3 years ago

Piet Zwart’s Black Limo Days Are Over…

Localize, question, open up and design. Lecture for AIGA Future History 3 Conference Chicago 2009. Meghan Ferrill, Gerard Hadders, Ewan Lentjes. With student wordk from the Post St. Joost, Breda, Netherlands and UIC, Chicago, USA. Lecture on the acquisition of new positions by contemporary designers and design education.

Piet Zwart’s Black Limo Days Are

Piet Zwart’s Black Limo Days Are Over… Localize, Question, Open Up and Design. 2 Concise Lectures with 1 Presentation in the middle.., call it a sandwich. Ferrill/Hadders/Lentjes

  • Page 2: #1 Approaching Complexity Ewan Lent
  • Page 6: But, this seems to be only half of
  • Page 10: We seem to face a new kind of cultu
  • Page 14: However, it is not only global matt
  • Page 18: So, what can we do We try to grasp
  • Page 22: What we need to question then, Pere
  • Page 26: As we know from research programmes
  • Page 30: As we agreed upon the insight that
  • Page 34: What kind of dialogue is needed the
  • Page 38: Visual Essay We think of communicat
  • Page 42: The argumentation used in the visua
  • Page 45 and 46: Universus
  • Page 48: But, however playful it may be, the
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    #2 Between what I and what I say Co

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    Counterpoint is a process that atte

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    The workshop opened with introducti

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    The day before the workshop began,

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    So, on a day when Chicago temperatu

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    From the database, students ‘reco

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    chewing tin foil - walking barefoot

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    Grits - callous - bitter melon. Dea

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    Based on visible clues - clothing,

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    Students construct their visual ess

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    We are not trying to create poets h

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    We turn one final time, in this wor

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    Like the visual essay, the ‘comfo

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    ay 4 with a final presentation. The

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    s graphic identity competition.

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    The director would remain in the ca

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    Classical patronage between CEO’s

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    All these different qualities have

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    Stedelijk Museum Amsterdam= contemp

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    This resulted in a complex brief do

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    Graphic design must bring order but

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    What is a visual essay Hugues Boekr

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    The second collection consists of t

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    The second collection consists of t

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    The 3rd visual document is a visual

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    The participating designers were: P

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    Incessantly, in this whiteness, the

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    Stedelijk Moderne Panache Stedelijk

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    kleur vorm schaal

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    Mevis & Van Deursen searches for an

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    Some thoughts about the identity of

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    Grid Grid in Annual Program Annual

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    Pierre DiSciullo brings his anomato

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    typography, family and research “

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    on the top of the hill willow moves

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    a sign linked to the architecture

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    In the current practice of design a

Gestalt for a museum (of modern art); Adapt. 2018
Excerpt from View to the Future; Jan van Eyck Academy Design Dept., Maastricht, 1997
Counterpoint; TheExcercise...
Post St.Joost 2005, Superfacial Kruisplein: A New Advanced Method
Plates From The Grammar of Ornament by Owen Jones, 1856
Headlights First Selection
Letter=Image, excerpt from The Triumph of Typography
We don't know him as Hazel
RietveldsHeirs 1990 Brochure. Portugese version
Identities: Rotterdam 2001, cultural capital of Europe: 5 design proposals for a house style
Die wahre Geschichte vom Minotaurus | The true history of the Minotaur
Fragrance by Form
Textile Patterns from the Fabric Attic
What do Babies look like?
L.E.W. (Light Emitting Wall); Raw installations shots and details.
Gerard Hadders; Sensorium, Gläserne Manufaktur Dresden, VAG Gesellschaft, ProcessProposal 1999-2000
sgOriëntatie, Ewan Lentjes & Gerard Hadders, een lezing
Gerard Hadders, Senza Parole, a miscellaneous selection, graphic design 1977-2005
De Hoftrompet, Zichtbaar maken wat niet gezien wil worden.
New Towns and the Human Species, Visual start document for the INTI website
Franco! Postzegeljaarboek 1986; Franco! Postage Stamp Yearbook 1986
Historische Uitgeverij; Beijing Book Fair 2011