Issue 53 / March 2015
March 2015 issue of Bido Lito! Featuring HOOTON TENNIS CLUB, A LOVELY WAR, MOTHERS, TUNE-YARDS, OPEN MIC CULTURE and much more.
March 2015 issue of Bido Lito! Featuring HOOTON TENNIS CLUB, A LOVELY WAR, MOTHERS, TUNE-YARDS, OPEN MIC CULTURE and much more.
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34<br />
Bido Lito! <strong>March</strong> <strong>2015</strong><br />
Reviews<br />
Binkbeats (Nata Moraru)<br />
year and haven’t touched since. Inkarta is sort<br />
of like that. After months hibernating away,<br />
the only night to cater to the more esoteric<br />
dance-but-not-dance makes a stylish return<br />
in a venue increasingly used for niche nights.<br />
The (temporary?) move from The Kazimier<br />
to the Blade Factory is also an interesting<br />
choice. Whereas the Kaz lends a carnivalesque<br />
atmosphere to any occasion, the closer,<br />
sweatier confines of the Blade Factory tends<br />
to give any event a more… DIY feeling.<br />
And for Wolverhampton-by-way-of-Leeds<br />
opening act PAPER TIGER, this works well.<br />
Their “future bass music” translates live into<br />
Warp and Ninja Tunes-infused, sparkling posteverything<br />
electronica. Jazz flourishes? Check.<br />
Glitchy hip hop beats? Check. Errant MC? Check.<br />
True to the Inkarta style, Paper Tiger stay close<br />
to head-nodding and gentle bopping vibes,<br />
rather than the outright rave zest preferred<br />
by the venue’s new upstairs residents Haus.<br />
While conceptually interesting at first, this is<br />
a case of artists proving more interesting on<br />
record than on stage; while the music itself is<br />
good, it doesn’t quite have enough gravity to<br />
pull through in the live arena.<br />
The main man, BINKBEATS, is a different<br />
kettle of fish entirely. Famed of late for tearing<br />
apart and rebuilding from the ground up<br />
tracks by other dance-not-dance heroes (from<br />
Caribou to Lapalux and Shigeto), Binkbeats has<br />
landed himself a Beats Deconstructed series<br />
for Boiler Room. Live he uses a dizzying array<br />
of instruments and equipment to tweak and<br />
rearrange to giddy effect. Once again, however,<br />
this proves to be conceptually more intriguing<br />
than in the flesh; watching a man in a dark<br />
room hunched over his contraptions only<br />
works if the music itself moves you in some<br />
way beyond the intellectual. Previous Inkarta<br />
visitor Shigeto managed this through heavy<br />
use of percussive experimentation, but with<br />
Binkbeats it winds up feeling insubstantial.<br />
Considering Inkarta’s previous efforts, this<br />
night winds up a little underwhelming, but<br />
then they have been away for the best part of<br />
the year, so we can forgive them the odd wet<br />
kipper of an event.<br />
Laurie Cheeseman / @lauriecheeseman<br />
history of hip hop. Any self-respecting hip<br />
hop head will surely own copies of The<br />
Pharcyde’s Labcabincalifornia and Jurassic 5’s<br />
Quality Control. These artists have released<br />
and produced some of the most important<br />
music of their genre. There’s also the fact that<br />
Slimkid3’s The Pharcyde were collaborators<br />
with probably the most important figure in<br />
modern hip hop: the late, great J Dilla. This<br />
show is happening on the eve of Dilla Day,<br />
and feels like a monumental tribute to such<br />
an inspiring musician.<br />
DJ Numark makes an impact on the<br />
turntables as he runs through about an hour’s<br />
worth of hip hop history. His scratching skills<br />
are a treat, and the guy clearly knows how<br />
to work a crowd. He drops tracks from artists<br />
such as A Tribe Called Quest, The Fugees, DJ<br />
Shadow and, of course, Jurassic 5 and The<br />
Pharcyde. It is a fevered party as Numark<br />
makes the whole venue move and, without<br />
saying a word, has the entire crowd at his<br />
fingertips.<br />
Slimkid3 joins Numark on stage, finally,<br />
and breaks into a fierce spat of conscious,<br />
effortlessly delivered verses. Tracks such as<br />
I Know, Didn’t I, Bom Bom Fiya and What<br />
Are Words For propel the intense energy of<br />
the crowd. This duo carry a chemistry that is<br />
brotherly. This is hip hop how it should be:<br />
raw and honest with the power to unify all<br />
who listen. Slimkid3 and DJ Numark prove<br />
that they are masters of their trade in a<br />
flawless, cathartic show.<br />
Christopher Carr<br />
BINKBEATS<br />
Paper Tiger<br />
INKARTA @ Blade Factory<br />
Some things taste better when you come<br />
back to them after a while away: last night’s<br />
pizza, that novel you started a month ago,<br />
whatever album you were raving about last<br />
PAPERHEAD<br />
Holy Thursday<br />
Harvest Sun @ The Shipping Forecast<br />
It has become something of a recent rarity<br />
to wander into a venue in Liverpool and<br />
not be greeted with the familiar strains of<br />
repetition and effects-laden guitars. Despite<br />
the neo-psych movement's many pros, it is<br />
all perhaps becoming a bit much. However,<br />
in recent months the furore appears to have<br />
died down slightly, and so it’s with fresh ears<br />
and an open, willing mind that I head to the<br />
Shipping Forecast to take in PAPERHEAD.<br />
bidolito.co.uk