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London Musicals 2005-2009.pub - Over The Footlights

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SIDE BY SIDE BY SONDHEIM (2 nd Revival)<br />

<strong>London</strong> run: Upstairs at the Gatehouse, May 28 th - July 3rd<br />

Music: Stephen Sondheim & others<br />

Lyrics: Stephen Sondheim<br />

Director-Choreographer: Racky Plews<br />

Musical Director: Chris Lambert<br />

Cast: Nikki Gerrard, Susie Harriet, James Pearson,<br />

Andrew MacDonald (Narrator)<br />

Notes: This production avoided the<br />

standard “evening-dress” concert-type<br />

approach, and staged the numbers often in<br />

costume, with props, and with the male<br />

performer occasionally going into drag to<br />

join the girls.<br />

During the run there was a regular change<br />

of narrators.<br />

Original <strong>London</strong> run:<br />

Mermaid <strong>The</strong>atre, May 1976;<br />

First revival: Greenwich <strong>The</strong>atre, July 1997<br />

<strong>2005</strong><br />

8<br />

THE MUSICAL MEDIUM<br />

<strong>London</strong> run: Landor, May 31 st – June 18 th<br />

Music & Lyrics: Stuart Wood<br />

Director: Robert McWhir<br />

Musical Director: Stuart Wood<br />

Cast: Carol Ball (Peggy Trivet),<br />

Leo Andrew (Schubert),<br />

Paul Spicer (George),<br />

Colleen Daley (Despina)<br />

Story: Frumpy piano teacher, Peggy Trivet, is also a practising medium, and is in frequent contact with dead<br />

composers: Beethoven working on his 10 th Symphony, Wagner on a sequel to his Ring Cycle. But her main<br />

contact is Franz Schubert, who has written another song, and would like her to release it to the world. Schubert<br />

is also impressed by her talented piano pupil, George, and wants Peggy help George escape the clutches of his<br />

mad Greek mother, Despina, and go off to study at the Juilliard School. (Thanks to a racing tip from Schubert’s<br />

long-dead sister, Clara, George is able to earn the financial means to carry out his studies.)<br />

Photo by Stagephoto<br />

Notes: This was considered to be<br />

a fun idea for a show, and<br />

containing a very promising score<br />

and lyrics. <strong>The</strong> book was in<br />

urgent need of development, and<br />

the whole venture was not helped<br />

by being performed to recorded<br />

music. However, Stuart Wood<br />

was reckoned to be a talent worth<br />

watching.<br />

Leo Andrew, Carol Ball,<br />

Paul Spicer & Colleen Daley

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