Kilpatrick Design Case Study - Cooper Carry
Kilpatrick Design Case Study - Cooper Carry
Kilpatrick Design Case Study - Cooper Carry
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Interiors<br />
Connecting people to place
A Tale<br />
of Three<br />
By Brian Parker<br />
Cities<br />
New York, NY
Washington D.C.<br />
With 19 offices around the world,<br />
and corporate headquarters in Midtown Atlanta, we were<br />
thrilled in 2009 when <strong>Kilpatrick</strong> Townsend asked <strong>Cooper</strong><br />
<strong>Carry</strong> to partner with them on three major construction<br />
exercises on which they were about to embark. The next<br />
three years were comprised of back to back design and<br />
construction efforts, totaling more than 337,000 square feet<br />
of new or renovated interior space, in the major markets<br />
of Atlanta, Washington and New York.<br />
With so many offices around the globe, each with its<br />
own distinct national and regional culture, the client<br />
was open to the idea that each of their offices could<br />
look and feel different. They felt it important to give<br />
ownership of the office designs to the local attorneys<br />
and staff. Clearly this would not only allow us to explore<br />
different and distinct design ideas for each space,<br />
it would also create a sense of “buy-in” for the user<br />
groups in each market.<br />
Law firm design has changed and evolved since our first<br />
design project with <strong>Kilpatrick</strong> Townsend twenty years ago.<br />
Despite the freedom we had been given to craft a unique<br />
environment for each office location, it was of critical importance<br />
that each new office reflect the latest philosophies<br />
in how law firms work and operate today. One of these<br />
key changes involved the increasing ratios of senior<br />
attorneys to legal administrative support. In the past,<br />
each partner would be assigned their own legal secretary,<br />
who would also serve two or three associate partners as<br />
well. This was essentially considered a 1:1 ratio. Emerging<br />
trends have moved this ratio near 4:1; with some<br />
firms pushing closer to 5:1. This increasing ratio meant<br />
that square footage previously allocated for legal secretary<br />
support could be redistributed to other uses such<br />
as increased paralegal staff, flexible work areas for case<br />
work, or additional attorney offices.<br />
A second evolution in law firm design was the need for<br />
adaptability and change within the work environment.<br />
With all fixed wall offices, file rooms,<br />
supports spaces, etc, law firms were forced<br />
to work within the confines of the space that<br />
had already been developed, or undergo renovation<br />
work to accommodate a changing need. The<br />
new concept to help alleviate this problem was to create<br />
spaces which were modular in size and could be adapted to<br />
serve multiple purposes through the changing tides a firm<br />
would undergo. This was accomplished in different ways<br />
on each project, some with demountable wall systems and<br />
technology, and others with dimensional modularity to allow<br />
for future flexibility.
The gauntlet had been laid down. The challenge before us was to<br />
renovate 10 floors of 19 year old existing law firm space while the<br />
firm continued to operate and experience no down time. This was<br />
accomplished through extensive coordination with the owner, the<br />
landlord, the contractor, and the design team. The strategy employed<br />
was the generation of a nine phase construction schedule<br />
over a 14 month period in which an entire practice group would<br />
“swing” down to one of the three floors that would ultimately be<br />
given up, thus allowing the contractor to demo and construct a full<br />
floor of renovation at once. This was of course complicated by<br />
tight durations and occupied space above and below the construction<br />
zone. Once complete, furniture was moved in and a practice<br />
group would “swing” back upstairs to their new home; often on a<br />
different floor then where they had started.<br />
toward the desired sustainability goal we were attempting to<br />
achieve. With an existing space, and existing mechanical systems,<br />
the team sought other avenues for the necessary LEED credits.<br />
A few major contributors were a completely new lighting system<br />
consisting of extensive occupancy sensors, 100% new carpet made<br />
of extremely high recycled content and installed with zero glue,<br />
and selective reuse of existing materials such as doors, frames, and<br />
wood trim.<br />
Atlanta<br />
The first and largest of the three projects that <strong>Cooper</strong><br />
<strong>Carry</strong> was to embark on took place in Atlanta. Located<br />
at 1100 Peachtree Street, the firm’s international corporate<br />
headquarters occupied the top thirteen floors of an early<br />
90’s midtown high rise. After an initial search of the Atlanta<br />
office market, the decision was made to remain in their current<br />
home on Peachtree. Capitalizing on their lease renewal,<br />
to achieve more efficiences, it was decided to reduce their<br />
footprint from their existing 13 floors to 10 floors for the<br />
new lease duration; netting close to 227,000 square feet of<br />
renovated space.<br />
Further challenging the design effort was the firm’s decision to<br />
pursue LEED gold certification. A few months before construction,<br />
the landlord announced that the 1100 Peachtree building<br />
would pursue LEED EB (existing building) certification. This<br />
was a tremendous relief as it would help lend a number of credits<br />
The program consisted of one floor of administration space, seven<br />
attorney practice group floors, and two floors of public conference,<br />
library and dining facilities. The administrative floor was the<br />
first to be renovated and consisted of the relocation of a large firm<br />
wide copy and support center, new restrooms, a new break room,<br />
and replacement of all finishes and lighting. The next seven phases<br />
of construction were all focused on the main attorney practice<br />
group floors.<br />
The design concept for the attorney practice floors was a simple<br />
one. We would keep in place the existing exterior corridor wall<br />
which circled the entire floor plate and created a ring of associ-
ate and partner offices all the way around. Each of these offices<br />
would receive new finishes and a brand new high efficiency<br />
lighting system. Everything on the inside of the perimeter office<br />
ring would be demolished to make way for new “flexible” support<br />
spaces, of the which the design concepts were driven by the<br />
aforementioned law firm trends.<br />
The inner most core spaces were used to create both low and high<br />
density filing rooms, break rooms, copy centers and other support<br />
functions. The balance of the space was used to create a secondary<br />
“inner ring” of modular sized rooms which through the use<br />
of a DIRTT demountable partition system, allowed for flexure<br />
to occur. Groups of three modules, called “three packs”, were<br />
created around this ring and would be used for paralegal offices,<br />
war rooms, case assistant space, break out conference rooms and<br />
even small library spaces. The innovation with this concept is the<br />
ability for the firm to remove or install dividing partitions in each<br />
of the three pack zones to create three single offices, one single<br />
office and one double war room, two single offices and a conference<br />
room, etc. One other aspect of the inner ring design was the<br />
creation of dedicated legal secretary stations on all four corners<br />
of the floor. This design helped open up the corners spatially but<br />
also served as an administrative space for each secretary, who<br />
were now serving up to four partners at once. By opening up the<br />
area between the stations, overlap of support was in place for<br />
attorneys who need assistance but find that their administrator is<br />
not available.<br />
Aesthetically we were faced with the juxtaposition of the existing<br />
ornate millwork doors and trim that adorned the previous fit out.<br />
While walking down the ring corridor, you would see the beautiful<br />
and detailed millwork on the outside of the corridor, and a new<br />
more modern aesthetic presented by the demountable DIRTT<br />
partitions on the inside. This play of old vs. new was mitigated by<br />
the inclusion of matching wood panels on the DIRTT fronts and<br />
modulation and rhythm with the way the elevations of the system<br />
were designed. Once in place there was a harmony between the<br />
two which felt pleasing and natural and was perceived as a modernization<br />
of the firm’s 19 year old aesthetic.<br />
The final two phases represented the two most complex and<br />
lengthy construction efforts. The top two floors of the building<br />
housed the firm’s main reception space, a large attorney dining<br />
room, numerous conference rooms, and a large law library. The<br />
decision was made to cut the library square footage in half, another<br />
national trend in law firm design, as the majority of today’s<br />
law materials are available on the company’s digital network.<br />
This opened up square footage to expand the dining room which<br />
would allow the firm to remove the “attorney only” restriction,<br />
thus offering it as an amenity for all employees; yet another<br />
trend in modern day law firm design. Ornate millwork and detail<br />
fill these two “public” facing floors and serve to make a grand<br />
gesture to the firm’s history and stature in the Atlanta legal community.<br />
All new finishes, lighting, and conference room furniture<br />
punctuated this successful renovation and re-stack.<br />
New York<br />
The second project we completed with the firm took place<br />
in the “big apple”. Until this point their New York practice<br />
had been sub leasing space in midtown Manhattan from<br />
another large international law firm. With continued<br />
growth in the New York market the decision was made to<br />
build out new office space to help catalyze their staff expansion<br />
and success. After test fitting a number of buildings on<br />
the midtown skyline, they settled on a space mid way up the<br />
iconic Gordon Bunshaft “Grace” Building at 42nd Street<br />
and 6th Avenue. Overlooking Bryant Park and the New<br />
York Public Library, the 45,000 square feet of new space<br />
would afford them with unobstructed views of the Empire<br />
State Building and lower Manhattan.<br />
Serving as the “design architect” for this effort, while the<br />
building landlord and architect handled the construction<br />
documents and administration, the space was designed as a<br />
team effort with both our DC and New York offices. Inspiration<br />
came from one of nature’s enduring creations found<br />
22 floors below in the Grace Building’s lobby and reception<br />
space. Soft neutral travertine became the foundation of a<br />
material palette which would be described as quiet, calm,<br />
and timeless. A stunning wood veneer called “dyed movingue”<br />
has an almost opalescence in its figuring and cross<br />
fire and punctuates the majestic arrival and reception area<br />
for the firms clients.
The New York staff was culturally receptive to<br />
the design concept incorporating blue leather<br />
seating into all of their conference rooms.<br />
The planning concepts for the New York space were not unlike<br />
those of the Atlanta renovation. A perimeter ring of partner and<br />
associate offices lined by an internal ring of modular offices, work<br />
rooms, and support space. Unlike in Atlanta, the decision for this<br />
project was to use standard walls rather than the demountable<br />
DIRTT system but by using a standard dimensional module, the<br />
firm will be able to accommodate growth and future flexibility.<br />
Corner legal secretary support spaces, again allow for trending<br />
attorney secretary ratios and open up in volume at the ends of the<br />
circulation corridors.<br />
One other driving design concept was the creation of a centralized<br />
client reception and conferencing suite. All of the high end<br />
public spaces were grouped on the central axis of the elevator<br />
lobby which allow for amazing views of the city. This centralization<br />
of functions served as a method of budget control by<br />
focusing the high dollar finishes into one area of the project while<br />
allowing for a more fiscally responsible allocation of funds to the<br />
balance of the floor.<br />
The final punctuation for the New York design effort was the<br />
inclusion of bold “blue” leather seating surfaces in all of the<br />
conference rooms. While not a selection that would have been<br />
made for the Atlanta project, because the firm allows for<br />
individual identity in each office, the New York staff was<br />
culturally open to this dynamic and unique design concept.
Overlooking Bryant Park and the<br />
New York Public Library, the 45,000<br />
square feet of new space would<br />
afford our client with unobstructed<br />
views of the Empire State Building<br />
and lower Manhattan.
Washington D.C.<br />
Our final design and construction effort for <strong>Kilpatrick</strong> Townsend movements which created space for a long linear balcony; which<br />
finished this spring in downtown Washington, DC. With the existed already but was not used. Our proposal was to demolish<br />
all of the offices and support space in this corner of the tenth<br />
White House in view, the historic Westory Building at the corner<br />
of 14th and F Street, has served as the firms DC home for many floor to create a brand new unified reception and conferencing<br />
years. Occupying the top three floors of the building this 65,000+ suite for the firm. This would also allow them to activate and<br />
square foot in place renovation would have some similar challenges<br />
to the Atlanta headquarters project, and would offer up York project, this major shift in thinking would allow for a con-<br />
utilize the exterior balcony as an amenity. Not unlike the New<br />
some new challenges as well.<br />
centration of high end materials in the public area of the project<br />
and both freed up conferencing square footage in other areas of<br />
As currently built, the firm was located on the 9th, 10th and 11th the project while balancing the cost of the finishes in the employee<br />
floors of the building. Clients or guests would take the elevator to centric portions of the office.<br />
the ninth floor and be received in a small, dark, internal reception<br />
space. Attorneys would come greet their guests and escort After seven phases of in place construction were complete, the<br />
them to any number of conference rooms scattered throughout firm had received a top to bottom face lift with new finishes, new<br />
the three floors of the firm. We wanted to change this paradigm lighting, recaptured square footage for filing and workrooms, and<br />
but to do this meant we would have to propose a major change increased secretarial ratios to the same 4:1 level as the previous<br />
to the design concept for the space. One floor up from the current<br />
reception area, the building’s exterior skin has some inward for their large employee break area, bathed in natural<br />
projects. One of the highlights was a completely new design<br />
light,<br />
and showcasing a floor to ceiling mural of Pierre Charles<br />
L’Enfant’s original master plan painting of Washington, DC.<br />
Without question, the most impressive transformation<br />
was the new reception and conferencing suite on the 10th<br />
floor. Exiting the elevator you find the new reception space<br />
adorned with a natural stone floor which turns vertically<br />
to become a 100 foot long stone clad feature wall; linking<br />
conferencing space on both ends. Warm “pickled oak” wood<br />
veneer panels wrap the opposing elevator core and reappear<br />
as accents and furnishings throughout the space. A dynamic<br />
red wall wrapped in a three dimensional fabric create a focal<br />
point of color visible in multiple adjacent conference rooms.<br />
A showpiece boardroom at the end of the axis houses a<br />
spectacular 40 + foot long table complete with an integrated<br />
video conference camera lift and direct access to the exterior<br />
balcony. The corner conference room no doubt serves as the<br />
“pièce de résistance” with views to the White House and the<br />
Washington Monument.
The corner conference room no doubt serves as the<br />
“pièce de résistance” with views to the White House<br />
and the Washington Monument.
<strong>Cooper</strong> <strong>Carry</strong>’s LEED Experience<br />
Interiors<br />
Connecting people to place<br />
<strong>Cooper</strong> <strong>Carry</strong>’s interiors creates well-designed spaces to lift<br />
and inspire the spirit. The studio provides a full range of professional<br />
interior design services, from programming through<br />
space design through the complete selection of fittings, finishes<br />
and furnishings. We are particularly skilled at identifying and<br />
understanding the core vision of a client’s business, permitting<br />
us to bring a high degree of connectiveness and insight<br />
to our projects. We consistently create spaces that support the<br />
client’s mission, rich in architectural language, promoting<br />
interaction, enabling communication and erasing isolation and<br />
separation which can be unhealthy resulting in an unproductive<br />
atmosphere. Our attention to detail leads to spaces that lift<br />
morale, and help to control business operational costs, inevitably<br />
resulting in more beautiful and functional spaces. Each design<br />
represents the embodiment of the character and values of our<br />
client. Each project is a uniquely, aesthetic solution tailored to<br />
reflect the requirements and mission of the client.<br />
22 LEED Certified Projects:<br />
2 Platinum, 9 Gold, 10 Silver, 1 Certified<br />
Arlington Capital View Renaissance and Residence Inn, Arlington,<br />
VA (LEED-NC Silver) 2012<br />
GSAC, FBI Field Office, Charlotte, NC (LEED-NC Silver) 2012<br />
NASA Langley Research Center Headquarters, Hampton, VA<br />
(LEED-NC Platinum) 2011<br />
Kimley-Horn & Associates, Vero Beach Office, Vero Beach, FL<br />
(LEED-NC Silver) 2011<br />
Sarah Smith Intermediate Center, Atlanta Public Schools,<br />
Atlanta, GA (LEED for Schools Silver) 2011<br />
Carolina First Corporate Campus, Building A, Greenville, SC<br />
(LEED-NC Gold) 2010<br />
Carolina First Corporate Campus, Building B, Greenville, SC<br />
(LEED-NC Gold) 2010<br />
<strong>Cooper</strong> <strong>Carry</strong> Atlanta Office Interiors, Atlanta, GA (LEED-CI<br />
Platinum) 2010<br />
Cisco Systems Corporate Campus, Building 6, Lawrenceville, GA<br />
(LEED-NC Gold) 2010<br />
Berry College, Audrey B. Morgan and Deerfield Halls, Mount<br />
Berry, GA (LEED-NC Gold) 2010<br />
Regions Bank at 200 Renaissance, Ridgeland, MS (LEED-CI<br />
Gold) 2010<br />
Regions Bank Insurance Space at 200 Renaissance, Ridgeland,<br />
MS (LEED-CI Gold) 2010<br />
200 Renaissance at Colony Park, Ridgeland, MS (LEED-CS<br />
Gold) 2010<br />
Athens Technical College, Health Sciences Center, Athens, GA<br />
(LEED-NC Silver) 2010<br />
GSA Echelon, FBI Field Office, Jackson, MS (LEED-NC Silver)<br />
2010<br />
University of Georgia, Tate Student Center, Athens, GA<br />
(LEED-NC Gold) 2009<br />
Colonial TownPark 400, Lake Mary, FL (LEED-CS Silver) 2009<br />
<strong>Cooper</strong> <strong>Carry</strong> Alexandria Office Interiors, Alexandria, VA<br />
(LEED-CI Gold) 2008<br />
Metropolitan at Midtown Building B, Charlotte, NC (LEED-CS<br />
Silver) 2008<br />
The Regent at 950 North Glebe Road, Arlington, VA (LEED-CS<br />
Silver) 2008<br />
Atlanta Community Food Bank, Atlanta, GA (LEED-NC<br />
Silver) 2006<br />
Emory Mathematics & Science Center, Atlanta, GA (LEED-NC<br />
Certified) 2005<br />
CURRENTLY IN DESIGN & SEEKING CERTIFICATION<br />
Office/Corporate<br />
800 North Glebe Road Building A, Arlington, VA (LEED-CS<br />
<strong>Kilpatrick</strong> Townsend, Atlanta, GA (LEED-CI Gold)<br />
Hospitality<br />
Charleston Kimpton Hotel & Retail, Charleston, SC (LEED-NC)<br />
Marriott Marquis Convention Center Hotel, Washington, DC<br />
(LEED-NC Silver)<br />
Historic Riverside Hotel & Spa Expansion and Renovation, Fort<br />
Lauderdale, FL (LEED-NC)<br />
Perimeter W Hotel, Atlanta, GA (LEED-CI)<br />
Government<br />
NAVFAC P-8A Integrated Training Center, Jacksonville, FL<br />
(LEED-NC Gold)<br />
USACE, Deployment Readiness & Training Center, Robins Air<br />
Force Base, GA (LEED-NC Silver)<br />
GSA Armed Forces Retirement Home, Washington, DC<br />
(LEED-NC Gold)<br />
Education<br />
North Carolina State University, Talley Student Center Additions<br />
& Renovations, Raleigh, NC, (LEED-NC v2009 Silver)<br />
Kennesaw State University, Health Sciences Building, Kennesaw,<br />
GA (LEED-NC Silver)<br />
Gwinnet Technical College Life Sciences Building, Lawrenceville,<br />
GA (LEED-CI Silver)<br />
Auburn University, School of Pharmacy Renovation, Auburn,<br />
AL (LEED-CI Silver)<br />
Southern Polytechnic State University, Engineering Technology<br />
Center, Marietta, GA (LEED-NC Silver)<br />
Southern Polytechnic State University, Architectural Studio<br />
Addition, Marietta, GA (LEED-NC Gold)<br />
Emory University Chemistry Building Addition and Renovation,<br />
Atlanta, GA (LEED-NC Gold)<br />
The George Washington University VSTC Conservation<br />
Facility, Ashburn, VA (LEED 2009 for Core & Shell<br />
Development)<br />
Mixed-Use<br />
1900 Crystal Drive, Crystal City, VA (LEED-CS Gold)<br />
East Harlem Media and Entertainment Center, New York, NY<br />
(LEED-NC Silver)<br />
Wardman West, Washington, DC (LEED-NC Silver)
Atlanta New York Washington<br />
coopercarry.com<br />
© <strong>Cooper</strong> <strong>Carry</strong>, inc. 2013<br />
Rev. 3-14-13