Issue 4 - Coverwest magazine
Issue 4 - Coverwest magazine
Issue 4 - Coverwest magazine
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With summer seasonal make-up dilemmas upon us,<br />
we were delighted to speak to leading international<br />
make-up artist Attraca Courtney - who created<br />
the make-up looks in the photography featured.<br />
Following Attracta’s recent trip to New York,<br />
Glenda McCauley caught up with the<br />
Aghadrumsee-born make-up artist to talk beginnings,<br />
beauty tips and the art of making-up top supermodels...<br />
Tell us how you first got involved with make-up artistry?<br />
I trained at the Glauca Rossi School of Make Up in London<br />
completing a Diploma in the Art of Make Up Artistry. Thereafter<br />
I assisted, for a short period, world renowned make-up artists Pat<br />
McGarth, Val Garland, Lisa Eldridge, Tom Pecheux to name a few, on<br />
the Haute Couture and Pret A Porter fashion shows in London, Milan<br />
and Paris.<br />
From Fermanagh to London and beyond, when did big things<br />
start to happen for you?<br />
In September 1998, worked on my first fashion editorial story for the<br />
avant-garde ‘Frank’ <strong>magazine</strong> in Notting Hill titled ‘Soho Boho’, with<br />
the model Maggie Rizer who went on to become one of Amercia’s top<br />
supermodels.<br />
Following on from this, I worked on numerous fashion stories for<br />
British, Russian and Greek Vogue and other international fashion<br />
<strong>magazine</strong>s, travelling to beautiful locations all over the world, working<br />
with some of the best teams and publications in the industry.<br />
Describe a typical day/week in the life of an international<br />
make-up artist:<br />
Very early starts! Which can mean flying to the far side of the world to<br />
get that perfect location to translate the new fashion statements from<br />
the catwalks. Whether on location or in the studio, the creative team<br />
always meet up to decide on the theme of the story, then I decide on<br />
the make-up direction to ensure it is compatible with the overall feeling<br />
of the shoot and it complements the model and direction of the story.<br />
There can be many hair and make up changes prior to starting to shoot<br />
to ensure that the story will eventually translate to the <strong>magazine</strong> or<br />
brand we are shooting for.<br />
You have worked with many designers, companies and celebrities<br />
– what have been your favourite jobs?<br />
I always love working on the fashion shows leading the make-up team.<br />
There is always an amazing creative atmosphere working backstage with<br />
some of the most creative teams, beautiful clothes and models in the<br />
world. Working on the shows always allows me creative freedom and<br />
expression, to be six months ahead of what is happening in fashion, hair<br />
and make-up. Thereafter I am regularly asked for quotes on key makeup<br />
trends for the coming seasons.<br />
What is your favourite kind of make-up shoot?<br />
I always work to create the most beautiful direction in the make-up,<br />
taking into consideration the hair and fashion styling. Any make-up<br />
style can be beautiful when worn with confidence by the model.<br />
You have written for All Access as a Beauty Director and have<br />
interviewed many visionaries in the industry – tell us a little<br />
more about your role:<br />
When I worked for the luxury <strong>magazine</strong> All Access, I was very keen to<br />
interview the key people behind leading beauty brands to share with the<br />
public their passion and history.<br />
I am always very inquisitive about the brands and products I work with<br />
to ensure I only use the best products that can deliver the most beautiful<br />
results, and when I “quote” on a product it is because I totally believe in<br />
it. I take a great responsibility in my role to give an honest opinion so<br />
the public can be assured my advice is valuable to them when they go<br />
to purchase new products.<br />
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