Classics, Medieval & Renaissance 2012 - University of Toronto ...
Classics, Medieval & Renaissance 2012 - University of Toronto ...
Classics, Medieval & Renaissance 2012 - University of Toronto ...
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<strong>2012</strong><br />
<strong>Classics</strong>, <strong>Medieval</strong><br />
& <strong>Renaissance</strong> Books
Contents<br />
Featured Titles ...........................1<br />
Course Books ............................5<br />
Theatre and Music .......................10<br />
Erasmus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12<br />
History. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16<br />
Literature ..............................20<br />
<strong>Classics</strong>. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36<br />
<strong>Medieval</strong> Academy<br />
Reprints for Teaching (MART) . . . . . . . . . . . . . . 38<br />
<strong>Medieval</strong> Academy Books .................44<br />
<strong>Renaissance</strong> Society <strong>of</strong><br />
America Reprint Texts (RSART) .............46<br />
Lexicons <strong>of</strong> Early Modern English (LEME). . . . . 50<br />
Backlist ................................51<br />
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60<br />
Orders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64<br />
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FEATURED TITLES<br />
The Pleasant Nights<br />
Volumes 1 and 2<br />
Giovan Francesco Straparola<br />
Edited with an Introduction by<br />
Donald Beecher<br />
Renowned today for his contribution to the rise <strong>of</strong><br />
the modern European fairy tale, Giovan Francesco<br />
Straparola (c. 1480–c. 1557) is particularly known<br />
for his dazzling anthology The Pleasant Nights.<br />
Originally published in Venice in 1550 and 1553, this<br />
collection features seventy-three folk stories, fables,<br />
jests, and pseudo-histories, including nine tales we<br />
might now designate for ‘mature readers’ and seventeen<br />
proto-fairy tales. Nearly all <strong>of</strong> these stories,<br />
including classics such as ‘Puss in Boots,’ made their<br />
first ever appearance in this collection; together, the<br />
tales comprise one <strong>of</strong> the most varied and engaging<br />
<strong>Renaissance</strong> miscellanies ever produced. Its appeal<br />
sustained it through twenty-six editions in the first<br />
sixty years.<br />
This full critical edition <strong>of</strong> The Pleasant Nights<br />
presents these stories in English for the first time<br />
in over a century. The text takes its inspiration from<br />
the celebrated Waters translation, which is entirely<br />
revised here to render it both more faithful to the<br />
original and more sparkishly idiomatic than ever<br />
before. The stories are accompanied by a rich sampling<br />
<strong>of</strong> illustrations, including originals from nineteenthcentury<br />
English and French versions <strong>of</strong> the text.<br />
As a comprehensive critical and historical edition,<br />
these volumes contain far more information on the<br />
stories than can be found in any existing studies,<br />
literary histories, or Italian editions <strong>of</strong> the work.<br />
Donald Beecher provides a lengthy introduction discussing<br />
Straparola as an author, the nature <strong>of</strong> fairy<br />
tales and their passage through oral culture, and<br />
how this phenomenon provides a new reservoir <strong>of</strong><br />
stories for literary adaptation. Moreover, the stories<br />
all feature extensive commentaries analysing not<br />
only their themes but also their fascinating provenances,<br />
drawing on thousands <strong>of</strong> analogue tales<br />
going back to ancient Sanskrit, Persian, and Arabic<br />
stories.<br />
Immensely entertaining and readable, The Pleasant<br />
Nights will appeal to anyone interested in fairy tales,<br />
ancient stories, and folk creations. Such readers will<br />
also enjoy Beecher’s academically solid and erudite<br />
commentaries, which unfold<br />
The Lorenzo<br />
in a<br />
Da PonTe<br />
manner<br />
ITaLIan LIbrary<br />
as light<br />
GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />
and amusing as the stories themselves.<br />
Donald Beecher is Chancellor’s Pr<strong>of</strong>essor and a<br />
By Giovan Francesco Straparola<br />
pr<strong>of</strong>essor in the Department Edited with <strong>of</strong> an Introduction English by Donald at Carleton<br />
Beecher<br />
<strong>University</strong>.<br />
(The Lorenzo Da Ponte Italian Library)<br />
Volume 1: Approx. 792 pp / 6 x 9 / November <strong>2012</strong><br />
Cloth 978-1-4426-4426-7 $110.00 (£76.99)<br />
Volume 2: Approx. 688 pp / 6 x 9 / November <strong>2012</strong><br />
Cloth 978-1-4426-4427-4 $95.00 (£66.99)<br />
The Lorenzo Da PonTe ITaLIan LIbrary<br />
GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />
By Giovan Francesco Straparola<br />
Edited with an Introduction by Donald Beecher<br />
VOLUME 1<br />
The Lorenzo Da PonTe ITaLIan LIbrary<br />
GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />
By Giovan Francesco Straparola<br />
Edited with an Introduction by Donald Beecher<br />
NEW<br />
VOLUME 1<br />
VOLUME 2<br />
On the Causes <strong>of</strong> the Greatness<br />
and Magnificence <strong>of</strong> Cities<br />
NEW<br />
Giovanni Botero<br />
Translated and with an introduction by<br />
Ge<strong>of</strong>frey W. Symcox<br />
The first treatise ever written on the sociology <strong>of</strong> cities,<br />
On the Causes <strong>of</strong> the Greatness and Magnificence<br />
<strong>of</strong> Cities (1588) marked a radical departure from<br />
previous literature on urban centres. It provided a<br />
revolutionary analysis <strong>of</strong> how cities function, and <strong>of</strong><br />
the political, economic, demographic, and geographic<br />
factors that cause their growth and decline. Noteworthy<br />
too is Botero’s strikingly original use <strong>of</strong><br />
sources in his analysis: moving beyond familiar<br />
classical and biblical references, he drew groundbreaking<br />
insights from reports by travelers and<br />
missionaries about cities in the non-European<br />
world, especially in China.<br />
Though seminally important to the history <strong>of</strong> urban<br />
studies, On the Causes <strong>of</strong> the Greatness and<br />
Magnificence <strong>of</strong> Cities has not been available in a<br />
modern translation until now. This edition <strong>of</strong> the<br />
treatise – which includes an introduction by Ge<strong>of</strong>frey<br />
W. Symcox on the intellectual context within which<br />
it was conceived – is a must-read for anyone<br />
interested in the life <strong>of</strong> cities both historical and<br />
contemporary.<br />
Ge<strong>of</strong>frey W. Symcox is a pr<strong>of</strong>essor emeritus in the<br />
Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> California<br />
at Los Angeles.<br />
(The Lorenzo Da Ponte Italian Library)<br />
Approx. 112 pp / 6 x 9 / December <strong>2012</strong><br />
Cloth 978-1-4426-4507-3 $45.00 (£31.99)<br />
utppublishing.com 1
FEATURED TITLES<br />
Jews and Magic in Medici Florence<br />
The Secret World <strong>of</strong> Benedetto Blanis<br />
Edward Goldberg<br />
In the seventeenth century, Florence was the wealthy<br />
capital <strong>of</strong> the Medici Grand Dukedom <strong>of</strong> Tuscany. But<br />
amid all the affluence and splendour, the Jews in its<br />
tiny Ghetto struggled to earn a living by any possible<br />
means, including loan-sharking, rag-picking, and<br />
second-hand dealing.<br />
From their ranks arose Benedetto Blanis, a businessman<br />
and aspiring scholar from a distinguished<br />
Ghetto dynasty who sought to parlay his alleged<br />
mastery <strong>of</strong> astrology, alchemy, and Kabbalah into a<br />
grand position at the Medici Court. He won the<br />
patronage <strong>of</strong> Don Giovanni dei Medici, a scion <strong>of</strong><br />
the ruling family, and for six tumultuous years their<br />
lives were inextricably linked.<br />
Drawing on thousands <strong>of</strong> newly uncovered<br />
documents from the Medici Granducal Archive,<br />
Edward Goldberg reveals the dramas <strong>of</strong> daily life<br />
behind the scenes in the Pitti Palace and in the<br />
narrow byways <strong>of</strong> the Florentine Ghetto.<br />
Edward Goldberg is an art historian and a longtime<br />
resident <strong>of</strong> Florence. He has worked for more<br />
than thirty years in the Medici Granducal Archive.<br />
‘Suspenseful and compelling.’<br />
Lucia Frattarelli Fischer, <strong>University</strong> <strong>of</strong> Pisa<br />
(<strong>Toronto</strong> Italian Studies)<br />
384 pp / 20 illustrations / 6 x 9 / 2011<br />
Cloth 978-1-4426-4225-6 $70.00 (£48.99)<br />
Paper 978-1-4426-1333-1 $32.95 (£23.99)<br />
A Jew at the Medici Court<br />
The Letters <strong>of</strong> Benedetto Blanis Hebreo (1615–1621)<br />
Edward Goldberg<br />
Benedetto Blanis sent nearly 200 letters to Don<br />
Giovanni dei Medici that depict in vivid detail his<br />
daily life in the local Ghetto and his machinations<br />
behind the scenes at the Medici Court. Edward<br />
Goldberg shares these recently discovered letters –<br />
the largest body <strong>of</strong> surviving correspondence from<br />
any Jew in Early Modern Europe – in this definitive<br />
critical edition, complete with transcriptions in the<br />
original Italian, English-language summaries, and<br />
full explanatory notes.<br />
The letters describe Blanis’s fraught relations<br />
with his Jewish and Christian associates, his desperate<br />
(and <strong>of</strong>ten illegal) business schemes, his disastrous<br />
strategies for advancement at the Medici Court,<br />
and the general pervasiveness <strong>of</strong> occult practices,<br />
especially alchemy, astrology, and Kabbalah. He<br />
also <strong>of</strong>fers remarkable insights into the everyday<br />
realities <strong>of</strong> Florentine life – as viewed through the<br />
eyes <strong>of</strong> a Jewish outsider who penetrated the inner<br />
circles <strong>of</strong> the Medici regime.<br />
‘Readers will be deeply grateful to Edward Goldberg<br />
for the enormously valuable information he provides<br />
in this volume.’<br />
Robert Bonfil, Hebrew <strong>University</strong> <strong>of</strong> Jerusalem<br />
(<strong>Toronto</strong> Italian Studies)<br />
448 pp / 6 x 9 / 2011<br />
Cloth 978-1-4426-4383-3 $85.00 (£59.99)<br />
The Opera <strong>of</strong> Bartolomeo Scappi (1570)<br />
L’arte et prudenza d’un maestro cuoco / The Art and Craft <strong>of</strong> a Master Cook<br />
Translated with Commentary by Terence Scully<br />
Arguably the most famous chef <strong>of</strong> the Italian<br />
<strong>Renaissance</strong>, Bartolomeo Scappi oversaw the preparation<br />
<strong>of</strong> meals for several Cardinals and was the<br />
personal cook for two popes. At the culmination <strong>of</strong><br />
his prolific career he compiled the largest cookery<br />
treatise <strong>of</strong> the period. Scappi’s Opera presents more<br />
than one thousand recipes along with menus that<br />
comprise up to a hundred dishes.<br />
In this first English translation <strong>of</strong> the work, Terence<br />
Scully makes the recipes and the broad experience<br />
<strong>of</strong> this sophisticated papal cook accessible to a<br />
modern English audience interested in the culinary<br />
expertise and gastronomic refinement within the<br />
most civilized niche <strong>of</strong> <strong>Renaissance</strong> society.<br />
Terence Scully is a pr<strong>of</strong>essor emeritus in the<br />
Department <strong>of</strong> Languages and Literatures at Wilfrid<br />
Laurier <strong>University</strong>.<br />
‘Highly readable … many fans <strong>of</strong> cooking will enjoy<br />
sifting through its voluminous entries.’<br />
Robert Appelbaum, Times Higher Education (Book<br />
<strong>of</strong> the Week, April 2009)<br />
(The Lorenzo Da Ponte Italian Library)<br />
800 pp / 27 illustrations / 6 x 9 / 2011<br />
Paper 978-1-4426-1148-1 $45.00 (£31.99)<br />
2 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
FEATURED TITLES<br />
Armour and Masculinity in the Italian <strong>Renaissance</strong><br />
Carolyn Springer<br />
During the Italian Wars <strong>of</strong> 1494–1559, with innovations<br />
in military technology and tactics, armour began to<br />
disappear from the battlefield. Yet as field armour<br />
was retired, recycled, and discarded, parade and<br />
ceremonial armour took on greater importance and<br />
grew increasingly flamboyant.<br />
Drawing on theoretical perspectives from anthropology,<br />
literary studies, art history, and gender<br />
studies, Armour and Masculinity in the Italian<br />
<strong>Renaissance</strong> explores the significance <strong>of</strong> armour in<br />
early modern Italy as a cultural artifact and symbolic<br />
form.<br />
Carolyn Springer demonstrates that <strong>Renaissance</strong><br />
armour is not just a background to literary texts but<br />
a vibrant representational practice in its own right.<br />
Carolyn Springer is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> French and Italian at Stanford <strong>University</strong>.<br />
‘Springer deserves much credit for crafting an insightful,<br />
learned, and richly detailed analysis <strong>of</strong> an<br />
elusive aspect <strong>of</strong> the material culture <strong>of</strong> <strong>Renaissance</strong><br />
Italy.’<br />
William Caferro, Journal <strong>of</strong> Interdisciplinary History<br />
(<strong>Toronto</strong> Italian Studies)<br />
272 pp / 38 illustrations / 6 x 9 / 2010<br />
Cloth 978-1-4426-4055-9 $55.00 (£38.99)<br />
<strong>Medieval</strong> Military Technology<br />
Second Edition<br />
NEW<br />
Kelly DeVries and Robert Douglas Smith<br />
First published in 1992, <strong>Medieval</strong> Military Technology<br />
has become the definitive book in its field, garnering<br />
much praise and a large readership. This thorough<br />
update <strong>of</strong> a classic book, regarded as both an excellent<br />
overview and an important piece <strong>of</strong> scholarship,<br />
includes fully revised content.<br />
The four key organizing sections <strong>of</strong> the book still<br />
remain: arms and armor, artillery, fortifications, and<br />
warships. Throughout, the authors connect these<br />
technologies to broader themes and developments<br />
in medieval society as well as to current scholarly<br />
and curatorial controversies.<br />
Kelly DeVries is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />
History at Loyola <strong>University</strong> Maryland. Robert Douglas<br />
Smith is an independent museum consultant.<br />
‘Students <strong>of</strong> the Middle Ages and military enthusiasts<br />
alike will find <strong>Medieval</strong> Military Technology a valuable<br />
and unique work.’<br />
Richard Abels, United States Naval Academy<br />
(UTP Higher Education)<br />
Approx. 352 pp / 6 x 9 / April <strong>2012</strong><br />
Paper 978-1-4426-0497-1 $34.95 (£22.99)<br />
SECOND EDITION<br />
ME DIEVAL<br />
MILI@ARY<br />
TECHNOLOGY<br />
Kelly DeVries<br />
and<br />
Robert Douglas Smith<br />
The Alphabet <strong>of</strong> Galen<br />
Pharmacy from Antiquity to the Middle Ages<br />
NEW<br />
A Critical Edition <strong>of</strong> the Latin Text<br />
with English Translation and Commentary<br />
by Nicholas Everett<br />
The Alphabet <strong>of</strong> Galen is a critical edition and<br />
English translation <strong>of</strong> a text describing, in alphabetical<br />
order, nearly three hundred natural products – including<br />
metals, aromatics, animal materials, and<br />
herbs – and their medicinal uses. A Latin translation<br />
<strong>of</strong> earlier Greek writings on pharmacy that have not<br />
survived, it circulated among collections <strong>of</strong><br />
‘authorities’ on medicine, including Hippocrates,<br />
Galen <strong>of</strong> Pergamun, Soranus, and Ps. Apuleius.<br />
This work presents interesting linguistic features,<br />
including otherwise unattested Greek and Latin<br />
technical terms and unique pharmacological<br />
descriptions. Nicholas Everett provides a window<br />
onto the medieval translation <strong>of</strong> ancient science and<br />
medieval conceptions <strong>of</strong> pharmacy. With a<br />
comprehensive scholarly apparatus and a contextual<br />
introduction, The Alphabet <strong>of</strong> Galen is a major<br />
resource for understanding the richness and<br />
diversity <strong>of</strong> medical history.<br />
Nicholas Everett is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />
Approx. 480 pp / 8 illustrations / 6 x 9 / April <strong>2012</strong><br />
Cloth 978-0-8020-9812-2 $95.00 (£60.00)<br />
Paper 978-0-8020-9550-3 $39.95 (£25.00)<br />
utppublishing.com 3
FEATURED TITLES<br />
NEW<br />
The Taymouth Hours<br />
Stories and the Construction <strong>of</strong> the Self in Late <strong>Medieval</strong> England<br />
Kathryn A. Smith<br />
The Taymouth Hours is one <strong>of</strong> the most fascinating<br />
illuminated manuscripts <strong>of</strong> late medieval England,<br />
but the circumstances <strong>of</strong> its commission have<br />
remained elusive for more than a century. In this<br />
first comprehensive study <strong>of</strong> the Taymouth Hours,<br />
Kathryn A. Smith traces the manuscript’s origin to<br />
Philippa <strong>of</strong> Hainault, queen <strong>of</strong> Edward III, and Edward’s<br />
sister, the thirteen-year-old Eleanor <strong>of</strong> Woodstock.<br />
Smith provides a detailed analysis <strong>of</strong> the<br />
manuscript’s program, particularly the relationships<br />
between its marginal imagery and the devotional<br />
texts these images border, and embeds the Taymouth<br />
Hours within the historical, political, religious, and<br />
artistic contexts <strong>of</strong> early fourteenth-century England<br />
and northern Europe. Generously illustrated, the<br />
book also comes with a digitized edition <strong>of</strong> the<br />
entire manuscript. This feature allows readers to<br />
examine high-quality images <strong>of</strong> each folio while<br />
following along with Smith’s text.<br />
Kathryn A. Smith is an associate pr<strong>of</strong>essor and<br />
chair in the Department <strong>of</strong> Art History at New York<br />
<strong>University</strong>.<br />
Approx. 256 pp / 120 illustrations / 6 x 9 / May <strong>2012</strong><br />
Cloth 978-1-4426-4436-6 $65.00<br />
North American rights only.<br />
Other rights held by the British Library.<br />
NEW<br />
How the Page Matters<br />
Bonnie Mak<br />
From handwritten texts to online books, the page<br />
has been a standard interface for transmitting<br />
knowledge for over two millennia. It is also a dynamic<br />
device, readily transformed to suit the needs <strong>of</strong><br />
contemporary readers. In How the Page Matters,<br />
Bonnie Mak explores how changing technology has<br />
affected the reception <strong>of</strong> visual and written information.<br />
Mak examines the fifteenth-century Latin text<br />
Controversia de nobilitate in three forms – as a<br />
manuscript, a printed work, and a digital edition.<br />
Mak’s elegant analysis proves both the timeliness <strong>of</strong><br />
studying interface design and the persistence <strong>of</strong> the<br />
page as a mechanism for communication.<br />
Bonnie Mak is an assistant pr<strong>of</strong>essor in the Graduate<br />
School <strong>of</strong> Library and Information Science and the<br />
Program for <strong>Medieval</strong> Studies at the <strong>University</strong> <strong>of</strong><br />
Illinois.<br />
‘How the Page Matters represents a new and<br />
refreshing approach to the various interactions<br />
between medieval manuscript versions <strong>of</strong> a particular<br />
text and its early modern and contemporary editions.’<br />
William Schipper, Memorial <strong>University</strong><br />
(Studies in Book and Print Culture)<br />
304 pp / 16 illustrations / 6 x 9 / 2011<br />
Cloth 978-0-8020-9760-6 $55.00 (£38.99)<br />
NEW<br />
Atlas <strong>of</strong> the Irish Rural Landscape<br />
Second Edition<br />
Edited by F.H.A. Aalen, Kevin Whelan, and<br />
Matthew Stout<br />
The second edition <strong>of</strong> the award-winning Atlas <strong>of</strong> the<br />
Irish Rural Landscape is a magnificently illustrated,<br />
beautifully written and thoroughly updated introduction<br />
to the hidden riches <strong>of</strong> the Irish landscape. The<br />
Atlas combines superbly chosen illustrations and<br />
cartography with a text amenable to a general reader.<br />
Hundreds <strong>of</strong> maps, diagrams, photographs, and<br />
paintings present accessible information suitable for<br />
any school, college, or home. New content in the contemporary<br />
section takes into account the Celtic Tiger<br />
and explores six fresh case studies. The Atlas <strong>of</strong> the<br />
Irish Rural Landscape continues to increase the visibility<br />
<strong>of</strong> the landscape within national heritage while establishing<br />
a proper basis for conservation and planning.<br />
F.H.A. Aalen is a pr<strong>of</strong>essor emeritus <strong>of</strong> Geography<br />
in the School <strong>of</strong> Natural Sciences at Trinity College<br />
Dublin. Kevin Whelan is the director <strong>of</strong> the Keough<br />
Naughton Notre Dame Centre in Dublin. Matthew<br />
Stout is a lecturer in the Department <strong>of</strong> History, St<br />
Patrick’s College, Drumcondra.<br />
‘Anyone interested in Ireland, especially the Irish<br />
countryside, will find this attractive volume anything<br />
from engaging to indispensable.’<br />
The Globe and Mail<br />
360 pp / 800+ illustrations / 9 x 11¾ / 2011<br />
Cloth ISBN 978-1-4426-4291-1 $75.00<br />
North American rights only.<br />
Other rights held by Cork <strong>University</strong> Press.<br />
4 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
COURSE BOOKS<br />
The Civilization <strong>of</strong> the Italian <strong>Renaissance</strong><br />
A Sourcebook, Second Edition<br />
the Civilization <strong>of</strong> the<br />
italian RenaissanCe<br />
a souRCebook<br />
Edited by Kenneth R. Bartlett<br />
Beginning with medieval Italy in the late thirteenth<br />
century and ending in the sixteenth century, The<br />
Civilization <strong>of</strong> the Italian <strong>Renaissance</strong> is designed to<br />
introduce students to the richness and complexity<br />
<strong>of</strong> the period. The book is divided into chapters that<br />
focus on different aspects <strong>of</strong> life in <strong>Renaissance</strong> Italy.<br />
Throughout, sources and individuals are discussed<br />
in introductory or biographical paragraphs to help<br />
students engage with the material.<br />
This edition includes a new chapter on Dante<br />
and medieval Italy, new selections on warfare,<br />
and additional readings on education, Florence,<br />
humanism, the Church, and the later <strong>Renaissance</strong>.<br />
The introductions to the readings are fully revised,<br />
and an essay on reading historical documents is<br />
now appended.<br />
Kenneth R. Bartlett is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> History at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />
‘Kenneth Bartlett’s The Civilization <strong>of</strong> the Italian<br />
<strong>Renaissance</strong> has long been my favorite sourcebook<br />
for undergraduate teaching.’<br />
Lisa Regan, <strong>University</strong> <strong>of</strong> California Berkeley<br />
(UTP Higher Education)<br />
320 pp / 7 ¾ x 9 ¼ / 2011<br />
Paper 978-1-4426-0485-8 $59.95 (£38.99)<br />
S E C O N D E D I T I O N • K E N N E T H R . B A R T L E T T<br />
The Middle Ages in Texts and Texture<br />
Reflections on <strong>Medieval</strong> Sources<br />
Edited by Jason Glenn<br />
The Middle Ages in Texts and Texture is a collection<br />
<strong>of</strong> unique essays that teaches students <strong>of</strong> medieval<br />
history how to work with primary sources. The goal<br />
<strong>of</strong> the collection is to provide students with a sense<br />
<strong>of</strong> the ‘texture’ <strong>of</strong> the Middle Ages by having them<br />
engage and struggle with some <strong>of</strong> the most notable<br />
texts produced during this period.<br />
The texts discussed in the essays, most <strong>of</strong> which<br />
are well known classics, are arranged in chronological<br />
order and span the period from the fourth<br />
century to the turn <strong>of</strong> the fifteenth century. They<br />
come from a wide range <strong>of</strong> genres, and each essay<br />
begins with basic information about the texts, their<br />
authors, and the larger settings in which they were<br />
written.<br />
Jason Glenn is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Southern<br />
California.<br />
‘In this volume, experienced scholar-teachers<br />
address the greatest primary-source hits <strong>of</strong> the<br />
medieval studies syllabus. Anyone who teaches<br />
such a course will find here fresh readings <strong>of</strong><br />
familiar texts, as well as reasons to start working<br />
with some unfamiliar ones.’<br />
Adam J. Kosto, Columbia <strong>University</strong><br />
(UTP Higher Education)<br />
368 pp / 6 x 9 / 2011<br />
Paper 978-1-4426-0490-2 $32.95 (£21.99)<br />
Sacred Violence<br />
The European Crusades to the Middle East, 1095–1396<br />
Jill N. Claster<br />
In Sacred Violence, renowned medieval historian<br />
Jill N. Claster examines warfare between Christians<br />
and Muslims for control <strong>of</strong> the embattled city <strong>of</strong><br />
Jerusalem. Beyond the battlefield, however, Claster<br />
explains the relationship <strong>of</strong> Jews, Christians, and<br />
Muslims to the Holy City and how that relationship<br />
still resonates today.<br />
The book encompasses the history <strong>of</strong> the kingdom<br />
founded by the crusaders that lasted, against all odds,<br />
for over two hundred years, and details the richness<br />
that emerged from the interplay <strong>of</strong> its many cultural<br />
groups. It also tells the story <strong>of</strong> how and why the<br />
crusades came about, their impact <strong>of</strong> the Middle East<br />
and Europe, and their legacy to subsequent<br />
generations.<br />
Jill N. Claster is pr<strong>of</strong>essor emerita <strong>of</strong> <strong>Medieval</strong><br />
History at New York <strong>University</strong>. She is a past<br />
Director <strong>of</strong> the Hagop Kevorkian Center for Near<br />
Eastern Studies and the former Dean <strong>of</strong> the College<br />
<strong>of</strong> Arts and Science at New York <strong>University</strong>.<br />
‘[Jill N. Claster] deftly integrates the social and<br />
political history <strong>of</strong> the crusades, its battles and<br />
institutions, with the history <strong>of</strong> religion. Sacred<br />
Violence represents a new and important resource<br />
for students <strong>of</strong> the crusades.’<br />
Ross Brann, Cornell <strong>University</strong><br />
(UTP Higher Education)<br />
356 pp / 6 x 9 / 2009<br />
Paper 978-1-4426-0060-7 $32.95 (£18.99)<br />
utppublishing.com 5
COURSE BOOKS<br />
Pilgrimage in the Middle Ages<br />
A Reader<br />
Edited by Brett Edward Whalen<br />
Pilgrimage in the Middle Ages is a rich collection <strong>of</strong><br />
primary sources for the history <strong>of</strong> Christian pilgrimage<br />
in Europe and the Mediterranean world from<br />
the fourth through the sixteenth centuries. The<br />
collection illustrates the far-reaching significance<br />
and consequences <strong>of</strong> pilgrimage for the culture,<br />
society, economics, politics, and spirituality <strong>of</strong> the<br />
Middle Ages.<br />
Brett Edward Whalen focuses on sites within Europe<br />
and beyond its borders, including the holy<br />
places <strong>of</strong> Jerusalem, and provides documents that<br />
shed light upon Eastern Christian, Jewish, and Islamic<br />
pilgrimages. The result is an innovative sourcebook<br />
that <strong>of</strong>fers a window into broader trends,<br />
shifts, and transformations in the Middle Ages.<br />
Brett Edward Whalen is an associate pr<strong>of</strong>essor<br />
in the Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong><br />
North Carolina at Chapel Hill.<br />
‘A rich treasury <strong>of</strong> primary sources vividly bringing<br />
to life the background, practice, and significance <strong>of</strong><br />
medieval pilgrimage. An invaluable resource for students<br />
and specialists alike.’<br />
Dee Dyas, <strong>University</strong> <strong>of</strong> York<br />
(UTP Higher Education; Readings in<br />
<strong>Medieval</strong> Civilizations and Cultures Series)<br />
400 pp / 6 x 9 / 2011<br />
Paper 978-1-4426-0199-4 $42.95 (£27.99)<br />
<strong>Medieval</strong> Medicine<br />
A Reader<br />
Edited by Faith Wallis<br />
Medicine in the medieval world is <strong>of</strong>ten treated in<br />
a static manner, as if a single picture <strong>of</strong> the body, a<br />
unitary understanding <strong>of</strong> disease, and unvarying<br />
practices <strong>of</strong> healing held sway for a millennium.<br />
<strong>Medieval</strong> Medicine challenges this view by documenting<br />
changes and complexities in medieval<br />
medical thinking and practice. In this collection <strong>of</strong><br />
over 100 primary sources, many translated for the<br />
first time, Faith Wallis reveals the dynamic world <strong>of</strong><br />
medicine in the Middle Ages that has been largely<br />
unavailable to students and scholars.<br />
Faith Wallis is an associate pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> History and the Department <strong>of</strong> Social<br />
Studies <strong>of</strong> Medicine at McGill <strong>University</strong>.<br />
‘An excellent and comprehensive overview both for<br />
students and scholars that shows vividly what medicine<br />
was for medieval actors and what it is today for<br />
historians <strong>of</strong> medieval medicine.’<br />
Social History <strong>of</strong> Medicine<br />
‘A truly rewarding work, worth acquiring not only<br />
by scholars and teachers <strong>of</strong> medieval medicine in<br />
particular but more broadly by anyone teaching in<br />
the field <strong>of</strong> medieval European history and society.’<br />
The <strong>Medieval</strong> Review<br />
(UTP Higher Education; Readings in<br />
<strong>Medieval</strong> Civilizations and Cultures Series)<br />
563 pp / 6 x 9 / 2010<br />
Paper 978-1-4426-0103-1 $44.95 (£24.99)<br />
The Viking Age<br />
A Reader<br />
Edited by Angus A. Somerville<br />
and R. Andrew McDonald<br />
Angus A. Somerville is an associate pr<strong>of</strong>essor in<br />
the Department <strong>of</strong> English Language and Literature<br />
at Brock <strong>University</strong>. R. Andrew McDonald is<br />
an associate pr<strong>of</strong>essor in the Department <strong>of</strong> History<br />
at Brock <strong>University</strong> and former Director <strong>of</strong> the<br />
Centre for <strong>Medieval</strong> and <strong>Renaissance</strong> Studies at<br />
Brock <strong>University</strong>.<br />
Tracing the astonishing development <strong>of</strong> the Viking<br />
Age from the first foreign raids to the rise and fall<br />
<strong>of</strong> Viking empires, this comprehensive reader is essential<br />
to an understanding <strong>of</strong> Viking history.<br />
The diversity <strong>of</strong> the Viking world is mirrored by the<br />
range and variety <strong>of</strong> over 100 primary documents<br />
‘The Viking Age is a most enjoyable and informative<br />
chosen for inclusion. The Norse translations, many <strong>of</strong><br />
volume for dipping into.’<br />
them new, are straightforward and easily accessible<br />
for students. The introductions contextualize the The <strong>Medieval</strong> Review<br />
readings while allowing the sources to speak for themselves.<br />
All unfamiliar terms are explained unobtrusively<br />
(UTP Higher Education; Readings in<br />
<strong>Medieval</strong> Civilizations and Cultures Series)<br />
in the body <strong>of</strong> the text. Thirteen black-and-white<br />
503 pp / 13 illustrations / 6 x 9 / 2010<br />
illustrations and one map provide visual context. Combined,<br />
these features make this book an extremely<br />
Paper 978-1-4426-0148-2 $44.95 (£24.99)<br />
readable and user-friendly introduction to the Viking Age.<br />
6 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
Readings in <strong>Medieval</strong> Civilizations and Cultures<br />
Series Editor: Paul Edward Dutton<br />
‘Readings in <strong>Medieval</strong> Civilizations and Cultures is in my opinion the most useful series being published today.’<br />
William C. Jordan, Princeton <strong>University</strong><br />
COURSE BOOKS<br />
I. Carolingian Civilization<br />
A Reader, Second Edition<br />
Edited by Paul Edward Dutton<br />
Paper 978-1-5511-1492-7<br />
$42.95 (£24.99) 2004<br />
IX. The ‘Annals’ <strong>of</strong> Flodoard <strong>of</strong> Reims, 919–966<br />
Translated and Edited by<br />
Steven Fanning and Bernard S. Bachrach<br />
Paper 978-1-4426-0001-0<br />
$27.95 (£13.99) 2004<br />
II. <strong>Medieval</strong> Popular Religion, 1000–1500<br />
A Reader, Second Edition<br />
Edited by John Shinners<br />
Paper 978-1-4426-0106-2<br />
$44.95 (£24.99) 2006<br />
III. Charlemagne’s Courtier<br />
The Complete Einhard<br />
Edited by Paul Edward Dutton<br />
Paper 978-1-4426-0112-3<br />
$24.95 (£12.99) 1998<br />
IV. <strong>Medieval</strong> Saints<br />
A Reader<br />
Edited by Mary-Ann Stouck<br />
Paper 978-1-4426-0101-7<br />
$44.95 (£24.99) 1998<br />
X. Gregory <strong>of</strong> Tours<br />
The Merovingians<br />
Translated and Edited by<br />
Alexander Callander Murray<br />
Paper 978-1-5511-1523-8<br />
$27.95 (£14.99) 2005<br />
XI. <strong>Medieval</strong> Towns<br />
A Reader<br />
Edited by Maryanne Kowaleski<br />
Paper 978-1-4426-0091-1<br />
$43.95 (£24.99) 2006<br />
XII. A Short Reader <strong>of</strong> <strong>Medieval</strong> Saints<br />
Edited by Mary-Ann Stouck<br />
Paper 978-1-4426-0094-2<br />
$26.95 (£14.99) 2009<br />
V. From Roman to Merovingian Gaul<br />
A Reader<br />
Translated and Edited by<br />
Alexander Callander Murray<br />
Paper 978-1-4426-0095-9<br />
$44.95 (£24.99) 1999<br />
XIII. Vengeance in <strong>Medieval</strong> Europe<br />
A Reader<br />
Edited by Daniel Lord Smail<br />
and Kelly Gibson<br />
Paper 978-1-4426-0126-0<br />
$44.95 (£25.99) 2009<br />
VI. <strong>Medieval</strong> England, 1000–1500<br />
A Reader<br />
Edited by Emilie Amt<br />
Paper 978-1-4426-0006-5<br />
$44.95 (£22.99) 2000<br />
VII. Love, Marriage, and Family<br />
in the Middle Ages<br />
A Reader<br />
Edited by Jacqueline Murray<br />
Paper 978-1-5511-1104-9<br />
$42.95 (£24.99) 2001<br />
XIV. The Viking Age<br />
A Reader<br />
Edited by Angus A. Somerville<br />
and R. Andrew McDonald<br />
Paper 978-1-4426-0148-2<br />
$44.95 (£24.99) 2010<br />
XV. <strong>Medieval</strong> Medicine<br />
A Reader<br />
Edited by Faith Wallis<br />
Paper 978-1-4426-0103-1<br />
$44.95 (£24.99) 2010<br />
VIII. The Crusades<br />
A Reader<br />
Edited by S.J. Allen and Emilie Amt<br />
Paper 978-1-4426-0002-7<br />
$43.95 (£21.99) 2003<br />
XVI. Pilgrimage in the Middle Ages<br />
A Reader<br />
Edited by Brett Edward Whalen<br />
Paper 978-1-4426-0199-4<br />
$42.95 (£27.99) 2011<br />
utppublishing.com 7
COURSE BOOKS<br />
Readings in <strong>Medieval</strong> History<br />
Fourth Edition<br />
Edited by Patrick J. Geary<br />
In this new edition <strong>of</strong> his enormously popular<br />
collection <strong>of</strong> medieval documents, Patrick J. Geary<br />
has incorporated more bibliographical information<br />
into the introductions to the readings. Five texts<br />
have been added to better reflect legal, religious,<br />
Polish, and women’s history. A glossary is provided<br />
to help with unfamiliar terms, and secondary<br />
readings about the primary sources are listed.<br />
As before, four principles guide the selection <strong>of</strong><br />
primary sources: entire documents are provided rather<br />
than snippets; texts are grouped so that individual<br />
documents relate to one another; documents chosen<br />
have been the subject <strong>of</strong> significant scholarship; and<br />
raw material for many types <strong>of</strong> historical investigations<br />
(political, social, cultural) is provided.<br />
Patrick J. Geary is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />
History at the <strong>University</strong> <strong>of</strong> California, Los Angeles.<br />
‘Readings in <strong>Medieval</strong> History is probably the best<br />
collection <strong>of</strong> primary source readings available.’<br />
Jonathan Conant, Brown <strong>University</strong><br />
(UTP Higher Education)<br />
811 pp / 7 x 9 / 2010<br />
Paper 978-1-4426-0120-8 $61.95 (£39.99)<br />
Also available in a two-volume format:<br />
Volume I: The Early Middle Ages / 352 pp / 7 x 9 / 2010<br />
Paper 978-1-4426-0116-1 $38.95 (£20.99)<br />
Volume II: The Later Middle Ages / 504 pp / 7 x 9 / 2010<br />
Paper 978-1-4426-0117-8 $38.95 (£20.99)<br />
A Short History <strong>of</strong> the Middle Ages<br />
Third Edition<br />
Barbara H. Rosenwein<br />
Beautifully written and exquisitely illustrated, A<br />
Short History <strong>of</strong> the Middle Ages provides an ideal<br />
introduction to medieval history. Famous for its<br />
integration <strong>of</strong> culture, politics, art, economics, and<br />
social issues throughout its lively narrative, this textbook<br />
is also unique for its survey <strong>of</strong> European<br />
history both on its own terms and in the context <strong>of</strong><br />
the Islamic world and the Byzantine, Mongol, and<br />
Ottoman empires. The third edition takes into<br />
account recent historical and archaeological findings<br />
and interpretations.<br />
Barbara H. Rosenwein is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> History at Loyola <strong>University</strong> Chicago.<br />
‘Elegantly written and beautifully produced,<br />
Rosenwein’s A Short History <strong>of</strong> the Middle Ages is a<br />
treat for teachers and students alike.’<br />
Fiona Griffiths, New York <strong>University</strong><br />
(UTP Higher Education)<br />
399 pp / 7 ¾ x 9 ¼ / 2009<br />
Paper 978-1-4426-0104-8 $48.95 (£25.99)<br />
Also available in a two-volume format:<br />
Volume I: From c.300 to c.1150<br />
255 pp / 7 ¾ x 9 ¼ / 2009<br />
Paper 978-1-4426-0122-2 $37.95 (£17.99)<br />
Volume II: From c.900 to c.1500<br />
389 pp / 7 ¾ x 9 ¼ / 2009<br />
Paper 978-1-4426-0123-9 $37.95 (£17.99)<br />
Reading the Middle Ages<br />
Sources from Europe, Byzantium, and the Islamic World<br />
Edited by Barbara H. Rosenwein<br />
Following her highly acclaimed A Short History <strong>of</strong><br />
the Middle Ages, Barbara H. Rosenwein presents a<br />
unique edited collection <strong>of</strong> documents and readings.<br />
Spanning the period from c.300 to c.1500, the<br />
ambitious Reading the Middle Ages incorporates in<br />
a systematic fashion Islamic and Byzantine materials<br />
alongside Western readings.<br />
‘This collection reveals the dazzling richness <strong>of</strong> the<br />
medieval evidence and provides many points <strong>of</strong><br />
entry for future inquiry.’<br />
Daniel Lord Smail, Harvard <strong>University</strong><br />
(UTP Higher Education)<br />
594 pp / 7 ¾ x 9 ¼ / 2006<br />
Paper 978-1-5511-1693-8 $55.95 (£26.99)<br />
Also available in a two-volume format:<br />
Volume I: From c.300 to c.1150<br />
354 pp / 7 ¾ x 9 ¼ / 2007<br />
Paper 978-1-5511-1695-2 $35.95 (£16.99)<br />
Volume II: From c.900 to c.1500<br />
387 pp / 7 ¾ x 9 ¼ / 2007<br />
Paper 978-1-5511-1696-9 $35.95 (£16.99)<br />
SPECIAL COMBINED PRICE!<br />
Purchase both A Short History <strong>of</strong> the Middle<br />
Ages and Reading the Middle Ages for just<br />
$85.00 by ordering ISBN 978-1-4426-0351-6.<br />
See utppublishing.com for more great deals<br />
on titles by Barbara H. Rosenwein.<br />
8 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
Rethinking the Middle Ages<br />
COURSE BOOKS<br />
Series Editors: Paul Edward Dutton and John Shinners<br />
Rethinking the Middle Ages is a series committed to re-examining the Middle Ages – its themes, institutions, people, and<br />
events – with short studies that invite readers to think about that era in new and unusual ways.<br />
I. Seeing <strong>Medieval</strong> Art<br />
Herbert L. Kessler<br />
How did medieval people see art How<br />
was it made, paid for, and used Why<br />
was it necessary to social activities<br />
With 12 color plates and 54 plates in all,<br />
this book looks at art’s functions and<br />
traces many crucial developments,<br />
including the development <strong>of</strong> secular art<br />
and historical narrative and the emergence<br />
<strong>of</strong> individual portraiture.<br />
‘Herbert Kessler’s newest work shows<br />
us better than any other book I know why medieval art matters – and<br />
how our own seeing <strong>of</strong> it has grown evermore interesting. I urge<br />
experts and general enthusiasts alike to read this book now.’<br />
Peter Low, Williams College<br />
Paper 978-1-5511-1535-1 $32.95 (£17.99) 2004<br />
II. The Story <strong>of</strong> a Great<br />
<strong>Medieval</strong> Book<br />
Peter Lombard’s Sentences<br />
Philipp W. Rosemann<br />
Twelfth-century theologian Peter Lombard’s<br />
Book <strong>of</strong> Sentences, one <strong>of</strong> the first<br />
Western textbooks <strong>of</strong> theology, received<br />
the largest number <strong>of</strong> commentaries<br />
among all works <strong>of</strong> Christian literature<br />
except for Scripture itself. In this book,<br />
notable Lombard scholar Philipp W.<br />
Rosemann examines the text as a guiding<br />
thread to studying Christian thought throughout the later Middle Ages<br />
and into early modern times.<br />
‘The Story <strong>of</strong> a Great <strong>Medieval</strong> Book provides an excellent introduction<br />
not only to the history and textual traditions <strong>of</strong> commentaries on Peter<br />
Lombard’s Sentences, but also to how such texts were used by<br />
university students and teachers <strong>of</strong> the late Middle Ages.’<br />
Donna Trembinski, Queen’s <strong>University</strong><br />
Paper 978-1-5511-1718-8 $29.95 (£17.99) 2007<br />
III. Rethinking the<br />
School <strong>of</strong> Chartres<br />
Édouard Jeauneau<br />
Translated by Claude Paul Desmarais<br />
In this brief essay, esteemed medieval<br />
historian Édouard Jeauneau examines a<br />
much debated question in medieval<br />
intellectual history: did the famous<br />
School <strong>of</strong> Chartres actually exist Deftly<br />
translated by Claude Paul Desmarais,<br />
Rethinking the School <strong>of</strong> Chartres<br />
provides a narrative that is critical,<br />
passionate, and witty.<br />
‘No one has done more to reveal the riches <strong>of</strong> twelfth-century<br />
Platonism than Father Édouard Jeauneau. It is a great pleasure to read<br />
this wonderful scholar’s reflections on his long association and deep<br />
affinity with Chartres and its teachers.’<br />
Winthrop Wetherbee III, Cornell <strong>University</strong><br />
Paper 978-1-4426-0007-2 $26.95 (£15.99)<br />
Old English Metre<br />
An Introduction<br />
Jun Terasawa<br />
Old English Metre <strong>of</strong>fers an essential framework for<br />
the critical analysis <strong>of</strong> metrical structures and interpretations<br />
in Old English literature. Jun Terasawa’s<br />
comprehensive introductory text covers the basics <strong>of</strong><br />
Old English metre and reviews the current research in<br />
the field, emphasizing the interaction between Old<br />
English metre and components such as wordformation,<br />
word-choice, and grammar.<br />
Each chapter includes exercises and suggestions<br />
for further reading. Appendices provide possible<br />
answers to the exercises, tips for scanning half-lines,<br />
and brief definitions <strong>of</strong> metrical terms used. Examples<br />
in Old English are provided with literal<br />
modern English translations, with glosses added in<br />
the first three chapters to help beginners.<br />
Jun Terasawa is a pr<strong>of</strong>essor in the Graduate School<br />
<strong>of</strong> Arts and Sciences at the <strong>University</strong> <strong>of</strong> Tokyo.<br />
‘A serious advance in state-<strong>of</strong>-the-art research, Old<br />
English Metre is ideally suited to help the largest<br />
possible audience interested in Old English poetry<br />
develop the skills necessary to critically edit and<br />
interpret these works.’<br />
Ge<strong>of</strong>frey Russom, Brown <strong>University</strong><br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
176 pp / 6 x 9 / 2011<br />
Cloth 978-1-4426-4238-6 $45.00 (£31.99)<br />
Paper 978-1-4426-1129-0 $19.95 (£13.99)<br />
utppublishing.com 9
THEATRE AND MUSIC<br />
NEW<br />
EDITED BY IRENA R. MAKARYK<br />
AND MARISSA McHUGH<br />
Shakespeare and the Second World War<br />
Theatre, Culture, Identity<br />
SHAKESPEARE AND THE<br />
SECOND WORLD WAR<br />
THEATRE CULTURE IDENTITY<br />
Edited by Irena R. Makaryk and Marissa McHugh<br />
Shakespeare’s works occupy a prismatic and<br />
complex position in world culture: they straddle<br />
both the high and the low, the national and the<br />
foreign, literature and theatre. The Second World<br />
War presents a fascinating case study <strong>of</strong> this<br />
phenomenon: most, if not all, <strong>of</strong> its combatants<br />
have laid claim to Shakespeare and have called upon<br />
his work to convey their society’s self-image.<br />
In wartime, such claims frequently brought to<br />
the fore a crisis <strong>of</strong> cultural identity and <strong>of</strong> competing<br />
ownership <strong>of</strong> this ‘universal’ author. Despite this,<br />
the role <strong>of</strong> Shakespeare during the Second World<br />
War has not yet been examined or documented in<br />
any depth. Shakespeare and the Second World War<br />
provides the first sustained international, collaborative<br />
incursion into this terrain. The essays demonstrate<br />
how the wide variety <strong>of</strong> ways in which Shakespeare<br />
has been recycled, reviewed, and reinterpreted<br />
from 1939–1945 are both illuminated by and<br />
continue to illuminate the war today.<br />
Irena R. Makaryk is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Ottawa. Marissa<br />
McHugh is an doctoral candidate in the Department<br />
<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Ottawa.<br />
Approx. 296 pp / 34 illustrations / 6 x 9 / September <strong>2012</strong><br />
Cloth 978-1-4426-4402-1 $65.00 (£45.99)<br />
NEW<br />
NEW<br />
SHakESpEarE<br />
adaptation<br />
ModErn draMa<br />
Essays in Honour <strong>of</strong> Jill L. Levenson<br />
Edited by Randall MaRtin and KathERinE SchEil<br />
Shakespeare/Adaptation/Modern Drama<br />
Essays in Honour <strong>of</strong> Jill L. Levenson<br />
Edited by Randall Martin and Katherine Scheil<br />
Shakespeare/Adaptation/Modern Drama is the first<br />
book-length international study to examine the<br />
critical and theatrical connections among these<br />
fields, including the motivations, methods, and limits<br />
<strong>of</strong> adaptation in modern performance media.<br />
Top scholars including Peter Holland, Alexander<br />
Leggatt, Brian Parker, and Stanley Wells examine<br />
such topics as the relationship between Shakespeare<br />
and modern drama in the context <strong>of</strong> current literary<br />
theories, and historical accounts <strong>of</strong> adaptive and<br />
appropriative practices. Among the diverse and<br />
intriguing examples studied are the authorial selfadaptations<br />
<strong>of</strong> Tom Stoppard and Tennessee<br />
Williams, and the generic and political appropriations<br />
<strong>of</strong> Shakespeare’s texts in television, musical theatre,<br />
and memoir.<br />
Seeing Things<br />
From Shakespeare to Pixar<br />
Randall Martin is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />
English at the <strong>University</strong> <strong>of</strong> New Brunswick.<br />
Katherine Scheil is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />
Minnesota, Twin Cities.<br />
‘Reading these theoretically astute essays, I found<br />
myself constantly intrigued, informed, challenged,<br />
entertained, and stretched – and imagining my<br />
students devouring this book and gaining<br />
enormously from it.’<br />
Carol Chillington Rutter, Warwick <strong>University</strong><br />
288 pp / 4 illustrations / 6 x 9 / 2011<br />
Cloth 978-1-4426-4174-7 $65.00 (£45.99)<br />
Alan Ackerman<br />
How do the acts <strong>of</strong> seeing and believing remain<br />
linked Alan Ackerman charts the dynamic history<br />
<strong>of</strong> interactions between showing and knowing in<br />
Seeing Things, a richly interdisciplinary study which<br />
illuminates changing modes <strong>of</strong> perception and<br />
modern representational media.<br />
Seeing Things demonstrates that the airy<br />
nothings <strong>of</strong> A Midsummer Night’s Dream, the Ghost<br />
in Hamlet, and soulless bodies in Beckett’s media<br />
experiments, alongside Toy Story’s digitally<br />
animated toys, all serve to illustrate the modern<br />
problem <strong>of</strong> visualizing, as Hamlet put it, ‘that within<br />
which passes show.’<br />
Alan Ackerman is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />
‘In these elegant essays, at once theatrical and<br />
philosophical, Alan Ackerman <strong>of</strong>fers a probing<br />
meditation on sight and on the lingering mysteries<br />
<strong>of</strong> the invisible.’<br />
Martin Puchner, Harvard <strong>University</strong><br />
160 pp / 6 x 9 / 2011<br />
Cloth 978-1-4426-4364-2 $50.00 (£34.99)<br />
Paper 978-1-4426-1210-5 $21.95 (£15.99)<br />
10 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
THEATRE AND MUSIC<br />
Middleton and Rowley<br />
Forms <strong>of</strong> Collaboration in the Jacobean Playhouse<br />
NEW<br />
David Nicol<br />
Can the inadvertent clashes between collaborators<br />
produce more powerful effects than their concordances<br />
For Thomas Middleton and William<br />
Rowley, the playwriting team best known for their<br />
tragedy The Changeling, disagreements and friction<br />
proved quite beneficial for their work.<br />
This first full-length study <strong>of</strong> Middleton and<br />
Rowley uses their plays to propose a new model for<br />
the study <strong>of</strong> collaborative authorship in early<br />
modern English drama. David Nicol highlights the<br />
diverse forms <strong>of</strong> collaborative relationships that<br />
factor into a play’s meaning, including playwrights,<br />
actors, companies, playhouses, and patrons. This<br />
kaleidoscopic approach, which views the plays from<br />
all these perspectives, throws new light on the<br />
Middleton-Rowley oeuvre and on early modern<br />
dramatic collaboration as a whole.<br />
David Nicol is an assistant pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> Theatre at Dalhousie <strong>University</strong>.<br />
Approx. 224 pp / 6 x 9 / July <strong>2012</strong><br />
Cloth 978-1-4426-4370-3 $50.00 (£33.99)<br />
Fathers and Sons in Shakespeare<br />
The Debt Never Promised<br />
Fred B. Tromly<br />
Some <strong>of</strong> Shakespeare’s most memorable male<br />
characters, such as Hamlet, Prince Hal, and Edgar,<br />
are defined by their relationships with their fathers.<br />
In Fathers and Sons in Shakespeare, Fred B. Tromly<br />
demonstrates that these relationships are far more<br />
complicated than most critics have assumed.<br />
Tromly’s introductory chapters draw on both<br />
Freudian psychology and Elizabethan family history<br />
to frame the issue <strong>of</strong> filial ambivalence in<br />
Shakespeare. The following analytical chapters<br />
mine the father-son relationships in plays that span<br />
Shakespeare’s entire career. The conclusion explores<br />
Shakespeare’s relationship with his own father and<br />
its effect on his fictional depictions <strong>of</strong> life as a son.<br />
Fred B. Tromly is a pr<strong>of</strong>essor emeritus in the<br />
Department <strong>of</strong> English at Trent <strong>University</strong>.<br />
‘This is a fine, important addition to contemporary<br />
Shakespearean criticism.’<br />
Murray Schwartz, Emerson College<br />
400 pp / 6 x 9 / 2010<br />
Cloth 978-0-8020-9961-7 $65.00 (£45.99)<br />
Subject Stages<br />
Marriage, Theatre and the Law in Early Modern Spain<br />
María M. Carrión<br />
In early modern Spain, the strict definition <strong>of</strong><br />
marriage as the union <strong>of</strong> a man and a woman <strong>of</strong><br />
Catholic faith for the sole purpose <strong>of</strong> procreation<br />
became a key strategy in the production <strong>of</strong> Spain’s<br />
version <strong>of</strong> empire. However, theatre audiences in<br />
Spain saw different representations <strong>of</strong> marriage:<br />
women arguing in court against marital violence,<br />
queens and noblewomen delaying or refusing<br />
imposed marriages, and queer subjects articulating<br />
radical critiques <strong>of</strong> sex and gender policing.<br />
Subject Stages argues that the discourses and<br />
practices <strong>of</strong> marital legislation, litigation, and<br />
theatrics informed each other during this period in<br />
ways that still have a critical bearing on contemporary<br />
events in Spain.<br />
María M. Carrión is Pr<strong>of</strong>essor <strong>of</strong> Spanish, Religion,<br />
and Women’s Studies at Emory <strong>University</strong>.<br />
‘Carrión’s compelling examination <strong>of</strong> theatrical<br />
productions, canonical literary works, and other<br />
cultural texts, is an original and important analysis<br />
<strong>of</strong> the interrelation <strong>of</strong> law, theatre, and the<br />
institution <strong>of</strong> marriage.’<br />
Sherry Velasco, <strong>University</strong> <strong>of</strong> Southern California<br />
(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />
240 pp / 9 illustrations / 6 x 9 / 2010<br />
Cloth 978-1-4426-4108-2 $55.00 (£38.99)<br />
utppublishing.com 11
ERASMUS<br />
The Collected Works <strong>of</strong> Erasmus<br />
The aim <strong>of</strong> the Collected Works <strong>of</strong> Erasmus is to make available an accurate, readable English text <strong>of</strong> Desiderius Erasmus’ (d. 1536) principal<br />
writings. Erasmus was one <strong>of</strong> the leading architects <strong>of</strong> modern thought, whose influence over the intellectual life <strong>of</strong> his day was immense.<br />
The series, 89 volumes in length, was launched in 1968.<br />
‘Academic publishing does not get any better than this: durably bound, expertly annotated, beautifully translated editions <strong>of</strong> the works <strong>of</strong><br />
one <strong>of</strong> the finest scholars in the illustrious history <strong>of</strong> the Christian Church. English readers will long continue to be in the debt <strong>of</strong> the <strong>University</strong><br />
<strong>of</strong> <strong>Toronto</strong> Press for its courage and foresight in undertaking the publication <strong>of</strong> the extensive Erasmian corpus.’<br />
Michael Bauman, Journal <strong>of</strong> the Evangelical Theological Society<br />
‘The Collected Works <strong>of</strong> Erasmus project has long since established a new standard for scholarly translation series to emulate. Not only<br />
have the English versions represented Erasmus’ writings in crisp and accessible language, but meticulous editorial scholarship has placed<br />
the author’s thought and work in their proper intellectual contexts.’<br />
Jerry H. Bentley, <strong>Renaissance</strong> Quarterly<br />
Complete List <strong>of</strong> Published Volumes<br />
(CWE 1): Letters 1-141<br />
Cloth 978-0-8020-1981-3 $117.00 (£81.99)<br />
(CWE 2): Letters 142-297<br />
Cloth 978-0-8020-1983-7 $101.00 (£70.99)<br />
(CWE 3): Letters 298-445<br />
Cloth 978-0-8020-2202-8 $101.00 (£70.99)<br />
(CWE 4): Letters 446-593<br />
Cloth 978-0-8020-5366-4 $101.00 (£70.99)<br />
(CWE 5): Letters 594-841<br />
Cloth 978-0-8020-5429-6 $101.00 (£70.99)<br />
(CWE 6): Letters 842-992<br />
Cloth 978-0-8020-5500-2 $101.00 (£70.99)<br />
(CWE 7): Letters 993-1121<br />
Cloth 978-0-8020-5607-8 $101.00 (£70.99)<br />
(CWE 8): Letters 1122-1251<br />
Cloth 978-0-8020-2607-1 $101.00 (£70.99)<br />
(CWE 9): Letters 1252-1355<br />
Cloth 978-0-8020-2604-0 $107.00 (£74.99)<br />
(CWE 10): Letters 1356-1534<br />
Cloth 978-0-8020-5976-5 $117.00 (£81.99)<br />
(CWE 11): Letters 1535-1657<br />
Cloth 978-0-8020-0536-6 $132.00 (£92.99)<br />
(CWE 12): Letters 1658-1801<br />
Cloth 978-0-8020-4831-8 $203.00 (£142.99)<br />
(CWE 13): Letters 1802-1925<br />
Cloth 978-0-8020-9059-1 $175.00 (£122.99)<br />
(CWE 14): Letters 1926-2081<br />
Cloth 978-1-4426-4044-3 $175.00 (£122.99)<br />
(CWE 23-24): Lit/Ed Writings 1,2<br />
Cloth 978-0-8020-5395-4 $130.00 (£90.99)<br />
(CWE 25-26): Lit/Ed Writings 3,4<br />
Cloth 978-0-8020-5521-7 $130.00 (£90.99)<br />
(CWE 27-28): Lit/Ed Writings 5,6<br />
Cloth 978-0-8020-5602-3 $130.00 (£90.99)<br />
(CWE 29): Lit/Ed Writings 7<br />
Cloth 978-0-8020-5818-8 $130.00 (£90.99)<br />
(CWE 31): Adages Ii1 - Iv100<br />
Cloth 978-0-8020-2373-5 $95.00 (£66.99)<br />
(CWE 32): Adages Ivi1 - Ix100<br />
Cloth 978-0-8020-2412-1 $95.00 (£66.99)<br />
(CWE 33): Adages IIi1 -IIvi100<br />
Cloth 978-0-8020-5954-3 $117.00 (£81.99)<br />
(CWE 34): Adages IIvii1-IIIiii100<br />
Cloth 978-0-8020-2831-0 $112.00 (£78.99)<br />
(CWE 35): Adages IIIiv1-IVii100<br />
Cloth 978-0-8020-3643-8 $172.00 (£120.99)<br />
(CWE 36): Adages Iviii1-Vii51<br />
Cloth 978-0-8020-8832-1 $172.00 (£120.99)<br />
(CWE 39-40): Colloquies<br />
Cloth 978-0-8020-5819-5 $375.00 (£262.99)<br />
(CWE 42): Paraphrases on Romans<br />
Cloth 978-0-8020-2510-4 $62.00 (£43.99)<br />
(CWE 43): Paraphrases on Epistles<br />
Cloth 978-0-8020-9296-0 $175.00 (£122.99)<br />
(CWE 44): Paraphrases on Letters<br />
Cloth 978-0-8020-0541-0 $143.00 (£100.99)<br />
(CWE 45): Paraphrases on Matthew<br />
Cloth 978-0-8020-9299-1 $129.00 (£90.99)<br />
(CWE 46): Paraphrases on John<br />
Cloth 978-0-8020-5859-1 $101.00 (£70.99)<br />
(CWE 48): Paraphrases on Luke<br />
Cloth 978-0-8020-3653-7 $149.00 (£104.99)<br />
(CWE 49): Paraphrases on Mark<br />
Cloth 978-0-8020-2631-6 $72.00 (£50.99)<br />
(CWE 50): New Testament Scholarship<br />
Cloth 978-0-8020-0664-6 $112.00 (£78.99)<br />
(CWE 56): Annotations On Romans<br />
Cloth 978-0-8020-2803-7 $130.00 (£90.99)<br />
(CWE 61): Patristic Scholarship<br />
Cloth 978-0-8020-2760-3 $101.00 (£70.99)<br />
(CWE 63): Expositions <strong>of</strong> the Psalms<br />
Cloth 978-0-8020-4308-5 $103.00 (£72.99)<br />
(CWE 64): Expositions <strong>of</strong> the Psalms<br />
Cloth 978-0-8020-3584-4 $172.00 (£120.99)<br />
(CWE 65): Expositions <strong>of</strong> the Psalms<br />
Cloth 978-0-8020-9979-2 $110.00 (£76.99)<br />
(CWE 66): Spiritualia and Pastoralia<br />
Cloth 978-0-8020-2656-9 $95.00 (£66.99)<br />
(CWE 69): Spiritualia and Pastoralia<br />
Cloth 978-0-8020-4382-5 $146.00 (£102.99)<br />
(CWE 70): Spiritualia and Pastoralia<br />
Cloth 978-0-8020-4309-2 $146.00 (£102.99)<br />
(CWE 71): Controversies<br />
Cloth 978-0-8020-2869-3 $101.00 (£70.99)<br />
(CWE 72): Controversies<br />
Cloth 978-0-8020-3836-4 $172.00 (£120.99)<br />
(CWE 76): Controversies<br />
Cloth 978-0-8020-4317-7 $146.00 (£102.99)<br />
(CWE 77): Controversies<br />
Cloth 978-0-8020-4756-4 $146.00 (£102.99)<br />
(CWE 78): Controversies<br />
Cloth 978-0-8020-9866-5 $165.00 (£115.99)<br />
(CWE 82): Controversies<br />
Cloth 978-1-4426-4115-0 $175.00 (£122.99)<br />
(CWE 83): Controversies<br />
Cloth 978-0-8020-4310-8 $112.00 (£78.99)<br />
(CWE 84): Controversies<br />
Cloth 978-0-8020-4397-9 $200.00 (£139.99)<br />
(CWE 85-86): Poems<br />
Cloth 978-0-8020-2867-9 $140.00 (£97.99)<br />
In Preparation<br />
Correspondence 16–22; Adages 30, Apophthegmata 37–38; New Testament Scholarship 41, 47, 51–55, 57–60; Patristic Scholarship 62;<br />
Spiritualia and Pastoralia 67–68; Controversies 73–75, 79–81<br />
12 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
ERASMUS<br />
The Correspondence <strong>of</strong> Erasmus<br />
Letters 2082–2203<br />
NEW<br />
Edited by James M. Estes<br />
Translated by Alexander Dalzell<br />
This volume contains the surviving correspondence<br />
<strong>of</strong> Erasmus for the first seven months <strong>of</strong> 1529. For<br />
nearly eight years he had lived happily and<br />
productively in Basel. In the winter <strong>of</strong> 1528-9, however,<br />
the Swiss version <strong>of</strong> the Lutheran Reformation<br />
triumphed in the city, destroying the liberalreformist<br />
atmosphere Erasmus had found so<br />
congenial. Unwilling to live in a place where Catholic<br />
doctrine and practice were <strong>of</strong>ficially proscribed,<br />
Erasmus resettled in the quiet, reliably Catholic<br />
university town <strong>of</strong> Freiburg im Breisgau,<br />
Despite the turmoil <strong>of</strong> moving, Erasmus managed<br />
to complete the new Froben editions <strong>of</strong> Seneca and<br />
St Augustine, both monumental projects that had<br />
been underway for years. He also found time to<br />
engage in controversy with his conservative Catholic<br />
critics, as well as to write a long letter lamenting the<br />
execution for heresy <strong>of</strong> his friend Louis de Berquin<br />
at Paris.<br />
James M. Estes is pr<strong>of</strong>essor emeritus in the<br />
Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />
Alexander Dalzell is pr<strong>of</strong>essor emeritus in the<br />
Department <strong>of</strong> <strong>Classics</strong> at Trinity College, <strong>University</strong><br />
<strong>of</strong> <strong>Toronto</strong>.<br />
(Collected Works <strong>of</strong> Erasmus 15)<br />
Approx. 528 pp / 6 ¾ x 9 ¾ / April <strong>2012</strong><br />
Cloth 978-1-4426-4203-4 $175.00 (£122.99)<br />
Controversies<br />
Clarifications Concerning the Censures Published in Paris<br />
in the Name <strong>of</strong> the Parisian Faculty <strong>of</strong> Theology<br />
NEW<br />
Edited and translated by Clarence H. Miller<br />
Introduction by Clarence H. Miller<br />
and James K. Farge<br />
Erasmus’ humanistic approach to theology and<br />
biblical exegesis presented a shocking challenge to<br />
the theologians at the <strong>University</strong> <strong>of</strong> Paris, which had<br />
been dominated by scholastic theology for centuries.<br />
Erasmus engaged in a decade-long controversy over<br />
his theological, exegetical, and ethical positions<br />
with the Theological Faculty, and especially with<br />
their director, Noël Béda.<br />
This volume – which translates this crucial quarrel<br />
from Latin for the first time – details the formal,<br />
wide-ranging attack on Erasmus’ theories printed<br />
by the faculty in 1531, along with his two replies.<br />
Erasmus published his first rebuttal in the spring <strong>of</strong><br />
1532, and that fall issued a second edition with substantial<br />
revisions and lengthy additions to his original<br />
text. With an extensive introduction and detailed<br />
commentary, this volume highlights the differences<br />
between the humanist and scholastic views <strong>of</strong> genuine<br />
theology more fully and extensively than most <strong>of</strong><br />
Erasmus’ other polemical works.<br />
Clarence H. Miller is a pr<strong>of</strong>essor emeritus in the<br />
Department <strong>of</strong> English at St. Louis <strong>University</strong>. James<br />
K. Farge is a senior fellow and librarian at the<br />
Pontifical Institute <strong>of</strong> <strong>Medieval</strong> Studies at the<br />
<strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />
(Collected Works <strong>of</strong> Erasmus 82)<br />
Approx. 560 pp / 6 ¾ x 9 ¾ / May <strong>2012</strong><br />
Cloth 978-1-4426-4115-0 $175.00 (£122.99)<br />
The Correspondence <strong>of</strong> Erasmus<br />
Letters 1802–1925<br />
Translated by Charles Fantazzi<br />
Annotated by James K. Farge<br />
The 129 letters in this volume <strong>of</strong> the Collected<br />
Works centre primarily on Erasmus’ continuing<br />
struggle with his Catholic critics, especially those in<br />
Spain and France, and on his growing criticism <strong>of</strong><br />
the Protestant reform movement. The correspondence<br />
from this period documents Erasmus attempts to<br />
justify his position and to win favour with powerful<br />
institutions, rulers, and other men <strong>of</strong> influence in<br />
both secular and religious spheres.<br />
Although the Spanish Inquisition’s investigation<br />
<strong>of</strong> his activities did not bring about charges against<br />
him, the Paris Faculty <strong>of</strong> Theology in December<br />
1527 formally condemned 112 propositions drawn<br />
from Erasmus’ works. The letters in this volume,<br />
written by and to Erasmus at a critical time in his<br />
career, represent his political views on a Europe torn<br />
apart by war and religious separatism, as well as his<br />
enduring commitment to principles <strong>of</strong> Christian<br />
humanism and scholarship.<br />
Charles Fantazzi is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> Foreign Languages and Literatures at East<br />
Carolina <strong>University</strong> and a pr<strong>of</strong>essor emeritus in the<br />
Department <strong>of</strong> <strong>Classics</strong> at the <strong>University</strong> <strong>of</strong> Windsor.<br />
(Collected Works <strong>of</strong> Erasmus 13)<br />
624 pp / 19 illustrations / 6 ¾ x 9 ¾ / 2010<br />
Cloth 978-0-8020-9059-1 $175.00 (£122.99)<br />
utppublishing.com 13
ERASMUS<br />
NEW<br />
The Correspondence <strong>of</strong> Erasmus<br />
Letters 1926–2081<br />
Translated by Charles Fantazzi<br />
Annotated by James M. Estes<br />
The predominant theme <strong>of</strong> the letters <strong>of</strong> 1528 is<br />
Erasmus’ controversies with a variety <strong>of</strong> critics and<br />
opponents. The publication in March <strong>of</strong> the dialogue<br />
Ciceronianus, for example, provoked a huge uproar<br />
in France because it included an ironic jest that was<br />
considered insulting; more serious were the<br />
continuing efforts <strong>of</strong> conservative Catholics in<br />
France, Italy, and to prove not only that Erasmus was<br />
a secret Lutheran but also that humanist scholarship<br />
was the source <strong>of</strong> the Lutheran heresy.<br />
In response to these charges, Erasmus wrote<br />
letters and books in which he vigorously defended<br />
his orthodoxy and assiduously cultivated the support<br />
<strong>of</strong> his many admirers among the princes and prelates<br />
<strong>of</strong> Europe. The letters also record Erasmus’ growing<br />
anxiety over the progress <strong>of</strong> the Reformation in<br />
Basel, his diligent attention to his financial affairs,<br />
and his progress on the great editions <strong>of</strong> Augustine<br />
and Seneca that would be published in 1529.<br />
(Collected Works <strong>of</strong> Erasmus 14)<br />
624 pp / 25 illustrations / 6 ¾ x 9 ¾ / 2011<br />
Cloth 978-1-4426-4044-3 $175.00 (£122.99)<br />
Expositions <strong>of</strong> the Psalms<br />
Edited by Dominic Baker -Smith<br />
This third and final volume <strong>of</strong> the Expositions <strong>of</strong> the<br />
Psalms comprises Erasmus’ commentary on Psalms<br />
14, 38, and 83. Dating from the final years <strong>of</strong> Erasmus’<br />
life, the commentaries reflect his later thoughts on<br />
the great crisis facing western Christendom.<br />
These three expositions, written during the early<br />
1530s, address a number <strong>of</strong> contentious issues<br />
within the Church and attempt to reconcile the<br />
warring factions <strong>of</strong> the Reformation. Erasmus’<br />
characteristic emphasis on the inner experience <strong>of</strong><br />
faith, rather than rigid outward conformity to religious<br />
dogma, allowed him to be receptive to the insights<br />
<strong>of</strong> reform while refusing to compromise on the<br />
essentials <strong>of</strong> Christian doctrine. By stressing the<br />
subjective experience at the heart <strong>of</strong> spiritual practice,<br />
he sought to reduce the tension <strong>of</strong> institutional<br />
conflict. The volume includes the first published<br />
English translation <strong>of</strong> the exposition <strong>of</strong> Psalm 38<br />
and, since 1537, <strong>of</strong> Psalm 14.<br />
Dominic Baker-Smith is pr<strong>of</strong>essor emeritus <strong>of</strong><br />
English Literature at the <strong>University</strong> <strong>of</strong> Amsterdam.<br />
(Collected Works <strong>of</strong> Erasmus 65)<br />
352 pp / 3 illustrations / 6 ¾ x 9 ¾ / 2010<br />
Cloth 978-0-8020-9979-2 $110.00 (£76.99)<br />
NEW<br />
The Unfolding <strong>of</strong> Words<br />
Commentary in the Age <strong>of</strong> Erasmus<br />
Edited by Judith Rice Henderson<br />
Leading sixteenth-century scholars such as Martin<br />
Luther and Desiderius Erasmus used print technology<br />
to engage in dialogue and debate with authoritative<br />
contemporary texts. By what Juan Luis Vives termed<br />
‘the unfolding <strong>of</strong> words,’ these humanists gave old<br />
works new meanings in brief notes and extensive<br />
commentaries, full paraphrases, or translations. This<br />
critique challenged the Middle Ages deference to<br />
authors and authorship and resulted in some <strong>of</strong> the<br />
most original thought – and most violent controversy<br />
– <strong>of</strong> the <strong>Renaissance</strong> and Reformation.<br />
The Unfolding <strong>of</strong> Words brings together international<br />
scholarship to explore crucial changes in writers’<br />
interactions with religious and classical texts. This<br />
collection focuses particularly on commentaries by<br />
Erasmus, contextualizing his Annotations and<br />
Paraphrases on the New Testament against broader<br />
currents and works by such contemporaries as<br />
François Rabelais and Jodocus Badius. The Unfolding<br />
<strong>of</strong> Words tracks humanist explorations <strong>of</strong> the<br />
possibilities <strong>of</strong> the page that led to the modern<br />
dictionary, encyclopedia, and scholarly edition.<br />
Judith Rice Henderson is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English and is active in the Classical,<br />
<strong>Medieval</strong>, and <strong>Renaissance</strong> Studies Program at the<br />
<strong>University</strong> <strong>of</strong> Saskatchewan.<br />
(Erasmus Studies)<br />
Approx. 272 pp / 16 illustrations / 5 ¾ x 9 / July <strong>2012</strong><br />
Cloth 978-1-4426-4337-6 $65.00 (£42.99)<br />
14 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
ERASMUS<br />
Erasmus in the Footsteps <strong>of</strong> Paul<br />
NEW<br />
Greta Grace Kroeker<br />
Erasmus’ religious beliefs continued to evolve in<br />
response to the theological debates <strong>of</strong> the Reformation.<br />
In 1524 he gave in to pressure to respond to<br />
Martin Luther’s position on free will, and by 1527 he<br />
had begun to develop a theology <strong>of</strong> grace remarkably<br />
similar to that <strong>of</strong> the key Protestant leaders.<br />
Evidence <strong>of</strong> Erasmus’ changing theological views<br />
can be found in his interpretations <strong>of</strong> Saint Paul’s<br />
teachings, particularly his Epistle to the Romans.<br />
Erasmus in the Footsteps <strong>of</strong> Paul is the first major<br />
study to investigate Erasmus’ Pauline theology in<br />
the context <strong>of</strong> the Reformation world. Greta Grace<br />
Kroeker shows that although Erasmus never left<br />
the Catholic Church, his struggles with the Reformation’s<br />
central issues were instrumental to his<br />
growth as a theologian.<br />
Greta Grace Kroeker is an assistant pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Waterloo.<br />
‘[Kroeker’s] findings challenge our received notions<br />
<strong>of</strong> the boundaries and patterns <strong>of</strong> influence that<br />
were at work in Erasmus’ day and throw new light<br />
on Erasmus himself as well as on the history <strong>of</strong> what<br />
we know as “the Reformation.”’<br />
James M. Estes, <strong>University</strong> <strong>of</strong> <strong>Toronto</strong><br />
(Erasmus Studies)<br />
256 pp / 5 ¾ x 9 / 2011<br />
Cloth 978-0-8020-9266-3 $60.00 (£41.99)<br />
Erasmus and Voltaire<br />
Why They Still Matter<br />
Ricardo J. Quinones<br />
Erasmus and Voltaire have maintained a permanent<br />
hold on our interest by virtue <strong>of</strong> the singular roles<br />
each played at turning points in the development <strong>of</strong><br />
Western culture. Yet until now, there has not been a<br />
full-length study to discuss these two pre-eminent<br />
figures together in terms <strong>of</strong> their careers, their works,<br />
and their historic afterlives.<br />
In Erasmus and Voltaire, Ricardo J. Quinones<br />
demonstrates how both writers were forces for<br />
change in their time and why they rank among the<br />
masters <strong>of</strong> modern liberalism. Drawing attention to<br />
the continuities between the <strong>Renaissance</strong> and the<br />
Enlightenment, Quinones characterizes Erasmus<br />
and Voltaire as voices <strong>of</strong> moderation and reason<br />
that remain capable <strong>of</strong> addressing the philosophical<br />
crises <strong>of</strong> today.<br />
Ricardo J. Quinones is a pr<strong>of</strong>essor emeritus in the<br />
Department <strong>of</strong> English at Claremont McKenna College.<br />
‘Quinones’s book is a superb piece <strong>of</strong> work that will<br />
appeal not only to scholars but also to the learned<br />
general reader.’<br />
Erika Rummel, <strong>Renaissance</strong> Quarterly<br />
(Erasmus Studies)<br />
240 pp / 5 ¾ x 9 / 2010<br />
Cloth 978-1-4426-4054-2 $55.00 (£38.99)<br />
Contemporaries <strong>of</strong> Erasmus<br />
A Biographical Register <strong>of</strong> the <strong>Renaissance</strong> and Reformation<br />
Edited by Peter G. Bietenholz and<br />
Thomas B. Deutscher<br />
Contemporaries <strong>of</strong> Erasmus is a general dictionary<br />
<strong>of</strong> humanists containing 1900 biographies from the<br />
period roughly between 1450 and 1550. Differing<br />
substantially from the national biographical dictionaries<br />
that restrict themselves to major figures,<br />
Contemporaries <strong>of</strong> Erasmus combines the famous<br />
with the obscure – popes and politicians, artists and<br />
poets, knights and theologians. Well-known figures<br />
include Martin Luther, King Henry VIII, Machiavelli,<br />
Popes Nicholas V and Paul IV, and Emperor Charles V.<br />
Dipping into the pages <strong>of</strong> this fully illustrated<br />
volume will intrigue and delight the casual reader,<br />
but the combined volume will also be an indispensible<br />
tool for those who wish to relate Erasmus to other<br />
people in the history <strong>of</strong> the <strong>Renaissance</strong> and the<br />
Reformation.<br />
‘Erasmus himself would have thoroughly enjoyed it.’<br />
Alastair Hamilton, Times Literary Supplement<br />
Volume 1 (A–E): 480 pp / 6 ¾ x 9 ¾ / 1985<br />
Cloth 978-0-8020-2507-4 $117.00 (£81.99)<br />
Volume 2 (F–M): 488 pp / 6 ¾ x 9 ¾ / 1985<br />
Cloth 978-0-8020-2571-5 $117.00 (£81.99)<br />
Volume 3 (N–Z): 503 pp / 6 ¾ x 9 ¾ / 1986<br />
Cloth 978-0-8020-2575-3 $117.00 (£81.99)<br />
Three volume set (A–Z): 1475 pp / 6 ¾ x 9 ¾ / 2003<br />
Cloth 978-0-8020-2648-4 $317.00 (£221.99)<br />
Paper 978-0-8020-8577-1 $114.00 (£79.99)<br />
utppublishing.com 15
HISTORY<br />
NEW<br />
Marsilius <strong>of</strong> Padua at the Intersection <strong>of</strong> Ancient<br />
and <strong>Medieval</strong> Traditions <strong>of</strong> Political Thought<br />
Vasileios Syros<br />
This book focuses on the reception and transmission<br />
<strong>of</strong> classical political ideas in the thought <strong>of</strong> fourteenthcentury<br />
Italian scholar Marsilius <strong>of</strong> Padua. Vasileios<br />
Syros investigates many facets <strong>of</strong> Marsilius’ work,<br />
including his use <strong>of</strong> efficient cause in his discussion<br />
<strong>of</strong> political phenomena, and the causes <strong>of</strong> civil strife<br />
in the Italian city-states <strong>of</strong> his day.<br />
Syros demonstrates that Marsilius was committed<br />
to the idea <strong>of</strong> a sharp demarcation between ethics<br />
and politics, thereby foreshadowing the writings <strong>of</strong><br />
Machiavelli and a number <strong>of</strong> other early modern<br />
writers. He also elucidates Marsilius’ use <strong>of</strong> examples<br />
from Greek mythology in his work on the emergence<br />
and political dimension <strong>of</strong> pagan religions. Finally,<br />
this study highlights linkages between Marsilius’<br />
thought and the ideas <strong>of</strong> his medieval Muslim and<br />
Jewish predecessors and contemporaries.<br />
Vasileios Syros is a docent in the Centre <strong>of</strong> Excellence<br />
in Political Thought and Conceptual Change at the Academy<br />
<strong>of</strong> Finland and the <strong>University</strong> <strong>of</strong> Helsinki.<br />
Approx. 304 pp / 6 x 9 / December <strong>2012</strong><br />
Cloth 978-1-4426-4144-0 $65.00 (£45.99)<br />
NEW<br />
The Christ Child in <strong>Medieval</strong> Culture<br />
Alpha es et O!<br />
Edited by Mary Dzon and Theresa M. Kenney<br />
The cult <strong>of</strong> the Christ Child flourished in late medieval<br />
Europe across lay and religious, as well as geographic<br />
and cultural boundaries. Depictions <strong>of</strong> Christ’s boyhood<br />
are found throughout popular culture, visual<br />
art, and literature. The Christ Child in <strong>Medieval</strong> Culture<br />
is the first interdisciplinary investigation <strong>of</strong> how<br />
representations <strong>of</strong> the Christ Child were conceptualized<br />
and employed in this period.<br />
The contributors to this unique volume analyse<br />
depictions <strong>of</strong> the Christ Child through a variety <strong>of</strong><br />
frameworks, including the interplay <strong>of</strong> mortality<br />
and divinity, the medieval conceit <strong>of</strong> a suffering<br />
Christ Child, and the interrelationships between<br />
Christ and other figures, including saints and ordinary<br />
children. The Christ Child in <strong>Medieval</strong> Culture synthesizes<br />
various approaches to interpreting the cultural<br />
meaning <strong>of</strong> medieval religious imagery and illuminates<br />
the significance <strong>of</strong> its most central figure.<br />
Mary Dzon is an associate pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Tennessee. Theresa<br />
M. Kenney is an associate pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Dallas.<br />
Approx. 360 pp / 47 illustrations / 6 x 9 / April <strong>2012</strong><br />
Cloth 978-0-8020-9894-8 $80.00 (£50.99)<br />
The Politics <strong>of</strong> Law in Late <strong>Medieval</strong><br />
and <strong>Renaissance</strong> Italy<br />
Edited by Lawrin Armstrong and Julius Kirshner<br />
Foreword by Lauro Martines<br />
The Politics <strong>of</strong> Law in Late <strong>Medieval</strong> and <strong>Renaissance</strong><br />
Italy features original contributions by international<br />
scholars on the fortieth anniversary <strong>of</strong> the publication<br />
<strong>of</strong> Lauro Martines’s Lawyers and Statecraft in <strong>Renaissance</strong><br />
Florence, which is recognized as a groundbreaking<br />
study challenging traditional approaches to both<br />
Florentine and legal history.<br />
Essays by leading historians examine the pr<strong>of</strong>essional,<br />
social, and political functions <strong>of</strong> Italian jurists from<br />
the thirteenth to the late fifteenth centuries. The<br />
volume also examines the use <strong>of</strong> emergency powers,<br />
the critical role played by jurists in mediating the<br />
rule <strong>of</strong> law, and the adjudication <strong>of</strong> political crimes.<br />
Lawrin Armstrong is an associate pr<strong>of</strong>essor in the<br />
Centre for <strong>Medieval</strong> Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />
Julius Kirshner is a pr<strong>of</strong>essor emeritus in the Department<br />
<strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Chicago.<br />
‘Scholars <strong>of</strong> legal history will be grateful for The<br />
Politics <strong>of</strong> Law in Late <strong>Medieval</strong> and <strong>Renaissance</strong><br />
Italy, a fitting introductory volume to the <strong>Toronto</strong><br />
Studies in <strong>Medieval</strong> Law series.’<br />
William J. Connell, Seton Hall <strong>University</strong><br />
(<strong>Toronto</strong> Studies in <strong>Medieval</strong> Law)<br />
240 pp / 1 illustration / 6 x 9 / 2011<br />
Cloth 978-1-4426-4075-7 $55.00 (£38.99)<br />
16 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
HISTORY<br />
The Body Legal in Barbarian Law<br />
Lisi Oliver<br />
The sixth to ninth centuries saw a flowering <strong>of</strong> written<br />
laws among the early Germanic tribes. These laws<br />
include tables <strong>of</strong> fines for personal injury, designed<br />
to <strong>of</strong>fer a legal, non-violent alternative to blood<br />
feud. Using these personal injury tariffs, The Body<br />
Legal in Barbarian Law examines a variety <strong>of</strong> issues,<br />
including the interrelationships between victims,<br />
perpetrators, and their families; the causes and results<br />
<strong>of</strong> wounds inflicted in daily life; and the processes <strong>of</strong><br />
individual redress and public litigation.<br />
Lisi Oliver has produced a remarkable study that<br />
sheds new light on early Germanic conceptions <strong>of</strong><br />
the body in terms <strong>of</strong> medical value, physiological<br />
function, psychological worth, and social significance.<br />
Lisi Oliver is Greater Houston Alumni Chapter<br />
Endowed Alumni Pr<strong>of</strong>essor in the Department <strong>of</strong><br />
English at Louisiana State <strong>University</strong>.<br />
‘A fascinating book, Lisi Oliver’s The Body Legal in<br />
Barbarian Law is a true labour <strong>of</strong> love by an<br />
unabashed and impassioned expert in the field.’<br />
Andy Orchard, <strong>University</strong> <strong>of</strong> <strong>Toronto</strong><br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
320 pp / 43 illustrations / 6 x 9 / 2011<br />
Cloth 978-0-8020-9706-4 $65.00 (£45.99)<br />
Punishment and Penance<br />
Two Phases in the History <strong>of</strong> the Bishop’s Tribunal <strong>of</strong> Novara<br />
NEW<br />
PUNISHMENT AND PENANCE<br />
TWO PHASES IN THE HISTORY OF THE BISHOP’S TRIBUNAL OF NOVARA<br />
Thomas B. Deutscher<br />
Punishment and Penance provides the first comprehensive<br />
study <strong>of</strong> an Italian bishop’s tribunal in<br />
criminal matters, such as violence, forbidden sexual<br />
activity, and <strong>of</strong>fenses against the faith. Through<br />
numerous case studies, Thomas B. Deutscher<br />
investigates the scope and effectiveness <strong>of</strong> the early<br />
modern ecclesiastical legal system.<br />
Deutscher examines the records <strong>of</strong> the bishop’s<br />
tribunal <strong>of</strong> the northern Italian diocese <strong>of</strong> Novara<br />
during two distinct periods: the ambitious decades<br />
following the Council <strong>of</strong> Trent (1563–1615), and the<br />
half-century leading up to the French invasions <strong>of</strong><br />
1790s. As the state’s power continued to rise during<br />
this second time span, the Church was <strong>of</strong>ten humbled<br />
and the tribunal’s activity was much reduced. Enriched<br />
by stories drawn from the files, which <strong>of</strong>ten<br />
allowed the accused to speak in their own voices,<br />
Punishment and Penance provides a window into<br />
the workings <strong>of</strong> a tribunal in this period.<br />
Thomas B. Deutscher is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> History at St Thomas More College, <strong>University</strong> <strong>of</strong><br />
Saskatchewan.<br />
(<strong>Toronto</strong> Italian Studies)<br />
Approx. 272 pp / 1 illustration / 6 x 9 / June <strong>2012</strong><br />
Cloth 978-1-4426-4442-7 $60.00 (£40.99)<br />
THOMAS B. DEUTSCHER<br />
Rituals <strong>of</strong> Prosecution<br />
The Roman Inquisition and the Prosecution <strong>of</strong><br />
Philo-Protestants in Sixteenth-Century Italy<br />
NEW<br />
Jane K. Wickersham<br />
During the Counter-Reformation, inquisition manual<br />
authors working in Italian lands adapted the Catholic<br />
Church’s traditional tactics <strong>of</strong> inquisitorial procedure,<br />
which had been formulated in the medieval period,<br />
to the prosecution <strong>of</strong> philo-Protestants. Through a<br />
comparison <strong>of</strong> the texts <strong>of</strong> four such authors to contemporary<br />
inquisition processes, Jane K. Wickersham<br />
situates the Roman inquisition’s prosecution <strong>of</strong> philo-<br />
Protestants within the larger framework <strong>of</strong> the complex<br />
religious upheavals <strong>of</strong> the sixteenth century.<br />
Identifying the critical role played by ritual practice<br />
in discovering and prosecuting heretical subjects,<br />
Wickersham uncovers two core reasons for its use:<br />
first, as a practical means <strong>of</strong> prosecuting a variety <strong>of</strong><br />
philo-Protestant beliefs, and second, as an approach<br />
firmly grounded within the Catholic Church’s history<br />
<strong>of</strong> prosecuting heresy. Finally, Rituals <strong>of</strong> Prosecution<br />
provides an in-depth examination <strong>of</strong> the inquisitorial<br />
processes <strong>of</strong> urban residents from humble socioeconomic<br />
backgrounds, providing new insight into<br />
how the prosecution <strong>of</strong> ordinary people was conducted<br />
in the early modern era.<br />
Jane K. Wickersham is an assistant pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Oklahoma.<br />
(<strong>Toronto</strong> Italian Studies)<br />
Approx. 384 pp / 6 x 9 / October <strong>2012</strong><br />
Cloth 978-1-4426-4500-4 $80.00 (£55.99)<br />
THE ROMAN INqUISITION ANd THE PROSECUTION OF<br />
PHILO-PROTESTANTS IN SIxTEENTH-CENTURy ITALy<br />
JANE K. WICKERSHAM<br />
utppublishing.com 17
HISTORY<br />
NEW<br />
The Mystical Science <strong>of</strong> the Soul<br />
<strong>Medieval</strong> Cognition in Bernardino de Laredo’s Recollection Method<br />
Jessica A. Boon<br />
The Mystical Science <strong>of</strong> the Soul explores the unexamined<br />
influence <strong>of</strong> medieval discourses <strong>of</strong> science and<br />
spiritua lity on recogimiento, the unique Spanish genre<br />
<strong>of</strong> recollection mysticism that served as the driving<br />
force behind the principal developments in Golden<br />
Age mysticism. Building on recent research in medieval<br />
optics, physiology, and memory in relation to the devotional<br />
practices <strong>of</strong> the late Middle Ages, Jessica A.<br />
Boon probes the implications <strong>of</strong> an ‘embodied soul’<br />
for the intellectual history <strong>of</strong> Spanish mysticism.<br />
Boon proposes a fundamental rereading <strong>of</strong> the<br />
key recogimiento text Subida del Monte Sión<br />
(1535/1538), which melds the traditionally distinct<br />
spiritual techniques <strong>of</strong> moral self-examination, Passion<br />
meditation, and negative theology into one cognitively<br />
adept path towards mystical union. She is also the<br />
first English-language scholar to treat the author <strong>of</strong><br />
this influential work – the <strong>Renaissance</strong> physician<br />
Bernardino de Laredo, a pivotal figure in the transition<br />
from medieval to early modern spirituality on the<br />
Iberian peninsula and a source for Teresa <strong>of</strong> Avila’s<br />
mystical language.<br />
Jessica A. Boon is an assistant pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> Religious Studies at the <strong>University</strong> <strong>of</strong> North<br />
Carolina at Chapel Hill.<br />
(<strong>Toronto</strong> Iberic)<br />
Approx. 320 pp / 7 illustrations / 6 x 9 / July <strong>2012</strong><br />
Cloth 978-1-4426-4428-1 $65.00 (£45.99)<br />
NEW<br />
Redrawing the Map <strong>of</strong> Early Modern<br />
English Catholicism<br />
Edited by Lowell Gallagher<br />
The tumultuous climate <strong>of</strong> early modern England<br />
had a pr<strong>of</strong>ound effect on its Catholic population’s<br />
domestic life, social customs, literary inventions,<br />
and political arguments. Redrawing the Map <strong>of</strong><br />
Early Modern English Catholicism explores the broad<br />
spectrum <strong>of</strong> the early modern English Catholic<br />
experience, presenting fresh and <strong>of</strong>ten startling<br />
assessments <strong>of</strong> the most problematic topics in post-<br />
Reformation English Catholicism.<br />
The contributors to this volume – all leading and<br />
rising scholars <strong>of</strong> early modern studies – conceptualize<br />
English Catholicism as a hazardous series <strong>of</strong> contested<br />
territories divided by shifting boundaries, requiring<br />
Catholics to navigate with vigilance and diplomacy<br />
their status as ‘insiders’ or ‘outsiders.’ This collection<br />
also presents new ways to understand the connections<br />
between reformist and Catholic inflections in the<br />
emerging canon <strong>of</strong> English poetry, despite the<br />
eventual marginalization <strong>of</strong> Catholic poets in English<br />
literary history.<br />
Lowell Gallagher is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> California,<br />
Los Angeles.<br />
(UCLA Clark Library Series 17)<br />
Approx. 360 pp / 7 illustrations / 6 x 9 / June <strong>2012</strong><br />
Cloth 978-1-4426-4312-3 $75.00 (£48.00)<br />
The Calling <strong>of</strong> the Nations<br />
Exegesis, Ethnography, and Empire in a Biblical-Historic Present<br />
Edited by Mark Vessey, Sharon V. Betcher,<br />
Robert A. Daum, and Harry O. Maier<br />
Interweaving elements <strong>of</strong> history, theology, literary<br />
criticism, and cultural theory, the essays in this volume<br />
discuss the ways in which biblical understandings<br />
have shaped Western – and particularly European<br />
and North American – assumptions about the nature<br />
and meaning <strong>of</strong> the nation. This collection moves<br />
from the earliest Pauline and rabbinic exegesis<br />
through Christian imperial and missionary narratives<br />
<strong>of</strong> the late Roman, medieval, and early modern periods<br />
to the entangled identity politics <strong>of</strong> ‘mainstream’<br />
nineteenth- and twentieth-century North America.<br />
Mark Vessey is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />
English and Canada Research Chair in Literature /<br />
Christianity and Culture at the <strong>University</strong> <strong>of</strong> British<br />
Columbia. Sharon V. Betcher is an associate pr<strong>of</strong>essor<br />
<strong>of</strong> Theology at Vancouver School <strong>of</strong> Theology. Robert<br />
A. Daum is an associate pr<strong>of</strong>essor <strong>of</strong> Rabbinic<br />
Literature and Jewish Thought and Director <strong>of</strong> Iona<br />
Pacific Inter-Religious Centre at Vancouver School<br />
<strong>of</strong> Theology. Harry O. Maier is a pr<strong>of</strong>essor <strong>of</strong> New<br />
Testament and Early Christian Studies at Vancouver<br />
School <strong>of</strong> Theology.<br />
‘No other volume provides such a wide range <strong>of</strong><br />
perspectives on post-colonial readings <strong>of</strong> the Bible,<br />
nor a self-critical reflection on the method itself.’<br />
Richard Ascough, Queen’s <strong>University</strong><br />
(Green College Thematic Lecture Series)<br />
384 pp / 8 illustrations / 6 x 9 / 2011<br />
Cloth 978-0-8020-9241-0 $75.00 (£52.99)<br />
18 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
HISTORY<br />
Cataloguing Discrepancies<br />
The Printed York Breviary <strong>of</strong> 1493<br />
NEW<br />
Andrew Hughes in collaboration with<br />
Matthew Cheung Salisbury and Heather Robbins<br />
Cataloguing Discrepancies reviews the description<br />
and cataloguing, from the early eighteenth century<br />
to the present day, <strong>of</strong> an early English Breviary,<br />
printed in 1493. With a critical eye, Andrew Hughes<br />
summarizes the work that has been done on this<br />
liturgical book.<br />
Based on the discrepancies and errors in the existing<br />
catalogues <strong>of</strong> medieval liturgical books, many <strong>of</strong><br />
which repeat erroneous information for generations,<br />
the authors illustrate the defects, problems, and<br />
opportunities encountered when technologies <strong>of</strong> the<br />
fifteenth and the twenty-first centuries converge.<br />
Andrew Hughes is <strong>University</strong> Pr<strong>of</strong>essor Emeritus in<br />
the Centre for <strong>Medieval</strong> Studies at the <strong>University</strong> <strong>of</strong><br />
<strong>Toronto</strong>.<br />
‘A remarkable work, covering an impressive range<br />
<strong>of</strong> scholarship old and new on the York Breviary.<br />
The authors set forth a new codicological ground<br />
for this liturgical book’s 1493 edition, with broad<br />
implications for the study <strong>of</strong> incunabula that are<br />
both exciting and pertinent.’<br />
Graeme M. Boone, The Ohio State <strong>University</strong><br />
244 pp / 46 illustrations / 6 x 9 / 2011<br />
Cloth 978-1-4426-4197-6 $55.00 (£38.99)<br />
A <strong>Renaissance</strong> Education<br />
Schooling in Bergamo 1500–1650<br />
Christopher Carlsmith<br />
Deeply rooted in archival sources, Christopher<br />
Carlsmith’s A <strong>Renaissance</strong> Education uses a case<br />
study approach to examine educational practices<br />
in the north-eastern Italian city <strong>of</strong> Bergamo from<br />
1500 to 1650.<br />
His close analysis <strong>of</strong> civic, ecclesiastical, confraternal,<br />
and family records not only paints a vivid portrait <strong>of</strong><br />
how schooling functioned in one city but also explores<br />
this small city’s dynamic interconnections with other<br />
locales and with larger regional processes.<br />
Christopher Carlsmith is an associate pr<strong>of</strong>essor<br />
in the Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong><br />
Massachusetts-Lowell.<br />
‘No scholar <strong>of</strong> <strong>Renaissance</strong> and Catholic Reformation<br />
education can afford to miss this important work.’<br />
Paul F. Grendler, Quaderni D’Italianistica<br />
416 pp / 10 illustrations / 6 x 9 / 2010<br />
Cloth 978-0-8020-9254-0 $75.00 (£52.99)<br />
The Matter <strong>of</strong> Mind<br />
Reason and Experience in the Age <strong>of</strong> Descartes<br />
NEW<br />
Christopher Braider<br />
What influence did René Descartes’ concept <strong>of</strong> mindbody<br />
dualism have on early modern conceptions<br />
<strong>of</strong> the self In The Matter <strong>of</strong> Mind, Christopher Braider<br />
challenges the presumed centrality <strong>of</strong> Descartes’<br />
groundbreaking theory to seventeenth-century<br />
French culture. He details the broad opposition to<br />
rational self-government among Descartes’ contemporaries,<br />
and attributes conventional links between<br />
Descartes and the myth <strong>of</strong> the ‘modern subject’ to<br />
post-structuralist assessments.<br />
Forceful and provocative, The Matter <strong>of</strong> Mind will<br />
encourage lively debate on the norms and discourses<br />
<strong>of</strong> seventeenth-century philosophy.<br />
Christopher Braider is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> French and Italian at the <strong>University</strong> <strong>of</strong> Colorado at<br />
Boulder.<br />
‘The Matter <strong>of</strong> Mind will immediately become essential<br />
reading among specialists <strong>of</strong> French early modern<br />
literature and an important book for all those<br />
interested in early modern history, cognitive and<br />
aesthetic philosophy, and art history.’<br />
Larry Norman, <strong>University</strong> <strong>of</strong> Chicago<br />
Approx. 296 pp / 18 illustrations / 6 x 9 / January <strong>2012</strong><br />
Cloth 978-1-4426-4348-2 $75.00 (£48.00)<br />
utppublishing.com 19
LITERATURE<br />
NEW<br />
Land and Book<br />
Literature and Land Tenure in Anglo-Saxon England<br />
TORONTO ANGLO-SAXON SERIES<br />
Scott T. Smith<br />
In this original and innovative study, Scott T. Smith<br />
traces the intersections between land tenure and<br />
literature in Anglo-Saxon England. Smith aptly<br />
demonstrates that as land became property through<br />
the operations <strong>of</strong> writing, it came to assume a complex<br />
range <strong>of</strong> conceptual values that Anglo-Saxons could<br />
use to engage a number <strong>of</strong> vital cultural concerns<br />
beyond just the legal and practical – such as political<br />
dominion, salvation, sanctity, status, and social and<br />
spiritual obligations.<br />
Land and Book places a variety <strong>of</strong> texts – including<br />
charters, dispute records, heroic poetry, homilies,<br />
and the Anglo-Saxon Chronicle – in a dynamic<br />
conversation with the procedures and documents<br />
<strong>of</strong> land tenure, showing how its social practice led<br />
to innovation across written genres in both Latin<br />
and Old English. Through this, Smith provides an<br />
interdisciplinary synthesis <strong>of</strong> literary, legal, and<br />
historical interests.<br />
Scott T. Smith is an assistant pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English at Pennsylvania State<br />
<strong>University</strong>.<br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
Approx. 288 pp / 6 x 9 / December <strong>2012</strong><br />
Cloth 978-1-4426-4486-1 $65.00 (£45.99)<br />
NEW<br />
Traditional Subjectivities<br />
The Old English Poetics <strong>of</strong> Mentality<br />
Britt Mize<br />
Why is Old English poetry so preoccupied with<br />
mental actions and perspectives, giving readers<br />
access to minds <strong>of</strong> antagonists as freely as to those<br />
<strong>of</strong> protagonists Why are characters sometimes<br />
called into being for no apparent reason other than<br />
to embody a psychological state Britt Mize provides<br />
the first systematic investigation into these salient<br />
questions in Traditional Subjectivities.<br />
Through close analysis <strong>of</strong> vernacular poems<br />
alongside the most informative analogues in Latin,<br />
Old English prose, and Old Saxon, this work<br />
establishes an evidence-based foundation for new<br />
thinking about the nature <strong>of</strong> Old English poetic<br />
composition, including the ‘poetics <strong>of</strong> mentality’<br />
that it exhibits. Mize synthesizes two previously disconnected<br />
bodies <strong>of</strong> theory – the oral-traditional<br />
theory <strong>of</strong> poetic composition, and current linguistic<br />
work on conventional language – to advance our<br />
understanding <strong>of</strong> how traditional phraseology<br />
makes meaning, as well as illuminate the political<br />
and social dimensions <strong>of</strong> surviving texts, through<br />
attention to Old English poets’ impulse to explore<br />
subjective perspectives.<br />
Britt Mize is an assistant pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at Texas A&M <strong>University</strong>.<br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
Approx. 312 pp / 6 x 9 / November <strong>2012</strong><br />
Cloth 978-1-4426-4468-7 $90.00 (£62.99)<br />
NEW<br />
Stealing Obedience<br />
Narratives <strong>of</strong> Agency and Identity in Later Anglo-Saxon England<br />
Katherine O’Brien O’Keeffe<br />
Narratives <strong>of</strong> monastic life in Anglo-Saxon England<br />
depict individuals as responsible agents in the<br />
assumption and performance <strong>of</strong> religious identities.<br />
To modern eyes, however, many <strong>of</strong> the ‘choices’<br />
they make would actually appear to be compulsory.<br />
Stealing Obedience explores how a Christian notion<br />
<strong>of</strong> agent action – where freedom incurs responsibility<br />
– was a component <strong>of</strong> identity in the last hundred<br />
years <strong>of</strong> Anglo-Saxon England, and investigates<br />
where agency (in the modern sense) might be<br />
sought in these narratives.<br />
Katherine O’Brien O’Keeffe looks at Benedictine<br />
monasticism through the writings <strong>of</strong> Ælfric, Anselm,<br />
Osbern <strong>of</strong> Canterbury, and Goscelin <strong>of</strong> Saint-Bertin,<br />
as well as liturgy, canon and civil law, chronicle,<br />
dialogue, and hagiography, to analyse the practice<br />
<strong>of</strong> obedience in the monastic context. Stealing<br />
Obedience brings a highly original approach to the<br />
study <strong>of</strong> Anglo-Saxon narratives <strong>of</strong> obedience in the<br />
adoption <strong>of</strong> religious identity.<br />
Katherine O’Brien O’Keeffe is a pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English and the director <strong>of</strong> the<br />
<strong>Medieval</strong> Studies Program at the <strong>University</strong> <strong>of</strong><br />
California, Berkeley.<br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
Approx. 296 pp / 1 illustration / 6 x 9 / April <strong>2012</strong><br />
Cloth 978-0-8020-9707-1 $60.00 (£41.99)<br />
20 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
LITERATURE<br />
Old English Literature and the Old Testament<br />
NEW<br />
Edited by Michael Fox and Manish Sharma<br />
It would be difficult to overestimate the importance<br />
<strong>of</strong> the Bible in the medieval world. For the Anglo-<br />
Saxons, literary culture emerged from sustained<br />
and intensive biblical study. Though the Old<br />
Testament was only partially translated into Old<br />
English, recent studies have shown how completely<br />
interconnected the Anglo-Latin and Old English<br />
literary traditions are.<br />
Old English Literature and the Old Testament<br />
considers the importance <strong>of</strong> the Old Testament<br />
from a variety <strong>of</strong> disciplinary perspectives, from<br />
comparative to intertextual and historical. Though<br />
the essays focus on individual works, authors, or<br />
trends, including the Interrogationes Sigewulfi,<br />
Genesis A, and Daniel, each ultimately speaks to the<br />
vernacular corpus as a whole, suggesting approaches<br />
and methodologies for further study.<br />
Michael Fox is an associate pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Alberta. Manish<br />
Sharma is an associate pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at Concordia <strong>University</strong>.<br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
Approx. 400 pp / 3 illustrations / 6 x 9 / February <strong>2012</strong><br />
Cloth 978-0-8020-9854-2 $80.00 (£50.00)<br />
Anglo-Saxon Psychologies in the Vernacular<br />
and Latin Traditions<br />
Leslie Lockett<br />
Old English verse and prose depict the human mind<br />
as a corporeal entity located in the chest cavity,<br />
susceptible to spatial and thermal changes corresponding<br />
to psychological states. While readers<br />
usually assume the metaphorical nature <strong>of</strong> such<br />
literary images, Leslie Lockett argues in this book that<br />
these depictions usually served as literal representations<br />
<strong>of</strong> Anglo-Saxon folk psychology. Lockett<br />
demonstrates that the Platonist-Christian theory <strong>of</strong><br />
the incorporeal mind was known to very few Anglo-<br />
Saxons throughout most <strong>of</strong> the period, while the<br />
concept <strong>of</strong> the mind-in-the-heart remained widespread.<br />
Leslie Lockett is an assistant pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English at The Ohio State <strong>University</strong>.<br />
‘Sure to become a standard work in the field, Anglo-<br />
Saxon Psychologies in the Vernacular and Latin<br />
Traditions is one <strong>of</strong> the most original and learned<br />
discussions <strong>of</strong> Anglo-Saxon literature <strong>of</strong> the past<br />
generation.’<br />
Michael Lapidge, Cambridge <strong>University</strong><br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
472 pp / 6 x 9 / 2011<br />
Cloth 978-1-4426-4217-1 $85.00 (£59.99)<br />
On the Aesthetics <strong>of</strong> Beowulf<br />
and Other Old English Poems<br />
Edited by John M. Hill<br />
While there is an apparent consensus by scholars on<br />
a core <strong>of</strong> poems considered to be exceptional<br />
literary achievements – Beowulf, Judith, the Vercelli<br />
book – there has been little systematic investigation<br />
<strong>of</strong> the basis for these appraisals. With new essays<br />
on rhetoric, wordplay, metre, structure, irony, form,<br />
psychology, ethos, and reader response, this volume<br />
significantly advances our understanding not only<br />
<strong>of</strong> aesthetics and Old English poetry, but also <strong>of</strong> Old<br />
English attitudes towards literature as an art form.<br />
John M. Hill is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />
English at the U.S. Naval Academy.<br />
‘Drawing on a diverse range <strong>of</strong> theoretical and<br />
methodological approaches reflecting current<br />
trends in North American Old English scholarship,<br />
[this volume] raises important questions about<br />
authorship, provenance and poetic technique.’<br />
Francis Leneghan, The Review <strong>of</strong> English Studies<br />
320 pp / 7 figures; 5 tables / 6 x 9 / 2010<br />
Cloth 978-0-8020-9944-0 $65.00 (£45.99)<br />
utppublishing.com 21
LITERATURE<br />
NEW<br />
Myths, Legends, and Heroes<br />
Essays on Old Norse and Old English Literature<br />
OLD NORSE, OLD ICELANDIC, AND OLD ENGLISH<br />
Edited by Daniel Anlezark<br />
In Myths, Legends, and Heroes, editor Daniel Anlezark<br />
has brought together scholars <strong>of</strong> Old Norse-Icelandic<br />
and Old English literature to explore the translation<br />
and transmission <strong>of</strong> Norse myth, the use <strong>of</strong> literature<br />
in society and authorial self-reflection, the place <strong>of</strong><br />
myth in the expression <strong>of</strong> family relationships, and<br />
recurrent motifs in Northern literature.<br />
The essays in Myths, Legends, and Heroes <strong>of</strong>fer<br />
new insights in light <strong>of</strong> linguistic and archaeological<br />
evidence and a broad range <strong>of</strong> study with regard to<br />
both chronology and methodology.<br />
Daniel Anlezark is a senior lecturer in the Department<br />
<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Sydney.<br />
‘Scholars will find much to admire in this stimulating,<br />
highly original collection.’<br />
Kirsten Wolf, <strong>University</strong> <strong>of</strong> Wisconsin-Madison<br />
(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />
312 pp / 8 illustrations / 6 x 9 / 2011<br />
Cloth 978-0-8020-9947-1 $65.00 (£45.99)<br />
Klaeber’s Beowulf, Fourth Edition<br />
Edited by R.D. Fulk, Robert E. Bjork,<br />
and John D. Niles<br />
Winner <strong>of</strong> the International Society <strong>of</strong> Anglo-<br />
Saxonists Best Edition Award<br />
Frederick Klaeber’s Beowulf has long been the standard<br />
edition for study by students and advanced scholars<br />
alike thanks to its wide-ranging coverage <strong>of</strong> scholarship,<br />
its comprehensive philological aids, and its<br />
exceptionally thorough notes and glossary.<br />
The fourth edition features a revised Introduction<br />
and Commentary detailing the vast store <strong>of</strong> scholarship<br />
on Beowulf that has appeared since 1950, and<br />
the lightly revised text incorporates the best textual<br />
criticism <strong>of</strong> the intervening years. Aids to pronunciation<br />
have been added to the text, and advances<br />
in the study <strong>of</strong> the poem’s language are addressed<br />
throughout.<br />
R.D. Fulk is Class <strong>of</strong> 1964 Chancellor’s Pr<strong>of</strong>essor<br />
<strong>of</strong> English at Indiana <strong>University</strong>. Robert E. Bjork<br />
is Pr<strong>of</strong>essor <strong>of</strong> English and director <strong>of</strong> the Arizona<br />
Center for <strong>Medieval</strong> and <strong>Renaissance</strong> Studies at Arizona<br />
State <strong>University</strong>. John D. Niles is Frederic G.<br />
Cassidy Pr<strong>of</strong>essor <strong>of</strong> Humanities in the Department<br />
<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Wisconsin-Madison.<br />
‘Every Beowulf scholar will want to have a copy <strong>of</strong> the<br />
new Klaeber at hand, so convenient are the superb<br />
summaries <strong>of</strong> scholarship throughout the book.’<br />
Fred C. Robinson, Speculum<br />
‘From now on Klaeber’s Beowulf will be the definitive<br />
scholarly edition <strong>of</strong> the poem and an essential resource<br />
for anyone participating in any aspect <strong>of</strong> Beowulf<br />
scholarship.’<br />
Hugh Magennis, English Studies<br />
(<strong>Toronto</strong> Old English Series)<br />
704 pp / 6 x 9 / 2008<br />
Cloth 978-0-8020-9843-6 $103.00 (£72.99)<br />
Paper 978-0-8020-9567-1 $40.95 (£28.99)<br />
The Narrative Pulse <strong>of</strong> Beowulf<br />
Arrivals and Departures<br />
John M. Hill<br />
One <strong>of</strong> the most consistent critiques levelled against<br />
Beowulf is that it lacks a steady narrative advance<br />
and that its numerous digressions tend to complicate<br />
if not halt the poem’s movement. The Narrative<br />
Pulse <strong>of</strong> Beowulf counters this assertion, examining<br />
Beowulf as a social drama with a strong, forwardmoving<br />
narrative momentum.<br />
John M. Hill discerns a distinctive ‘narrative pulse’<br />
arising out <strong>of</strong> the poem’s many scenes <strong>of</strong> arrival and<br />
departure. He argues that such scenes, far from being<br />
fixed or ‘type’ scenes, are socially dramatic and act<br />
as a key to understanding the structural density <strong>of</strong><br />
the poem, and bolsters his analysis with a strong<br />
understanding <strong>of</strong> the epic.<br />
John M. Hill is a pr<strong>of</strong>essor in the English Department<br />
at the U.S. Naval Academy.<br />
‘John Hill <strong>of</strong>fers an elegant reading <strong>of</strong> an ancient<br />
and difficult poem … This welcome book will be<br />
extraordinarily useful to students at all levels.’<br />
Stephen J. Harris, Speculum<br />
(<strong>Toronto</strong> Old English Studies)<br />
136 pp / 6 x 9 / 2009<br />
Cloth 978-0-8020-9329-5 $41.00 (£28.99)<br />
Paper 978-1-4426-1087-3 $21.95 (£15.99)<br />
22 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
MEDIEVAL<br />
The Ends <strong>of</strong> the Body<br />
Identity and Community in <strong>Medieval</strong> Culture<br />
LITERATURE<br />
NEW<br />
Edited by Suzanne Conklin Akbari and Jill Ross<br />
Drawing on Arabic, English, French, Irish, Latin and<br />
Spanish sources, the essays share a focus on the<br />
body’s productive capacity – whether expressed<br />
through the flesh’s materiality, or through its role in<br />
performing meaning.<br />
The collection is divided into four clusters.<br />
‘Foundations’ traces the use <strong>of</strong> physical remnants <strong>of</strong><br />
the body in the form <strong>of</strong> relics or memorial monuments<br />
that replicate the form <strong>of</strong> the body as foundational<br />
in communal structures; ‘Performing the Body’ focuses<br />
on the ways in which the individual body functions<br />
as the medium through which the social body is<br />
maintained; ‘Bodily Rhetoric’ explores the poetic<br />
linkage <strong>of</strong> body and meaning; and ‘Material Bodies’<br />
engages with the processes <strong>of</strong> corporeal being,<br />
ranging from the energetic flow <strong>of</strong> humoural liquids<br />
to the decay <strong>of</strong> the flesh.<br />
Together, the essays provide new perspectives<br />
on the centrality <strong>of</strong> the medieval body and underscore<br />
the vitality <strong>of</strong> this rich field <strong>of</strong> study.<br />
Suzanne Conklin Akbari is a pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English and the Centre for <strong>Medieval</strong><br />
Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>. Jill Ross is a<br />
pr<strong>of</strong>essor in the Centre for Comparative Literature<br />
and the Centre for <strong>Medieval</strong> Studies at the <strong>University</strong><br />
<strong>of</strong> <strong>Toronto</strong>.<br />
Approx. 312 pp / 12 illustrations / 6 x 9 / December <strong>2012</strong><br />
Cloth 978-1-4426-4470-0 $70.00 (£48.99)<br />
the ends <strong>of</strong> the body<br />
identity and community<br />
in medieval culture<br />
edited by suzanne conklin akbari and jill ross<br />
Author, Reader, Book<br />
<strong>Medieval</strong> Authorship in Theory and Practice<br />
NEW<br />
Edited by Stephen Partridge and Erik Kwakkel<br />
Bringing into conversation several kinds <strong>of</strong> scholarship<br />
on medieval authorship, the essays in Author,<br />
Reader, Book examine interrelated questions raised<br />
by the relationship between an author and a reader,<br />
the relationships between authors and their antecedents,<br />
and the ways in which authorship interacts with the<br />
physical presentation <strong>of</strong> texts in books.<br />
The broad chronological range within this volume<br />
reveals the persistence <strong>of</strong> literary concerns that remain<br />
consistent through different periods, languages,<br />
and cultural contexts. Theoretical reflections, case<br />
studies from a wide variety <strong>of</strong> languages, examinations<br />
<strong>of</strong> devotional literature, and analyses <strong>of</strong> works that<br />
are more secular in focus come together in this volume<br />
to transcend linguistic and disciplinary boundaries.<br />
Stephen Partridge is an assistant pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> British<br />
Columbia. Erik Kwakkel is a lecturer in the Institute<br />
for Cultural Disciplines at Leiden <strong>University</strong>.<br />
‘Author, Reader, Book is a resource <strong>of</strong> significant value<br />
to medievalists interested in narrative, authorship,<br />
and manuscript culture.’<br />
Joan Grenier-Winther, Washington State <strong>University</strong><br />
Approx. 336 pp / 11 illustrations / 6 x 9 / April <strong>2012</strong><br />
Cloth 978-0-8020-9934-1 $75.00 (£48.00)<br />
Sacred and Pr<strong>of</strong>ane in Chaucer<br />
and Late <strong>Medieval</strong> Literature<br />
Essays in Honour <strong>of</strong> John V. Fleming<br />
Edited by Robert Epstein and William Robins<br />
Literary depictions <strong>of</strong> the sacred and the secular<br />
from the Middle Ages are representative <strong>of</strong> the<br />
era’s widely held cultural understandings related to<br />
religion and the nature <strong>of</strong> lived experience. Using<br />
late <strong>Medieval</strong> English literature, including some <strong>of</strong><br />
Chaucer’s writings, these essays do not try to define<br />
a secular realm distinct and separate from the divine<br />
or religious, but instead analyse intersections <strong>of</strong> the<br />
sacred and the pr<strong>of</strong>ane, suggesting that these two<br />
categories are mutually constitutive rather than<br />
antithetical. Taken together, the work suggests<br />
that the domain <strong>of</strong> the sacred, as perceived in the<br />
Middle Ages, can variously be seen as having a<br />
hierarchical or a complementary relationship to the<br />
things <strong>of</strong> this world.<br />
Robert Epstein is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English at Fairfield <strong>University</strong>.<br />
William Robins is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English and the Centre for <strong>Medieval</strong><br />
Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />
256 pp / 6 x 9 / 2010<br />
Cloth 978-1-4426-4081-8 $60.00 (£41.99)<br />
utppublishing.com 23
LITERATURE<br />
The Legacy <strong>of</strong> Apollo<br />
Antiquity, Authority, and Chaucerian Poetics<br />
Jamie C. Fumo<br />
Apollo, the classical god <strong>of</strong> poetry, truth, light, and<br />
the healing arts, held a special fascination for poets<br />
and scholars in the late-medieval period. In The<br />
Legacy <strong>of</strong> Apollo, Jamie C. Fumo presents a series <strong>of</strong><br />
connected readings <strong>of</strong> classical and medieval texts<br />
that shape the god’s pre-modern legacy.<br />
Fumo innovatively brings the fruits <strong>of</strong> current<br />
scholarly practices <strong>of</strong> intertextuality to a body <strong>of</strong><br />
medieval subject matter. This wide-ranging work<br />
traces the resonances <strong>of</strong> Apollo up to the cusp <strong>of</strong><br />
the early modern period and reveals the medieval<br />
development <strong>of</strong> a newly self-conscious poetics <strong>of</strong><br />
inspiration in England.<br />
Jamie C. Fumo is an associate pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at McGill <strong>University</strong>.<br />
‘The wonderful breadth <strong>of</strong> Jamie Fumo’s engaging<br />
examination <strong>of</strong> classical forms in the Middle Ages<br />
<strong>of</strong>fers valuable new interpretations <strong>of</strong> Chaucer’s<br />
work and rare insight into medieval tropes <strong>of</strong> narrative<br />
authority.’<br />
Suzanne Yeager, Fordham <strong>University</strong><br />
360 pp / 8 illustrations / 6 x 9 / 2010<br />
Cloth 978-1-4426-4170-9 $70.00 (£48.99)<br />
The Poetics <strong>of</strong> Speech in the <strong>Medieval</strong> Spanish Epic<br />
Matthew Bailey<br />
The Poetics <strong>of</strong> Speech in the <strong>Medieval</strong> Spanish Epic<br />
explores the composition <strong>of</strong> manuscript texts in<br />
thirteenth-century Spain. By analysing expressive<br />
traits found in these three poems, Matthew Bailey<br />
links them to the cognitive processes that take place<br />
in the minds <strong>of</strong> speakers as narration unfolds.<br />
Bailey incorporates the methodologies and concepts<br />
<strong>of</strong> discourse analysis in an examination <strong>of</strong> expression<br />
in the Spanish epic and points convincingly to oral<br />
composition as the initial step in text creation for<br />
the period.<br />
Matthew Bailey is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> Romance Languages at Washington and Lee<br />
<strong>University</strong>.<br />
‘Bailey presents a cogent, concise, well-constructed<br />
argument for the importance <strong>of</strong> oral composition in<br />
the medieval Spanish epic … Highly recommended.’<br />
E.H. Friedman, CHOICE<br />
200 pp / 6 x 9 / 2010<br />
Cloth 978-1-4426-4156-3 $45.00 (£31.99)<br />
RENAISSANCE<br />
NEW<br />
Dire Straits<br />
The Perils <strong>of</strong> Writing the English Coastline from Leland to Milton<br />
Elizabeth Jane Bellamy<br />
England became a centrally important maritime<br />
power in the early modern period, and its writers<br />
– acutely aware <strong>of</strong> their inhabiting an island –<br />
<strong>of</strong>ten depicted the coastline as a major topic <strong>of</strong> their<br />
works. However, early modern English versifiers had<br />
to reconcile this reality with the classical tradition, in<br />
which the British Isles were seen as culturally remote<br />
compared to the centrally important Mediterranean<br />
<strong>of</strong> antiquity. This was a struggle for writers not only<br />
because they used the classical tradition to legitimate<br />
their authority, but also because this image dominated<br />
cognitive maps <strong>of</strong> the oceanic world.<br />
As the first study <strong>of</strong> coastlines and early modern<br />
English literature, Dire Straits investigates the tensions<br />
<strong>of</strong> the classical tradition’s isolation <strong>of</strong> the British Isles<br />
from the domain <strong>of</strong> poetry. By illustrating how early<br />
modern English writers created their works in the<br />
context <strong>of</strong> a longstanding cultural inheritance from<br />
antiquity, Elizabeth Jane Bellamy <strong>of</strong>fers a new approach<br />
to the history <strong>of</strong> early modern cartography and its<br />
influences on literature.<br />
Elizabeth Jane Bellamy is a pr<strong>of</strong>essor and John<br />
C. Hodges Chair <strong>of</strong> Excellence in the Department <strong>of</strong><br />
English at the <strong>University</strong> <strong>of</strong> Tennessee.<br />
Approx. 224 pp / 2 illustrations / 6 x 9 / December <strong>2012</strong><br />
Cloth 978-1-4426-4501-1 $55.00 (£38.99)<br />
24 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
LITERATURE<br />
Looking into Providences<br />
Designs and Trials in Paradise Lost<br />
NEW<br />
Raymond B. Waddington<br />
What is the role <strong>of</strong> providence in Paradise Lost In<br />
Looking into Providences, Raymond B. Waddington<br />
provides the first examination <strong>of</strong> this engaging<br />
subject. He explores the variety <strong>of</strong> implicit organizational<br />
structures or ‘designs’ that govern Paradise<br />
Lost, and looks in-depth at the ‘trials,’ or testing<br />
situations, which require interpretation, choice, and<br />
action from its characters.<br />
Waddington situates the poem within the context<br />
<strong>of</strong> providentialism’s centrality to seventeenth-century<br />
thought and life, arguing that Milton’s own conception<br />
<strong>of</strong> providence was deeply influenced by the theology<br />
<strong>of</strong> Jacob Arminius. Using Milton’s Arminian conception<br />
<strong>of</strong> free will, he then looks at the providential trials<br />
experienced by angels and humans. Finally, the<br />
work explores the ways in which providentialism<br />
infiltrates various kinds <strong>of</strong> discourse, ranging from<br />
military to medical, and from political to philosophical.<br />
Raymond B. Waddington is a pr<strong>of</strong>essor emeritus<br />
in the Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />
California, Davis.<br />
Approx. 312 pp / 10 illustrations / 6 x 9 / September <strong>2012</strong><br />
Cloth 978-1-4426-4342-0 $65.00 (£45.99)<br />
Milton and Questions <strong>of</strong> History<br />
Essays by Canadians Past and Present<br />
NEW<br />
Edited by Feisal G. Mohamed and Mary Nyquist<br />
Milton and Questions <strong>of</strong> History considers the contribution<br />
<strong>of</strong> several classic studies <strong>of</strong> Milton written by<br />
Canadians in the twentieth century. It contemplates<br />
whether these might be termed a coherent ‘school’<br />
<strong>of</strong> Milton studies in Canada and it explores how<br />
these concerns might intervene in current critical and<br />
scholarly debates on Milton and, more broadly, on<br />
historicist criticism in its relationship to renewed<br />
interest in literary form.<br />
The volume opens with a selection <strong>of</strong> seminal<br />
articles by noted scholars including Northrop Frye,<br />
Hugh McCallum, Douglas Bush, Ernest Sirluck, and<br />
A.S.P. Woodhouse. Subsequent essays engage and<br />
contextualize these works while incorporating fresh<br />
intellectual concerns. The Introduction and Afterword<br />
frame the contents so that they constitute a<br />
dialogue between past and present critical studies<br />
<strong>of</strong> Milton by Canadian scholars.<br />
Feisal G. Mohamed is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Illinois.<br />
Mary Nyquist is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />
English at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />
Approx. 424 pp / 6 x 9 / June <strong>2012</strong><br />
Cloth 978-1-4426-4392-5 $75.00 (£50.99)<br />
Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />
NEW<br />
Rebeca Helfer<br />
What is the art <strong>of</strong> memory Rebeca Helfer’s intertextual<br />
study Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />
<strong>of</strong>fers a fresh perspective on the significance <strong>of</strong> this<br />
ancient mnemonic technique to Edmund Spenser’s<br />
writing and, through this lens, explores the art’s<br />
complex historical and literary reception.<br />
Beginning with the origins <strong>of</strong> mnemonic strategies<br />
in epic tales, Helfer examines how the art <strong>of</strong> memory<br />
speaks to debates about poetry and its place in<br />
culture from Plato to Spenser’s present day. As Helfer<br />
argues, ruins provide memorial spaces for an ongoing<br />
dialogue about how story relates to history, and<br />
how both relate to edification and empire-building.<br />
Through detailed, intertextual readings <strong>of</strong> The<br />
Shepheardes Calender, The Faerie Queene, the<br />
Complaints, and other Spenserian works, Helfer<br />
demonstrates how the art <strong>of</strong> memory shapes<br />
Spenser’s theory and practice <strong>of</strong> poetry as well as<br />
his political view, throughout his career. More<br />
broadly, Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />
points to new ways <strong>of</strong> understanding the importance<br />
<strong>of</strong> this art within literary studies.<br />
Rebeca Helfer is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> California,<br />
Irvine.<br />
Approx. 360 pp / 6 x 9 / June <strong>2012</strong><br />
Cloth 978-0-8020-9067-6 $85.00 (£57.99)<br />
utppublishing.com 25
LITERATURE<br />
NEW<br />
The Emblematics <strong>of</strong> the Self<br />
Ekphrasis and Identity in <strong>Renaissance</strong> Imitations <strong>of</strong> Greek Romance<br />
Elizabeth B. Bearden<br />
The ancient Greek romances <strong>of</strong> Achilles Tatius and<br />
Heliodorus were widely imitated by early modern<br />
writers such as Miguel de Cervantes, Philip Sidney,<br />
and Mary Wroth. Like their Greek models, <strong>Renaissance</strong><br />
romances used ekphrasis, or verbal descriptions <strong>of</strong><br />
visual representation, as a tool for characterization.<br />
The Emblematics <strong>of</strong> the Self shows how the women,<br />
foreigners, and non-Christians <strong>of</strong> these tales reveal<br />
their identities and desires in their responses to the<br />
‘verbal pictures’ <strong>of</strong> romance.<br />
Engaging and rigorous, The Emblematics <strong>of</strong> the<br />
Self breaks new ground in understanding hegemonic<br />
and cosmopolitan European conceptions <strong>of</strong> the<br />
‘other,’ as well as new possibilities for early modern<br />
identities, in an increasingly global <strong>Renaissance</strong>.<br />
Elizabeth B. Bearden is an assistant pr<strong>of</strong>essor in<br />
the Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />
Wisconsin-Madison.<br />
‘This rigorous comparative study <strong>of</strong> the “emblematics<br />
<strong>of</strong> the self” is poised to make a major contribution<br />
to the fields <strong>of</strong> <strong>Renaissance</strong> studies, rhetorical studies,<br />
gender studies, and postcolonial studies.’<br />
Bernadette Andrea, <strong>University</strong> <strong>of</strong> Texas at San Antonio<br />
272 pp / 8 illustrations / 6 x 9 / January <strong>2012</strong><br />
Cloth 978-1-4426-4346-8 $65.00 (£42.00)<br />
NEW<br />
Colonial Virtue<br />
The Mobility <strong>of</strong> Temperance in <strong>Renaissance</strong> England<br />
Kasey Evans<br />
Colonial Virtue is the first study to focus on the role<br />
played by the virtue <strong>of</strong> temperance in shaping ethical<br />
debates about early English colonialism. Kasey Evans<br />
tracks the migration <strong>of</strong> ideas surrounding temperance<br />
from classical and humanist writings through to sixteenth-<br />
and seventeenth-century applications,<br />
emphasizing the ways in which they have transcended<br />
the vocabularies <strong>of</strong> geography and time.<br />
Colonial Virtue <strong>of</strong>fers fresh insights into how<br />
English <strong>Renaissance</strong> writers used temperance as a<br />
privileged lens through which to view New World<br />
morality and politically to justify colonial practices in<br />
Virginia and the West Indies. Beautifully written and<br />
deeply engaging, Colonial Virtue also models an<br />
expansive methodology for literary studies through<br />
its close readings and rhetorical analyses.<br />
Kasey Evans is an assistant pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at Northwestern <strong>University</strong>.<br />
‘Colonial Virtue has changed the way that I read<br />
texts that focus on, or even invoke, the virtue <strong>of</strong><br />
temperance. Kasey Evans’s analyses are detailed<br />
and thoughtful, and her close readings are both<br />
deeply engaged and deeply engaging.’<br />
Valerie Forman, New York <strong>University</strong><br />
264 pp / 15 illustrations / 6 x 9 / January <strong>2012</strong><br />
Cloth 978-1-4426-4359-8 $60.00 (£40.00)<br />
NEW<br />
Magical Imaginations<br />
Instrumental Aesthetics in the English <strong>Renaissance</strong><br />
Genevieve Guenther<br />
In the English <strong>Renaissance</strong>, poetry was imagined to<br />
inspire moral behaviour in its readers, but the efficacy<br />
<strong>of</strong> poetry was also linked to ‘conjuration,’ the theologically<br />
dangerous practice <strong>of</strong> invoking spirits with<br />
words. Magical Imaginations explores how major<br />
writers <strong>of</strong> the period – including Spenser, Marlowe,<br />
and Shakespeare – negotiated this troubling link<br />
between poetry and magic in their attempts to<br />
transform readers and audiences with the power <strong>of</strong> art.<br />
Through analyses <strong>of</strong> texts ranging from sermons<br />
and theological treatises to medical tracts and legal<br />
documents, Genevieve Guenther sheds new light on<br />
magic as a cultural practice in early modern England.<br />
With this new understanding <strong>of</strong> early modern magic<br />
– a fresh context for compelling readings <strong>of</strong> classic<br />
literary works – Magical Imaginations reveals the<br />
central importance <strong>of</strong> magic to English literary history.<br />
Genevieve Guenther is an independent scholar with<br />
a PhD from the <strong>University</strong> <strong>of</strong> California at Berkeley.<br />
‘I recommend this book highly for its incisiveness<br />
and extraordinary scholarship.’<br />
John D. Cox, Hope College<br />
Approx. 184 pp / 6 x 9 / March <strong>2012</strong><br />
Cloth 978-1-4426-4241-6 $60.00 (£40.00)<br />
26 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
LITERATURE<br />
Reading, Desire, and the Eucharist<br />
in Early Modern Religious Poetry<br />
NEW<br />
Ryan Netzley<br />
The courtly love tradition had a great influence on<br />
the themes <strong>of</strong> religious poetry: just as an absent<br />
beloved could be longed for passionately, so too<br />
could a distant God be the subject <strong>of</strong> desire. But<br />
when authors began to perceive God as immanently<br />
available, did the nature and interpretation <strong>of</strong><br />
devotional verse change Ryan Netzley argues that<br />
early modern religious lyrics presented both desire<br />
and reading as free, loving activities, rather than as<br />
endless struggles or dramatic quests.<br />
Challenging fundamental assumptions <strong>of</strong> literary<br />
criticism, Reading, Desire, and the Eucharist shows<br />
how poetry can encourage love for its own sake,<br />
rather than in the hopes <strong>of</strong> salvation.<br />
Ryan Netzley is an assistant pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at Southern Illinois <strong>University</strong>,<br />
Carbondale.<br />
‘Speaking to central questions about sacramental<br />
and Eucharistic poetry in the Early Modern period,<br />
this high-quality study advances a fresh theoretical<br />
understanding <strong>of</strong> how reading and desire work.’<br />
David Ainsworth, <strong>University</strong> <strong>of</strong> Alabama<br />
304 pp / 6 x 9 / 2011<br />
Cloth 978-1-4426-4281-2 $70.00 (£48.99)<br />
Strangers in Blood<br />
Relocating Race in the <strong>Renaissance</strong><br />
Jean E. Feerick<br />
Strangers in Blood explores, in a range <strong>of</strong> early<br />
modern literature, the association between migration<br />
to foreign lands and the moral and physical degeneration<br />
<strong>of</strong> individuals. Arguing that in early modern<br />
discourse the concept <strong>of</strong> race was primarily linked<br />
with notions <strong>of</strong> bloodline, lineage, and genealogy<br />
rather than with skin colour and ethnicity, Jean E.<br />
Feerick establishes that the characterization <strong>of</strong> settler<br />
communities as subject to degenerative decline<br />
constituted a massive challenge to the fixed system<br />
<strong>of</strong> blood that had hitherto underpinned the English<br />
social hierarchy. In emphasizing the decline <strong>of</strong> blood<br />
as found at the centre <strong>of</strong> colonial narratives, Feerick<br />
illustrates the unwitting disassembling <strong>of</strong> one racial<br />
system and the creation <strong>of</strong> another.<br />
Jean E. Feerick is an assistant pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at Brown <strong>University</strong>.<br />
‘Rich in its attention to language, and to a wellchosen<br />
range <strong>of</strong> historical and literary representations,<br />
Feerick’s remarkably well-written, persuasive, and<br />
original book emphasizes the perceived instability<br />
<strong>of</strong> early modern racial identities, their vulnerability<br />
especially to the conditions <strong>of</strong> transplantation, culture,<br />
time, and space.’<br />
Emily C. Bartels, Rutgers <strong>University</strong><br />
264 pp / 6 x 9 / 2010<br />
Cloth 978-1-4426-4140-2 $60.00 (£41.99)<br />
Northrop Frye’s Writings on Shakespeare<br />
and the <strong>Renaissance</strong><br />
Edited by Troni Y. Grande and Garry Sherbert<br />
This collection <strong>of</strong> writings brings together Northrop<br />
Frye’s large body <strong>of</strong> work on Shakespeare and other<br />
<strong>Renaissance</strong> writers (with the exception <strong>of</strong> Milton,<br />
who is featured in other volumes), and includes major<br />
articles, introductions, public lectures, and four<br />
previously published books. Spanning forty years <strong>of</strong><br />
Frye’s career as a university pr<strong>of</strong>essor and literary<br />
critic, these insightful analyses not only reveal the<br />
author’s formidable intellect but also <strong>of</strong>fer the reader<br />
a transformative experience <strong>of</strong> creative imagination.<br />
With extensive annotation and an in-depth critical<br />
introduction, the volume demonstrates Frye’s<br />
wide-ranging knowledge <strong>of</strong> <strong>Renaissance</strong> culture<br />
and its pivotal significance in his work, his impact<br />
on <strong>Renaissance</strong> criticism and the Stratford Shakespeare<br />
Festival, and his continuing importance as a<br />
literary theorist.<br />
Troni Y. Grande is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Regina.<br />
Garry Sherbert is an associate pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Regina.<br />
(Collected Works <strong>of</strong> Northrop Frye 28)<br />
968 pp / 6 x 9 / 2010<br />
Cloth 978-1-4426-4168-6 $195.00 (£136.99)<br />
utppublishing.com 27
LITERATURE<br />
Forgetful Muses<br />
Reading the Author in the Text<br />
Ian Lancashire<br />
With research featured in The New York Times<br />
Magazine’s Ninth Annual Year in Ideas<br />
How can we understand and analyse the primarily<br />
unconscious process <strong>of</strong> writing In this groundbreaking<br />
work <strong>of</strong> neuro-cognitive literary theory,<br />
Ian Lancashire maps the interplay <strong>of</strong> self-conscious<br />
critique and unconscious creativity.<br />
Drawing on author testimony, cybernetics, cognitive<br />
psychology, corpus linguistics, text analysis, the<br />
neurobiology <strong>of</strong> mental aging, and his own experiences,<br />
Lancashire’s close readings <strong>of</strong> twelve authors, including<br />
Caedmon, Chaucer, Coleridge, Joyce, Christie, and<br />
Atwood, serve to illuminate a mystery we all share.<br />
Ian Lancashire is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />
English at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />
‘Forgetful Muses is filled with a wealth <strong>of</strong> materials<br />
and exhibits an impressively high standard <strong>of</strong> scholarship<br />
– it’s a demanding read, but also highly rewarding.’<br />
Raine Koskimaa, <strong>University</strong> <strong>of</strong> Jyväskylä<br />
360 pp / 18 illustrations; 24 tables / 6 x 9 / 2010<br />
Cloth 978-1-4426-4093-1 $65.00 (£45.99)<br />
SPANISH<br />
NEW<br />
Objects <strong>of</strong> Culture<br />
in the Literature <strong>of</strong> Imperial Spain<br />
<br />
NEW<br />
edited by<br />
Mary E. Barnard and Frederick A. de Armas<br />
Objects <strong>of</strong> Culture in the Literature<br />
<strong>of</strong> Imperial Spain<br />
Edited by Mary E. Barnard and Frederick A. de Armas<br />
Collecting and displaying finely crafted objects was<br />
a mark <strong>of</strong> character among the royals and aristocrats<br />
in Early Modern Spain: it ranked with extravagant<br />
hospitality as a sign <strong>of</strong> nobility and with virtue as a<br />
token <strong>of</strong> princely power. Objects <strong>of</strong> Culture in the<br />
Literature <strong>of</strong> Imperial Spain explores how the writers<br />
<strong>of</strong> the period shared the same impulse to collect,<br />
arrange, and display objects, though in imagined<br />
settings, as literary artefacts.<br />
These essays examine a variety <strong>of</strong> cultural objects<br />
described or alluded to in books from the Golden<br />
Age <strong>of</strong> Spanish literature, including clothing, paintings,<br />
tapestries, playing cards, monuments, materials <strong>of</strong><br />
war, and even enchanted bronze heads. The contributors<br />
emphasize how literature preserved and transformed<br />
objects to endow them with new meaning<br />
for aesthetic, social, religious, and political purposes<br />
– whether to perpetuate certain habits <strong>of</strong> thought<br />
and belief, or to challenge accepted social and moral<br />
norms.<br />
Mary E. Barnard is associate pr<strong>of</strong>essor <strong>of</strong> Spanish<br />
and Comparative Literature at The Pennsylvania<br />
State <strong>University</strong>. Frederick A. de Armas is the Andrew<br />
W. Mellon Distinguished Service Pr<strong>of</strong>essor in the<br />
Humanities, Spanish Literature, and Comparative<br />
Literature at the <strong>University</strong> <strong>of</strong> Chicago.<br />
(<strong>Toronto</strong> Iberic)<br />
Approx. 336 pp / 14 illustrations / 6 x 9 / December <strong>2012</strong><br />
Cloth 978-1-4426-4512-7 $75.00 (£52.99)<br />
Law and History in Cervantes’ Don Quixote<br />
Susan Byrne<br />
Law and History in Cervantes’ Don Quixote is a deep<br />
consideration <strong>of</strong> the intellectual environment that<br />
gave rise to Cervantes’ seminal work. Susan Byrne<br />
demonstrates how Cervantes synthesized the debates<br />
surrounding the two most authoritative discourses<br />
<strong>of</strong> his era – those <strong>of</strong> law and history – into a new<br />
aesthetic product, the modern novel.<br />
Byrne uncovers the empirical underpinnings <strong>of</strong><br />
Don Quixote through a close philological study <strong>of</strong><br />
Cervantes’ sly questioning <strong>of</strong> and commentary on<br />
these fields. As she skilfully demonstrates, while<br />
sixteenth-century historiographers and jurists across<br />
southern Europe sought the philosophical nexus <strong>of</strong><br />
their fields, Cervantes created one through the<br />
adventures <strong>of</strong> a protagonist whose history is all about<br />
justice. As such, Law and History in Cervantes’ Don<br />
Quixote illustrates how Cervantes’ art highlighted<br />
the inconsistencies <strong>of</strong> juridical-historical texts and<br />
practice, as well as anticipated the ultimate resolution<br />
<strong>of</strong> their paradoxes.<br />
Susan Byrne is an assistant pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> Spanish and Portuguese at Yale <strong>University</strong>.<br />
(<strong>Toronto</strong> Iberic)<br />
Approx. 248 pp / 8 illustrations / 6 x 9 / October <strong>2012</strong><br />
Cloth 978-1-4426-4527-1 $55.00 (£38.99)<br />
28 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
LITERATURE<br />
They Need Nothing<br />
Hispanic-Asian Encounters <strong>of</strong> the Colonial Period<br />
NEW<br />
Robert Richmond Ellis<br />
The first comprehensive study <strong>of</strong> Spanish writings<br />
on East and Southeast Asia from the Spanish colonial<br />
period, They Need Nothing draws attention to many<br />
essential but understudied Spanish-language texts<br />
from this era. Robert Richmond Ellis provides an<br />
engaging, interdisciplinary examination <strong>of</strong> how<br />
these writings depict Asia and Asians as both similar<br />
to and different from Europe and Europeans, and<br />
details how East and Southeast Asians reacted to<br />
the Spanish presence in Asia.<br />
They Need Nothing highlights texts related to<br />
Japan, China, Cambodia, and the Philippines,<br />
beginning with Francis Xavier’s observations <strong>of</strong> Japan<br />
in the mid-sixteenth century and ending with José<br />
Rizal’s responses to the legacy <strong>of</strong> Spanish colonialism<br />
in the late nineteenth century. Ellis provides a groundbreaking<br />
expansion <strong>of</strong> the geographical and cultural<br />
contours <strong>of</strong> Hispanism that bridges the fields <strong>of</strong><br />
European, Latin American, and Asian Studies.<br />
Robert Richmond Ellis is Norman Bridge Distinguished<br />
Pr<strong>of</strong>essor <strong>of</strong> Spanish at Occidental College.<br />
Approx. 240 pp / 7 illustrations / 6 x 9 / August <strong>2012</strong><br />
Cloth 978-1-4426-4511-0 $55.00 (£38.99)<br />
Cervantes, Literature, and the Discourse <strong>of</strong> Politics<br />
NEW<br />
Anthony J. Cascardi<br />
What is the role <strong>of</strong> literature in the formation <strong>of</strong> the<br />
state Anthony J. Cascardi takes up this fundamental<br />
question in Cervantes, Literature, and the Discourse<br />
<strong>of</strong> Politics, a comprehensive analysis <strong>of</strong> the presence<br />
<strong>of</strong> politics in Don Quixote.<br />
Cascardi convincingly re-engages the ancient roots<br />
<strong>of</strong> political theory in modern literature by situating<br />
Cervantes within a long line <strong>of</strong> political thinkers. He<br />
also shows how Cervantes’ view <strong>of</strong> literature provided<br />
a compelling alternative to the modern, scientific<br />
politics <strong>of</strong> Machiavelli and Hobbes, highlighting the<br />
potential interplay <strong>of</strong> literature and politics in an<br />
ideal state.<br />
Anthony J. Cascardi is the Dean <strong>of</strong> Arts and Humanities,<br />
and Ancker Pr<strong>of</strong>essor <strong>of</strong> Comparative Literature,<br />
Rhetoric, and Spanish at the <strong>University</strong> <strong>of</strong> California,<br />
Berkeley.<br />
‘By exploring Cervantes’ literary production from the<br />
perspective <strong>of</strong> political philosophy, Cervantes, Literature,<br />
and the Discourse <strong>of</strong> Politics makes a fascinating,<br />
thought-provoking contribution to our understanding<br />
<strong>of</strong> the Spanish author and playwright.’<br />
David Castillo, State <strong>University</strong> <strong>of</strong> New York at Buffalo<br />
(<strong>Toronto</strong> Iberic)<br />
352 pp / 6 x 9 / January <strong>2012</strong><br />
Cloth 978-1-4426-4371-0 $75.00 (£52.99)<br />
Paper 978-1-4426-1223-5 $32.95 (£23.99)<br />
Don Quixote among the Saracens<br />
A Clash <strong>of</strong> Civilizations and Literary Genres<br />
Honourable Mention in the<br />
American Publishers Awards<br />
for Pr<strong>of</strong>essional and<br />
Scholarly Excellence<br />
(Literature Category)<br />
NEW<br />
Frederick A. de Armas<br />
The fictional Don Quixote was constantly defeated<br />
in his knightly adventures. In writing Quixote’s story,<br />
however, Miguel Cervantes succeeded in a different<br />
kind <strong>of</strong> quest – the creation <strong>of</strong> a modern novel that<br />
‘conquers’ and assimilates countless literary genres.<br />
Don Quixote among the Saracens considers how<br />
Cervantes’ work reflects the clash <strong>of</strong> civilizations and<br />
anxieties towards cultural pluralism that permeated<br />
Golden Age Spain.<br />
Frederick A. de Armas unravels an essential mystery<br />
<strong>of</strong> one <strong>of</strong> world literature’s best known figures: why<br />
Quixote sets out to revive knight errantry, and why<br />
he comes to feel at home only among the Moorish<br />
‘Saracens,’ a people whom Quixote feared at the<br />
beginning <strong>of</strong> the novel.<br />
Frederick A. de Armas is the Andrew W. Mellon<br />
Distinguished Service Pr<strong>of</strong>essor in the Humanities,<br />
Spanish Literature, and Comparative Literature at<br />
the <strong>University</strong> <strong>of</strong> Chicago.<br />
‘A must-read for anyone interested in Cervantes’ work,<br />
Don Quixote among the Saracens exemplifies Frederick<br />
A. de Armas’s immense erudition, superb analytical<br />
skills, and attention to detail.’<br />
Enrique García Santo-Tomás, <strong>University</strong> <strong>of</strong> Michigan<br />
256 pp / 4 illustrations / 6 x 9 / 2011<br />
Cloth 978-1-4426-4345-1 $60.00 (£41.99)<br />
utppublishing.com 29
LITERATURE<br />
Ovid in the Age <strong>of</strong> Cervantes<br />
Edited by Frederick A. de Armas<br />
The Roman poet Ovid, author <strong>of</strong> the famous Metamorphoses,<br />
is widely considered one <strong>of</strong> the canonical<br />
poets <strong>of</strong> Latin antiquity. Vastly popular in Europe<br />
during the <strong>Renaissance</strong> and Early Modern periods,<br />
Ovid’s writings influenced the literature, art, and<br />
culture <strong>of</strong> Spain’s Golden Age.<br />
The book begins with examinations <strong>of</strong> the<br />
translation and utilization <strong>of</strong> Ovid’s texts from the<br />
Middle Ages to the age <strong>of</strong> Cervantes. The work<br />
includes a section devoted to the influence <strong>of</strong> Ovid<br />
on Cervantes, arguing that Don Quixote is a deeply<br />
Ovidian text, drawing upon many classical myths<br />
and themes. The contributors then turn to specific<br />
myths in Ovid as they were absorbed and transformed<br />
by different writers, including that <strong>of</strong> Echo<br />
and Narcissus in Garcilaso de la Vega and Hermaphroditus<br />
in Covarrubias and Moya. The final section<br />
<strong>of</strong> the book centres on questions <strong>of</strong> poetic fame<br />
and self-fashioning. Ovid in the Age <strong>of</strong> Cervantes is<br />
an important and comprehensive re-evaluation <strong>of</strong><br />
Ovid’s impact on <strong>Renaissance</strong> and early modern<br />
Spain.<br />
‘This compilation is certainly a huge step forward<br />
in realizing the importance and richness <strong>of</strong> what<br />
still lies ahead in relation to the study <strong>of</strong> Ovid in<br />
Spanish literature before, during, and after the age<br />
<strong>of</strong> Cervantes.’<br />
María Morrás, <strong>Renaissance</strong> Quarterly<br />
320 pp / 5 ¾ x 9 / 2010<br />
Cloth 978-1-4426-4117-4 $65.00 (£45.99)<br />
NEW<br />
NEW<br />
Forms <strong>of</strong> Modernity<br />
Don Quixote and Modern Theories <strong>of</strong> the Novel<br />
Rachel Schmidt<br />
In Forms <strong>of</strong> Modernity, Rachel Schmidt examines<br />
how seminal theorists and philosophers have<br />
wrestled with the status <strong>of</strong> Cervantes’ masterpiece as<br />
an ‘exemplary novel,’ in turn contributing to the<br />
emergence <strong>of</strong> key concepts within genre theory.<br />
Schmidt’s discussion covers the views <strong>of</strong> wellknown<br />
thinkers such as Friedrich Schlegel, José<br />
Ortega y Gasset, and Mikhail Bakhtin, but also the<br />
pivotal contributions <strong>of</strong> philosophers such as Hermann<br />
Cohen and Miguel de Unamuno. These theorists’<br />
examinations <strong>of</strong> Cervantes’ fictional knight-errant<br />
character point to an ever-shifting boundary between<br />
the real and the virtual. Drawing from both<br />
intellectual and literary history, Forms <strong>of</strong> Modernity<br />
richly explores the development <strong>of</strong> the categories<br />
Dressed to Kill<br />
Death and Meaning in Zayas’s Desengaños<br />
and theories that we use today to analyse and<br />
understand novels.<br />
Rachel Schmidt is a full pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> French, Italian and Spanish at the <strong>University</strong><br />
<strong>of</strong> Calgary.<br />
‘Each chapter <strong>of</strong>fers a lesson in synthesis, application,<br />
and intertexuality at the theoretical level. The author<br />
manages to simultaneously foreground Cervantes<br />
and the individual readers <strong>of</strong> Don Quixote and their<br />
(Ortega’s term) “self and circumstances” … Highly<br />
recommended.’<br />
E.H. Friedman, CHOICE<br />
(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />
384 pp / 6 x 9 / 2011<br />
Cloth 978-1-4426-4251-5 $75.00 (£52.99)<br />
Elizabeth Rhodes<br />
The noble wives in María de Zayas’s Desengaños<br />
suffer terrible fates: one is beheaded, another<br />
poisoned, one is cemented into a chimney, while yet<br />
another is locked into a tiny wall closet where she<br />
dies. The hallmark <strong>of</strong> Zayas’s aesthetics, these<br />
characters pose an apparent contradiction between<br />
the author’s pro-female rhetoric and her gusto for<br />
killing model women, then beautifying their<br />
mutilated cadavers.<br />
Dressed to Kill reconciles Zayas’s Desengaños<br />
with the age in which it was written, contextualizing<br />
the book in baroque poetics, the Spanish honour<br />
code, and fifteenth-century martyr saints’ lives.<br />
Elizabeth Rhodes is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> Hispanic Studies at Boston College.<br />
‘Stimulating, erudite, and original, Dressed to Kill is<br />
the Zayas book we have been waiting for.’<br />
Alison Weber, <strong>University</strong> <strong>of</strong> Virginia<br />
(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />
240 pp / 17 illustrations / 6 x 9 / 2011<br />
Cloth 978-1-4426-4350-5 $55.00 (£38.99)<br />
30 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
LITERATURE<br />
The Persistence <strong>of</strong> Presence<br />
Emblem and Ritual in Baroque Spain<br />
Bradley J. Nelson<br />
The Persistence <strong>of</strong> Presence analyses the relationship<br />
between emblem books, containing combinations<br />
<strong>of</strong> pictures and texts, and Spanish literature in the<br />
early modern period.<br />
Bradley J. Nelson argues that the emblem was a<br />
primary indicator <strong>of</strong> the social and political functions<br />
<strong>of</strong> diverse literary practices in early modern Spain,<br />
from theatre to epic prose. In this detailed examination<br />
<strong>of</strong> emblem books, sacred and secular theatre, and<br />
Cervantes’ critique <strong>of</strong> baroque allegory in Los trabajos<br />
de Persiles y Sigismunda, Nelson connects the early<br />
history <strong>of</strong> emblematics with the drive towards cultural<br />
and political hegemony in Counter-Reformation Spain.<br />
Bradley J. Nelson is an associate pr<strong>of</strong>essor and chair<br />
in the Department <strong>of</strong> <strong>Classics</strong>, Modern Languages<br />
and Linguistics at Concordia <strong>University</strong>.<br />
‘Nelson’s approach constitutes an original contribution<br />
to Spanish emblematics with its careful analysis and<br />
thorough consideration <strong>of</strong> relevant theories.’<br />
Claudia Mesa, <strong>Renaissance</strong> Quarterly<br />
(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />
272 pp / 16 illustrations / 6 x 9 / 2010<br />
Cloth 978-0-8020-9977-8 $55.00 (£38.99)<br />
Celestina and the Ends <strong>of</strong> Desire<br />
NEW<br />
E. Michael Gerli<br />
One <strong>of</strong> the most widely read and translated Spanish<br />
works in sixteenth-century Europe was Fernando de<br />
Rojas’s Celestina, a 1499 novel in dialogue about a<br />
couple that faces heartbreak and tragedy after being<br />
united by the titular brothel madam. In Celestina<br />
and the Ends <strong>of</strong> Desire, E. Michael Gerli illustrates<br />
how this work straddles the medieval and the modern<br />
in its exploration <strong>of</strong> changing categories <strong>of</strong> human<br />
desire – from the European courtly love tradition to<br />
the interpretation <strong>of</strong> want as an insatiable, destructive<br />
force. Gerli’s analysis draws on a wide range <strong>of</strong> Celestina<br />
scholarship but is unique in its use <strong>of</strong> modern literary<br />
and psychoanalytic theory to confront the problematic<br />
links between literature and life.<br />
E. Michael Gerli is Commonwealth Pr<strong>of</strong>essor <strong>of</strong><br />
Hispanic and Early Modern Studies at the <strong>University</strong><br />
<strong>of</strong> Virginia.<br />
‘Celestina and the Ends <strong>of</strong> Desire is a fascinating book,<br />
bringing a completely fresh approach to Fernando de<br />
Rojas’s canonical work. E. Michael Gerli’s rich and<br />
enriching theoretical approach provides a brilliant<br />
new understanding <strong>of</strong> the language and rhetoric <strong>of</strong><br />
desire.’<br />
Jesús Rodríguez-Velasco, Columbia <strong>University</strong><br />
248 pp / 8 illustrations / 6 x 9 / 2011<br />
Cloth 978-1-4426-4255-3 $55.00 (£38.99)<br />
The Poetry <strong>of</strong> Place<br />
Lyric, Landscape, and Ideology in <strong>Renaissance</strong> France<br />
FRENCH<br />
Louisa Mackenzie<br />
The sixteenth century in France was marked by<br />
religious warfare and shifting political and physical<br />
landscapes. In the face <strong>of</strong> destructive environmental<br />
change, lyric poets in <strong>Renaissance</strong> France <strong>of</strong>ten<br />
wrote about idealized physical spaces, reclaiming<br />
the altered landscape to counteract the violence<br />
and loss <strong>of</strong> the period. In The Poetry <strong>of</strong> Place, Louisa<br />
Mackenzie reveals and analyses the cultural history<br />
<strong>of</strong> French paysage through her study <strong>of</strong> lyric poetry<br />
and its connections with landscape painting,<br />
cartography, and land-use history. This unique<br />
alliance <strong>of</strong> French <strong>Renaissance</strong> studies with cultural<br />
geography and eco-criticism demonstrates that sixteenth-century<br />
poetry created a powerful sense <strong>of</strong><br />
place which continues to inform national and regional<br />
sentiment today.<br />
Louisa Mackenzie is an assistant pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> French and Italian at the <strong>University</strong><br />
<strong>of</strong> Washington.<br />
‘The Poetry <strong>of</strong> Place is a stunning – and stunningly<br />
original – book that makes an enormous contribution<br />
to a number <strong>of</strong> related disciplines while opening up an<br />
entirely new field <strong>of</strong> inquiry.’<br />
Jeffrey N. Peters, <strong>University</strong> <strong>of</strong> Kentucky<br />
304 pp / 6 x 9 / 2011<br />
Cloth 978-1-4426-4239-3 $65.00 (£45.99)<br />
utppublishing.com 31
LITERATURE<br />
NEW<br />
Philippe de Commynes<br />
Memory, Betrayal, Text<br />
Irit Kleiman<br />
Philippe de Commynes, a diplomat who specialized<br />
in clandestine operations, served King Louis XI during<br />
his campaign to undermine aristocratic resistance<br />
and consolidate the sovereignty <strong>of</strong> the French throne.<br />
He is credited with inventing the political memoir, but<br />
his reminiscence has also been described as ‘the<br />
confessions <strong>of</strong> a traitor’: Commynes had abandoned<br />
Louis’ rival, the Burgundian duke Charles the Bold,<br />
before joining forces with the king.<br />
This study provides a literary re-evaluation <strong>of</strong><br />
Commynes’ text – a perennial subject <strong>of</strong> scandal<br />
and fascination – while questioning what the terms<br />
‘traitor’ or ‘betrayed’ meant in the context <strong>of</strong> fifteenthcentury<br />
France. Drawing on diplomatic letters and<br />
court transcripts, Irit Kleiman examines the mutual<br />
connections between writing and betrayal in<br />
Commynes’ representation <strong>of</strong> Louis’ reign, the<br />
relationship between the author and the king, and<br />
the emergence <strong>of</strong> the memoir as an autobiographical<br />
genre. This study significantly deepens our understanding<br />
<strong>of</strong> how historical narrative and diplomatic<br />
activities are intertwined in the work <strong>of</strong> this iconic,<br />
iconoclastic figure.<br />
Irit Kleiman is an assistant pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> Romance Studies at Boston <strong>University</strong>.<br />
Approx. 296 pp / 6 x 9 / December <strong>2012</strong><br />
Cloth 978-1-4426-4562-2 $60.00 (£41.99)<br />
ITALIAN<br />
NEW<br />
Italian Literature before 1900 in English Translation<br />
An Annotated Bibliography, 1929–2008<br />
Robin Healey<br />
Italian Literature before 1900 in English Translation<br />
provides the most complete record possible <strong>of</strong> texts<br />
from the early periods that have been translated into<br />
English, and published between 1929 and 2008. It<br />
lists works from all genres and subjects, and includes<br />
translations wherever they have appeared across the<br />
globe. In this annotated bibliography, Robin Healey<br />
covers over 5,200 distinct editions <strong>of</strong> pre-1900<br />
Italian writings. Most entries are accompanied by<br />
useful notes providing information on authors, works,<br />
translators, and how the translations were received.<br />
Among the works by over 1,500 authors represented<br />
in this volume are hundreds <strong>of</strong> editions by<br />
Italy’s most translated authors – Dante Alighieri,<br />
Machiavelli, and Boccaccio – and other hundreds<br />
which represent the author’s only English translation.<br />
A significant number <strong>of</strong> entries describe works<br />
originally published in Latin. Together with Healey’s<br />
Twentieth-Century Italian Literature in English<br />
Translation, this volume makes comprehensive<br />
information on translations accessible for schools,<br />
libraries, and those interested in comparative literature.<br />
Robin Healey retired as collection development<br />
librarian for Italian studies, fine art, and anthropology<br />
at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> in December, 2010.<br />
(<strong>Toronto</strong> Italian Studies)<br />
1176 pp / 14 illustrations / 8 ½ x 11 / 2011<br />
Cloth 978-1-4426-4269-0 $150.00 (£104.99)<br />
NEW<br />
Kissing the Wild Woman<br />
Concepts <strong>of</strong> Art, Beauty, and the Italian Prose Romance in Giulia Bigolina’s<br />
Urania<br />
Christopher Nissen<br />
Kissing the Wild Woman explores the unique aesthetic<br />
vision and innovative narrative features <strong>of</strong> Giulia<br />
Bigolina’s greatest surviving work, the prose romance<br />
Urania (circa 1552). The study demonstrates how<br />
Bigolina challenges cultural authority by rejecting<br />
the prevailing views <strong>of</strong> the paragone between<br />
painting and literature. It also shows how Bigolina<br />
orients her defence <strong>of</strong> women toward a rejection<br />
<strong>of</strong> the cult <strong>of</strong> visualized female beauty that predominated<br />
in the rhetoric and artistry <strong>of</strong> such figures<br />
as Aretino and Titian. It concludes with a discussion<br />
<strong>of</strong> Bigolina’s innovative treatments <strong>of</strong> certain romance<br />
topoi.<br />
Christopher Nissen is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> Foreign Languages and Literatures<br />
at Northern Illinois <strong>University</strong>.<br />
‘Contributing to the ever-widening circle <strong>of</strong> research<br />
on early modern Italian women authors, this study<br />
will interest researchers in art history and Italian<br />
studies, as well as scholars <strong>of</strong> the theory <strong>of</strong> love and<br />
<strong>of</strong> the senses and historians <strong>of</strong> gender and women.’<br />
Julia L. Hairston, <strong>University</strong> <strong>of</strong> California, Rome Study<br />
Center<br />
(<strong>Toronto</strong> Italian Studies)<br />
336 pp / 4 illustrations / 6 x 9 / 2011<br />
Cloth 978-1-4426-4340-6 $75.00 (£52.99)<br />
32 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
LITERATURE<br />
Textual Cultures <strong>of</strong> <strong>Medieval</strong> Italy<br />
NEW<br />
Edited by William Robins<br />
<strong>Medieval</strong> Italy presented a rich array <strong>of</strong> discrete<br />
textual cultures, many <strong>of</strong> them specific to particular<br />
regions, pr<strong>of</strong>essions, or groups <strong>of</strong> writers and<br />
readers. The essays in this collection consider how<br />
distinct habits <strong>of</strong> writing took root among specific<br />
communities in Italy between the early Middle<br />
Ages and the eve <strong>of</strong> the <strong>Renaissance</strong>.<br />
As a whole, the collection makes the case for<br />
combining abstract analyses such as textual theory<br />
and intellectual history with more technical specialties<br />
such as editing and codicology. Rather than<br />
approaching pre-modern Italian textuality as<br />
something uniform, Textual Cultures <strong>of</strong> <strong>Medieval</strong><br />
Italy engages with its fascinating plurality.<br />
William Robins is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> English and the Centre for <strong>Medieval</strong><br />
Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />
‘A stimulating collection [that] includes useful surveys<br />
and innovative articles.’<br />
Brian Richardson, <strong>University</strong> <strong>of</strong> Leeds<br />
(Essays from the 41st Conference on Editorial Problems)<br />
320 pp / 8 colour plates / 6 x 9 / 2011<br />
Cloth 978-1-4426-4272-0 $70.00 (£48.99)<br />
Beasts and Beauties<br />
Animals, Gender, and Domestication in the Italian <strong>Renaissance</strong><br />
Juliana Schiesari<br />
Beasts and Beauties traces the role <strong>of</strong> animals in Italian<br />
conceptions <strong>of</strong> humanity in a number <strong>of</strong> key texts<br />
from the fifteenth through the seventeenth century.<br />
The book delineates the co-development <strong>of</strong> two different<br />
forms <strong>of</strong> domestication since the <strong>Renaissance</strong>,<br />
specifically the new culture <strong>of</strong> domesticated animals<br />
that emerged in the modern phenomenon <strong>of</strong> the<br />
‘pet,’ and the contemporaneous delineation <strong>of</strong> the<br />
home as a private domain, where the pater familias<br />
presided over his domesticated wife, children, servants<br />
– and animals. Using a methodology that is both<br />
feminist and psychoanalytic, Beasts and Beauties<br />
demonstrates how the figure <strong>of</strong> the animal resituates<br />
canonical works and authors in the Italian <strong>Renaissance</strong><br />
in ways that help us rethink the notion <strong>of</strong> what it<br />
means to be human.<br />
Juliana Schiesari is a pr<strong>of</strong>essor <strong>of</strong> Italian and<br />
Comparative Literature at the <strong>University</strong> <strong>of</strong> California,<br />
Davis.<br />
‘Beasts and Beauties <strong>of</strong>fers compelling, energetically<br />
conveyed readings <strong>of</strong> otherness in texts and images<br />
<strong>of</strong> early modern Europe … it demonstrates effectively<br />
how an animal-centered approach to the cultural<br />
production <strong>of</strong> early modern Europe can help in understanding<br />
the construction <strong>of</strong> categories and<br />
hierarchies <strong>of</strong> humanness.’<br />
Nathalie Hester, <strong>Renaissance</strong> Quarterly<br />
(<strong>Toronto</strong> Italian Studies)<br />
176 pp / 9 illustrations / 6 x 9 / 2010<br />
Cloth 978-0-8020-9922-8 $45.00 (£31.99)<br />
‘My Muse will have a story to paint’<br />
dennis looney is an associate pr<strong>of</strong>essor in the<br />
Selected Prose <strong>of</strong> Ludovico Ariosto<br />
Translated with an Introduction by<br />
Dennis Looney<br />
Ludovico Ariosto (1474–1533), best known for his<br />
1516 epic poem Orlando furioso, was one <strong>of</strong> the great<br />
Italian poets <strong>of</strong> the <strong>Renaissance</strong>. In this collection,<br />
Dennis Looney presents a compendium <strong>of</strong> Ariosto’s<br />
prose, including his 214 Letters and a satirical piece,<br />
Herbal Doctor. While some letters shed light on his<br />
day-to-day life, including his work as a provincial<br />
commissioner for the ruling Este family <strong>of</strong> Ferrara,<br />
others <strong>of</strong>fer insight on the composition and production<br />
<strong>of</strong> his poems and plays, allowing a glimpse <strong>of</strong> the man<br />
in his creative workshop. With his elegant, faithful<br />
translation, Looney enriches our understanding <strong>of</strong><br />
the Italian <strong>Renaissance</strong> and one <strong>of</strong> its greatest writers.<br />
Department <strong>of</strong> French and Italian at the <strong>University</strong><br />
<strong>of</strong> Pittsburgh.<br />
The lorenzo Da Ponte Italian Library<br />
‘We have no Empire, such as did the Romans, so powerful that<br />
subject cities spontaneously sought to emulate their rulers’ speech ...<br />
Nonetheless it can clearly be seen how, in our present times, many<br />
diverse people <strong>of</strong> intelligence and refinement, outside Italy no less<br />
than within Italy, devote much effort and study to learning and<br />
Dennis Looney is associate pr<strong>of</strong>essor in the<br />
speaking our language for no other reason than love.’<br />
– Giovan Batista Gelli, Ragionamento sulla lingua, 1551<br />
Department <strong>of</strong> French and Italian at the <strong>University</strong><br />
<strong>of</strong> Pittsburgh.<br />
‘This is the first time such a wide selection <strong>of</strong> Ariosto’s<br />
prose has been published in a language other than<br />
Italian. Both the <strong>Renaissance</strong> scholar and the reader<br />
interested in Cinquecento<br />
‘This volume,<br />
life<br />
containing<br />
will<br />
the largest<br />
gain<br />
selection<br />
great<br />
<strong>of</strong> Ariosto’s prose<br />
benefit<br />
translated into any language, is truly commendable.<br />
from it.’<br />
Dennis Looney’s precise, elegant interpretation is enhanced by a<br />
rich historical foreword and a well-assembled bibliography.<br />
Both general readers and scholars will appreciate this valuable<br />
Gian Paolo Giudicetti, <strong>Renaissance</strong><br />
resource for defining Ariosto’s<br />
Quarterly<br />
life and time.’<br />
Jacket illustrations: (front) Portrait <strong>of</strong> a Man, c.1512 (oil on canvas), Titian<br />
(Tiziano Vecellio) (c.1488–1576), National Gallery, London, UK / The<br />
Bridgeman Art Library International; (back) Letter 5, Archivio di Stato,<br />
Modena, Archivio Segreto Estense, Cancelleria Estero, Serie: Ambasciatori,<br />
agenti e corrispondenti all’estero, Italia, Roma, 131, Ludovico Ariosto,<br />
Dispaccio, 1509, 25 dic. Busta 20. Thanks to Director Euride Fregni for<br />
permission to reproduce the image (Prot. 1420/28.01.02/1.2).<br />
<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />
Jacket printed in Canada<br />
ISBN 978-1-4426-4087-0<br />
Roberto Fedi, Università per Stranieri di Perugia<br />
(The Lorenzo Da Ponte Italian Library)<br />
ISBN 978-1-4426-4087-0<br />
320 pp / 2 photos; 1 map ,!7IB4E2-geaiha! / 6 x 9 / 2010<br />
Cloth 978-1-4426-4087-0 $65.00 (£45.99)<br />
unIversITy oF ToronTo Press<br />
www.utppublishing.com<br />
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GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />
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utppublishing.com 33
LITERATURE<br />
NEW<br />
The Biblical Dante<br />
V. Stanley Benfell<br />
The Biblical Dante explores Dante’s understanding<br />
<strong>of</strong> biblical truth and its significance for the poet and<br />
his readers. In this work, V. Stanley Benfell presents<br />
a series <strong>of</strong> close readings <strong>of</strong> passages where Dante<br />
not only cites the Bible extensively, but also explicitly<br />
considers its status as scripture and as a true text.<br />
In the first part <strong>of</strong> the study, Benfell examines<br />
some <strong>of</strong> Dante’s minor works and the Paradiso to<br />
show how his notion <strong>of</strong> textual truth differs markedly<br />
from our present-day conceptions. In the second<br />
part, Benfell turns to the Commedia’s first two canticles,<br />
where Dante’s vision for a just society is put forth more<br />
overtly, and his use <strong>of</strong> the Bible is key to revealing that<br />
vision.<br />
V. Stanley Benfell is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> Humanities, <strong>Classics</strong>, and Comparative<br />
Literature at Brigham Young <strong>University</strong>.<br />
‘I learned a great deal from The Biblical Dante, a<br />
major contribution to the field <strong>of</strong> Dante studies.<br />
Each <strong>of</strong> the chapters in this book is strong, combining<br />
thoughtful analysis with insightful close reading.’<br />
William Stephany, <strong>University</strong> <strong>of</strong> Vermont<br />
(<strong>Toronto</strong> Italian Studies)<br />
336 pp / 6 x 9 / 2011<br />
Cloth 978-1-4426-4274-4 $75.00 (£52.99)<br />
NEW<br />
Dante and Augustine<br />
Linguistics, Poetics, Hermeneutics<br />
Simone Marchesi<br />
At several junctures in his career, Dante paused to<br />
consider the process <strong>of</strong> writing and what it means<br />
to be a writer: How does language, in particular<br />
‘poetic language,’ work Can poetry be translated<br />
What is the relationship between a text and its commentary<br />
Who controls the meaning <strong>of</strong> a literary<br />
work In Dante and Augustine, Simone Marchesi<br />
re-examines these questions in light <strong>of</strong> the influence<br />
that Augustine’s reflections on similar issues exerted<br />
on Dante’s sense <strong>of</strong> his task as a poet. Marchesi<br />
goes beyond traditional inquiries, allowing Dante to<br />
emerge as a versatile thinker, committed to a radical<br />
defence <strong>of</strong> poetry and yet always ready to reconsider,<br />
revise, and rewrite his own positions on matters <strong>of</strong><br />
linguistics, poetics, and hermeneutics.<br />
Simone Marchesi is an associate pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> French and Italian at Princeton <strong>University</strong>.<br />
‘Dante and Augustine delights as a well-constructed,<br />
elegantly argued, and intellectually coherent study<br />
<strong>of</strong> Dantean ideas through the lens <strong>of</strong> Augustinian<br />
theory.’<br />
Teodolinda Barolini, Columbia <strong>University</strong><br />
(<strong>Toronto</strong> Italian Studies)<br />
304 pp / 6 x 9 / 2011<br />
Cloth 978-1-4426-4210-2 $70.00 (£48.99)<br />
NEW<br />
Dante’s Tenzone with Forese Donati<br />
The Reprehension <strong>of</strong> Vice<br />
Fabian Alfie<br />
Dante’s poetic correspondence (or tenzone) with<br />
Forese Donati, a relative <strong>of</strong> his wife’s, was rife with<br />
crude insults: the two men derided one another<br />
on matters ranging from sexual dysfunction and<br />
cowardice to poverty and thievery. Rather than disregarding<br />
this correspondence, in his Commedia<br />
Dante repeatedly acknowledged and evoked the<br />
memory <strong>of</strong> his youthful put-downs.<br />
Dante’s Tenzone with Forese Donati explores<br />
the lasting impact <strong>of</strong> these early sonnets on Dante’s<br />
writings and Italian literary culture, notably in the work<br />
<strong>of</strong> Boccaccio. Fabian Alfie examines derision as an<br />
ethical dimension <strong>of</strong> literature that both facilitated<br />
the reprehension <strong>of</strong> vice and encouraged ongoing<br />
debate about the true nature <strong>of</strong> nobility.<br />
Fabian Alfie is a pr<strong>of</strong>essor <strong>of</strong> Italian in the Department<br />
<strong>of</strong> French and Italian at the <strong>University</strong> <strong>of</strong> Arizona.<br />
‘This is first-class philological scholarship – substantial,<br />
erudite, and enduringly valuable.’<br />
Steven Botterill, <strong>University</strong> <strong>of</strong> California at Berkeley<br />
(<strong>Toronto</strong> Italian Studies)<br />
240 pp / 2 illustrations; 14 charts / 6 x 9 / 2011<br />
Cloth 978-1-4426-4223-2 $55.00 (£38.99)<br />
34 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
LITERATURE<br />
The Poetics <strong>of</strong> Dante’s Paradiso<br />
Massimo Verdicchio<br />
Traditional readings <strong>of</strong> Dante’s Paradiso have largely<br />
considered this third cantica <strong>of</strong> the Commedia as<br />
a poem apart. It deals with those blessed souls in<br />
Paradise who are free <strong>of</strong> sin and beyond punishment,<br />
in contrast to the sinners in the previous two<br />
cantica, and is thus no longer based on the principle<br />
<strong>of</strong> contrapasso. At the literal level this is true in that<br />
all the characters one encounters are either those<br />
who have been saved, religious leaders, or saints.<br />
However, at the allegorical level, as Massimo<br />
Verdicchio argues, the blessed souls still have something<br />
to hide, something shameful in their past<br />
earthly life, which is revealed nonetheless. Verdicchio’s<br />
highly original and comprehensive reading demonstrates<br />
that the intricacies <strong>of</strong> Dante’s text reveal<br />
subversive undercurrents and a subtle irony,<br />
employed to deliver a critique <strong>of</strong> the Church and<br />
Empire <strong>of</strong> his own time.<br />
Massimo Verdicchio is a pr<strong>of</strong>essor in the Department<br />
<strong>of</strong> Modern Languages and Cultural Studies at<br />
the <strong>University</strong> <strong>of</strong> Alberta.<br />
‘Rooted in a close analysis <strong>of</strong> the poem, Massimo<br />
Verdicchio’s intelligent interpretation is supported by<br />
relevant textual evidence and provides an important<br />
counterpoint to the canonical readings <strong>of</strong> the cantica.’<br />
Lloyd H. Howard, <strong>University</strong> <strong>of</strong> Victoria<br />
(<strong>Toronto</strong> Italian Studies)<br />
192 pp / 6 x 9 / 2010<br />
Cloth 978-1-4426-4119-8 $45.00 (£31.99)<br />
Building a Monument to Dante<br />
Boccaccio as Dantista<br />
Jason M. Houston<br />
The shadow <strong>of</strong> Dante Alighieri looms large in the<br />
works <strong>of</strong> Giovanni Boccaccio, yet the full extent <strong>of</strong><br />
Boccaccio’s relationship to Dante remains largely<br />
unexplored. Building a Monument to Dante employs<br />
literary analysis coupled with philological and historical<br />
evidence to argue that Boccaccio’s multifaceted<br />
work as Dante’s editor, biographer, apologist, and<br />
commentator created a literary figure that could<br />
support Boccaccio’s poetic and political ideologies.<br />
Jason M. Houston finds in Boccaccio’s biographical<br />
writings a strong condemnation <strong>of</strong> Florentine politics<br />
and a harsh critique <strong>of</strong> Petrarch’s political isolation,<br />
distinguishing Boccaccio’s political and intellectual<br />
positions from those <strong>of</strong> both Dante and Petrarch.<br />
Jason M. Houston is an assistant pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> Modern Languages at the <strong>University</strong><br />
<strong>of</strong> Oklahoma.<br />
‘Building a Monument to Dante successfully tackles<br />
the topic <strong>of</strong> Boccaccio’s life-long interest in Dante<br />
from a novel point <strong>of</strong> view, interrogating the many<br />
facets <strong>of</strong> Boccaccio’s activity as dantista along new<br />
lines.’<br />
Simone Marchesi, Princeton <strong>University</strong><br />
(<strong>Toronto</strong> Italian Studies)<br />
272 pp / 8 illustrations / 6 x 9 / 2010<br />
Cloth 978-1-4426-4051-1 $55.00 (£38.99)<br />
utppublishing.com 35
CLASSICS<br />
The Phoenix Pre-Socratic Series<br />
Series Editors: David Gallop and T.M. Robinson<br />
The Phoenix Pre-Socratic Series aims to make an important portion <strong>of</strong> Pre-Socratic<br />
writings accessible to those interested in ancient philosophy and European natural<br />
science. Each volume presents extant fragments from one major Pre-Socratic figure or<br />
groups <strong>of</strong> figures. A Greek text with a new, facing-page translation is provided, together<br />
with an introduction or commentary outlining the main problems <strong>of</strong> interpretation and<br />
philosophical issues raised by each thinker’s work.<br />
Complete series now available in paperback!<br />
Get all six volumes at a special price:<br />
Paper 978-1-4426-1262-4 $159.95 (£112.99)<br />
1. Parmenides <strong>of</strong> Elea – Fragments<br />
David Gallop<br />
144 pp / 6 x 9 / 1984<br />
Paper 978-0-8020-6908-5 $25.95 (£18.99)<br />
2. Heraclitus – Fragments<br />
T.M. Robinson<br />
214 pp / 6 x 9 / 1987<br />
Paper 978-0-8020-6913-9 $30.95 (£21.99)<br />
3. Xenophanes <strong>of</strong> Colophon – Fragments<br />
J.H. Lesher<br />
264 pp / 6 x 9 / 1992<br />
Paper 978-0-8020-8508-5 $36.95 (£25.99)<br />
4. The Atomists: Leucippus and Democritus –<br />
Fragments<br />
C.C.W. Taylor<br />
328 pp / 6 x 9 / 2010<br />
Paper 978-1-4426-1212-9 $29.95 (£20.99)<br />
5. The Poem <strong>of</strong> Empedocles<br />
Brad Inwood<br />
360 pp / 6 x 9 / 2001<br />
Paper 978-0-8020-8353-1 $39.95 (£27.99)<br />
6. Anaxagoras <strong>of</strong> Clazomenae –<br />
Fragments and Testimonia<br />
Patricia Curd<br />
298 pp / 6 x 9 / 2010<br />
Paper 978-1-4426-1163-4 $29.95 (£20.99)<br />
geoRge<br />
NEW<br />
Roman Slavery and Roman Material Culture<br />
Roman SlaveRy and Roman mateRial CultuRe<br />
Edited by Michele George<br />
Replete now with its own scholarly traditions and<br />
controversies, Roman slavery as a field <strong>of</strong> study is no<br />
longer limited to the economic sphere, but is<br />
recognized as a fundamental social institution with<br />
multiple implications for Roman society and culture.<br />
The essays in this collection explore how material<br />
culture – namely, art, architecture, and inscriptions<br />
– can illustrate Roman attitudes towards the<br />
institution <strong>of</strong> slavery and towards slaves themselves<br />
in ways that significantly augment conventional<br />
textual accounts.<br />
Providing the first interdisciplinary approach to<br />
the study <strong>of</strong> Roman slavery, the volume brings<br />
together diverse specialists in history, art history,<br />
and archaeology. The contributors engage with<br />
questions concerning the slave trade, manumission,<br />
slave education, containment and movement, and<br />
the use <strong>of</strong> slaves in the Roman army.<br />
Michele George is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> <strong>Classics</strong> at McMaster <strong>University</strong>.<br />
(Phoenix Supplementary Volumes LII)<br />
Approx. 312 pp / 49 illustrations / 6 x 9 / October <strong>2012</strong><br />
Cloth 978-1-4426-4457-1 $75.00 (£52.99)<br />
NEW<br />
Belonging and Isolation in the Hellenistic World<br />
Edited by Sheila L. Ager and Riemer A. Faber<br />
Edited by Sheila L. Ager and Riemer A. Faber<br />
The Hellenistic period was a time <strong>of</strong> unprecedented<br />
cultural exchange. In the wake <strong>of</strong> Alexander’s conquests,<br />
Greeks and Macedonians began to encounter new<br />
peoples, new ideas, and new ways <strong>of</strong> life; consequently,<br />
this era is generally considered to have been one <strong>of</strong><br />
unmatched cosmopolitanism. For many individuals,<br />
however, the broadening <strong>of</strong> horizons brought with<br />
it an identity crisis and a sense <strong>of</strong> being adrift in a<br />
world that had undergone a radical structural<br />
change.<br />
Belonging and Isolation in the Hellenistic World<br />
presents essays by leading international scholars<br />
who consider how the cosmopolitanism <strong>of</strong> the Hellenistic<br />
age also brought about tensions between individuals<br />
and communities, and between the small local<br />
community and the mega-community <strong>of</strong> oikoumene,<br />
or ‘the inhabited earth.’ With a range <strong>of</strong> social,<br />
artistic, economic, political, and literary perspectives,<br />
the contributors provide a lively exploration <strong>of</strong> the<br />
tensions and opportunities <strong>of</strong> life in the Hellenistic<br />
Mediterranean.<br />
Sheila L. Ager is an associate pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> Classical Studies at the <strong>University</strong> <strong>of</strong><br />
Waterloo. Riemer A. Faber is an associate pr<strong>of</strong>essor<br />
in the Department <strong>of</strong> Classical Studies at the <strong>University</strong><br />
<strong>of</strong> Waterloo.<br />
(Phoenix Supplementary Volumes LI)<br />
Approx. 408 pp / 17 illustrations / 6 x 9 / October <strong>2012</strong><br />
Cloth 978-1-4426-4422-9 $80.00 (£55.99)<br />
36 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
CLASSICS<br />
Apuleius and Antonine Rome<br />
Historical Essays<br />
NEW<br />
Keith Bradley<br />
Apuleius and Antonine Rome features outstanding<br />
scholarship by Keith Bradley on the Latin author<br />
Apuleius <strong>of</strong> Madauros and on the second-century<br />
Roman world in which Apuleius lived. Bradley discusses<br />
Apuleius’ work in the context <strong>of</strong> social relations<br />
(especially the family and household), religiosity in<br />
all its diversity and complexity, and cultural<br />
interactions between the imperial centre and the<br />
provincial periphery.<br />
These essays examine the Apology, the speech<br />
Apuleius made when he defended himself on the<br />
criminal charge <strong>of</strong> having enticed a wealthy widow<br />
to marry him through magical means; the fragments<br />
<strong>of</strong> his speeches known as the Florida; and the remarkable<br />
serio-comic novel Metamorphoses (better<br />
known as The Golden Ass). Altogether, Apuleius<br />
and Antonine Rome effectively illustrates how sociocultural<br />
history can be recovered from works <strong>of</strong><br />
literature.<br />
Keith Bradley is the Eli J. and Helen Shaheen<br />
Pr<strong>of</strong>essor <strong>of</strong> <strong>Classics</strong> and Concurrent Pr<strong>of</strong>essor <strong>of</strong><br />
History at the <strong>University</strong> <strong>of</strong> Notre Dame.<br />
(Phoenix Supplementary Volumes L)<br />
Approx. 408 pp / 10 illustrations / 6 x 9 / April <strong>2012</strong><br />
Cloth 978-1-4426-4420-5 $75.00 (£50.99)<br />
Bringing in the Sheaves<br />
Economy and Metaphor in the Roman World<br />
Brent D. Shaw<br />
The annual harvesting <strong>of</strong> cereal crops was one <strong>of</strong><br />
the most important economic tasks in the Roman<br />
Empire. Not only was it urgent and critical for the<br />
survival <strong>of</strong> state and society, it mobilized huge numbers<br />
<strong>of</strong> men and women every year from across the<br />
whole face <strong>of</strong> the Mediterranean. In Bringing in the<br />
Sheaves, Brent D. Shaw investigates the ways in<br />
which human labour interacted with the instruments<br />
<strong>of</strong> harvesting, what part the workers and their tools<br />
had in the whole economy, and how the work itself<br />
was organized.<br />
Both collective and individual aspects <strong>of</strong> the story<br />
are investigated, centred on the life-story <strong>of</strong> a single<br />
reaper whose work in the wheat fields <strong>of</strong> North Africa<br />
is documented in his funerary epitaph. The narrative<br />
then proceeds to an analysis <strong>of</strong> the ways in which<br />
this cyclical human behaviour formed and influenced<br />
modes <strong>of</strong> thinking about matters beyond the harvest.<br />
The work features an edition <strong>of</strong> the reaper inscription,<br />
and a commentary on it. It is also lavishly illustrated<br />
to demonstrate the important iconic and pictorial<br />
dimensions <strong>of</strong> the story.<br />
Brent D. Shaw is Andrew Fleming West Pr<strong>of</strong>essor<br />
<strong>of</strong> <strong>Classics</strong> at Princeton <strong>University</strong>.<br />
(Robson Classical Lectures Series)<br />
Approx. 480 pp / 93 illustrations / 6 x 9 / October <strong>2012</strong><br />
Cloth 978-1-4426-4479-3 $90.00 (£62.99)<br />
BRENT D. SHAW<br />
BRINGING IN<br />
THE SHEAVES<br />
Economy and<br />
Metaphor in the<br />
Roman World<br />
NEW<br />
Perceptions <strong>of</strong> the Second Sophistic and Its Times –<br />
Regards sur la Seconde Sophistique et son époque<br />
Edited by Thomas Schmidt and Pascale Fleury<br />
The Second Sophistic (50 to 250 BCE) was an<br />
intellectual movement throughout the ancient Greek<br />
and Roman world. Although it can be characterized<br />
as a literary and cultural phenomenon <strong>of</strong> which<br />
rhetoric is an essential component, other themes and<br />
values such as peideia, mimesis, the glorification <strong>of</strong><br />
the past, the importance <strong>of</strong> Athens, and Greek<br />
identity pervade the literature and art <strong>of</strong> this era.<br />
These essays explore the Second Sophistic and<br />
describe how the intellectual elites <strong>of</strong> this period<br />
perceived and defined themselves, how they were<br />
judged by later authors, and how we understand<br />
them today.<br />
Thomas Schmidt is pr<strong>of</strong>esseur ordinaire de philologie<br />
classique, Institut des Sciences de l’Antiquité et<br />
du Monde byzantin, Université de Fribourg (Suisse).<br />
Pascale Fleury is pr<strong>of</strong>esseure agrégée, Département<br />
des littératures, Université Laval.<br />
‘With each article shedding new light on different<br />
aspects <strong>of</strong> the movement, this collection is a major<br />
contribution to research and scholarship.’<br />
Alain Billault, Pr<strong>of</strong>essor, <strong>University</strong> <strong>of</strong> Paris–Sorbonne<br />
(Phoenix Supplementary Volumes XLIX)<br />
304 pp / 2 tables / 6 x 9 / 2011<br />
Cloth 978-1-4426-4216-4 $75.00 (£52.99)<br />
utppublishing.com 37
MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />
MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />
These books are specially selected and designed to keep in print<br />
the very best medieval scholarship and translation modestly priced for student use.<br />
The Carolingian Empire<br />
Heinrich Fichtenau<br />
Translated by Peter Munz<br />
A classic account <strong>of</strong> Charles the Great and the heyday <strong>of</strong> Frankish rule in Europe, evaluating the achievements<br />
and failures <strong>of</strong> the empire which has been called ‘the first Europe.’ Reprinted from the 1968 edition,<br />
translation first published in 1957.<br />
(MART 1) 196 pp / 6 x 9 / 1978<br />
Paper 978-0-8020-6367-0 $20.95 (£14.99)<br />
The Story <strong>of</strong> Troilus<br />
Translations and introductions by R.K. Gordon<br />
The only collection in English <strong>of</strong> the major medieval versions <strong>of</strong> the story <strong>of</strong> Troilus and Criseyde – from<br />
Benoit de Sainte-Maure, Boccaccio, Chaucer, and Henryson. Reprinted from the 1964 edition, first published<br />
in 1934.<br />
(MART 2) 383 pp / 6 x 9 / 1978<br />
Paper 978-0-8020-6368-7 $22.95 (£16.99)<br />
A Guide to Chaucer’s Pronunciation<br />
Helge Kökeritz<br />
The authoritative reconstruction <strong>of</strong> Chaucer’s pronunciation – indispensable to all readers <strong>of</strong> his poetry.<br />
Reprinted from the 1962 printing, first published in 1961.<br />
(MART 3) 32 pp / 6 x 9 / 1978<br />
Paper 978-0-8020-6370-0 $9.95 (£6.99)<br />
Constantine and the Conversion <strong>of</strong> Europe<br />
A.H.M. Jones<br />
A study <strong>of</strong> politics and religion during a key era (AD 284-337) when Christianity established itself as the<br />
dominant force shaping government and civilization. Reprinted from the 1962 edition, first published in<br />
1948.<br />
(MART 4) 222 pp / 6 x 9 / 1978<br />
Paper 978-0-8020-6369-4 $24.95 (£17.99)<br />
38 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />
Mission to Asia<br />
Edited and with an introduction by Christopher Dawson<br />
Narratives by Franciscans sent to Central and East Asia in the thirteenth and fourteenth centuries in a heroic<br />
but failed attempt to maintain contact with Christians there and convert the Mongols. Reprinted from the<br />
1966 reprint <strong>of</strong> the 1955 edition.<br />
(MART 8) 246 pp / 6 x 9 / 1980<br />
Paper 978-0-8020-6436-3 $24.95<br />
North American rights only<br />
Ancient Writing and its Influence<br />
B.L. Ullman, with an introduction by Julian Brown<br />
First published in 1932, this book is a sound, concise, and expert introduction to the history <strong>of</strong> the alphabet,<br />
Greek palaeography and epigraphy, Latin palaeography and epigraphy, and the origins <strong>of</strong> printing. B.L.<br />
Ullman, one <strong>of</strong> the master palaeographers <strong>of</strong> the twentieth century, covers the origins <strong>of</strong> western writing<br />
and the forms that it took in antiquity and the Middle Ages.<br />
(MART 10) 240 pp / 6 x 9 / 1980<br />
Paper 978-0-8020-6435-6 $20.95 (£14.99)<br />
William Marshal<br />
Knight-Errant, Baron, and Regent <strong>of</strong> England<br />
Sidney Painter<br />
For the first forty years <strong>of</strong> his life, Marshal was a landless knight, but by his marriage to the daughter <strong>of</strong> Earl<br />
Richard <strong>of</strong> Pembroke in 1189, he became a great feudal lord. His biography depicts the two extremes <strong>of</strong><br />
feudal society. This edition was first published in 1933.<br />
(MART 13) 305 pp / 6 x 9 / 1982<br />
Paper 978-0-8020-6498-1 $24.95 (£17.99)<br />
A Concise Anglo-Saxon Dictionary<br />
Fourth Edition<br />
J.R. Clark Hall, with a Supplement by Herbert T. Merritt<br />
This classic dictionary deals carefully and exhaustively with all the words which occur in Anglo-Saxon poetry<br />
and prose. Variant dialectic forms are given, together with variant forms found in the same dialect. Purely<br />
poetic words and words not common in prose are indicated, and references are given to the passages in<br />
which they occur. First published in 1894, this is a reprint <strong>of</strong> the fourth edition (1960).<br />
(MART 14) 432 pp / 6 x 9 / 1984<br />
Paper 978-0-8020-6548-3 $29.95 (£20.99)<br />
Self and Society in <strong>Medieval</strong> France<br />
The Memoirs <strong>of</strong> Abbot Guibert <strong>of</strong> Nogent<br />
Edited and with an introduction by John F. Benton<br />
A revised edition (1970) based on C.C. Swinton Bland’s translation<br />
‘An exemplary addition to [the MART] series … [Guibert’s memoirs] provide precious insights into French<br />
culture <strong>of</strong> the eleventh and twelfth centuries. As he describes himself, he also chronicles contemporary<br />
events such as the 1112 revolt <strong>of</strong> the Laon commune. Given the complexity <strong>of</strong> Guibert’s historical maze, the<br />
reader will appreciate Benton’s annotations. What emerges is an engaging portrait <strong>of</strong> a man and his times.’<br />
The Reprint Bulletin<br />
(MART 15) 260 pp / 6 x 9 / 1984<br />
Paper 978-0-8020-6550-6 $21.95 (£15.99)<br />
utppublishing.com 39
MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />
The Art <strong>of</strong> the Byzantine Empire 312–1453<br />
Sources and Documents<br />
Cyril Mango<br />
An anthology <strong>of</strong> translated histories, chronicles, saints’ lives, theological treatises, and accounts present an<br />
in-depth analysis <strong>of</strong> Byzantine art focusing on Constantinople. First published in 1972.<br />
‘The prevailing view <strong>of</strong> Byzantine authors is that their art was highly true to nature. A perusal <strong>of</strong> the texts<br />
collected here will confirm this statement … To us, such views appear rather perplexing, for we regard<br />
Byzantine art as being abstract rather than naturalistic, and we expect to find in the written sources some<br />
reflection <strong>of</strong> our judgment.’<br />
From the Introduction<br />
(MART 16) 272 pp / 6 x 9 / 1986<br />
Paper 978-0-8020-6627-5 $23.95 (£16.99)<br />
Early <strong>Medieval</strong> Art 300–1150<br />
Sources and Documents<br />
Caecilia Davis-Weyer<br />
This anthology <strong>of</strong> medieval texts on art includes descriptions <strong>of</strong> lost monuments, theoretical and technical<br />
texts that reveal intentions <strong>of</strong> artists and patrons, liturgical texts which describe the use <strong>of</strong> medieval artifacts,<br />
and others that reflect the tastes <strong>of</strong> the literate public. First published in 1971.<br />
(MART 17) 182 pp / 6 x 9 / 1986<br />
Paper 978-0-8020-6628-2 $21.95 (£15.99)<br />
Byzantium<br />
The Imperial Centuries AD 610–1071<br />
Romilly Jenkins<br />
A student and general reader guide to the middle period, or the most imperial era, <strong>of</strong> Byzantium’s history.<br />
Jenkins provides a connected account <strong>of</strong> what actually went on in the East Roman Empire between the<br />
accession <strong>of</strong> Heraclius and the Battle <strong>of</strong> Manzikert. First published in 1966.<br />
(MART 18) 400 pp / 6 x 9 / 1987<br />
Paper 978-0-8020-6667-1 $29.95 (£20.99)<br />
The Discovery <strong>of</strong> the Individual 1050–1200<br />
Colin Morris<br />
Morris traces the origin <strong>of</strong> the concept <strong>of</strong> the individual, not to the <strong>Renaissance</strong> where it is popularly<br />
assumed to have been invented, but farther back, to the spirituality and intellectually dynamic world <strong>of</strong><br />
Europe in the twelfth century. First published in 1972.<br />
(MART 19) 188 pp / 6 x 9 / 1987<br />
Paper 978-0-8020-6665-7 $18.95 (£13.99)<br />
Gothic Art 1140–c 1450<br />
Sources and Documents<br />
Teresa G. Frisch<br />
Gothic Art 1140–c 1450 is a chronologically arranged collection <strong>of</strong> both secular and more pious original texts,<br />
selected from a wide variety <strong>of</strong> sources. These records include the personal observations <strong>of</strong> pr<strong>of</strong>essional<br />
artisans and contemporary observers, as well as the less personal records left in legal contracts, agreements,<br />
inscriptions, and other sorts <strong>of</strong> documentation. Introductory notes and headings help to place the texts in<br />
their original contexts. First published in 1971.<br />
(MART 20) 181 pp / 6 x 9 / 1987<br />
Paper 978-0-8020-6679-4 $18.95 (£13.99)<br />
40 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />
The Crisis <strong>of</strong> Church and State 1050–1300<br />
Brian Tierney<br />
A clear narrative that presents and interprets the major documents <strong>of</strong> the centuries-long struggle between<br />
kings and popes <strong>of</strong> medieval Europe over the separation <strong>of</strong> church and state. Few controversies have so<br />
indelibly influenced the course <strong>of</strong> western civilization. A reprint <strong>of</strong> the 1980 edition first published in 1964.<br />
(MART 21) 210 pp / 6 x 9 / 1988<br />
Paper 978-0-8020-6701-2 $21.95 (£15.99)<br />
Change in <strong>Medieval</strong> Society<br />
Europe North <strong>of</strong> the Alps 1050–1500<br />
Sylvia L. Thrupp<br />
The nineteen essays in this collection reflect the importance <strong>of</strong> change as an aspect <strong>of</strong> medieval society.<br />
They are arranged in six subject areas: Communities; Reformers; Careers, Rank, and Power; The Communication<br />
<strong>of</strong> Ideas; Money; and Views <strong>of</strong> Society. A reprint <strong>of</strong> the 1964 edition.<br />
(MART 22) 324 pp / 6 x 9 / 1988<br />
Paper 978-0-8020-6699-2 $19.95 (£13.99)<br />
The <strong>Medieval</strong> Experience<br />
Francis Oakley<br />
A far-ranging study examines five critical areas in which medieval civilization departed from earlier civilizations,<br />
and thereby contributed to the development <strong>of</strong> a unique European culture. A reprint <strong>of</strong> the 1974 edition.<br />
(MART 23) 228 pp / 6 x 9 / 1988<br />
Paper 978-0-8020-6707-4 $21.95 (£15.99)<br />
Modern Perspectives in Western Art History<br />
An Anthology <strong>of</strong> Twentieth-Century Writings on the Visual Arts<br />
Edited by W. Eugene Kleinbauer<br />
A collection <strong>of</strong> essays that reflect the breadth <strong>of</strong> twentieth-century scholarship in art history. Kleinbauer<br />
has sought to illustrate the variety <strong>of</strong> methods scholars have developed for conveying the unfolding <strong>of</strong> the<br />
arts in the Western world. A reprint <strong>of</strong> the edition first published in 1971.<br />
(MART 25) 528 pp / 6 x 9 / 1989<br />
Paper 978-0-8020-6708-1 $36.00 (£25.99)<br />
The <strong>Medieval</strong> Book<br />
Illustrated from the Beinecke Rare Book and Manuscript Library<br />
Barbara A. Shailor<br />
A beautifully illustrated study <strong>of</strong> medieval manuscript books that details how they were made and their<br />
place in society. Shailor first examines the manuscript book as an archaeological artifact, then groups books<br />
by genre – both religious and secular – to show how their contents and function influenced their physical<br />
appearance and manufacture. 106 examples, most with illustration, many in colour.<br />
‘A worthwhile resource that anyone interested in the history <strong>of</strong> the book in the Middle Ages will want to<br />
have nearby.’<br />
Richard W. Clement, Épilogue<br />
(MART 28) 115 pp / 8 x 11 / 1991<br />
Cloth 978-0-8020-5910-9 $78.00 (£54.99)<br />
Paper 978-0-8020-6853-8 $36.95 (£25.99)<br />
utppublishing.com 41
MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />
The Origins <strong>of</strong> European Dissent<br />
R.I. Moore<br />
Moore traces the roots <strong>of</strong> the rejection <strong>of</strong> the Western church in the eleventh and twelfth centuries and<br />
argues that heresy had less to do with faith than with the changing world <strong>of</strong> the time. A reprint <strong>of</strong> the corrected<br />
edition first published in 1985.<br />
(MART 30) 322 pp / 6 x 9 / 1994<br />
Paper 978-0-8020-7566-6 $25.95 (£18.99)<br />
Fables<br />
Marie de France<br />
Edited and translated by Harriet Spiegel<br />
Comprising the 103 tales that form the earliest vernacular collection <strong>of</strong> fables from western Europe, this edition<br />
captures the fresh and lively tone <strong>of</strong> Marie de France’s text. This is a reprint <strong>of</strong> the first edition published in 1987.<br />
‘Spiegel provides here a translation which captures admirably the liveliness <strong>of</strong> Marie’s imagination. As a<br />
tribute to [Marie’s] spirit one could not ask for better.’<br />
Nancy Vine Durling, Speculum<br />
(MART 32) 282 pp / 6 x 9 / 1994<br />
Paper 978-0-8020-7636-6 $26.95 (£18.99)<br />
The Birth <strong>of</strong> Popular Heresy<br />
R.I. Moore<br />
Until the publication <strong>of</strong> The Birth <strong>of</strong> Popular Heresy, little was known about the many ordinary men and women<br />
who dissented from orthodox Christianity in the middle ages. Moore analyses the development <strong>of</strong> popular<br />
heresy using edited collections <strong>of</strong> letters, chronicles, and sermons written, in the main, by clerics and other<br />
highly placed church <strong>of</strong>ficials during the eleventh and twelfth centuries. A reprint <strong>of</strong> the 1975 first edition.<br />
(MART 33) 166 pp / 6 x 9 / 1995<br />
Paper 978-0-8020-7659-5 $22.95 (£16.99)<br />
Feudalism<br />
F.L. Gansh<strong>of</strong><br />
Translated by Philip Grierson<br />
A reprint <strong>of</strong> the third edition, published in 1964.<br />
‘Historians have come to realize that they possess in this book a survey <strong>of</strong> the essential feudal order which<br />
in breadth <strong>of</strong> view, wealth <strong>of</strong> learning, and sureness <strong>of</strong> judgment is a model among works <strong>of</strong> its scale … It<br />
is a tribute to Pr<strong>of</strong>essor Gansh<strong>of</strong>’s skill as a writer that the reader is never conscious <strong>of</strong> a break in continuity<br />
as they survey passes from the obscurities <strong>of</strong> the Dark Ages, where the origins <strong>of</strong> feudalism lie, to the highly<br />
developed organization <strong>of</strong> the twelfth century.’<br />
From the Foreword<br />
‘Pr<strong>of</strong>essor Gansh<strong>of</strong>’s book answers the prayer <strong>of</strong> every teacher and student <strong>of</strong> medieval history for a lucid,<br />
concise, and authoritative exposition <strong>of</strong> feudal institutions.’<br />
George Holmes, The Cambridge Review<br />
(MART 34) 176 pp / 6 x 9 / 1996<br />
Paper 978-0-8020-7158-3 $19.95 (£13.99)<br />
Arthurian Chronicles<br />
Wace and Layamon<br />
Translated by Eugene Mason with an introduction by Gwyn Jones<br />
The spread <strong>of</strong> the Arthurian legend during the course <strong>of</strong> the twelfth century is one <strong>of</strong> the most remarkable<br />
phenomena in literary history. In this English language prose translation <strong>of</strong> the Wace and Layamon Arthurian<br />
poems, the folk-tale ferocity <strong>of</strong> Arthur is made as exciting to the readers as to the poets who contributed<br />
so much to Arthur’s legend. A reprint <strong>of</strong> the 1962 edition.<br />
(MART 35) 282 pp / 6 x 9 / 1996<br />
Paper 978-0-8020-7176-7 $22.95 (£16.99)<br />
42 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
Nature, Man, and Society in the Twelfth Century<br />
Essays on New Theological Perspectives in the Latin West<br />
MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />
M.-D. Chenu<br />
Selected, edited, and translated by Jerome Taylor and Lester K. Little<br />
The nine essays in this collection, selected from La théologie au douzième siècle, inquire into the historical<br />
context and origins <strong>of</strong> medieval scholasticism. They are representative <strong>of</strong> Chenu’s finest work.<br />
(MART 37) 384 pp / 6 x 9 / 1997<br />
Paper 978-0-8020-7175-0 $22.95 (£16.99)<br />
Selections from English Wycliffite Writings<br />
Edited by Anne Hudson<br />
Selections from English Wycliffite Writings is a collection <strong>of</strong> twenty-seven <strong>of</strong>ten-ignored primary texts<br />
written between 1385 and 1425 by members <strong>of</strong> the Lollard sect in England. Through a variety <strong>of</strong> tracts,<br />
sermons, and satires, this edition illuminates the wide range <strong>of</strong> Lollard interests and preoccupations. The<br />
text is in Middle English with extensive supplemental notes that help to fully explain the context <strong>of</strong> each<br />
work. This new edition comes with a revised and updated bibliography by the editor.<br />
‘This is a most useful book for historians <strong>of</strong> ideas, historians <strong>of</strong> the Reformation, literary historians, and<br />
historians <strong>of</strong> the English language. It opens new doors to understanding the late Middle Ages in England.’<br />
Morton W. Bloomfield, Speculum<br />
(MART 38) 245 pp / 6 x 9 / 1997<br />
Paper 978-0-8020-8045-5 $22.95 (£16.99)<br />
<strong>Medieval</strong> Families<br />
Perspectives on Marriage, Household, and Children<br />
Edited by Carol Neel<br />
<strong>Medieval</strong> Families brings together essays by historians, art historians, and literary scholars about the structures,<br />
social functions, and emotional characteristics <strong>of</strong> families in the middle ages. The volume’s introduction and<br />
bibliography enable readers to set the articles gathered here in the context <strong>of</strong> the later twentieth-century<br />
transformation <strong>of</strong> medieval studies and, more broadly, historical scholarship.<br />
(MART 40) 320 pp / 6 x 9 / 2003<br />
Cloth 978-0-8020-3606-3 $90.00 (£62.99)<br />
Paper 978-0-8020-8458-3 $36.00 (£25.99)<br />
A Concise Dictionary <strong>of</strong> Old Icelandic<br />
Geir T. Zoëga<br />
A Concise Dictionary <strong>of</strong> Old Icelandic has long been the foremost reference source for the Icelandic language.<br />
The dictionary has helped to bring about a wider interest in the language and literature <strong>of</strong> Iceland and is<br />
considered an essential complement to the study <strong>of</strong> medieval Nordic literature.<br />
(MART 41) 560 pp / 6 x 9 / 2004<br />
Cloth 978-0-8020-8705-8 $109.00 (£76.99)<br />
Paper 978-0-8020-8659-4 $35.95 (£25.99)<br />
Old Norse-Icelandic Literature<br />
A Critical Guide<br />
Edited by Carol J. Clover and John Lindow<br />
With a new preface by Theodore M. Andersson<br />
The current revival <strong>of</strong> interest in the rich and varied literature <strong>of</strong> early Scandinavia has prompted a<br />
corresponding interest in its background: its origins, social and historical context, and relationship to<br />
other medieval literatures. The essays <strong>of</strong> six distinguished scholars summarize and comment on scholarly<br />
work in the major branches <strong>of</strong> the field.<br />
‘Indispensable as a bibliographic source.’<br />
<strong>Medieval</strong> Literature Research Guide<br />
(MART 42) 390 pp / 6 x 9 / 2005<br />
Paper 978-0-8020-3823-4 $41.00 (£28.99)<br />
utppublishing.com 43
MEDIEVAL ACADEMY BOOKS<br />
NEW<br />
Three Cartularies<br />
from Thirteenth-Century Auxerre<br />
Edited by Constance Brittain Bouchard<br />
Three Cartularies from Thirteenth-Century Auxerre<br />
Edited by Constance Brittain Bouchard<br />
This edition presents the recently rediscovered episcopal cartulary <strong>of</strong> Auxerre, composed in the 1280s but<br />
assumed lost since the French Revolution. Along with confirmations by popes, quarrel settlements with<br />
counts, and agreements with the bishop’s tenants, the cartulary contains documents that were previously<br />
unknown, notably several papal decisions. Auxerre was unusually well documented for the period<br />
800–1200, but little information on the bishopric’s history after 1200 has been available until now. The<br />
text contains a wealth <strong>of</strong> information about relationships between church leaders and other churches,<br />
between churches and secular leaders, and details on peasant rights and obligations.<br />
This edition also includes the short thirteenth-century cartularies <strong>of</strong> the nuns <strong>of</strong> St.-Julien and <strong>of</strong> the<br />
cathedral chapter, the latter existing only in fragmentary form. With full annotation <strong>of</strong> people and places<br />
and English-language summaries, these cartularies make a valuable contribution to our understanding <strong>of</strong><br />
this significant episcopal centre’s history.<br />
(<strong>Medieval</strong> Academy Books) Approx. 320 pp / 1 map / 6 x 9 / December <strong>2012</strong><br />
Cloth 978-1-4426-4528-8 $90.00 (£62.99)<br />
<strong>Medieval</strong> Conduct Literature<br />
An Anthology <strong>of</strong> Vernacular Guides to Behaviour for Youths, with English Translations<br />
Edited by Mark D. Johnston<br />
Conduct literature is a term used to identify writings that address how one should ‘conduct’ oneself in<br />
social situations. In the medieval period conduct literature was essential reading for nearly all literate<br />
children and adolescents to educate them in the expected social behaviours for their culture, gender, and<br />
status. Using a comparative approach, this anthology pairs together pieces <strong>of</strong> male-directed and femaledirected<br />
medieval conduct literature, many being translated into English for the first time, to present an<br />
illuminating picture <strong>of</strong> medieval gender norms, parenting, literary style, and pedagogy. Containing texts<br />
written in six vernacular languages, each section is also accompanied by textual notes, an introduction,<br />
and an English translation.<br />
(<strong>Medieval</strong> Academy Books) 360 pp / 5 photos / 6 x 9 / 2009<br />
Cloth 978-0-8020-9832-0 $70.00 (£48.99)<br />
The Cartulary <strong>of</strong> Countess Blanche <strong>of</strong> Champagne<br />
Edited by Theodore Evergates<br />
The Cartulary <strong>of</strong> Countess Blanche <strong>of</strong> Champagne examines the countess’ twenty-one-year regency<br />
(1201–22) through her cartulary – a manuscript copy <strong>of</strong> legal and otherwise public documents usually<br />
intended as an archival aid and as a security duplicate. Surviving intact to this day, the 1224 volume is<br />
unusual in that it was commissioned as a personal, commemorative document for the countess in retirement,<br />
after a successful career in which she preserved the county from a divisive civil war, expanded the<br />
county’s borders, and transformed comital-baronial relationships. The 443 letters contained in the cartulary<br />
deal with practical matters <strong>of</strong> governance such as homages, fiefs, and the rights <strong>of</strong> lordship, and are<br />
here used by Theodore Evergates as a dossier for observing the practices <strong>of</strong> a major French principality<br />
and its aristocracy.<br />
(<strong>Medieval</strong> Academy Books) 416 pp / 6 x 9 / 2009<br />
Cloth 978-1-4426-3995-9 $95.00 (£66.99)<br />
Three Treatises from Bec on the Nature <strong>of</strong> Monastic Life<br />
Edited with introduction and notes by Giles Constable<br />
Translated by Bernard S. Smith<br />
The abbey <strong>of</strong> Bec was founded in the eleventh century and was one <strong>of</strong> the best known and most influential<br />
monasteries in Normandy. The three treatises collected and translated in this volume – Tractatus de<br />
pr<strong>of</strong>essionibus monachorum (‘The Pr<strong>of</strong>ession <strong>of</strong> Monks’), De pr<strong>of</strong>essionibus abbatum (‘The Pr<strong>of</strong>ession <strong>of</strong><br />
Abbots’), and De libertate Beccensis monasterii (‘On the Liberty <strong>of</strong> the Monastery <strong>of</strong> Bec’) – are a striking<br />
statement <strong>of</strong> the position <strong>of</strong> Bec in relation to episcopal and ducal (later royal) authorities.<br />
This volume is an important contribution to understanding not only monasticism in Normandy, but<br />
also the conflict between church and state in the eleventh and twelfth centuries.<br />
(<strong>Medieval</strong> Academy Books) 208 pp / 6 x 9 / 2008<br />
Cloth 978-0-8020-9260-1 $52.00 (£36.99)<br />
44 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
MEDIEVAL ACADEMY BOOKS<br />
Las Mocedades de Rodrigo<br />
The Youthful Deeds <strong>of</strong> Rodrigo, the Cid<br />
Edited by Matthew Bailey<br />
Rodrigo Diaz lived in the second half <strong>of</strong> the eleventh century and is the most famous Castilian in history. His<br />
exploits are recounted in the traditional epic poem Cantar de Mio Cid which celebrated Diaz at the height<br />
<strong>of</strong> his fame and honour. The Mocedades de Rodrigo predates Mio Cid as a fictional story <strong>of</strong> the passage<br />
<strong>of</strong> a precocious twelve-year old Rodrigo from a rebellious and destructive killing force <strong>of</strong> nature to a leader<br />
<strong>of</strong> men in the service <strong>of</strong> his king, Fernando I <strong>of</strong> Leon-Castile. Bailey’s edition presents a transcription <strong>of</strong> the<br />
original manuscript, an English translation, notes, and commentary.<br />
(<strong>Medieval</strong> Academy Books) 150 pp / 6 x 9 / 2007<br />
Cloth 978 0-8020-9336-3 $39.00 (£27.99)<br />
The Mirroure <strong>of</strong> the Worlde<br />
A Middle English Translation <strong>of</strong> the Miroir du Monde<br />
Edited by Robert R. Raymo and Elaine E. Whitaker with Ruth E. Sternglantz<br />
The Mirroure <strong>of</strong> the Worlde makes available for the first time the unique text in the fifteenth-century British<br />
manuscript, ms. Bodley 283, which is among the last and largest works in the tradition <strong>of</strong> lay religious<br />
instruction mandated by the Fourth Lateran council. This edition is one <strong>of</strong> the only books <strong>of</strong> virtues and<br />
vices that contains Latin text, an inclusion that points towards a more widespread knowledge <strong>of</strong> the<br />
language among the laypeople than previously thought. Complete with explanatory notes and a glossary,<br />
The Mirroure <strong>of</strong> the Worlde widens the understanding <strong>of</strong> medieval moral instruction, religion, reading<br />
practices, and education.<br />
(<strong>Medieval</strong> Academy Books) 664 pp / 6 x 9 / 2003<br />
Cloth 978-0-8020-3613-1 $101.00 (£70.99)<br />
The Cartulary <strong>of</strong> Montier-en-Der, 666-1129<br />
Edited by Constance Brittain Bouchard<br />
The monastery <strong>of</strong> Montier-en-Der, on the border between Champagne and Lorraine, was one <strong>of</strong> the most<br />
important monasteries <strong>of</strong> the Middle Ages. Its cartulary, put together in the Ilzos at the height <strong>of</strong> the<br />
monastery’s prestige and wealth, is a crucial source <strong>of</strong> information for the history <strong>of</strong> west Francia before the<br />
twelfth century and is here published in full for the first time. With information on popes, kings, and<br />
counts, on manorial structures and the obligations <strong>of</strong> peasant tenants, and on monastic reform, the<br />
cartulary will be an essential resource for the study <strong>of</strong> religious history and <strong>of</strong> the middle ages in France.<br />
(<strong>Medieval</strong> Academy Books) 440 pp / 6 x 9 / 2004<br />
Cloth 978-0-8020-8807-9 $90.00 (£62.99)<br />
Littere Baronum<br />
The Earliest Cartulary <strong>of</strong> the Counts <strong>of</strong> Champagne<br />
Edited by Theodore Evergates<br />
The cartulary <strong>of</strong> 1211 is the oldest surviving register produced by the chancery <strong>of</strong> the counts <strong>of</strong> Champagne.<br />
This first edition <strong>of</strong> the cartulary contains 121 letters received from the barons and prelates <strong>of</strong> the county<br />
during the rule <strong>of</strong> Count Thibaut III (1198-1201) and the first decade <strong>of</strong> the regency <strong>of</strong> his widow, Countess<br />
Blanche (1201-22). Since only one-third <strong>of</strong> the original letters survive, the cartulary copies are particularly<br />
valuable in capturing the range <strong>of</strong> written records entering the chancery <strong>of</strong> a major French principality<br />
around 1200.<br />
(<strong>Medieval</strong> Academy Books) 300 pp / 6 x 9 / 2003<br />
Cloth 978-0-8020-8762-1 $62.00 (£43.99)<br />
utppublishing.com 45
RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />
RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />
These books are specially selected and designed to keep in print the<br />
most treasured works in <strong>Renaissance</strong> studies, modestly priced for student use.<br />
The Treatise <strong>of</strong> Lorenzo Valla on the Donation <strong>of</strong> Constantine<br />
Text and translation into English by Christopher Coleman<br />
The Donation <strong>of</strong> Constantine is the most famous forgery in European history. Written in the eighth century,<br />
it was allegedly a fourth-century document by which the Emperor Constantine the Great gave extensive<br />
privileges and property to Pope Sylvester I.<br />
This document was accepted as genuine for seven centuries and was cited by at least ten popes in<br />
contentions for the recognition <strong>of</strong> papal control. Lorenzo Valla’s 1440 treatise established the Donation <strong>of</strong><br />
Constantine was forged, and made him a pioneer <strong>of</strong> modern historical criticism. The reprint is <strong>of</strong> the 1922<br />
edition <strong>of</strong> Valla’s treatise and presents the Latin text and English translation <strong>of</strong> it and the forged donation<br />
document on facing pages.<br />
(RSART 1) 183 pp / 6 x 9 / 1993<br />
Paper 978-0-8020-7734-9 $32.95 (£23.99)<br />
The Italian <strong>Renaissance</strong><br />
Edited by Werner L. Gundersheimer<br />
An anthology <strong>of</strong> the writings from the fifteenth and early sixteenth centuries designed to illustrate the life<br />
and thought <strong>of</strong> Italians for students and the general reader. It <strong>of</strong>fers a broad sampling <strong>of</strong> humanist work by<br />
educators, statesmen, philosophers, churchmen, and courtiers translated into English.<br />
‘This collection <strong>of</strong> humanistic prose is invaluable to all those who contemplate the history <strong>of</strong> western civilization,<br />
but most especially to students <strong>of</strong> the Italian <strong>Renaissance</strong> history, literature, philosophy, and art history who<br />
will greatly benefit from this engaging scholarly survey <strong>of</strong> hard-to-find original texts <strong>of</strong> important works.’<br />
Christiane L. Joost-Gaugier, Sixteenth Century Journal<br />
(RSART 2) 184 pp / 6 x 9 / 1993<br />
Paper 978-0-8020-7735-6 $21.95 (£15.99)<br />
Religion and Economic Action<br />
The Protestant Ethic, the Rise <strong>of</strong> Capitalism, and the Abuses <strong>of</strong> Scholarship<br />
Kurt Samuelsson<br />
Translated by E. Ge<strong>of</strong>frey French • Edited and with an Introduction by D.C. Coleman<br />
Max Weber first proposed, and R.H. Tawney did much to promote, the idea that capitalism grew out <strong>of</strong><br />
Puritan values. In this bold essay, Kurt Samuelsson convincingly challenges that hypothesis and reassesses<br />
the spirit and ethics <strong>of</strong> both capitalism and Puritanism, effectively dismantling any notion <strong>of</strong> a functional<br />
relationship between Christianity and capitalism.<br />
‘This book by an able economic historian ... does not just tinker with Weber’s hypothesis but leaves it in ruins.’<br />
George C. Homans, Harvard <strong>University</strong><br />
(RSART 3) 170 pp / 6 x 9 / 1993<br />
Paper 978-0-8020-7733-2 $20.95 (£14.99)<br />
The Ash Wednesday Supper<br />
Giordano Bruno • Edited and translated by Edward A. Gosselin and Lawrence S. Lerner<br />
Giordano Bruno, a possibly mad, certainly brilliant, itinerant Italian friar was burned at the stake in 1600<br />
for heresies, which included his rejection <strong>of</strong> the Ptolemaic cosmology. Using Copernican theory as both a<br />
foundation <strong>of</strong> and a metaphor for his own vast philosophical-theological-political-social program, Bruno<br />
united his own conflicting beliefs in ‘La Cena de le ceneri’ (The Ash Wednesday Supper). It was one <strong>of</strong> the<br />
first works in which Copernican theory had impact outside the sphere <strong>of</strong> the natural sciences.<br />
(RSART 4) 238 pp / 6 x 9 / 1995<br />
Paper 978-0-8020-7469-0 $31.95 (£22.99)<br />
46 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />
Vittorino da Feltre and Other Humanist Educators<br />
W. H. Woodward<br />
‘A book that has remained for almost seventy years the fundamental study <strong>of</strong> early <strong>Renaissance</strong> educational<br />
theory and practice.’<br />
From the foreword by Eugene F. Rice Jr.<br />
(RSART 5) 264 pp / 6 x 9 / 1996<br />
Paper 978-0-8020-7157-6 $23.95 (£16.99)<br />
Habits <strong>of</strong> Thought in the English <strong>Renaissance</strong><br />
Religion, Politics, and the Dominant Culture<br />
Debora Kuller Shuger<br />
Debora Kuller Shuger examines orthodox, rather than subversive, methods <strong>of</strong> thought in the English<br />
<strong>Renaissance</strong>. Instead <strong>of</strong> finding a monolithic, unified body <strong>of</strong> thought, she reveals a remarkably nonuniform<br />
‘orthodox’ ideology containing a wide range <strong>of</strong> views. Shuger’s approach also re-examines and relegitimizes<br />
the investigation <strong>of</strong> the connections between religion and literature. First published in 1990,<br />
Habits <strong>of</strong> Thought in the English <strong>Renaissance</strong> presaged an expanding and progressively more popular mode<br />
<strong>of</strong> inquiry in English <strong>Renaissance</strong> scholarship.<br />
(RSART 6) 284 pp / 6 x 9 / 1997<br />
Paper 978-0-8020-8047-9 $25.95 (£18.99)<br />
The Vespasiano Memoirs<br />
Lives <strong>of</strong> Illustrious Men <strong>of</strong> the XVth Century<br />
Vespasiano da Bisticci<br />
Translated by William George and Emily Waters<br />
Introduction by Myron P. Gilmore<br />
Vespasiano da Bisticci (b. 1421) was a Florentine bookseller known as the most celebrated dealer <strong>of</strong> books<br />
and manuscripts <strong>of</strong> his generation. His memoirs are a valuable resource in the history <strong>of</strong> politics, warfare and<br />
intellectual history, written from the perspective <strong>of</strong> an intelligent man who was able to watch and comment<br />
on the events <strong>of</strong> his age from a privileged position.<br />
(RSART 7) 476 pp / 6 x 9 / 1997<br />
Paper 978-0-8020-7968-8 $30.95 (£21.99)<br />
The Society <strong>of</strong> <strong>Renaissance</strong> Florence<br />
A Documentary Study<br />
Edited by Gene Brucker<br />
First published in 1971, this book is an invaluable collection <strong>of</strong> 132 original Florentine documents dating<br />
from the fourteenth and fifteenth centuries.<br />
‘Gene A. Brucker gives us a compelling as well as factually based idea <strong>of</strong> <strong>Renaissance</strong> Florence in the<br />
translated documents assembled in The Society <strong>of</strong> <strong>Renaissance</strong> Florence ... Everyone wishing more solid<br />
information on how life was lived in <strong>Renaissance</strong> Florence will find more than a little <strong>of</strong> fresh and essential<br />
information in this highly reliable book.’<br />
Leonard R.N. Ashley, Bibliotheque d’Humanisme et <strong>Renaissance</strong><br />
(RSART 8) 282 pp / 6 x 9 / 1998<br />
Paper 978-0-8020-8079-0 $26.95 (£18.99)<br />
On Assistance to the Poor<br />
Juan Luis Vives<br />
Translated with an introduction and commentary by Alice Tobriner, SNJM<br />
The urban problems <strong>of</strong> sixteenth-century Bruges are very familiar to the modern reader: poverty, overcrowding,<br />
crime, the problems <strong>of</strong> the mentally ill, and the issue <strong>of</strong> the responsibility <strong>of</strong> government for the<br />
care <strong>of</strong> the poor. Published in 1526, On Assistance to the Poor was Vives’s effort to bring these questions<br />
to the attention <strong>of</strong> the City Council <strong>of</strong> Bruges, and have them addressed by local government.<br />
(RSART 9) 71 pp / 6 x 9 / 1999<br />
Paper 978-0-8020-8289-3 $18.95 (£13.99)<br />
utppublishing.com 47
RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />
Dolce’s Aretino and Venetian Art Theory <strong>of</strong> the Cinquecento<br />
Mark W. Roskill<br />
Ludovico Dolce’s Dialogo della pittura first appeared in Venice in 1557. L’Aretino, by which the work is<br />
known today, consists <strong>of</strong> a threepart dialogue between two Venetians, Aretino and Fabrini, on the particular<br />
merits <strong>of</strong> works <strong>of</strong> art and artists, including Michelangelo, Raphael, and Donatello. It is based largely on<br />
Aretino’s letters. The edition is presented in the original Italian with English facing-page translation.<br />
(RSART 10) 368 pp / 7 x 9 / 2000<br />
Paper 978-0-8020-8333-3 $36.95 (£25.99)<br />
More’s Utopia<br />
Dominic Baker-Smith<br />
This book prepares the reader for the challenge <strong>of</strong> Utopia: it places the work in the context <strong>of</strong> early<br />
sixteenth-century Europe and the intellectual preoccupations <strong>of</strong> More’s own humanist circle, and clarifies<br />
those sources in Classical and Christian political thought which provoked his writing. Dominic Baker-Smith<br />
also surveys the varied critical reception accorded to Utopia over the last four centuries, providing an intriguing<br />
look at Utopia’s role in cultural history.<br />
(RSART 11) 270 pp / 6 x 9 / 2000<br />
Paper 978-0-8020-8376-0 $29.95 (£20.99)<br />
Venice<br />
A Documentary History, 1450–1630<br />
Edited by David Chambers and Brian Pullan, with Jennifer Fletcher<br />
During the <strong>Renaissance</strong>, there were two centres <strong>of</strong> art, culture and mercantile power in Italy: Florence, and Venice.<br />
This is a sourcebook <strong>of</strong> primary materials, almost none previously available in English, for the history <strong>of</strong> the citystate<br />
<strong>of</strong> Venice. The time period covers the apogee <strong>of</strong> Venetian power and reputation to the beginnings <strong>of</strong> its<br />
decline in the 1630s. Sources used include diaries, chronicles, Inquisitorial records, literature, legislation, and<br />
contemporary descriptions, and are organized in sections by theme and accompanied by brief introductions.<br />
(RSART 12) 484 pp / 6 x 9 / 9 illustrations / 2001<br />
Paper 978-0-8020-8424-8 $40.95 (£28.99)<br />
Jews in the Canary Islands<br />
Being a calendar <strong>of</strong> Jewish cases extracted from the records <strong>of</strong> the<br />
Canariote Inquisition in the collection <strong>of</strong> the Marquess <strong>of</strong> Bute<br />
Translated from the Spanish and edited with an introduction and notes by Lucien Wolf<br />
In 1504, the Office <strong>of</strong> the Inquisition was set up in the remote Spanish holdings on the Canary Islands to<br />
seek out crypto-Jews, sorcerers, and other heretics. Jews in the Canary Islands is a calendar <strong>of</strong> Jewish cases<br />
brought before the Canariote Inquisition between 1499 and 1818, when the Inquisition was discontinued.<br />
Together with an Introduction analyzing the work <strong>of</strong> the Inquisition and explaining its relation to general<br />
Jewish history until 1928, this is a fascinating collection <strong>of</strong> records showing not only the workings <strong>of</strong> the<br />
Inquisition, but the lives <strong>of</strong> crypto-Jews during a time <strong>of</strong> fierce repression.<br />
(RSART 13) 320 pp / 6 x 9 / 2001<br />
Cloth 978-0-8020-3585-1 $78.00 (£54.99) • Paper 978-0-8020-8450-7 $32.95 (£23.99)<br />
Soldiers <strong>of</strong> Christ<br />
Preaching in Late <strong>Medieval</strong> and Reformation France<br />
Winner <strong>of</strong> the 1996 John Nicholas<br />
Brown Prize <strong>of</strong> the <strong>Medieval</strong><br />
Academy <strong>of</strong> America<br />
Larissa Juliet Taylor<br />
In an age when the printed book was still in its infancy, the pulpit was the mass medium. A vital part <strong>of</strong> religious<br />
life, sermons were the chief occasions on which the church attempted to bridge the gap between high theology<br />
and popular religious culture. The preaching event provided the opportunity for men and women to socialize,<br />
flirt, dispute with or mock the preacher and, in a more positive way, to heed the preacher’s words and change<br />
their lives. Larissa Juliet Taylor has examined over 1600 sermons given by the leading lay preachers in France<br />
between 1460 and 1560, and examines the social context <strong>of</strong> preaching and the sermon while reconstructing<br />
popular attitudes towards original sin, free will, purgatory, the Devil, the sacraments, and the magical arts.<br />
(RSART 14) 352 pp / 6 x 9 / 2002<br />
Paper 978-0-8020-8557-3 $32.95 (£23.99)<br />
48 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
Tudor Historical Thought<br />
RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />
F.J. Levy<br />
Tudor Historical Thought is a revealing account <strong>of</strong> vital changes in intellectual orientation. F.J. Levy’s seminal<br />
work explores the factors – humanism, theology, antiquarianism, Machiavellianism – that brought about<br />
the changes in historical thinking from the time <strong>of</strong> Caxton to that <strong>of</strong> Bacon, Raleigh, and Camden.<br />
At the beginning <strong>of</strong> the sixteenth century, chroniclers exemplified the workings <strong>of</strong> Providence and taught<br />
personal morality; a hundred years later, however, the idea <strong>of</strong> teaching practical statecraft had been introduced.<br />
The Italian humanists emphasized the political aspects <strong>of</strong> man, and made the active citizen rather<br />
than the cloistered monk their ideal. That citizen needed guidance, and it was the duty <strong>of</strong> the historian to<br />
supply it. Questions <strong>of</strong> politics, which had been important for nearly half a century, suddenly were placed<br />
at the centre, and with that a new kind <strong>of</strong> history writing appeared in England.<br />
(RSART 15) 320 pp / 6 x 9 / 2004<br />
Paper 978-0-8020-3775-6 $32.95 (£23.99)<br />
The <strong>Renaissance</strong> in Historical Thought<br />
Wallace K. Ferguson<br />
Originally published in 1948, Wallace K. Ferguson’s The <strong>Renaissance</strong> in Historical Thought is a key piece<br />
<strong>of</strong> scholarship on <strong>Renaissance</strong> historiography. Ferguson examines how the <strong>Renaissance</strong> has been viewed<br />
from successive historical and national viewpoints, and by canonical thinkers over the centuries, including<br />
François-Marie Arouet de Voltaire and Jacob Burckhardt.<br />
(RSART 16) 450 pp / 6 x 9 / 2006<br />
Paper ISBN 978-0-8020-9415-5 $32.95 (£23.99)<br />
The Social World <strong>of</strong> the Florentine Humanists, 1390–1460<br />
Lauro Martines<br />
Lauro Martines’s exhaustive search <strong>of</strong> manuscript material in the state archives <strong>of</strong> Florence is the basis for a<br />
fascinating portrayal <strong>of</strong> representative humanists <strong>of</strong> the period. The Social World <strong>of</strong> the Florentine Humanists<br />
explores the wealth, family tradition, civic prominence, and intellectual achievements <strong>of</strong> these individuals<br />
while assessing the attitudes <strong>of</strong> other Florentines towards them. Martines demonstrates that humanists<br />
tended to be wealthy educated men from important families, challenging longheld assumptions about the<br />
status <strong>of</strong> humanists in that society.<br />
First published in 1963, this groundbreaking study provides a detailed picture <strong>of</strong> the social structure<br />
<strong>of</strong> Florence in the Quattrocento that influenced a generation <strong>of</strong> scholars and illuminated a complex and<br />
multifaceted world.<br />
(RSART 17) 440 pp / 6 x 9 / 2011<br />
Paper ISBN 978-1-4426-1182-5 $35.00 (£24.99)<br />
The World <strong>of</strong> the Florentine <strong>Renaissance</strong> Artist<br />
Projects and Patrons, Workshop and Art Market<br />
Martin Wackernagel<br />
Translated by Alison Luchs<br />
First published in German in 1938 and later translated into English, this classic <strong>of</strong> Italian <strong>Renaissance</strong> historiography<br />
centres on the relationship between Florentine art and the conditions under which it was created. In<br />
rich detail, Martin Wackernagel explores the impact <strong>of</strong> patronage and function, widespread demand for<br />
art, workshop techniques, and business practices on artists’ lives and the results they achieved.<br />
Wackernagel stresses the changing roles <strong>of</strong> commissions and patrons in the late fourteenth to the early<br />
fifteenth centuries, from small-scale enterprise under Lorenzo de Medici to the large-scale development <strong>of</strong><br />
major Florentine monuments. Through this, he highlights the development <strong>of</strong> major civic and religious<br />
artistic complexes such as the Palazzo Vecchio, the Cathedral and Baptistery, and the convent <strong>of</strong> Santa<br />
Maria Novella. This volume also features a biography <strong>of</strong> the author and an essay on important later publications<br />
related to Wackernagel’s themes and arguments.<br />
(RSART 18) 488 pp / 6 x 9 / 2011<br />
Paper ISBN 978-1-4426-1184-9 $39.95 (£27.99)<br />
utppublishing.com 49
LEXICONS OF EARLY MODERN ENGLISH<br />
Lexicons <strong>of</strong> Early Modern English is a growing historical database <strong>of</strong>fering scholars<br />
unprecedented access to early books and manuscripts documenting the growth<br />
and development <strong>of</strong> the English language. With more than 581,000 word-entries<br />
from 175 monolingual, bilingual, and polyglot dictionaries, glossaries, and linguistic<br />
treatises, encyclopedic and other lexical works from the beginning <strong>of</strong> printing in<br />
England in 1702, as well as tools updated annually, LEME sets the standard for<br />
modern linguistic research on the English language.<br />
Editor<br />
Ian Lancashire<br />
Programmer<br />
Marc Plamondon<br />
Web Development<br />
<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Library<br />
To subscribe to LEME contact:<br />
Journals Division,<br />
<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />
Tel: (416) 667-7810<br />
(800) 565-9523<br />
Fax: (416) 667-7881<br />
(800) 221-9985<br />
journals@utpress.utoronto.ca<br />
Use modern techniques to research early modern English!<br />
• 175 searchable lexicons • 121 fully analysed lexicons<br />
• 581,527 total word-entries • 361,178 fully analysed word entries<br />
• 60,891 total English modern headwords<br />
Recently added to LEME:<br />
John Ray’s A Collection <strong>of</strong> English Words not Generally Used (London, 1674),<br />
a group <strong>of</strong> specialized glossaries with 2,128 word-entries. They explain dialectal<br />
words, southern and northern, words for fishes and birds, and terms <strong>of</strong> art in mining.<br />
Coming soon to LEME:<br />
Peter Levins’ Manipulus Vocabulorum (London, 1570), a dictionary <strong>of</strong> 8,940<br />
English-Latin word-entries, organized by English rhyme-endings (with accentuation).<br />
This analyzed text owes much to Huloet (added in 2009) and replaces the simple<br />
transcription now in the LEME database.<br />
John Rider’s Bibliotheca Scholastica, an English-Latin dictionary first published by<br />
the <strong>University</strong> <strong>of</strong> Oxford in 1589.<br />
Catholicon Anglicum (ca. 1475), an English-Latin dictionary from Lord Monson’s<br />
manuscript, reconstructed from a nineteenth-century Early English Text Society<br />
edition. The earliest such lexicon surviving in the language, holding some 7,180<br />
word-entries, distinguishes itself by the extensive use <strong>of</strong> Latin synonyms in<br />
explanations.<br />
Subscription Prices:<br />
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$75.00 $150.00 $225.00 Individuals<br />
50 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
BACKLIST<br />
ART AND ARCHITECTURE<br />
The Apocalypse and the Shape <strong>of</strong> Things to Come<br />
Edited by Frances Carey<br />
978-0-8020-4776-2 / $90.00<br />
978-0-8020-8325-8 / $49.95 / 1999<br />
North American rights<br />
Artistic Integration in Gothic Buildings<br />
Edited by Virginia Chieffo Raguin, Kathryn L. Brush,<br />
and Peter Draper<br />
978-0-8020-7477-5 / $33.95 / £23.99 / 1995<br />
Art on the Jesuit Missions in Asia and Latin<br />
America, 1542–1773<br />
Gauvin Alexander Bailey<br />
978-0-8020-8507-8 / $43.00 / £30.99 / 1999<br />
Between <strong>Renaissance</strong> and Baroque<br />
Jesuit Art in Rome, 1565–1610<br />
Gauvin Alexander Bailey<br />
978-1-4426-1030-9 / $39.95 / £27.99 / 2009<br />
Courtly Love in <strong>Medieval</strong> Manuscripts<br />
Pamela Porter<br />
978-0-8020-8599-3 / $24.95 / 2004<br />
North and South American rights<br />
Early Christian Chapels in the West<br />
Decoration, Function, and Patronage<br />
Gillian Mackie<br />
978-0-8020-3504-2 / $117.00 / £81.99 / 2003<br />
English Tilers<br />
Elizabeth Eames<br />
978-0-8020-77066 / $29.95 / 1992<br />
North American rights<br />
The <strong>Medieval</strong> Garden<br />
Sylvia Landsberg<br />
978-0-8020-8660-0 / $29.95 / 2003<br />
North American rights<br />
Painters<br />
Paul Binski<br />
978-0-8020-6918-4 / $29.95 / 1991<br />
North American rights<br />
Rochester Cathedral, 604–1540<br />
An Architectural History<br />
J. Phillip McAleer<br />
978-0-8020-4222-4 / $81.00 / £56.99 / 1999<br />
BOOKS AND MANUSCRIPTS<br />
Andreas Alciatus<br />
Volume I: The Latin Emblems Indexes and Lists<br />
Edited by Peter M. Daly, with Virginia M. Callahan.<br />
Assisted by Simon Cuttler<br />
Volume II: Emblems in Translation<br />
Edited by Peter M. Daly. Assisted by Simon Cuttler<br />
(Index Emblematicus)<br />
978-0-8020-2425-1 / $203.00 / £142.99 / 1985<br />
Art, Identity, and Devotion in Fourteenth-<br />
Century England<br />
Three Women and their Books <strong>of</strong> Hours<br />
Kathryn A. Smith<br />
978-0-8020-3920-0 / $87.00<br />
978-0-8020-8691-4 / $35.95 / 2004<br />
North American rights<br />
Astrology in <strong>Medieval</strong> Manuscripts<br />
Sophie Page<br />
978-0-8020-8511-5 / $24.95 / 2004<br />
North and South American rights<br />
Between France and Flanders<br />
Manuscript Illumination in Amiens in the<br />
Fifteenth Century<br />
Susie Nash<br />
(The British Library Studies in <strong>Medieval</strong> Culture)<br />
978-0-8020-4114-2 / $107.00 / 1999<br />
North and South American rights<br />
The Book <strong>of</strong> Cerne<br />
Prayer, Patronage, and Power in Ninth-Century<br />
England<br />
Michelle P. Brown<br />
(The British Library Studies in <strong>Medieval</strong> Culture)<br />
978-0-8020-4113-5 / $101.00 / 1996<br />
North and South American rights<br />
The Book Unbound<br />
Editing and Reading <strong>Medieval</strong> Manuscripts and<br />
Texts<br />
Edited by Siân Echard and Stephen Partridge<br />
(Studies in Book and Print Culture)<br />
978-0-8020-8756-0 / $59.00 / £41.99 / 2004<br />
Bookbinding<br />
History and Techniques<br />
Philippa Marks<br />
978-0-8020-8176-6 / $25.95 / 1998<br />
North and South American rights<br />
The de Brailes Hours<br />
Shaping the Book <strong>of</strong> Hours in 13th Century<br />
Oxford<br />
Claire Donovan<br />
(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations)<br />
978-0-8020-5951-2 / $101.00 / 1991<br />
North American rights<br />
The Egerton Genesis<br />
Mary Coker Joslin and Carolyn J. Watson<br />
(The British Library Studies in <strong>Medieval</strong> Culture)<br />
978-0-8020-4758-8 / $90.00 / 2001<br />
North and South American rights<br />
The English Emblem Tradition, Volume 3<br />
Emblematic Devices <strong>of</strong> the English Civil Wars,<br />
1642–1660<br />
Alan R. Young<br />
(Index Emblematicus)<br />
978-0-8020-5739-6 / $112.00 / £78.99 / 1995<br />
The English Emblem Tradition, Volume 4<br />
Remaines <strong>of</strong> a Greater Worke Concerning<br />
Britaine, William Camden<br />
The Mirrour <strong>of</strong> Maiestie, H.G. Amorum<br />
Emblematta, Otto van Vee<br />
Edited by Peter M. Daly and Mary V. Silcox<br />
(Index Emblematicus)<br />
978-0-8020-4367-2 / $130.00 / £90.99 / 1998<br />
The English Emblem Tradition, Volume 5<br />
The Manuscript Emblem Books <strong>of</strong> Henry<br />
Peacham<br />
Edited by Alan R. Young<br />
(Index Emblematicus)<br />
978-0-8020-0987-6 / $140.00 / £97.99 / 1998<br />
Flowers in <strong>Medieval</strong> Manuscripts<br />
Celia Fisher<br />
978-0-8020-3796-1 / $24.95 / 2004<br />
North and South American rights<br />
The Future <strong>of</strong> the Page<br />
Edited by Peter Stoicheff and Andrew Taylor<br />
(Studies in Book and Print Culture)<br />
978-0-8020-8802-4 / $87.00 / £60.99<br />
978-0-8020-8584-9 / $35.95 / £25.99 / 2004<br />
A Guide to Western Historical Scripts from<br />
Antiquity to 1600<br />
Michelle P. Brown<br />
978-0-8020-7206-1 / $39.95 / 1990<br />
North American rights<br />
The Historical Source Book for Scribes<br />
Michelle P. Brown and Patricia Lovett<br />
978-0-8020-4720-5 / $39.95 / 1999<br />
North and South American rights<br />
llluminating the Book<br />
Makers and Interpreters<br />
Edited by Michelle P. Brown and Scot McKendrick<br />
(The British Library Studies in <strong>Medieval</strong> Culture)<br />
978-0-8020-4411-2 / $90.00 / 1998<br />
North and South American rights<br />
The Jesuit Series<br />
Edited by Peter M. Daly and Richard Dimmler, S.J.<br />
(Corpus Librorum Emblematum)<br />
Part Two, (D–E)<br />
978-0-8020-4748-9 / $146.00 / £102.99 / 2000<br />
Part Three (F-L)<br />
978-0-8020-3570-7 / $146.00 / £102.99 / 2002<br />
Part Four (L-P)<br />
978-0-8020-3853-1 / $155.00 / £108.99 / 2005<br />
Part Five (P–Z)<br />
978-0-8020-9264-9 / $191.00 / £133.99 / 2007<br />
The Lindisfarne Gospels<br />
Society, Spirituality, and the Scribe<br />
Michelle P. Brown<br />
978-0-8020-8825-3 / $97.00<br />
978-0-8020-8597-9 / $52.00 / 2003<br />
North and South American rights<br />
Magic in <strong>Medieval</strong> Manuscripts<br />
Sophie Page<br />
978-0-8020-3797-8 / $24.95 / 2004<br />
North and South American rights<br />
Manuscripts from the Anglo-Saxon Age<br />
Michelle P. Brown<br />
978-0-8020-9096-6 / $56.00 / 2007<br />
North American rights<br />
<strong>Medieval</strong> Birds in the Sherborne Missal<br />
Janet Backhouse<br />
978-0-8020-8434-7 / $24.95 / 2001<br />
utppublishing.com 51
BACKLIST<br />
The <strong>Medieval</strong> Church in Manuscripts<br />
Justin Clegg<br />
978-0-8020-8598-6 / $24.95 / 2004<br />
North and South American rights<br />
<strong>Medieval</strong> Herbals<br />
The Illustrative Traditions<br />
Minta Collins<br />
(The British Library Studies in <strong>Medieval</strong> Culture)<br />
978-0-8020-4757-1 / $95.00<br />
978-0-8020-8313-5 / $44.95 / 2000<br />
North and South American rights<br />
<strong>Medieval</strong> Rural Life in the Luttrell Psalter<br />
Janet Backhouse<br />
978-0-8020-8399-9 / $24.95 / 2000<br />
North and South American rights<br />
<strong>Medieval</strong> Warfare in Manuscripts<br />
Pamela Porter<br />
978-0-8020-8400-2 / $24.95 / 2000<br />
North and South American rights<br />
Monsters and Grotesques in <strong>Medieval</strong> Manuscripts<br />
Alixe Bovey<br />
978-0-8020-8512-2 / $24.95 / 2004<br />
North and South American rights<br />
The Murthly Hours<br />
Devotion, Literacy and Luxury in Paris,<br />
England, and the Gaelic West<br />
John Higgitt<br />
(The British Library Studies in <strong>Medieval</strong> Culture)<br />
978-0-8020-4759-5 / $95.00 / 2000<br />
North and South American rights<br />
Music in <strong>Medieval</strong> Manuscripts<br />
Nicolas Bell<br />
978-0-8020-8432-3 / $24.95 / 2001<br />
The Myth <strong>of</strong> Print Culture<br />
Essays on Evidence, Textuality, and<br />
Bibliographical Method<br />
Joseph A. Dane<br />
(Studies in Book and Print Culture)<br />
978-0-8020-8775-1 / $72.00 / £50.99 / 2003<br />
Pleyn Delit<br />
<strong>Medieval</strong> Cookery for Modern Cooks,<br />
Second Edition<br />
Constance B. Hieatt, Brenda M. Hosington,<br />
and Sharon Butler<br />
978-0-8020-7632-8 / $24.95 / £17.99 / 1996<br />
Printing<br />
History and Techniques<br />
Michael Twyman<br />
978-0-8020-8179-7 / $25.95 / 1999<br />
North and South American rights<br />
The Roman Vergil and the Origins <strong>of</strong><br />
<strong>Medieval</strong> Book Design<br />
David H. Wright<br />
978-0-8020-4819-6 / $39.95 / 2001<br />
North and South American rights<br />
Saints in <strong>Medieval</strong> Manuscripts<br />
Greg Buzwell<br />
978-0-8020-3795-4 / $24.95 / 2005<br />
North and South American rights<br />
Scribes and Illuminators<br />
Christopher de Hamel<br />
978-0-8020-7707-3 / $32.95 / 1992<br />
North American rights<br />
The Sherborne Missal<br />
Janet Backhouse<br />
978-0-8020-4743-4 / $39.95 / 1999<br />
North and South American rights<br />
St. Cuthbert<br />
His Life and Cult in <strong>Medieval</strong> Durham<br />
Dominic Marner<br />
978-0-8020-3518-9 / $44.00 / 2000<br />
North and South American rights<br />
The Trinity Apocalypse<br />
Edited by David McKitterick<br />
978-0-8020-9009-6 / $97.00<br />
978-0-8020-4893-6 / $46.95 / 2005<br />
North and South American rights<br />
Writing and Scripts<br />
History and Techniques<br />
Michelle P. Brown<br />
978-0-8020-8172-8 / $25.95 / 1998<br />
North and South American rights<br />
DRAMA AND MUSIC<br />
Athena Sings<br />
Wagner and the Greeks<br />
M. Owen Lee<br />
978-0-8020-8795-9 / $39.00 / £27.99<br />
978-0-8020-8580-1 / $19.95 / £13.99 / 2003<br />
‘Bring furth the pagants’<br />
Essays in Early English Drama Presented<br />
to Alexandra F. Johnston<br />
Edited by David N. Klausner and<br />
Karen Sawyer Marsalek<br />
(Studies in Early English Drama 9)<br />
978-0-8020-9107-9 / $66.00 / £46.99 / 2006<br />
Bristol<br />
Mark C. Pilkinton<br />
(Records <strong>of</strong> Early English Drama 13)<br />
978-0-8020-4221-7 / $143.00 / £100.99 / 1997<br />
Cambridge<br />
Alan Nelson<br />
(Records <strong>of</strong> Early English Drama 8)<br />
978-0-8020-5751-8 / $203.00 / £142.99 / 1989<br />
Cheshire, including Chester<br />
Elizabeth Baldwin, Lawrence M. Clopper,<br />
and David Mills<br />
(Records <strong>of</strong> Early English Drama 19)<br />
978-0-8020-9326-4 / $434.00 / 2007<br />
World rights less UK and Europe<br />
Cumberland, Westmorland, Gloucestershire<br />
Audrey Douglas and Peter Greenfield<br />
(Records <strong>of</strong> Early English Drama 6)<br />
978-0-8020-5669-6 / $112.00 / £78.99 / 1986<br />
Devon<br />
John Wasson<br />
(Records <strong>of</strong> Early English Drama 7)<br />
978-0-8020-5706-8 / $117.00 / £81.99 / 1986<br />
Dorset/Cornwall<br />
Rosalind C. Hays/C.E. McGee and<br />
Sally Joyce/Evelyn S. Newlyn<br />
(Records <strong>of</strong> Early English Drama 14)<br />
978-0-8020-4379-5 / $175.00 / £122.99 / 1999<br />
Drama, Performance, and Polity in<br />
Pre-Cromwellian Ireland<br />
Alan J. Fletcher<br />
(Studies in Early English Drama 6)<br />
978-0-8020-4377-1 / $130.00 / 2000<br />
World rights less Australia and Europe<br />
Dramatic Texts and Records <strong>of</strong> Britain<br />
A Chronological Topography to 1558<br />
Ian Lancashire<br />
(Studies in Early English Drama 1)<br />
978-0-8020-5592-7 / $101.00 / 1984<br />
World rights less Europe and British Commonwealth,<br />
but including Canada<br />
Ecclesiastical London<br />
Mary Erler<br />
(Records <strong>of</strong> Early English Drama 20)<br />
978-0-8020-9858-0 / $304.00 / 2008<br />
World rights less UK and Europe<br />
Father Lee’s Opera Quiz Book<br />
M. Owen Lee<br />
978-0-8020-83845 / $24.95 / £17.99 / 2000<br />
Herefordshire and Worcestershire<br />
David Klausner<br />
(Records <strong>of</strong> Early English Drama 9)<br />
978-0-8020-2758-0 / $146.00 / £102.99 / 1990<br />
The History <strong>of</strong> Morris Dancing, 1458–1750<br />
John Forrest<br />
(Studies in Early English Drama 5)<br />
978-0-8020-0921-0 / $78.00 / 1999<br />
World rights less UK and Europe<br />
Kent, Diocese <strong>of</strong> Canterbury<br />
James M. Gibson<br />
(Records <strong>of</strong> Early English Drama 16)<br />
978-0-8020-8726-3 / $572.00 / 2002<br />
World rights less UK and Europe<br />
Lancashire<br />
David George<br />
(Records <strong>of</strong> Early English Drama 10)<br />
978-0-8020-2862-4 / $146.00 / £102.99 / 1992<br />
Lincolnshire<br />
James Stokes<br />
(Records <strong>of</strong> Early English Drama 21)<br />
978-1-4426-4000-9 / $425.00 / 2009<br />
World rights less UK and Europe<br />
Liturgies in Honour <strong>of</strong> Thomas Beckett<br />
Kay Brainerd Slocum<br />
978-0-8020-3650-6 / $90.00 / £62.99 / 2004<br />
52 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
BACKLIST<br />
<strong>Medieval</strong> Manuscripts for Mass and Office<br />
A Guide to Their Organization and Terminology<br />
Andrew Hughes<br />
978-0-8020-7669-4 / $44.00 / £30.99 / 1995<br />
<strong>Medieval</strong> and <strong>Renaissance</strong> Music<br />
A Performer’s Guide<br />
Timothy J. McGee<br />
978-0-8020-6729-6 / $24.95 / 1985<br />
World rights less British Commonwealth,<br />
but including Canada<br />
The Outrageous Juan Rana Entremeses<br />
A Bilingual and Annotated Selection <strong>of</strong> Plays<br />
Written for This Spanish Golden Age Gracioso<br />
Peter E. Thompson<br />
978-0-8020-9363-9 / $65.00 / £45.99 / 2009<br />
Oxford (<strong>University</strong> and City)<br />
John Elliott, Alan Nelson, Alexandra F. Johnston,<br />
and Diana Wyatt<br />
978-0-8020-3905-7 / $342.00 / 2004<br />
(Records <strong>of</strong> Early English Drama 17)<br />
World rights less UK and Europe<br />
Playing a Part in History<br />
The York Mysteries,1951–2006<br />
Margaret Rogerson<br />
(Studies in Early English Drama)<br />
978-0-8020-9924-2 / $65.00 / £45.99 / 2009<br />
Finalist for the Theatre Library Association George<br />
Freedley Memorial Award<br />
Recycling the Cycle<br />
The City <strong>of</strong> Chester and Its Whitsun Plays<br />
David Mills<br />
(Studies in Early English Drama 4)<br />
978-0-8020-4096-1 / $39.95 / £27.99 / 1998<br />
REED in Review<br />
Essays in Celebration <strong>of</strong> the First<br />
Twenty-Five Years<br />
Edited by Audrey Douglas and Sally-Beth MacLean<br />
(Studies in Early English Drama 8)<br />
978-0-8020-3827-2 / $81.00 / £56.99 / 2006<br />
Reformers on Stage<br />
Popular Drama as Media in the Low Countries<br />
<strong>of</strong> Charles V, 1515–1556<br />
Gary K. Waite<br />
978-0-8020-4457-0 / $90.00 / £62.99 / 2000<br />
Saints and the Audience in Middle English<br />
Biblical Drama<br />
Chester N. Scoville<br />
978-0-8020-8944-1 / $59.00 / £41.99 / 2004<br />
A Season <strong>of</strong> Opera<br />
From Orpheus to Ariadne<br />
M. Owen Lee<br />
978-0-8020-8387-6 / $24.95 / £17.99 / 1998<br />
Shakespeare’s Comedies <strong>of</strong> Love<br />
Essays in Honour <strong>of</strong> Alexander Leggatt<br />
Edited by Karen Bamford and Ric Knowles<br />
978-0-8020-3953-8 / $67.00 / £46.99 / 2008<br />
Shropshire<br />
J. Alan B. Somerset<br />
(Records <strong>of</strong> Early English Drama 11)<br />
978-0-8020-0648-6 / $203.00 / £142.99 / 1994<br />
Socrates on Trial<br />
A Play Based on Aristophanes’ Clouds and<br />
Plato’s Apology, Crito, and Phaedo Adapted<br />
for Modern Performance<br />
Andrew D. Irvine<br />
978-0-8020-9783-5 / $44.00 / £30.99<br />
978-0-8020-9538-1 / $20.95 / £14.99 / 2008<br />
Somerset, including Bath<br />
James Stokes with Robert J. Alexander<br />
(Records <strong>of</strong> Early English Drama 12)<br />
978-0-8020-0459-8 / $194.00 / £135.99 / 1996<br />
Sussex<br />
Cameron Louis<br />
(Records <strong>of</strong> Early English Drama 15)<br />
978-0-8020-4849-3 / $175.00 / £122.99 / 2000<br />
Teaching with the Records <strong>of</strong> Early English Drama<br />
Edited by Eliza C. Tiner<br />
(Studies in Early English Drama 7)<br />
978-0-8020-9082-9 / $87.00 / £60.99 / 2006<br />
The Triumphant Juan Rana<br />
A Gay Actor <strong>of</strong> the Spanish Golden Age<br />
Peter E. Thompson<br />
(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />
978-0-8020-8969-4 / $52.00 / £36.99 / 2006<br />
Wagner<br />
The Terrible Man and His Truthful Art<br />
M. Owen Lee<br />
(The 1998 Larkin-Stuart Lectures)<br />
978-0-8020-8291-6 / $19.95 / £13.99 / 1999<br />
Wagner and the Wonder <strong>of</strong> Art<br />
An Introduction to Die Meistersinger<br />
M. Owen Lee<br />
978-0-8020-9857-3 / $49.00 / £34.99<br />
978-0-8020-9573-2 / $21.95 / £15.99 / 2007<br />
Wales<br />
David Klausner<br />
(Records <strong>of</strong> Early English Drama 18)<br />
978-0-8020-9072-0 / $285.00 / 2005<br />
World rights less UK and Europe<br />
Wanton Words<br />
Rhetoric and Sexuality in English<br />
<strong>Renaissance</strong> Drama<br />
Madhavi Menon<br />
978-0-8020-8837-6 / $62.00 / £43.99 / 2004<br />
ERASMUS<br />
The Adages <strong>of</strong> Erasmus<br />
Selected by William Barker<br />
978-0-8020-4874-5 / $95.00 / £66.99<br />
978-0-8020-7740-0 / $40.95 / £28.99 / 2001<br />
Conversing with God<br />
Prayer in Erasmus’ Pastoral Writings<br />
Hilmar M. Pabel<br />
(Erasmus Studies)<br />
978-0-8020-4101-2 / $72.00 / £50.99 / 1997<br />
Editing Texts from the Age <strong>of</strong> Erasmus<br />
Edited by Erika Rummel<br />
(Conference on Editorial Problems)<br />
978-0-8020-0797-1 / $44.00 / £30.99 / 1996<br />
Encounters with a Radical Erasmus<br />
Erasmus’ Work as a Source <strong>of</strong> Radical Thought<br />
in Early Modern Europe<br />
Peter G. Bietenholz<br />
(Erasmus Studies)<br />
978-0-8020-9905-1 / $67.00 / £46.99 / 2009<br />
Erasmus in the Twentieth Century<br />
Interpretations 1920–2000<br />
Bruce Mansfield<br />
(Erasmus Studies)<br />
978-0-8020-3767-1 / $84.00 / £58.99 / 2003<br />
Erasmus on Women<br />
Edited by Erika Rummel<br />
978-0-8020-78087 / $25.95 / £18.99 / 1996<br />
The Erasmus Reader<br />
Edited by Erika Rummel<br />
978-0-8020-6806-4 / $30.95 / £21.99 / 1990<br />
Exploiting Erasmus<br />
The Erasmian Legacy and Religious Change<br />
in Early Modern England<br />
Gregory D. Dodds<br />
(Erasmus Studies)<br />
978-0-8020-9900-6/ $85.00 / £59.99 / 2009<br />
Holy Scripture Speaks<br />
The Production and Reception <strong>of</strong> Erasmus’<br />
Paraphrases on the New Testament<br />
Edited by Hilmar Pabel and Mark Vessey<br />
(Erasmus Studies)<br />
978-0-8020-3642-1 / $95.00 / £66.99 / 2003<br />
Man on His Own<br />
Interpretations <strong>of</strong> Erasmus, c. 1750–1920<br />
Bruce Mansfield<br />
(Erasmus Studies)<br />
978-0-8020-5950-5 / $90.00 / £62.99 / 1992<br />
Patronage and Humanist Literature in<br />
the Age <strong>of</strong> the Jagiellons<br />
Court and Career in the Writings <strong>of</strong> Rudolf<br />
Agricola Junior, Valentin Eck, and Leonard Cox<br />
Jacqueline Glomski<br />
(Erasmus Studies)<br />
978-0-8020-9300-4 / $82.00 / £57.99 / 2007<br />
HISTORY<br />
‘A Great Effusion <strong>of</strong> Blood’<br />
Interpreting <strong>Medieval</strong> Violence<br />
Edited by Mark D. Meyerson, Daniel Thierry,<br />
and Oren Falk<br />
978-0-8020-8774-4 / $74.00 / £51.99 / 2004<br />
Anti-Italianism in Sixteenth-Century France<br />
Henry Heller<br />
978-0-8020-3689-6 / $72.00 / £50.99 / 2003<br />
After Rome’s Fall: Narrators and Sources<br />
<strong>of</strong> Early <strong>Medieval</strong> History<br />
Edited by Alexander Callander Murray<br />
978-0-8020-0779-7 / $67.00 / £46.99 / 1999<br />
utppublishing.com 53
BACKLIST<br />
Byzantine Hermeneutics and Pedagogy<br />
in the Russian North<br />
Monks and Masters at the Kirillo-Belozerskii<br />
Monastery, 1397–1501<br />
Robert Romanchuk<br />
978-0-8020-9063-8 / $104.00 / £72.99 / 2007<br />
The Case Against Johann Reuchlin<br />
Social and Religious Controversy in<br />
Sixteenth-Century Germany<br />
Erika Rummel<br />
978-0-8020-3651-3 / $62.00 / £43.99<br />
978-0-8020-8484-2 / $30.95 / £21.99 / 2002<br />
Chronicles <strong>of</strong> the Vikings<br />
Records, Memorials, and Myths<br />
R.I. Page<br />
978-0-8020-0803-9 / $60.00<br />
978-0-8020-7165-1 / $32.95 / 1995<br />
North American rights<br />
Constant Minds<br />
Political Virtue and the Lipsian Paradigm<br />
in England, 1584–1650<br />
Adriana McCrea<br />
(The Mental and Cultural World <strong>of</strong> Tudor<br />
and Stuart England)<br />
978-0-8020-0666-0 / $78.00 / £54.99 / 1997<br />
The Correspondence <strong>of</strong> Wolfgang Capito<br />
Edited and translated by Erika Rummel with<br />
the assistance <strong>of</strong> Milton Kooistra<br />
Volume 1: 1507–1523<br />
978-0-8020-9017-1 / $109.00 / £76.99 / 2005<br />
Volume 2: 1524–1531<br />
978-0-8020-9955-6 / $165.00 / £115.99 / 2009<br />
The Court Book <strong>of</strong> Mende and the<br />
Secular Lordship <strong>of</strong> the Bishop<br />
Jan K. Bulman<br />
978-0-8020-9337-0 / $52.00 / £36.99 / 2008<br />
The Culture <strong>of</strong> Pr<strong>of</strong>essions in<br />
Late <strong>Renaissance</strong> Italy<br />
George W. McClure<br />
978-0-8020-8970-0 / $74.00 / £51.99 / 2004<br />
Decentring the <strong>Renaissance</strong><br />
Canada and Europe in Multidisciplinary<br />
Perspective, 1500–1700<br />
Edited by Germaine Warkentin<br />
and Carolyn Podruchny<br />
978-0-8020-4327-6 / $72.00 / £50.99<br />
978-0-8020-8149-0 / $32.95 / £23.99 / 2001<br />
Early Modern Catholicism<br />
Essays in Honour <strong>of</strong> John W. O’Malley, S.J.<br />
Edited by Kathleen M. Comerford<br />
and Hilmar M. Pabel<br />
978-0-8020-3547-9 / $84.00 / £58.99<br />
978-0-8020-8417-0 / $36.00 / £25.99 / 2001<br />
Eradicating the Devil’s Minions<br />
Anabaptists and Witches in Reformation Europe<br />
Gary K. Waite<br />
978-1-4426-1032-3 / $29.95 / £20.99 / 2009<br />
Fishers’ Craft and Lettered Art<br />
Tracts on Fishing from the End <strong>of</strong><br />
the Middle Ages<br />
Richard C. H<strong>of</strong>fmann<br />
(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations 12)<br />
978-0-8020-7853-7 / $32.95 / £23.99 / 1997<br />
The Gallery <strong>of</strong> Memory<br />
Literary and Iconographic Models in the<br />
Age <strong>of</strong> the Printing Press<br />
Lina Bolzoni<br />
Translated by Jeremy Parzen<br />
978-0-8020-4330-6 / $90.00 / £62.99 / 2001<br />
Gender and Memory in <strong>Medieval</strong> Europe<br />
Elisabeth van Houts<br />
978-0-8020-4698-7 / $62.00<br />
978-0-8020-8277-0 / $25.95 / 1999<br />
North American rights<br />
A Guide to British <strong>Medieval</strong> Seals<br />
P.D.A. Harvey and Andrew McGuinness<br />
978-0-8020-0867-1 / $49.00 / 1996<br />
North American rights<br />
History, Literature, and Music in Scotland,<br />
700–1560<br />
Edited by R. Andrew McDonald<br />
978-0-8020-3601-8 / $56.00 / £39.99 / 2002<br />
Holiness and Masculinity in the Middle Ages<br />
Edited by Patricia Cullum and Katherine J. Lewis<br />
978-0-8020-4892-9 / $32.95 / 2005<br />
North American rights<br />
The Illustrated Old English Hexateuch,<br />
Cotton Ms. Claudius B.iv<br />
The Frontier <strong>of</strong> Seeing and Reading<br />
in Anglo-Saxon England<br />
Benjamin C. Withers<br />
978-0-8020-9104-8 / $93.00 / 2007<br />
World rights less UK and Europe<br />
The Jesuits<br />
Cultures, Sciences, and the Arts, 1540–1773<br />
Edited by John W. O’Malley, SJ, Gauvin Alexander<br />
Bailey, Steven J. Harris, and T. Frank Kennedy, SJ<br />
Volume I<br />
978-0-8020-4287-3 / $95.00 / £66.99 / 1999<br />
Volume II<br />
978-0-8020-3861-6 / $109.00 / £76.99 / 2005<br />
John Selden<br />
Measures <strong>of</strong> the Holy Commonwealth<br />
in Seventeenth-Century England<br />
Reid Barbour<br />
978-0-8020-8776-8 / $84.00 / £58.99 / 2003<br />
King Death<br />
The Black Death and Its Aftermath in<br />
Late-<strong>Medieval</strong> England<br />
Colin Platt<br />
978-0-8020-7900-8 / $25.95 / 1996<br />
North American rights<br />
Last Judgment Iconography in the Carpathians<br />
John-Paul Himka<br />
978-0-8020-9809-2 / $75.00 / £52.99 / 2009<br />
Letters from Heaven<br />
Popular Religion in Russia and Ukraine<br />
Edited by John-Paul Himka and Andriy Zayarnyuk<br />
978-0-8020-9148-2 / $69.00 / £48.99 / 2006<br />
Lodovico Dolce<br />
<strong>Renaissance</strong> Man <strong>of</strong> Letters<br />
Ronnie H. Terpening<br />
978-0-8020-4159-3 / $67.00 / £46.99 / 1997<br />
The Making <strong>of</strong> <strong>Medieval</strong> Forgeries<br />
False Documents in Fifteenth-Century England<br />
Alfred Hiatt<br />
978-0-8020-8951-9 / $72.00 / 2004<br />
North and South American rights<br />
Marriage, Family, and Law in <strong>Medieval</strong> Europe<br />
Collected Studies<br />
Michael M. Sheehan, CSB<br />
Edited by James K. Farge<br />
978-0-8020-8137-7 / $29.95 / 1996<br />
World rights less UK and Europe<br />
Medici Women<br />
Portraits <strong>of</strong> Power, Love, and Betrayal in<br />
the Court <strong>of</strong> Duke Cosimo I<br />
Gabrielle Langdon<br />
978-0-8020-9526-8 / $38.95 / £27.99 / 2006<br />
<strong>Medieval</strong> Women in Their Communities<br />
Edited by Diane Watt<br />
978-0-8020-8122-3 / $24.95 / 1997<br />
World rights less UK and Europe<br />
<strong>Medieval</strong> Virginities<br />
Edited by Anke Bernau, Saah Saligh, and Ruth Evans<br />
978-0-8020-8960-1 / $59.00<br />
978-0-8020-8637-2 / $29.95 / 2003<br />
North American rights<br />
A Mirror for Magistrates and the<br />
de casibus Tradition<br />
Paul Budra<br />
(The Mental and Cultural World <strong>of</strong> Tudor<br />
and Stuart England)<br />
978-0-8020-4717-5 / $56.00 / £39.99 / 2001<br />
The Monstrous Middle Ages<br />
Edited by Bettina Bildhauer and Robert Mills<br />
978 08020-8719-5 / $59.00<br />
978 08020-8667-9 / $26.95 / 2004<br />
North American rights<br />
Hierarchies and Order in Late <strong>Medieval</strong><br />
and <strong>Renaissance</strong> Europe<br />
Jeffrey Denton<br />
978-0-8020-8264-0 / $25.95 / 1999<br />
North American rights<br />
Padua and the Tudors<br />
English Students in Italy, 1485–1603<br />
Jonathan Woolfson<br />
978-0-8020-0946-3 / $72.00 / 1998<br />
World rights less Europe and British Commonwealth,<br />
but including Canada<br />
54 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
BACKLIST<br />
Romanesque Architecture and its Sculptural<br />
Decoration in Christian Spain, 1000–1120<br />
Exploring Frontiers and Defining Identities<br />
Janice Mann<br />
978-0-8020-9324-0 / $75.00 / £52.99 / 2009<br />
Winner <strong>of</strong> the American Society for Hispanic Art<br />
Historical Studies Eleanor Tufts Book Award<br />
The Scribes for Women’s Convents<br />
in <strong>Medieval</strong> Germany<br />
Cynthia J. Cyrus<br />
978-0-8020-9369-1 / $75.00 / £52.99 / 2009<br />
Sex Crimes, Honour, and the Law<br />
in Early Modern Spain<br />
Vizcaya, 1500–1750<br />
Renato Barahona<br />
978-0-8020-36940- / $72.00 / £50.99 / 2003<br />
Sexual Hierarchies, Public Status<br />
Men, Sodomy, and Society in Spain’s Golden Age<br />
Cristian Berco<br />
978-0-8020-9139-0 / $61.00 / £42.99 / 2007<br />
Twilight <strong>of</strong> the <strong>Renaissance</strong><br />
The Life <strong>of</strong> Juan de Valdés<br />
Daniel A. Crews<br />
978-0-8020-9867-2 / $72.00 / £50.99 / 2008<br />
The Unfinished Mechanics <strong>of</strong> Giuseppe Moletti<br />
An Edition and English Translation <strong>of</strong> his<br />
Dialogue on Mechanics, 1576<br />
W. R. Laird<br />
978-0-8020-4699-4 / $67.00 / £46.99 / 1999<br />
Women, Property, and the Letters <strong>of</strong> the Law<br />
in Early Modern England<br />
Edited by Nancy E. Wright, Margaret W. Ferguson,<br />
and A.R. Buck<br />
978-0-8020-8757-7 / $74.00 / £51.99 / 2004<br />
Words and Deeds in <strong>Renaissance</strong> Rome<br />
Trials before the Papal Magistrates<br />
Thomas V. Cohen and Elizabeth S. Cohen<br />
978-0-8020-7699-1 / $29.95 / £20.99 / 1993<br />
Working in the Vineyard <strong>of</strong> the Lord<br />
Jesuit Confraternities in Early Modern Italy<br />
Lance Gabriel Lazar<br />
978-0-8020-8854-3 / $92.00 / £64.99 / 2005<br />
The World in Venice<br />
Print, the City, and Early Modern Identity<br />
Bronwen Wilson<br />
(Studies in Book and Print Culture)<br />
978-0-8020-8725-6 / $81.00 / £56.99 / 2005<br />
LITERATURE – OLD ENGLISH<br />
The Aesthetics <strong>of</strong> Nostalgia<br />
Historical Representation in Old English Verse<br />
Renée R. Trilling<br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
978-0-8020-9971-6 / $70.00 / £48.99 / 2009<br />
Winner <strong>of</strong> the International Society <strong>of</strong> Anglo-Saxonists<br />
Best First Book Prize<br />
Authors, Audiences, and Old English Verse<br />
Thomas A. Bredeh<strong>of</strong>t<br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
978-0-8020-9945-7 / $65.00 / £45.99 / 2009<br />
The Beginnings <strong>of</strong> English Law<br />
Lisi Oliver<br />
(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations)<br />
978-0-8020-3535-6 / $72.00 / £50.99 / 2002<br />
The Dating <strong>of</strong> Beowulf<br />
Edited by Colin Chase<br />
(<strong>Toronto</strong> Old English Series)<br />
978-0-8020-7879-7 / $25.95 / £18.99 / 1997<br />
Early English Metre<br />
Thomas A. Bredeh<strong>of</strong>t<br />
(<strong>Toronto</strong> Old English Series)<br />
978-0-8020-3831-9 / $78.95 / £55.99 / 2005<br />
Families <strong>of</strong> the King<br />
Writing Identity on the Anglo-Saxon Chronicle<br />
Alice Sheppard<br />
978-0-8020-8984-7 / $81.00 / £56.99 / 2004<br />
Finding the Right Words<br />
Isidore’s Synonyma in Anglo-Saxon England<br />
Claudia di Sciacca<br />
(<strong>Toronto</strong> Old English Series)<br />
978-0-8020-9129-1 / $88.00 / £61.99 / 2008<br />
Gold-Hall and Earth-Dragon<br />
‘Beowulf ’ as Metaphor<br />
Alvin Lee<br />
978-0-8020-4378-8 / $62.00 / £43.99 / 1998<br />
Hrotsvit <strong>of</strong> Gandersheim<br />
Contexts, Identities, Affinities, and Performances<br />
Edited by Phyllis R. Brown, Linda A. McMillin,<br />
and Katharina M. Wilson<br />
978-0-8020-8962-5 / $69.00 / £48.99 / 2004<br />
Latin Learning and English Lore<br />
Studies in Anglo-Saxon Literature for<br />
Michael Lapidge, Volumes I & II<br />
Edited by Katherine O’Brien O’Keeffe<br />
and Andy Orchard<br />
(<strong>Toronto</strong> Old English Series)<br />
978-0-8020-8919-9 / $172.00 / £120.99 / 2005<br />
New Readings in the Vercelli Book<br />
Edited by Samantha Zacher and Andy Orchard<br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
978-0-8020-9869-6 / $85.00 / £59.99 / 2009<br />
Preaching the Converted<br />
The Style and Rhetoric <strong>of</strong> the Vercelli<br />
Book Homilies<br />
Samantha Zacher<br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
978-0-8020-9158-1 / $75.00 / £52.99 / 2009<br />
Old English Glossed Psalters Pss. 150<br />
Edited by Phillip Pulsiano<br />
(<strong>Toronto</strong> Old English Series)<br />
978-0-8020-4470-9 / $117.00 / £81.99 / 2001<br />
Pride and Prodigies<br />
Studies in the Monsters <strong>of</strong> the<br />
Beowulf Manuscript<br />
Andy Orchard<br />
978-0-8020-8583-2 / $44.00 / £30.99 / 2003<br />
Satan Unbound<br />
The Devil in Old English Narrative Literature<br />
Peter Dendle<br />
978-0-8020-4839-4 / $62.00 / £43.99<br />
978-0-8020-8369-2 / $30.95/ £21.99 / 2001<br />
Say What I Am Called<br />
The Old English Riddles <strong>of</strong> the Exeter Book<br />
and the Anglo-Latin Riddle Tradition<br />
Dieter Bitterli<br />
(<strong>Toronto</strong> Anglo-Saxon Series)<br />
978-0-8020-9352-3 / $75.00 / £52.99 / 2009<br />
Source <strong>of</strong> Wisdom<br />
Old English and Early <strong>Medieval</strong> Latin Studies<br />
in Honour <strong>of</strong> Thomas D. Hill<br />
Edited by Charles D. Wright, Frederick M. Biggs,<br />
and Thomas N. Hall<br />
(<strong>Toronto</strong> Old English Series)<br />
978-0-8020-9367-7 / $82.00 / £57.99 / 2007<br />
Striving with Grace<br />
Views <strong>of</strong> Free Will in Anglo-Saxon England<br />
Aaron J. Kleist<br />
(<strong>Toronto</strong> Old English Series)<br />
978-0-8020-9163-5 / $93.00 / £65.99 / 2008<br />
Textual Histories<br />
Readings in the Anglo-Saxon Chronicle<br />
Thomas A. Bredeh<strong>of</strong>t<br />
978-0-8020-4850-9 / $84.00 / £58.99 / 2001<br />
Unlocking the Wordhord<br />
Anglo-Saxon Studies in Memory <strong>of</strong><br />
Edward B. Irving, Jr.<br />
Edited by Mark C. Amodio and<br />
Katherine O’Brien O’Keeffe<br />
978-0-8020-4822-6 / $90.00/ £62.99 / 2003<br />
Verbal Encounters<br />
Anglo-Saxon and Old Norse Studies for<br />
Roberta Frank<br />
Edited by Antonia Harbus and Russell Poole<br />
(<strong>Toronto</strong> Old English Series)<br />
978-0-8020-8011-0 / $87.00 / £60.99 / 2005<br />
Verse and Virtuosity<br />
The Adaptation <strong>of</strong> Latin Rhetoric in<br />
Old English Poetry<br />
Janie Steen<br />
(<strong>Toronto</strong> Old English Series)<br />
978-0-8020-9157-4 / $72.00 / £50.99 / 2008<br />
Words and Works<br />
Studies in <strong>Medieval</strong> English Language and<br />
Literature in Honour <strong>of</strong> Fred C. Robinson<br />
Edited by Peter Baker and Nicholas Howe<br />
(<strong>Toronto</strong> Old English Series)<br />
978-0-8020-4153-1 / $72.00 / £50.99 / 1998<br />
utppublishing.com 55
BACKLIST<br />
LITERATURE – OLD NORSE<br />
AND ICELANDIC<br />
Anglo-Saxon England in Icelandic <strong>Medieval</strong> Texts<br />
Magnus Fjalldal<br />
(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />
978-0-8020-3837-1 / $69.00 / £48.99 / 2005<br />
Einar Skulason’s Geisli<br />
A Critical Edition<br />
Edited and Translated by Martin Chase<br />
(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />
978-0-8020-3826-5 / $74.00 / £51.99<br />
978-0-8020-3822-7 / $35.95 / £25.99 / 2005<br />
Grettir’s Saga<br />
Translated by Denton Fox and Hermann Palsson<br />
978-0-8020-6165-2 / $24.95 / £17.99 / 1974<br />
Perilous Realms<br />
Celtic and Norse in Tolkien’s Middle-Earth<br />
Marjorie J. Burns<br />
978-0-8020-3806-7 / $32.95 / £23.99 / 2005<br />
Sanctity in the North<br />
Saints, Lives, and Cults in <strong>Medieval</strong> Scandinavia<br />
Edited by Thomas A. Dubois<br />
(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />
978-0-8020-9130-7 / $82.00 / £57.99<br />
978-0-8020-9410-0 / $36.00 / £25.99 / 2007<br />
Snorri Sturluson and the Edda<br />
The Conversion <strong>of</strong> Cultural Capital in<br />
<strong>Medieval</strong> Scandinavia<br />
Kevin J. Wanner<br />
(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />
978-0-8020-9801-6 / $72.00 / £50.99 / 2008<br />
Tools <strong>of</strong> Literacy<br />
The Role <strong>of</strong> Skaldic Verse in Icelandic Textual<br />
Culture <strong>of</strong> the Twelfth and Thirteenth Centuries<br />
Gudrún Nordal<br />
978-0-8020-4789-2 / $95.00 / £66.99 / 2000<br />
LITERATURE – MEDIEVAL<br />
Beasts <strong>of</strong> Love<br />
Richard de Fournival’s Bestiaire d’amour<br />
and the Response<br />
Jeanette Beer<br />
978-0-8020-3612-4 / $62.00 / £43.99 / 2003<br />
Before Malory<br />
Reading Arthur in Later <strong>Medieval</strong> England<br />
Richard J. Moll<br />
978-0-8020-3722-0 / $72.00 / £50.99 / 2003<br />
Chaucer’s Miller’s, Reeve’s, and Cook’s Tales<br />
An Annotated Bibliography, 1900–1992<br />
T.L. Burton and R. Greentree<br />
(The Chaucer Bibliographies)<br />
978-0-8020-0874-9 / $90.00 / £62.99 / 1997<br />
Chaucer’s Monk’s Tale and Nun’s Priest’s Tale<br />
An Annotated Bibliography<br />
Edited by Peter Goodall<br />
(Chaucer Bibliographies)<br />
978-0-8020-9320-2 / $110.00 / £76.99 / 2008<br />
Chaucer’s Pardoner’s Prologue and Tale<br />
An Annotated Bibliography, 1900–1995<br />
Edited by Marilyn Sutton<br />
(Chaucer Bibliographies)<br />
978-0-8020-4744-1 / $112.00 / £78.99 / 1999<br />
Chaucer’s Queer Poetics<br />
Rereading the Dream Trio<br />
Susan Schiban<strong>of</strong>f<br />
978-0-8020-9035-5 / $87.00 / £60.99 / 2006<br />
Chaucer’s Wife <strong>of</strong> Bath’s Prologue and Tale<br />
An Annotated Bibliography, 1900–1995<br />
Edited by Peter G. Beidler and Elizabeth M. Biebel<br />
(The Chaucer Bibliographies)<br />
978-0-8020-4366-5 / $101.00 / £70.99 / 1998<br />
Controlling Readers<br />
Guillaume de Machaut and His Late<br />
<strong>Medieval</strong> Audience<br />
Deborah McGrady<br />
(Studies in Book and Print Culture)<br />
978-0-8020-9020-1 / $87.00 / £60.99 / 2006<br />
Editing Robert Grosseteste<br />
Edited by Evelyn A. Mackie and Joseph Goering<br />
(Conference on Editorial Problems)<br />
978-0-8020-8841-3 / $49.95 / £34.99 / 2003<br />
Interstices<br />
Studies in Middle English and Anglo-Latin<br />
Texts in Honour <strong>of</strong> A.G. Rigg<br />
Edited by Richard Firth Green and Linne R.Mooney<br />
978-0-8020-8743-0 / $62.00 / £43.99 / 2004<br />
The Letters <strong>of</strong> Robert Grosseteste,<br />
Bishop <strong>of</strong> Lincoln<br />
Translated with Introduction and Annotation<br />
by F.A.C. Mantello and Joseph Goering<br />
978-0-8020-9813-9 / $135.00 / £94.99 / 2009<br />
Manuscript Diversity, Meaning, and Variance<br />
in Juan Manuel’s El Conde Lucanor<br />
Laurence de Looze<br />
978-0-8020-9057-7 / $87.00 / £60.99 / 2006<br />
Marco Polo and the Encounter <strong>of</strong> East and West<br />
Edited by Suzanne Conklin Akbari and<br />
Amilcare A. Iannucci<br />
978-0-8020-9928-0 / $67.00 / £46.99 / 2008<br />
Marian Devotion in Thirteenth-Century<br />
French Lyric<br />
Daniel E. O’Sullivan<br />
978-0-8020-3885-2 / $69.00 / £48.99 / 2005<br />
<strong>Medieval</strong> Christian Literary Imagery<br />
A Guide to Interpretation<br />
R.E. Kaske in collaboration with Arthur Groos<br />
and Michael W. Twomey<br />
(<strong>Toronto</strong> <strong>Medieval</strong> Bibliographies)<br />
978-0-8020-6663-3 / $29.95/ £20.99 / 1988<br />
<strong>Medieval</strong> Latin Palaeography<br />
A Bibliographic Introduction<br />
Leonard E. Boyle<br />
(<strong>Toronto</strong> <strong>Medieval</strong> Bibliographies)<br />
978-0-8020-6558-2 / $31.95 / £22.99 / 1984<br />
Playing the Hero<br />
Reading the Irish Saga Táin Bó Cúailnge<br />
Ann Dooley<br />
978-0-8020-3832-6 / $87.00 / £60.99 / 2005<br />
Seeing Through the Veil<br />
Optical Theory and <strong>Medieval</strong> Allegory<br />
Suzanne Conklin Akbari<br />
978-0-8020-36056 / $74.00 / £51.99 / 2004<br />
The Syntax <strong>of</strong> Desire<br />
Language and Love in Augustine,<br />
the Modistae, and Dante<br />
Elena Lombardi<br />
978-0-8020-9070-6 / $82.00 / £57.99 / 2007<br />
Thomas Usk’s Testament <strong>of</strong> Love<br />
A Critical Edition<br />
Edited by Gary W. Shawver<br />
(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations 13)<br />
978-0-8020-5471-5 / $146.00 / £102.99 / 2002<br />
Through a Classical Eye<br />
Transcultural and Transhistorical Visions in<br />
<strong>Medieval</strong> English, Italian, and Latin Literature<br />
in Honour <strong>of</strong> Winthrop Wetherbee<br />
Edited by Andrew Galloway and R. F. Yeager<br />
978-0-8020-9917-4 / $80.00 / £55.99 / 2009<br />
Women’s Writing in English<br />
Early Modern England<br />
Patricia Demers<br />
(History <strong>of</strong> Women’s Writing in English)<br />
978-0-8020-8710-2 / $74.00 / £51.99<br />
978-0-8020-8664-8 / $39.95 / £27.99 / 2005<br />
Writing Religious Women<br />
Female Spiritual and Textual Practice in<br />
Late <strong>Medieval</strong> England<br />
Edited by Paul Renevey and Christiania Whitehead<br />
978-0-8020-3517-2 / $78.00<br />
978-0-8020-8403-3 / $32.95 / 2000<br />
North American rights<br />
LITERATURE – SPANISH<br />
Cervantes’ Epic Novel<br />
Empire, Religion, and the Dream Life<br />
<strong>of</strong> Heroes in Persiles<br />
Michael Armstrong-Roche<br />
(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />
978-0-8020-9085-0 / $70.00 / £48.99 / 2009<br />
Conscience on Stage<br />
The Comedia as Casuistry in Early Modern Spain<br />
Hilaire Kallendorf<br />
(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />
978-0-8020-9229-8 / $71.00 / £49.99 / 2007<br />
Discourses <strong>of</strong> Poverty<br />
Social Reform and the Picaresque Novel<br />
in Early Modern Spain<br />
Anne J. Cruz<br />
978-0-8020-4439-6 / $67.00 / £46.99 / 1999<br />
Figuring the Feminine<br />
The Rhetoric <strong>of</strong> Female Embodiment in<br />
<strong>Medieval</strong> Hispanic Literature<br />
Jill Ross<br />
978-0-8020-9098-0 / $77.00 / £53.99 / 2008<br />
56 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
BACKLIST<br />
The Laughter <strong>of</strong> the Saints<br />
Parodies <strong>of</strong> Holiness in Late <strong>Medieval</strong><br />
and <strong>Renaissance</strong> Spain<br />
Ryan D. Giles<br />
978-0-8020-9952-5 / $55.00 / £38.99 / 2009<br />
Quixotic Frescoes<br />
Cervantes and Italian <strong>Renaissance</strong> Art<br />
Frederick A. de Armas<br />
978-1-4426-1031-6 / $35.00 / £24.99 / 2009<br />
Transnational Cervantes<br />
William Childers<br />
(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />
978-0-8020-9045-4 / $69.00 / £48.99 / 2006<br />
Winner <strong>of</strong> the Modern Language Association<br />
Katherine Singer Kovacs Prize<br />
LITERATURE – FRENCH<br />
The Art <strong>of</strong> Meditation and the<br />
French <strong>Renaissance</strong> Love Lyric<br />
The Poetics <strong>of</strong> Introspection in Maurice Scève’s<br />
Délie, objet de plus haulte vertu (1544)<br />
Michael J. Giordano<br />
978-0-8020-9946-4 / $125.00 / £87.99 / 2009<br />
The Gargantuan Polity<br />
On the Individual and the Community<br />
in the French <strong>Renaissance</strong><br />
Michael Randall<br />
978-0-8020-9814-6 / $77.00 / £53.99 / 2008<br />
Sounding Objects<br />
Musical Instruments, Poetry, and Art<br />
in <strong>Renaissance</strong> France<br />
Carla Zecher<br />
978-0-8020-9014-0 / $66.00 / £46.99 / 2007<br />
Theorizing the Ideal Sovereign<br />
The Rise <strong>of</strong> the French Vernacular Royal Biography<br />
Daisy Delogu<br />
978-0-8020-9807-8 / $72.00 / £50.99 / 2008<br />
LITERATURE – RENAISSANCE<br />
Against Reproduction<br />
Where <strong>Renaissance</strong> Texts Come From<br />
Stephen Guy-Bray<br />
978-1-4426-4060-3 / $55.00 / £38.99 / 2009<br />
Shortlisted for the Canada Prize in the Humanities<br />
(English)<br />
Architectonics <strong>of</strong> Imitation in Spenser,<br />
Daniel, and Drayton<br />
David Galbraith<br />
978-0-8020-4451-8 / $67.00 / £46.99 / 2000<br />
Between Worlds<br />
The Rhetorical Universe <strong>of</strong> Paradise Lost<br />
William Pallister<br />
978-0-8020-9835-1 / $72.00 / £50.99 / 2008<br />
Winner <strong>of</strong> the Modern Language Association<br />
Independent Scholar Prize<br />
Chamber Music<br />
Elizabethan Sonnet-Sequences and the<br />
Pleasure <strong>of</strong> Criticism<br />
Roger Kuin<br />
978-0-8020-4188-3 / $62.00 / £43.99 / 1998<br />
A Critical Edition <strong>of</strong> Robert Barnes’ ‘A<br />
Supplication Unto the Most Gracyous Prince<br />
Kynge Henry The. VIIJ, 1534’<br />
Edited by Douglas H. Parker<br />
978-0-8020-9312-7 / $155.00 / £108.99 / 2008<br />
Culture and Authority in the Baroque<br />
Edited by Massimo Ciavolella and Patrick Coleman<br />
(UCLA Clark Memorial Library Series)<br />
978-0-8020-3838-8 / $81.00 / £56.99 / 2005<br />
Early Modern Nationalism and Milton’s England<br />
Edited by David Loewenstein and Paul Stevens<br />
978-0-8020-8935-9 / $82.00 / £57.99 / 2008<br />
Winner <strong>of</strong> the Irene Samuel Award for the<br />
Best Collection <strong>of</strong> Essays in Milton Studies<br />
Elizabeth Jane Weston: Collected Writings<br />
Edited and translated by Donald Cheney and<br />
Brenda Hosington<br />
978-0-8020-4472-3 / $95.00 / £66.99 / 2000<br />
European Literary Careers<br />
The Author from Antiquity to the <strong>Renaissance</strong><br />
Edited by Patrick Cheney and Frederick A. de Armas<br />
978-0-8020-4779-3 / $78.00 / £54.99 / 2002<br />
An exhortation to the diligent studye <strong>of</strong><br />
scripture and An exposition into the seventh<br />
chaptre <strong>of</strong> the pistle <strong>of</strong> Corinthians<br />
Edited by Douglas H. Parker<br />
978-0-8020-4818-9 / $78.00 / £54.99 / 2000<br />
Exorcism and Its Texts<br />
Subjectivity in Early Modern Literature <strong>of</strong><br />
England and Spain<br />
Hilaire Kallendorf<br />
(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />
978-0-8020-8817-8 / $78.00 / £54.99 / 2003<br />
Flaunting<br />
Style and the Subversive Male Body in<br />
<strong>Renaissance</strong> England<br />
Amanda Bailey<br />
978-0-8020-9242-7 / $71.00 / £49.99 / 2007<br />
Fools <strong>of</strong> Time<br />
Studies in Shakespearean Tragedy<br />
Northrop Frye<br />
978-0-8020-6215-4 / $24.95 / £17.99 / 1967<br />
‘Full <strong>of</strong> all knowledg’<br />
George Herbert’s Country Parson and<br />
Early Modern Social Discourse<br />
Ronald W. Cooley<br />
978-0-8020-3723-7 / $62.00 / £43.99 / 2004<br />
Homoerotic Space<br />
The Poetics <strong>of</strong> Loss in English<br />
<strong>Renaissance</strong> Literature<br />
Stephen Guy-Bray<br />
978-0-8020-3677-3 / $72.00 / £50.99 / 2002<br />
The Imperfect Friend<br />
Emotion and Rhetoric in Sidney, Milton,<br />
and Their Contexts<br />
Wendy Olmsted<br />
978-0-8020-9136-9 / $62.00 / £43.99 / 2008<br />
In the Anteroom <strong>of</strong> Divinity<br />
The Reformation <strong>of</strong> the Angels from<br />
Colet to Milton<br />
Feisal G. Mohamed<br />
978-0-8020-9792-7 / $57.00 / £39.99 / 2008<br />
Loving in Verse<br />
Poetic Influence as Erotic<br />
Stephen Guy-Bray<br />
978-0-8020-9203-8 / $52.00 / £36.99 / 2006<br />
The Mothers Legacy to her Vnborn Childe<br />
Elizabeth Joscelin<br />
Edited by Jean LeDrew Metcalfe<br />
978-0-8020-4694-9 / $56.00 / £39.99 / 2000<br />
Northrop Frye on Milton and Blake<br />
Edited by Angela Esterhammer<br />
(Collected Works <strong>of</strong> Northrop Frye 16)<br />
978-0-8020-3919-4 / $97.00 / £67.99 / 2005<br />
Ovid and the <strong>Renaissance</strong> Body<br />
Edited by Goran V. Stanivukovic<br />
978-0-8020-3515-8 / $78.00 / £54.99 / 2001<br />
Of Philosophers and Kings<br />
Political Philosophy in Shakespeare’s<br />
Macbeth and King Lear<br />
Leon Harold Craig<br />
978-0-8020-3571-4 / $84.00 / £58.99<br />
978-0-8020-8605-1 / $39.95 / £27.99 / 2001<br />
Playing with Desire<br />
Christopher Marlowe and the<br />
Art <strong>of</strong> Tantalization<br />
Fred B. Tromly<br />
978-0-8020-4355-9 / $62.00 / £43.99 / 1998<br />
The Poetry <strong>of</strong> Immanence<br />
Sacrament in Donne and Herbert<br />
John Whalen<br />
978-0-8020-3659-9 / $56.00 / £39.99 / 2002<br />
Printed Voices<br />
The <strong>Renaissance</strong> Culture <strong>of</strong> Dialogue<br />
Edited by Dorothea Heitsch and Jean-Francois Vallee<br />
978-0-8020-8706-5 / $74.00 / £51.99 / 2004<br />
Searching Shakespeare<br />
Studies in Culture and Authority<br />
Derek Cohen<br />
978-0-8020-8778-2 / $62.00 / £43.99 / 2003<br />
Sexuality and Citizenship<br />
Metamorphosis in Elizabethan Erotic Verse<br />
Jim Ellis<br />
978-0-8020-8735-5 / $67.00 / £46.99 / 2003<br />
Shakespeare’s Comic Commonwealths<br />
Camille Wells Slights<br />
978-0-8020-2924-9 / $56.00 / £39.99 / 1993<br />
The Spenser Encyclopedia<br />
Edited by A.C. Hamilton et al.<br />
978-0-8020-7923-7 / $62.00 / £43.99 / 1990<br />
utppublishing.com 57
BACKLIST<br />
Spenser’s Supreme Fiction<br />
Platonic Natural History in The Faerie Queene<br />
Jon A. Quitslund<br />
978-0-8020-3505-9 / $84.00 / £58.99 / 2001<br />
Utopia, Carnival, and Commonwealth in<br />
<strong>Renaissance</strong> England<br />
Christopher Kendrick<br />
978-0-8020-8936-6 / $97.00 / £67.99 / 2004<br />
William Roye’s A Brefe Dialoge bitwene a<br />
Christen Father and his stobborne Sonne<br />
Edited by Douglas H. Parker and Bruce Krajewski<br />
978-0-8020-4389-4 / $72.00 / £50.99 / 1999<br />
LITERATURE – ITALIAN<br />
Aretino’s Dialogues<br />
Pietro Aretino<br />
Translated by Raymond Rosenthal with a new<br />
introduction by Margaret Rosenthal<br />
(The Lorenzo Da Ponte Italian Library)<br />
978-0-8020-9004-1 / $69.00 / £48.99<br />
978-0-8020-4890-5 / $35.95 / £25.99 / 2005<br />
Aretino’s Satyr<br />
Sexuality, Satire, and Self-Projection in<br />
Sixteenth-Century Literature and Art<br />
Raymond B. Waddington<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-8814-7 / $72.00 / £50.99 / 2003<br />
Ariosto Today<br />
Contemporary Perspectives<br />
Donald Beecher, Massimo Ciavolella,<br />
and Roberto Fedi<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-2967-6 / $72.00 / £50.99 / 2003<br />
Boccaccio’s Expositions on Dante’s Comedy<br />
Translated by Michael Papio<br />
978-0-8020-9975-4 / $135.00 / £94.99 / 2009<br />
Boccaccio’s Naked Muse<br />
Eros, Culture, and the Mythopoeic Imagination<br />
Tobias Foster Gittes<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-9204-5 / $67.00 / £46.99 / 2008<br />
Shortlisted for the Raymond Klibansky Prize<br />
Comanini’s The Figino, or On the Purpose<br />
<strong>of</strong> Painting<br />
Art Theory in the Late <strong>Renaissance</strong><br />
Edited by Giancarlo Maiorino and<br />
Ann Doyle-Anderson<br />
978-0-8020-3574-5 / $62.00 / £43.99<br />
978-0-8020-8446-0 / $29.95 / £20.99 / 2002<br />
Cosmopoiesis<br />
The <strong>Renaissance</strong> Experiment<br />
Giuseppe Mazzotta<br />
(Emilio Goggio Publications, <strong>Toronto</strong> Italian Studies)<br />
978-0-8020-3551-6 / $44.00 / £30.99<br />
978-0-8020-8421-7 / $22.95 / £16.99 / 2001<br />
Dante<br />
Contemporary Perspectives<br />
Edited by Amilcare A. Iannucci<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-7736-3 / $29.95 / £20.99 / 1997<br />
Dante’s Hermeneutics <strong>of</strong> Salvation<br />
Passages to Freedom in the Divine Comedy<br />
Christine O’Connell Baur<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-9206-9 / $61.00 / £42.99 / 2006<br />
Dante’s Journey to Polyphony<br />
Francesco Ciabattoni<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-9626-5 / $55.00 / £38.99 / 2009<br />
The Decameron First Day in Perspective<br />
Edited by Elissa B. Weaver<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-4454-9 / $72.00 / £50.99<br />
978-0-8020-8589-4 / $36.95 / £25.99 / 2003<br />
Dialogues <strong>of</strong> Love<br />
Leone Ebreo<br />
Translated by Damian Bacich and Rossella Pescatori<br />
978-0-8020-9910-5 / $85.00 / £59.99 / 2009<br />
Divine Dialectic<br />
Dante’s Incarnational Poetry<br />
Guy P. Raffa<br />
978-0-8020-4856-1 / $67.00 / £46.99 / 2001<br />
Eco’s Chaosmos<br />
From the Middle Ages to Postmodernity<br />
Cristina Farronato<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-8789-8 / $62.00 / £43.99<br />
978-0-8020-8586-3 / $36.95 / £25.99 / 2003<br />
Experiences in Translation<br />
Umberto Eco<br />
(Emilio Goggio Publications Series,<br />
<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-9614-2 / $18.95 / £13.99 / 2008<br />
Fairy-Tale Science<br />
Monstrous Generation in the Tales <strong>of</strong><br />
Straparola and Basile<br />
Suzanne Magnanini<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-9754-5 / $46.00 / £32.99 / 2008<br />
Guido Cavalcanti<br />
The Other Middle Ages<br />
Maria Luis Ardizzone<br />
978-0-8020-3591-2 / $67.00 / £46.99 / 2002<br />
Hermes’ Lyre<br />
Italian Poetic Self-Commentary from Dante<br />
to Tommaso Campanella<br />
Sherry Roush<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-3712-1 / $62.00 / £43.99 / 2002<br />
Hopeless Love<br />
Boiardo, Ariosto, and Narratives <strong>of</strong><br />
Queer Female Desire<br />
Mary-Michelle DeCoste<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-9684-5 / $35.00 / £24.99 / 2009<br />
An Italian <strong>Renaissance</strong> Sextet<br />
Six Tales in Historical Context<br />
Lauro Martines<br />
Translations by Murtha Baca<br />
(The Lorenzo Da Ponte Italian Library)<br />
978-0-8020-8993-9 / $59.00 / £41.99<br />
978-0-8020-8650-1 / $29.95 / £20.99 / 2004<br />
Lelia’s Kiss<br />
Imagining Gender, Sex, and Marriage in Italian<br />
<strong>Renaissance</strong> Comedy<br />
Laura Giannetti<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-9951-8 / $65.00 / £45.99 / 2009<br />
The Quest for Epic<br />
From Ariosto to Tasso<br />
Sergio Zatti<br />
Edited by Dennis Looney<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-9031-7 / $92.00 / £64.99<br />
978-0-20209373-8 / $35.95 / £25.99 / 2006<br />
Raffaello Borghini’s Il Riposo<br />
Edited and translated by Lloyd H. Ellis Jr.<br />
(The Lorenzo Da Ponte Italian Library)<br />
978-0-8020-9743-9 / $77.00 / £53.99 / 2008<br />
<strong>Renaissance</strong> Comedy<br />
The Italian Masters, Volume 1<br />
Edited with an introduction by Donald Beecher<br />
978-0-8020-9292-2 / $93.00 / £65.99<br />
978-0-8020-9484-1 / $36.00 / £25.99 / 2008<br />
A Rhetoric <strong>of</strong> the Decameron<br />
Marilyn Migiel<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-8819-2 / $59.00 / £41.99<br />
978-0-8020-8594-8 / $29.95 / £20.99 / 2004<br />
The Romance Epics <strong>of</strong> Boiardo, Ariosto,<br />
and Tasso<br />
From Public Duty to Private Pleasure<br />
Jo Ann Cavallo<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-8915-1 / $81.00 / £56.99 / 2004<br />
The Ugly Woman<br />
Transgressive Aesthetic Models in Italian Poetry<br />
from the Middle Ages to the Baroque<br />
Patrizia Bettella<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-3926-2 / $69.00 / £48.99 / 2005<br />
Writing Gender in Women’s Letter Collections<br />
<strong>of</strong> the Italian <strong>Renaissance</strong><br />
Meredith K. Ray<br />
(<strong>Toronto</strong> Italian Studies)<br />
978-0-8020-9704-0 / $75.00 / £52.99 / 2009<br />
Winner <strong>of</strong> the American Association for Italian Studies<br />
<strong>Medieval</strong>, <strong>Renaissance</strong>, and Baroque Book Prize<br />
58 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
BACKLIST<br />
CLASSICS<br />
Aristotle’s Theory <strong>of</strong> the Unity <strong>of</strong> Science<br />
Malcolm Wilson<br />
978-0-8020-4796-0 / $90.00 / £62.99 / 2000<br />
Assyrian Rulers <strong>of</strong> the Early First Millennium BC<br />
I (1114–859 BC)<br />
Kirk Grayson<br />
(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />
978-0-8020-5965-9 / $175.00 / £122.99 / 1991<br />
Assyrian Rulers <strong>of</strong> the Early First Millennium BC<br />
II (858–745 BC)<br />
Kirk Grayson<br />
(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />
978-0-8020-0886-2 / $175.00 / £122.99 / 1996<br />
Assyrian Rulers <strong>of</strong> the Third and<br />
Second Millennia BC (to 1115 BC)<br />
Kirk Grayson<br />
(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />
978-0-8020-2605-7 / $117.00 / £81.99 / 1987<br />
Catullus<br />
Edited by D.F.S. Thomson<br />
(Phoenix Supplementary Volumes XXXIV)<br />
978-0-8020-8592-4 / $56.00 / £39.99 / 1997<br />
The Classical Tradition in Operation<br />
Chaucer/Virgil; Shakespeare/Plautus; Pope/Horace;<br />
Tennyson/Lucretius; Pound/Propertius<br />
Niall Rudd<br />
(Robson Classical Lectures)<br />
978-0-8020-0570-0 / $67.00 / £46.99 / 1994<br />
The Emotions <strong>of</strong> the Ancient Greeks<br />
Studies in Aristotle and Classical Literature<br />
David Konstan<br />
(Robson Classical Lectures)<br />
978-0-8020-9558-9 / $43.95 / £30.99 / 2006<br />
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Epigraphy and the Greek Historian<br />
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(Phoenix Supplementary Volumes XLVII)<br />
978-0-8020-9069-0 / $77.00 / £53.99 / 2008<br />
Excavations <strong>of</strong> San Giovanni di Ruoti<br />
Vol. I: The Villas<br />
Alastair M. Small and Robert J. Buck<br />
(Phoenix Supplementary Volumes XXXIII)<br />
978-0-8020-59482 / $146.00 / £102.99 / 1994<br />
Vol. II: The Small Finds<br />
C.J. Simpson<br />
(Phoenix Supplementary Volumes XXXV)<br />
978-0-8020-0631-8 / $112.00 / £78.99 / 1997<br />
Vol. III: Faunal Remains<br />
M.R. MacKinnon<br />
(Phoenix Supplementary Volumes XL)<br />
978-0-8020-4865-3 / $175.00 / £122.99 / 2002<br />
Gudea and his Dynasty<br />
Dietz Otto Edzard<br />
(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />
978-0-8020-4187-6 / $175.00 / £122.99<br />
Imagination <strong>of</strong> a Monarchy<br />
Studies in Ptolemaic Propaganda<br />
R.A. Hazzard<br />
(Phoenix Supplementary Volumes XXVI)<br />
978-0-8020-4313-9 / $72.00 / £50.99 / 2000<br />
In the Image <strong>of</strong> the Ancestors<br />
Narratives <strong>of</strong> Kinship in the Flavian Epic<br />
Neil W. Bernstein<br />
(Phoenix Supplementary Volumes XLVIII)<br />
978-0-8020-9879-5 / $67.00 / £46.99 / 2008<br />
Latin Poets and Italian Gods<br />
Elaine Fantham<br />
(Robson Classical Lectures)<br />
978-1-4426-4059-7 / $55.00 / £38.99<br />
Justin and Pompeius Trogus<br />
John Yardley<br />
(Phoenix Supplementary Volumes XLI)<br />
978-0-8020-8766-9 / $112.00 / £78.99 / 2003<br />
Mortuary Landscapes <strong>of</strong> North Africa<br />
Edited by David L. Stone and Lea M. Stirling<br />
(Phoenix Supplementary Volumes XLIII)<br />
978-0-8020-9083-6 / $82.00 / £57.99 / 2007<br />
Old Babylonian Period (2003–1595 BC)<br />
Douglas Frayne<br />
(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />
978-0-8020-5873-7 / $226.00 / £158.99 / 1990<br />
Pre-Sargonic Period (2700–2350 BC)<br />
Douglas Frayne<br />
(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />
978-0-8020-3586-8 / $232.00 / £162.99 / 2004<br />
Reading and Variant in Petronius<br />
Studies in the French Humanists and<br />
Their Manuscript Sources<br />
T. Wade Richardson<br />
(Phoenix Supplementary Volumes XXXII)<br />
978-0-8020-2866-2 / $72.00 / £50.99 / 1993<br />
Roman Dress and the Fabrics <strong>of</strong> Roman Culture<br />
Edited by Jonathan Edmondson and Alison Keith<br />
(Phoenix Supplementary Volumes)<br />
978-1-4426-1079-8 / $35.00 / £24.99 / 2008<br />
Rulers <strong>of</strong> Babylonia<br />
From the Second Dynasty <strong>of</strong> Isin to the<br />
End <strong>of</strong> Assyrian Control (1157612 BC)<br />
Grant Frame<br />
(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />
978-0-8020-0724-7 / $203.00 / £142.99 / 1995<br />
Sargonic and Gutian Periods (2334–2113 BC)<br />
Douglas Frayne<br />
(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />
978-0-8020-0593-9 / $203.00 / £142.99 / 1993<br />
Studies in Hellenistic Architecture<br />
Frederick E. Winter, with a chapter by Janos Fedak<br />
(Phoenix Supplementary Volumes XLII)<br />
978-0-8020-3914-9 / $172.00 / £120.99 / 2006<br />
Ur III Period (2112–2004 BC)<br />
Douglas Frayne<br />
(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />
978-0-8020-4198-2 / $232.00 / £162.99 / 1997<br />
Virginity Revisited<br />
Configurations <strong>of</strong> the Unpossessed Body<br />
Edited by Bonnie MacLachlan and Judith Fletcher<br />
(Phoenix Supplementary Volumes XLIV,<br />
Studies in Gender)<br />
978-0-8020-9013-3 / $61.00 / £42.99 / 2007<br />
The War Lover<br />
A Study <strong>of</strong> Plato’s Republic<br />
Leon Harold Craig<br />
978-0-8020-0586-1 / $78.00 / £54.99<br />
978-0-8020-7942-8 / $39.95 / £27.99 / 1994<br />
Williams’ Hebrew Syntax<br />
Third Edition<br />
Ronald J. Williams<br />
Revised and Expanded by John C. Beckman<br />
978-0-8020-9429-2 / $27.95 / £19.99 / 2007<br />
utppublishing.com 59
INDEX<br />
Name Title Page<br />
Aalen et al Atlas <strong>of</strong> the Irish Rural Landscape......................... 4<br />
Ackerman Seeing Things..................................................... 10<br />
Ager & Faber Belonging and Isolation in the Hellenistic World..... 36<br />
Akbari Seeing Through the Veil..................................... 56<br />
Akbari & Iannucci Marco Polo and the Encounter <strong>of</strong> East and West... 56<br />
Akbari & Ross The Ends <strong>of</strong> the Body......................................... 23<br />
Alfie Dante’s Tenzone with Forese Donati................... 34<br />
Allen & Amt The Crusades....................................................... 7<br />
Amodio & O’Brien O’Keeffe Unlocking the Wordhord.................................... 55<br />
Amt <strong>Medieval</strong> England, 1000-1500............................. 7<br />
Anlezark Myths, Legends, and Heroes.............................. 22<br />
Ardizzone Guide Cavalcanti................................................ 58<br />
Aretino Aretino’s Dialogues............................................ 58<br />
Armstrong & Kirshner The Politics <strong>of</strong> Law in Late <strong>Medieval</strong><br />
and <strong>Renaissance</strong> Italy......................................... 16<br />
Armstrong-Roche Cervantes’ Epic Novel......................................... 56<br />
Backhouse <strong>Medieval</strong> Birds in the Sherborne Missal............... 51<br />
Backhouse <strong>Medieval</strong> Rural Life in the Luttrell Psalter............. 52<br />
Backhouse The Sherborne Missal......................................... 52<br />
Bailey, A. Flaunting............................................................ 57<br />
Bailey, G.A.<br />
Art on the Jesuit Missions in Asia<br />
and Latin America, 1542-1773........................... 51<br />
Bailey, G.A. Between <strong>Renaissance</strong> and Baroque.................... 51<br />
Bailey, M.<br />
The Poetics <strong>of</strong> Speech in the<br />
<strong>Medieval</strong> Spanish Epic........................................ 24<br />
Bailey, M. Las Mocedades de Rodrigo................................. 45<br />
Baker & Howe Words and Works.............................................. 55<br />
Baker-Smith More’s Utopia (RSART 11).................................. 48<br />
Baldwin et al Chesire, including Chester (REED 19).................. 52<br />
Bamford & Knowles Shakespeare’s Comedies <strong>of</strong> Love........................ 53<br />
Barahona<br />
Sex Crimes, Honour, and the Law<br />
in Early Modern Spain........................................ 55<br />
Barbour John Selden....................................................... 54<br />
Barker The Adages <strong>of</strong> Erasmus...................................... 53<br />
Barnard & de Armas Objects <strong>of</strong> Culture in the Literature<br />
<strong>of</strong> Imperial Spain................................................ 28<br />
Bartlett The Civilization <strong>of</strong> the Italian <strong>Renaissance</strong>............. 5<br />
Baur Dante’s Hermeneutics <strong>of</strong> Salvation...................... 58<br />
Bearden The Emblematics <strong>of</strong> the Self............................... 26<br />
Beecher The Pleasant Nights, Volumes 1 and 2.................. 1<br />
Beecher <strong>Renaissance</strong> Comedy.......................................... 58<br />
Beecher et al Ariosto Today..................................................... 58<br />
Beer Beasts <strong>of</strong> Love.................................................... 56<br />
Beidler & Biebel Chaucer’s Wife <strong>of</strong> Bath’s Prologue and Tale........ 56<br />
Bell Music in <strong>Medieval</strong> Manuscripts........................... 52<br />
Bellamy Dire Straits......................................................... 24<br />
Benfell The Biblical Dante.............................................. 34<br />
Benton Self and Society in <strong>Medieval</strong> France (MART 15)... 39<br />
Berco Sexual Hierarchies, Public Status......................... 55<br />
Bernau et al <strong>Medieval</strong> Virginities............................................ 54<br />
Bernstein In the Image <strong>of</strong> the Ancestors............................ 59<br />
Bettella The Ugly Woman............................................... 58<br />
Bietenholz Encounters with a Radical Erasmus..................... 53<br />
Bietenholz & Deutscher Contemporaries <strong>of</strong> Erasmus............................... 15<br />
Bildhauer & Mills The Monstrous Middle Ages............................... 54<br />
Binski Painters.............................................................. 51<br />
Bitterli Say What I Am Called........................................ 55<br />
Bolzoni The Gallery <strong>of</strong> Memory....................................... 54<br />
Boon The <strong>Medieval</strong> Science <strong>of</strong> the Soul....................... 18<br />
Botero<br />
On the Causes <strong>of</strong> the Greatness<br />
and Magnificence <strong>of</strong> Cities................................... 1<br />
Bouchard Three Cartularies from Thirteenth-Century Auxerre.. 44<br />
Bouchard The Cartulary <strong>of</strong> Montier-en-Der, 666-1129........ 45<br />
Bovey<br />
Monsters and Grotesques in <strong>Medieval</strong> Manuscripts.52<br />
Boyle <strong>Medieval</strong> Latin Palaeography.............................. 56<br />
Bradley Apuleius and Antonine Rome............................. 37<br />
Braider The Matter <strong>of</strong> Mind............................................ 19<br />
Bredeh<strong>of</strong>t Authors, Audiences, and Old English Verse......... 55<br />
Bredeh<strong>of</strong>t Early English Metre............................................. 55<br />
Bredeh<strong>of</strong>t Textual Histories................................................. 55<br />
Brown, P.R. et al Hrotsvit <strong>of</strong> Gandersheim.................................... 55<br />
Brown, M.P. The Book <strong>of</strong> Cerne............................................. 51<br />
Brown, M.P.<br />
A Guide to Western Historical Scripts<br />
from Antiquity to 1600...................................... 51<br />
Brown, M.P. The Lindisfarne Gospels...................................... 51<br />
Brown, M.P. Manuscripts from the Anglo-Saxon Age............. 51<br />
Brown, M.P. Writing and Scripts............................................. 52<br />
Brown, M.P. & Lovett The Historical Source Book for Scribes................ 51<br />
Brown, M.P. & McKendrick Illuminating the Book......................................... 51<br />
Brucker The Society <strong>of</strong> <strong>Renaissance</strong> Florence (RSART 8)... 47<br />
Bruno The Ash Wednesday Supper (RSART 4)............... 46<br />
Budra<br />
A Mirror for Magistrates and the<br />
de casibus Tradition............................................ 54<br />
Bulman<br />
The Court Book <strong>of</strong> Mende and<br />
the Secular Lordship <strong>of</strong> the Bishop..................... 54<br />
Burns Perilous Realms.................................................. 56<br />
Burton & Greentree Chaucer’s Miller’s, Reeve’s, and Cook’s Tales....... 56<br />
Buzwell Saints in <strong>Medieval</strong> Manuscripts........................... 52<br />
Byrne Law and History in Cervantes’ Don Quixote........ 28<br />
Carey The Apocalypse and the Shape <strong>of</strong> Things to Come.. 51<br />
Carlsmith A <strong>Renaissance</strong> Education.................................... 19<br />
Carrión Subject Stages.................................................... 11<br />
Cascardi Cervantes, Literature, and the Discourse <strong>of</strong> Politics... 29<br />
Cavallo The Romance Epics <strong>of</strong> Boiardo, Ariosto, and Tasso... 58<br />
Chambers & Pullan Venice (RSART 12).............................................. 48<br />
Chase, C. The Dating <strong>of</strong> Beowulf....................................... 55<br />
Chase, M. Einar Skulason’s Geisli........................................ 56<br />
Cheney & de Armas European Literary Careers................................... 57<br />
Chenu<br />
Nature, Man, and Society in the<br />
Twelfth Century (MART 37)................................ 43<br />
Childers Transnational Cervantes..................................... 57<br />
Ciabattoni Dante’s Journey to Polyphony............................. 58<br />
Ciavolella & Coleman Culture and Authority in the Baroque................. 57<br />
Clark-Hall A Concise Anglo-Saxon Dictionary (MART 14).... 39<br />
Claster Sacred Violence.................................................... 5<br />
Clegg The <strong>Medieval</strong> Church in Manuscripts.................. 52<br />
Clover & Lindow Old Norse-Icelandic Literature (MART 42)........... 43<br />
Cohen, D. Searching Shakespeare....................................... 57<br />
Cohen, T.V. & Cohen Words and Deeds in <strong>Renaissance</strong> Rome.............. 55<br />
Coleman<br />
The Treatise <strong>of</strong> Lorenzo Valla and<br />
the Donation <strong>of</strong> Constantine (RSART 1).............. 46<br />
Collins <strong>Medieval</strong> Herbals................................................ 52<br />
Comerford & Pabel Early Modern Catholicism................................... 54<br />
Constable<br />
Three Treatises from Bec on<br />
the Nature <strong>of</strong> Monastic Life................................ 44<br />
Cooley ‘Full <strong>of</strong> all knowledg’.......................................... 57<br />
Cooper Epigraphy and the Greek Historian..................... 59<br />
Craig Of Philosophers and Kings.................................. 57<br />
Craig A War Lover....................................................... 59<br />
Crews Twilight <strong>of</strong> the <strong>Renaissance</strong>................................ 55<br />
Cruz Discourses <strong>of</strong> Poverty......................................... 56<br />
Cullum & Lewis Holiness and Masculinity in the Middle Ages...... 54<br />
Curd Anaxagoras <strong>of</strong> Clazomenae................................ 36<br />
Cyrus<br />
The Scribes for Women’s Convents<br />
in <strong>Medieval</strong> Germany......................................... 55<br />
da Bisticci The Vespasiano Memoirs (RSART 7).................... 47<br />
Daly & Dimmler The Jesuit Series................................................. 51<br />
Daly & Silcox The English Emblem Tradition, Volume 4............ 51<br />
Daly et al Andreas Alciatus................................................ 51<br />
Dane The Myth <strong>of</strong> Print Culture................................... 52<br />
Davis-Weyer Early <strong>Medieval</strong> Art 300-1150 (MART 17)............ 40<br />
Dawson Mission to Asia (MART 8)................................... 39<br />
60 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
INDEX<br />
de Armas Don Quixote among the Saracens...................... 29<br />
de Armas Ovid in the Age <strong>of</strong> Cervantes............................. 30<br />
de Armas Quixotic Frescoes............................................... 57<br />
de France Fables (MART 32)............................................... 42<br />
de Hamel Scribes and Illuminators...................................... 52<br />
de Looze Manuscript Diversity, Meaning, and Variance...... 56<br />
DeCoste Hopeless Love.................................................... 58<br />
Delogu Theorizing the Ideal Sovereign............................ 57<br />
Demers Women’s Writing in English................................ 56<br />
Dendle Satan Unbound.................................................. 55<br />
Denton<br />
Hierarchies and Order in Late <strong>Medieval</strong><br />
and <strong>Renaissance</strong> Europe..................................... 54<br />
Deutscher Punishment and Penance................................... 17<br />
DeVries & Smith <strong>Medieval</strong> Military Technology............................... 3<br />
di Sciacca Finding the Right Words..................................... 55<br />
Dodds Exploiting Erasmus............................................. 53<br />
Donovan The de Brailes Hours........................................... 51<br />
Dooley Playing the Hero................................................. 56<br />
Douglas & Greenfield Cumberland, Westmorland,<br />
Gloucestershire (REED 6).................................... 52<br />
Douglas & MacLean REED in Review.................................................. 53<br />
Dubois Sanctity in the North.......................................... 56<br />
Dutton Carolingian Civilization......................................... 7<br />
Dutton Charlemagne’s Courtier........................................ 7<br />
Dzon & Kenney The Christ Child in <strong>Medieval</strong> Culture.................. 16<br />
Eames English Tilers...................................................... 51<br />
Ebreo Dialogues <strong>of</strong> Love............................................... 58<br />
Echard & Partridge The Book Unbound............................................ 51<br />
Eco Experiences in Translation................................... 58<br />
Edmondson & Keith Roman Dress and the Fabrics <strong>of</strong> Roman Culture... 59<br />
Edzard Gudea and his Dynasty....................................... 59<br />
Elliott et al Oxford (<strong>University</strong> and City)................................ 53<br />
Ellis, J. Sexuality and Citizenship.................................... 57<br />
Ellis, L.H. Raffaello Borghini’s Il Riposo............................... 58<br />
Ellis, R.R. They Need Nothing............................................ 29<br />
Epstein & Robins Sacred and Pr<strong>of</strong>ane in Chaucer<br />
and Late <strong>Medieval</strong> Literature.............................. 23<br />
Erasmus (CWE 13) Correspondence <strong>of</strong> Erasmus, Letters 1802-1925.. 13<br />
Erasmus (CWE 14) Correspondence <strong>of</strong> Erasmus, Letters 1926-2081.. 14<br />
Erasmus (CWE 15) Correspondence <strong>of</strong> Erasmus, Letters 2082-2203.. 13<br />
Erasmus (CWE 65) Expositions on the Psalms................................... 14<br />
Erasmus (CWE 82) Controversies..................................................... 13<br />
Erler Ecclesiastical London (REED 20).......................... 52<br />
Evans Colonial Virtue................................................... 26<br />
Everett The Alphabet <strong>of</strong> Galen......................................... 3<br />
Evergates The Cartulary <strong>of</strong> Countess Blanche <strong>of</strong> Champagne.. 44<br />
Evergates Littere Baronum................................................. 45<br />
Fanning & Bachrach The ‘Annals’ <strong>of</strong> Flodoard <strong>of</strong> Reims, 919-966......... 7<br />
Fantham Latin Poets and Italian Gods............................... 59<br />
Farronato Eco’s Chaosmos................................................. 58<br />
Feerick Strangers in Blood.............................................. 27<br />
Ferguson The <strong>Renaissance</strong> in Historical Thought (RSART 16).. 49<br />
Fichtenau The Carolingian Empire (MART 1)....................... 38<br />
Fisher Flowers in <strong>Medieval</strong> Manuscripts........................ 51<br />
Fjalldal Anglo-Saxon England in Icelandic <strong>Medieval</strong> Texts... 56<br />
Fletcher<br />
Drama, Performance, and Polity in<br />
Pre-Cromwellian England (REED 6)..................... 52<br />
Forrest<br />
The History <strong>of</strong> Morris Dancing,<br />
1458-1750 (SEED 5)........................................... 52<br />
Fox, D. & Palsson Grettir’s Saga..................................................... 56<br />
Fox, M. & Sharma Old English Literature and the Old Testament..... 21<br />
Frame Rulers <strong>of</strong> Babylonia............................................. 59<br />
Frayne Old Babylonian Period........................................ 59<br />
Frayne Pre-Sargonic Period............................................ 59<br />
Frayne Sargonic and Gutian Periods.............................. 59<br />
Frayne Ur III Period........................................................ 59<br />
Frisch Gothic Art 1140-c1450 (MART 20)..................... 40<br />
Frye Fools <strong>of</strong> Time..................................................... 57<br />
Frye (CWNF 16) Northrop Frye on Milton and Blake..................... 57<br />
Frye (CWNF 28)<br />
Northrop Frye’s Writings on Shakespeare<br />
and the <strong>Renaissance</strong>........................................... 27<br />
Fulk et al Klaeber’s Beowulf............................................... 22<br />
Fumo The Legacy <strong>of</strong> Apollo.......................................... 24<br />
Galbraith<br />
Architectonics <strong>of</strong> Imitation in Spenser,<br />
Daniel, and Drayton........................................... 57<br />
Gallagher<br />
Redrawing the Map <strong>of</strong> Early Modern<br />
English Catholicism............................................ 18<br />
Gallop Parmenides <strong>of</strong> Elea............................................. 36<br />
Galloway & Yeager Through a Classical Eye...................................... 56<br />
Gansh<strong>of</strong> Feudalism (MART 34)......................................... 42<br />
Geary Readings in <strong>Medieval</strong> History................................ 8<br />
George, D. Lancashire (REED 10).......................................... 52<br />
George, M. Roman Slavery and Roman Material Culture....... 36<br />
Gerli Celestina and the Ends <strong>of</strong> Desire........................ 31<br />
Giannetti Lelia’s Kiss.......................................................... 58<br />
Gibson Kent, Diocese <strong>of</strong> Canterbury (REED 16).............. 52<br />
Giles The Laughter <strong>of</strong> the Saints................................. 57<br />
Giordano<br />
The Art <strong>of</strong> Meditation and the<br />
French <strong>Renaissance</strong> Love Lyric............................. 57<br />
Gittes Boccaccio’s Naked Muse..................................... 58<br />
Glenn The Middle Ages in Texts and Texture................... 5<br />
Glomski<br />
Patronage and Humanist Literature<br />
in the Age <strong>of</strong> the Jagiellons................................ 53<br />
Goldberg Jews and Magic in Medici Florence....................... 2<br />
Goldberg A Jew at the Medici Court.................................... 2<br />
Goodall Chaucer’s Monk’s Tale and Nun’s Priest’s Tale...... 56<br />
Gordon The Story <strong>of</strong> Troilus (MART 2)............................. 38<br />
Grayson<br />
Assyrian Rulers <strong>of</strong> the Third and<br />
Second Millennia BC.......................................... 59<br />
Grayson Assyrian Rulers <strong>of</strong> the Early First Millenium BC.... 59<br />
Green & Mooney Interstices........................................................... 56<br />
Guenther Magical Imaginations......................................... 26<br />
Gundersheimer The Italian <strong>Renaissance</strong> (RSART 2)....................... 46<br />
Guy-Bray Against Reproduction......................................... 57<br />
Guy-Bray Homoerotic Space.............................................. 57<br />
Guy-Bray Loving in Verse................................................... 57<br />
Hamilton et al The Spenser Encyclopedia.................................. 57<br />
Harbus & Poole Verbal Encounters.............................................. 55<br />
Harvey & McGuinness A Guide to British <strong>Medieval</strong> Seals....................... 54<br />
Hays et al Dorset/Cornwall (REED 14)................................. 52<br />
Hazzard Imagination <strong>of</strong> a Monarchy................................ 59<br />
Healey Italian Literature before 1900 in English Translation.. 32<br />
Heitsch & Vallee Printed Voices.................................................... 57<br />
Helfer Spenser’s Ruins and the Art <strong>of</strong> Recollection........ 25<br />
Heller Anti-Italianism in Sixteenth-Century France........ 53<br />
Henderson The Unfolding <strong>of</strong> Words..................................... 14<br />
Hiatt The Making <strong>of</strong> <strong>Medieval</strong> Forgeries...................... 54<br />
Hieatt et al Pleyn Delit.......................................................... 52<br />
Higgitt The Murthly Hours............................................. 52<br />
Hill<br />
On the Aesthetics <strong>of</strong> Beowulf<br />
and Other Old English Poems............................. 21<br />
Hill The Narrative Pulse <strong>of</strong> Beowulf........................... 22<br />
Himka Last Judgment Iconography in the Carpathians.. 54<br />
Himka & Zayarnyuk Letters from Heaven........................................... 54<br />
H<strong>of</strong>fman Fishers’ Craft and Lettered Art............................ 54<br />
Hosington Elizabeth Jane Weston: Collected Writings......... 57<br />
Houston Building a Monument to Dante.......................... 35<br />
Hudson<br />
Selections from English Wycliffite Writings<br />
(MART 38)......................................................... 43<br />
Hughes <strong>Medieval</strong> Manuscripts for Mass and Office......... 53<br />
Hughes et al Cataloguing Discrepancies................................. 19<br />
Iannucci Dante................................................................. 58<br />
Inwood The Poem <strong>of</strong> Empedocles................................... 36<br />
Irvine Socrates on Trial................................................. 53<br />
utppublishing.com 61
INDEX<br />
Jeauneau Rethinking the School <strong>of</strong> Chartres........................ 9<br />
Jenkins Byzantium (MART 18)........................................ 40<br />
Johnston <strong>Medieval</strong> Conduct Literature.............................. 44<br />
Jones<br />
Constantine and the Conversion <strong>of</strong> Europe<br />
(MART 4)........................................................... 38<br />
Joscelin The Mothers Legacy to her Vnborn Childe.......... 57<br />
Joslin & Watson The Egerton Genesis.......................................... 51<br />
Kallendorf Conscience on Stage.......................................... 56<br />
Kallendorf Exorcism and Its Texts......................................... 57<br />
Kaske <strong>Medieval</strong> Christian Literary Imagery.................... 56<br />
Kendrick<br />
Utopia, Carnival, and Commonwealth<br />
in <strong>Renaissance</strong> England...................................... 58<br />
Kessler Seeing <strong>Medieval</strong> Art............................................. 9<br />
Klausner Herefordshire and Worcestershire (REED 9)......... 52<br />
Klausner Wales................................................................. 53<br />
Klausner & Marsalek ‘Bring furth the pagants’ (SEED 9)...................... 52<br />
Kleiman Philippe de Commynes....................................... 32<br />
Kleinbauer<br />
Modern Perspectives in Western Art History<br />
(MART 25)......................................................... 41<br />
Kleist Striving with Grace............................................. 55<br />
Kökeritz A Guide to Chaucer’s Pronounciation (MART 3).. 38<br />
Konstan The Emotions <strong>of</strong> the Ancient Greeks.................. 59<br />
Kowaleski <strong>Medieval</strong> Towns................................................... 7<br />
Kroeker Erasmus in the Footsteps <strong>of</strong> Paul........................ 15<br />
Kuin Chamber Music.................................................. 57<br />
Laird The Unfinished Mechanics <strong>of</strong> Giuseppe Moletti.. 55<br />
Lancashire Forgetful Muses................................................. 28<br />
Lancashire Dramatic Texts and Records <strong>of</strong> Britain (SEED 1)... 52<br />
Landsberg The <strong>Medieval</strong> Garden......................................... 51<br />
Langdon Medici Women.................................................. 54<br />
Lazar Working in the Vineyard <strong>of</strong> the Lord................... 55<br />
Lee, A. Gold-Hall and Earth-Dragon............................... 55<br />
Lee, M.O. Athena Sings...................................................... 52<br />
Lee, M.O. Father Lee’s Opera Quiz Book............................. 52<br />
Lee, M.O. A Season <strong>of</strong> Opera............................................. 53<br />
Lee, M.O. Wagner.............................................................. 53<br />
Lee, M.O. Wagner and the Wonder <strong>of</strong> Art.......................... 53<br />
Lesher Xenophanes <strong>of</strong> Colophon.................................. 36<br />
Levy Tudor Historical Thought (RSART 15).................. 49<br />
Lockett<br />
Anglo-Saxon Psychologies in the Vernacular<br />
and Latin Traditions............................................ 21<br />
Loewenstein & Stevens Early Modern Nationalism and Milton’s England... 57<br />
Lombardi The Syntax <strong>of</strong> Desire........................................... 56<br />
Looney ‘My Muse will have a story to paint’................... 33<br />
Louis Sussex................................................................ 53<br />
Mackenzie The Poetry <strong>of</strong> Place............................................. 31<br />
Mackie, E.A. & Goering Editing Robert Grosseteste................................. 56<br />
Mackie, G. Early Christian Chapels in the West.................... 51<br />
MacKinnon<br />
Excavations <strong>of</strong> San Giovanni di Ruoti, Volume III.59<br />
MacLachlan & Fletcher Virginity Revisited............................................... 59<br />
Magnanini Fairy-Tale Science............................................... 58<br />
Maiorino & Doyle-Anderson Comanini’s The Figino, or On the Purpose<br />
<strong>of</strong> Painting......................................................... 58<br />
Mak How the Page Matters......................................... 4<br />
Makaryk & Tkacz Shakespeare and the Second World War............ 10<br />
Mango The Art <strong>of</strong> the Byzantine Empire 312-1453<br />
(MART 16)......................................................... 40<br />
Mann<br />
Romanesque Architecture and<br />
its Sculptural Decoration.................................... 55<br />
Mansfield Erasmus in the Twentieth Century...................... 53<br />
Mansfield Man on His Own................................................ 53<br />
Mantello & Goering The Letters <strong>of</strong> Robert Grosseteste,<br />
Bishop <strong>of</strong> Lincoln................................................ 56<br />
Marchesi Dante and Augustine......................................... 34<br />
Marks Bookbinding...................................................... 51<br />
Marner St. Cuthbert....................................................... 52<br />
Martin & Scheil Shakespeare/Adaptation/Modern Drama............ 10<br />
Martines<br />
The Social World <strong>of</strong> the Florentine Humanists,<br />
1390-1460 (RSART 17)...................................... 49<br />
Martines An Italian <strong>Renaissance</strong> Sextet............................. 58<br />
Mazzotta Cosmopoeisis..................................................... 58<br />
McAleer Rochester Cathedral, 604-1540.......................... 51<br />
McClure<br />
The Culture <strong>of</strong> Pr<strong>of</strong>essions in Late<br />
<strong>Renaissance</strong> Italy................................................ 54<br />
McCrea Constant Minds................................................. 54<br />
McDonald<br />
History, Literature, and Music in Scotland,<br />
700-1560........................................................... 54<br />
McGee <strong>Medieval</strong> and <strong>Renaissance</strong> Music........................ 53<br />
McGrady Controlling Readers............................................ 56<br />
McKitterick The Trinity Apocalypse........................................ 52<br />
Menon Wanton Words................................................... 53<br />
Meyerson et al ‘A Great Effusion <strong>of</strong> Blood’................................. 53<br />
Migiel A Rhetoric <strong>of</strong> the Decameron............................. 58<br />
Mills Recycling the Cycle............................................ 53<br />
Mize Traditional Subjectivities..................................... 20<br />
Mohamed In the Anteroom <strong>of</strong> Divinity................................ 57<br />
Mohamed & Nyquist Milton and Questions <strong>of</strong> History......................... 25<br />
Moll Before Malory.................................................... 56<br />
Moore The Origins <strong>of</strong> European Dissent (MART 30)....... 42<br />
Moore The Birth <strong>of</strong> Popular Heresy (MART 33)............... 42<br />
Morris The Discovery <strong>of</strong> the Individual 1050-1200<br />
(MART 19)......................................................... 40<br />
Murray, A.C. From Roman to Merovingian Gaul........................ 7<br />
Murray, A.C. Gregory <strong>of</strong> Tours.................................................. 7<br />
Murray, A.C. After Rome’s Fall................................................ 53<br />
Murray, J. Love, Marriage, and Family in the Middle Ages..... 7<br />
Nash Between France and Flanders............................. 51<br />
Neel <strong>Medieval</strong> Families (MART 40).............................. 43<br />
Nelson, B.J. The Persistence <strong>of</strong> Presence................................ 31<br />
Nelson, A. Cambridge (REED 8)........................................... 52<br />
Netzley<br />
Reading, Desire, and the Eucharist in<br />
Early Modern Religious Poetry............................ 27<br />
Nicol Middleton and Rowley....................................... 11<br />
Nissen Kissing the Wild Woman.................................... 32<br />
Nordal Tools <strong>of</strong> Literacy................................................. 56<br />
Oakley The <strong>Medieval</strong> Experience (MART 23)................... 41<br />
O’Brien O’Keeffe Stealing Obedience............................................ 20<br />
O’Brien O’Keeffe & Orchard Latin Learning and English Lore.......................... 55<br />
Oliver The Body Legal in Barbarian Law........................ 17<br />
Oliver The Beginnings <strong>of</strong> English Law........................... 55<br />
Olmsted The Imperfect Friend.......................................... 57<br />
O’Malley et al The Jesuits......................................................... 54<br />
Orchard Pride and Prodigies............................................. 55<br />
O’Sullivan<br />
Marian Devotion in Thirteenth-Century<br />
French Lyric........................................................ 56<br />
Pabel Conversing with God......................................... 53<br />
Pabel & Vessey Holy Scripture Speaks......................................... 53<br />
Page, S. Astrology in <strong>Medieval</strong> Manuscripts..................... 51<br />
Page, S. Magic in <strong>Medieval</strong> Manuscripts.......................... 51<br />
Page, R.I. Chronicles <strong>of</strong> the Vikings.................................... 54<br />
Painter William Marshal (MART 13)................................ 39<br />
Pallister Between Worlds................................................. 57<br />
Papio Boccaccio’s Expositions on Dante’s Comedy........ 58<br />
Parker<br />
A Critical Edition <strong>of</strong> Robert Barnes’<br />
‘A Supplication Unto’......................................... 57<br />
Parker<br />
An exhortation to the diligent studye <strong>of</strong><br />
scripture............................................................. 57<br />
Parker & Krajewski William Roye’s A Brefe Dialoge bitwene<br />
a Christen Father................................................ 58<br />
Partridge & Kwakkel Author, Reader, Book......................................... 23<br />
Pilkinton Bristol (REED 13)................................................ 52<br />
Platt King Death......................................................... 54<br />
Porter Courtly Love in <strong>Medieval</strong> Manuscripts................ 51<br />
Porter <strong>Medieval</strong> Warfare in Manuscripts....................... 52<br />
62 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press
INDEX<br />
Pulsiano Old English Glossed Psalters Pss. 150.................. 55<br />
Quinones Erasmus and Voltaire.......................................... 15<br />
Quitslund Spenser’s Supreme Fiction.................................. 58<br />
Raffa Divine Dialectic................................................... 58<br />
Raguin et al Artistic Integration in Gothic Buildings................ 51<br />
Randall The Gargantuan Polity........................................ 57<br />
Ray Writing Gender in Women’s Letter Collections.... 58<br />
Raymo & Whitaker The Mirroure <strong>of</strong> the Worlde................................ 45<br />
Renevey & Whitehead Writing Religious Women................................... 56<br />
Rhodes Dressed to Kill.................................................... 30<br />
Richardson Reading and Variant in Petronius........................ 59<br />
Robins Textual Cultures <strong>of</strong> <strong>Medieval</strong> Italy....................... 33<br />
Robinson Heraclitus........................................................... 36<br />
Rogerson Playing a Part in History...................................... 53<br />
Romanchuk<br />
Byzantine Hermeneutics and<br />
Pedagogy in the Russian North........................... 54<br />
Rosemann The Story <strong>of</strong> a Great <strong>Medieval</strong> Book..................... 9<br />
Rosenwein A Short History <strong>of</strong> the Middle Ages...................... 8<br />
Rosenwein Reading the Middle Ages..................................... 8<br />
Roskill<br />
Dolce’s Aretino and Venetian Art Theory<br />
<strong>of</strong> the Cinquecento (RSART 10)......................... 48<br />
Ross Figuring the Feminine......................................... 56<br />
Roush Hermes’ Lyre...................................................... 58<br />
Rudd The Classical Tradition in Operation.................... 59<br />
Rummel Editing Texts from the Age <strong>of</strong> Erasmus............... 53<br />
Rummel Erasmus on Women........................................... 53<br />
Rummel The Erasmus Reader........................................... 53<br />
Rummel The Case Against Johann Reuchlin..................... 54<br />
Rummel The Correspondence <strong>of</strong> Wolfgang Capito........... 54<br />
Samuelsson Religion and Economic Action (RSART 3)............ 46<br />
Schiban<strong>of</strong>f Chaucer’s Queer Poetics..................................... 56<br />
Schiesari Beasts and Beauties............................................ 33<br />
Schmidt, R. Forms <strong>of</strong> Modernity............................................ 30<br />
Schmidt, T. & Fleury Perceptions <strong>of</strong> the Second Sophistic<br />
and Its Times...................................................... 37<br />
Scoville<br />
Saints and the Audience in<br />
Middle English Biblical Drama............................. 53<br />
Scully The Opera <strong>of</strong> Bartolomeo Scappi (1570)............... 2<br />
Shailor The <strong>Medieval</strong> Book (MART 28)........................... 41<br />
Shaw Bringing in the Sheaves...................................... 37<br />
Shawver Thomas Usk’s Testament <strong>of</strong> Love........................ 56<br />
Sheehan Marriage, Family, and Law in <strong>Medieval</strong> Europe... 54<br />
Sheppard Families <strong>of</strong> the King............................................ 55<br />
Shinners <strong>Medieval</strong> Popular Religion, 1000-1500................. 7<br />
Shuger<br />
Habits <strong>of</strong> Thought in the English <strong>Renaissance</strong><br />
(RSART 6)........................................................... 47<br />
Simpson Excavations <strong>of</strong> San Giovanni di Ruoti, Volume II.. 59<br />
Slights Shakespeare’s Comic Commonwealths............... 57<br />
Slocum Liturgies in Honour <strong>of</strong> Thomas Beckett............... 52<br />
Smail & Gibson Vengeance in <strong>Medieval</strong> Europe............................. 7<br />
Small & Buck Excavations <strong>of</strong> San Giovanni di Ruoti, Volume I... 59<br />
Smith, K.A. The Taymouth Hours............................................ 4<br />
Smith, K.A.<br />
Art, Identity, and Devotion in<br />
Fourteenth-Century England.............................. 51<br />
Smith, S.T. Land and Book................................................... 20<br />
Somerset Shropshire.......................................................... 53<br />
Somerville & McDonald The Viking Age.................................................... 6<br />
Springer Armour and Masculinity in the Italian <strong>Renaissance</strong>..... 3<br />
Stanivukovic Ovid and the <strong>Renaissance</strong> Body.......................... 57<br />
Steen Verse and Virtuosity........................................... 55<br />
Stoicheff & Taylor The Future <strong>of</strong> the Page....................................... 51<br />
Stokes Lincolnshire (REED 21)........................................ 52<br />
Stokes Somerset, including Bath.................................... 53<br />
Stone & Stirling Mortuary Landscapes <strong>of</strong> North Africa................. 59<br />
Stouck <strong>Medieval</strong> Saints.................................................... 7<br />
Stouck A Short Reader <strong>of</strong> <strong>Medieval</strong> Saints........................ 7<br />
Sutton Chaucer’s Pardoner’s Prologue and Tale.............. 56<br />
Syros Marsilius <strong>of</strong> Padua.............................................. 16<br />
Taylor, C.C.W. The Atomists...................................................... 36<br />
Taylor, L.J. Soldiers <strong>of</strong> Christ (RSART 14).............................. 48<br />
Terasawa Old English Metre................................................ 9<br />
Terpening Lodovico Dolce................................................... 54<br />
Thompson The Outrageous Juan Rana Entremeses.............. 53<br />
Thompson The Triumphant Juan Rana................................. 53<br />
Thomson Catullus............................................................. 59<br />
Thrupp Change in <strong>Medieval</strong> Society (MART 22).............. 41<br />
Tierney The Crisis <strong>of</strong> Church and State 1050-1300<br />
(MART 21)......................................................... 41<br />
Tiner<br />
Teaching with the Records <strong>of</strong><br />
Early English Drama............................................ 53<br />
Trilling The Aesthetics <strong>of</strong> Nostalgia................................ 55<br />
Tromly Fathers and Sons in Shakespeare........................ 11<br />
Tromly Playing with Desire............................................. 57<br />
Twyman Printing.............................................................. 52<br />
Ullman Ancient Writing and its Influence (MART 10)...... 39<br />
van Houts Gender and Memory in <strong>Medieval</strong> Europe........... 54<br />
Verdicchio The Poetics <strong>of</strong> Dante’s Paradiso.......................... 35<br />
Vessey et al The Calling <strong>of</strong> the Nations.................................. 18<br />
Vives On Assistance to the Poor (RSART 9)................. 47<br />
Wace & Layamon Arthurian Chronicles (MART 35)......................... 42<br />
Wackernagel<br />
The World <strong>of</strong> the Florentine <strong>Renaissance</strong> Artist<br />
(RSART 18)......................................................... 49<br />
Waddington Looking into Providences.................................... 25<br />
Waddington Aretino’s Satyr.................................................... 58<br />
Waite Reformers on Stage............................................ 53<br />
Waite Eradicating the Devil’s Minions........................... 54<br />
Wallis <strong>Medieval</strong> Medicine............................................... 6<br />
Wanner Snorri Sturluson and the Edda............................ 56<br />
Warkentin & Podruchny Decentring the <strong>Renaissance</strong>................................ 54<br />
Wasson Devon (REED 7).................................................. 52<br />
Watt <strong>Medieval</strong> Women in their Communities.............. 54<br />
Weaver The Decameron First Day in Perspective.............. 58<br />
Whalen, B.E. Pilgrimage in the Middle Ages.............................. 6<br />
Whalen, J. The Poetry <strong>of</strong> Immanence................................... 57<br />
Wickersham Rituals <strong>of</strong> Prosecution......................................... 17<br />
Williams Williams’ Hebrew Syntax.................................... 59<br />
Wilson, B. The World in Venice........................................... 55<br />
Wilson, M. Aristotle’s Theory <strong>of</strong> the Unity <strong>of</strong> Science............ 59<br />
Winter Studies in Hellenistic Architecture....................... 59<br />
Withers<br />
The Illustrated Old English Hexateuch,<br />
Cotton Ms. Claudius B.iv.................................... 54<br />
Wolf Jews in the Canary Islands (RSART 13)................ 48<br />
Woodward<br />
Vittorino da Feltre and Other<br />
Humanist Educators (RSART 5)........................... 47<br />
Woolfson Padua and the Tudors......................................... 54<br />
Wright, C.D. et al Source <strong>of</strong> Wisdom.............................................. 55<br />
Wright, D.H.<br />
The Roman Vergil and the Origins<br />
<strong>of</strong> <strong>Medieval</strong> Book Design.................................... 52<br />
Wright, N.E. et al Women, Property, and the Letters <strong>of</strong><br />
the Law in Early Modern England....................... 55<br />
Yardley Justin and Pompeius Trogus................................ 59<br />
Young The English Emblem Tradition, Volume 3............ 51<br />
Young The English Emblem Tradition, Volume 5............ 51<br />
Zacher Preaching the Converted.................................... 55<br />
Zacher & Orchard New Readings in the Vercelli Book...................... 55<br />
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