Street, Old Town, Requa argued, ca. 1968, photograph OTSD-70, Photograph<br />

should be set aside as an historic district Coll, SDCDL.<br />

without modern buildings interspersed<br />

83 Stiegler et al, Historic Structures Report,<br />

among historic ones. His plan did not materialize<br />

due, in part, to his unexpected death<br />

49; “Casa de Bandini,” Old Town San Diego,<br />

10; Mary Lloyd, Saludos Amigos: The Birthplace<br />

of <strong>California</strong> (Potrero, CA: Mary Lloyd,<br />

in 1941. See “Mexican Village Plan Outlined<br />

to Chamber Chiefs,” San Diego Union, Nov.<br />

1950), 24.<br />

13, 1936; “Requa Outlines Plan to Create<br />

84<br />

Old Mexico Town,” San Diego Union, Feb. Stiegler et al, Historic Structures Report,<br />

19, 1937; “Mexican Mart Plan at Old Town Is 55; Architectural Survey and Report, Bandini<br />

Explained,” San Diego Union, Feb. 26, 1937; House (June 15, 1971), 4, Department of<br />

Mary Taschner, Richard Requa: Southern <strong>California</strong><br />

Architect, 1<strong>88</strong>1–1941 (master’s thesis, Northern Service Center (NCS), Sacramento,<br />

Parks and Recreation, Unit File Archives,<br />

University of San Diego, 1982), 164–69. CA.<br />

76 “Lease between Cave J. Couts, Lesser<br />

85 “Diane and Bob Powers,” Los Angeles<br />

and Margaret Adams Faulconer, Lessee,” Times, June 22, 1980; Betty Quale, Interview<br />

with Diane Powers (July 29, 1993), esp.<br />

box 79, folder 11, Couts Papers; “The Casa<br />

de Bandini, Social Center of Old <strong>California</strong>, 11–13, SDHC. According to Powers, “the real<br />

Restored to Former Brilliance,” San Diego inspiration” for the creation of the bazaar<br />

Union, Apr. 28, 1935 (quote) .<br />

was her visit to the Bazaar Sabado outside of<br />

77 Mexico City.<br />

“Where Flag Was Made Setting of D.A.R.


n o t e s<br />

86 Stiegler et al, Historic Structures Report,<br />

55–56; Bandini House Development Plan,<br />

Apr. 26, 1979, sheet 1, Department of Parks<br />

and Recreation, San Diego Coast District.<br />

87 Wall alterations consisted of blocking up<br />

interconnecting doorways between Couts’s<br />

bathrooms and guest rooms; Bandini House<br />

Development Plan, sheet 2.<br />

<strong>88</strong> In the 1<strong>88</strong>0s, round or wire iron nails<br />

were beginning to be used instead of<br />

square-head, iron-cut nails in the construction<br />

trade in the United States. By 1898,<br />

when Akerman converted the old hotel into<br />

a boardinghouse, round iron nails were<br />

widely used, but given Old Town’s dismal<br />

economic situation and the condition of the<br />

building, Akerman’s work crews may have<br />

also reused iron-cut nails from Seeley’s<br />

time.<br />

89 Kenneth W. McClellan (Development<br />

Division, Department of Parks and Recreation)<br />

to Alice A. Huffman (Deputy Director,<br />

DPR), May 29, 1980; James P. Tryner<br />

(Resource Preservation and Interpretation<br />

Division, DPR) to Richard May (Development<br />

Division, DPR) May 23, 1979; Tryner<br />

and Dr. Knox Mellon (State Historic Preservation<br />

Officer) to John H. Knight (Associate<br />

Director of Operations, DPR) June 1, 1979;<br />

Mellon to Knight, June 5, 1979; May to<br />

Tryner, June 18, 1979, NSC.<br />

90 George Frank, “Business Blamed for<br />

‘Historic Lie’ in Old Town Park,” Los Angeles<br />

Times, Sept. 13, 1980 (quote); Robert Montemayor,<br />

“New History for Old Town Park,<br />

Rebuilding of Historic Homes Favored,” Los<br />

Angeles Times, Apr. 11, 1981; Richard C. Paddock,<br />

“The Saga of Diane Powers and Her<br />

Old Town Bonanza,” Los Angeles Times, June<br />

21, 1981; Richard W. Amero, “Old Town<br />

Buff Yearns for Fidelity,” San Diego Evening<br />

Tribune, Mar. 19, 1981 (quote). See also Harriet<br />

Kimbro, “Bazaar del Mundo—Old Town<br />

Cinderella or Her Pumpkin,” unpublished<br />

paper delivered at the 17th Annual Institute<br />

of History, San Diego (1985), SDHC.<br />

91 San Diego Union, May 25, 1980, as quoted<br />

in Stiegler et al, Historic Structures Report,<br />

55.<br />

92 Stiegler et al, Historic Structures Report,<br />

45; Carey McWilliams, Southern <strong>California</strong><br />

Country: An Island on the Land (New York:<br />

Duell, Sloan & Pearce, 1946), 70–83; Victor<br />

A. Walsh, “Stop the Old Town Myths,”<br />

Voice of San Diego, Dec. 27, 2005; Matthew<br />

F. Bokovoy, The San Diego World Fairs and<br />

Southwestern Memory, 1<strong>88</strong>0–1940 (Albuquerque:<br />

University of New Mexico Press, 2005),<br />

xvi–xx.<br />

93 See Uldis Ports, “Geraniums vs. Smokestacks,<br />

San Diego’s Mayoralty Campaign of<br />

1917,” The Journal of San Diego History 21,<br />

no. 3 (Summer 1975): 51–56; Kropp, <strong>California</strong><br />

Vieja, esp. 103–32; Roger M. Showley,<br />

Perfecting Paradise (Carlsbad, CA: Heritage<br />

Media Corp., 1999), 80–87; Bokovoy, The<br />

San Diego World Fairs and Southwestern<br />

Memory, esp. xvi–xvii, 50–55, 80–86, 114,<br />

141–64; Richard W. Amero, “The Making of<br />

the Panama-<strong>California</strong> Exposition, 1909–<br />

1915,” The Journal of San Diego History 36,<br />

no. 1 (Winter 1990): 1–47; David Marshall<br />

and Iris Engstrand, “San Diego’s 1935–1936<br />

Exposition, A Pictorial Essay,” The Journal<br />

of San Diego History 55, no. 4 (Fall 2009):<br />

177–90; Richard S. Requa, Inside Lights on<br />

the Buildings of San Diego’s Exposition, 1935<br />

(San Diego: n.p., 1937), 5 (quote).<br />

94 Kropp, <strong>California</strong> Vieja, 261–69; Kevin<br />

Starr, Americans and the <strong>California</strong> Dream,<br />

1850–1915 (Santa Barbara/Salt Lake City:<br />

Peregrine Smith, Inc., 1981), 390, 396–97.<br />

95 “The Casa de Bandini,” San Diego Union,<br />

Apr. 28, 1935.<br />

96 Dana, Two Years Before the Mast, 222.<br />

97 Vonn Marie May, “Old Town: Whose History<br />

Is It Anyway” Voice of San Diego, Nov.<br />

28, 2005.<br />

98 It was listed on Dec. 6, 1932. The text<br />

reads: “This adobe house was constructed<br />

about 1827 by José and Juan Bandini. As<br />

headquarters of Commodore Robert F.<br />

Stockton in 1846, it was the place where Kit<br />

Carson and Edward Beale delivered their<br />

urgent message of December 9, 1846, calling<br />

for reinforcements to be rushed to the<br />

aid of General Kearny.” See <strong>California</strong> <strong>Historical</strong><br />

Resources, Office of Historic Preservation,<br />

State of <strong>California</strong>; http://www.<br />

ohp.parks.ca.gov/listed_resources/default.<br />

aspnum=72.<br />

99 See Victor A. Walsh, “The Cosmopolitan<br />

Hotel: A Resurrection of the Past,” Save Our<br />

Heritage Organisation Magazine 41, no. 1<br />

(2010): 2–11. See also Minovi et al, Historic<br />

Structure Investigations at the Cosmopolitan<br />

Hotel, esp. 10–16, 102–5. As of May 1, 2011,<br />

this restoration project has won <strong>California</strong><br />

State Parks and Recreation’s William Penn<br />

Mott Award (2010), Old Town Chamber<br />

of Commerce’s Certificate of Excellence<br />

(2010), Save Our Heritage Organisation’s<br />

People in Preservation Award (2010), and<br />

the City of San Diego’s Excellence in Historic<br />

Preservation Award (2011).<br />

100 Except for the jehus (stage drivers), virtually<br />

nothing was found in the historic record<br />

about servants and other workers at the<br />

Casa de Bandini and Cosmopolitan Hotel,<br />

not even references to their names.<br />

“Saludos from your comadre”:<br />

Compadrazgo as a Community<br />

Institution in Alta <strong>California</strong>,<br />

1769–1860s, By Erika Pérez, PP 47–62<br />

The author thanks Shelly Kale and Janet<br />

Fireman for their editorial assistance and<br />

comments, and the anonymous reviewers<br />

for their helpful suggestions.<br />

Caption sources: John G. Douglass and<br />

Patrick B. Stanton, “Living during a Difficult<br />

Time: A Comparison of Ethnohistoric,<br />

Bioarchaeological, and Archaeological<br />

Data during the Mission Period, Southern<br />

<strong>California</strong>,” <strong>Society</strong> for <strong>California</strong> Archaeology<br />

(SCA) Proceedings 24 (2010); Harry<br />

W. Crosby, Antigua <strong>California</strong>: Mission and<br />

Colony on the Peninsula Frontier, 1697–1768<br />

(Albuquerque: University of New Mexico<br />

Press, 1994); John R. Johnson, “The Trail to<br />

Fernando,” Journal of <strong>California</strong> and Great<br />

Basin Anthropology 4, no. 1 (1982); Fernando<br />

Librado, The Eye of the Flute: Chumash Traditional<br />

History and Ritual as Told by Fernando<br />

Librado Kitsepawit to John P. Harrington, eds.<br />

Travis Hudson, Thomas Blackburn, Rosario<br />

Curletti, and Janice Timbrook (Banning,<br />

CA: Malki Museum Press, 1981).<br />

1 Sir George Simpson, Narrative of a Voyage<br />

to <strong>California</strong> Ports in 1841–1842 (San Francisco:<br />

Thomas C. Russell, 1930), 123.<br />

2 Victoria Reid to Abel Stearns, May 1851, in<br />

Susanna Bryant Dakin, A Scotch Paisano in<br />

Old Los Angeles: Hugo Reid’s Life in <strong>California</strong>,<br />

1832–1852 Derived from His Correspondence<br />

(Berkeley: University of <strong>California</strong><br />

Press, 1978), 194. In her letter, Victoria<br />

refers to Stearns as “mi querido compadre.”<br />

Natural and spiritual co-parents use the<br />

term compadres when referring to each other<br />

in the plural form; when used singularly,<br />

compadre (co-father) is the masculine form<br />

and comadre (co-mother) is the feminine.<br />

In this essay, I use the terms godparent and<br />

sponsor interchangeably.<br />

3 <strong>California</strong>-born woman of Spanish-<br />

Mexican descent.<br />

0<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


4 <strong>California</strong>’s Spanish era ranged from 1769<br />

to 1821, the Mexican years from 1821 to<br />

1848, and the American period from 1848<br />

onward.<br />

5 My definition of intimacy is influenced by<br />

Ann Laura Stoler’s study of Indonesia and<br />

how state institutions furthered the goals of<br />

empire by regulating intimate matters such<br />

as sexuality, definitions of legitimacy, and<br />

labor. See Ann Laura Stoler, Carnal Knowledge<br />

and Imperial Power: Race and the Intimate<br />

in Colonial Rule (Berkeley/Los Angeles:<br />

University of <strong>California</strong> Press, 2002). See<br />

also Sylvia Van Kirk, Many Tender Ties:<br />

Women in Fur-Trade <strong>Society</strong>, 1670–1870<br />

(Norman: University of Oklahoma Press,<br />

1980); Jacqueline Peterson and Jennifer<br />

S. H. Brown, eds., The New Peoples: Being<br />

and Becoming Métis in North America (Winnipeg:<br />

The University of Manitoba Press,<br />

1985); Asunción Lavrin, ed., Sexuality &<br />

Marriage in Colonial Latin America (Lincoln:<br />

University of Nebraska Press, 1989); Martha<br />

Hodes, ed., Sex, Love, Race: Crossing Boundaries<br />

in North American History (New York:<br />

New York University Press, 1999); Albert<br />

L. Hurtado, Intimate Frontiers: Sex, Gender,<br />

and Culture in Old <strong>California</strong> (Albuquerque:<br />

University of New Mexico Press, 1999);<br />

Susan Sleeper-Smith, Indian Women and<br />

French Men: Rethinking Cultural Encounter<br />

in the Western Great Lakes (Amherst: University<br />

of Massachusetts Press, 2001); and<br />

María Raquél Casas, Married to a Daughter<br />

of the Land: Spanish-Mexican Women and<br />

Interethnic Marriage in <strong>California</strong>, 1820–1<strong>88</strong>0<br />

(Reno/Las Vegas: University of Nevada<br />

Press, 2007).<br />

6 For ongoing exploration of this subject, see<br />

Erika Pérez, Colonial Intimacies: Interethnic<br />

Kinship, Sexuality, and Marriage in Southern<br />

<strong>California</strong>, 1769–1<strong>88</strong>5 (PhD diss., University<br />

of <strong>California</strong> Los Angeles, 2010) and “The<br />

Paradox of Kinship: Native-Catholic Communities<br />

in Alta <strong>California</strong>, 1769–1840s,” in<br />

On the Borders of Love and Power, ed. Crista<br />

DeLuzio and David W. Adams (forthcoming,<br />

the University of <strong>California</strong> Press). For<br />

a study on northern <strong>California</strong> missions<br />

that reaches a similar conclusion about<br />

compadrazgo’s regenerative potential for<br />

native kinship ties, see Quincy D. Newell,<br />

Constructing Lives at Mission San Francisco:<br />

Native <strong>California</strong>ns and Hispanic Colonists,<br />

1776–1821 (Albuquerque: University of New<br />

Mexico Press, 2009), chap. 5.<br />

7 I use the term Spanish-Mexican to<br />

describe the colonial settlers of Alta <strong>California</strong>.<br />

Although most were born in Mexico,<br />

these people emphasized their Spanish<br />

ancestry while minimizing their indigenous<br />

and African roots. A few inhabitants of<br />

Alta <strong>California</strong> from the administrative and<br />

officer class, such as Don José de la Guerra<br />

y Noriega, were of Spanish birth but represented<br />

a minority.<br />

8 José Antonio Esquibel, “Sacramental<br />

Records and the Preservation of New Mexico<br />

Family Genealogies from the Colonial Era to<br />

the Present,” in Seeds of Struggle/Harvest of<br />

Faith: The Papers of the Archdiocese of Santa<br />

Fe Catholic Cuatro Centennial Conference on<br />

the History of the Catholic Church in New<br />

Mexico, ed. Thomas J. Steele, S. J., Paul<br />

Rhetts, and Barbe Awalt, 29 (Albuquerque:<br />

LPD Press, 1998).<br />

9 Edward H. Spicer, Cycles of Conquest: The<br />

Impact of Spain, Mexico, and the United<br />

States on the Indians of the Southwest, 1533–<br />

1960 (Tucson: The University of Arizona<br />

Press, 1962), 292–93, 304; Virginia M.<br />

Bouvier, Women and the Conquest of <strong>California</strong>,<br />

1542–1840: Codes of Silence (Tucson: The<br />

University of Arizona Press, 2001), 33–34.<br />

10 Averaging the rates of Indian male baptisms<br />

with gente de razón godparents. The<br />

rates are as follows: (1782) 100%; (1783)<br />

<strong>88</strong>.9%, (1784) 85.7%, (1785) 96.6%, (1786)<br />

85.7%, (1787) 96.2% (N=553.1/6 for an<br />

average of 92.2%). No Indian females were<br />

baptized at Mission San Buenaventura<br />

in 1782. The subsequent annual rates of<br />

Indian females sponsored by gente de razón<br />

godparents are as follows: (1783) 77.8%,<br />

(1784) 94.4%, (1785) 96.6%, (1786) 69.6%,<br />

(1787) <strong>88</strong>.5% (N=426.9/5 for an average of<br />

85.4%). Baptismal information derived from<br />

Mission San Buenaventura Baptisms, US/Can<br />

Reel #913170, Latter-Day Saints Los Angeles<br />

Family History Library, Los Angeles, CA<br />

(hereafter cited as LAFHL). See also Sidney<br />

W. Mintz and Eric R. Wolf, “An Analysis<br />

of Ritual Co-Parenthood (Compadrazgo),”<br />

Southwestern Journal of Anthropology 6, no. 4<br />

(Winter 1950): 353. Mintz and Wolf note that<br />

“Spaniards who were members of exploring<br />

parties frequently served as sponsors for<br />

Indian converts.”<br />

11 Statistics for the years 1771–75 derived<br />

from Mission San Gabriel Arcangel Baptisms<br />

1771–1819, US/Can Film #2643, LAFHL.<br />

Statistics for the sample years of 1800–1<br />

and 1810–11 were derived from Baptism and<br />

Godparent Databases for Mission San Gabriel,<br />

The Huntington Library, Early <strong>California</strong><br />

Population Project Database, 2006 (hereafter<br />

cited as ECPP).<br />

12 Ritual sponsorship became commonplace<br />

among the Tlaxcalans of colonial Mexico<br />

within a few decades of their general acceptance<br />

of Catholic baptism and marriage.<br />

See Hugo G. Nutini and Betty Bell, Ritual<br />

Kinship: The Structure and <strong>Historical</strong> Development<br />

of the Compadrazgo System in Rural<br />

Tlaxcala, vol. I (Princeton, NJ: Princeton<br />

University Press, 1980), 343, 346.<br />

13 For examples of ongoing gente de razón<br />

sponsorship of native <strong>California</strong>ns in the<br />

1840s, see Mission San Juan Capistrano<br />

Baptism Database, nos. 04568-04572<br />

(5/15–8/21/1842), 04580 (9/12/1842), 04585<br />

(11/15/1842), 04591-04592 (5/10/1843),<br />

ECPP.<br />

14 For sponsorship of a gente de razón child<br />

by Indian Maria Bernarda and her gente de<br />

razón husband, soldier Antonio Cota, see<br />

Mission San Gabriel Baptism Database, no.<br />

01300 (Feb. 10, 1786), ECPP; for Indian<br />

bride Maria Guadalupe and her gente de<br />

razón soldier husband Salbador Cariaga<br />

[Salvador Careaga]’s sponsorship of two<br />

gente de razón and one mestizo (mixed)<br />

child, see Mission San Juan Capistrano Baptism<br />

Database, nos. 00907 (Dec. 2, 17<strong>88</strong>),<br />

01069 (Apr. 11, 1791) and Mission San<br />

Diego Baptism Database, no. 01296 (Oct.<br />

20, 1787), ECPP. I have not come across any<br />

lone Indian or native couple sponsoring a<br />

gente de razón child.<br />

15 Padrino means godfather and madrina<br />

means godmother in Spanish; the plural<br />

form padrinos usually refers to a pair of godparents,<br />

one of each gender.<br />

16 Antonio Coronel, Tales of Mexican <strong>California</strong>,<br />

ed. Doyce B. Nunis Jr. and trans. Diane<br />

de Avalle-Arce (Santa Barbara, CA: Bellerophon<br />

Books, 1994), 79.<br />

17 Anthropologists note that asymmetry<br />

in compadrazgo was common in Europe<br />

as well as in colonial Latin America. For a<br />

material interpretation of compadrazgo, see<br />

Mintz and Wolf, “An Analysis of Ritual Co-<br />

Parenthood (Compadrazgo),” 341–68. For<br />

a spiritual and theological interpretation of<br />

Catholic sponsorship, see Stephen Gudeman,<br />

“Spiritual Relationships and Selecting<br />

a Godparent,” Man 10, no. 2 (June 1975):<br />

221–37. Gudeman (p. 234) argues “the nonreciprocal<br />

form forces parents to have more<br />

co-parents than the reciprocal form, and this<br />

creates greater social cohesion.”<br />

18 For a discussion of vertical and horizontal<br />

flows in compadrazgo relationships, see<br />

Mintz and Wolf, “An Analysis of Ritual<br />

1


n o t e s<br />

Co-Parenthood (Compadrazgo),” 342, 347–<br />

48, 363–64. For a comparison of compadrazgo<br />

in the Iberian and Spanish colonial<br />

context, see George M. Foster, “Cofradía and<br />

Compadrazgo in Spain and Spanish America,”<br />

Southwestern Journal of Anthropology 9,<br />

no. 1 (Spring 1953): 9.<br />

19 James A. Sandos, Converting <strong>California</strong>:<br />

Indians and Franciscans in the Missions (New<br />

Haven, CT: Yale University Press, 2004), 42.<br />

Research on early Mexico remains uncertain<br />

about whether missionaries appointed godparents,<br />

made godparent recommendations<br />

to converts, or whether Spaniards volunteered.<br />

See Nutini and Bell, Ritual Kinship,<br />

336–37.<br />

20 Mission San Gabriel Baptisms Database,<br />

nos. 05083 and 05086, ECPP. For additional<br />

examples from San Luis Obispo in<br />

the north to San Diego in the south, see the<br />

Godparent Database in the ECPP.<br />

21 José Antonio Esquibel maintains that<br />

interethnic compadrazgo “created the initial<br />

spiritual and social bonds between the Spanish<br />

and their Indian compadres, forming<br />

the very foundation of the Catholic community<br />

of New Mexico that still thrives today.”<br />

He does not, however, question whether<br />

Indians welcomed this. See Esquibel, “Sacramental<br />

Records,” 29, 31. Discussions of<br />

rape and other acts of violence against <strong>California</strong><br />

peoples have been discussed by other<br />

scholars; see, for example, Sandos, Converting<br />

<strong>California</strong>, 51–52.<br />

22 Steven W. Hackel, Children of Coyote,<br />

Missionaries of Saint Francis: Indian-Spanish<br />

Relations in Colonial <strong>California</strong>, 1769–1850<br />

(Chapel Hill: University of North Carolina<br />

Press, 2005), chap. 3; Also, David Igler,<br />

“Diseased Goods: Global Exchanges in the<br />

Eastern Pacific Basin, 1770–1850,” American<br />

<strong>Historical</strong> Review 109, no. 3 (June 2004):<br />

693–719.<br />

23 Junípero Serra, Writings of Junípero Serra,<br />

vol. 2, ed. Antonine Tibesar, Publications of<br />

the Academy of American Franciscan History<br />

(Washington, DC: Academy of American<br />

Franciscan History, 1956), 71–73, 307.<br />

24 Rose Marie Beebe and Robert M. Senkewicz,<br />

trans., Testimonios: Early <strong>California</strong><br />

through the Eyes of Women, 1815–1848<br />

(Berkeley: Heyday Books and The Bancroft<br />

Library, 2006), 131–32 (testimonio of Juana<br />

Machado).<br />

25 Fernando Librado, Breath of the Sun: Life<br />

in Early <strong>California</strong> as Told by a Chumash<br />

Indian, Fernando Librado to John P. Harrington,<br />

ed. Travis Hudson (Banning and<br />

Ventura, CA: Malki Museum Press and Ventura<br />

County <strong>Historical</strong> <strong>Society</strong>, 1979), 48.<br />

26 Unfortunately, additional anecdotal<br />

material about godparents in missionary<br />

records or by native <strong>California</strong>ns is generally<br />

lacking for southern <strong>California</strong>. Searching<br />

for signs of native peoples’ resistence to<br />

compadrazgo, but finding none, I reviewed<br />

the following works: Junípero Serra, The<br />

Writings of Junípero Serra, 4 vols., ed. Antonine<br />

Tibesar, O.F.M., Publications of the<br />

Academy of American Franciscan History<br />

(Washington, DC: Academy of American<br />

Franciscan History, 1955/6); Fermín Francisco<br />

de Lasuén, The Writings of Fermín<br />

Francisco de Lasuén, 2 vols., ed. and trans.<br />

Finbar Kinneally (Washington, DC: The<br />

Academy of American Franciscan History,<br />

1965); Gerónimo Boscana, Chinigchinich: A<br />

Revised and Annotated Version of Alfred Robinson’s<br />

Translation of Father Gerónimo Boscana’s<br />

<strong>Historical</strong> Account of the Belief, Usages,<br />

Customs and Extravagancies of the Indians<br />

of this Mission of San Juan Capistrano Called<br />

the Acagchemem Tribe, annotations John P.<br />

Harrington (Banning, CA: Malki Museum<br />

Press, 1978); Juan Cortés, The Doctrina and<br />

Confesionario of Juan Cortés, ed. and trans.<br />

Harry Kelsey (Altadena, CA: Howling Coyote<br />

Press, 1979); Maynard Geiger, O.F.M.,<br />

ed. and trans., Fray Antonio Ripoll’s Description<br />

of the Chumash Revolt at Santa Bárbara<br />

in 1824 (Santa Barbara, CA: Mission Santa<br />

Barbara, 1980); José Señán, “The Ventureño<br />

Confesionario of José Señán, O.F.M.,” University<br />

of <strong>California</strong> Publications in Linguistics<br />

47, ed. Madison S. Beeler (Berkeley/Los<br />

Angeles: University of <strong>California</strong> Press,<br />

1967); Pablo Tac, Indian Life and Customs at<br />

Mission San Luis Rey, eds. and trans. Minna<br />

and Gordon Hewes (San Luis Rey, CA: Old<br />

Mission, 1958); Librado, Breath of the Sun<br />

and The Eye of the Flute.<br />

27 Lowell John Bean and Charles R. Smith,<br />

“Serrano,” in Handbook of North American<br />

Indians, ed. Robert F. Heizer and William C.<br />

Sturtevant, 3:572 (Washington, DC: Smithsonian<br />

Institution).<br />

28 For Fernando Librado’s testimony about<br />

the coexistence of Indian and Catholic marriage<br />

rituals, see Librado, Breath of the Sun,<br />

28. For a discussion of Nahua and Spanish<br />

parallels in marriage ceremonies, see Lisa<br />

Sousa, “Tying the Knot: Nahua Nuptials in<br />

Colonial Central México,” in Religion in New<br />

Spain, ed. Susan Schroeder and Stafford<br />

Poole, 43 (Albuquerque: University of New<br />

Mexico Press, 2007). For <strong>California</strong> puberty<br />

rituals, see Constance Goddard DuBois,<br />

“The Religion of the Luiseño Indians of<br />

Southern <strong>California</strong>,” University Publications<br />

in American Archaeology and Ethnology 8,<br />

no. 3 (1908): 77–84, 93–6; Alfred L. Kroeber,<br />

Handbook of the Indians of <strong>California</strong><br />

(Berkeley: <strong>California</strong> Book Co., Ltd., 1953),<br />

856, 858, and 862; William McCawley, The<br />

First Angelinos: The Gabrielino Indians of Los<br />

Angeles (Banning and Novato, CA: Malki<br />

Museum Press and Ballena Press, 1996),<br />

151–53; Lucile Hooper, “The Cahuilla Indians,”<br />

University of <strong>California</strong> Publications in<br />

American Archaeology and Ethnology 16, no.<br />

6 (April 1920): 345-8; Ruby Modesto and<br />

Guy Mount, Not for Innocent Ears: Spiritual<br />

Traditions of a Desert Cahuilla Medicine<br />

Woman (Arcata, CA: Sweetlight Books,<br />

1980), 40.<br />

29 Steven W. Hackel, “The Staff of Leadership:<br />

Indian Authority in the Missions of<br />

Alta <strong>California</strong>,” The William and Mary<br />

Quarterly 54, no. 2 (April 1997): 350,<br />

364–74.<br />

30 For a discussion of pre-Hispanic rites<br />

and ceremonies expressed alongside or<br />

in conjunction with compadrazgo among<br />

seventeenth-century Tlaxcalans, see Nutini<br />

and Bell, Ritual Kinship, 352–53 and chap. 8<br />

for a discussion of the socioeconomic and<br />

religious motivations in godparent selection;<br />

Stephen Gudeman, “The Compadrazgo as a<br />

Reflection of the Natural and Spiritual Person,”<br />

Proceedings of the Royal Anthropological<br />

Institute of Great Britain and Ireland, no.<br />

1971 (1971): 56, 66; Gudeman, “Spiritual<br />

Relationships and Selecting a Godparent,”<br />

225; Ann Osborn, “Compadrazgo and<br />

Patronage: A Columbian Case,” Man 3, no.<br />

4 (Dec. 1968): 593–608; John M. Ingham,<br />

“The Asymmetrical Implications of Godparenthood<br />

in Tlayacapan, Morelos,” Man 5,<br />

no. 2 (June 1970): 283; and Mintz and Wolf,<br />

“An Analysis of Ritual Co-Parenthood (Compadrazgo),”<br />

341–68.<br />

31 Librado, The Eye of the Flute, 69. For a<br />

discussion of the term paha, see Librado,<br />

The Eye of the Flute,19, 112, and Thomas<br />

Blackburn, “Ceremonial Integration and<br />

Social Interaction in Aboriginal <strong>California</strong>,”<br />

in Native <strong>California</strong>ns: A Theoretical Retrospective,<br />

ed. Lowell J. Bean and Thomas<br />

C. Blackburn, 229, 231–33, and 240–43<br />

(Ramona, CA: Ballena Press, 1976). Blackburn<br />

notes that indigenous leaders used<br />

ceremonies to distribute foods and goods to<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


lesser members of the community, thereby<br />

enhancing their esteem and power.<br />

32 See Mission San Gabriel Baptism and<br />

Godparents Database, ECPP. Analysis of<br />

each and every person who served as baptismal<br />

sponsor throughout the mission<br />

system’s existence represents a daunting<br />

task, but employing an arbitrary sample<br />

and conducting a broad search by name of<br />

each godparent or spouse denoted in those<br />

records yielded telling results.<br />

33 See Mission San Diego Baptism and Godparents<br />

Database, ECPP.<br />

34 See Mission San Gabriel Baptism and<br />

Godparents Database, ECPP.<br />

35 Space limitations prevent the exhaustive<br />

listing of each appearance of Indian<br />

captains in the southern <strong>California</strong> mission<br />

databases, ECPP.<br />

36 Fermín Francisco de Lasuén to Marqués<br />

de Branciforte, Apr. 25, 1797, in Lasuén,<br />

Writings, 2:18.<br />

37 Spicer, Cycles of Conquest, 249; Hackel,<br />

“The Staff of Leadership,” 350, 364–74.<br />

38 Dakin, A Scotch Paisano, 77.<br />

39 Ibid., 106, 107.<br />

40 Dakin, A Scotch Paisano, 149, 153, 194.<br />

41 For Dalton’s baptism, see Mission San<br />

Gabriel Baptisms, no. 08909, ECPP; Dakin,<br />

A Scotch Paisano, 12. For an example of<br />

foreign witness testimony in Diligencias<br />

Matrimoniales, see investigation of Jesse<br />

Ferguson and María Rendon in San Gabriel<br />

Mission Matrimonial Investigation Records<br />

[digitized], William McPherson Collection,<br />

Special Collections, Libraries of The<br />

Claremont Colleges, http://ccdl.libraries.<br />

claremont.edu/collection.phpalias=mir, acc.<br />

May 31, 2010; Agustín Janssens, The Life<br />

and Adventures in <strong>California</strong> of Don Agustín<br />

Janssens, 1834–1856, William H. Ellison,<br />

ed., and Francis Price, ed. and trans. (San<br />

Marino, CA: The Huntington Library, 1953),<br />

117–18. For marriages among bicultural<br />

offspring and with foreigners, see Catholic<br />

Church, Mission San Luis Obispo, Extracts<br />

of Church Records, 1769–1917, US/Can Film<br />

Reel #944282, item 4, Thomas Workman<br />

Temple, II and Zoeth Skinner Eldredge,<br />

trans. and comp. (Salt Lake City: Genealogical<br />

<strong>Society</strong> of Utah, ca. 1987), LAFHL; see<br />

entries after 1858, for example nos. 893,<br />

896, 902, 907, 932.<br />

42 Santa Barbara Presidio Baptisms Database,<br />

nos. 840, 1270, 1381, 1705, and 1178,<br />

1209, 1299, 1331, 1417, 1627, 1699, ECPP.<br />

43 For Espiridion Baric, see Los Angeles<br />

Plaza Church Baptisms Database, no.<br />

965 (Feb. 12, 1840) and for María Emidia<br />

Tomasa Prudhomme no. 1917 (Aug. 6,<br />

1848), ECPP.<br />

44 See Santa Barbara Presidio nos. 00878,<br />

00951, 01056, 01064, 01084, 01148, 01156,<br />

01171, 01184, 01199, 01257, 01270, 01299,<br />

01326, 01331, 01348, 01455, 01545, 01627,<br />

01699, 01705, Baptismal Book II entries:<br />

01719Y [original no. 10], 01729Y [20],<br />

01810Y [101], 01836Y [127], Los Angeles<br />

Plaza Church nos. 00502, 00965, 01264,<br />

01486, 01583, 01632, 01783, San Diego<br />

nos. 06639, 06916, 06968, 07010, San<br />

Gabriel nos. 08742, 08980, Santa Ines nos.<br />

01427, 01514, 01578, and San Luis Obispo<br />

nos. 02936, 02947; from 1848 onward,<br />

see Santa Barbara Presidio Baptism Book<br />

II, nos. 01894Y [original no. 185], 01926Y<br />

[217], 01944Y [235], 2013Y [304], Los Angeles<br />

nos. 01810, 01876, 01<strong>88</strong>3, 01917, 01926,<br />

01950, 01976, 01982, and San Luis Obispo<br />

nos. 03056, 03123, Baptisms Database,<br />

ECPP.<br />

45 For Gorge Antonio Allen (Jr.’s) baptism,<br />

see Santa Barbara Presidio Baptisms Database,<br />

no. 951. For José María Alfredo Hill’s<br />

baptism, see no. 1064 (July 9, 1934), ECPP.<br />

46 Coronel, Tales of Mexican <strong>California</strong>, 67.<br />

47 Michael Magliari, “Free Soil, Unfree<br />

Labor: Cave Johnson Couts and the Binding<br />

of Indian Workers in <strong>California</strong>,<br />

1850–1867,” Pacific <strong>Historical</strong> Review 73, no.<br />

3 (Aug. 2004): 358.<br />

48 Tomás Almaguer, Racial Fault Lines: The<br />

<strong>Historical</strong> Origins of White Supremacy in <strong>California</strong><br />

(Berkeley/Los Angeles: University of<br />

<strong>California</strong> Press, 1994), 149–50.<br />

49 Cave J. Couts graduated from West<br />

Point and arrived in <strong>California</strong> with the<br />

U.S. Army. He married Ysidora Bandini on<br />

April 5, 1851, and received Rancho Guajome<br />

from his brother-in-law Abel Stearns as a<br />

wedding gift. See biographical sketch written<br />

by “Cuevas,” the son of Cave Johnson<br />

Couts and Ysidora Bandini, box 89, folder<br />

1, and for the petition and William Caswell<br />

Ferrell’s judgment in Cave J. Couts vs. Francisco,<br />

May 6, 1858, see CT 204, box 4, Cave<br />

J. Couts Papers, The Huntington Library,<br />

San Marino, <strong>California</strong> (hereafter cited as<br />

Couts Papers).<br />

50 For the Tennessee Couts’s participation<br />

in slavery, see letters from John F. Couts to<br />

Cave J. Couts discussing slave purchases<br />

and transactions, CT 386, CT 3<strong>88</strong>-391 (letter<br />

1), box 8, Couts Papers. Couts served as a<br />

justice of the peace in San Luis Rey township<br />

from 1854–62. His brother William<br />

Blount Couts also served as a local justice<br />

of the peace. For Cave J. Couts’s cases, see<br />

box 4, and for documents indicating Cave J.<br />

Couts’s election in 1853, see CT 500, box 9,<br />

Couts Papers.<br />

51 Robert F. Heizer and Alan J. Almquist,<br />

The Other <strong>California</strong>ns: Prejudice and Discrimination<br />

under Spain, Mexico, and the<br />

United States to 1920 (Berkeley/Los Angeles:<br />

University of <strong>California</strong> Press, 1971), chap.<br />

2; Almaguer, Racial Fault Lines, chap. 5;<br />

W. W. Robinson, The Indians of Los Angeles:<br />

Story of the Liquidation of a People, Early<br />

<strong>California</strong> Travels Series, vol. 7 (Los Angeles:<br />

Glen Dawson, 1952), 2–3; Magliari,<br />

“Free Soil, Unfree Labor,” 349–89. For an<br />

overview of the 1860 statutes adopted in<br />

<strong>California</strong>, see A. S. Ensworth to Cave J.<br />

Couts, Jan. 10, 1860, CT 199 (8), box 4,<br />

Couts Papers.<br />

52 CT 204, box 4, Couts Papers.<br />

53 For Couts family indenture agreements,<br />

see CT 193 (40), CT 193 (49), CT 207, CT<br />

2615, box 4, and CT 309, box 6, Couts<br />

Papers.<br />

54 “Vicente & Comada, bind their son Juan<br />

to Da. Ysidora B. de Couts,” Apr. 20, 1855,<br />

CT 193 (4), Couts Papers.<br />

55 “Vicente & Comada,” Couts Papers. See<br />

also “Indenture of Indian mother, Jacinta,<br />

binding her son to Isidora Couts” for 3<br />

years, Aug. 13, 1866, CT 207, box 4, Couts<br />

Papers. The indenture agreement, wills, and<br />

petition mentioned in this section contain<br />

no testimony from the Indian children<br />

themselves.<br />

56 Will cited in Michael J. González, This<br />

Small City Will Be a Mexican Paradise:<br />

Exploring the Origins of Mexican Culture in<br />

Los Angeles, 1821–1846 (Albuquerque: University<br />

of New Mexico Press, 2005), 133.<br />

57 There are records of 41 Yuma baptized<br />

at San Diego (including one baptism in<br />

1805), 15 at Los Angeles Plaza Church, 4 at<br />

San Gabriel, 1 at San Buenaventura, and 6<br />

at San Juan Capistrano, Baptism Database,<br />

ECPP. “Copies of Petition for Probate of<br />

Will of Juana Ballestero, 1859,” File A5746-<br />

34, Avila Family Papers Collection No. 1239,<br />

Seaver Center for Western History Research,<br />

Natural History Museum of Los Angeles<br />

County, <strong>California</strong>.


e v i e w s<br />

Edited by James J. Rawls<br />

Racial Propositions:<br />

Ballot Initiatives and<br />

the Making of Postwar<br />

<strong>California</strong><br />

By Daniel Martinez HoSang<br />

(Berkeley: University of <strong>California</strong><br />

Press, 2010, 392 pp., $60.00 cloth,<br />

$24.95 paper)<br />

Alien Neighbors,<br />

Foreign Friends:<br />

Asian Americans,<br />

Housing, and the<br />

Transformation of<br />

Urban <strong>California</strong><br />

By Charlotte Brooks (Chicago:<br />

University of Chicago, 2009,<br />

352 pp., $40.00 cloth)<br />

The Color of America<br />

Has Changed: How<br />

Racial Diversity Shaped<br />

Civil Rights Reform in<br />

<strong>California</strong> 1941–1978<br />

By Mark Brilliant (New York:<br />

Oxford University Press, 2010,<br />

384 pp., $34.95 cloth)<br />

Reviewed by Stan Yogi, coauthor of<br />

Wherever There’s a Fight: How Runaway<br />

Slaves, Suffragists, Immigrants, Strikers,<br />

and Poets Shaped Civil Liberties in<br />

<strong>California</strong><br />

This trio of books examines the<br />

complex ebb and flow of <strong>California</strong> civil<br />

rights history in the twentieth century,<br />

especially during the post–World War<br />

II era.<br />

In Racial Propositions: Ballot Initiatives<br />

and the Making of Postwar <strong>California</strong>, his<br />

fascinating study of six decades of ballot<br />

initiatives with racial implications,<br />

Daniel Martinez HoSang convincingly<br />

argues that electoral debates about<br />

these propositions were confined to<br />

a historic framework, emphasizing<br />

individual rather than systemic racism.<br />

Proponents often characterized initiatives<br />

such as the 1964 effort to ban fair<br />

housing laws and the 1996 proposition<br />

to end affirmative action as “civil<br />

rights” measures. This framing permitted<br />

a majority white electorate to deny<br />

or ignore <strong>California</strong>’s history of racism<br />

and disclaim any responsibility for perpetuating<br />

policies damaging the rights<br />

of racial minorities. Opponents of these<br />

racially charged initiatives consequently<br />

were compelled to shape their arguments<br />

within circumscribed parameters<br />

set by the propositions’ backers.<br />

HoSang’s provocative analysis merits<br />

the attention of scholars, organizers,<br />

and advocates interested in the<br />

intersection of race and the initiative<br />

process.<br />

Charlotte Brooks’s Alien Neighbors,<br />

Foreign Friends: Asian Americans, Housing,<br />

and the Transformation of Urban<br />

<strong>California</strong> provides some of the history<br />

that the voters HoSang writes<br />

of forgot, ignored, or didn’t know. In<br />

the 1930s and 1940s, for example,<br />

the Federal Housing Administration<br />

required racial restrictions on homes<br />

it underwrote. And residents in many<br />

<strong>California</strong> neighborhoods organized<br />

to exclude racial minorities. Brooks<br />

argues that housing discrimination<br />

against Chinese and Japanese immigrants<br />

and their families in San Francisco<br />

and Los Angeles reflected U.S.<br />

relations with China and Japan. Her<br />

framework is compelling, especially<br />

regarding the treatment of Chinese<br />

and Japanese Americans from the late<br />

nineteenth century through World<br />

War II. But the analysis is less strong<br />

when applied to Cold War fears of<br />

the People’s Republic of China and<br />

complicated intracommunity tensions<br />

between Chinatown leaders who<br />

supported Taiwan and other Chinese<br />

Americans who were sympathetic to<br />

the People’s Republic.<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


The book could benefit from editing to<br />

eliminate repetition and typographical<br />

errors, but Brilliant usefully complicates<br />

civil rights history beyond a blackwhite<br />

framework and demonstrates<br />

how <strong>California</strong>’s multiracial past contributed<br />

to multiple concurrent victories<br />

and setbacks for racial equality.<br />

Nevertheless, Alien Neighbors, Foreign<br />

Friends is a significant addition to historical<br />

understanding of Asian American<br />

integration into previously white<br />

neighborhoods in Los Angeles and<br />

San Francisco.<br />

Brooks writes of a public housing<br />

project in San Francisco’s Chinatown<br />

that put Chinese American leaders at<br />

odds with civil rights advocates who<br />

promoted desegregation of public<br />

housing. Mark Brilliant examines<br />

incidents such as this in The Color<br />

of America Has Changed: How Racial<br />

Diversity Shaped Civil Rights Reforms<br />

in <strong>California</strong> 1941–1978. His exploration<br />

of judicial and legislative efforts to<br />

combat racial discrimination in education,<br />

employment and housing, and to<br />

win farm workers’ rights and bilingual<br />

education reveals that despite attempts<br />

to organize a singular <strong>California</strong> civil<br />

rights movement, the varied historical<br />

experiences and manifestations of discrimination<br />

confronted by the state’s<br />

African Americans, Asian Americans,<br />

and Latinos in the 1940s through the<br />

1970s resulted in separate, sometimes<br />

conflicting civil rights agendas.<br />

The Father of All: The<br />

de la Guerra Family,<br />

Power, and Patriarchy<br />

in Mexican <strong>California</strong><br />

By Louise Pubols (Berkeley:<br />

University of <strong>California</strong> Press and<br />

San Marino: Huntington Library,<br />

2010, 448 pp., $44.95 cloth)<br />

Reviewed by Brett Garcia Myhren, University<br />

of Southern <strong>California</strong><br />

Beginning with José de la<br />

Guerra and his wife María Antonia<br />

Carrillo, then following their descendants,<br />

Louise Pubols tracks the de la<br />

Guerra family of Santa Barbara in her<br />

exploration of Californio society. With<br />

incredible detail, she recasts the history<br />

of early nineteenth-century <strong>California</strong>,<br />

focusing on “the critical obligations<br />

and dependencies that family relations<br />

demanded” instead of “government<br />

actions, landholdings, or military conquest.”<br />

Organizing her analysis around<br />

patriarchy and its methods for maintaining<br />

and distributing power, Pubols<br />

brings a fresh perspective to many<br />

well-worn scholarly trails.<br />

Because of de la Guerra’s elevated and<br />

central position in the community, “at<br />

the center of a dense web of relations,”<br />

his hands touch a remarkable sampling<br />

of nineteenth-century politics and<br />

economics, from elites in Mexico City<br />

to laborers on local ranchos. Pubols<br />

makes the most of this material, using<br />

it to reveal the social machinery operating<br />

beneath the surface of Californio<br />

lives. Despite her recognition of de la<br />

Guerra’s achievements, Pubols does<br />

not present him as an unblemished<br />

figure, noting his biases in his treatment<br />

of Native Americans, women,<br />

and the lower classes. In fact, Pubols<br />

excels at uncovering the remarkable<br />

complexities of the Californios in their<br />

relations with individuals, institutions,<br />

and even nations. In all of these cases,<br />

patriarchy exerts an influence, shaping<br />

events and reactions. During the<br />

U.S. occupation, it allowed the de la<br />

Guerra family to “tread a path between<br />

cooperation and resistance,” and after<br />

statehood it “combined relatively<br />

smoothly with . . . American forms of<br />

democracy.”<br />

Pubols’s approach is particularly fascinating<br />

regarding marriage, where her<br />

discussions about how various players<br />

worked with and through the patriarchy<br />

allow for considerable nuance and


e v i e w s<br />

invert a number of long-held assumptions.<br />

For example, some historians<br />

claim Mexican women facilitated<br />

U.S. takeover via their marriages to<br />

foreign merchants. Yet Pubols shows<br />

how marriage formed part of a calculated<br />

strategy to “contain the threat”<br />

of foreign merchants “by integrating<br />

[them] . . . into familial webs of reciprocity<br />

and dependence.”<br />

The risk with this kind of study<br />

involves questions of broader applicability.<br />

Though the book intersects with<br />

global theoretical concepts (like patriarchy<br />

and its permutations), the subject<br />

remains intensely local, focused<br />

primarily on a single town in southern<br />

<strong>California</strong>. Some readers will be<br />

reluctant to engage with a volume that<br />

devotes nearly 300 pages to analysis<br />

on this scale, thinking that it contains<br />

little relevant to the world beyond its<br />

boundaries, but they will be mistaken.<br />

This excellent book has a great deal to<br />

say about families, ethnicity, and gender,<br />

as well as the levers of power that<br />

move behind the scenes. In fact, the<br />

fine-grained analysis and accumulation<br />

of specific details make the book more<br />

robust in its theoretical dimensions.<br />

At the outset, Pubols writes that she<br />

chose the de la Guerra family because<br />

she believes “a study on this scale can<br />

reveal critical historical dynamics that<br />

a study of an entire class, gender, or<br />

nationality can overlook.” Her book<br />

proves that point decisively.<br />

Berkeley<br />

By Wendy P. Markel (Charleston,<br />

SC: Arcadia Publishing, 2009,<br />

128 pp., $21.99 paper)<br />

Reviewed by Peter R. Hoffman, Associate<br />

Professor of Geography and Urban<br />

Studies, Loyola Marymount University<br />

In less than two decades, Arcadia<br />

Publishing has emerged as arguably<br />

the preeminent publisher of pictorial<br />

local histories in the United States.<br />

With more than 6,000 titles in print,<br />

Arcadia effectively demonstrates that<br />

a boutique publishing house can successfully<br />

develop a niche market provided<br />

the content and graphics of its<br />

offerings are of sufficiently high quality<br />

to appeal to both the casual readers<br />

looking for a quick dose of visual nostalgia<br />

about their home town and more<br />

serious scholars seeking insight into<br />

the historical landscapes and daily life<br />

of their study area.<br />

One of the titles in Arcadia’s Postcard<br />

History Series, Berkeley typifies many<br />

of the series’ offerings—it’s an intriguing<br />

amalgam of vintage postcards and<br />

abbreviated historical commentary in<br />

the form of short captions. Loosely<br />

organized into five chapters—“First<br />

There was the Land,” “Two Towns<br />

Become One,” “The University Is<br />

Established,” “Lost History,” and “Specialty<br />

Cards”—the approximately 200<br />

postcards depicted are the essential<br />

essence of the book. The accompanying<br />

captions typically provide both spatial<br />

and temporal contexts for the images,<br />

along with unexpectedly detailed commentary<br />

about selected key figures and<br />

events in Berkeley’s history.<br />

Taken in its totality, this little book<br />

is seemingly encyclopedic about the<br />

development of the city of Berkeley<br />

and its University of <strong>California</strong> campus<br />

during the period depicted in the postcards—roughly<br />

1900 to 1940—but the<br />

history it presents is difficult to synthesize<br />

into a collective whole, given the<br />

fragmented nature of its commentary.<br />

The lack of an index, the absence<br />

of dates for many of the postcards<br />

included, and the somewhat random<br />

ordering of the individual cards in<br />

each of the chapters may frustrate the<br />

serious historian attempting to utilize<br />

this book in any systematic study of<br />

Berkeley’s history. Conversely, all these<br />

same attributes make the book full of<br />

surprises and curiosities for the casual<br />

reader looking for some nostalgic<br />

images and historical trivia about one<br />

of America’s best-known college towns.<br />

While the book doesn’t really invite<br />

a methodical, cover-to-cover read, it’s<br />

hard to put down—turning each page<br />

takes the reader around another virtual<br />

corner and opens up another fascinating,<br />

monochromic vista of long-ago<br />

Berkeley. Like any trip down memory<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


lane, it’s hard to stop, but the destination<br />

is inevitably equivocal.<br />

Given their inherent similarities, it<br />

is impossible to avoid comparisons<br />

between Berkeley and Picturing Berkeley:<br />

A Postcard History, edited by Burl<br />

Willes (Layton, UT: Gibbs Smith,<br />

2005). With roughly twice as many<br />

postcard images, including some identical<br />

to those in Berkeley, and more substantive<br />

textual content, Willes’s book<br />

arguably provides more comprehensive<br />

coverage of the same Berkeley period<br />

history. Moreover, Picturing Berkeley has<br />

somewhat greater aesthetic appeal due<br />

to its inclusion of some color reproductions<br />

of original hand-tinted postcards,<br />

while Berkeley has only black and white<br />

images. Picturing Berkeley might belong<br />

on the coffee table in your period-correct<br />

Berkeley bungalow, but Berkeley<br />

is certainly worthy of a spot on your<br />

nightstand.<br />

Books for Review<br />

Please send to:<br />

James J. Rawls<br />

Reviews Editor, <strong>California</strong> History<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong><br />

678 Mission Street<br />

San Francisco, CA 94105-4014<br />

JUstinian Caire and<br />

santa CrUz island<br />

the rise and fall of a <strong>California</strong> dynasty<br />

By Frederic Caire Chiles<br />

$34.95 Hardcover · 240 pages · 34 b&w illus.<br />

one of the fabled channel islands of southern california,<br />

santa cruz was once the largest privately owned<br />

island off the coast of the continental united states.<br />

this multifaceted account traces the island’s history<br />

from its aboriginal chumash population to its acquisition<br />

by the nature conservancy at the end of the<br />

twentieth century. the heart of the book, however, is a<br />

family saga: the story of French émigré Justinian caire<br />

and his descendants, who owned and occupied the<br />

island for more than fifty years. the author, descended<br />

from caire, uses family archives unavailable to earlier<br />

historians to recount the full, previously untold story.<br />

Pío PiCo<br />

the last Governor of mexican <strong>California</strong><br />

By Carlos Manuel Salomon<br />

$19.95 paperback · 256 pages, 7 b&w illus<br />

two-time governor of alta california and prominent<br />

businessman after the u.s. annexation, pío de Jesus<br />

pico was a politically savvy californio who thrived in<br />

both the mexican and the american periods. this is the<br />

first biography of pico, whose life vibrantly illustrates<br />

the opportunities and risks faced by mexican americans<br />

in those transitional years.<br />

“Thanks to this expertly researched and vividly written<br />

biography by a next-generation historian making a stunning<br />

debut, PíoPico now emerges into full historical perspective as a<br />

pivotal and representative figure in the transition of <strong>California</strong><br />

from Mexican province to American state.”—kevin starr,<br />

professor of History, university of southern california<br />

University of<br />

oklahoma Press<br />

2800 venture drive · norman, ok 73069<br />

tel 800 627 7377 · oupress.com


The Joaquín Band<br />

The History behind the Legend<br />

lori lee wilson<br />

The Joaquín Band is a fascinating<br />

examination of the role of the<br />

Joaquín band legend in <strong>California</strong><br />

and Chicano history and how it was<br />

shaped over time.<br />

$29.95 hardcover<br />

*For complete descriptions<br />

and to order, visit us online!<br />

<strong>California</strong> Women<br />

and Politics<br />

From the Gold Rush<br />

to the Great Depression<br />

Edited by Robert W. Cherny, Mary<br />

Ann Irwin, and Ann Marie Wilson<br />

<strong>California</strong> Women and Politics examines<br />

the wide array of women’s public<br />

activism from the 1850s to 1929<br />

and reveals unexpected contours to<br />

women’s politics in <strong>California</strong>.<br />

$40.00 paperback<br />

www.nebraskapress.unl.edu<br />

800-848-6224 • publishers of Bison Books<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


i n d e x<br />

volume <strong>88</strong><br />

A<br />

A View from Telegraph Hill (Alice Burr)<br />

(<strong>88</strong>, 1), 64<br />

Agraristas (<strong>88</strong>, 4), 13, 18, 19<br />

Akerman, Edward (<strong>88</strong>, 4), 35, 36, 44<br />

Albert, Judy Gumbo (<strong>88</strong>, 1), 29<br />

Albert, Stew (<strong>88</strong>, 1), 12, 13, 15, 16, 18, 21, 29<br />

Alexander, George (<strong>88</strong>, 2), 49<br />

All-American Canal (<strong>88</strong>, 4), 7<br />

Allen, Steve (<strong>88</strong>, 3), 55; and The Steve Allen<br />

Westinghouse Show (<strong>88</strong>, 3) 55<br />

Alta <strong>California</strong> (<strong>88</strong>, 4), 25, 28; and<br />

compadrazgo (godparentage), 47–62<br />

Altamirano, Ysabel (<strong>88</strong>, 4), 36<br />

Alvarado, Juan Batista (<strong>88</strong>, 4), 28<br />

Andrés, Benny Joseph Jr., “Invisible Borders:<br />

Repatriation and Colonization of Mexican<br />

Migrant Workers along the <strong>California</strong><br />

Borderlands during the 1930s” (<strong>88</strong>, 4),<br />

5–21<br />

Angelo, John (<strong>88</strong>, 1), 12, 15<br />

Anthony, Susan B. (<strong>88</strong>, 1), 49, 50<br />

Argüello, Refugio (Bandini) (<strong>88</strong>, 4), 24, 27,<br />

29, 33<br />

Atherton, María Alejandra (<strong>88</strong>, 4), 49<br />

Atherton, Faxon Dean (<strong>88</strong>, 4), 49<br />

Automobile Boulevard (Junipero Serra<br />

Boulevard, San Francisco) (<strong>88</strong>, 2), 27<br />

Avella, Steven A., For Both Cross and Flag:<br />

Catholic Action, Anti-Catholicism, and<br />

National Security Politics in World War II<br />

San Francisco (book review) (<strong>88</strong>, 1), 59<br />

B<br />

Bagley, Will, So Rugged and Mountainous:<br />

Blazing the Trails to Oregon and <strong>California</strong>,<br />

1812–1848 (book review) (<strong>88</strong>, 3), 72–73<br />

Baja <strong>California</strong> (<strong>88</strong>, 4), 5, 8, 10, 11, 13, 14, 15,<br />

16, 17, 18, 19, 20, 21, 30<br />

Balboa Park (San Diego) (<strong>88</strong>, 4), 38, 40<br />

Ballads and Songs of the Shanty-Boy (Franz<br />

Rickaby) (<strong>88</strong>, 3), 6, 12, 14–15, 16<br />

Bancroft, Hubert Howe (<strong>88</strong>, 4), 35<br />

Bandini, Arcadia (<strong>88</strong>, 4), 26, 27, 33, 41, 47, 56,<br />

57, 60<br />

Bandini, Dolores (<strong>88</strong>, 4), 27, 30, 33<br />

Bandini, Juan (<strong>88</strong>, 4), 22, 23, 24–30, 33, 40,<br />

42, 44, 45, 46, 57<br />

Bandini, Ysidora (<strong>88</strong>, 4), 27, 41, 60–61<br />

Baptism, Alta <strong>California</strong> (<strong>88</strong>, 4), 47–62<br />

Baptismal Sponsorship of Alta <strong>California</strong><br />

Indians at Mission San Gabriel (chart) (<strong>88</strong>,<br />

4), 48<br />

Bardacke, Frank (<strong>88</strong>, 1), 13, 14, 15, 16, 17–18,<br />

29<br />

Berkeley Barb (newspaper) (<strong>88</strong>, 1), 15, 16, 17<br />

Bishop, William Henry (<strong>88</strong>, 4), 35<br />

“Bloody Thursday” (People’s Park) (<strong>88</strong>, 1),<br />

21–27<br />

Bloom, Khaled J., Murder of a Landscape: The<br />

<strong>California</strong> Farmer-Smelter War, 1897–1916<br />

(book review) (<strong>88</strong>, 2), 63<br />

“’Boes in Facultate: The Short, Creative Life<br />

of Franz Rickaby,” by Gretchen Dykstra<br />

(<strong>88</strong>, 3), 6–21<br />

Boulder (Hoover) Dam (<strong>88</strong>, 4), 7, 11, 21<br />

Bracero Program (<strong>88</strong>, 4), 6, 21<br />

Brawley (Imperial County) (<strong>88</strong>, 4), 5, 9, 10, 16<br />

Bridge Builders Union (San Francisco)<br />

(<strong>88</strong>, 2), 18, 19<br />

Brilliant, Mark, The Color of America Has<br />

Changed: How Racial Diversity Shaped Civil<br />

Rights Reform in <strong>California</strong> 1941–1978 (book<br />

review) (<strong>88</strong>, 4), 75<br />

Brooks, Charlotte, Alien Neighbors, Foreign<br />

Friends: Asian Americans, Housing, and the<br />

Transformation of Urban <strong>California</strong> (book<br />

review) (<strong>88</strong>, 4), 74–75<br />

Building Trades Council (San Francisco)<br />

(<strong>88</strong>, 2), 6, 7, 13<br />

Burns, Fritz B. (<strong>88</strong>, 3), 49<br />

Burr, Alice, A View from Telegraph Hill (<strong>88</strong>, 1),<br />

64<br />

C<br />

Caballero (<strong>88</strong>, 4), 3, 34, 40<br />

Calexico (Imperial County) (<strong>88</strong>, 4), 5, 8, 14, 16<br />

Calexico Chronicle (<strong>88</strong>, 4), 8, 13, 14<br />

<strong>California</strong> Ephemera Project (CHS Collections)<br />

(<strong>88</strong>, 1), 3–7; (<strong>88</strong>, 3), 3–5<br />

<strong>California</strong> Pacific International Exposition,<br />

1935–36 (<strong>88</strong>, 4), 23, 38–40, 45<br />

<strong>California</strong> State Parks (<strong>88</strong>, 4), 24, 26, 33, 42<br />

Californio (<strong>88</strong>, 4), 22, 24, 28, 34, 36, 46, 57,<br />

61, 62<br />

Campesinos (<strong>88</strong>, 4), 6, 9, 10, 11, 12, 13, 16, 17,<br />

19<br />

Cárdenas, Lázaro (<strong>88</strong>, 4), 5, 6, 7, 13, 15, 16, 18,<br />

19, 20, 21<br />

Cardwell, James H. (<strong>88</strong>, 4), 42, 43, 45<br />

Cardwell, Nora (<strong>88</strong>, 4), 42, 43<br />

Carpet dyeing (Los Angeles) (<strong>88</strong>, 3), 47–52<br />

Casa de Bandini (San Diego) (<strong>88</strong>, 4), 22,<br />

24–30, 31, 36, 38, 40, 43, 46<br />

Casa de Estudillo (San Diego) (<strong>88</strong>, 4), 24, 25,<br />

26, 35, 38<br />

Casey, Michael (<strong>88</strong>, 2), 8, 9<br />

Cash, Jon David, “People’s Park: Birth and<br />

Survival” (<strong>88</strong>, 1), 8–29<br />

Central Pacific Railroad (<strong>88</strong>, 2), 38, 40, 41<br />

Chadwick, George C. (<strong>88</strong>, 2), 24<br />

Chadwick & Sykes (San Francisco) (<strong>88</strong>, 2),<br />

24–31<br />

Cheit, Earl (<strong>88</strong>, 1), 8<br />

Chinese Exclusion Convention (<strong>88</strong>, 2), 23<br />

Chumash Indians (<strong>88</strong>, 4), 51, 53, 55, 56<br />

City Dye Works and Laundry Co. (Los Angeles)<br />

(<strong>88</strong>, 3), 45<br />

City Front Federation (San Francisco) (<strong>88</strong>, 2),<br />

5, 6, 8, 12, 13, 17, 18, 20<br />

City Front Federation Strike (San Francisco)<br />

(<strong>88</strong>, 2), 4–23<br />

Claremont (Riverside County) (<strong>88</strong>, 3), 6, 8,<br />

16, 17<br />

Cohnreich, Israel (<strong>88</strong>, 4), 35<br />

Colby, William Edward (<strong>88</strong>, 3), 35, 36<br />

Colorado River Land Company (CRLC) (<strong>88</strong>, 4),<br />

7, 8, 10, 11, 13, 15, 17, 19, 20<br />

Compadrazgo (godparentage) (<strong>88</strong>, 4), 47–62<br />

Concord stagecoaches (<strong>88</strong>, 4), 32, 34<br />

Coronel, Antionio Franco (<strong>88</strong>, 4), 52, 59<br />

Cosmopolitan Hotel (San Diego) (<strong>88</strong>, 4), 22–<br />

46; and <strong>California</strong> State Parks’ restoration,<br />

24, 26, 33, 42, 46; and preservation<br />

controversy, 42–44<br />

Couts, Cave J. Jr. (<strong>88</strong>, 4), 23, 33, 36–42, 44, 45<br />

Couts, Colonel Cave J. (<strong>88</strong>, 4), 24, 28, 30, 60,<br />

61<br />

Culver, Lawrence, The Frontier of Leisure:<br />

Southern <strong>California</strong> and the Shaping of<br />

Modern America (book review) (<strong>88</strong>, 3),<br />

73–74<br />

D<br />

Dana, Richard Henry Jr. (<strong>88</strong>, 4), 29, 30, 45<br />

De Medina, Hipolita Orendain (CHS<br />

Collections) (<strong>88</strong>, 4), 3–4<br />

Delacour, Mike (<strong>88</strong>, 1), 11–12, 15, 16, 18, 19, 29<br />

Devil’s Tea Kettle, Geyser Springs, Cal. (907)<br />

(Eadweard Muybridge) (CHS Collections)<br />

(<strong>88</strong>, 2), 3<br />

Dillon, Richard (<strong>88</strong>, 3), 38<br />

Diseños (<strong>88</strong>, 4), 30<br />

Dolin, Eric Jay, Fur, Fortune, and Empire: The<br />

Epic History of the Fur Trade in America<br />

(book review) (<strong>88</strong>, 3), 72–73<br />

Draymen’s Association (San Francisco) (<strong>88</strong>, 2),<br />

8, 13, 15, 18<br />

Dupont, Samuel F. (<strong>88</strong>, 4), 28<br />

Dykstra, Clarence (<strong>88</strong>, 3), 20, 21<br />

Dykstra, Gretchen, “’Boes in Facultate: The<br />

Short, Creative Life of Franz Rickaby”<br />

(<strong>88</strong>, 3), 6–21<br />

Dykstra, Lillian (Katar Rickaby) (<strong>88</strong>, 3), 6, 7, 9,<br />

10, 11, 12, 17, 18, 19, 20–21; and marriage<br />

to Clarence Dykstra, 20<br />

E<br />

E. H. Rollins & Sons (<strong>88</strong>, 2), 47<br />

“Eastern Promises: The Role of Eastern Capital<br />

in the Development of Los Angeles, 1900–<br />

1920,” by Timothy Tzeng (<strong>88</strong>, 2), 32–53<br />

Eaton, Frederick (<strong>88</strong>, 2), 42<br />

Echeandía, José María (<strong>88</strong>, 4), 24<br />

Ejidos (<strong>88</strong>, 4), 13, 16, 19, 20<br />

El Camino Real (<strong>88</strong>, 4), 25


i n d e x<br />

Elrick, John, “Social Conflict and the Politics<br />

of Reform: Mayor James D. Phelan and the<br />

San Francisco Waterfront Strike of 1901”<br />

(<strong>88</strong>, 2), 4–23<br />

Emmons, David M., Beyond the American<br />

Pale: The Irish in the West, 1845–1910 (book<br />

review) (<strong>88</strong>, 3), 74–76<br />

Employers’ Association (San Francisco)<br />

(<strong>88</strong>, 2), 5, 8, 12, 13, 14, 15, 17, 18, 19<br />

Estudillo, Dolores (<strong>88</strong>, 4), 24, 57<br />

Estudillo, José Antonio (<strong>88</strong>, 4), 24<br />

F<br />

Faulconer, Margaret Adams (<strong>88</strong>, 4), 38, 40<br />

First Continental Railroad (<strong>88</strong>, 2), 41<br />

Fenyes, Eva Scott (<strong>88</strong>, 4), 35<br />

Frémont, John C. (<strong>88</strong>, 4), 28<br />

Friday Morning Club (Los Angeles) (<strong>88</strong>, 1),<br />

45–47, 50<br />

Furuseth, Andrew (<strong>88</strong>, 2), 13, 14, 16, 22<br />

G<br />

Gage, Henry T. (<strong>88</strong>, 2), 14, 18, 19<br />

Ganz, Rudolph (<strong>88</strong>, 3), 35<br />

Gente de razón (<strong>88</strong>, 4), 48, 50, 52, 53<br />

Gibson, E. Kay, Brutality on Trial: “Hellfire”<br />

Pedersen, “Fighting” Hansen, and the<br />

Seamen’s Act of 1915 (book review) (<strong>88</strong>, 2),<br />

66<br />

Gila House (San Diego) (<strong>88</strong>, 4), 29, 30<br />

Glusman, Paul (<strong>88</strong>, 1), 12, 13, 15<br />

Gold Rush (<strong>88</strong>, 4), 29, 30<br />

Goldberg, Art (<strong>88</strong>, 1), 13, 14, 15, 20<br />

Golden Gate Bridge (<strong>88</strong>, 3), 33; opening day, 34<br />

Golden Gate International Exposition (1937)<br />

(<strong>88</strong>, 3), 34<br />

Golden Gate Park (<strong>88</strong>, 2), 24, 26, 30; (<strong>88</strong>, 3),<br />

24, 26, 33<br />

Gowan, Teresa, Hobos, Hustlers, and<br />

Backsliders: Homeless in San Francisco (book<br />

review) (<strong>88</strong>, 3), 67<br />

Great Depression (<strong>88</strong>, 4), 5, 6, 7, 12, 13, 21, 38<br />

Great Sand Waste (San Francisco) (<strong>88</strong>, 2), 24,<br />

26<br />

H<br />

Harriman, Edward (<strong>88</strong>, 2), 38, 40, 41, 47<br />

Harris, Norman W. (<strong>88</strong>, 2), 44, 45, 47, 48<br />

Hayes, Benjamin (<strong>88</strong>, 4), 25, 28, 35<br />

Heynes, Roger W. (<strong>88</strong>, 1), 8, 10, 18–21, 26<br />

Historia de la Alta <strong>California</strong> (Juan Bandini)<br />

(<strong>88</strong>, 4), 28<br />

Hollywood (<strong>88</strong>, 3), 40, 41, 46, 54, 56; movie<br />

studios, 46; sound studios, 46<br />

Horton, Inge Schaefer, Early Women Architects<br />

of the San Francisco Bay Area: The Lives and<br />

Work of Fifty Professionals, 1890–1951 (book<br />

review) (<strong>88</strong>, 3), 68<br />

HoSang, Daniel Martinez, Racial Propositions:<br />

Ballot Initiatives and the Making of Postwar<br />

<strong>California</strong> (book review) (<strong>88</strong>, 4), 74<br />

Huntington, Collis (<strong>88</strong>, 2), 38, 39, 40, 48, 50<br />

Huntington, Henry E. (<strong>88</strong>, 2), 32, 38, 39, 41,<br />

42<br />

Hydraulic Erosion (Alma Lavenson) (<strong>88</strong>, 2), 72<br />

I<br />

“If Walls Could Speak: San Diego’s Historic<br />

Casa de Bandini,” by Victor A. Walsh<br />

(<strong>88</strong>, 4), 22–46<br />

Imperial Valley (<strong>88</strong>, 4), 6, 7, 8, 9, 11, 12, 13, 15,<br />

16, 17, 19, 20, 21<br />

Imperial-Mexicali Valley (<strong>88</strong>, 4), 7, 8, 9, 13<br />

In Front of the St. Charles Hotel, Downieville<br />

(Alma Lavenson) (<strong>88</strong>, 3), 80<br />

Indian puberty rituals (<strong>88</strong>, 4), 53–54<br />

“Invisible Borders: Repatriation and<br />

Colonization of Mexican Migrant Workers<br />

along the <strong>California</strong> Borderlands during<br />

the 1930s,” by Benny Joseph Andrés Jr.<br />

(<strong>88</strong>, 4), 5–21<br />

J<br />

Jackson, Helen Hunt (<strong>88</strong>, 4), 38<br />

James Speyer (<strong>88</strong>, 2), 39–40, 41, 48–49, 52<br />

Johnson, Charles Robinson (<strong>88</strong>, 4), 24, 30<br />

Junta patriótica (<strong>88</strong>, 4), 4<br />

K<br />

Kearny, Stephen Watts (<strong>88</strong>, 4), 28<br />

Knox, Frederick H. (<strong>88</strong>, 3), 12; and the Dakota<br />

Playmakers, 12, 13<br />

Kountze-Leach Syndicate (<strong>88</strong>, 2), 46, 47, 48,<br />

49<br />

Kropp, Phoebe S. (<strong>88</strong>, 4), 45<br />

L<br />

La Republica (newspaper, San Francisco)<br />

(<strong>88</strong>, 4), 4<br />

Labor Council (San Francisco) (<strong>88</strong>, 2), 6, 8, 10,<br />

14, 16, 20<br />

Larkin, Thomas (<strong>88</strong>, 4), 28<br />

Lavenson, Alma (<strong>88</strong>, 2), 72; (<strong>88</strong>, 3), 80<br />

Leach, Arthur Burtis (banker) (<strong>88</strong>, 2), 33, 43<br />

Leary, James P. (<strong>88</strong>, 3), 14<br />

Lee, Erika (and Judy Yung), Angel Island:<br />

Immigrant Gateway to America (book<br />

review) (<strong>88</strong>, 3), 70–71<br />

Librado, Fernando (Chumash) (<strong>88</strong>, 4), 53, 54,<br />

55<br />

Lincoln Heights (Los Angeles) (<strong>88</strong>, 3), 42, 43,<br />

44, 54<br />

Lincoln Way (San Francisco) (<strong>88</strong>, 2), 30<br />

Loma Linda Hospital (Seventh-day Adventists’<br />

Hospital) (<strong>88</strong>, 3), 6, 18–20<br />

Lomax, Alan (<strong>88</strong>, 3), 6<br />

Lomax, John Avery (<strong>88</strong>, 3), 6<br />

Los Angeles Aqueduct (<strong>88</strong>, 2), 32–53<br />

Los Angeles City Water Company (<strong>88</strong>, 2), 42,<br />

43<br />

Los Angeles Department of Water (<strong>88</strong>, 2), 43<br />

“Love Among the Redwoods: The Story of<br />

Margaret and David Paddock,” by Daimar<br />

Paddock Robinson (<strong>88</strong>, 3), 22–43<br />

Lummis, Charles Fletcher (<strong>88</strong>, 4), 35<br />

Lustig, R. Jeffrey, ed., Remaking <strong>California</strong>:<br />

Reclaiming the Public Good (book review)<br />

(<strong>88</strong>, 2), 62<br />

Lyon, Mike (<strong>88</strong>, 1), 13, 14, 15<br />

M<br />

MacLeish, Archibald (<strong>88</strong>, 3), 6<br />

Madigan, Frank (<strong>88</strong>, 1), 21, 22, 24, 25, 26, 27<br />

Markel, Wendy P., Berkeley (book review)<br />

(<strong>88</strong>, 4), 76–77<br />

Mathews, Joe (and Mark Paul), <strong>California</strong><br />

Crackup: How Reform Broke the State and<br />

How We Can Fix It (book review) (<strong>88</strong>, 2),<br />

62<br />

Mathews, William Burgess (<strong>88</strong>, 2), 43, 44, 45,<br />

47, 48, 52<br />

McCarthy, P. H. (<strong>88</strong>, 2), 11, 21<br />

McGettigan, Francisca Vallejo (<strong>88</strong>, 4), 59<br />

McPherson, Aimee Semple (<strong>88</strong>, 3), 45<br />

McWilliams, Carey (<strong>88</strong>, 4), 6, 45<br />

Medina, Emigdio (<strong>88</strong>, 4), 4<br />

Mellus, Henry (<strong>88</strong>, 3), 62<br />

Merchants’ Association (San Francisco)<br />

(<strong>88</strong>, 2), 10, 12<br />

Metro Studios (Hollywood) (<strong>88</strong>, 3), 46<br />

Mexicali (<strong>88</strong>, 4), 6, 8, 14, 16<br />

Mexicali Valley (borderlands) (<strong>88</strong>, 4), 5–21<br />

Miller, Henry (artist) (<strong>88</strong>, 4), 25<br />

Miller, William Cosby (“Big Bill”) (<strong>88</strong>, 1), 13,<br />

14, 15<br />

Mills Seminary, Seminary Park, Alameda<br />

County, by Edweard Muybridge (<strong>88</strong>, 4), <strong>88</strong><br />

Mission District (San Francisco) (<strong>88</strong>, 3), 22, 36<br />

Mission San Buenaventura (<strong>88</strong>, 4), 48, 50,<br />

51, 55<br />

Mission San Fernando Rey (<strong>88</strong>, 4), 56<br />

Mission San Diego de Alcalá (<strong>88</strong>, 4), 22, 55,<br />

56,<br />

Mission San Gabriel Arcángel (<strong>88</strong>, 4), 29, 48,<br />

50, 52, 54, 55, 57<br />

Mission San Juan Capistrano (<strong>88</strong>, 4), 53<br />

Mission Santa Barbara (<strong>88</strong>, 4), 56<br />

Mission Santa Inés (<strong>88</strong>, 4), 53<br />

Modoc County (CHS Collections) (<strong>88</strong>, 3), 3–5<br />

Moore, Harry Humphrey (<strong>88</strong>, 4), 87<br />

“Mother of Clubs” (Caroline Severance) (<strong>88</strong>, 1),<br />

39, 44, 52<br />

Moulin, Gabriel (<strong>88</strong>, 3), 22, 23<br />

Muir Woods (<strong>88</strong>, 3), 22, 23, 27, 28, 29, 30, 31<br />

Mulholland, William (<strong>88</strong>, 2), 32, 42, 43, 44, 45,<br />

48, 52, 53<br />

Mutualistas (<strong>88</strong>, 4), 5–6, 10, 11, 12, 21<br />

Muybridge, Eadweard (<strong>88</strong>, 2), 3; (<strong>88</strong>, 4), <strong>88</strong><br />

N<br />

N. W. Halsey & Co. (<strong>88</strong>, 2), 47<br />

N. W. Harris & Co. (<strong>88</strong>, 2), 45, 47<br />

Newhall, George (<strong>88</strong>, 2), 14, 16<br />

0<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


O<br />

Old Mission Olive Works (San Diego)<br />

(<strong>88</strong>, 4), 35<br />

Old Town San Diego (<strong>88</strong>, 4), 22, 23, 29, 30, 31,<br />

32, 33, 35, 38, 42, 43, 45<br />

Old Town San Diego State Historic Park<br />

(<strong>88</strong>, 4), 42<br />

Olympic Auditorium (Los Angeles) (<strong>88</strong>, 3), 47<br />

Otis, Harrison Gray (<strong>88</strong>, 2), 32, 47<br />

Owens Master Carpet Dyers (Los Angeles)<br />

(<strong>88</strong>, 3), 40–61<br />

Owens River (<strong>88</strong>, 2), 44, 45, 51<br />

Owens Valley (<strong>88</strong>, 2), 32, 45, 51<br />

P<br />

Pacific Electric Railway Company (<strong>88</strong>, 2), 42<br />

Pacific Mail Steamship Company (<strong>88</strong>, 3), 24,<br />

25<br />

Paddock, Daimar (<strong>88</strong>, 3), 33, 35, 36, 39<br />

Paddock, David Anthony (<strong>88</strong>, 3), 22, 26–27,<br />

28, 29–39<br />

Paddock, Hosea (<strong>88</strong>, 3), 26<br />

Paddock, Margaret (Heyde) (<strong>88</strong>, 3), 22, 24–25,<br />

28, 29–39; and the Sutro Library (San<br />

Francisco), 37–38<br />

Paddock, Stuart Roy (<strong>88</strong>, 3), 35, 36, 37, 39<br />

Panama-<strong>California</strong> Exposition, 1915–16<br />

(<strong>88</strong>, 4), 38, 45<br />

Parkside district (San Francisco) (<strong>88</strong>, 2), 24–31<br />

Parkside Realty Company (<strong>88</strong>, 2), 24, 26, 30<br />

Parkside Transit Company (<strong>88</strong>, 2), 24, 30<br />

Parmelee Art Company (San Francisco)<br />

(<strong>88</strong>, 3), 29, 32<br />

Parry, J. S. (<strong>88</strong>, 2), 23<br />

Paul, Mark (and Joe Mathews), <strong>California</strong><br />

Crackup: How Reform Broke the State and<br />

How We Can Fix It (book review) (<strong>88</strong>, 2),<br />

62<br />

“People’s Park: Birth and Survival,” by Jon<br />

David Cash (<strong>88</strong>, 1), 8–29<br />

Pérez, Erika, “‘Saludos from your comadre’:<br />

Compadrazgo as a Community Institution<br />

in Alta <strong>California</strong>, 1769–1<strong>88</strong>5” (<strong>88</strong>, 4),<br />

47–62<br />

Phelan, James D. (<strong>88</strong>, 2), 4–23<br />

Phillips, George Harwood, Vineyards &<br />

Vaqueros: Indian Labor and the Economic<br />

Expansion of Southern <strong>California</strong>, 1771–1877<br />

(book review) (<strong>88</strong>, 3), 71–72<br />

Pico, Pío (<strong>88</strong>, 4), 29<br />

Pile Drivers Local #1(San Francisco) (<strong>88</strong>, 2), 18,<br />

19, 20, 23<br />

Pomona College (Claremont, CA) (<strong>88</strong>, 3),<br />

6, 16, 17; Hobo Club, 17, 18–19; Franz<br />

Rickaby Memorial Sundial, 19<br />

Post-War House (Los Angeles) (<strong>88</strong>, 3), 49<br />

Powers, Diane (<strong>88</strong>, 4), 43–44, 45<br />

Pubols, Louise, The Father of All: The de la<br />

Guerra Family, Power, and Patriarchy in<br />

Mexican <strong>California</strong> (book review) (<strong>88</strong>, 4),<br />

75–76<br />

Pujo Committee (<strong>88</strong>, 2), 37, 52<br />

R<br />

Ramona (Helen Hunt Jackson) (<strong>88</strong>, 4), 38<br />

Ranchería (<strong>88</strong>, 4), 54, 55<br />

Ranchos (<strong>88</strong>, 4), 30, 51, 52, 60<br />

Read, Jon (<strong>88</strong>, 1), 13, 15<br />

Reagan, Ronald (<strong>88</strong>, 1), 19, 20, 21, 25, 26–27<br />

Rector, James (<strong>88</strong>, 1), 22, 24, 26<br />

Red Roof (El Nido) (Caroline Severance) (<strong>88</strong>,<br />

1), 44, 45, 52<br />

“Rediscovering San Francisco’s Parkside<br />

Neighborhood” (photo essay) (<strong>88</strong>, 2), 24–31<br />

Redwood Empire (<strong>88</strong>, 3), 28, 30<br />

Reid, Hugo (<strong>88</strong>, 4), 42, 56, 57<br />

Reid, Victoria Bartholomea (<strong>88</strong>, 4), 47, 57<br />

Repatriation, Mexican (1930s) (<strong>88</strong>, 4), 5–21<br />

Requa, Richard (<strong>88</strong>, 4), 42<br />

Reuf, Abe (<strong>88</strong>, 2), 20, 23, 24<br />

Rickaby, Franz (<strong>88</strong>, 3), 6–20; and poems, 9;<br />

and plays, 6; and Knox College (Galesburg,<br />

IL), 8–9, 17; and University of North<br />

Dakota (Grand Forks), 6, 7, 11<br />

Rickaby, Lillian (Katar Dykstra) (<strong>88</strong>, 3), 6, 7, 9,<br />

10, 11, 12, 17, 18, 19, 20–21; and marriage<br />

to Clarence Dykstra, 20<br />

Robinson, Daimar Paddock, “Love Among<br />

the Redwoods: The Story of Margaret and<br />

David Paddock” (<strong>88</strong>, 3), 22–43<br />

Rogers, W. Lane (and James R. Smith), The<br />

<strong>California</strong> Snatch Racket: Kidnappings<br />

during the Prohibition and Depression Eras<br />

(book review) (<strong>88</strong>, 3), 69<br />

Rosenberg, Ed (<strong>88</strong>, 2), 14<br />

Ruocco, Lloyd (<strong>88</strong>, 4), 42<br />

S<br />

SS Ecuador (<strong>88</strong>, 3), 24, 25<br />

Sailors’ Union of the Pacific (<strong>88</strong>, 2), 10, 13<br />

Salomon, Carlos Manuel, Pío Pico: The Last<br />

Governor of Mexican <strong>California</strong> (book<br />

review) (<strong>88</strong>, 2), 65<br />

“‘Saludos from your comadre’: Compadrazgo as<br />

a Community Institution in Alta <strong>California</strong>,<br />

1769–1<strong>88</strong>5,” by Erika Pérez (<strong>88</strong>, 4), 47–62<br />

San Buenaventura (Ventura County) (<strong>88</strong>, 1),<br />

40, 41<br />

San Diego (<strong>88</strong>, 4), 22, 23, 24, 25, 27, 28, 35,<br />

44, 45<br />

San Fernando Mission Land Company<br />

(<strong>88</strong>, 2), 47<br />

San Francisco Chronicle (<strong>88</strong>, 3), 27, 32, 33, 38<br />

San Juan Capistrano (<strong>88</strong>, 4), 31, 34<br />

San Pedro (<strong>88</strong>, 3), 42, 44<br />

Scheer, Robert (<strong>88</strong>, 1), 8, 15<br />

Schlesinger, Wendy (<strong>88</strong>, 1), 9, 12, 15, 19, 29<br />

Schmitz, Eugene (<strong>88</strong>, 2), 20, 21, 23<br />

Schrag, Peter, Not Fit for Our <strong>Society</strong>:<br />

Immigration and Nativism in America (book<br />

review) (<strong>88</strong>, 1), 60<br />

Schwartz, Davis Francis (artist) (<strong>88</strong>, 3), 1,<br />

62–63<br />

Schwartz, Isabella Ethel (Mellus) (<strong>88</strong>, 3), 1,<br />

62–63<br />

Scott, Adam Sherriff (artist) (<strong>88</strong>, 3), 63<br />

Seeley, Albert Lewis (<strong>88</strong>, 4), 22, 31–35, 41, 42,<br />

44<br />

Seeley, Emily (<strong>88</strong>, 4), 31, 34<br />

Seeley House (Casa de Bandini, San Diego)<br />

(<strong>88</strong>, 4), 31, 33, 34<br />

Serra, Father Junípero (<strong>88</strong>, 4), 51, 52<br />

Severance, Caroline Maria Seymour (<strong>88</strong>, 1),<br />

30–31, 33–52; women’s rights, 31, 36–39;<br />

early childhood education, 45; women’s<br />

clubs (Los Angeles), 45–47; women’s<br />

suffrage (Los Angeles), 49–52<br />

Severance, James Seymour (<strong>88</strong>, 1), 39–41, 43,<br />

48<br />

Severance, Mark Sibley (<strong>88</strong>, 1), 39–41, 43, 48<br />

Severance, Theodoric Cordenio (<strong>88</strong>, 1), 30–49<br />

Sherman, Moses (<strong>88</strong>, 2), 47<br />

Sielen, Alan B., “We Dye for the Stars”: Los<br />

Angeles Remembered” (<strong>88</strong>, 3), 44–61<br />

Sierra Club (<strong>88</strong>, 3), 27, 29, 30, 34, 35<br />

“Significant Others: The Defining Domestic<br />

Life of Caroline Seymour Severance,” by<br />

Diana Tittle (<strong>88</strong>, 1), 30–52<br />

Sitton, Tom, Grand Ventures: The Banning<br />

Family and the Shaping of Southern<br />

<strong>California</strong> (book review) (<strong>88</strong>, 2), 66–67<br />

Smith, James R. (and W. Lane Rogers), The<br />

<strong>California</strong> Snatch Racket: Kidnappings<br />

during the Prohibition and Depression Eras<br />

(book review) (<strong>88</strong>, 3), 69<br />

Smith, Richard Cándida, The Modern Moves<br />

West: <strong>California</strong> Artists and Democratic<br />

Culture in the Twentieth Century (book<br />

review) (<strong>88</strong>, 1), 58<br />

“Social Conflict and the Politics of Reform:<br />

Mayor James D. Phelan and the San<br />

Francisco Waterfront Strike of 1901,” by<br />

John Elrick (<strong>88</strong>, 2), 4–23<br />

Southern Pacific Railroad (<strong>88</strong>, 2), 35, 38–39,<br />

40, 47, 49, 50<br />

Spanish heritage fantasy (<strong>88</strong>, 4), 44–46<br />

Speyer & Co. (<strong>88</strong>, 2), 39, 40, 41, 49–50<br />

Stanton, Elizabeth Cady (<strong>88</strong>, 1), 49<br />

Stearns, Abel (<strong>88</strong>, 4), 24, 27, 28, 29, 30, 31,<br />

47, 56, 57<br />

Stockton, Robert F. (<strong>88</strong>, 4), 28<br />

Stone, Lucy (<strong>88</strong>, 1), 49<br />

Sutro, Adolph (<strong>88</strong>, 3), 37<br />

Sutro Library (San Francisco) (<strong>88</strong>, 3), 37–38<br />

T<br />

Teamsters (San Francisco) (<strong>88</strong>, 2), 8, 9, 11, 18,<br />

19<br />

Telegraph Avenue (Berkeley) (<strong>88</strong>, 1), 8, 9, 10,<br />

14, 15, 22, 24<br />

The Brawley News (<strong>88</strong>, 4), 8<br />

Tiffany, Susan Davis (<strong>88</strong>, 4), 35–36<br />

1


i n d e x<br />

Tittle, Diana, “Significant Others: The<br />

Defining Domestic Life of Caroline<br />

Seymour Severance” (<strong>88</strong>, 1), 30–52<br />

Toloache (Indian puberty ceremony) (<strong>88</strong>, 4),<br />

53, 54<br />

Torabene, Joseph Eric (“Super Joel”) (<strong>88</strong>, 1),<br />

13, 14–15<br />

Tuffley, Robert (<strong>88</strong>, 4), 35, 36<br />

Tzeng, Timothy, “Eastern Promises: The Role<br />

of Eastern Capital in the Development of<br />

Los Angeles, 1900–1920” (<strong>88</strong>, 2), 32–53<br />

U<br />

U.S. Border Patrol (<strong>88</strong>, 4), 6, 12, 21<br />

U.S. Land Act (1851) (<strong>88</strong>, 4), 30<br />

U.S.-Mexican War (Mexican-American War,<br />

1846–48) (<strong>88</strong>, 4), 28<br />

Union Labor Party (San Francisco) (<strong>88</strong>, 2), 20,<br />

21, 23<br />

Union Pacific Railroad (<strong>88</strong>, 2), 41, 47<br />

University of <strong>California</strong>, and People’s Park<br />

Controversy (<strong>88</strong>, 1), 8–29<br />

V<br />

Vachel Lindsay, Nicholas (<strong>88</strong>, 3), 6, 8, 9, 10<br />

Vallejo, Mariano Guadalupe (<strong>88</strong>, 4), 24, 28,<br />

29, 59<br />

Van der Ryn, Sim (<strong>88</strong>, 1), 10, 18, 19, 20, 21,<br />

26, 29<br />

Vernon, Edward W., A Maritime History of Baja<br />

<strong>California</strong> (book review) (<strong>88</strong>, 2), 64<br />

Victoria, Manuel (<strong>88</strong>, 4), 28<br />

W<br />

Walsh, Victor A., “If Walls Could Speak: San<br />

Diego’s Historic Casa de Bandini” (<strong>88</strong>, 4),<br />

22–46<br />

Water Works Bonds (Aqueduct Bonds) (<strong>88</strong>, 2),<br />

42, 43, 44–45, 46, 47, 48, 49, 52<br />

Waterman, Hazel W. (<strong>88</strong>, 4), 38<br />

“We Dye for the Stars”: Los Angeles<br />

Remembered,” by Alan B. Sielen (<strong>88</strong>, 3),<br />

44–61<br />

Welles, Orson (<strong>88</strong>, 3), 55; and The Mercury<br />

Wonder Show, 55<br />

Wilkie, Laurie A., The Lost Boys of Zeta Psi: A<br />

<strong>Historical</strong> Archaeology of Masculinity at a<br />

University Fraternity (book review) (<strong>88</strong>, 3),<br />

70<br />

Women’s clubs (Los Angeles) (<strong>88</strong>, 1), 30,<br />

45–47, 50<br />

Wright, Charles (<strong>88</strong>, 4), 31, 32, 34<br />

Y<br />

Yorke, Father Peter C. (<strong>88</strong>, 2), 15, 16, 18<br />

Yung, Judy (and Erika Lee), Angel Island:<br />

Immigrant Gateway to America (book<br />

review) (<strong>88</strong>, 3), 70–71<br />

<strong>Volume</strong> <strong>88</strong>, number 1<br />

<strong>Volume</strong> <strong>88</strong>, number 2<br />

<strong>Volume</strong> <strong>88</strong>, number 3<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011<br />

<strong>Volume</strong> <strong>88</strong>, number 4


2011 legends of <strong>California</strong><br />

©2011 photokatz.com<br />

Julius Blank , Jay Last, Gordon Moore, pictured, left to right<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong> was proud to celebrate<br />

<strong>California</strong>’s Legendary Spirit of Innovation<br />

in honoring the 2011 Legends of <strong>California</strong><br />

The Traitorous Eight – Founders of Silicon Valley<br />

Julius Blank, Victor Grinich, Jean Hoerni, Eugene Kleiner, Jay Last,<br />

Gordon Moore, Robert Noyce, and C. Sheldon Roberts<br />

Tuesday, May 10, 2011<br />

The St. Regis San Francisco<br />

San Francisco, <strong>California</strong><br />

Thank you to our generous sponsors:<br />

final logo / grayscale<br />

Investing in Relationships<br />

Media sponsor:<br />

individual sponsors:<br />

Reid W. Dennis, Arthur and Toni Rembe Rock,<br />

and R. Thomas Decker


d o n o r s<br />

The <strong>California</strong> <strong>Historical</strong> <strong>Society</strong> is deeply grateful<br />

to the following individuals, corporations, foundations,<br />

and government and business organizations<br />

for their contributions.<br />

INDIVIDUALS<br />

$50,000 and above<br />

Anonymous<br />

$10,000 to $49,999<br />

Mr. & Mrs. Reid W. Dennis, Woodside<br />

Ms. Jeanne S. Overstreet, Bennington, VT<br />

Arthur & Toni Rembe Rock, San Francisco<br />

$5,000 to $9,999<br />

Mr. Sandy & Mrs. Linda Alderson,<br />

Rancho Santa Fe<br />

Mr. & Mrs. S. D. Bechtel, Jr., San Francisco<br />

Mr. John E. Brown, Riverside<br />

Mr. & Mrs. R. Thomas Decker, San Francisco<br />

Drs. Maribelle & Stephen Leavitt, San Francisco<br />

Mr. Bill Leonard, Sacramento<br />

Mr. & Mrs. Greg Martin, San Francisco<br />

Mr. Robert A. McNeely, San Diego<br />

Mr. John L. & Mrs. Susan L. Molinari,<br />

San Francisco<br />

Mrs. Cristina Rose, Los Angeles<br />

Mr. Peter Wiley, San Francisco<br />

Ms. Helen Zukin, Beverly Hills<br />

$1,000 to $4,999<br />

Anonymous<br />

Katy & John Bejarano, San Mateo<br />

Jan Berckefeldt, Lafayette<br />

Mr. & Mrs. Andrew E. Bogen, Santa Monica<br />

Ms. Joanne E. Bruggemann, Redwood City<br />

Mrs. John Edward Cahill, San Rafael<br />

Brian D. Call, Monterey<br />

Mr. Michael Carson & Dr. Ronald Steigerwalt,<br />

Palm Springs<br />

Mr. Robert Chattel, Sherman Oaks<br />

Mr. David Crosson & Ms. Natalie Hala,<br />

San Francisco<br />

Mrs. Leonore Daschbach, Atherton<br />

Mr. & Mrs. Joseph E. Davis, Laguna Beach<br />

Mr. & Mrs. Ray Dolby, San Francisco<br />

Mrs. Gloria Gordon Getty, San Francisco<br />

Justice & Mrs. Arthur Gilbert, Pacific Palisades<br />

Mr. Larry Gotlieb, Los Angeles<br />

Mr. Fredric Hamber, San Francisco<br />

Mr. & Mrs. Alfred E. Heller, Kentfield<br />

Mr. Robert & Mrs. Kaye Hiatt, Mill Valley<br />

Mr. Austin E. Hills, San Francisco<br />

Mr. Sean A. Johnston, San Francisco<br />

Mr. George Kennedy, Santa Cruz<br />

Mr. & Mrs. A.M.D. G. Lampen, San Francisco<br />

Mr. Hollis G. Lenderking, La Honda<br />

Mr. Ray & Mrs. Lynn Lent, San Rafael<br />

Mr. Stephen LeSieur, San Francisco<br />

Ms. Linda Lee Lester, Gilroy<br />

Mr. Stephen O. Martin, San Mateo<br />

Mr. William S. McCreery, Hillsborough<br />

Mr. Fielding M. McGehee III & Dr. Rebecca<br />

Moore, San Diego<br />

Drs. Thomas & Jane McLaughlin, San Francisco<br />

Ms. Mary Meeker, New York, NY<br />

Drs. Knox & Carlotta Mellon, Carmel Highlands<br />

Mr. & Mrs. Burnett Miller, Sacramento<br />

Mr. Holbrook T. Mitchell, Napa<br />

Mr. Lawrence E. Moehrke, San Rafael<br />

Mr. Ken Moore, Los Altos<br />

Mr. Mark A. Moore, Burlingame<br />

Mr. Steve Moore, Los Altos<br />

Mr. Tim Muller, San Francisco<br />

Mr. Peter Johnson Musto, San Francisco<br />

Rick & Laura Pfaff, San Francisco<br />

Dr. Edith & Mr. George Piness, Mill Valley<br />

Mr. Adolph Rosekrans, Redwood City<br />

Mrs. Charlotte Schultz, San Francisco<br />

Mr. H. Russell Smith, Pasadena<br />

Mr. & Mrs. Steven L. Swig, San Francisco<br />

John & Andrea Van de Kamp, Pasadena<br />

Mr. A.W.B. Vincent, Monte Carlo, Monaco<br />

Stein & Lenore Weissenberger, Mountain View<br />

David & Rene Whitehead, Sebastopol<br />

Mrs. Alfred S. Wilsey, San Francisco<br />

Ms. Sheila Wishek, San Francisco<br />

Mr. & Mrs. Richard C. Wulliger,<br />

Pacific Palisades<br />

Mr. Paul M. Wythes, Palo Alto<br />

Mr. & Mrs. Lee Zeigler, San Francisco<br />

$500 to $999<br />

Ms Judith Avery, San Francisco<br />

Mr. Milton Axt, San Francisco<br />

Mr. Ted Balestreri, Monterey<br />

Ms. Marie Bartee, San Francisco<br />

Mr. & Mrs. Michael & Marianne Beeman,<br />

Woodland<br />

Janet F. Bollinger, Sacramento<br />

Ms. Lynn Bonfield, San Francisco<br />

Mr. Ernest A. Bryant, III, Santa Barbara<br />

Mrs. Dewitt K. Burnham, San Francisco<br />

Audrey Edna Butcher, Sunnyvale<br />

Mr. Ted Buttner, Sunol<br />

Mrs. Park Chamberlain, Redwood City<br />

Ms. Lisa Chanoff, San Francisco<br />

Dr. & Mrs. Melvin D. Cheitlin, San Francisco<br />

Mr. & Mrs. John C. Colver, Belvedere-Tiburon<br />

Renate & Robert Coombs, Oakland<br />

Mrs. Suzanne Crowell, San Marino<br />

Ms. Karen D’Amato, San Carlos<br />

Mr. & Mrs. William Davidow, Woodside<br />

Mr. Lloyd De Llamas, Covina<br />

Frances Dinkelspiel, Berkeley<br />

Mr. & Mrs. Frederick K. Duhring, Los Altos<br />

Mr. & Mrs. Gordon Fish, Pasadena<br />

Mrs. Donald G. Fisher, San Francisco<br />

Mr. & Mrs. William S. Fisher, San Francisco<br />

Ms. Linda Jo Fitz, San Francisco<br />

Mr. & Mrs. William S. Floyd, Jr., Portola Valley<br />

Ms. Myra Forsythe, San Francisco<br />

Mr. & Mrs. Launce E. Gamble, San Francisco<br />

Mr. & Mrs. Milo Gates, Redwood City<br />

Mr. Harry R. Gibson III, South Lake Tahoe<br />

Dr. Erica & Hon. Barry Goode, Richmond<br />

Mr. & Mrs. Richard W. Goss II, San Francisco<br />

Ms. Lucy Hamilton, Lexington, KY<br />

Mr. William Alston Hayne, St. Helena<br />

Mr. & Mrs. Joe Head, San Jose<br />

Mr. & Mrs. Robert E. Henderson, Hillsborough<br />

Ms. Ruth M. Hill, Daly City<br />

Janice & Maurice Holloway, San Francisco<br />

Mr. William L. Horton, Los Angeles<br />

Mrs. Katharine H. Johnson, Belvedere-Tiburon<br />

Mr. & Mrs. G. Scott Jones, Mill Valley<br />

Mr. Douglas C. Kent, Davis<br />

Mr. David B. King, Fremont<br />

Mr. Robert Kleiner, Mill Valley<br />

Corrine & Mike Laing, Carmichael<br />

Mrs. Betsy Link, Los Angeles<br />

Mr. Robert London Moore Jr., Verdugo City<br />

Ms. Janice Loomer, Castro Valley<br />

Mr. Bruce M. Lubarsky, San Francisco<br />

Mr. Stephen C. Lyon, San Francisco<br />

Mr. Robert S. Macfarlane Jr., Olga, WA<br />

Ms. Rosemary MacLeod, Daly City<br />

Neil MacPhail, San Francisco<br />

Mr. & Mrs. Leonis C. Malburg, Vernon<br />

Ms. Cathy Maupin, San Francisco<br />

Ms. Loretta A. McClurg, San Mateo<br />

Mr. Michael McCone, San Francisco<br />

Mr. J. Peter McCubbin, Los Angeles<br />

Mr. Ray McDevitt, Mill Valley<br />

Mrs. Nan Tucker McEvoy, San Francisco<br />

Mr. Robert Folger Miller, Burlingame<br />

Mrs. Bruce Mitchell, Burlingame<br />

Mr. & Mrs. Peter J. O’Hara, Sonoma<br />

Susan Olney, San Francisco<br />

Dr. Douglas K. Ousterhout, San Francisco<br />

Mr. & Mrs. W. Robert Phillips, Yountville<br />

Mr. Kevin M. Pursglove, San Francisco<br />

Mrs. Wanda Rees-Williams, South Pasadena<br />

Ms. Carol Rhine-Medina, San Francisco<br />

Mr. Daniel W. Roberts, San Francisco<br />

Mr. Robert E. Ronus, Los Angeles<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


Mr. Allen Rudolph, Menlo Park<br />

Mr. Paul Sack, San Francisco<br />

Farrel & Shirley Schell, Oakland<br />

Mr. Randy Shaw & Ms. Lainey Feingold, Berkeley<br />

Mr. & Mrs. John B. & Lucretia Sias, San Francisco<br />

Mrs. Thomas Siebert, Springfield<br />

Ms. Margaretta Taylor, New York, NY<br />

Ms. Lynne Tondorf, Daly City<br />

Ms. Catherine G. Tripp, San Francisco<br />

Jane Twomey, San Francisco<br />

Mrs. Virginia Van Druten, Lafayette<br />

Mr. Richard C. Warmer, San Francisco<br />

Mr. & Mrs. Jeanne & Bill C. Watson, Orinda<br />

Mr. Paul L. Wattis, Jr., Paicines<br />

Ms. Barbara J. Webb, San Francisco<br />

Kathleen Weitz, San Francisco<br />

Miss Nancy P. Weston, San Francisco<br />

Walter & Ann Weybright, San Francisco<br />

Ms. Deborah Zepnick, Calabasas<br />

$250 to $499<br />

Ms. Ann C. Abbas, San Francisco<br />

Mr. George H. Anderson, Hollister<br />

Mr. Richard Anderson, Redwood City<br />

Ms. Elizabeth Anderson & Mr. John Rodgers,<br />

San Francisco<br />

Mr. Scott C. Atthowe, Oakland<br />

Mr. & Mrs. Peter Avenali, San Francisco<br />

Mr. Alessandro Baccari, San Francisco<br />

Mr. Richard Banks, Santa Barbara<br />

Mr. & Mrs. George D. Basye, Sacramento<br />

Mary Ann & Leonard Benson, Oakland<br />

Bill & Claire Bogaard, Pasadena<br />

Sandra & William Bond, Carmel<br />

Mr. & Mrs. Dix Boring, San Francisco<br />

Betty Borne, San Francisco<br />

Ms. Dorothy Boswell, Greenbrae<br />

Ms. Barbara Bottarini, San Francisco<br />

Mr. DeWitt F. Bowman, Mill Valley<br />

Mr. Neal Brockmeyer, La Canada-Flintridge<br />

Mrs. William H. V. Brooke, San Francisco<br />

Ross & Lillian Cadenasso, Oakland<br />

Mr. & Mrs. William Cahill, Ross<br />

Ms. Mary E. Campbell, Mill Valley<br />

Ms. Christina Cansler, Richmond<br />

Ms. Christina E Carroll, San Francisco<br />

Mr. Alfred Cavanaugh, San Francisco<br />

Mr. Gordon Chamberlain, Redwood City<br />

Mr. Fred Chambers, San Francisco<br />

Mrs. Jean Chickering, San Francisco<br />

Mr. & Mrs. Herman Christensen, Jr., Atherton<br />

Ms. Marie G. Clyde, San Francisco<br />

Mr. John Coil, Santa Ana<br />

Alan & Janet Coleman, Greenbrae<br />

Mr. David J. Colt, San Francisco<br />

Mr. Darrell Corti, Sacramento<br />

Mr. Jeff Craemer, San Rafael<br />

Ms. Anne Crawford, Half Moon Bay<br />

Mr. Brandyn Criswell, Saint Helena<br />

Mr. & Mrs. Gerald B. Cullinane, Oakland<br />

Mr. Keith Cunningham, Portland, OR<br />

Ms. Gail C. Currey, San Francisco<br />

Mr. Walter Danielsen, Livermore<br />

Mr. Bill Davidson, Redwood City<br />

T. R. Delebo, M.D., Sausalito<br />

Mr. & Mrs. R. Dick, Healdsburg<br />

Mr. Gilmore F. Diekmann, San Francisco<br />

Ms. Laura Bekeart Dietz, Corona Del Mar<br />

Mr. & Mrs. William G. Doolittle, Carmel By<br />

The Sea<br />

Mr. David A. Duncan, Mill Valley<br />

Mr. John East, Saratoga<br />

Mr. Robert M. Ebiner, West Covina<br />

Mr. & Mrs. Robert F. Erburu, West Hollywood<br />

Jacqueline & Christian Erdman, San Francisco<br />

Mr. & Mrs. John Fisher, San Francisco<br />

Helene & Randall Frakes, San Francisco<br />

Mr. Mark Franich, Los Altos<br />

Deborah Franklin, San Francisco<br />

Mr. Perry Franklin Fry, San Francisco<br />

Mr. & Mrs. Robert D. Funk, Santa Barbara<br />

Ms. Ilse L. Gaede, San Francisco<br />

Mr. Michael S. Gagan, Los Angeles<br />

Ms. Pam Garcia, Oakland<br />

Mr. Karl E. Geier, Lafayette<br />

Mr. Thomas R. Gherini, San Mateo<br />

Mr. George T. Gibson, Sacramento<br />

Mr. & Mrs. John Stevens Gilmore, Sacramento<br />

Mr. J. Jeffrey Green, Monterey<br />

Mr. James Grieb, Pacifica<br />

Mrs. Richard M. Griffith Jr., Belvedere-Tiburon<br />

Ms. Jeannie Gunn, Burbank<br />

Charles & Ginger Guthrie, Richmond<br />

Mr. & Mrs. Timothy J. Hachman, Stockton<br />

Mr. Noble Hamilton, Jr., Greenbrae<br />

Ms. Beth Harris, West Hollywood<br />

Mr. & Mrs. L. W. Harris Jr., Carmel<br />

Dr. & Mrs. R. S. Harrison, San Francisco<br />

Mr. & Mrs. David Hartley, San Francisco<br />

Mrs. Barbara Hayden, Pasadena<br />

Mr. Warren Heckrotte, Oakland<br />

Ms. Stella Hexter, Oakland<br />

Mr. Bruce Mason Hill, San Francisco<br />

Richard Hitchcock, Ph.D., San Lorenzo<br />

Ms. Linda K. Hmelo, San Francisco<br />

Charles D. Hoffman, San Francisco<br />

Mr. Eric H Hollister, Palo Alto<br />

Ms. Lois J. Holmes, Greenbrae<br />

Dr. Robert L. Hoover, San Luis Obispo<br />

Dr. & Mrs. R. W. Horrigan, San Francisco<br />

Mr. William Hudson, San Francisco<br />

Mr. Robert C. Hughes, El Cerrito<br />

Ms. Audrey Hulburd, San Rafael<br />

Mr. Richard Hyde, Belvedere-Tiburon<br />

Ms. Carol G. Johnson, Redwood City<br />

James & Paula Karman, Chico<br />

Ms. Margaret J. Kavounas, San Francisco<br />

Harold Kellman, Fremont<br />

Mr. Michael Kurihara, San Francisco<br />

Mr. & Mrs. Gary F. Kurutz, Sacramento<br />

Irmgard Lafrentz, San Jose<br />

Mr. & Mrs. William C. Landrath, Carmel<br />

Mr. Jack Lapidos, San Francisco<br />

Drs. Juan & Joanne Lara, Pasadena<br />

Mr. Jeri Lardy, El Dorado Hills<br />

Ms. Judy Lee, Redwood City<br />

Ms. Jamila Mei Chun Leung & Mr. Siew Weng<br />

Lee, Berkeley<br />

Mr. Leandro Lewis, Healdsburg<br />

Mrs. Maryon Davies Lewis, San Francisco<br />

Jerri Lightfoot, Fremont<br />

Mr. & Mrs. John G. Lilienthal, San Francisco<br />

Mrs. Robert Livermore, Danville<br />

Mr. Tim Madsen, Santa Cruz<br />

Mr. John J. Mahoney, Pleasant Hill<br />

Francis R. Mahony III, June Lake<br />

Dr. & Mrs. William Margaretten, Burlingame<br />

Mr. & Mrs. Thomas H. May, Oakville<br />

Mr. & Mrs. Dean Mayberry, Palo Alto<br />

Mrs. David Jamison McDaniel, San Francisco<br />

Mr. David McEwen, Newport Beach<br />

Mr. Robert McIntyre, Riverside<br />

Ms. Mary Ann McNicholas, Alameda<br />

Ms. Rachel Metzger, San Francisco<br />

Mr. James Miller, San Francisco<br />

Mr. & Mrs. O’Malley Miller, Pasadena<br />

Ms. Alicia Morga, San Francisco<br />

Susan Morris, Belvedere-Tiburon<br />

Ms. Elaine Myers, San Francisco<br />

Andrew T. Nadell, M.D., San Francisco<br />

William & Carland Nicholson, Ross<br />

Mr. & Mrs. J. E. C. Nielsen, Mill Valley<br />

Ms. Joanne Nissen, Soledad<br />

Mr. Stanley Norsworthy, Fresno<br />

Ms. Mary Ann Notz, Burlingame<br />

Mr. Thomas E. Nuckols, South Pasadena<br />

Barbara O’Brien, Daly City<br />

Ms. Harriett L. Orchard, Carmichael<br />

Ms. Kathleen O’Reilley, San Mateo<br />

Dr. Thomas J. Osborne, Laguna Beach


d o n o r s<br />

Ms. Diane Ososke, San Francisco<br />

Mr. & Mrs. Richard C. Otter, Belvedere-Tiburon<br />

Ms. Mary J. Parrish, San Francisco<br />

Mr. Warren Perry, San Francisco<br />

James Brice & Carole Peterson, Pleasanton<br />

Dr. & Mrs. John O. Pohlmann, Seal Beach<br />

Ms. Bonnie J. Portnoy, San Rafael<br />

Mr. Herbert C. Puffer, Folsom<br />

Ms. Carolyn Rees, Caldwell, ID<br />

Mr. Richard W. Reinhardt, San Francisco<br />

Mr. James Reynolds, Berkeley<br />

Mr. Terence Riddle, San Francisco<br />

Mrs. Benjamin H. Rose III, San Francisco<br />

Mr. William C. Rowe, Redwood City<br />

Mr. Rudolfo Ruibal, Riverside<br />

Mrs. A. Sawyer, Atherton<br />

Sarah Schulman, El Cerrito<br />

Mr. Bernard Schulte Jr., Orinda<br />

Rev. Thomas L. Seagrave, San Mateo<br />

Mr. & Mrs. Frederic Shearer, Essex, England<br />

Mr. David Sheldon, Menlo Park<br />

Ms. Jan Sinnicks, Petaluma<br />

Mr. & Mrs. J.E.G. Smit, Santa Ynez<br />

Ms. Harriet Sollod, San Francisco<br />

Mr. & Mrs. Martin & Sherril A. Spellman,<br />

Fremont<br />

Mr. & Mrs. Robert & Susan Spjut, San Francisco<br />

Mr. & Mrs. Moreland L. Stevens, Newcastle<br />

Mr. Daniel E. Stone, San Francisco<br />

Mr. George David Sturges, Park City, UT<br />

Mr. & Mrs. Stephen L. Taber, San Francisco<br />

Tony & Beth Tanke, Davis<br />

Mr. Robert Telfer, San Mateo<br />

Ms. Carmen Terry, San Francisco<br />

Mr. Arnold Thackray, Menlo Park<br />

Mr. Max Thelen, Jr., San Rafael<br />

Mr. Richard L. Tower, San Francisco<br />

Mr. Thomas Tragardh, San Francisco<br />

Ms. Marilyn Tragoutsis, San Mateo<br />

Mr. Christopher VerPlanck, San Francisco<br />

Mr. Paul A. Violich, San Francisco<br />

Kathleen Whalen, Sacramento<br />

Mr. Thomas J. White, Oakland<br />

Mrs. J. Wiest, Riverside<br />

Mr. Walter J. Williams, San Francisco<br />

Mr. Steven R. Winkel, Berkeley<br />

Mr. Mark L. Woodbury, Oakland<br />

Mrs. Edwin Woods, Santa Maria<br />

Ms. Nancy C. Woodward, Carmichael<br />

Mr. Robert A. Young, Los Angeles<br />

CORPORATE, FOUNDATION<br />

& GOVERNMENT SUPPORT<br />

$200,000 and above<br />

Council on Library & Information Resources,<br />

Washington, DC / The Andrew Mellon<br />

Foundation, New York<br />

$50,000 to $199,000<br />

The San Francisco Foundation, San Francisco<br />

$10,000 to $49,999<br />

Barkley Fund, Corona Del Mar<br />

Grants for the Arts, San Francisco<br />

Institutional Venture Partners, Menlo Park<br />

Intel Community Grant Program, Hillsborough<br />

Union Bank of <strong>California</strong>, San Francisco<br />

$1,000 to $9,999<br />

<strong>California</strong> State Library (Library Services &<br />

Technology Act, Local History Digital<br />

Resources Program), Sacramento<br />

Chanel, Inc., New York<br />

Dodge & Cox, San Francisco<br />

George W. Davis Foundation, Belvedere<br />

Gordon & Betty Moore Foundation, Palo Alto<br />

Institute of Museum &Library Services,<br />

Connecting to Collections Grant,<br />

Washington, DC<br />

John Wiley & Sons, Inc., Hoboken, NJ<br />

John E. & Helen K. Cahill Fund, Novato<br />

Louise M. Davies Foundation, San Francisco<br />

Mayfield Fund, Menlo Park<br />

Moore Dry Dock Foundation, San Francisco<br />

National Endowment for the Humanities,<br />

Preservation Assistance Grant,<br />

Washington, DC<br />

Sacramento Trust for Hist. Preservation,<br />

Sacramento<br />

Sansome Street Advisors, San Francisco<br />

The S.D. Bechtel Jr. Foundation, San Francisco<br />

Silicon Valley Community Foundation,<br />

Mountain View<br />

Simcha Foundation of the Jewish Community<br />

Endowment Fund, San Francisco<br />

Trinet HR Corporation, San Leandro<br />

$250 to $999<br />

Bands of Angels, LLC, Menlo Park<br />

Colliers Parrish International, Inc., San Jose<br />

Cypress Lawn Memorial Park, Daly City<br />

The Desk Set, San Francisco<br />

JRP <strong>Historical</strong> Consulting Services, Davis<br />

Limoneira Company, Santa Paula<br />

Metropolitan Arts Partnership, Sacramento<br />

MOC Insurance Services, San Francisco<br />

Muex Home Museum, Fresno<br />

Raymond K. & Natha Ostby Foundation, Saratoga<br />

The San Francisco Club of Litho. & Print,<br />

San Francisco<br />

In Kind Donations<br />

Sandy Alderson, San Diego<br />

Kirk Amyx, San Francisco<br />

Amyx Photography, San Francisco<br />

Anchor Brewing Company, San Francisco<br />

Apertifs Bar Management, Santa Rosa<br />

Belfor Property Restoration, Hayward<br />

Mr. David Burkhart, San Bruno<br />

John Burton, Santa Rosa<br />

Candy Store, San Francisco<br />

H. Joseph Ehrmann, San Francisco<br />

Elixir Cocktail Catering, San Francisco<br />

Elixir Saloon, San Francisco<br />

Etherington Conservation Services,<br />

The HF Group, Walla Walla, WA<br />

Heller Ehrman, LLP, San Francisco<br />

Katzgraphics, San Francisco<br />

Korbel, Sonoma<br />

Mitchell Landy, Richmond<br />

Loyola Marymount University, Los Angeles<br />

John & Sue Molinari, San Francisco<br />

Jean Moulin, Moulin Studios Archive<br />

Sentinel, San Francisco<br />

Square One Organic Spirits, San Francisco<br />

St. Regis San Francisco<br />

Union Bank of <strong>California</strong>, San Francisco<br />

United States Bartenders Guild<br />

CALIFORNIA LEGACY<br />

CIRCLE<br />

Estate Gifts Received<br />

North Baker, Tiburon<br />

Muriel T. French, San Francisco<br />

J. Lowell Groves, San Francisco<br />

Louis H. Heilbron, San Francisco<br />

Arthur Mejia, San Francisco<br />

Mary K. Ryan, San Francisco<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011


O F F I C E R S<br />

thomas R. owens, San Francisco, President<br />

Thomas Decker, San Francisco, Vice President<br />

Larry Gotlieb, Sherman Oaks, Secretary<br />

John Brown, Riverside, Treasurer<br />

B O A R D O F T R U S T E E s<br />

Sandy Alderson, Rancho Santa Fe<br />

jan berckefeldt, Lafayette<br />

melinda bittan, Los Angeles<br />

Robert Chattel, Sherman Oaks<br />

Fred Hamber, San Francisco<br />

Robert Hiatt, Mill Valley<br />

Gary Kurutz, Sacramento<br />

STEPHEN LeSIEUR, San Francisco<br />

john L. molinari, San Francisco<br />

Sue Molinari, San Francisco<br />

mark a. moore, Burlingame<br />

christina rose, Los Angeles<br />

BLANCA ZARAZúA, Salinas<br />

C A L I F O R N I A H I S T O R I C A L<br />

F O U N D A T I O N B O A R D<br />

DEWITT F. BOWMAN, Mill Valley, President<br />

Bill McCreery, Hillsborough<br />

robert a. McNeely, San Diego<br />

PETER MUSTO, San Francisco<br />

EDITH L. PINESS, Mill Valley<br />

DAVID BARRY WHITEHEAD, San Francisco<br />

p r e s i d e n t s e M E R I T I<br />

MARIBELLE LEAVITT, San Francisco<br />

ROBERT A. McNEELY, San Diego<br />

Edith L. Piness, Mill Valley<br />

Stephen L. Taber, San Francisco<br />

JOHN K. VAN DE KAMP, Los Angeles<br />

e x e c u t i v e d i r e c t o r e m e r i t u s<br />

MICHAEL McCONE, San Francisco<br />

s p e c i a l a d v i s o r<br />

HUELL HOWSER, Los Angeles<br />

on the back cover<br />

Over the course of his career, the widely traveled artist Harry Humphrey Moore<br />

painted a variety of landscapes and portraits influenced by his sojourns in Europe<br />

and Asia—among them paintings of Spanish beauties. The iconic images of<br />

romantic Spanish costume, culture, and architecture depicted in this painting have<br />

been accepted as representations of the state’s Spanish and Mexican heritage despite<br />

a growing historical record of economic, social, and political realities.<br />

Harry Humphrey Moore (American, 1844–1926)<br />

Woman Playing Guitar (Spanish Girl), n.d.<br />

Oil on canvas, 16 1 ⁄ 2 x 9 1 ⁄ 2 inches<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>, gift of James J. Coyle, 69-224-1-2<br />

Digital file cah331513; The Bridgeman Art Library<br />

f e l l o w s<br />

William N. Davis Jr., Sacramento<br />

Richard H. Dillon, Mill Valley<br />

Charles A. Fracchia, San Francisco<br />

Robert V. Hine, Irvine<br />

Gloria Ricci Lothrop, Pasadena<br />

James R. Mills, Coronado<br />

James Jabus Rawls, Sonoma<br />

Andrew Rolle, San Marino<br />

Earl F. Schmidt Jr., Palo Alto<br />

Kevin Starr, San Francisco<br />

Francis J. Weber, Mission Hills<br />

Charles Wollenberg, Berkeley


s p o t l i g h t<br />

Photographer<br />

Eadweard Muybridge<br />

Location<br />

Alameda County<br />

Mills Seminary, Seminary Park, Alameda County,<br />

Cal., [1127], circa 1872<br />

Albumen print<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong><br />

Gift of Dr. Albert Shumate,<br />

CHS2011.470.tif<br />

They look comfortable, these young<br />

friends, even in those clothes. It was<br />

some time in the 1870s that these<br />

young women relaxed on the expansive<br />

grounds of Oakland’s Mills Seminary,<br />

later known as Mills College, posing for<br />

the celebrated photographer, Eadweard<br />

Muybridge.<br />

How did they envision their future<br />

What were their dreams Privileged<br />

Yes, certainly. Determined to make the<br />

most of it Time would tell.<br />

It would not be until 1910, well into<br />

their maturity, that these <strong>California</strong><br />

women would gain the right to vote.<br />

Their poise, calm, and good humor<br />

would be a great addition to the polity.<br />

We could use some of that now.<br />

Jonathan Spaulding<br />

<br />

<strong>California</strong> History • volume <strong>88</strong> number 4 2011

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