December, 2006 - WPS
December, 2006 - WPS
December, 2006 - WPS
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IN FOCUS<br />
Robert A. Baron, editor<br />
Web edition: Dick Budnik<br />
+++++<br />
newsletter: infocus@studiolo.org<br />
webpage: Webmaster@<strong>WPS</strong>photo.org<br />
+++++<br />
Board of Directors for <strong>WPS</strong><br />
DICK BUDNIK:<br />
President, Chairman of the Board,<br />
Competition Scorekeeper & WebMaster<br />
CHARLIE KOENIG:<br />
Treasurer & Corporate Secretary<br />
Board Liaison, Executive Vice President<br />
ALBERT TANG:<br />
Recording Secretary,<br />
Assistant Treasurer<br />
MARTIN KANTOR:<br />
Program Director, WCC Liaison<br />
LOIS BARKER:<br />
Exhibits Chairman, Guest Book,<br />
Membership Packs<br />
RON CARRAN:<br />
Field Trips<br />
ROBERT BARON:<br />
Newsletter Managing Editor<br />
JOE POLLOCK:<br />
WCC Photography Liaison<br />
HARRY ARCHER:<br />
Digital & Technical Support<br />
+++++<br />
Volunteers<br />
GLEN HALL:<br />
<strong>WPS</strong> Historian<br />
ROSE ANN & WALTER KIMMEL:<br />
Competition Coordinators<br />
ELINOR STECKER-OREL<br />
Staff Photographer<br />
ROGER CHENAULT:<br />
Competition Judge Coordinator<br />
DEBORAH COHEN:<br />
Club Publicity Chairperson<br />
+++++<br />
Committees<br />
COMPETITION SLIDE<br />
PRESENTATIONS:<br />
Carol Finley & Dennis Thornton<br />
HOST/HOSTESS COMMITTEE:<br />
Lois Barker, Deborah Cohen<br />
HOSPITALITY COORDINATORS:<br />
Janet King & Marty Bernstein<br />
COMPETITION EVALUATION<br />
COMMITTEE:<br />
Dick Budnik, Lois Barker,<br />
Elinor Stecker-Orel,<br />
Harvey Augenbraun<br />
GREETER PROGRAM:<br />
Ann & Bob Harper<br />
CONTACT INFORMATION<br />
Dear readers: Your comments and<br />
suggestions are always welcome and<br />
should be addressed as follows:<br />
• If concerning the <strong>WPS</strong> Newsletter,<br />
In Focus, address comments to<br />
the editor, Robert Baron at:<br />
infocus@studiolo.org<br />
• If concerning our website,<br />
address comments to our<br />
Webmaster, Dick Budnik, at:<br />
webmaster@<strong>WPS</strong>photo.org<br />
• All other comments should be<br />
addressed to our President,<br />
Dick Budnik at:<br />
dickbudnik@verizon.net<br />
IN FOCUS<br />
Now Accepts<br />
ADVERTISING<br />
On the web, see<br />
www.wpsphoto.org/<br />
AdvertisingRates.htm<br />
www.wpsphoto.ort/AdvertisingRates.htm<br />
Notice for Mail Recipients of<br />
IN FOCUS<br />
Current and past issues of IN FOCUS may be<br />
retrieved at the following web address:<br />
wpsphoto.org/Newsletters.htm<br />
Individuals with special needs, or those who cannot<br />
access the on-line version, are asked to contact<br />
IN FOCUS, Robert Baron, editor, P.O. Box 93<br />
Larchmont, NY 10538<br />
The Westchester<br />
Photographic Society<br />
meets 12 months a year. Our weekly<br />
meetings are on Friday evenings at 8:00pm<br />
(excepting school holidays) in the<br />
Technology Building<br />
(across from parking lot 11) of<br />
Westchester Community College,<br />
Valhalla, N.Y. Guests are welcome.<br />
COPYRIGHT NOTICE: Unless specifically noted herein,<br />
all images and articles are copyrighted by their respective<br />
authors. Clip-art is used under license from Microsoft<br />
Corporation and other sources. This publication is the<br />
copyrighted property of the Westchester Photographic<br />
Society (<strong>WPS</strong>) and may not be reprinted in whole or in<br />
part without its expressed written permission, with the<br />
usual exceptions for fair use as defined by §107 of the<br />
U.S. Copyright code.<br />
Through My<br />
Electronic<br />
ViewFinder<br />
by Dick Budnik<br />
12/01/06 – The Day Film Finally<br />
Died (for me at least). Five years<br />
ago this month Elinor showed me a<br />
Minolta DiMAGE 7. It was the first<br />
time I had looked through an Electronic<br />
Viewfinder (EVF) on a still<br />
camera. She said it gave great images<br />
but she hated the EVF.<br />
Instantly, I fell in love with it.<br />
Imagine, as I changed the exposure,<br />
the EVF lightened or darkened to<br />
show me what the image would<br />
actually look like before I took the<br />
picture. For the previous thirty-five<br />
years of my photography, I had to<br />
guess at my exposures. How many<br />
tens of thousands of slides had I<br />
thrown out due to bad exposures<br />
The next morning I ordered the<br />
camera from B&H.<br />
In the past five years I have used<br />
the D7 and its sixth generation successor,<br />
the A200, to capture over<br />
70, 000 images. I had still kept my<br />
three Olympus film cameras handy<br />
just in case I ever needed to shoot<br />
film again. However, the only film I<br />
shot throughout this period were a<br />
few rolls of slides needed for giving<br />
lectures with a slide projector.<br />
These were PowerPoint images shot<br />
off of my computer monitor or slide<br />
duplicates shot with a 1:1 slide copier<br />
attached to my film camera.<br />
Reality hit me as I was modifying<br />
(Continued on page 3)<br />
Front Cover: Digital Photo<br />
by Eileen Kantor<br />
Blue Plastic<br />
See further, p. 5<br />
IN FOCUS is a member of the PSA Photo Editors Group.<br />
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