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Detroit Research Volume 1

Detroit Research Volume

1 DETROIT RESEARCH post-studio art, choreography, ceramics, music, performance, critical theory Vol.1. Spring/ Fall 2014 Of Spaces

  • Page 4 and 5: 4 Detroit Research no. 1 is dedicat
  • Page 6 and 7: 6 Journal for Artistic Research (JA
  • Page 8 and 9: 8 CONTENTS OF SPACES Michael Stone-
  • Page 10 and 11: 10 Photo on cover / Scott Hocking,
  • Page 12 and 13: 1 OF SPACES
  • Page 14 and 15: 3 3 arts in Detroit, the changing s
  • Page 16 and 17: 5 5 outlets for a new type of art-u
  • Page 20 and 21: 9 Paul Schwarz Originally published
  • Page 22 and 23: 11 I had a couple of simple rules I
  • Page 24 and 25: 13 Originally published in Ground U
  • Page 26 and 27: A VISIT WITH TIM AND MARILYN MAST 1
  • Page 28 and 29: 15 In addition to to forty years at
  • Page 30: - y s - - s 17 Marcia Marcia Polenb
  • Page 33 and 34: 20 The Mast collection awakened me
  • Page 35 and 36: which, moreover, has not yet entere
  • Page 37 and 38: 24 Upper: David Shaner, “Cirque
  • Page 39 and 40: 26 obert Robert Sperry, Sperry, Unt
  • Page 41 and 42: 28 - the color of the future even l
  • Page 43 and 44: 30 Memory Field, 2010, a form of ea
  • Page 45 and 46: 32 _________________________ 1 The
  • Page 47 and 48: Retreating / Retracing Space: Scott
  • Page 49 and 50: 36 of the Gods, 2009 - 2011. This s
  • Page 51 and 52: 38 It is in this light that it beco
  • Page 53 and 54:

    40 little that there be of reality)

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    42 _________________________ 12 The

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    45 “Since the trade of the war is

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    47 Detroit has been many things. Wh

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    49 Fig. 4. Fox Creek Lamp - Scott H

  • Page 65 and 66:

    Hocking traverses vacant sites in f

  • Page 67 and 68:

    54 Fig. 7. The Egg and MCTS #6005,

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    others might look at it and laugh.

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    58 Fig. 11. The Egg and MCTS #4000,

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    I think that is certainly appealing

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    uildings that aren’t very persona

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    65 Image courtesy of William Henry

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    67 Image courtesy of William Henry

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    69 On another wall, beneath a hand-

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    71 Fig. 18. (above) Tire Pyramid La

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    73 On the gallery floor, “playgro

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    75 Images courtesy of the artist

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    77 International aphorism, “the b

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    79 Ziggurat (2007-2008) documents a

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    81 Images from Ride It Sculpture Pa

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    83 Notes: _____________________ 1 T

  • Page 98:

    85 Fig. 23. Shit - Scott Hocking, 2

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    89 DETROIT -BERLIN: Imaginary Sibli

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    93 Michael E. Smith, Trouble Stand,

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    95 be seen within that context, but

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    9 97 Collaboration and Camaraderie:

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    99 continuously suffered a lack of

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    101 Interview with Elysia Borowy, M

  • Page 116 and 117:

    103 keyboards as a way of combining

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    105 Artists under consideration inc

  • Page 120 and 121:

    107 Images courtesy of CAM Raleigh

  • Page 122 and 123:

    109 PUBLIC ENGAGEMENT

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    111 May Day - Officer Johnson, Barb

  • Page 126 and 127:

    113 Acoustic Device 100X (LRAD), a

  • Page 128 and 129:

    115 May Day - Three Mile March. May

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    117 an opportunity that our foremot

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    119 NOTES ON SOCIAL PRACTICE

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    121 The latest claimant to the mant

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    123 The League of Revolutionary Bla

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    125 ARTIST RESEARCH

  • Page 140 and 141:

    127 Paul Chan's Waiting for Godot i

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    129 The articles and written conten

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    131 To make something worthwhile, s

  • Page 146 and 147:

    133 19 Cf. Chan, Waiting, 108, 112.

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    135

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    137 Notes on Biopolitics. On a post

  • Page 152 and 153:

    139 method for study not of the ind

  • Page 154 and 155:

    141 In short, Americans were made b

  • Page 156 and 157:

    143 F. W. Murnau’s Nosferatu, 192

  • Page 158 and 159:

    145 functioning academic institutio

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    147 ________________ 1 Giorgio Agam

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    149 EXPERIMENTAL GEOGRAPHY

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    151 “The space in which we live,

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    153 “...and if we think, after al

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    155 Reprinted courtesy of Glen Mann

  • Page 170 and 171:

    157 Petrova Giberson Country Women

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    159 Country Women (What We Were Loo

  • Page 174 and 175:

    161 PICTURES OF A CITY - SCRAPPERS

  • Page 176 and 177:

    163 (7) Everyday Survival | > Detro

  • Page 178 and 179:

    165 (7) Everyday Survival | > Detro

  • Page 180 and 181:

    167 (7) Everyday Survival | > Detro

  • Page 182 and 183:

    169 Addendum, Summer 2006 Just two

  • Page 184 and 185:

    171 My Own Private Dance Studio Ima

  • Page 186 and 187:

    173 Image courtesy of the artist Th

  • Page 188 and 189:

    175 Image courtesy of the artist

  • Page 190 and 191:

    177 TWO FICTIONS

  • Page 192 and 193:

    179 Livonia, Livonia Andrew Mehall

  • Page 194 and 195:

    181 In a city like Detroit, where m

  • Page 196 and 197:

    183 Shopping malls came to my homet

  • Page 198 and 199:

    185 Up North Jessica Newberry I too

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    187 >Originally published in Stalki

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    189

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    191 Barrett Watten LEARNING FROM DE

  • Page 206 and 207:

    193 REPRESENTING THE NEGATIVE A cur

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    195 metanarratives as a primary tas

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    197 evacuated surfaces, sprawl, and

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    199 Detroit is, in my view, prime t

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    201

  • Page 216 and 217:

    203 I scarcely know of anything but

  • Page 218 and 219:

    205 REVIEWS

  • Page 220 and 221:

    207 Touchdown

  • Page 222 and 223:

    209 (Top to Bottom) Sidelines, 11 o

  • Page 224 and 225:

    211 Pigskin, Hit or Get Hit

  • Page 226 and 227:

    213 I. After shooting a few stills

  • Page 228 and 229:

    215 Sack, The Bench

  • Page 230 and 231:

    217 Celebration

  • Page 232 and 233:

    219 the stands, the sounds of crack

  • Page 234 and 235:

    221 Home and Away

  • Page 236 and 237:

    223 Time Out

  • Page 238 and 239:

    225 The Practice of Outside* George

  • Page 240 and 241:

    227 An Answer To a Zen Question / a

  • Page 242 and 243:

    229 In Search of Water (top to bott

  • Page 244 and 245:

    231 The Morphology of Flow, vinyl d

  • Page 246 and 247:

    233 VISIT DETROIT’S CONTEMPORARY

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    235

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    237

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    239

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    241 BOOKS RECEIVED Detroit Research

  • Page 256 and 257:

    243 Contributors Biba Bell (b. 1976

  • Page 258 and 259:

    245 Sarah Margolis-Piñeo, formerly

  • Page 260:

    247 Detroit Soup courtesy of Amy Ka

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