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PRESERVATION RESOURCE CENTER OF NEW ORLEANS APRIL 2007<br />
P R E S ERVAT I O N<br />
VOLUME 34 NUMBER 3<br />
LOUISIANA STATE HISTORIC PRESERVATION OFFICE<br />
IN PRINT<br />
ICONIC<br />
STEAMBOAT<br />
HOUSE IN<br />
MINIATURE<br />
INSIDE:<br />
IT’S TRUE – GOOD PEOPLE ARE MOVING TO NEW ORLEANS SINCE KATRINA<br />
STATE NAMES PHILIP BOGGAN HISTORIC PRESERVATION DIRECTOR<br />
LOUISIANA PRESERVATIONISTS TO MEET IN MONROE MAY 4 – 6<br />
BYWATER RESIDENTS GRAPPLE WITH NEW NEIGHBORHOOD PROJECTS<br />
STAINED GLASS SYMPOSIUM AND TOUR APRIL 21 AND 22<br />
NATIONAL TRUST PRESIDENT RICHARD MOE TO SPEAK AT PRC ANNUAL MEETING MAY 10
2 APRIL 2007 PRESERVATION IN PRINT<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 3<br />
P R E S ERVAT I O N<br />
VOLUME 34 NUMBER 3<br />
IN PRINT<br />
Published by the <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> of New Orleans and the Louisiana State Historic <strong>Preservation</strong> Office<br />
EDITOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mary Fitzpatrick<br />
DEPUTY EDITOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Alexander Lemann<br />
NEWS EDITOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sue Hobbs<br />
STATE HISTORIC PRESERVATION OFFICER . . . . . . . . . . . . . . . . . .Pamela Breaux<br />
ADVERTISING MANAGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jackie Derks<br />
EDITORIAL ASSISTANT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Patricia L. Duncan<br />
KIOSK EDITOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sarah Bonnette<br />
TYPOGRAPHY & DESIGN . . . . . . . . . . . . . . . . . . . . . . . .Typosition, Paula Coughlin<br />
LITERARY SALES MANAGER . . . . . . . . . . . . . . . . . . . . . . . . . . . .Averil Oberhelman<br />
PRESERVATION RESOURCE CENTER OF NEW ORLEANS<br />
ADMINISTRATIVE STAFF<br />
EXECUTIVE DIRECTOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Patricia H. Gay<br />
CHIEF FINANCIAL OFFICER . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Brandi Couvillion<br />
DEVELOPMENT DIRECTOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Beverly R. Lamb<br />
PRESERVATION IN PRINT EDITOR . . . . . . . . . . . . . . . . . . . . . . . . .Mary Fitzpatrick<br />
OPERATION COMEBACK DIRECTOR . . . . . . . . . . . . . . . . . . . .R. Stephanie Bruno<br />
REBUILDING TOGETHER DIRECTOR . . . . . . . . . . . . . . . . . . . . . . . .Kristin Palmer<br />
This project is supported by a grant from the Graham Foundation for Advanced Studies in Fine Arts.<br />
This project has been financed in part with federal funds from the National Park Service, Department of the Interior,<br />
through the Department of Culture, Recreation and Tourism. However, the contents and opinions do not necessarily<br />
reflect the views or policies of the Department of the Interior, nor does the mention of trade names or commercial<br />
products constitute endorsement or recommendation by the Department of the Interior. This program received federal<br />
financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act<br />
of 1964 and Section 504 of the Rehabilitation Act of 1973, the U. S. Department of the Interior prohibits discrimination<br />
on the basis of race, color, national origin or handicap in its federally assisted programs. If you believe that you<br />
have been discriminated against in any program, activity or facility as described above, or if you desire further information,<br />
please write to: Office of Equal Opportunity, U. S. Department of the Interior, Washington, D.C. 20240<br />
PRESERVATION RESOURCE CENTER OF NEW ORLEANS<br />
BOARD OF DIRECTORS<br />
PRESIDENT<br />
Lloyd N. “Sonny” Shields<br />
VICE PRESIDENT<br />
Dennis P. Lauscha<br />
SECRETARY<br />
Christel Kelley<br />
TREASURER<br />
J. Marshall Page III<br />
AT-LARGE<br />
Robert Brown Bedouin Joseph Frank W. Masson Holly Sharp Snodgrass<br />
BOARD MEMBERS<br />
Janie Blackmon<br />
Timothy C. Brennan<br />
Dr. Mark M. Cassidy<br />
Daniel O. Conwill IV<br />
Steve Dumez<br />
Leah Nunn Engelhardt<br />
Jonn Hankins<br />
Marilee Hovet<br />
William H. Hines<br />
Dale Irvin<br />
Jule H. Lang<br />
Steve Martin<br />
Rhesa O. McDonald<br />
Anne F. Redd<br />
Stacy Rockwood<br />
Mary Hassinger Schmidt<br />
Louis J. Volz III<br />
Hal Williamson<br />
Hilda Young<br />
PRESERVATION RESOURCE CENTER<br />
923 TCHOUPITOULAS STREET, NEW ORLEANS, LA 70130<br />
(504) 581-7032 • FAX: (504) 636-3073<br />
E-MAIL: prc@prcno.org • WEBSITE: www.prcno.org<br />
<strong>Preservation</strong> in Print is published to promote the appreciation of Louisiana’s historic architecture and<br />
neighborhoods. The views expressed in signed articles are not necessarily those of the <strong>Preservation</strong> <strong>Resource</strong><br />
<strong>Center</strong>. Membership in <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> is open to all. <strong>Preservation</strong> in Print is published ten<br />
times a year. Printing by Roberson. The <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> is a member of The Chamber/New<br />
Orleans and the River Region, The Greater New Orleans Tourist and Convention Commission, the Louisiana<br />
Trust for Historic <strong>Preservation</strong>, <strong>Preservation</strong> Action, and the National Trust for Historic <strong>Preservation</strong>.<br />
Library of Congress ISSN: 0734-4481<br />
www.prcno.org
4 APRIL 2007 PRESERVATION IN PRINT<br />
“Uptown’s best kept secret”<br />
—Tom Fitzmorris<br />
D I N N E R<br />
T U E S . - S U N . 5 : 3 0 - 9 : 3 0<br />
L U N C H<br />
T H U R S . - S U N . 1 1 - 2<br />
5908 Magazine St.<br />
New Orleans, LA 70115<br />
891-8495<br />
1377 Annunciation Street<br />
New Orleans, Louisiana 70130<br />
tel: 504.566.1950<br />
fax: 504.566.1949<br />
Toll Free: 1.888.566.1950<br />
www.firearestaurant.com<br />
“Part of the<br />
secret of success<br />
in life is to eat<br />
what you like and<br />
let the food fight<br />
it out inside.”<br />
Mark Twain<br />
“20 popular New Orleans<br />
restaurants where locals<br />
outnumber the tourists”<br />
—Gene Bourg<br />
LUNCH TUESDAY–FRIDAY<br />
DINNER SIX NIGHTS<br />
6100 ANNUNCIATION STREET<br />
895-1111<br />
CLASSIC<br />
DINING<br />
ONLY IN<br />
NEW ORLEANS<br />
“I’ve been on<br />
a diet for<br />
two weeks and<br />
all I’ve lost is<br />
two weeks.”<br />
Totie Fields<br />
The<br />
Pelican<br />
Club<br />
RESTAURANT & BAR<br />
“The best kept secret in<br />
the French Quarter”<br />
– Zagat Guide<br />
T H E L E G A C Y C O N T I N U E S .<br />
www.prcno.org<br />
504-523-1504<br />
www.pelicanclub.com
PRESERVATION IN PRINT APRIL 2007 5<br />
Odds<br />
&<br />
Ends<br />
Crafty Thieves<br />
Architectural theft has not stopped in<br />
Holy Cross. In fact, crafty thieves are<br />
now telling Holy Cross residents who<br />
confront them that they are PRC<br />
employees removing items to determine<br />
the age of the house! If you<br />
live in Holy Cross or if you have a<br />
similar experience in another historic<br />
neighborhood, please attempt to<br />
obtain a license plate of the vehicle<br />
being driven by the imposters. We<br />
want to catch them. Call PRC at<br />
504/581-7032.<br />
New to New Orleans<br />
<strong>Preservation</strong> in Print wants your story.<br />
This month’s centerspread profiling<br />
some 20 new residents since Hurricane<br />
Katrina is just the beginning. Contact<br />
mfitzpatrick@prcno.org.<br />
Louisiana Landmark<br />
Society’s Martha Robinson<br />
Lecture<br />
Dr. Anthony Tung, author of Preserving<br />
the Worlds Great Cities, will speak on<br />
the relationship of the built landscape to<br />
culture and community as a whole and<br />
how it relates to the recovery of New<br />
Orleans.<br />
Monday, May 7, 7:30 PM<br />
Nunemaker Auditorium<br />
Monroe Hall<br />
Loyola University<br />
FREE ADMISSION<br />
RETURN TO LAKEVIEW<br />
April 22 – 1 - 5 p.m. The Beacon of<br />
Hope <strong>Resource</strong> <strong>Center</strong> will host an<br />
event aimed at getting residents to<br />
return to Lakeview. Houses in various<br />
stages of reconstruction will be open<br />
for visitors, and experts in a variety<br />
of fields will be available to answer<br />
questions. Refreshments will be<br />
served. www.lakewoodbeacon.org.<br />
ON THE COVER:<br />
Miniature of steamboat house located in<br />
the Holy Cross National Register District.<br />
The miniature is on view daily at PRC as<br />
part of an exhibit on Holy Cross, but for<br />
five days it was on loan to the New<br />
Orleans Museum of Art and decked out<br />
in flowers and a wedding scene. Dunn &<br />
Sonnier Flowers decorated the miniature<br />
for PRC’s display in the “Movers and<br />
Shakers” category of the annual Art in<br />
Bloom benefit. Photo by Judy Cooper.<br />
PRESERVATION<br />
FROM THE DIRECTOR<br />
IN PRINT<br />
VOL. 34, NO. 3 APRIL 2007<br />
Time for Strategies to Attract and Assist Residents to Restore Historic Homes Patricia Gay . . . . . . . . . 6<br />
FROM THE STATE HISTORIC PRESERVATION OFFICE<br />
Philip Boggan Named New State Historic <strong>Preservation</strong> Director Patricia L. Duncan . . . . . . . . . . . . . 9<br />
The Historic Building Recovery Grant Project Officer – Your New Best Friend Patricia L. Duncan . . . . . . . 10<br />
PRC IN ACTION<br />
New Orleans’ Favorite Shotguns: PRC calls for entries to photo competition . . . . . . . . . . . . . . . 7<br />
PRC Members Are Cordially Invited to Attend the 33rd Annual Meeting . . . . . . . . . . . . . . . . 8<br />
PRC Displays Miniature of Steamboat House in Holy Cross at New Orleans Museum of Art Alex Lemann . . . 15<br />
Post Storm, New Staff and Volunteers Come from Near and Far to Help PRC Rebuild Alex Lemann . . . . . 22<br />
Live in a Landmark Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26<br />
Membership . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26<br />
Major Donors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27<br />
FEATURES<br />
Preserving the Stained Glass Heritage of New Orleans Symposium Features National Experts Patty Andrews . . 12<br />
PRC’s Stained Glass Tour Goes from Historic St. Roch to St. Charles Avenue Patty Andrews . . . . . . . . 13<br />
Post Katrina, Historic New Orleans Attracts a Variety of New Residents Mary Fitzpatrick . . . . . . . . . . 18<br />
Priestley School for Architecture and Construction Prepares Students for College and Careers Lindsay McCook . . 24<br />
NEWS AND VIEWS<br />
New Orleans Names A Distinctive Destination for Cultural Tourism Alex Lemann . . . . . . . . . . . . . 11<br />
Louisiana <strong>Preservation</strong> Conference and Honor Awards in Monroe May 4 - 6 Stacy Jamieson . . . . . . . . 14<br />
GUEST VIEWPOINT New Orleans is Drawing New Residents Dr. Stephen Hales, M.D. . . . . . . . . . . . 17<br />
Actively for Sale Sarah Bonnette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23<br />
COLUMNS<br />
CONTENTS<br />
Notes from a Newcomer Alex Lemann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33<br />
KIOSK Sarah Bonnette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32<br />
The mission of the <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong>:<br />
To promote the preservation, restoration and revitalization of New Orleans’ historic architecture and neighborhoods<br />
<strong>Preservation</strong> in Print welcomes your letters and comments, mfitzpatrick@prcno.org<br />
www.prcno.org
6 APRIL 2007 PRESERVATION IN PRINT<br />
From the<br />
D I R E C T O R<br />
Patricia Gay, executive director<br />
<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> of New Orleans<br />
Time for strategies to attract and assist residents to restore historic homes<br />
Gold Mine of Vacant Properties<br />
hroughout this time of recovery<br />
from Hurricane Katrina and the<br />
Tflooding of most of New Orleans,<br />
thousands of man hours have been<br />
spent at meetings about demolition and<br />
about new construction, the latter ranging<br />
from design, affordability and environmental<br />
issues to who builds what<br />
where.<br />
It is time that we started having<br />
meetings about how to put the thousands<br />
of vacant houses back into service<br />
as homes. Our experience is that a<br />
vacant and deteriorated property can be<br />
a gold mine – in terms of quality of life,<br />
life-time investment and tax revenues –<br />
for the homeowner, for the neighborhood<br />
and for the city. We need to be<br />
meeting about specific strategies to<br />
attract and assist residents to restore and<br />
live in these houses.<br />
New Orleans is challenged now<br />
more than ever, needless to say, with the<br />
number of vacant properties since the<br />
storm. That means we must strategize,<br />
plan carefully, and apply resources.<br />
When we say apply resources, we of<br />
course mean funding (as well as expertise,<br />
creativity and determination), but<br />
the costs would be nowhere near what<br />
they would be for demolition and new<br />
construction.<br />
To be sure, there will be new construction.<br />
Fortunately, much has been<br />
written about the necessity for good<br />
design in new construction, for design<br />
that complements existing structures<br />
and for design that reflects the rich<br />
architectural heritage of this city.<br />
Perhaps the reason restoration of<br />
vacant properties is not the priority it<br />
should be is because for the most part<br />
we are talking about one building at a<br />
time, and not, for example, 200 new<br />
houses in one fell swoop, all under one<br />
contract. But with careful planning, 200<br />
properties could be put back into service,<br />
with less public subsidy and much<br />
greater leverage impact.<br />
One issue to consider is the market.<br />
How strong is the market for brand new<br />
neighborhoods One thing this city has<br />
going for it is that it is a place whose<br />
existing neighborhoods have tremendous<br />
appeal to current residents, to residents<br />
who have not yet returned, and to many<br />
who have always loved New Orleans<br />
and have thought<br />
about moving here.<br />
There is a market,<br />
but the market is far<br />
stronger for older<br />
buildings than for<br />
new construction.<br />
Certainly there are<br />
people who prefer<br />
new to old, and we<br />
will need new construction,<br />
but for<br />
rebuilding the population<br />
of New<br />
Orleans, it will be<br />
the older buildings<br />
that have the most<br />
appeal to the most<br />
people.<br />
In areas that developed after 1960,<br />
for example, existing buildings in oncestable<br />
neighborhoods are more likely to<br />
attract both former residents and new<br />
residents due to several factors. One is<br />
that a restored 1960’s building is likely<br />
to cost less than a new building of lesser<br />
quality. Another is that in most cases<br />
the amount invested in restoring a property,<br />
even if the property is not yet old<br />
enough to be historic, usually increases<br />
in value at the time of completion. In<br />
particular this happens when adjacent<br />
and nearby properties are also being<br />
restored. There is a mutual and synergistic<br />
effect; all properties begin to increase<br />
in value as work and energy are in evidence,<br />
reflecting a commitment to the<br />
revitalization of the area.<br />
The market for all-new neighborhoods,<br />
or for individual new houses,<br />
will be strengthened by the restoration<br />
of existing buildings. In any case, demolitions<br />
do not send a message of vitality.<br />
Vacant lots are not a sign of revitalization,<br />
and nothing says more about<br />
“It must become<br />
public policy that<br />
rehabilitation of<br />
existing housing stock<br />
is always the first<br />
consideration and that<br />
it proceed from a<br />
city-wide plan.”<br />
Walter Gallas<br />
Director of the National Trust<br />
for Historic <strong>Preservation</strong><br />
New Orleans Field Office<br />
the vitality of an area than homeowners<br />
restoring their homes. It’s been happening<br />
in many neighborhoods<br />
throughout the city; we need to make<br />
it happen in more.<br />
Certainly there are prospective homebuyers<br />
who are not<br />
looking to undertake<br />
a major restoration.<br />
For this reason development<br />
on a smaller<br />
scale must also be<br />
encouraged. New<br />
Orleans is blessed<br />
with a large contingent<br />
of contractors<br />
and developers who<br />
over the decades have<br />
been renovating a few<br />
houses at a time.<br />
Incentives must be<br />
developed for the<br />
restoration of individual<br />
properties, one<br />
way or another, and marketing strategies<br />
must be developed to attract those who<br />
would undertake the work.<br />
So how do we make it happen<br />
Restoration, currently ignored, must<br />
become a priority. PRC is willing and<br />
able to do more, and others are as well.<br />
Since 1976, PRC has been in the business<br />
of putting vacant and deteriorated<br />
properties back into service, with considerable<br />
positive impact (there is<br />
always a tremendous ripple effect from<br />
building restoration). It seems to be<br />
contagious! We have some ideas, to be<br />
sure! And we are certain others do, too.<br />
We all need to be meeting with appropriate<br />
authorities and mapping out plans<br />
and strategies both to assist returning<br />
homeowners in restoring their homes,<br />
and to put vacant and abandoned properties<br />
back into service.<br />
While meetings about restoration of<br />
properties should have started shortly<br />
after the storm, it is never too late. For<br />
one thing, there have been efforts all<br />
over the city toward this end. PRC gave<br />
weekly workshops to assist returning<br />
homeowners, and much has been done<br />
in specific neighborhoods with assistance<br />
from a variety of sources. This has<br />
been very encouraging. But meetings<br />
need to be organized by appropriate city<br />
and state agencies, and resources<br />
applied, to address the development of<br />
strategies and incentives to put vacant<br />
buildings back into service. The gold<br />
mine of New Orleans neighborhoods<br />
and architecture is too valuable not to<br />
take action, and we can do it, house by<br />
house, neighborhood by neighborhood.<br />
Louisiana Legislation in the Works<br />
State Historic Tax Credit: Amending the existing credit law to make it consistent<br />
with the Federal Historic Tax Credit, including removing the sunset date<br />
and tax credit cap. Furthermore, the credit will be expanded to apply in all properties<br />
designated as historic by federal or local bodies.<br />
State Building Code: Amending the state building code adopted in the 2005<br />
Special Session to include a Rehabilitation Subcode based on the New Jersey<br />
model.<br />
Performing Arts Infrastructure Tax Credits: (Senate Bill 17) This bill would<br />
allow a 25 percent tax credit for the rehabilitation of historic Canal Street and<br />
adjacent theaters, including the Saenger and Orpheum. The credit is part of the<br />
Performing Arts Tax Credit bill by Senators Murray and Schedler, also known as<br />
“Broadway South.”<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 7<br />
PRESERVATION RESOURCE CENTER OF NEW ORLEANS ANNOUNCES<br />
A CALL FOR PHOTOGRAPHY AND CAPTION ENTRIES<br />
N E W O R L E A N S ’<br />
F A V O R I T E S H O T G U N S<br />
JURIED BY COTTAGE LIVING MAGAZINE PHOTOGRAPHY DIRECTOR JEAN HERR<br />
AND STAFF PHOTOGRAPHER ROBBIE CAPONETTO.<br />
DEADLINE: All entries must be submitted digitally by April 25, 2007.<br />
The shotgun is a<br />
rectangular house with<br />
all the rooms arranged<br />
directly behind one<br />
another in a straight<br />
line, front to back.<br />
Single, double, camelback,<br />
and two-story<br />
shotguns will all be<br />
accepted for the contest.<br />
EXHIBIT OPENING: <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong><br />
of New Orleans, June 29, 2007 (tentative) in connection<br />
with Shotgun House Month and the opening<br />
of Cottage Living’s 2007 Idea Home in<br />
Uptown New Orleans.<br />
The jurors are looking for STRIKING IMAGES OF<br />
SHOTGUN HOUSES in New Orleans accompanied<br />
by 100-WORD CAPTIONS WITH THE<br />
HUMAN STORY BEHIND THE PICTURE.<br />
A photographer and writer may enter as one team.<br />
children growing up or going back to visit the family<br />
home, the time it was a movie set, the odd<br />
goings-on around the place – whatever makes the<br />
shotgun special to you or to someone you interview<br />
and brings it alive for the audience. Entries will be<br />
judged on the combined impact of the photo and<br />
caption.<br />
ENTRY DETAILS: Original digital submissions (75<br />
dpi in jpg, tiff or psd) accompanied by caption in<br />
body of e-mail should be sent to alemann@prcno.org<br />
no later than April 25, 2007 (subject: favorite shotgun<br />
submission). Include all contact information in<br />
e-mail. Each entrant may submit up to five images<br />
with accompanying captions, however, each entry<br />
must be in a separate e-mail.<br />
NOTIFICATION: Winners will be advised by e-mail<br />
no later than June 1, 2007. At that time the original<br />
file must be uploaded to our ftp site. Framed artwork<br />
(of any size), which includes caption either<br />
inside mat or separately, must be delivered to the<br />
<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong>, 923 Tchoupitoulas<br />
St., New<br />
Orleans, LA<br />
70130 no later<br />
than June 25,<br />
2007.<br />
The photos can be full views or details, with or<br />
without people, digitally enhanced or straight forward.<br />
Before/After images<br />
framed together (one of<br />
each) are acceptable. The<br />
stories should bring life to<br />
the photo. Tell about the<br />
couple who renovated the<br />
house, the old man sitting<br />
on the porch, the feeling<br />
you get every time you pass<br />
by, the Magazine Street<br />
shopkeeper set up in a shotgun,<br />
the jazzman who once<br />
lived there, the time you<br />
stayed there, the way it’s<br />
changed over the years, the<br />
Since 1974 the <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> of New Orleans has been dedicated to the<br />
restoration and revitalization of New Orleans’ historic neighborhoods and architecture.<br />
www.prcno.org 923 Tchoupitoulas St. New Orleans, LA 70130 504/581-7032 fax: 504/636-3073<br />
www.prcno.org
8 APRIL 2007 PRESERVATION IN PRINT<br />
PRC members are cordially invited<br />
to attend the<br />
<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong><br />
of New Orleans<br />
33rd Annual Meeting<br />
followed by<br />
Coffee and Punch Reception<br />
Election of Officers and Board Members<br />
Keynote Speaker:<br />
Richard Moe<br />
President<br />
National Trust for Historic <strong>Preservation</strong><br />
Thursday, May 10, 2007<br />
5:30 - 7:30 p.m.<br />
St. Charles Avenue Presbyterian Church<br />
5900 Block of St. Charles<br />
Please join us for dinner following the Annual Meeting<br />
Antoine’s Restaurant - 8 o’clock<br />
$50 per person paid in advance to PRC.<br />
Reservations required by Monday, May 7, 2007<br />
Call PRC (504) 581-7032 for dinner reservations<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 9<br />
From the<br />
LOUISIANA<br />
State Historic <strong>Preservation</strong> Office<br />
Office of Cultural Development,<br />
Department of Culture, Recreation and Tourism<br />
Jonathan Fricker retiring in August<br />
Phillip Boggan Named New State Historic <strong>Preservation</strong> Director<br />
W<br />
ith the retirement of longtime<br />
director Jonathan<br />
Fricker approaching, State<br />
Historic <strong>Preservation</strong> Officer Pam<br />
Breaux has announced the appointment<br />
of Phillip Boggan to succeed<br />
Fricker as director of the Louisiana<br />
Division of Historic <strong>Preservation</strong>.<br />
Boggan will take over in mid-August.<br />
Phillip Boggan<br />
As director, Boggan will be heavily<br />
involved in the Historic Building<br />
Recovery Grants Program, the<br />
Division’s primary hurricane recovery<br />
program. He will also administer six<br />
other program areas and supervise a<br />
professional staff of eighteen.<br />
Boggan is a graduate of the<br />
University of West Alabama and<br />
Tulane University’s Historic<br />
<strong>Preservation</strong> program. While at<br />
Tulane, he worked as a design assistant<br />
for New Orleans architect/educator<br />
Gene Cizek, a leading light in<br />
Louisiana’s preservation movement. In<br />
2002, Boggan joined the Division staff<br />
as a designer and certified local government<br />
coordinator for Louisiana<br />
Main Street. He was promoted to state<br />
coordinator in 2003.<br />
Boggan’s accomplishments are<br />
impressive. Under his leadership,<br />
Louisiana Main Street:<br />
• WORKED closely with the National<br />
Trust Main Street <strong>Center</strong> in the<br />
aftermath of Hurricane Katrina to<br />
manage the distribution of donated<br />
items and funds to evacuation<br />
shelters and communities that were<br />
part of the Louisiana Main Street<br />
program;<br />
• OBTAINED a $20,000 “Your Town”<br />
grant to develop and host a design<br />
conference to assist in the hurricane<br />
recovery efforts for Louisiana and<br />
Mississippi;<br />
• HOSTED the June 2006 National<br />
Trust Main Streets Conference in<br />
New Orleans – one of the first conferences<br />
held in the city after<br />
Katrina – bringing over 1,200 Main<br />
Street downtown revitalization<br />
professionals, architects and preservationists<br />
to the city;<br />
• WON a $150,000 Preserve America<br />
Grant to assist in the start-up of<br />
Louisiana Main to Main: A Cultural<br />
Road Show, which was developed to<br />
collectively showcase the state’s<br />
authentic culture, heritage, and<br />
history during a month-long extravaganza<br />
of special events held<br />
throughout the state during<br />
November; and<br />
• ESTABLISHED an Urban Main<br />
Street program in New Orleans to<br />
assist in the revitalization of the<br />
city post-Katrina.<br />
Additionally, Boggan augmented the<br />
Main Street staff from two to five,<br />
enabling the program to tremendously<br />
increase the amount of technical assistance<br />
provided to participating communities.<br />
Saunders to Head Restoration<br />
Tax Incentive Program<br />
Alison Saunders<br />
State Historic <strong>Preservation</strong> Officer<br />
Pam Breaux also has announced the<br />
appointment of Alison Saunders as the<br />
Division’s tax credit program manager.<br />
Saunders replaces Nicole Hobson-<br />
Morris, who resigned recently to pursue<br />
other career opportunities.<br />
Saunders’ responsibilities include the<br />
Federal Rehabilitation Tax Credit<br />
Program, the State Commercial Tax<br />
Credit Program and the State<br />
Residential Tax Credit Program. Her<br />
goals include continuing to inform the<br />
public of the economic incentives<br />
available for historic preservation,<br />
making as much information on the<br />
three incentive programs as possible<br />
available electronically and aggressively<br />
promoting the residential tax credit<br />
program.<br />
The Federal Rehabilitation Tax<br />
Credit Program provides incentives to<br />
encourage the rehabilitation of<br />
income-producing National Registerlisted<br />
properties. Established long<br />
before Katrina hit South Louisiana, the<br />
program has proven to be a strong<br />
recovery tool. In the year-and-a-half<br />
since the storm, the monetary value of<br />
successful restoration projects leveraged<br />
by the program has increased<br />
from $95 million to $139 million.<br />
A graduate of LSU’s history department<br />
and a Baton Rouge native,<br />
Saunders has been with the Division<br />
for four years.<br />
www.louisianahp.org<br />
www.prcno.org
10 APRIL 2007 PRESERVATION IN PRINT<br />
Historic Building Recovery Grant Program<br />
The Project Officer –<br />
Your New Best Friend<br />
by Patricia L. Duncan<br />
T<br />
he $12.5 million dollars in grant<br />
money – lobbied for by Lt.<br />
Governor Mitch Landrieu – has<br />
been awarded in a record 45 days from<br />
the deadline for applications. “We wanted<br />
to get these grants in the hands of<br />
homeowners as quickly as possible,” Lt.<br />
Governor Landrieu said. “We are determined<br />
to rebuild our historic neighborhoods<br />
across southern Louisiana.”<br />
Now that recipients of Historic<br />
Building Recovery Grants are moving<br />
forward with the challenging job of<br />
repairing their Katrina or Rita-damaged<br />
homes and businesses, we want to assure<br />
recipients that you won’t face the job<br />
EXTERIOR DESIGNS, INC.<br />
EST. 1973<br />
alone. If you are unfamiliar with construction<br />
terms and practices, don’t<br />
despair: each grant recipient will have a<br />
mentor to assist and guide him or her<br />
through the process.<br />
The grant program’s project officers<br />
serve as the liaison between grantees and<br />
the Division of Historic <strong>Preservation</strong>.<br />
Each is an architectural historian with a<br />
construction or historic preservation background.<br />
Two are based in New Orleans<br />
and the third is headquartered in Baton<br />
Rouge, but travels extensively to the<br />
Crescent City and other parts of South<br />
Louisiana where grant projects are located.<br />
A fourth project officer is yet to be hired.<br />
Although each grantee is assigned to<br />
one officer for the duration of the project,<br />
each officer is responsible for overseeing<br />
multiple grants. The project officer’s<br />
first task is to evaluate a property’s<br />
damage and help the grantee to prioritize<br />
the repairs. Then the project officer<br />
assists the grantee in writing an appropriate<br />
scope of work. The scope is a document<br />
detailing the work to be done as<br />
well as how and when it will be completed.<br />
Once the grantee and state authorities<br />
have signed the scope, the officer<br />
requests that the first payment be made<br />
(60% of the grant award). If changes in<br />
the scope of work are needed, the officer<br />
assists in having the changes approved.<br />
Once the project officer is satisfied<br />
adequate progress has been made, he or<br />
she requests that the next installment of<br />
grant funds be paid (an additional 20%).<br />
If for some reason work does not start in a<br />
timely manner, the officer investigates the<br />
cause and attempts to help the grantee get<br />
the project moving. Should this attempt<br />
fail, the project officer refers the problem<br />
to higher authority for resolution.<br />
As work proceeds, the officer guides<br />
and monitors construction. When questions<br />
arise, he or she consults with the<br />
grantee, contractors and sub-contractors<br />
and, if necessary, helps them to interpret<br />
and apply the Secretary of the Interior’s<br />
Standards for Rehabilitation. Grantees are<br />
required to follow these guidelines,<br />
which specify best historic preservation<br />
practices. He or she also documents all<br />
grant activities and progress. At the end<br />
of each project, the officer certifies its<br />
completion, then requests the final grant<br />
payment of 20%.<br />
The project officers are Philip<br />
Gilmore, Jessica Landry and Tracy<br />
Nelson. Each is introduced elsewhere on<br />
this page. In addition to their regular<br />
duties, the three also will monitor projects<br />
in the Carrollton, Garden District,<br />
Irish Channel, Lower Garden District,<br />
Upper and Lower Central Business<br />
Districts and Uptown neighborhoods, as<br />
well as part of Esplanade Ridge, until an<br />
additional project officer is hired.<br />
BEVERLY KATZ, APLD<br />
Exterior Designs, Inc., is a landscape<br />
planning and contracting company, that<br />
specializes in “problem solving for<br />
yards.” Design, landscaping, paving<br />
masonry for courtyard and pool designs<br />
are the companies specialties.<br />
Beverly Katz<br />
Landscape Designer<br />
call 866-0276 for a consultation<br />
WWW.EXTERIOR DESIGNSBEV.COM<br />
Jessica Landry<br />
Jessica Landry is working on a master’s<br />
degree in preservation at<br />
Tulane University. She monitors<br />
grants in South Lakeview, Parkview,<br />
Broadmoor, Edgewood Park,<br />
Gentilly Terrace, and Esplanade<br />
Ridge. She also covers the Old<br />
Arabi and Friscoville historic districts<br />
in St. Bernard Parish. Landry<br />
earned a degree in Civil<br />
Engineering and has construction<br />
management experience that will be<br />
valuable to the grant program. She<br />
calls her role as project officer a<br />
once in a lifetime opportunity to aid<br />
hurricane victims and appreciates<br />
their enthusiasm and willingness to<br />
appropriately restore their homes.<br />
Philip Gilmore<br />
By participating in grant clinics<br />
designed to help New Orleans residents<br />
understand and complete the<br />
detailed grant application form,<br />
Gilmore served the grant program<br />
as a volunteer before joining the<br />
staff. He has also conducted architectural<br />
re-surveys of National<br />
Register historic districts (NRHD) in<br />
the Parkview and Faubourg Marigny<br />
neighborhoods and has assisted<br />
Tarps New Orleans (TNO) with public<br />
outreach and event assistance<br />
during the October 2006<br />
International Craftsman’s Conference<br />
in the city. Gilmore coordinates<br />
grants in the Bywater, Faubourg<br />
Marigny, New Marigny, Mid City,<br />
and Central City neighborhoods.<br />
Tracy Nelson<br />
Interested in sustainable solutions for<br />
the built environment, Tracy Nelson<br />
brings experience in the Holy Cross<br />
area to the grant program.<br />
Immediately after Katrina, she served<br />
as a first responder in Bay St. Louis.<br />
She assisted with medical evacuations,<br />
helped stranded residents<br />
reach safety, and partnered with<br />
many non-profits to establish a recovery<br />
center. In New Orleans, Nelson<br />
worked for Architecture for Humanity,<br />
connecting architects with disaster<br />
victims who need help rebuilding<br />
their homes, and with Neighborhood<br />
Empowerment Network Association.<br />
Nelson also worked with a New<br />
Orleans cultural management and<br />
research firm to establish a historic<br />
GIS digital database for the<br />
Broadmoor area. She serves as project<br />
officer for the Holy Cross, Vieux<br />
Carre, and Algiers Point historic districts.<br />
Like Gilmore, she will also<br />
work in Esplanade Ridge.<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 11<br />
Kevin Mercadel, National Trust for Historic <strong>Preservation</strong><br />
Heritage tourists spend more and stay longer<br />
New Orleans Named a<br />
Distinctive Destination<br />
for Cultural Tourism<br />
by Alex Lemann<br />
In a press conference held in Jackson Square,<br />
Kevin Mercadel, project manager of the<br />
National Trust for Historic <strong>Preservation</strong> field office<br />
at PRC, recognized the city of New Orleans for<br />
“achievement in heritage tourism.”<br />
N<br />
ew Orleans became the thirteenth<br />
city on the 2007 “dozen<br />
distinctive destinations” list,<br />
an honor presented by the National<br />
Trust to “unique and lovingly preserved<br />
communities in the United States.”<br />
This year marks the eighth time the list<br />
has been presented, bringing the total<br />
to 63 destinations in 27 states.<br />
“Some places are just too important<br />
to let go,” Mercadel said as he presented<br />
the award. Since Katrina, the<br />
National Trust has been heavily<br />
involved in the rebuilding of New<br />
Orleans, with more than 1,000 volunteers<br />
from around the country assessing<br />
damages and planning work scopes for<br />
individual homeowners plus providing<br />
grants and professional services on 12<br />
Home Again projects in Mid-City,<br />
Treme, Holy Cross, South Lakeview<br />
and New Marigny.<br />
Reaction to the award from the dignitaries<br />
who attended the press conference<br />
was enthusiastic and supportive.<br />
“New Orleans is authentic. New<br />
Orleans is not manufactured. We<br />
respect it. We love it,” Sandy<br />
Shilstone, chief executive officer of the<br />
New Orleans Tourism Marketing<br />
Corp., said. State Historic <strong>Preservation</strong><br />
Officer Pam Breaux pointed out that<br />
“more buildings are eligible for the<br />
National Register of Historic Places in<br />
New Orleans than in any other city.”<br />
The presentation was widely seen as<br />
a recognition of the strength of New<br />
Orleans’ historic architecture and its<br />
inherent value for cultural tourism.<br />
Mayor Nagin, who was in attendance<br />
to receive the award, acknowledged<br />
that “our historic structures make us so<br />
different from everywhere else.”<br />
In addition to New Orleans, the<br />
National Trust recognized<br />
Charlottesville, Va.; Chatham, Mass.;<br />
Chestertown, Md.; Durango, Colo.;<br />
Ellensburg, Wash.; Hillsborough, N.C.;<br />
Little Rock, Ark.; Mineral Point, Wis.;<br />
Morgantown, W. Va.; Providence, R.I.;<br />
West Hollywood, Calif. and<br />
Woodstock, Ill.<br />
www.prcno.org
12 APRIL 2007 PRESERVATION IN PRINT<br />
A W E E K E N D O F F A B U L O U S<br />
Preserving the Stained Glass Heritage of New Orleans<br />
• Symposium Features National Experts April 21 •<br />
by Patricia Andrews<br />
New Orleans has an<br />
enormous selection<br />
of outstanding religious<br />
art, especially<br />
its stained glass windows,<br />
but they are a<br />
well-kept secret,<br />
Susan E. Levy and<br />
Blanche M. Comiskey<br />
reflected after closing<br />
down the Vatican<br />
Exhibit at the New<br />
Orleans World’s Fair.<br />
To bring this powerful<br />
art form to a wider<br />
audience, they<br />
formed the Stained<br />
Glass Art in Sacred<br />
Places group, which<br />
has presented over<br />
thirty PRC-sponsored<br />
tours since 1989.<br />
H<br />
Mary C. Higgins<br />
stained glass artist<br />
and conservator<br />
onoring the memory of Susan<br />
Levy, a special symposium on<br />
the history and conservation<br />
of New Orleans stained glass will take<br />
place at Trinity Episcopal School on<br />
Saturday, April 21, with illustrated<br />
talks by nationally recognized experts<br />
and members of the local tour committee.<br />
If you have attended any of the<br />
stained glass tours or have ever wanted<br />
to, this weekend is a must.<br />
The program is sponsored by the<br />
Friends of St. Alphonsus Art &<br />
Cultural <strong>Center</strong>, with assistance from<br />
the Louisiana Endowment for the<br />
Humanities and the <strong>Preservation</strong><br />
<strong>Resource</strong> <strong>Center</strong>.<br />
Harriet Murrell will present an<br />
informal survey of hurricane damage,<br />
and Mary La Coste will open the symposium<br />
with a history of the stained<br />
Andrew C. Young<br />
president of the stained glass<br />
Association of America<br />
Mary La Coste<br />
New Orleans author<br />
and tour organizer<br />
glass tours, enumerating some of their<br />
achievements over the years. Jean M.<br />
Farnsworth, a former resident of New<br />
Orleans and principal editor of Stained<br />
Glass in Catholic Philadelphia, will present<br />
her findings about New Orleans<br />
stained glass from 1841 until 1915.<br />
(Glass predating the Civil War is<br />
extremely rare in the United States).<br />
Dr. Sally Main, curator at the<br />
Newcomb Art Gallery, will talk about<br />
the influence of Louis Comfort Tiffany<br />
in New Orleans.<br />
Much of the symposium will focus<br />
on the preservation of our stained glass<br />
heritage. Local glass artist Cynthia C.<br />
Knezeak will describe some of the<br />
Hurricane Katrina-related damage that<br />
she has appraised and repaired, and<br />
Arthur J. Femenella, whose firm<br />
restored the Tiffany windows donated<br />
Cynthia Knezeak<br />
glass restoration specialist<br />
from Metairie<br />
to Newcomb College, will present his<br />
“Strategy for Restoration,” based on<br />
extensive experience throughout the<br />
United States. Mary Clerkin Higgins,<br />
author, stained glass artist, and conservator<br />
from New York, will focus on<br />
issues relating to the construction of<br />
windows, and Andrew C. Young, president<br />
of the Stained Glass Association<br />
of America, will discuss issues facing<br />
owners of stained glass when planning<br />
repairs.<br />
The all-day event, with registration<br />
beginning at 8:30 a.m., will include a<br />
box lunch and will conclude with a<br />
tour of the Trinity Episcopal Church<br />
stained glass windows by Harriet<br />
Murrell. The following day will feature<br />
a tour of four houses of worship.<br />
InSight Builders<br />
General Contractors for all New Orleans<br />
New Construction & Renovations<br />
“Committed to restoring the<br />
traditions of our community”…<br />
7407 St. Charles Avenue, NOLA<br />
504.865.7784<br />
www.Insightbuilds@mindspring.com<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 13<br />
S T A I N E D G L A S S A R T<br />
Preserving the Stained Glass Heritage<br />
of New Orleans<br />
Symposium: Saturday, April 21, 8:30 - 4:30<br />
Trinity Episcopal School<br />
1315 Jackson Avenue<br />
Tour: Sunday, April 22, 2:00 - 5:00<br />
Begins and ends at St. Alphonsus Art and Cultural <strong>Center</strong><br />
2045 Constance Street (at St. Andrew Street)<br />
The buses will leave promptly at 2:00<br />
Please register early!<br />
Send registration form and check to: Friends of St. Alphonsus,<br />
P.O. Box 57143, New Orleans, LA 70157-7143. For phone orders<br />
or information, call 504/636-3040.<br />
Sponsored by Friends of St. Alphonsus Art and Cultural <strong>Center</strong>, with<br />
assistance from the Louisiana Endowment for the Humanities and the<br />
<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong>.<br />
Save a place for me!<br />
This window at Our Lady Star of the Sea portrays<br />
St. Frances Cabrini, the first American saint. Pope Leo<br />
XIII sent her to the United States to work with immigrants<br />
and poor children.<br />
PRC’s Stained Glass Tour<br />
Goes from Historic St. Roch to<br />
St. Charles Avenue April 22<br />
by Patricia Andrews<br />
he spring tour will feature<br />
Touro Synagogue and Our Lady<br />
TStar of the Sea, St. John the<br />
Baptist and St. Mary’s Assumption<br />
Catholic churches. In addition to the<br />
tour, there will be a symposium on<br />
April 21, “Preserving the Stained Glass<br />
Heritage of New Orleans.”<br />
Our Lady Star of the Sea is located<br />
in the National Register Historic<br />
District Faubourg New Marigny,<br />
known locally as St. Roch. This massive<br />
brick building in a Greek cross<br />
Gene Koss, of the Tulane University art department,<br />
created this window for the new wing of<br />
Touro Synagogue in 1990.<br />
Featuring windows from the pope’s first radio<br />
broadcast to sinuous art nouveau lines in a<br />
St. Charles Avenue synagogue, four outstanding<br />
houses of worship will open for PRC’s<br />
biannual Stained Glass in Sacred Places Tour<br />
on Sunday afternoon, April 22.<br />
plan houses windows by two studios<br />
popular in New Orleans: Emil Frei, of<br />
St. Louis and Munich, and the Franz<br />
Mayer Company, also from Munich.<br />
Sure to please tour goers are the portrayals<br />
of Pope Pius XI making the first<br />
radio broadcast from the Vatican and<br />
of Pope Pius X offering communion to<br />
the children.<br />
St. John the Baptist and St. Mary’s<br />
Assumption churches both greet worshipers<br />
with overwhelming expanses of<br />
elaborate German-style stained glass.<br />
www.prcno.org<br />
Name: ___________________________________________ Phone: __________________<br />
Address: ____________________________________________________________________<br />
_______ Symposium attendees ($25 fee includes lunch) $__________<br />
_______<br />
St. Mary’s Assumption was begun in<br />
1858, reflecting the growth of the<br />
German population in the Irish<br />
Channel. Construction of St. John the<br />
Baptist Church in Central City dates<br />
to 1868 and shows the vibrancy of the<br />
area near the end of the New Basin<br />
Canal in the years immediately following<br />
the Civil War.<br />
The sanctuary of Touro Synagogue<br />
on St. Charles Avenue, a Beaux Arts<br />
structure dedicated in 1909, is surrounded<br />
by stained glass that combines<br />
geometric forms with sinuous art nouveau<br />
lines. The subdued but warm feel<br />
of these windows contrasts with the<br />
sunny, symbolic glass of the adjoining<br />
Tour ($15 for members of the PRC or<br />
Friends of St. Alphonsus & $20 for non-members)<br />
Total:<br />
__________<br />
$__________<br />
chapel. Here, local artists Gene Koss<br />
and Ida Kohlmeyer, who had never<br />
produced a window before, demonstrate<br />
the virtuosity of this medium.<br />
Secure parking will be available at<br />
St. Alphonsus Art & Cultural <strong>Center</strong>,<br />
2045 Constance Street. The bus tour,<br />
from 2:00 until 5:00 p.m., will culminate<br />
with a reception at the St.<br />
Alphonsus <strong>Center</strong>. Bring your binoculars!<br />
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14 APRIL 2007 PRESERVATION IN PRINT<br />
Louisiana <strong>Preservation</strong> Conference and Honor Awards<br />
Making <strong>Preservation</strong> Matter<br />
Monroe, May 4 - 6, 2007<br />
Sponsored by Louisiana Trust for Historic <strong>Preservation</strong>,<br />
Louisiana Division of Historic <strong>Preservation</strong> and Louisiana Division of Archaeology<br />
Why attend Professionals, representing a full spectrum of preservation experience<br />
and interests, will provide you with technical, practical and legal information.<br />
Educational sessions will spotlight both the successes and ongoing challenges<br />
we face in Louisiana preservation. Entertainment, receptions and tours will<br />
provide opportunities to mix with other preservationists.<br />
Who should attend <strong>Preservation</strong>ists, Main Street coordinators and managers,<br />
city and regional planners, architects, historians, archaeologists, state and local<br />
officials, owners of historic properties, advocates of historic preservation, smart<br />
growth planners, developers, heritage travelers and YOU!<br />
Bring a friend: The conference is a great opportunity to share with spouses and<br />
guests, through our Lagniappe Series of sessions, workshops, receptions, and<br />
awards luncheon, some of which may be purchased “ala carte” by non-conference<br />
attendees. Shopping and sightseeing information will be available. Everyone is<br />
invited to bid at the silent auction.<br />
We look forward to seeing you in Monroe!<br />
Stacy Jamieson, executive director, Louisiana Trust for Historic <strong>Preservation</strong><br />
Louisiana <strong>Preservation</strong> Conference<br />
Monroe, LA • May 4 - 6, 2007<br />
Atrium Hotel and Conference <strong>Center</strong><br />
Friday<br />
• Registration<br />
• Louisiana Trust board and annual meeting with reports from National<br />
Trust Southern Regional Office, Division of Historic <strong>Preservation</strong>,<br />
<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> and Foundation for Historical Louisiana<br />
• Main Street meetings<br />
• Guided tour of downtown preservation successes<br />
• Visit to Beidenharn Gardens and Museum<br />
• Opening reception at the home of Merlin Smith<br />
Saturday<br />
• Registration<br />
• Opening plenary session with welcome from Monroe mayor’s office and<br />
keynote speaker Jay Dardenne, Louisiana Secretary of State.<br />
• Effective Advocacy in Louisiana - Melissa Flournoy Ph.D<br />
• Louisiana Main Street 101- Phil Boggan<br />
• History of Chairs - Leon Steele<br />
• Archaeology: Creoles of Color – The discovery of Marie Terese Coin –<br />
David Morgan<br />
• Louisiana Trust <strong>Preservation</strong> Honor Awards Luncheon<br />
• Ten Most Endangered Historic Sites List Update - Louisiana Trust<br />
• Legal Issues for Historic District Commissions– James Logan<br />
• Façade Easements as a Tool for Preserving Historic Buildings –<br />
Charles Charrier and Leah Tubbs<br />
• Exploring Louisiana – Ancient Mounds Driving Trail - Reca Jones.<br />
• What’s Happening in Louisiana Heritage Tourism -Sharon Calcote.<br />
• State & Federal Historic Tax Credits – Alison Saunders<br />
• Creating Design Guidelines for your Historic District – Ray Scriber<br />
• How to Take Care of Grandpa’s Headstone - National <strong>Center</strong> for<br />
<strong>Preservation</strong> Training and Technology<br />
• Current Efforts on Behalf of Poverty Point State Historic Site -<br />
Dianna Greenlee<br />
• Late Afternoon Tour of Masur Museum and Cooley House<br />
• Evening Reception at Layton Castle<br />
Saturday evening reception will be at Layton Castle.<br />
Sunday<br />
• Caravan from Atrium to Poverty Point (approx. 45 min) – Tram tour<br />
by Dianna Greenlee<br />
Registration<br />
Please register by April 28, 2007<br />
For all conference events and receptions . . . . . . . . . . . . . . . . . .$85<br />
or<br />
All conference meetings, sessions & tours<br />
Honor Awards Luncheon Included . . . . . . . . . . . . . . . . . . . .$45<br />
*Ala Carte Events<br />
Friday Opening Reception . . . . . . . . . . . . . . . . . . . . . . . . .$20<br />
Saturday Closing Reception . . . . . . . . . . . . . . . . . . . . . . . . .$20<br />
Total enclosed: ________ _______<br />
Name _____________________________________________________________________________________<br />
Address ___________________________________________________________________________________<br />
City/State/ZIP ____________________________________________________________________________<br />
Phone____________________________________ Email____________________________________________<br />
Credit Card# _______________________________________________________________Exp__________<br />
Signature_______________________________________ ___________________________________________<br />
Make check Payable to:<br />
Louisiana Trust for Historic <strong>Preservation</strong><br />
P.O. Box 1587<br />
Baton Rouge, LA 70821<br />
Please enclose this form with your check. Questions Call 225/344-6001<br />
Atrium Hotel & Conference <strong>Center</strong> - 2001 Louisville, Monroe.<br />
Call 318/410-4000 for reservations and mention the<br />
Louisiana <strong>Preservation</strong> Conference for special rate until April 25th.<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 15<br />
One of two original “steamboat houses” in Holy Cross, PRC’s target neighborhood<br />
since 2002. Holy Cross, located along the river and just over the Industrial Canal from<br />
Bywater, is both a National Register Historic District and a local historic district. PRC’s<br />
Rebuilding Together, Operation Comeback and joint National Trust HOME AGAIN programs<br />
have renovated seven homes in Holy Cross since the City lifted its “look and<br />
leave” policy less than one year ago. We are in the process of totally rehabbing 19<br />
more homes. In addition, PRC owns an additional 11 houses and is working through<br />
the City’s adjudicated property process to acquire 24 properties. Before the storm, PRC<br />
renovated and sold four homes, built two new houses and repaired 104 homes belonging<br />
to elderly and disabled Holy Cross residents.<br />
by Alex Lemann<br />
Dunn and Sonnier Flowers donated their talents to trim PRC’s model steamboat house for<br />
Art in Bloom at the New Orleans Museum of Art. Opening night for the event drew more<br />
than 1,300 people, and thousands more viewed the miniature house while on public display.<br />
PRC was invited to participate in the “Movers and Shakers” category, dedicated this<br />
year to individuals and organizations that have made a significant impact toward the<br />
rebuilding of New Orleans since the storm.<br />
View house model and exhibit on Holy Cross neighborhood weekdays at PRC<br />
PRC Honored to Contribute to the<br />
Annual Art in Bloom Celebration<br />
A model of one of<br />
the famed steamboat<br />
houses in the<br />
Holy Cross Historic<br />
District was the focal<br />
point of the PRC<br />
exhibit at the New<br />
Orleans Museum of<br />
Art – a fitting tribute<br />
to the organization’s<br />
commitment to the<br />
neighborhood’s<br />
rebirth.<br />
he PRC participated in this<br />
year’s Art in Bloom as a Mover<br />
Tand Shaker, an honor reserved<br />
for a distinguished group of organizations<br />
who have contributed to the<br />
rebuilding of the city. Art in Bloom, a<br />
five-day event at the New Orleans<br />
Museum of Art sponsored by the museum<br />
and the Garden Study Club of<br />
New Orleans, showcases creative floral<br />
designs from clubs, artists, students and<br />
florists that complement the museum’s<br />
collection. The theme for this year’s<br />
exhibit, Vive la Nouvelle Orleans!, celebrates<br />
the history and rebirth of our<br />
city.<br />
The PRC’s display utilized a beautiful<br />
model constructed by James Edward<br />
Kelty, Sr. of one of the iconic “steamboat<br />
houses” in Holy Cross. Born in<br />
Biloxi in 1921, Kelty spent most of his<br />
life in St. Bernard Parish running his<br />
own construction company. After completing<br />
carpentry school, Kelty apprenticed<br />
with Richard Goodyear, and the<br />
two repaired one of the actual Doullut<br />
steamboat houses, so named because the<br />
Doullut family built the two famous<br />
homes in the early 1900s. Upon his<br />
retirement in 1986, Kelty began building<br />
miniature houses for his grandchildren,<br />
including a scale model of the<br />
steamboat house. In all, Mr. Kelty built<br />
30 miniature houses, many of which<br />
were donated to charity. The steamboat<br />
house seen at Art in Bloom was donated<br />
to a church and school fair in Arabi,<br />
where Marcel Duhe won it in a raffle<br />
and later donated the model to the<br />
<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong>.<br />
For the PRC’s display, the model<br />
house was adorned with flowers by<br />
Stephen Sonnier of Dunn and Sonnier.<br />
In addition to the wonderful floral<br />
designs and landscaping, Jackie Derks<br />
of the PRC amassed a collection of<br />
miniature dolls and objects from<br />
around the country. Dolls were loaned<br />
by Doreen Sinnott of Tiny Dolls, Inc.,<br />
one of the foremost makers of miniature<br />
dolls, and by Bonnie Broel, who<br />
operates a superlative dollhouse museum<br />
on the upper floor of her St.<br />
Charles Avenue bridal shop. Other<br />
items were donated or loaned by<br />
House Works, Ltd., Hobby Builders<br />
Supply, and Town Square Miniatures.<br />
“Miniature collecting,” Jackie<br />
Derks says, “is a fascinating hobby, one<br />
that brings you into contact with<br />
skilled artisans all over the world.” The<br />
PRC was thrilled and honored to be<br />
able to present some of those artisans’<br />
fine work at Art in Bloom while also<br />
promoting one of the iconic landmarks<br />
of the Holy Cross neighborhood.<br />
James Edward Kelty, Sr., a retired contractor who has built 30 miniature houses in his<br />
spare time, including the model steamboat house at PRC, actually worked as a carpenter<br />
apprentice repairing one of the steamboat houses.<br />
www.prcno.org
16 APRIL 2007 PRESERVATION IN PRINT<br />
JULIE NEILL<br />
DESIGNS<br />
Tuesday - Saturday<br />
10-5<br />
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899-4201<br />
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6070 Magazine Street•New Orleans, Louisiana 70118• 895-8661<br />
Classic Clothing and Furnishings. Since 1939<br />
Gala Re-Opening<br />
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3927 Magazine Street<br />
504-899-4944<br />
<strong>Preservation</strong> Rules!<br />
Chic Pre-teen Boutique<br />
•<br />
3638 Magazine Street NOLA<br />
hours Tues-Sat 10am to 5pm
PRESERVATION IN PRINT APRIL 2007 17<br />
GUEST<br />
VIEWPOINT<br />
The Unreported Influx<br />
of Bright and<br />
Energetic Residents to<br />
New Orleans<br />
Stephen Hales, M.D.<br />
This op ed originally appeared in the Times-Picayune and is reprinted here with<br />
writer’s permission.<br />
R<br />
ecently the New York Times carried<br />
a story on its front page<br />
under this headline: “New<br />
Orleans’s New Setback: Fed-up Residents<br />
Giving Up.” The article profiled several<br />
families who are leaving New Orleans<br />
because the pace of recovery is “too little,<br />
too late,” an understandable assessment.<br />
The article itself, while more<br />
nuanced, generally supported that statement.<br />
“We don’t have to go through<br />
this” would fairly represent the sentiments<br />
of those who have chosen to<br />
leave.<br />
But a different headline, equally as<br />
true, might have been this: “A Unique<br />
City Continues to Hold and Attract<br />
Committed Citizens.” Support for that<br />
alternative headline was found, in fact,<br />
in the text of Shaila Dewan’s article, as<br />
demographers and others described not<br />
only a hard-to-quantify “brain drain,” but<br />
also a determined and passionate core of<br />
New Orleanians choosing to stay, and a<br />
steady, if under-reported, flow of new residents<br />
who see both challenge and<br />
opportunity in this badly damaged city.<br />
“The pattern in is certainly stronger than<br />
the pattern out,” said one demographer.<br />
So why does the story run under the<br />
first headline, sure to be seen far and<br />
wide as one more piece of bad news documenting<br />
our city’s slide into oblivion<br />
Headlines count, leaving impressions<br />
that are hard to change, and I can only<br />
wish they had chosen the second one.<br />
I have been a pediatrician in New<br />
Orleans for more than thirty years, long<br />
enough to see a generation of babies<br />
grow up and, now, to help care for their<br />
babies. While I will not offer my experience<br />
as a substitute for the academic<br />
analyses of statisticians and demographers,<br />
I will cite my own less formal, but<br />
very personal survey of the flow of families<br />
in and out of our city.<br />
In the months after the storm, when<br />
we were able to come back to the city,<br />
open our office, and begin to care for our<br />
stunned and stressed families as they<br />
returned to pick up the pieces of their<br />
lives, demographic dynamics became<br />
very personal. Each day we collected<br />
from the fax machine and the occasional<br />
mail delivery requests for the medical<br />
records of children we had cared for<br />
through their young lives. There were so<br />
many such requests – from Dallas and<br />
New York, Denver and Houston, Atlanta<br />
and San Francisco.<br />
A unique city<br />
continues to<br />
hold and attract<br />
committed<br />
citizens<br />
But there were many families who<br />
chose to stay, for the whole range of reasons<br />
the New York Times article cited –<br />
for family, for jobs, for the keenly felt<br />
need to rebuild their homes, and their<br />
city. And, to our surprise, we began to<br />
see a flow of new patients and families<br />
into our practice from all over the country.<br />
Young families – educators, attorneys,<br />
physicians, and business people –<br />
arrived to replace those who left after the<br />
storm, or to begin new ventures made<br />
possible by the profound changes which<br />
followed Katrina. And we began to see<br />
more and more babies born in our<br />
remaining hospitals, perhaps the most<br />
significant vote of confidence in the<br />
future. We have found, over the past<br />
year, that the net of those flows in and<br />
out has turned decidedly positive.<br />
www.prcno.org<br />
Does that mean all is well in New<br />
Orleans Clearly, it does not. New<br />
Orleans faced significant problems before<br />
the flood, and those have become even<br />
more evident and wrenching as we<br />
rebuild our city. This is not an easy<br />
place to live right now. We recognize it<br />
when we experience the daily reality of<br />
broken traffic lights, pot-holed streets, a<br />
dysfunctional criminal justice system,<br />
and challenged health care resources.<br />
We see it when we travel to other cities,<br />
where things are “normal,” and the conditions<br />
we face each day would not be<br />
tolerated. Enormous challenges – unique<br />
in the history of our nation – remain in<br />
restoring housing lost when 80 percent of<br />
our city was flooded. We live with the<br />
pervasive sense that we have been failed<br />
by our elected leaders.<br />
But I strongly believe that the pessimistic<br />
“giving up” New York Times<br />
headline does not convey the reality I<br />
see day in and day out in my office, or in<br />
my city. Citizen-led initiatives have<br />
brought real change and reform to<br />
entrenched political structures, structures<br />
which have served New Orleans poorly<br />
for generations. The failed public school<br />
system is in the midst of a transformation<br />
led both by committed New Orleanians<br />
and an influx of bright and energetic<br />
educational reformers, school leaders,<br />
and teachers who are here because there<br />
is an unparalleled opportunity to “make a<br />
difference.”<br />
I was not born here, but found in this<br />
city many years ago a rich and engaging<br />
culture, place, and people. We have lost<br />
many wonderful families, and will<br />
undoubtedly lose more. This will be a<br />
To our surprise,<br />
we began to see<br />
a flow of new<br />
patients and<br />
families into our<br />
practice from all<br />
over the country.<br />
long process, and will require the devotion,<br />
vision, and hard work of those who<br />
choose to remain, and those who choose<br />
to come here to help this city rebuild.<br />
There are many who fit those descriptions<br />
– more, I believe than those who<br />
make the choice to leave. I hope that in<br />
a future story, and under a more optimistic<br />
headline, the New York Times will<br />
return to tell that story.
18 APRIL 2007 PRESERVATION IN PRINT<br />
Mandi Thompson<br />
Ashley Morris<br />
Geoffrey Moen<br />
Ali Sharif<br />
Post Katrina, Historic New Orleans At<br />
Compiled by Mary Fitzpatrick<br />
Stephen Maggart<br />
Lower Garden District<br />
Systems Engineer for Lockheed Martin<br />
I grew up in Nashville and finished<br />
graduate school at Vanderbilt in<br />
May 2006. Coming from Nashville,<br />
I wanted another place with a distinctive<br />
culture. I came to New<br />
Orleans because of an opportunity<br />
to work on NASA’s new Orion<br />
spacecraft at the Michoud Assembly<br />
Facility. Our goal is to send astronauts<br />
back to the moon and<br />
beyond. As a bonus, I had a great<br />
group of friends already living here<br />
who make it fun to learn the city.<br />
I feel the Lower Garden District is a<br />
nice blend of the urban amenities of<br />
downtown and the attractive architecture<br />
of uptown. I can walk to<br />
shops and restaurants, and come<br />
home to enough space to be comfortable.<br />
My place has an amazing<br />
oversized staircase, high ceilings,<br />
virtually no insulation or water pressure,<br />
the odd spider or two, beautiful<br />
tile fireplaces and loads of natural<br />
light. As with all old homes it<br />
has its idiosyncrasies, but the<br />
uniqueness makes up for it.<br />
■<br />
Matt Candler<br />
Uptown<br />
CEO, New Schools for New Orleans<br />
I was the chief operating officer for<br />
a $41 million school support organization<br />
called the <strong>Center</strong> for Charter<br />
School Excellence in New York City.<br />
Along with other long-time educators<br />
located in New Orleans and New<br />
York, I decided that what we had<br />
done in New York could be replicated<br />
in New Orleans. In New York,<br />
only two percent of kids go to a<br />
charter school. In New Orleans,<br />
55 percent of kids attend charter<br />
schools, and we believe that New<br />
Orleans is the one place in the<br />
United States right now where the<br />
concepts of autonomy and accountability<br />
have the chance to redefine<br />
and radically improve urban public<br />
education.<br />
What do I like best about being<br />
here The opportunity that we have<br />
to show the nation how to improve<br />
schools by putting kid issues ahead<br />
of adult issues. And Snug Harbor.<br />
■<br />
Geoffrey Moen<br />
Faubourg Marigny<br />
City Planner for the City of New Orleans<br />
When Katrina hit I was in Chicago<br />
working toward my Master’s<br />
degree. I decided to co-organize a<br />
volunteer trip for fellow graduate<br />
students to gut flooded homes. I fell<br />
in love with the city during the trip,<br />
and I knew I wanted to be a part of<br />
the rebuilding process.<br />
I immediately became infatuated<br />
with the downtown faubourgs. I felt<br />
like I was in a very special place,<br />
unlike anywhere else in the United<br />
States. I appreciated the Marigny’s<br />
proximity to nightlife on Frenchmen<br />
Street and the French Quarter, but I<br />
didn’t think I would be able to afford<br />
anything there. I loved my apartment<br />
the first time I saw it – it’s on the second<br />
floor of a house, and has a side<br />
gallery with a skyline view – and my<br />
landlord was willing to bargain a little<br />
on the price. New Orleans is one<br />
of the most comfortable cities in the<br />
United States. Streets are narrow,<br />
buildings are small, and most of them<br />
are brightly painted and inviting,<br />
with porches, stoops, and Caribbean<br />
shuttered doors in various combinations.<br />
Esplanade Avenue is perhaps<br />
the most beautiful street I have ever<br />
seen.<br />
■<br />
Esther Wanjira Nganga with<br />
husband, Rev. Moses Nganga<br />
Muguro, and children, Wisdom<br />
and Gloria<br />
Lower Garden District<br />
Public Health and Social Worker<br />
I moved here from Nairobi, Kenya. I<br />
was working in eight regions in<br />
Kenya educating communities on<br />
health issues, especially HIV and<br />
AIDS prevention for the youth. I<br />
came to New Orleans on a Ford<br />
Foundation scholarship to further my<br />
education at the Tulane School of<br />
Public Health and Tropical Medicine.<br />
The neighborhood looked clean<br />
and safe and it was good in terms<br />
of location and public transportation.<br />
I discovered that it is an excellent<br />
neighborhood when I watched<br />
Trinity Episcopal School staff and<br />
students walking confidently and<br />
peacefully to and from the school<br />
on Jackson Avenue. To me this was<br />
a very unique way from what I had<br />
seen before. I believe that children<br />
are the legacy which I shall leave for<br />
the time that I will not live to see. I<br />
needed a good school for my children,<br />
and I was frustrated until I<br />
went to the Trinity office of admission.<br />
My life has never been the<br />
same again. Trinity School is the<br />
greatest place in the U.S. for me.<br />
Gentleness and kindness was evident<br />
and still is in my interaction with the<br />
Trinity community. The school is like<br />
a star in the darkness. It is Trinity that<br />
gave meaning to my family when I<br />
had given up and wanted to take my<br />
children back to Africa.<br />
■<br />
Shawn Anglim and Anne<br />
Daniell and Mae, 3-1/2 years<br />
and James, 4 months<br />
Bayou St. John<br />
United Methodist Minister<br />
Shawn is a United Methodist minister<br />
at First United Methodist Church,<br />
at the corner of Canal and Jeff<br />
Davis. He is also serving in<br />
“Mission Zone 1,” which consists of<br />
six United Methodist Church congregations,<br />
half of which were devastated<br />
by the flood. I am an independent<br />
academic, currently working as<br />
a full-time mom. We came here for<br />
Shawn’s position in June, 2006.<br />
The Bayou St. John neighborhood<br />
is close to the various churches<br />
that are part of the Mission Zone<br />
Shawn is serving. It is also a beautiful<br />
neighborhood, and we love<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 19<br />
Noel Henderson-James<br />
Olivia Stinson<br />
Reverend Raymond Cannata<br />
ns Attracts a Variety of New Residents<br />
Jazz Fest. We also are committed to<br />
the Mid-City neighborhood, where<br />
First United Methodist Church is<br />
located. The people involved in<br />
Mid-City Neighborhood Recovery<br />
are extraordinary!<br />
The work we are involved with is<br />
beautiful. We wouldn’t want to live<br />
anywhere else. In New Orleans, I<br />
feel like I’m inside of something – a<br />
spiritual process that is greater than<br />
the sum of its parts. Now, especially,<br />
I also feel like we’re involved in<br />
a worthwhile project that is greater<br />
than ourselves – the project of healing<br />
and resurrecting our city.<br />
■<br />
Nancy and Guy Fournier<br />
Garden District<br />
Innkeepers – Sully Mansion<br />
We moved from Richmond, Virginia<br />
where Guy was head of business<br />
development for a specialized children’s<br />
hospital and I was responsible<br />
for all the human service agencies<br />
for the City of Richmond.<br />
We’ve been coming to visit New<br />
Orleans for years, but we changed<br />
careers and took possession of the<br />
Sully Mansion January of 2006.<br />
We had planned to do this about<br />
four years from now and had been<br />
looking at properties. When Katrina<br />
happened, we couldn’t imagine that<br />
New Orleans might not exist and<br />
we thought that if we were ever<br />
going to do this we should do it<br />
now. We wanted to help bring New<br />
Orleans back and host people who<br />
would come to the city.<br />
Sully Mansion was already a<br />
licensed B & B. The house had been<br />
neglected, but it’s beautiful and only<br />
one of seven Thomas Sully-designed<br />
homes left intact in New Orleans.<br />
What I like and also don’t like<br />
about New Orleans is that it is<br />
unlike anywhere else in the universe.<br />
New Orleans meets your<br />
senses better than any other place.<br />
■<br />
Patrick McRae<br />
Faubourg St. Roch<br />
U.S. Dept. of Commerce –<br />
Foreign Service Officer<br />
You either “get” this place or you<br />
don’t. Fortunately for me, I think I get<br />
it, and I’m richer for it. I was sent<br />
here by the U.S. Secretary of<br />
Commerce in September 2006. I am<br />
responsible for coordinating a global<br />
initiative to attract foreign direct<br />
investment to the city and the region.<br />
New Orleans to me is like a<br />
handsome, proud, stylish, lovingly<br />
sassy woman -- a woman who has<br />
taken a beating. When you look at<br />
her from one angle, you see all the<br />
attractive features I just mentioned,<br />
but when you look at her from<br />
another you see the fresh scars, and<br />
you can’t help but feel the sadness.<br />
This city though, like the fictitious<br />
woman, still strives to stand straight,<br />
to retain her inherent stylish beauty<br />
and rely on an inherent strength to<br />
move forward with a certain determined<br />
grace found only in this city --<br />
in spite of the pain.<br />
www.prcno.org<br />
Reverend Raymond Cannata<br />
Uptown<br />
Presbyterian Pastor, Redeemer<br />
Presbyterian Church<br />
I was raised in New York City and<br />
Northern New Jersey and came<br />
here from a position as senior pastor<br />
of a Presbyterian church in<br />
Somerset County, NJ. My wife and I<br />
fell wild in love with the city when<br />
we visited one week before Katrina.<br />
I was scheduled to come back for a<br />
second job interview the day of<br />
Katrina. Seeing the storm damage<br />
when we came in October ’05 convinced<br />
us of our calling. The<br />
Christian life is supposed to be<br />
about moving toward the pain. We<br />
turned down a senior pastorate in<br />
San Diego to come here. It was not<br />
a sacrifice -- this is the most wonderful<br />
city in America.<br />
We wanted to be in the center of<br />
the Uptown neighborhood, where<br />
most of our congregation lives. We<br />
bought a shotgun double -- converted<br />
to a single – that was built in<br />
1902 by German immigrants.<br />
Among the 11 owners was Johnny<br />
DeDroit, a jazz pioneer and bandleader.<br />
What I like about living here is<br />
the diversity, architecture, the urban<br />
setting with a strong sense of neighborhood,<br />
community and place, and<br />
also the music clubs, food, sense of<br />
celebration in the culture, the parks,<br />
our church and the open, honest,<br />
interesting and creative people. In<br />
the Bible every picture of heaven<br />
involves celebration. Jesus talks<br />
about the Kingdom of God as a<br />
great feast. In that way New<br />
Orleans looks more like heaven<br />
than any place else in America! We<br />
can’t believe how blessed we are to<br />
be here.<br />
■<br />
Ashley and Hana Morris (and Katerina,<br />
Annabel Lee, and Rey d'Orleans)<br />
Carrollton<br />
Computer Science Professor commuting<br />
to DePaul University in Chicago<br />
This time, [I moved to New Orleans]<br />
just because we wanted to live here<br />
again. I lived here as a kid in the<br />
‘60s, when my dad had a car lot<br />
on Chef Highway. Then I went to<br />
college here, and we knew this was<br />
the only place we wanted to live.<br />
When I found out my wife was<br />
pregnant with our third child, I knew<br />
we had to move into the Lusher<br />
school district. We were supposed<br />
to close on the house on September<br />
3, 2005. Well, that didn’t happen.<br />
The place didn’t get flooded, but<br />
did sit on pilings about four inches<br />
above the water. After going<br />
around and around with attorneys<br />
and insurance and mortgage brokers,<br />
we finally were one of the first<br />
people to close post-flood, in the<br />
first week of November. We had<br />
no idea if we’d be able to move<br />
back or not. This was killing us, and<br />
so our unborn child’s name changed<br />
from John Lee Morris to Rey<br />
d’Orleans Morris. He was born<br />
here on December 28, 2005.<br />
continued on page 20
20 APRIL 2007 PRESERVATION IN PRINT<br />
Esther and Wisdom Nganga<br />
Paul and Nicole Timmons<br />
Chris Harrington<br />
Stephen Maggart<br />
continued from page 19<br />
Ava Brucato<br />
Irish Channel<br />
Junior Architect<br />
I was working for an architecture<br />
firm in New Jersey when I decided<br />
to come to New Orleans after the<br />
storm because it would be an exciting<br />
opportunity to be part of the<br />
rebuilding process on both a professional<br />
and personal level. I came by<br />
my shotgun apartment in the Irish<br />
Channel through a friend who had<br />
to relocate after Katrina. Turns out to<br />
be a great neighborhood. I love<br />
New Orleans for its food, nightlife,<br />
great architecture, and amazing<br />
people.<br />
■<br />
Paul and Nicole Timmons<br />
Faubourg Marigny<br />
Hurricane Recovery Program<br />
Supervisor for Red Cross (Paul)<br />
Disaster Recovery Director for<br />
United Way (Nicole)<br />
Nicole and I came to New Orleans<br />
in December of 2005 as disaster<br />
recovery volunteers for the Red<br />
Cross. By Mardi Gras, we were<br />
engaged and found a new home<br />
and work in New Orleans. Our<br />
part of the Marigny received very<br />
little damage from Katrina, thus it<br />
had rental property available immediately.<br />
We wanted to live in the<br />
city, and it certainly helped that we<br />
had fallen in love with the character<br />
of the neighborhood and close proximity<br />
to the French Quarter.<br />
Our wedding was this<br />
Halloween weekend in the French<br />
Quarter. Our out-of-town family and<br />
friends came to celebrate with us.<br />
We wanted to offer the people closest<br />
to us a taste of New Orleans<br />
and why we must all work hard to<br />
preserve and rebuild this city. The<br />
wedding ceremony went beautifully<br />
in the courtyard under the stars and<br />
culminated in the grandest of New<br />
Orleans traditions, a second line<br />
down Bourbon Street.<br />
We came to give. We gave to<br />
each other and now are blessed<br />
with receiving the gift of life as our<br />
first child will be born in July, a<br />
proud New Orleanian. The circle of<br />
life continues in this great city we<br />
now call home.<br />
■<br />
Christopher Harrington<br />
Carrollton<br />
Plumber<br />
I used to be the drainage engineer<br />
for the Royal Household taking care<br />
of Buckingham Palace and Windsor<br />
Castle and all the houses inside the<br />
M-5 [beltway]. I was just six months<br />
short of getting the Royal Crest for<br />
my business when we decided to<br />
move to Sarasota, Florida, so our<br />
daughter could live in the States. I<br />
came with my wife to New Orleans<br />
right after the storm looking for<br />
work, and my wife (she’s English)<br />
fell in love with the city. She says it’s<br />
the closest place to Europe.<br />
Anyway, there were so many layers<br />
of corporations, contractors and subcontractors<br />
in the early days that<br />
guys like me couldn’t even cover<br />
expenses. When I heard that the<br />
work and pay had gotten better we<br />
moved here and put our daughter in<br />
school. We’re hoping she can get in<br />
Lusher School.<br />
I want to help start a curriculum<br />
in the schools for plumbing because<br />
I think kids here are being trained to<br />
work at McDonald’s and not much<br />
more. There’s a real need for skilled<br />
labor; the pay is $45-50 an hour,<br />
but the kids need to get experience.<br />
■<br />
Mandi Thompson<br />
French Quarter<br />
Commercial Interior Designer<br />
Provider of Discount Furniture<br />
and Appliances<br />
Before Katrina, I had been living in<br />
Atlanta, running my medical furnishings<br />
firm. I decided to move here<br />
because my favorite city needed all<br />
the help it could get and would for<br />
quite some time. My nonprofit<br />
organization provides donated furnishings<br />
at massive discounts to people<br />
in need.<br />
Living here today is American<br />
history in the making. I fully believe<br />
in the future of our home.<br />
I found my office/home in the<br />
Times-Picayune and am blessed to<br />
be a French Quarter resident.<br />
There’s nothing like the thick fog in<br />
the winter and sounds of boats,<br />
trains, horses, singers, life. It really<br />
has made me focus that much more<br />
on work and our future.<br />
■<br />
Toy O'Ferrall<br />
Mid-City<br />
Assistant Editor, The Historic<br />
New Orleans Collection<br />
I moved to New Orleans from<br />
Greensboro, North Carolina, where<br />
I taught composition and literature<br />
at the University of North Carolina<br />
at Greensboro. My boyfriend teaches<br />
architecture at Tulane. I believed<br />
in what he was doing here, and I<br />
loved the people I met in New<br />
Orleans and believed in what they<br />
were doing – people like Rachel<br />
Breunlin, co-director of the<br />
Neighborhood Story Project, and<br />
Ray Cannata, pastor of Redeemer<br />
Presbyterian Church.<br />
When I moved to Mid-City, my<br />
neighbor introduced himself, and<br />
the next day his wife – before she<br />
even met me – started calling<br />
friends to see if they knew of job<br />
openings for editors. New Orleans<br />
is the only city I know of where<br />
strangers – when they discover that<br />
you are new – thank you for moving<br />
there. It is the only place I have<br />
ever lived where I sit in church and<br />
know, without a doubt, my exact<br />
location on the map – where the<br />
musicians, after playing in some of<br />
the best clubs around town, wake<br />
up early on Sunday mornings to<br />
play old hymns in a style that<br />
belongs to the city; where people<br />
pray for each other and for their city<br />
like they are praying for family;<br />
where the service is intimately connected<br />
to the ground beneath the<br />
floorboards. I feel lucky to have<br />
been able to move, to meet women<br />
and men who are rebuilding their<br />
homes and caring for their families,<br />
to eat crawfish on the neutral<br />
ground on Tupelo Street near the<br />
House of Dance and Feathers (I've<br />
never enjoyed gaining twelve<br />
pounds as much as I have in New<br />
Orleans), to be part of a church that<br />
limps and rejoices and is learning –<br />
in a very tangible way – what it<br />
means to love and pray for each<br />
other.<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 21<br />
Ava Brucato<br />
Nancy and Guy Fournier<br />
Jed Malitz and Sophie Omoro<br />
Bill Austin<br />
Treme<br />
Social Worker<br />
I lived in Baton Rouge doing social<br />
work with hurricane-displaced kids<br />
until Thanksgiving 2006. My new<br />
job is with Bridge House, a substance<br />
abuse center. I hated to see<br />
New Orleans decline, and I was at<br />
a point in my life where I could<br />
move. I bought the first house the<br />
Realtor showed me. I fell in love<br />
with it at first sight. The house is a<br />
100-year-old duplex with tall ceilings,<br />
a front porch, and a nice<br />
yard. I just couldn’t pass it up.<br />
Treme is a great neighborhood with<br />
great neighbors. I lived in Baton<br />
Rouge for 35 years, and there's so<br />
much more to do here. I've been<br />
making a lot of friends, which is<br />
easy because everyone here is so<br />
nice.<br />
■<br />
Olivia Dawa Stinson<br />
Uptown<br />
Senior Program Coordinator at<br />
the Tulane City <strong>Center</strong>, Tulane<br />
School of Architecture<br />
I moved here in January from New<br />
York City where I had finished my<br />
Master of Urban Planning at NYU<br />
the previous May. I was looking for<br />
work in New York but felt that there<br />
were other areas of the country and<br />
world that needed more help and<br />
energy. As a planner I actually felt<br />
some responsibility to come here<br />
and do my part for the recovery.<br />
I live in a swanky Victorian mansion<br />
on St. Charles that has been divided<br />
into apartments. Nothing is at a<br />
right angle and the plumbing is iffy,<br />
but I love the floors and get great<br />
light. I ride the bus daily and love it.<br />
My neighborhood is beautiful and<br />
safe and close to work, but a bit<br />
quiet for my taste.<br />
Basically I believe in this city and<br />
I wanted to be a part of its return. I<br />
am morbidly fascinated by a culture<br />
that celebrates eating something<br />
called mudbugs. My new culinary<br />
obsession is those spicy pickled<br />
string beans. I am also totally<br />
bonkers about the trees and the<br />
greenery and so on. I am a jazz<br />
freak so that doesn’t hurt.<br />
■<br />
Ali Sharif<br />
Lower Garden District<br />
Taxi Driver<br />
I spent six years in a refugee camp<br />
in Kenya after leaving Ethiopia.<br />
When I came to the United States I<br />
went first to Nashville, but my<br />
cousins and aunties lived here and<br />
wanted me to come to New Orleans.<br />
I was scared because of the hurricanes<br />
but finally came here a few<br />
months ago. I live with my family on<br />
St. Andrew Street. It’s good. The taxi<br />
business is getting better. There’s<br />
good opportunity in New Orleans<br />
for me. It’s my home now.<br />
■<br />
Craig Morse<br />
Faubourg Marigny<br />
Photographer • Writer<br />
• Artist • Documentarian<br />
• Community Activist<br />
I worked on a photographic documentary<br />
covering the [San<br />
Francisco] Bay Area’s underground,<br />
performance art, and Burning Man<br />
culture (1999 – 2006). I visited<br />
New Orleans many times over the<br />
past twenty plus years and lived on<br />
Esplanade (1993 – 1994). It is,<br />
without question, my favorite North<br />
American city.<br />
I decided to return to New<br />
Orleans in February of 2006 to contribute<br />
as a photographer and share<br />
with the nation, and the world, the<br />
struggles and the recovery efforts<br />
following Hurricane Katrina and The<br />
Great Flood. I also wish to bring<br />
attention to the indelible spirit that<br />
makes this city so profoundly unique<br />
and culturally rich. The title of my<br />
project is “Forsaken...Not Forgotten:<br />
New Orleans After the Flood.” I<br />
hope to share this extensive body of<br />
work as a touring gallery show, a<br />
four volume book, and as a Web<br />
presentation.<br />
[A series of chance encounters<br />
and new friends] resulted in my living<br />
in the house and neighborhood<br />
of my dreams. Marigny and<br />
Bywater offer a diverse community<br />
of characters who have a variety of<br />
creative talents, worldviews, eccentricities,<br />
and the time to know one<br />
another. The streets and houses are<br />
human scaled, infused with history,<br />
ornamentation, and personality. A<br />
mix of uses makes it very easy for<br />
me to not own a car. I can easily<br />
walk or bicycle. I am never bored<br />
because I feel like I am part of<br />
something greater than myself.<br />
■<br />
Noel Henderson-James<br />
Broadmoor<br />
Affordable Housing Development<br />
I came to New Orleans from<br />
Chicago in March 2006 on a volunteer<br />
trip that I co-organized and fell<br />
in love with the city. I was finishing<br />
a graduate degree in urban planning<br />
and working fulltime with an<br />
affordable housing development<br />
company and after seeing the city<br />
firsthand, I knew that I had to be<br />
here. I went back to Chicago, convinced<br />
my now-fiancée to apply to<br />
Tulane (as she was looking at<br />
schools at the time), and when she<br />
was accepted with a good financial<br />
aid package, I had to find a job to<br />
make the move happen.<br />
I found a nicely renovated apartment<br />
in Broadmoor, and chose it<br />
because I wanted to experience firsthand<br />
a neighborhood that was<br />
rebuilding, and it was proximate to<br />
Tulane. I can’t imagine living or<br />
working anywhere else in America<br />
right now – in the field of urban<br />
planning and affordable housing, it<br />
is the acme of relevancy. Plus it’s<br />
great fun.<br />
Please share your story<br />
with <strong>Preservation</strong> in Print<br />
The citizens of New Orleans, government<br />
leaders, international media,<br />
T.V. pundits and everyone in the race<br />
for President of the United States<br />
need to know that our city is alive<br />
with new blood, new ideas, new<br />
dreams of opportunity, new commitment<br />
and renewed love for this place<br />
we will fight to call home.<br />
If you have moved here since the<br />
storm, come back to the city after finishing<br />
your education, relocated to<br />
town from the suburbs, decided to<br />
return after leaving for a while or<br />
declined opportunities to transfer<br />
because you chose to remain in New<br />
Orleans WE WANT TO HEAR<br />
YOUR STORY.<br />
Contact mfitzpatrick@prcno.org<br />
or call Alex Lemann, 504/636-3043.<br />
www.prcno.org
22 APRIL 2007 PRESERVATION IN PRINT<br />
photos and text by Alex Lemann<br />
Post-storm, volunteers and new staff<br />
come from near and far to help PRC rebuild<br />
EVA ALITO<br />
A resident of Mid-City, Eva was<br />
born and raised in New Orleans<br />
and worked<br />
until recently<br />
as a mechanical<br />
engineer.<br />
Since<br />
1995 Eva<br />
has been volunteering<br />
for<br />
Rebuilding<br />
Together, but<br />
now she’s a construction manager,<br />
along with PRC’s Kevin Barnes. Eva<br />
says that supervising home repairs<br />
isn’t so different from mechanical<br />
engineering. “It’s the same principles,<br />
just a different venue.”<br />
According to Eva, the best part of<br />
her new job has been working with<br />
volunteers. “Those kids are great.<br />
It’s so uplifting to work with people<br />
coming in from out of town; they’re<br />
so grateful and enthusiastic.”<br />
WILBUR WALKER<br />
Rebuilding Together’s new warehouse<br />
manager first moved to New<br />
Orleans from<br />
Barnwell,<br />
S.C., in<br />
1981, when<br />
some of his<br />
buddies in<br />
the Navy<br />
were stationed<br />
here<br />
and urged<br />
him to come down. After working<br />
in operations for the World’s Fair<br />
(where he met Sara Moore),<br />
Wilbur moved to the Convention<br />
<strong>Center</strong>, where he worked in the<br />
warehousing department for more<br />
than a decade. Living with his wife<br />
and two daughters in Algiers,<br />
Wilbur considers himself lucky to<br />
have avoided the floodwaters, but<br />
his evacuation was no picnic;<br />
spending three months in a threebedroom<br />
house in Jackson, Miss.<br />
with 15 people and eight dogs<br />
was not fun. Wilbur also has a<br />
background in computers, but he<br />
says he loves his new job. “I like<br />
this because it’s tangible; you can<br />
see it, feel it.”<br />
SUE HOBBS<br />
On a six-month sabbatical from her<br />
job in Washington, D.C., Sue Hobbs<br />
joins the PRC as<br />
news editor of<br />
<strong>Preservation</strong> in<br />
Print. Sue works<br />
as an editor and<br />
reporter for the<br />
Bureau of<br />
National Affairs,<br />
Inc., a private<br />
company that<br />
manages a variety of publications<br />
dealing with labor relations, law, business,<br />
and government. The company<br />
awards two sabbaticals per year for<br />
projects that aim to benefit not only the<br />
individual, but also the community. For<br />
the sabbatical committee, Sue says, it’s<br />
also important that the project fit with<br />
the applicant’s life. For Sue, the fit was<br />
perfect. “Certain cities take your<br />
breath away, and New Orleans just<br />
does. After the storm, I was struck by<br />
the tendency to tear down damaged<br />
homes, and I wanted to help stop<br />
that.” Since early February, Sue has<br />
been living in the French Quarter,<br />
working at the PRC, and trying to soak<br />
up as much of the city as she can.<br />
JOSH HERRINGTON<br />
Josh comes to New Orleans from<br />
Fullerton, Calif., where he worked for<br />
the Rebuilding<br />
Together (RT)<br />
affiliate in<br />
Orange County<br />
for four years.<br />
Working for RT<br />
in California,<br />
Josh says, was<br />
nothing like<br />
working in New<br />
Orleans. In Orange County, he did a<br />
lot of handicap modifications: putting<br />
in ramps, grab bars, special showers,<br />
and other minor repairs. Here in New<br />
Orleans, Josh quickly learned, RT is<br />
faced with a much more gargantuan<br />
task. When Josh moved from<br />
California, he felt the thrill of getting<br />
involved with something at the ground<br />
level. As supply manager, Josh has<br />
been putting in some long hours getting<br />
everything up to speed, but it’s all<br />
worth it, he says, when you see people<br />
moving back into their homes.<br />
SARA MOORE<br />
Sara has lived in New Orleans for<br />
25 years now, but when she first visited<br />
during the<br />
World’s Fair in<br />
1983, she<br />
was a total<br />
neophyte. “I<br />
had never<br />
been down<br />
south in my<br />
whole life, but<br />
when my sister moved down I had to<br />
come visit.” Before long, Sara had a<br />
job working for the World’s Fair and<br />
had moved away from her native<br />
New Jersey. When the World’s Fair<br />
ended, she worked for the<br />
Convention <strong>Center</strong>, where she<br />
stayed until a few months ago. As<br />
intake manager for Rebuilding<br />
Together, Sara is responsible for sorting<br />
through all the homeowners who<br />
apply for help, something she enjoys<br />
immensely: “I love helping people<br />
get back into their homes.”<br />
MARCELLE BOUDREAUX<br />
Marcelle comes to the PRC from the<br />
Historic <strong>Resource</strong>s Group, a private,<br />
for-profit, historic<br />
preservation<br />
consulting<br />
group in Los<br />
Angeles. After<br />
a four month<br />
stint working<br />
for the Indian<br />
National Trust<br />
for Art and Cultural Heritage in New<br />
Delhi, she decided to move back to<br />
New Orleans, her hometown. “I had<br />
to go to the other side of the world<br />
to realize I came from a really interesting<br />
culture,” she says. Now<br />
Marcelle writes for <strong>Preservation</strong> in<br />
Print and assists Rebuilding Together,<br />
and is hoping to attend architecture<br />
school in the near future.<br />
BRITTON HERRING<br />
Hailing from Lafayette and New<br />
Iberia, Britton first came to New<br />
Orleans in 1984 to see the World’s<br />
Fair. Inspired<br />
by the city’s<br />
buildings, he<br />
decided to<br />
become an<br />
architect.<br />
While attending<br />
Tulane<br />
architecture<br />
school, Britton was somewhat frustrated<br />
by the emphasis placed on<br />
modern design. Even after he<br />
received his architecture degree,<br />
Britton felt that he had missed out on<br />
a lot of history, so he decided to go<br />
back to school for a master’s in<br />
preservation, which he expects to<br />
receive next year. Britton spent a<br />
semester volunteering for Operation<br />
Comeback, working on projects in<br />
Holy Cross, and says he would love<br />
to do more preservation work.<br />
“New Orleans is a city about<br />
preservation,” Britton says. “It’s a<br />
very important time to keep it<br />
together.”<br />
KEVIN BARNES<br />
Born and raised in Alabama, Kevin<br />
first moved to New Orleans in<br />
1999, after falling in love with the<br />
city on a visit.<br />
“This really is<br />
the jewel of<br />
the South, and<br />
I just loved the<br />
city and all its<br />
culture.” Kevin<br />
has worked for<br />
Rebuilding<br />
Together since 2003, and so he<br />
hardly counts as a new staff member,<br />
but it was only in December<br />
that he returned to RT after a<br />
Katrina-induced exile in San<br />
Francisco, where he worked with<br />
homeowner’s insurance and tried to<br />
sell his house in New Orleans. “It<br />
was just time to move back. I figured<br />
that if anyone could help, it<br />
was people who had gone through<br />
similar things,” Kevin said.<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 23<br />
ACTIVELY FOR SALE<br />
ACTIVELY FOR SALE<br />
The owners of the following houses have contacted Operation Comeback and asked us to market their properties.<br />
Though you may not see a “For Sale” sign outside, each house is being offered to a renovator committed to doing a respectful<br />
renovation, whether for owner occupancy, resale or rental. To view the properties in their neighborhood settings, please<br />
contact Sarah Bonnette, Operation Comeback’s Information Manager, at (504) 636-3047 or sbonnette@prcno.org.<br />
6212 Burgundy St., Holy Cross: This more than 150-<br />
year-old Creole cottage needs a loving renovator to bring it<br />
back to life. There’s lots of potential in the open floor plan,<br />
which could make a perfect studio space or home for a single<br />
occupant. The property’s double lot leaves lots of room<br />
to build an addition. $60,000 as is.<br />
607 Flood St., Holy Cross: Discover this hidden gem with a lovely<br />
side yard garden and back yard! The one-bedroom, onebath<br />
single shotgun with bargeboard construction was renovated<br />
just before Hurricane Katrina. Property near Mississippi<br />
River flooded but has been gutted. It includes a utility room and<br />
covered rear patio. $75,000 as is.<br />
3635 Livingston St.: Original Lustron house on large corner<br />
lot in New Orleans neighborhood near Old Metairie. Twobedroom,<br />
one-bath house is constructed of enameled steel<br />
panels and is one of the few remaining examples of its kind<br />
in the city and the country! Interior flooded with more than 4<br />
feet of water, but has been gutted. Price negotiable.<br />
1425 Piety St., Bywater: Get the chance to repair an Artsand-Crafts-style<br />
double shotgun turned single-family residence.<br />
House sits on a double lot in area just outside the<br />
Bywater National Register District and flooded with more<br />
than 4 feet of water. $50,000 as is.<br />
6126 Royal St., Holy Cross: Make what neighborhood residents<br />
say was former dance hall your home! The two-bedroom, onebath<br />
single shotgun also has side gallery porch, detached shed<br />
with utilities and a nice backyard. House flooded with 4 feet of<br />
water, but has been gutted. Repairs will need to be made to collapsed<br />
front porch. $40,000 as is or negotiable.<br />
4914-16 N. Rampart St., Holy Cross: Turn this double shotgun<br />
located near Holy Cross School into your home. Each<br />
side of this unrenovated house has two bedrooms and one<br />
bath and flooded with up to 6 feet of water. $30,000 as is<br />
(seller also requesting that buyer pay $3,500 in property<br />
taxes).<br />
418 St. Maurice Ave., Holy Cross: This single shotgun with<br />
side and back additions has lots of space! The four-bedroom,<br />
two-bath house is unrenovated so there’s lots of<br />
potential to create the floor plan you want in a location near<br />
the Mississippi River. $90,000 as is or negotiable.<br />
Please note: Because Operation Comeback is a<br />
non-profit program of the <strong>Preservation</strong> <strong>Resource</strong><br />
<strong>Center</strong>, we do not enter into contractual agreements<br />
with the sellers of properties. Sellers are<br />
free to choose to accept an offer from any party<br />
interested in a home, not limited to parties that<br />
the Operation Comeback staff has referred to the<br />
seller.<br />
www.prcno.org
24 APRIL 2007 PRESERVATION IN PRINT<br />
The Priestley School<br />
for Architecture and<br />
Construction Prepares<br />
Students for College<br />
and Careers<br />
by Lindsay McCook, AmeriCorps* VISTA volunteer at PRC<br />
With an enrollment of about 75 ninth<br />
graders, The Priestley School has almost<br />
completed its first year of operation.<br />
Community support, a dedicated staff<br />
and an enthusiastic student body have<br />
made this year a resounding success<br />
for the new charter school.<br />
S<br />
till based on the second floor of<br />
the MacNair building on<br />
Carrollton Avenue between<br />
Birch and Green streets, the Priestley<br />
School draws its students from the surrounding<br />
neighborhoods of Uptown,<br />
Carrollton and Hollygrove, as well as<br />
more far-flung areas such as the 7th<br />
Ward and New Orleans East. The academic<br />
year began using a curriculum<br />
designed with help from Tulane<br />
University’s School of Architecture.<br />
Principal Michelle Biagas worked with<br />
Priestley’s 10-person staff to learn why<br />
the students were interested in attending<br />
the unique school and educate<br />
them about the Priestley mission.<br />
Some students, like Donaysha<br />
Stroughter, enrolled because their parents<br />
were interested in the college-prep<br />
learning model. Donaysha said that<br />
before attending Priestley she hadn’t<br />
considered a university education. Now<br />
she hopes to go to college to study<br />
interior design. Other students, like<br />
Kevin Tennessee, applied to Priestley<br />
The original Priestly School building on Leonidas St. Principal Michelle Biagas<br />
hopes to involve students in future restoration projects, allowing the school to<br />
move out of their temporary space in the MacNair building.<br />
to take advantage of the opportunity to<br />
develop skills for the architecture and<br />
construction professions. Like<br />
Donaysha, he now hopes to attend college<br />
after graduation from Priestley.<br />
“The kids are really empowered,”<br />
Biagas said. “To have students excited<br />
about education in New Orleans is a<br />
big deal.”<br />
Part of this is due to Biagas’s nurturing<br />
attitude. If a student comes up with<br />
an idea and follows through with a<br />
written proposal, the school will make<br />
a serious attempt to implement it.<br />
Donaysha and Kevin agreed: “We can’t<br />
wait to go to school. At other schools<br />
you can’t make suggestions. Here, you<br />
can ask for anything if you just try.”<br />
Students are part of the decisionmaking<br />
process at Priestley, even suggesting<br />
curriculum. Ms. Biagas said that<br />
the transformation has become obvious<br />
in the way students handle tasks. “When<br />
the students first got here they said, ‘I<br />
can’t, I can’t, I can’t.’ Now it’s ‘Give me<br />
a minute, and let me figure it out.’ ”<br />
The combination of standard college<br />
prep classes and the architecture,<br />
construction and business tracks offered<br />
at Priestley affords students the chance<br />
to work on all-encompassing projects.<br />
Early in the year, students concentrated<br />
on three- to five-day projects in their<br />
classrooms, but in December they<br />
began their first large-scale project – an<br />
introduction to plantations. Gene<br />
Cizek, a member of the school’s board,<br />
took the students to Laura and<br />
Destrehan plantations for site visits.<br />
Students learned building techniques<br />
and took measurements and pictures.<br />
Later, they created presentations, models<br />
and reports on the two structures.<br />
Students also worked with LSU<br />
landscape architecture students to<br />
develop plans for landscaping the out-<br />
GET DIRTY<br />
The<br />
Garden Trellis<br />
8015 Maple St.<br />
(504) 861 1953<br />
Tues.-Fri. 9-5<br />
Sat. 9-2<br />
The Priestley curriculum includes standard college preparatory classes as well as<br />
architecture, construction, and business tracks. Students at Priestley say their<br />
classes are far more engaging than anything they’ve experienced before.<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 25<br />
Donaysha Stroughter and Kevin Tennessee, members of Priestly’s first class of<br />
freshmen, say their first year has been stellar. “The good thing about this school<br />
is that it’s like a family,” Kevin says.<br />
side of their temporary school site, the<br />
MacNair building. With the help of<br />
about 16 New Orleans Saints football<br />
players (including Drew Brees), the<br />
Priestley and LSU students planted<br />
trees and shrubery around the school.<br />
The Saints also donated $5,000<br />
through their Hometown Huddle program<br />
so the Priestley students could<br />
have a recreational room at school.<br />
Students also attended the World<br />
Monuments <strong>Preservation</strong> Conference<br />
for three days and helped to restore<br />
homes in Holy Cross. Before the year<br />
ends, the students are slated to travel<br />
to Washington, D.C., where they will<br />
study the architecture and do a project<br />
based on various city sites. Each year<br />
different grades will take trips around<br />
the country to expand their knowledge<br />
of architecture and career opportunities.<br />
They will also visit colleges and<br />
universities.<br />
As the students continue through<br />
the curriculum, they will gain more and<br />
more hands-on experience with architecture<br />
and construction in order to<br />
attend college or enter the trades. “We<br />
want to expose them to all that we<br />
can,” said Biagas. “We want them to<br />
have a complete portfolio to make<br />
choices.”<br />
The school has good community<br />
support. Neighbors were invited to give<br />
feedback on the landscaping project.<br />
Student work also is currently on<br />
exhibit at the Contemporary Arts<br />
<strong>Center</strong>. Residents often volunteer at<br />
the school.<br />
“I feel like this school can do great<br />
things if we continue with the support<br />
of the community. We’re trying to do<br />
something different. We’re giving the<br />
kids the best this city and state have to<br />
offer,’ Biagas said. “We can’t lose this<br />
program.”<br />
The current goal at Priestley is to<br />
expand the student body. When the<br />
current students become sophomores in<br />
the fall, Priestly will add another class<br />
of freshmen, as well as a new sports<br />
program.<br />
The students will testify that<br />
Priestley is a one-of-a-kind experience.<br />
“The good thing about this school is<br />
that it’s like a family,” Kevin Tennessee<br />
said. “We greet people and make them<br />
feel comfortable.”<br />
Future plans for the school’s location<br />
are under discussion. Although the<br />
February tornado ripped a hole in the<br />
wall of the Priestley library just before<br />
the Priestley School’s Open House, the<br />
response of the Recovery School<br />
District was swift. “We really opened<br />
the house!” joked Biagas. The school<br />
will stay in the MacNair building until<br />
the original Priestley School, located<br />
nearby on Leonidas St., is restored.<br />
Right now, the school lacks the funding<br />
for the renovation.<br />
To learn more about the Priestley<br />
School for Architecture and Construction,<br />
or to view applications for both ninth and<br />
tenth grades, please visit the website at<br />
http://priestleyschool.org.<br />
www.prcno.org
26 APRIL 2007 PRESERVATION IN PRINT<br />
Believe in New Orleans – Invest in the PRC<br />
MEMBERSHIP BENEFITS<br />
<strong>Preservation</strong> in Print subscription<br />
Discount on PRC tours, events and retail items<br />
Advance notice of PRC workshops and events<br />
Use of PRC library<br />
Invitation to PRC Annual Meeting<br />
Memorials and Tributes<br />
In Honor of<br />
EVELYN COX<br />
By<br />
Dr. and Mrs. Richard Strub<br />
PRC PROGRAMS<br />
Operation Comeback<br />
Rebuilding Together<br />
Ethnic Heritage <strong>Preservation</strong><br />
Historic <strong>Preservation</strong> Education<br />
Façade Easements<br />
✁<br />
❑ YES, I want to be a PRC member!<br />
❑ YES, I want to volunteer.<br />
________________________________________________________________<br />
Name<br />
________________________________________________________________<br />
Address<br />
________________________________________________________________<br />
City, State, Zip<br />
________________________________________________________________<br />
Phone<br />
________________________________________________________________<br />
e-mail<br />
Payment Method: ❑ Check ❑ MasterCard ❑ Visa ❑ AMEX<br />
________________________________________________________________<br />
Card #<br />
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MEMBERSHIP CATEGORIES:<br />
General<br />
❑ $30 Friend (first time members, students, seniors & neighborhood groups)<br />
❑ $40 Individual (discounts for one)<br />
❑ $60 Dual (discounts for two)<br />
❑ $100 Household (discounts for four)<br />
Heritage Club<br />
❑ $250<br />
❑ $350<br />
❑ $500<br />
❑ $1000<br />
PRC EVENTS<br />
Holiday Home Tour<br />
Julia Jump<br />
Stained Glass Art in Sacred Places Tour<br />
Heritage Club Luncheon and Reception<br />
Shotgun House Month<br />
Great Neighborhood Sellabration<br />
Ladies In Red Gala<br />
Lecture series and workshops<br />
MEMBERSHIP FORM<br />
Preserver (discounts for four, plus special invitations and listing in<br />
<strong>Preservation</strong> in Print)<br />
Restorer (same as above, plus one free Holiday Home Tour ticket*)<br />
Conservator (same as above, plus one free Heritage Club Luncheon ticket*)<br />
Landmark (same as above, plus one free Julia Jump ticket*)<br />
*Please request at least two weeks prior to event.<br />
Enclose payment information and mail to:<br />
<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong><br />
923 Tchoupitoulas Street, New Orleans, LA 70130<br />
Of the total amount of your dues, $15.00 is for your subsciption to <strong>Preservation</strong> in Print. Minimum dues<br />
are $30. The portion of your payment that exceeds $15.00 is tax-deductible to the fullest extent of the law.<br />
An integral part of the PRC mission is<br />
to reach out and educate the community<br />
about historic preservation.<br />
Operation Comeback (OC) has staged<br />
hundreds of workshops since 1988,<br />
but certainly among its most popular<br />
are the monthly Renovators’ Happy<br />
Hours at homes in progress with the<br />
owners, architects, contractors, OC<br />
staff and other specialists there to<br />
answer questions from the 50 to 100<br />
people who attend. The crowd at the<br />
March Happy Hour in Melissa Gibbs’s<br />
French Quarter renovation project<br />
poured into Dumaine Street.<br />
CALENDAR OF EVENTS<br />
All events at the PRC unless otherwise noted.<br />
For more information, call 504-581-7032 or log onto www.prcno.org<br />
APR 18<br />
Richard Moe, president of the<br />
National Trust for Historic<br />
<strong>Preservation</strong>, will be the keynote<br />
speaker at the PRC Annual Meeting<br />
May 10, 5:30 p.m., at St. Charles<br />
Presbyterian Church. The Trust was on<br />
the ground in New Orleans immediately<br />
after Hurricane Katrina and has<br />
remained committed with personnel,<br />
leadership, professional volunteers<br />
and funding ever since. “As long as it<br />
takes,” Moe has said. (Photo courtesy<br />
of the National Trust.)<br />
RENOVATORS’ HAPPY HOUR: FAUBOURG DELACHAISE<br />
Operation Comeback showcases the renovation of an Uptown<br />
bracketed double shotgun at the April Renovators’ Happy Hour<br />
event in Faubourg Delachaise. Owner Mehmet Ergelen has<br />
fashioned an L-shaped floor plan that features a one-bedroom<br />
apartment on one side of the house and master suite and loft on<br />
the other. Tour the house from 5:30 - 6 p.m., hear from the<br />
owner and Operation Comeback staff, view before and after<br />
floor plans and photos, and enjoy refreshments (including wine).<br />
5:30 p.m., 732-34 Delachaise Street, $5/person,<br />
Bonnette@prcno.orgor (505) 636-3047.<br />
WEEK OF COTTAGE LIVING IDEA HOUSE Watch the vacant lot at 4505<br />
Camp Street as the Cottage Living Idea Home begins to spring<br />
to life! Sometime during the week of April 23, the house will<br />
arrive on trucks from the modular home assembly facility of<br />
Haven Homes in Georgia. Over the following six weeks, contractor<br />
G&H Restorations will build porches, lay floors and<br />
tiles, and install cabinets and paint. By June 1, the house will be<br />
ready for designers Holden & Dupuy to trim the house out with<br />
furnishings and accessories. For more information, call David<br />
Fields at (504) 636-3070 or email him atdfields@prcno.org.<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 27<br />
Thank you to our Major Donors<br />
Annual Major Donor membership support includes gifts to PRC programs, general operations, fundraising events, the<br />
Operation Comeback Revolving Fund and the Homeowner Assistance and Neighborhood Recovery Fund.<br />
Roger C. Altman<br />
Auditorium Theater of Roosevelt University<br />
Booth-Bricker Fund<br />
Joe W. and Dorothy Dorsett Brown<br />
Foundation<br />
City of New Orleans – Neighborhood 1<br />
Credit Suisse (USA), Inc.<br />
Fannie Mae Foundation<br />
The Helis Foundation<br />
Home and Garden Television<br />
Local Initiatives Support Corporation<br />
Tony Margherita Management/WILCO<br />
American Express Company<br />
Mr. R.W. Boebel<br />
CHASE<br />
Clein/Lemann Esperanza Fund<br />
Continental Underwriters - Mr. and Mrs. H.<br />
Elder Brown, Jr.<br />
Goldring Family Foundation<br />
Bacco’s<br />
Brand Scaffolding, Inc.<br />
Edgar A. Bright<br />
ChevronTexaco<br />
Dash Lumber<br />
Mr. and Mrs. H.M. Favrot, Jr.*<br />
FL Advisors, LLC/ Mr. Hank Lauricella, Jr.<br />
Friend and Company<br />
Kelly and Elizabeth Gibson<br />
Graham Foundation for Advanced Studies<br />
in the Fine Arts<br />
The Gumbo Foundation<br />
Gustaf Westfeldt McIlhenny<br />
Family Foundation*<br />
Hibernia National Bank<br />
Italianate<br />
Greek Revival<br />
www.prcno.org<br />
Landmark<br />
$25,000 and above $1,000 - $2,499<br />
$15,000 - $24,999<br />
Romanesque Revival<br />
A Friend of PRC<br />
Adams & Reese, LLP<br />
Dr. and Mrs. Luis Balart*<br />
BellSouth<br />
Bisso Towboat Co., Inc.<br />
Mr. Michael Burke<br />
Mark M. Cassidy, M.D.*<br />
The Coastal Bank<br />
Colorado <strong>Preservation</strong>, Inc.<br />
Eugenie and Joseph Jones Family<br />
Foundation<br />
The Finance Authority of New Orleans<br />
Mrs. Stephanie Haynes<br />
Historic Boston, Inc.<br />
Iberia Bank<br />
Mr. and Mrs. Walter Isaacson<br />
Samuel H. Kress Foundation<br />
Steve Kroft<br />
Latter and Blum, Inc./Realtors<br />
Mr. and Mrs. Michael Lewis<br />
AmSouth Bank<br />
The Aspen Institute<br />
Azby Fund<br />
Baptist Community Ministries<br />
Bayou Tree Service<br />
Cahn Family Foundation*<br />
Comic Relief, Inc.<br />
Corporate Housing Providers Assn.<br />
Countrywide Home Loans<br />
Deutsch, Kerrigan and Stiles, LLP<br />
Mr. and Mrs. D. Blair Favrot*<br />
Mr. and Mrs. Thomas B. Favrot*<br />
GPOA Foundation<br />
Mr. and Mrs. George Griswold II*<br />
Il Trullo Restaurant<br />
The Jackson Assembly<br />
$10,000 - $14,999<br />
Steamboat Gothic<br />
$5,000 - $9,999<br />
Queen Anne<br />
$2,500 - $4,999<br />
Mignon Faget Ltd.<br />
National Trust for Historic <strong>Preservation</strong><br />
Ogden Museum of Southern Art<br />
People of Saudi Arabia<br />
Reader’s Digest Foundation<br />
Rebuilding Together, Inc.<br />
Saks Fifth Avenue<br />
Shell Exploration & Production Company<br />
The Reily Foundation<br />
The Ryder Family Fund<br />
The New Orleans Saints<br />
Zemurray Foundation<br />
Mrs. John D. Guthrie*<br />
Historic Charleston Foundation<br />
The Home Depot<br />
Mrs. Lois H. Lazaro<br />
Parkside Foundation - Ms. Nancy Lemann<br />
Proctor and Gamble Fund<br />
Shields Mott Lund LLP<br />
International Medical Corps<br />
Junior League of Orange County CA, Inc.<br />
Mr. Kevin M. Kelly*<br />
Memorial Medical <strong>Center</strong><br />
Jerome S. and Grace H. Murray<br />
Foundation<br />
Mr. Jonathan Newhouse<br />
Kathleen and Randy Opotowsky*<br />
Mary E. Peters and Robert W. Polchow<br />
Foundation<br />
Sage Hospitality<br />
Wayne Troyer Architect, LLC<br />
Wells Fargo Home Mortgage<br />
Whitney National Bank<br />
Philip Woollam<br />
Los Angeles Conservancy<br />
LSU Alumni Association- San Diego<br />
McDermott International<br />
Dr. Dwight L. McKenna<br />
Ann Nichols*<br />
NOHMA Development Corporation<br />
Michelle H. Oakes<br />
The Oxford Hotel<br />
Angèle M. Parlange<br />
Phelps Dunbar, LLP<br />
The <strong>Preservation</strong> Society of Charleston<br />
Mr. and Mrs. Benjamin M. Rosen<br />
Sherwin Williams<br />
Mrs. William A. Slatten*<br />
Sotheby’s International Realty<br />
Sprint/Nextel<br />
State Farm Mutual Insurance Co.<br />
Waldemar S. Nelson & Co., Inc.*<br />
Windsor Court Hotel<br />
Mary Freeman Wisdom Foundation*<br />
Junior League of New Orleans<br />
Christel and Keene Kelley*<br />
Mr. Kristopher B. King<br />
Liberty Mutual Insurance<br />
Prudential Gardner Realtors<br />
Regions Bank<br />
Mr. and Mrs. Charles S. Reily*<br />
Robinson Lumber Co.<br />
Susan Thomson-Rutland*<br />
Mr. Thomas J. Schwartz<br />
Mr. and Mrs. Geoffrey P. Snodgrass*<br />
Patricia Strachan<br />
Target Foundation<br />
Hollie Vest<br />
Mr. George Q. Whitney*<br />
Mr. and Mrs. Linton L. Young*<br />
A Friend of PRC<br />
Dr. and Mrs. Kenneth N. Adatto*<br />
Coleman E. Adler & Sons<br />
Mrs. Jack R. Aron*<br />
ASA Architects, PA<br />
Mr. and Mrs. John S. Bakalar<br />
Ellen and Mac Ball *<br />
Dorothy Ball<br />
Mr. and Mrs. Benjamin Benton*<br />
Betty Bird and Associates, LLC<br />
Mr. Joseph B. Bonhage, Jr.*<br />
Mr. and Mrs. John G.B. Boyd*<br />
Jean Bragg*<br />
Susan and Ralph Brennan*<br />
Mr. and Mrs. Adolph Bynum, Sr.*<br />
Bynum’s Pharmacy<br />
Mr. and Mrs. William K. Christovich*<br />
Churchill Downs Horseracing Co., LLC<br />
CII Carbon, LLC<br />
Mr. Ernesto Caldeira*<br />
Mr. and Mrs. John F. Carrere/<br />
The Meadows Foundation*<br />
<strong>Center</strong> for <strong>Preservation</strong> Initiatives<br />
Mr. and Mrs. W.F. Chappell III *<br />
Mr. and Mrs. Edgar L. Chase III*<br />
CityBusiness<br />
Coca-Cola Foundation<br />
Kay and John Colbert<br />
Mr. and Mrs. Daniel O. Conwill IV<br />
Mrs. Kyser Cox*<br />
Mr. and Mrs. Valeton J. Dansereau*<br />
Mary and Arthur Q. Davis*<br />
Gene Daymude<br />
Mr. Jules C. De la Vergne*<br />
Mr. and Mrs. Gerald A. Derks*<br />
Collins C. Diboll Private Foundation<br />
Dr. and Mrs. J.O. Edmunds, Jr.*<br />
Entergy Corporation<br />
Eskew+Dumez+Ripple<br />
Faultless Starch/Bon Ami Co.<br />
Fenner French Foundation<br />
First Bank and Trust<br />
Gaiennie Lumber<br />
Margaret B. Gehbauer<br />
Mr. and Mrs. G. Anthony Gelderman, III*<br />
Gottsegen Orthodontics<br />
Mr. and Mrs. John J. Graham*<br />
Melissa and John D. Gray<br />
JoAnn and Harry Greenberg Fund *<br />
A Friend of PRC<br />
Accounts Receivable Management<br />
Mr. and Mrs. Robert P. Adams<br />
Dr. and Mrs. Carl Adatto<br />
Mr. Lee R. Adler<br />
Dr. Tamer Acikalin<br />
Mr. and Mrs. Wayne F. Amedee<br />
Jimi K. Andersen<br />
Barriere Construction Co., LLC<br />
Mr. and Mrs. Beauregard L. Bassich<br />
Janet and Jim Bean<br />
Mr. and Mrs. Amos T. Beason<br />
Ms. Jill Newman Benoit<br />
Mr. Andrew Bevolo<br />
Elizabeth M. Boggess<br />
Ms. Deborah Bortner<br />
Ms. Ann E. Breen<br />
Mrs. Virginia M. Brooks<br />
Mr. J.F. Bryan IV<br />
Mr. David L. Campbell<br />
Ms. Alison R. Caponetto<br />
Mr. and Mrs. Gary L. Carnathan<br />
Mr. and Mrs. Tony Carter<br />
Mr. and Mrs. Leonhard E. Casey<br />
Chin Music Press, Inc.<br />
Mr. William K. Christovich<br />
Dr. Carolyn M. Clawson<br />
Mr. and Mrs. Walter D. Cockerham<br />
Mr. Richard C. Colton Jr.<br />
Coughlin-Saunders Foundation<br />
Mr. Robert E. Coulter<br />
Ms. Kaye N. Courington and<br />
Mr. Lance R. Rydberg<br />
Mr. Courtney C. Crouch, Jr.<br />
Mr. and Mrs. Charles Davis<br />
Dr. and Mrs. Paul M. Davis, Jr.<br />
DC <strong>Preservation</strong> League<br />
Delk & Morrison, Inc.<br />
Mr. and Mrs. R. E. E. deMontluzin III<br />
Mr. Michael Diecidue/Dash Lumber<br />
Mr. and Mrs. John M. Eastman<br />
Marjorie Esman<br />
Mr. Adam Fahnestock<br />
Mr. and Mrs. Conway Farrell<br />
Mr. Stephen R. Favrot<br />
Dr. Ricardo Febry and Ms. Helen Baffes-Febry<br />
Fifth District Savings and Loan Assn.<br />
Mr. and Mrs. Brian C. Fitzpatrick<br />
Mary & Vaughan Fitzpatrick<br />
Joan and Henry Folse<br />
Fowler, Rodriguez and Chalos<br />
Mrs. Rosemarie B. Fowler<br />
Dr. and Mrs. Ronald J. French<br />
Mr. Eric Gabriel<br />
Garden District Book Shop<br />
Mrs. Anne B. Gauthier<br />
Mr. Charles F. Gay, Jr.<br />
Patricia H. Gay<br />
Georgia Institute of Technology<br />
Ms. Julie Goldman<br />
Parker and Virginia Griffith*<br />
Mr. and Mrs. J. Keith Hardie, Jr.*<br />
Historic Pittsford<br />
Mr. Michael Holleran<br />
Mrs. Susan K. Hoskins*<br />
Heidi and Arthur Huguley*<br />
Mr. and Mrs. Alex T. Hunt, Jr.*<br />
Mr. Thomas Jeffris<br />
Kanner & Whiteley, L.L.C.*<br />
Mrs. Mary Liz Keevers<br />
Ms. Anne Zoller Kieffer<br />
KFK Group<br />
Eugenia & Albert Lamar Fund<br />
Mr. H. Merritt Lane, Jr.<br />
Mr. and Mrs. Dennis P. Lauscha*<br />
Jule Lang Interiors*<br />
Mary Liz Keevers<br />
Linda and Gordon Kolb<br />
Mr. and Mrs. Lawrence Kurzius*<br />
Mr. and Mrs. E. Theodore Laborde*<br />
Eugenia and Albert Lamar Fund*<br />
Mr. Henry Lambert and Carey Bond -<br />
Lambert and Bond*<br />
Dr. R. Dale LeBlanc and Mr. Hal Williamson*<br />
Mr. and Mrs. William R. Legier<br />
Mrs. J. M. Lapeyre*<br />
Mr. Paul J. Leaman, Jr.*<br />
John and Donna Lee*<br />
Mrs. Carolyn Leftwich*<br />
Mr. and Mrs. J. Thomas Lewis*<br />
Liberty Bank and Trust Company<br />
Mrs. Paula Maher*<br />
Marrero Land and Improvement<br />
Association, Ltd.*<br />
Miami Corporation*<br />
Mr. Jerry Mayo<br />
Mr. and Mrs. John M. McCollam*<br />
Ms. Michelle McFaull<br />
McGraw-Hill Companies<br />
Bob and Beth Mazur*<br />
Mr. and Mrs. Clarkson P. Moseley*<br />
Mr. Stephen B. Murray, Jr.<br />
National Assoc of Local Housing and<br />
Finance Agency<br />
Dorothy Duval Nelson*<br />
New York Landmarks Conservancy<br />
Mr. Saul Opotowsky*<br />
Mr. and Mrs. J. Marshall Page III<br />
Mr. Brandon G. Parlange<br />
Conservator<br />
$500 - $999<br />
The Green Project<br />
George G. Griswold<br />
Mr. and Mrs. James O. Gundlach<br />
Jeff and Barbara Griffin<br />
David Greenberg<br />
J.W. Groome<br />
Mr. and Mrs. H.H. Hanks<br />
Mrs. Joseph Haspel, Jr.<br />
Dr. and Mrs. Robert B. Haspel<br />
Mr. and Mrs. Robert C. Hassinger<br />
Mr. and Mrs. Frank B. Hayne<br />
Alison K. Hoagland<br />
Marilee and Andrew Hovet<br />
Ms. Leslie Jacobs<br />
LaPorte Sehrt Romig Hand, CPAs<br />
J.B. Levert Foundation<br />
Ms. Sandra Jaffe<br />
Mr. James B. Jeffrey<br />
Mr. Thomas Jeffries<br />
Mr. Mark E. Juedeman<br />
Mr. and Mrs. Sanford B. Kaynor<br />
Charles Kenney<br />
Gretchen and Dan Kenney<br />
Mrs. Beverly R. Lamb<br />
Mimi and John LeBourgeois<br />
Thomas B. Lemann<br />
Marjory M. Lyman<br />
Legier and Materne, APAC<br />
Louisiana Endowment for the Humanities<br />
Mrs. Stephen Douglas McAvoy<br />
Ms. Elizabeth R. McCall<br />
Drs. Sam and Katherine McClugage<br />
Mr. and Mrs. William McCollam<br />
Mr. and Mrs. Gerald D. McInvale<br />
Dr. Jimmy L. Mains and Dr. Dian Sanders<br />
Mr. Michael Marienthal<br />
Mr. John F. Marshall<br />
Mrs. Chase R. Martin<br />
Martin Wine Cellar<br />
Ann and Frank Masson<br />
Mr. Dan A. Mayer<br />
Mr. and Mrs. Saul A. Mintz<br />
Mr. and Mrs. Robert Mirsberger<br />
Mr. Richard Moe<br />
Leroy and Ruby Molaison<br />
Richard C. Nesbitt<br />
Mr. and Mrs. William R. Newton<br />
Ms. Julie Nusloch<br />
Mr. Eric Overmyer & Ms. Ellen McElduff<br />
Mr. and Mrs. Richard O’Krepki<br />
Platt Byard Dovell White Architects, LLP<br />
Mr. Ed Oneto- Finance Power<br />
Mr. and Mrs. Eliot Orton<br />
The Owen Family - Ms. Martha Owen<br />
Mr. and Mrs. Robert L. Perez<br />
Mr. and Mrs. O. Miles Pollard Jr.<br />
Mrs. Sylvia Todd Porteous<br />
Ms. Carrie Portis<br />
The Prudential Foundation<br />
Dr. and Mrs. John Quinn<br />
Patrick F. Taylor Foundation<br />
Tia Nolan and Jim Roddy *<br />
Office of Safety and Permits<br />
Mr. and Mrs. Percy Pierre*<br />
<strong>Preservation</strong> and Conservation Association<br />
Mr. John Reed and Ms. Jon Kemp*<br />
Reich & Tang Asset Management, LLC<br />
Mr. and Mrs. Boatner Reily III *<br />
Deaun Lewis Reilly<br />
Reily Foods, Inc.<br />
Pat Curtis and Bill Bryan -<br />
Remax New Orleans Properties<br />
Renew New Orleans Foundation<br />
Mrs. Bryce W. Reveley<br />
Mr. and Mrs. George Reynolds*<br />
Mr. and Mrs. Peter Ricchiuti*<br />
Mr. and Mrs. R. Randolph Richmond, Jr.*<br />
Mr. and Mrs. André J. Robert*<br />
Mr. James A. Robinson<br />
Rosenthal and Jacobs Foundation Fund*<br />
Melanie M. Roth<br />
Mr. Barry W. Rovner<br />
Rye Presbyterian Church<br />
Mr. and Mrs. Lloyd N. Shields*<br />
Mr. and Mrs. Simon Shlenker III*<br />
Mrs. Nancy Fant Smith*<br />
Society for the <strong>Preservation</strong> of<br />
Maryland Antiquities<br />
St. Charles Avenue Presbyterian<br />
Steeg Law Firm<br />
Stempel Bennett Claman & Hochberg, P.C.<br />
Mrs. Saul Stone<br />
Mrs. Harold H. Stream*<br />
Dr. and Mrs. Richard l. Strub*<br />
Swarthmore Community <strong>Center</strong><br />
Tozer Family Fund<br />
Mr. John G. Turner and Mr. Jerry Fischer*<br />
URS Corporation<br />
Mr. and Mrs. George G. Villere*<br />
Louis Vuitton Opening<br />
Waggonner and Ball Architects<br />
Mr. and Mrs. R. Preston Wailes*<br />
Ambassador and Mrs. John G. Weinmann<br />
Ms. Eleanor Westfeldt<br />
Wheless Foundation*<br />
Frank and Conlee Whiteley*<br />
Elizabeth G. Winters<br />
Mr. and Mrs. George V. Young*<br />
Mr. Michael P. Quinn<br />
Mr. Robert Ratcliffe<br />
Mr. and Mrs. Edgar Rea III<br />
Mr. Frank Relle, Jr.<br />
Restore Media, LLC<br />
Mr. Mark A. Ricard<br />
Mrs. Francoise B. Richardson<br />
Mr. Richard N. Rigby<br />
Anne I. Robinson<br />
Charles W. Robinson<br />
Loye C. Ruckman<br />
Heath Rushing<br />
Elizabeth L. Ryan<br />
Mr. H. Paul St. Martin<br />
The San Francisco Foundation<br />
Elizabeth Schafer<br />
Ms. Nancy Schamu<br />
Dr. Milton Seiler, Jr.<br />
Mr. John Shelton<br />
I.W. Sizeler<br />
Mrs. Evald L. Skau<br />
Mr. and Mrs. Jurg K. Siegenthaler<br />
Silocaf of New Orleans, Inc.<br />
Jane and Billy Sizeler<br />
Sizeler Architects<br />
Mr. and Mrs. Lynes R. Sloss<br />
Mr. David A. Smith<br />
Mr. and Mrs. Bruce L. Soltis<br />
Mr. and Mrs. Moise S. Steeg, Jr.<br />
Mr. and Mrs. Robert B. Stobaugh<br />
H. Paul St. Martin<br />
Mr. and Mrs. Wendel Stout<br />
Mrs. Harold H. Stream<br />
Dr. and Mrs. Roger L. Stroud<br />
Jenny and Erik Sundell<br />
Mr. Tom Gault and Ms. Mary Lee Sweat<br />
Mr. Charles M. Sullivan<br />
Terra Venture Realty, Inc.<br />
Elizabeth and Chris Thompson<br />
Dr. William E. Tiemann<br />
Michael W. Tierney<br />
Jill Feldman and Sean Titone<br />
Mr. John C. Trebellas<br />
UPS Foundation<br />
Mr. Michael Valentino<br />
Mrs. W.M. Vaughey<br />
Mr. and Mrs. David Wagstaff III<br />
Mr. Timothy R. Walch<br />
Adele G. Wallace<br />
Wallick Construction and Restoration, Inc.<br />
Washington Mutual Foundation<br />
Waters Parkerson and Co., Inc.<br />
Ms. Scottie L. Webster<br />
Mr. and Mrs. Farrel A. Weil<br />
Bitsie Werlein and Grover Mouton<br />
Mr. and Mrs. John C. Williams<br />
Ms. Grace M. Williamson<br />
Ms. Patricia Woodbridge<br />
* Indicates a member of President's Circle
28 APRIL 2007 PRESERVATION IN PRINT<br />
NEW ORLEANS<br />
HISTORIC<br />
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top 100 bars.”<br />
– Esquire Magazine<br />
Classical music • Local flavor<br />
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The Apartment of the Emperor<br />
available for private parties<br />
500 Chartres<br />
524-9752<br />
www.napoleonhouse.com<br />
Simply put...Bevolo, since 1945<br />
Call for a brochure (504) 522-9485<br />
521 Conti St., New Orleans www.bevolo.com<br />
Specializing in Antique Jewelry,<br />
Formal and Provincial Antique Furniture<br />
ROYAL ANTIQUES, LTD<br />
309 Royal Street<br />
504-524-7033 • royalantiques@bellsouth.net<br />
AMERICA’S PREMIER<br />
ARTS AND ANTIQUES<br />
MARKETPLACE<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 29<br />
Developers and<br />
Residents Grapple<br />
Over Future of Bywater<br />
by Sue Hobbs, News Editor<br />
Icinola development planned at intersection of Bartholomew and Burgundy<br />
streets.<br />
When developers last fall proposed plans to<br />
insert three new building projects into Bywater,<br />
residents and the Bywater Neighborhood<br />
Association questioned whether the intended<br />
changes would fit in as positive additions to<br />
what already exists.<br />
H<br />
istoric Bywater has attracted an<br />
infusion of new investment and<br />
population in the past couple of<br />
decades, and since Bywater (which<br />
remained mostly dry during Hurricane<br />
Katrina) contains several large areas<br />
zoned light industrial, it also has attracted<br />
developers of mixed residential and<br />
commercial building projects.<br />
Context matters to Bywater residents,<br />
who are fiercely protective of the<br />
historic character of their neighborhood.<br />
They live in Bywater because<br />
they love its people-oriented culture<br />
and its blocks of 19th century single and<br />
double shotgun houses.<br />
Architects and city planners typically<br />
look to the context of existing neighborhoods<br />
to determine the appropriateness<br />
of new buildings. Context can be<br />
defined in a range of ways, however, and<br />
those different viewpoints have been at<br />
the heart of why some neighbors are<br />
pleased with the proposals for Bywater<br />
and some are not.<br />
For some, contextualism means new<br />
structures that aim to appear historic.<br />
Another approach to contextualism is<br />
to make the structure as different as possible<br />
for a contrasting juxtaposition.<br />
Others believe that new structures<br />
should be sensitive to historic structures<br />
through compatible size, scale, color,<br />
material and character.<br />
The three Bywater development<br />
projects – the National Rice Mill,<br />
Bywater Art Lofts and Icinola -- proposed<br />
in late 2006 now have reached<br />
various stages of the approval process.<br />
The Rice Mill and Art Lofts developments<br />
would adapt existing industrial<br />
structures with new interior construction<br />
and maintain the same building<br />
heights. The Icinola (pronounced eesee-nola)<br />
development proposes a mix<br />
of adaptive and new construction that<br />
some Bywater residents have welcomed,<br />
while the height, scale and modernist<br />
building designs have caused other<br />
neighbors to shudder.<br />
RICE MILL DEVELOPMENT<br />
NEARS APPROVAL<br />
National Rice Mill, developed by<br />
Sean Cummings, has received approval<br />
from the Bywater Neighborhood<br />
Association and the Historic District<br />
Landmarks Commission. Only the New<br />
Orleans City Council approval remains<br />
pending before the plans can go forward<br />
to reuse the abandoned industrial building<br />
for 60 residential units, 20,000<br />
square feet of ground floor commercial<br />
space and 105 parking spaces at<br />
Chartres and Montegut streets.<br />
Architect Wayne Troyer has distributed<br />
the existing 78 foot, 4 inch building<br />
height over five floors. The 133,500<br />
square foot space would feature a swimming<br />
pool on the ground level, nine<br />
penthouses, communal landscaped terraces,<br />
off-street parking for cars and<br />
bicycles, and an open-air public landscaped<br />
courtyard.<br />
A smokestack, shown in archival<br />
photographs to have once existed in the<br />
building, would be replicated to ventilate<br />
the courtyard. The chimney also<br />
would enclose wind turbines to generate<br />
electricity.<br />
Rice Mill apartments would be<br />
offered as rental units for the first five<br />
years.<br />
Construction is expected to take<br />
three years.<br />
ART LOFTS FOR ARTISTS<br />
Developers of Bywater Art Lofts on<br />
the site of a blighted former garment<br />
factory on the block bordered by<br />
Dauphine, Independence, Pauline and<br />
Burgundy streets initially presented<br />
plans for a mixed construction modern<br />
industrial design for 54 residential rental<br />
units, but in response to objections from<br />
Bywater residents, the architects went<br />
back to the drawing board. The new<br />
plan unveiled at a meeting for neighbors<br />
is only for renovation of the abandoned<br />
buildings into 37 apartments within the<br />
existing structures. The original plans<br />
calling for a 40-foot height also have<br />
been altered to the existing buildings’<br />
height of 22 feet, 8 inches. The 54,328<br />
square foot area of the original design is<br />
now reduced to 35,584 square feet. The<br />
Bywater Neighborhood Association has<br />
given its support to the new plan, and<br />
the city council approved zoning for<br />
conditional use on the property. With<br />
the change to no new construction for<br />
the project, developer Historic<br />
Restoration Inc. is seeking a 20 percent<br />
state tax credit for saving historic buildings.<br />
A neighbor whose home abuts the<br />
property thanked architect Gary<br />
Meadows of HCI Architecture Inc. for<br />
the lowered building elevation. “Now I<br />
will still be able to see the sunrise from<br />
my back porch,” he said.<br />
“Historic proportion is extremely<br />
important to us in the neighborhood,”<br />
said Beth Butler, a neighbor who is with<br />
ACORN. “The overwhelming feeling is<br />
people are very happy the numbers<br />
came down.” Other Bywater residents at<br />
the meeting expressed complete satisfaction<br />
with the changes. “We have been<br />
in opposition before. I’m really<br />
impressed with what you’ve done,” a<br />
meeting attendee told the developer.<br />
Neighbors also had been outspoken<br />
with their concerns about parking<br />
because the development would add residential<br />
density to the neighborhood.<br />
The design includes 47 off-street parking<br />
spaces plus scooter and bicycle storage<br />
space, while another 30 curbside<br />
spaces are available around the building.<br />
The Art Lofts name reflects who the<br />
residents would be. To qualify for residency,<br />
applicants must provide evidence<br />
that they are artists. Artisans; sculptors;<br />
craftspeople; writers; graphic designers;<br />
computer artists; people in dance, theatre,<br />
movement, textile and fiber arts<br />
and others would qualify, although none<br />
of the residents’ art would be judged.<br />
The interior would incorporate a glassenclosed<br />
courtyard space for artists’<br />
exhibitions. However, artists’ maximum<br />
annual income must not exceed $22,000<br />
for one person or $31,000 for four people.<br />
Artists would not be prohibited<br />
from income increases above those limits<br />
during their residency at Art Lofts.<br />
Seven two-bedroom units would rent for<br />
$594 per month, and 30 one-bedroom<br />
units would rent for $492 per month.<br />
The units are targeted for occupancy by<br />
December 2008.<br />
ICINOLA ON FOUR BLOCKS<br />
The Icinola mixed construction of<br />
residential condominium and commer-<br />
continued on page 30<br />
www.prcno.org
30 APRIL 2007 PRESERVATION IN PRINT<br />
continued from page 29<br />
cial space on four blocks at the intersection<br />
of Burgundy and Bartholomew<br />
streets has been more controversial and<br />
harder for some neighbors to accept,<br />
despite extensive redesign in response to<br />
concerns of the Architectural Review<br />
Committee (ARC) of the Historic<br />
District Landmarks Commission<br />
(HDLC) and some Bywater residents.<br />
The Bywater Neighborhood<br />
Association’s response to the development<br />
plans has been more tempered<br />
than that of individual neighbors, whose<br />
strong opinions have ranged from support<br />
for the juxtaposition of the initial<br />
Icinola modern industrial design with<br />
Bywater’s 19th century shotgun houses,<br />
to requests for designs related more to<br />
traditional New Orleans’ features such<br />
as balconies, galleries, and shutters, to<br />
outright resistance.<br />
The developers have held four charrettes<br />
to update neighbors and seek input.<br />
Their presentations to Bywater residents<br />
are part of the process that could make or<br />
break the project. If the residents don’t<br />
want it, their influence could lead council<br />
members to vote against the project.<br />
ARC has given its support to the revisions,<br />
and Icinola will be on the commission’s<br />
April agenda. Many neighbors are<br />
satisfied by the architect’s adjustments,<br />
but others still are not convinced that<br />
the project suits Bywater.<br />
Icinola plans call for some 230,000<br />
square feet of building space. In addition<br />
to 106 residential units, the plans<br />
reserve the ground floor in each of the<br />
four buildings for commercial purposes.<br />
About 45,000 square feet of space is<br />
intended for neighborhood-oriented<br />
businesses encased in glass such as an<br />
8,500 square foot grocery store, a coffee<br />
house, restaurants, dry cleaning drop off,<br />
fitness center, small professional offices,<br />
a newsstand, music store, art gallery and<br />
a small hardware store. Two community<br />
spaces would be available for small<br />
meetings and presentations.<br />
The nearly three-acre area of the<br />
planned Icinola project is surrounded by<br />
residences. The development would<br />
incorporate some existing structures on<br />
the site, including the Frey Meatpacking<br />
plant, and remove a transformer and<br />
electrical supply structure, the Social<br />
Security Administration building and a<br />
small concrete shed. Two historic shotgun<br />
houses would be relocated elsewhere<br />
in Bywater.<br />
The developers are seeking a Mixed<br />
Use Planned Community overlay to the<br />
current Light Industrial zoning designation.<br />
That change would remove the<br />
possibility of light industrial uses for the<br />
properties and enable the developers to<br />
add housing.<br />
In a meeting March 6 with ARC,<br />
architect Wayne Troyer presented<br />
Bywater Art Lofts would create 37 apartments within former garment factory.<br />
changes to the previous design meant to<br />
address neighborhood concerns about<br />
density, height, and style, while still<br />
meeting objectives for energy and planning.<br />
ARC and Bywater residents had<br />
deemed the original designs too modern,<br />
too tall, too cold, too massive and too<br />
aggressive, with design elements in contrast<br />
to the neighborhood. Concerned<br />
comments expressed a need to see more<br />
familiar forms such as galleries, balconies,<br />
shutters, and landscaping.<br />
Troyer acknowledged that the first<br />
designs were “unabashedly modern.”<br />
The new designs attempt to blend in<br />
more harmoniously with the neighborhood.<br />
In the changes, the architect has<br />
sought to make the designs more compatible<br />
by aiming for a sympathetic relationship<br />
to existing residential buildings<br />
while incorporating 21st century elements<br />
and contemporary building techniques.<br />
Some of the changes were to<br />
step back heights from the street and<br />
from adjacent homes. The four buildings<br />
appear to be a series of many buildings.<br />
Developers Shea Embry and Cam<br />
Mangham say that Icinola would supply<br />
much-needed services and environmentally<br />
responsible housing. Residences in<br />
the Frey building are slated for the 55-<br />
and-older age group. The plan calls for<br />
201 parking spaces on two floors in an<br />
area not visible from the street.<br />
Residents would park on the second<br />
floor, and the first floor would contain<br />
commercial parking. When the commercial<br />
operations are closed at night,<br />
residents could use the additional parking<br />
spaces. Having commercial activity<br />
on the ground floor is expected to help<br />
lower the crime rate by adding more<br />
vibrant street activity, Troyer said.<br />
Architect and Tulane professor John<br />
Klingman was the most outspoken ARC<br />
member at the March 6 meeting. He<br />
said he was most impressed by the way<br />
the buildings mediate in scale between<br />
the larger sections and smaller buildings<br />
in the 19th century context.<br />
Klingman noted that this presentation<br />
was the fourth one presented on<br />
Icinola as the architect has adjusted the<br />
plans. “Obviously the architect’s ears are<br />
open,” he said. “You are using New<br />
Orleans elements in ways that are appropriate.<br />
I’m very comfortable with it.”<br />
Another ARC member deemed the<br />
new designs “refreshing.” His concerns<br />
previously had been how the height and<br />
density affected historic preservation by<br />
casting shadows across the yards of nearby<br />
19th century buildings.<br />
Regardless of the architecture, some<br />
National Rice Mill near the Mississippi River would reuse an abandoned industrial<br />
building to create 60 residential units.<br />
residents believe that the development’s<br />
commercial operations and density<br />
belong on St. Claude Avenue, not in<br />
the center of an historic area of single<br />
and double one- and two-story<br />
dwellings. The development plan for<br />
Bywater, Marigny, St. Roch and Treme<br />
is to focus commerce on St. Claude<br />
Avenue. Some people fear that commercial<br />
enterprises inserted into the middle<br />
of a Bywater residential zone would<br />
compete with businesses on St. Claude.<br />
Moreover, some residents worry that<br />
Bywater’s brick streets could not withstand<br />
the increased volume of service<br />
truck traffic for the planned commercial<br />
operations.<br />
Nevertheless, neighbors are very<br />
interested in the prospect of a grocery<br />
store being offered in conjunction with<br />
the Icinola project, because they say<br />
there are no markets within a sevenmile<br />
drive. Neighbors asked if the developers<br />
had secured a grocery store commitment.<br />
Embry said they are working<br />
to get commitment for a small, moderately<br />
priced grocer.<br />
“We need development and<br />
growth,” acknowledged Blake Vonder<br />
Haar, Bywater resident and president of<br />
the New Orleans Conservation Guild<br />
Inc., “but this is the wrong project in<br />
the wrong space. Density is a major concern<br />
that will change the tenor of the<br />
entire neighborhood.” She also believes<br />
that the plans call for “obscenely high<br />
building heights.”<br />
“The project is akin to putting a<br />
Wal-Mart into Jackson Square,” Vonder<br />
Haar added.<br />
In comments addressed to HDLC,<br />
Bywater resident Meredith Spivey urged<br />
the commission to “treat Bywater just as<br />
you would treat the historic French<br />
Quarter, Warehouse District, and<br />
Faubourg Marigny…. Your decision on<br />
this project may set a very dangerous<br />
precedent for historic preservation in<br />
New Orleans.”<br />
Completion of the first building is<br />
scheduled for February 2009, and the<br />
entire development would be completed<br />
by fall 2009, according to the developers.<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 31<br />
A P R I L<br />
in the<br />
CBD Arts District<br />
Specializing in Louisiana<br />
Paintings, Newcomb<br />
College Pottery &<br />
Crafts, George E. Ohr<br />
Pottery<br />
Sunlight and Shadows<br />
Landscape Paintings by<br />
Steve Frederick<br />
April 7 - 30<br />
ART WALK: April 7 6 - 8pm<br />
Monday - Saturday 10am - 5pm<br />
600 Julia Street<br />
504-895-7375 • www.jeanbragg.com<br />
Diego Larquia<br />
“New Orleans Landscapes”<br />
April 7 - May 3<br />
Opening Reception<br />
Sat. April 7 6 - 9 pm<br />
709 CAMP ST. 524-3936<br />
Through April 8, 2007:<br />
The Eclectic Eye:<br />
Selections of Fantasy and Illusion<br />
from the<br />
Frederick R. Weisman<br />
Art Foundation<br />
Gallery Hours: Thu-Sun 11am-4pm<br />
(504) 528-3805<br />
O<br />
art<br />
music<br />
shop<br />
www.ogdenmuseum.org<br />
626 JULIA ST., NEW ORLEANS, LA 70130<br />
The best way to<br />
support local artists is<br />
to buy their work.<br />
(504) 592-0206 • (504) 524-8137<br />
Hours: Mon.-Sat. 12:30-4:30<br />
www.georgeschmidt.com<br />
“Every time<br />
I paint a portrait,<br />
I lose a friend.”<br />
John Singer Sargent<br />
www.prcno.org
32 APRIL 2007 PRESERVATION IN PRINT<br />
SEVENTH ANNUAL<br />
LADIES IN RED GALA<br />
LES AMIS DU JAZZ<br />
LA BOHÈME<br />
by Sarah Bonnette<br />
PRESERVATION<br />
RESOURCE CENTER<br />
CALL FOR<br />
SUBMISSIONS<br />
APRIL 25 DEADLINE – The PRC is seeking<br />
submissions for New Orleans’ Favorite<br />
Shotguns, a competition for photographs to<br />
be shown in an exhibit, opening June 29 at<br />
the PRC. Entries will be judged on the basis<br />
of both photographs and captions, which<br />
should tell the human story behind the picture.<br />
Submit entries to alemann@prcno.org.<br />
For more information, see page 7 or call<br />
(504) 636-3043 or visit www.prcno.org<br />
STAINED GLASS<br />
SYMPOSIUM<br />
APRIL 21 - A special symposium on the<br />
history and conservation of New Orleans<br />
stained glass will take place at Tr i n i t y<br />
Episcopal School on Saturday, April 21,<br />
with illustrated talks by nationally recognized<br />
experts and members of the local<br />
stained glass tour committee. If you have<br />
attended any of the stained glass tours or<br />
have always intended to, this weekend is a<br />
“must.” For more information, see page 12<br />
or call (504) 581-7032.<br />
STAINED GLASS<br />
TOUR<br />
APRIL 22 – PRC hosts its annual springtime<br />
tour of stained glass in New Orleans<br />
from 2-5:00 p.m. The tour will include Our<br />
Lady Star of the Sea, St. John the Baptist,<br />
Touro Synagogue, St. Mary’s Assumption and<br />
a reception at St. Alphonsus. For more information,<br />
see page 13 or call (504) 581-7032.<br />
2007<br />
ANNUAL MEETING<br />
MAY 10 – The <strong>Preservation</strong> <strong>Resource</strong><br />
<strong>Center</strong>’s 33rd Annual Meeting and reception<br />
will be held at St. Charles Presbyterian<br />
Church on Thursday, May 10, 2007, at 5:30<br />
p.m. President of The National Trust for<br />
Historic <strong>Preservation</strong> Richard Moe will be<br />
the keynote speake r. Free for members.<br />
504/581-7032<br />
MAY 18 – This evening benefits the PRC’s<br />
Homeowner Assistance and Neighborhood<br />
Recovery Fund and Jazz House programs.<br />
Held at the historic Board of Trade, this event<br />
features special performances from past honorees<br />
for the patron party and Kermit Ruffins<br />
and the Barbecue Swingers for the gala.<br />
Patron Party 7-8:00 p.m., Gala 8-11:00 p.m.<br />
To purchase tickets or for more information,<br />
visit www.prcno.org or call (504) 581-7032.<br />
SHOTGUN<br />
HOUSE MONTH<br />
JULY – This year’s Shotgun House Month<br />
has been moved to July to coincide with the<br />
grand opening of Cottage Living magazine’s<br />
2007 Idea Home. Shotgun House Month<br />
will feature special events, workshops, and a<br />
self-guided neighborhood tour, as well as the<br />
photo exhibit N ew Orl e a n s ’ Fa v o r i t e<br />
Shotguns. More details will be posted at<br />
www.prcno.org as they become available.<br />
NEW ORLEANS<br />
JAZZ, GIANTS AND JOURNEYS<br />
AND SOUTHERN WRITERS<br />
APRIL TO AUGUST – Two new exhibits<br />
open at the Ogden Museum of Southern Art<br />
for a four-month run – “Jazz, Giants and<br />
Journeys: Photographs by Herman Leonard”<br />
and “Southern Writers: Photographs by<br />
David Spielman.” The Ogden is open from<br />
11 a.m. to 4 p.m. T h u r s d ays through<br />
Sundays, and 6 to 8 p.m. for live music<br />
Thursdays. For more information, call (504)<br />
539-9600 or visit www.ogdenmuseum.org.<br />
TULANE<br />
ARCHITECTURE SERIES<br />
APRIL 16 – Tulane University’s School of<br />
Architecture wraps up its spring 2007 lecture<br />
series focusing on cities and landscapes<br />
with a talk by French architect A m m a r<br />
Eloueini of Ammar Eloueini/AEDS, to be<br />
held at 6 p.m. in Room 201, Richardson<br />
Memorial Building on Tulane’s campus. For<br />
more information, call (504) 865-5389.<br />
REGIONAL MODERNISM<br />
SYMPOSIUM<br />
APRIL 19 – Local architects Steve Dumez,<br />
Wayne Troyer and Victor “Trey” Trehan will<br />
p a rticipate in a symposium focusing on<br />
regional modernism at the Contemporary<br />
Arts <strong>Center</strong>, 900 Camp St. For more information,<br />
call (504) 528-3205.<br />
Send Kiosk information to PRC<br />
Sarah Bonnette<br />
923 Tchoupitoulas St., New Orleans, LA 70130<br />
e-mail: sbonnette@prcno.org • Fax: 504/636-6073<br />
COPY DUE SIX WEEKS BEFORE PUBLICATION<br />
(May 15 for July/August issue)<br />
APRIL 13 – The Historic New Orleans<br />
Collection presents its eighth annual Bill<br />
Russell Lecture, titled “Les Amis du Jazz:<br />
William Russell, Fred Ramsey, Hugues<br />
Panassié, Charles Delaunay and the Revival<br />
of New Orleans Jazz, 1938-1949.” The lecture<br />
will be presented by Bruce Raeburn,<br />
curator of the Hogan Jazz Archives at Tulane<br />
University Libraries Special Collections and<br />
will feature performances by To m<br />
McDermott and Evan Christopher. 7 p.m.,<br />
Williams Research <strong>Center</strong>, 410 Chartres St.<br />
For more information, call (504) 523-4662<br />
or visit www.hnoc.org.<br />
PIANO MUSIC OF<br />
THE 19th CENTURY<br />
APRIL 15 – A program of music by the<br />
late Basile Barés, a man of color who was<br />
born into slavery and went on to become a<br />
highly successful pianist and composer, will<br />
be presented at the Historic New Orleans<br />
Collection’s Williams Research <strong>Center</strong> at 4<br />
p.m. at 410 Chartres St. The music will be<br />
performed by Peter Collins. For more information,<br />
call (504) 523-4662 or visit<br />
www.hnoc.org.<br />
SHOWCASING<br />
BYWATER ARTISTS<br />
APRIL 17 and MAY 1 – Head to the<br />
recently refurbished Alvar Branch Library,<br />
903 Alvar St., for free presentations and discussions<br />
showcasing Bywater’s impressive<br />
community of artists. The series is sponsored<br />
by the Bywater Neighborhood Association,<br />
the New Orleans Public Library and the Arts<br />
Council of New Orleans. Elizabeth Shannon<br />
will be featured April 17, and John Costa<br />
will speak May 1. 7 to 9 p.m.<br />
MEETINGS<br />
CITY COUNCIL, Council Chambers, April 19;<br />
May 3, 17; 11:30 a.m.<br />
BOARD OF ZONING AND ADJUST-<br />
MENTS, Council Chambers, April 9; May<br />
14; 11:30 a.m.<br />
CITY PLANNING COMMISSION, Council<br />
Chambers, April 10, 24; May 8, 22; 1 p.m.<br />
CBD HISTORIC DISTRICT LANDMARKS<br />
COMMISSION, Council Chambers, April<br />
13; May 4; 11 a.m.<br />
HISTORIC DISTRICT LANDMARKS<br />
COMMISSION, Council Chambers, April<br />
20; May 11; 9:30 a.m.<br />
VIEUX CARRÉ COMMISSION, 334 Royal<br />
Street, April 17; May 15; 1:30 p.m.<br />
HOUSING CONSERVATION DIS-<br />
TRICT REVIEW COMMITTEE, City Hall<br />
room 7E07, April 9, 23; May 14, 28;<br />
10:00 a.m.<br />
APRIL 20-22 – The New Orleans Opera<br />
presents Puccini’s magical and timeless story<br />
of passionate young artists living life to the<br />
fullest in the Latin Quarter of Paris during<br />
three shows. 8 p.m. April 20 and 21, and 2:30<br />
p.m. April 22 in McAlister Auditorium on<br />
Tulane University’s campus. For more information<br />
or tickets, call (504) 529-3000 or<br />
visit www.neworleansopera.org.<br />
LOUISIANA<br />
LOUISIANA<br />
PRESERVATION CONFERENCE<br />
MAY 4 AND 5 – The Louisiana Trust for<br />
Historic <strong>Preservation</strong> kicks off National<br />
<strong>Preservation</strong> Month with its annual conference<br />
in Monroe. The event will feature seminars<br />
and education sessions, technical<br />
workshops, motivational speakers and the<br />
Louisiana Trust <strong>Preservation</strong> Awa r d s<br />
Banquet. For more information, call (225)<br />
344-6001 or visit www.louisianatrust.org<br />
BONNE TERRE<br />
GARDEN FAIR<br />
MAY 5 – Garden enthusiasts will want to<br />
travel to Houma for the second annual Bonne<br />
Terre Garden Fair at Southdown Plantation.<br />
The 9 a.m. to 4 p.m. event will feature educational<br />
seminars and demonstrations, a plant<br />
and lawn-and-garden supplies sale, a plant<br />
disease clinic and a soil test station, as well as<br />
a children’s activity area, garden-themed art<br />
and photography show, museum tours, food<br />
and more. Sponsored by the Te rr e b o n n e<br />
Historial & Cultural Society, LaTerre Master<br />
Gardeners and LSU Ag<strong>Center</strong>, admission is<br />
$3 at gate or $2 in advance. Children under<br />
12 are admitted free. For more information,<br />
call Southdown Plantation at (985) 851-0154.<br />
NATIONAL<br />
HISTORIC PRESERVATION<br />
SEMINARS<br />
THROUGH APRIL – The National <strong>Preservation</strong><br />
Institute continues its 2007 series of historic<br />
preservation and cultural resource management<br />
seminars in locations across the country. Topics<br />
range from understanding Section 106 to preparing<br />
historic structures reports. Cost is $425 for the<br />
two days or $175 for students. For more information,<br />
call (703) 765-0100 or visit www.npi.org.<br />
HISTORIC<br />
GARDEN WEEK<br />
APRIL 21-28 – It’s the perfect time of year<br />
for a road trip to see numerous Virginia plantations<br />
and their beautiful gardens open during<br />
the 74th annual Historic Garden Week. The event<br />
will benefit the restoration of historic gardens by the<br />
Garden Club of Virginia. For more information, call<br />
(804) 644-7776 or visit www.VAGardenweek.org.<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 33<br />
Alex Lemann, a recent Harvard graduate, has assumed the newly created position of<br />
<strong>Preservation</strong> in Print deputy editor. His essays appear monthly on this page.<br />
Notes from a newcomer<br />
by Alex Lemann, deputy editor<br />
On a beautiful spring afternoon a few weeks ago, I left the office to hear<br />
a report on the state of tourism in New Orleans. In the findings that were presented<br />
to the attendees, researchers noted that the persistence of certain popular<br />
misconceptions might be preventing people from visiting. In their national<br />
survey these were phrased as true or false statements but were all written to<br />
be misconceptions. One of those statements read, “Historic Districts, such as<br />
the French Quarter, are severely damaged or destroyed by Hurricane<br />
Katrina.” Someone in the audience quietly raised her hand. “Umm, I would<br />
answer yes to that.”<br />
I think she was right. Actually, the idea that a New Orleanian would<br />
consider that statement a misconception was shocking to me. Admittedly, some<br />
confusion stems from the phrase “such as the French Quarter,” because, after<br />
all, it was not flooded, let alone destroyed. Still, the wording implies some<br />
degree of equivalence between Historic Districts (in caps, meaning the official<br />
designation and not some abstract concept) in general and the French Quarter<br />
specifically. The French Quarter certainly is a Historic District, but it does not<br />
represent all Historic Districts in the city. Treating the terms French Quarter and<br />
Historic Districts as equivalent is, apparently, a mistake that even locals make,<br />
and it is wrong.<br />
There are 19 National Register Historic Districts in New Orleans, and<br />
most of them flooded. From Carrollton to Holy Cross to South Lakeview and<br />
Broadmoor, National Register Historic Districts all over the city sustained massive<br />
flooding and damage during Katrina. In fact, only six of the 19 National<br />
Register districts remained completely dry. Historic neighborhoods were not<br />
immune to Katrina.<br />
There is truth in the idea that the oldest parts of the city were built on<br />
higher, drier land, but New Orleans’ historic neighborhoods are not limited to<br />
this so-called “sliver by the river.” The vast majority of our city is historic, and<br />
New Orleans, according to the National Park Service, has more National<br />
Register-eligible buildings than any other city in the country. There is a deeper<br />
misconception at work beyond tourism, though. A lot of people, both here and<br />
elsewhere, seem to think that historic neighborhoods are wealthy neighborhoods,<br />
and that historic preservation is something that only rich people would<br />
care about, and that just isn’t true.<br />
For too many people, the idea of historic districts is limited to the French<br />
Quarter and the Garden District. Since the storm in particular, there seems to<br />
be a desire to contract our mental boundaries of New Orleans’ historic neighborhoods,<br />
to retreat behind the idea that at least none of our historic districts<br />
were “damaged or destroyed.” There is some benefit, of course, in this<br />
approach, because it is inherently optimistic and because it focuses not on<br />
what we lost but on what remains. Unfortunately, the reality is that most of our<br />
historic districts were damaged, if not acutally destroyed. On the other hand,<br />
the storm has forced us to become more aware of other parts of the city. This<br />
is true both for tourists who go on “disaster tours” through flooded neighborhoods<br />
they would never have thought to visit before the storm and for locals<br />
who find themselves poring over maps of levee breaches and flood depths in<br />
areas they rarely entered.<br />
Rather than rushing to corral our awareness of historic neighborhoods<br />
back into the “sliver by the river” in the interest of optimism, we should take<br />
advantage of this broader interest in our city, promoting a greater understanding<br />
of the historic neighborhoods of New Orleans and their significance.<br />
Tourists who visit Tremé, Bywater and Holy Cross might come across some<br />
flooded houses, but they might also see a side of New Orleans they didn’t<br />
expect, one that is no less important than the Garden District or the French<br />
Quarter. Maybe this idea is a “misconception,” but I think people might actually<br />
enjoy it.<br />
Want everyone<br />
to know<br />
your business<br />
Advertise in<br />
<strong>Preservation</strong><br />
in Print<br />
For information call:<br />
Jackie Derks<br />
Advertising Manager<br />
636-3053<br />
CURRENT LISTINGS<br />
379 BELLAIRE $425,000<br />
616 BELLECASTLE $420,000<br />
1922 CADIZ $239,000<br />
3429 JEFFERSON $249,000<br />
610 JOHN CHURCHILL<br />
CHASE $572,000<br />
5420 S. LIBERTY $299,000<br />
6425 MILNE(LOT) $135,000<br />
114 RINGOLD(LOT) $99,000<br />
1523 SONIAT $2,125,000<br />
1020 TERPSICHORE G<br />
$189,000<br />
JEFFERSON PARK CONDO’S<br />
$75,000-$82,200<br />
HOWARD SCHMALZ<br />
& Associates, Real Estate<br />
1518 Magazine St.,<br />
New Orleans, LA 70130<br />
(504) 581-2804<br />
ALGIERS POINT COTTAGE<br />
Bungalow style shotgun double renovated to a 3 br 2<br />
bath single. Great brick porch columns. Large open<br />
living dining area opening to the kitchen. Two bedrooms<br />
share a bath while the third bedroom has a private<br />
bath with a spa tub (also his & hers closets). The<br />
ceilings are high. The floors are wood in the entertaining<br />
areas & carpeted in the bedrooms. There is a<br />
large attached storage room that could be finished to<br />
ad even more space. The back yard is big enough for<br />
pool, kids, or dogs. The price has just been reduced.<br />
Call Josie 561-8690 or Bert 296-9669 to view.<br />
2524 NASHVILLE AVENUE<br />
Fabulous renovation featuring spacious den opening<br />
to large deck to rear yard, black granit counters,<br />
Master bedroom suite 19'X15' bedroom with spa<br />
tub, wood buring fireplace. Great Uptown Location.<br />
Call Howard: 504-621-5564<br />
www.prcno.org
34 APRIL 2007 PRESERVATION IN PRINT<br />
FRENCH QUARTER<br />
NEW! 510 ESPLANADE<br />
Creole Townhouse w/4 floors<br />
main house w/2 story wing.<br />
Terrific. $1,200,000<br />
924 ORLEANS<br />
Could be 6 condos or super<br />
single. Ready to go. 4700 sf<br />
$1,295,000<br />
525 MADISON<br />
Just off Jackson Square. A<br />
complex w/garden & pool &<br />
pkg. Price upon request.<br />
SALE PENDING1200 ROYAL<br />
Lg crtyd w/pkg fabulous main<br />
house & 3 story dep $1,695,000<br />
NEW! 505 ROYAL<br />
Stunning classic townhouse<br />
w/commercial. $3,750,000<br />
933 BURGUNDY<br />
Award winning 3 story Creole<br />
Town House w/dep. $995,000<br />
CONTRACTOR’S SPECIAL<br />
1026 Conti. Famous Norma<br />
Wallace house 6000 sf. 7 units.<br />
Pkg. Several cars $865,000<br />
823 BURGUNDY<br />
Second flr condominium 2BR<br />
nice bldg & assoc. $399,000<br />
835 URSULINES<br />
Victorian w/open floor plan<br />
udated/garden $749,000<br />
1228 ROYAL #6<br />
Efficiency condo, pool, 500sf +<br />
lofts. Location! w&d $215,000<br />
831 ST. LOUIS I<br />
Top 2 flrs/stunning gallery<br />
views/pkg/2BR 3BA. $695,000<br />
1005 BARRACKS<br />
Brand new elegant condominium<br />
complex workmanship. 8 units<br />
$199,000 and up<br />
NEW PRICE! 837 MARIGNY<br />
The cutest & most affordable 1B/1B<br />
cottage. Courtyard. $179,000<br />
NEW ORLEANS<br />
45 Newcomb Blvd<br />
NEW! 45 NEWCOMB BLVD.<br />
Exclusive enclave-stylish Mediterranean<br />
w/5410 sf 4BR/3BA 2<br />
car garage $895,000<br />
NEW! GUEST HOUSE<br />
1118 Ursulines, 14 rooms, turn<br />
key, with parking. $1,395,000<br />
807-09 MARIGNY<br />
Double w/rental good income<br />
$199,900<br />
1223 URSULINES<br />
Tremé Victorian side hall<br />
cottage. Garden. $239,000<br />
2275 BAYOU ROAD<br />
Landmark Inn & Indigo Rest.<br />
Turn key. 2+ acres. $3,650,000<br />
4336 RAYNE<br />
Gentilly flooded/ gutted and<br />
ready to go. 1400 sf 68x124 lot.<br />
$65,000<br />
3620 CANAL<br />
A Classic Villa Landmark, Now<br />
a B&B. 7 BR 61/2 BA All 2nd &<br />
3rd floor levels. Pkg & gardens<br />
$995,000<br />
1314 URSULINES<br />
Two apts/was a 5 room deep<br />
single $275,000<br />
729 KERLEREC<br />
Raised Vict in mint condition. Pkg.<br />
3000 sq ft 3 BR 2-1/2 BA $695,000<br />
7726 JEANNETTE<br />
Totally redone/great style light/<br />
space/fenced. $775,000<br />
Ernesto Caldeira<br />
601.888.7151<br />
www.ernestocaldeira.com<br />
NEW ORLEANS<br />
5513-15 TCHOUPITOULAS<br />
All brand new…Victorian double<br />
large owners income $472,000<br />
170 WALNUT 5F<br />
Stylish high rise living on the<br />
river w/pool & pkg $899,000<br />
WOODVILLE, MS<br />
512 SLIGO<br />
Solid 3BR Craftsman w/pool<br />
Lg. lot good condition $230,000<br />
424 MAIN STREET<br />
Great Federal mantels, pkg<br />
5000 sf B&B $199,000<br />
KENILWOOD FARM<br />
Two houses on 212 acres<br />
w/pond half mile from<br />
Woodville Hwy. 24. $895,000<br />
LOUISIANA PROPERTIES<br />
IN FELICIANAS/ROSENEATH<br />
A dazzler of an 1832 country<br />
home in Jackson. $1,500,000<br />
CHRETIEN POINT PLANTATION<br />
Landmark 1831 house on 12<br />
acres nr. Layfayette. $1,650,000<br />
5929 HIGHWAY 39<br />
18 acres & a new two story<br />
galleried house $989,000<br />
NEW PRICE! LOYD HALL PLANTATION<br />
Two homes and outbuildings on 12<br />
acres nr. Alexandria. $1,250,000<br />
CREOLE COTTAGE IN CONVENT<br />
Fabulous early house on River<br />
Rd. Needs completion. 14<br />
acres $225,000.<br />
SANDBAR PLANTATION<br />
Across the river from BR.<br />
Great 1837 house & interior.<br />
3 acres. $895,000<br />
MARY PLANTATION 1820<br />
Classic columns all around,<br />
upper galleries, at levee, 30 minutes<br />
down river, 7 acres.<br />
$1,200,000<br />
POPLARVILLE<br />
321 GO GO ROAD<br />
Exciting 3 BR Lambert/Bond house<br />
w/77 acres on river. $585,000<br />
NATCHEZ<br />
NEW! RAVENNASIDE<br />
Stunning Colonial Revival<br />
9627 sf furnished w/elegant<br />
antiques $1,995,000<br />
NEW! VICTORIA INN<br />
In Lafitte on the water, 14 guest<br />
rms, 6 acres lush gardens, 3<br />
structures, pool, pkg, restaurants,<br />
events income! $1,600,000<br />
WILKINSON COUNTY, MS<br />
CROSBY SCHOOL BLDG.<br />
Exciting possibilities 10,000 sf<br />
solid bldg & 1 acre lot $125,000<br />
663 E. JOSEPH<br />
Post-war 4BR on 18 acres<br />
w/bldgs in Centreville $289,000<br />
504.944.3605 www.sothebysrealty.com<br />
Inspired by the past…<br />
Ravennaside<br />
Ravennaside<br />
DOWN THE BAYOU!<br />
David Abner Smith<br />
504.495.2387<br />
www.davidabnersmith.com<br />
Victoria Inn<br />
301 Decatur Street<br />
Prime Fr Qtr, rare “coveted” corner loc.<br />
zoning allows live ent., was rest w/mezz on<br />
1st flr. 2nd flr could be residential, 3rd flr<br />
presently config as offices. Possible owner<br />
finance. SQFT does not inc approx. 2k sqft<br />
attic. Owners in process of completing<br />
extensive masonry maintenance and painting<br />
of exterior. Beautiful light filled loft style<br />
spaces, within 4 blcks of 12 hotels, riverfront<br />
activities, casino, Jackson Sq. etc.<br />
828 Royal Street, New Orleans, LA 70116<br />
Direct: 504-388-3023 • Office: 504-524-5839 • Fax: 504-301-2274<br />
www.JudyFisher.net<br />
MASTER OF PRESERVATION STUDIES<br />
The Tulane School of Architecture now offers a one year graduate program<br />
in preservation studies. Contact the Director of Graduate Admissions for<br />
more information.<br />
Tula n e<br />
School of Architecture New Orleans, Louisiana 70118 504/865-5389<br />
Created for today. Fabulous project now under<br />
construction on St. Charles Ave. Architectural details, wood floors,<br />
parking, pool, exercise. Live the Good Life with gardens & roof top<br />
patios in a historic district. From $465,000<br />
Everyone has different<br />
ideas about location.<br />
Unless it’s St. Charles<br />
Avenue at the Park.<br />
Twelve Opportunities<br />
To Make It Yours.<br />
$199,000 - $439,000<br />
8338 GREEN ST., FRIBURG - $225,000<br />
New construction, corner lot. 3 bedrooms, 2 full baths.<br />
Kitchen w/stain. appliances. Wood flrs in living room,<br />
dining room & kitchen. Modular construction. Sold “as<br />
is.” Replica of old New Orleans cottage. Approx. 1,488<br />
sq. ft.<br />
813 OPELOUSAS AVE., ALGIERS PT. - $425,000<br />
Dbl. w/3,227 sq. ft living area. Beautiful victorian<br />
bracket, camelback on oak-lined avenue. Hi-end<br />
renovation. Fabulous millwork, high ceilings,<br />
kitchens & baths updated. Spacious backyard with<br />
rear shed. Termite contract.<br />
Isabel Reynolds<br />
451-0903<br />
8001 Maple Street<br />
New Orleans, LA<br />
504-866-7733<br />
Hopper<br />
451-0903<br />
Pat Curtis<br />
Owner/Agent<br />
862-5414<br />
New Orleans Properties<br />
EQUAL HOUSING<br />
OPPORTUNITY<br />
LATTER<br />
Stephanie Benson<br />
ABR,CRS,HHS,GRI<br />
(504) 650-3735 Cell<br />
(504) 361-0920 Home<br />
(504) 362-1823 Office<br />
sbenson@latterblum.com<br />
www.stephaniebenson.com<br />
BLUM<br />
INC/REALTORS®<br />
Since 1916<br />
www.prcno.org
PRESERVATION IN PRINT APRIL 2007 35<br />
Office: 866-2785 • Cell: 236-6834<br />
e-mail: info@lettyr.com<br />
1 3 2 2 Seventh. . .$5 8 5 ,0 0 0<br />
Beautiful, renovated camelback in<br />
the heart of the Garden District.<br />
Built in 1885, this lovely home has<br />
12 foot ceilings, wide pine floors,<br />
pocket doors, working fireplaces, and<br />
3 floor-to-ceiling windows<br />
overlooking tree-lined<br />
Seventh St. 3273 square feet,<br />
3 bedrooms, 4 baths, downstairs<br />
master suite, charming<br />
rear porch and patio.<br />
Letty Rosenfeld<br />
GRI, CRS<br />
R A R E 1 8 2 0 ’ s<br />
French QuarterCompound<br />
C<br />
1331 DECATUR STREET<br />
ompletely renovated<br />
commercial property. Harry<br />
Anderson’s Oswalds Club. Hot<br />
Quarter location – facing<br />
Decatur St and Esplanade Ave<br />
and steps from the jazz clubs of<br />
Frenchmen St. Five renovated<br />
apartmentsup – ready to rent or<br />
condo conversion. Wrap around<br />
balcony, exposed brick and<br />
beams, great detail.<br />
Approx - 8238 Sq. Ft.<br />
For more information please contact:<br />
MICHAEL WILKINSON 504-491-0484<br />
wilkinson66@hotmail.com<br />
French Quarter Realty 504-949-5400 • www.fqr.com<br />
730 & 734 ST. PHILIP STREET. These important masonry<br />
Creole townhouses are in a prime location - boasting 14 ft. ceilings,<br />
voluminous rooms (25 ft x 35 ft), approx. 5,850 sqft, ready for<br />
restoration, new slate roofs on all buildings with copper flashing<br />
and downspouts, 4 new dormers with copper roofs that offer spectacular<br />
views of the New Orleans skyline; courtyard, endless possibilities!<br />
Only $975K or $598K.<br />
The Francher-Perrin Team<br />
Prudential Gardner, Realtors<br />
L. Bryan Francher Owner/Agent<br />
504-251-6400 • 504-891-6400 Office<br />
www.NewOrleansHomes.prugardner.com<br />
WATERFRONT, EQUESTRIAN & ESTATE PROPERTY<br />
EXQUISITE COUNTRY ESTATE. Gorgeous<br />
Southern style home with wrap-around porches,<br />
heated in-ground pool, barn, 2 fireplaces,<br />
heart of pine floors, old cypress and pine<br />
doors, 12 foot ceiling with triple crown molding,<br />
gourmet kitchen with granite countertops,<br />
custom flush mounted cabinets, loaded with<br />
amenities situated on 53 acres beautiful park<br />
like grounds with over 50 live oaks with barn<br />
with a small apt. Call Jennifer Rice for a private<br />
showing 985-966-1321.<br />
JENNIFER RICE<br />
Super Star Status<br />
Multi-Million<br />
Dollar Producer<br />
1321 W. Causeway Approach<br />
Mandeville, LA 70471<br />
985-626-5687<br />
(985) 966-1321<br />
(985) 966-1320<br />
www.jenniferrice.net<br />
FOR A PRIVATE SHOWING CALL<br />
Brooke Arthurs<br />
Direct: 259-8311 • Office: 866-2785<br />
Fax: 865-1574<br />
1309 State Street<br />
$895,000<br />
Wonderful large Victorian, double parlors –<br />
one is a library, huge dining room, cooks<br />
kitchen, breakfast area overlooks rear yard,<br />
big den, master suite with sit room, 4 other<br />
nice bedrooms. This is a large<br />
house with many fine features.<br />
Elevator in property can be<br />
made functional. Great location!<br />
Brooke Arthurs 259-8311<br />
LATTER<br />
Since 1916<br />
BLUM<br />
INC/REALTORS®<br />
www.prcno.org
Mon. - Sat. 8am - 7pm • Sun. 9am - 6pm (Metairie Store only)<br />
Non-Profit Org.<br />
U.S. Postage<br />
PAID<br />
New Orleans, LA<br />
Permit No. 1001<br />
923 Tchoupitoulas Street<br />
New Orleans, LA 70130<br />
Printed on Recycled Paper