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Issue 4 - Coverwest magazine

Issue 4 - Coverwest magazine

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With summer seasonal make-up dilemmas upon us,<br />

we were delighted to speak to leading international<br />

make-up artist Attraca Courtney - who created<br />

the make-up looks in the photography featured.<br />

Following Attracta’s recent trip to New York,<br />

Glenda McCauley caught up with the<br />

Aghadrumsee-born make-up artist to talk beginnings,<br />

beauty tips and the art of making-up top supermodels...<br />

Tell us how you first got involved with make-up artistry?<br />

I trained at the Glauca Rossi School of Make Up in London<br />

completing a Diploma in the Art of Make Up Artistry. Thereafter<br />

I assisted, for a short period, world renowned make-up artists Pat<br />

McGarth, Val Garland, Lisa Eldridge, Tom Pecheux to name a few, on<br />

the Haute Couture and Pret A Porter fashion shows in London, Milan<br />

and Paris.<br />

From Fermanagh to London and beyond, when did big things<br />

start to happen for you?<br />

In September 1998, worked on my first fashion editorial story for the<br />

avant-garde ‘Frank’ <strong>magazine</strong> in Notting Hill titled ‘Soho Boho’, with<br />

the model Maggie Rizer who went on to become one of Amercia’s top<br />

supermodels.<br />

Following on from this, I worked on numerous fashion stories for<br />

British, Russian and Greek Vogue and other international fashion<br />

<strong>magazine</strong>s, travelling to beautiful locations all over the world, working<br />

with some of the best teams and publications in the industry.<br />

Describe a typical day/week in the life of an international<br />

make-up artist:<br />

Very early starts! Which can mean flying to the far side of the world to<br />

get that perfect location to translate the new fashion statements from<br />

the catwalks. Whether on location or in the studio, the creative team<br />

always meet up to decide on the theme of the story, then I decide on<br />

the make-up direction to ensure it is compatible with the overall feeling<br />

of the shoot and it complements the model and direction of the story.<br />

There can be many hair and make up changes prior to starting to shoot<br />

to ensure that the story will eventually translate to the <strong>magazine</strong> or<br />

brand we are shooting for.<br />

You have worked with many designers, companies and celebrities<br />

– what have been your favourite jobs?<br />

I always love working on the fashion shows leading the make-up team.<br />

There is always an amazing creative atmosphere working backstage with<br />

some of the most creative teams, beautiful clothes and models in the<br />

world. Working on the shows always allows me creative freedom and<br />

expression, to be six months ahead of what is happening in fashion, hair<br />

and make-up. Thereafter I am regularly asked for quotes on key makeup<br />

trends for the coming seasons.<br />

What is your favourite kind of make-up shoot?<br />

I always work to create the most beautiful direction in the make-up,<br />

taking into consideration the hair and fashion styling. Any make-up<br />

style can be beautiful when worn with confidence by the model.<br />

You have written for All Access as a Beauty Director and have<br />

interviewed many visionaries in the industry – tell us a little<br />

more about your role:<br />

When I worked for the luxury <strong>magazine</strong> All Access, I was very keen to<br />

interview the key people behind leading beauty brands to share with the<br />

public their passion and history.<br />

I am always very inquisitive about the brands and products I work with<br />

to ensure I only use the best products that can deliver the most beautiful<br />

results, and when I “quote” on a product it is because I totally believe in<br />

it. I take a great responsibility in my role to give an honest opinion so<br />

the public can be assured my advice is valuable to them when they go<br />

to purchase new products.<br />

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