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December, 2006 - WPS

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IN FOCUS<br />

Robert A. Baron, editor<br />

Web edition: Dick Budnik<br />

+++++<br />

newsletter: infocus@studiolo.org<br />

webpage: Webmaster@<strong>WPS</strong>photo.org<br />

+++++<br />

Board of Directors for <strong>WPS</strong><br />

DICK BUDNIK:<br />

President, Chairman of the Board,<br />

Competition Scorekeeper & WebMaster<br />

CHARLIE KOENIG:<br />

Treasurer & Corporate Secretary<br />

Board Liaison, Executive Vice President<br />

ALBERT TANG:<br />

Recording Secretary,<br />

Assistant Treasurer<br />

MARTIN KANTOR:<br />

Program Director, WCC Liaison<br />

LOIS BARKER:<br />

Exhibits Chairman, Guest Book,<br />

Membership Packs<br />

RON CARRAN:<br />

Field Trips<br />

ROBERT BARON:<br />

Newsletter Managing Editor<br />

JOE POLLOCK:<br />

WCC Photography Liaison<br />

HARRY ARCHER:<br />

Digital & Technical Support<br />

+++++<br />

Volunteers<br />

GLEN HALL:<br />

<strong>WPS</strong> Historian<br />

ROSE ANN & WALTER KIMMEL:<br />

Competition Coordinators<br />

ELINOR STECKER-OREL<br />

Staff Photographer<br />

ROGER CHENAULT:<br />

Competition Judge Coordinator<br />

DEBORAH COHEN:<br />

Club Publicity Chairperson<br />

+++++<br />

Committees<br />

COMPETITION SLIDE<br />

PRESENTATIONS:<br />

Carol Finley & Dennis Thornton<br />

HOST/HOSTESS COMMITTEE:<br />

Lois Barker, Deborah Cohen<br />

HOSPITALITY COORDINATORS:<br />

Janet King & Marty Bernstein<br />

COMPETITION EVALUATION<br />

COMMITTEE:<br />

Dick Budnik, Lois Barker,<br />

Elinor Stecker-Orel,<br />

Harvey Augenbraun<br />

GREETER PROGRAM:<br />

Ann & Bob Harper<br />

CONTACT INFORMATION<br />

Dear readers: Your comments and<br />

suggestions are always welcome and<br />

should be addressed as follows:<br />

• If concerning the <strong>WPS</strong> Newsletter,<br />

In Focus, address comments to<br />

the editor, Robert Baron at:<br />

infocus@studiolo.org<br />

• If concerning our website,<br />

address comments to our<br />

Webmaster, Dick Budnik, at:<br />

webmaster@<strong>WPS</strong>photo.org<br />

• All other comments should be<br />

addressed to our President,<br />

Dick Budnik at:<br />

dickbudnik@verizon.net<br />

IN FOCUS<br />

Now Accepts<br />

ADVERTISING<br />

On the web, see<br />

www.wpsphoto.org/<br />

AdvertisingRates.htm<br />

www.wpsphoto.ort/AdvertisingRates.htm<br />

Notice for Mail Recipients of<br />

IN FOCUS<br />

Current and past issues of IN FOCUS may be<br />

retrieved at the following web address:<br />

wpsphoto.org/Newsletters.htm<br />

Individuals with special needs, or those who cannot<br />

access the on-line version, are asked to contact<br />

IN FOCUS, Robert Baron, editor, P.O. Box 93<br />

Larchmont, NY 10538<br />

The Westchester<br />

Photographic Society<br />

meets 12 months a year. Our weekly<br />

meetings are on Friday evenings at 8:00pm<br />

(excepting school holidays) in the<br />

Technology Building<br />

(across from parking lot 11) of<br />

Westchester Community College,<br />

Valhalla, N.Y. Guests are welcome.<br />

COPYRIGHT NOTICE: Unless specifically noted herein,<br />

all images and articles are copyrighted by their respective<br />

authors. Clip-art is used under license from Microsoft<br />

Corporation and other sources. This publication is the<br />

copyrighted property of the Westchester Photographic<br />

Society (<strong>WPS</strong>) and may not be reprinted in whole or in<br />

part without its expressed written permission, with the<br />

usual exceptions for fair use as defined by §107 of the<br />

U.S. Copyright code.<br />

Through My<br />

Electronic<br />

ViewFinder<br />

by Dick Budnik<br />

12/01/06 – The Day Film Finally<br />

Died (for me at least). Five years<br />

ago this month Elinor showed me a<br />

Minolta DiMAGE 7. It was the first<br />

time I had looked through an Electronic<br />

Viewfinder (EVF) on a still<br />

camera. She said it gave great images<br />

but she hated the EVF.<br />

Instantly, I fell in love with it.<br />

Imagine, as I changed the exposure,<br />

the EVF lightened or darkened to<br />

show me what the image would<br />

actually look like before I took the<br />

picture. For the previous thirty-five<br />

years of my photography, I had to<br />

guess at my exposures. How many<br />

tens of thousands of slides had I<br />

thrown out due to bad exposures<br />

The next morning I ordered the<br />

camera from B&H.<br />

In the past five years I have used<br />

the D7 and its sixth generation successor,<br />

the A200, to capture over<br />

70, 000 images. I had still kept my<br />

three Olympus film cameras handy<br />

just in case I ever needed to shoot<br />

film again. However, the only film I<br />

shot throughout this period were a<br />

few rolls of slides needed for giving<br />

lectures with a slide projector.<br />

These were PowerPoint images shot<br />

off of my computer monitor or slide<br />

duplicates shot with a 1:1 slide copier<br />

attached to my film camera.<br />

Reality hit me as I was modifying<br />

(Continued on page 3)<br />

Front Cover: Digital Photo<br />

by Eileen Kantor<br />

Blue Plastic<br />

See further, p. 5<br />

IN FOCUS is a member of the PSA Photo Editors Group.<br />

2

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