L'Esprit de Paris - Berenice Christin Terwey
L'Esprit de Paris - Berenice Christin Terwey
L'Esprit de Paris - Berenice Christin Terwey
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BERENICE CHRISTIN TERWEY<br />
violin<br />
PHILOMELA EVA TERWEY<br />
piano<br />
L‘Esprit <strong>de</strong> <strong>Paris</strong><br />
„An evening of won<strong>de</strong>r “ Dresdner Neueste Nachrichten<br />
www.berenice-christin-terwey.<strong>de</strong>
BERENICE CHRISTIN TERWEY<br />
violin<br />
PHILOMELA EVA TERWEY<br />
piano<br />
„L‘esprit <strong>de</strong> <strong>Paris</strong>“<br />
Ravel, Debussy, Messiaen, Franck - the city of <strong>Paris</strong> connects them all.<br />
The violinist <strong>Berenice</strong> <strong>Christin</strong> <strong>Terwey</strong> and her sister Philomela Eva <strong>Terwey</strong><br />
(piano) studied in <strong>Paris</strong> French repertoire with Yvonne Loriod-Messiaen and<br />
with Davina van Wely, a pupil of Georges Enescou in <strong>Paris</strong>.<br />
Motivated by the enthusiasm of their audience for their interpretations of<br />
French composers, such as recently at the Festival Semana Musical Argentina,<br />
in Dres<strong>de</strong>n, Nuremberg etc., both musicians <strong>de</strong>ci<strong>de</strong>d to <strong>de</strong>dicate a recital<br />
programme to French music.<br />
please click on the picture to listen to<br />
Ravel, Brahms, or Bach<br />
On the occasion of their <strong>de</strong>buts at the International Music Festival in Lucerne,<br />
at the Teatro Colsubsidio Bogotà, and in the Palaú <strong>de</strong> la Música Valencia, the<br />
Luzerner Zeitung, El Tiempo Bogotá and Las Provincias are predicting that<br />
they have „a great future“ ahead of them. The Frankfurter Allgemeine Zeitung<br />
<strong>de</strong>scribed their performance as “a complete aesthetic work of spectacular<br />
perfection“.<br />
Their interpretations of French repertoire get „a striking appeal, esprit and elegance,<br />
sometimes even a whirringly grotesque charm“ (Nürnberger Zeitung),<br />
„a crystal-clear brilliance and a fluorescent and auratic substance.“ (FAZ), but<br />
also „amazing expressiveness that it threatens to tear and rip apart, dragging<br />
every soul present in its wake. The electricity was physically palpable. Overwhelming.“<br />
(FLZ, A. Merklein)<br />
For Dietrich Wolf of the Dresdner Neuesten Nachrichten it seemed almost as<br />
if Clau<strong>de</strong> Debussy had “personally <strong>de</strong>dicated (his Sonata in D minor) to the<br />
striking figure of the young <strong>Terwey</strong> and her brilliant playing“.<br />
The performances that they have already given throughout the world are fitting<br />
<strong>de</strong>monstrations of their unique talents, and leave audiences in absolutely no<br />
doubt that they are among the most promising and uniquely interesting artists<br />
in their field.<br />
The venues and events that they have graced in their career so far inclu<strong>de</strong><br />
such renowned halls as the Laeiszhalle in Hamburg, the Tonhalle in Zurich,<br />
the Concertgebouw in Amsterdam, De Doelen in Rotterdam, the Tonhalle<br />
in Düsseldorf, St. John‘s Smith Square in London, the Großes Festspielhaus<br />
in Salzburg, the Musikfestwochen in Lucerne, the Festival Sommets Musicaux<br />
<strong>de</strong> Gstaad, the Internationale Schlossfestspiele Weilburg, the Festival<br />
Mährischer Herbst, the Janacek Theater Brno, the Leipziger Gewandhaus, the<br />
Munich Philharmonic, the Music Aca<strong>de</strong>my in Budapest, the Teatro Ghione in<br />
Rome, the Palau <strong>de</strong> la Musica in Valencia, the Teatro Arias Pérez <strong>de</strong> Colsubsidio<br />
in Bogotá, Columbia, the Concertgebouw in Haarlem, the Festival Semana<br />
Musical Llao Llao in Argentina as well as many others.<br />
www.berenice-christin-terwey.<strong>de</strong><br />
- 2 -
BERENICE CHRISTIN TERWEY<br />
violin<br />
PHILOMELA EVA TERWEY<br />
piano<br />
The biggest newspapers in Argentina, including La Nación, <strong>de</strong>scribed this<br />
unique duo as having „a rare spiritual union, timbral splendour, and finely<br />
measured layers of tone, a first-class technique, and expressive <strong>de</strong>pth“.<br />
„With this recital (they) have given one the festival one of its highlights“<br />
and earned „gigantic ovations and huge enthusiasm from the audience“.<br />
„A splendid and unforgettable evening…“<br />
please click on the picture to listen to<br />
Ravel, Brahms, or Bach<br />
During the process of interpretation, their passion for French litterature and<br />
fine arts, opera, and ballet let them face the aesthetics of the compositions<br />
having a commanding knowledge.<br />
They are interpreters, who always become one with the spirit of the composer<br />
and who convincingly succeed in realising what they feel.<br />
<strong>Berenice</strong> <strong>Christin</strong> <strong>Terwey</strong> plays a violin ma<strong>de</strong> by A. Stradivari (1698), which<br />
was provi<strong>de</strong>d to her by a patron for lifetime use, as well as violin bows ma<strong>de</strong><br />
by the French masters D. Peccatte and F. Lupot at their <strong>Paris</strong>ian ateliers.<br />
The project „L‘Esprit <strong>de</strong> <strong>Paris</strong>“ presents highlights of French repertoire - „like<br />
a revelation“ (Dresdner Neueste Nachrichten)<br />
Please see the following website for more information:<br />
www.berenice-christin-terwey.<strong>de</strong><br />
www.berenice-christin-terwey.<strong>de</strong><br />
- 3 -
BERENICE CHRISTIN TERWEY<br />
violin<br />
PHILOMELA EVA TERWEY<br />
piano<br />
Programme „Fantaisie - Rhapsodie“<br />
Jean Marie Leclair Sonata in D major, op. 9/3<br />
I Adagio molto maestoso<br />
II Allegro<br />
III Sarabanda: Largo<br />
IV Tambourin: Allegro vivace<br />
César Franck<br />
Sonata in A major<br />
I Allegretto ben mo<strong>de</strong>rato<br />
II Allegro<br />
III Recitativo-Fantasia<br />
IV Allegretto poco mosso<br />
- interval -<br />
please click on the picture to listen to<br />
Ravel, Brahms, or Bach<br />
Clau<strong>de</strong> Debussy Sonata in G minor (1918)<br />
I Allegro vivo<br />
II Intermè<strong>de</strong>: Fantasque et léger<br />
III Finale: Très animé<br />
Maurice Ravel<br />
„Tzigane“ Rhapsodie <strong>de</strong> Concert<br />
Programme „Très vif“<br />
Olivier Messiaen Thème et Variations (1932)<br />
Thème: Modéré<br />
Variation 1: Modéré<br />
Variation 2: Modéré, un peu vif<br />
Variation 3: Modéré, avec éclat<br />
Variation 4: Vif et passionné<br />
Variation 5: Très lent<br />
Maurice Ravel<br />
Sonata in G<br />
I Allegro<br />
II Blues: Mo<strong>de</strong>rato<br />
III Perpetuum mobile: Allegro<br />
- interval -<br />
César Franck<br />
Sonata in A major<br />
I Allegretto ben mo<strong>de</strong>rato<br />
II Allegro<br />
III Recitativo-Fantasia<br />
IV Allegretto poco mosso<br />
www.berenice-christin-terwey.<strong>de</strong>