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Issue 53 / March 2015

March 2015 issue of Bido Lito! Featuring HOOTON TENNIS CLUB, A LOVELY WAR, MOTHERS, TUNE-YARDS, OPEN MIC CULTURE and much more.

March 2015 issue of Bido Lito! Featuring HOOTON TENNIS CLUB, A LOVELY WAR, MOTHERS, TUNE-YARDS, OPEN MIC CULTURE and much more.

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34<br />

Bido Lito! <strong>March</strong> <strong>2015</strong><br />

Reviews<br />

Binkbeats (Nata Moraru)<br />

year and haven’t touched since. Inkarta is sort<br />

of like that. After months hibernating away,<br />

the only night to cater to the more esoteric<br />

dance-but-not-dance makes a stylish return<br />

in a venue increasingly used for niche nights.<br />

The (temporary?) move from The Kazimier<br />

to the Blade Factory is also an interesting<br />

choice. Whereas the Kaz lends a carnivalesque<br />

atmosphere to any occasion, the closer,<br />

sweatier confines of the Blade Factory tends<br />

to give any event a more… DIY feeling.<br />

And for Wolverhampton-by-way-of-Leeds<br />

opening act PAPER TIGER, this works well.<br />

Their “future bass music” translates live into<br />

Warp and Ninja Tunes-infused, sparkling posteverything<br />

electronica. Jazz flourishes? Check.<br />

Glitchy hip hop beats? Check. Errant MC? Check.<br />

True to the Inkarta style, Paper Tiger stay close<br />

to head-nodding and gentle bopping vibes,<br />

rather than the outright rave zest preferred<br />

by the venue’s new upstairs residents Haus.<br />

While conceptually interesting at first, this is<br />

a case of artists proving more interesting on<br />

record than on stage; while the music itself is<br />

good, it doesn’t quite have enough gravity to<br />

pull through in the live arena.<br />

The main man, BINKBEATS, is a different<br />

kettle of fish entirely. Famed of late for tearing<br />

apart and rebuilding from the ground up<br />

tracks by other dance-not-dance heroes (from<br />

Caribou to Lapalux and Shigeto), Binkbeats has<br />

landed himself a Beats Deconstructed series<br />

for Boiler Room. Live he uses a dizzying array<br />

of instruments and equipment to tweak and<br />

rearrange to giddy effect. Once again, however,<br />

this proves to be conceptually more intriguing<br />

than in the flesh; watching a man in a dark<br />

room hunched over his contraptions only<br />

works if the music itself moves you in some<br />

way beyond the intellectual. Previous Inkarta<br />

visitor Shigeto managed this through heavy<br />

use of percussive experimentation, but with<br />

Binkbeats it winds up feeling insubstantial.<br />

Considering Inkarta’s previous efforts, this<br />

night winds up a little underwhelming, but<br />

then they have been away for the best part of<br />

the year, so we can forgive them the odd wet<br />

kipper of an event.<br />

Laurie Cheeseman / @lauriecheeseman<br />

history of hip hop. Any self-respecting hip<br />

hop head will surely own copies of The<br />

Pharcyde’s Labcabincalifornia and Jurassic 5’s<br />

Quality Control. These artists have released<br />

and produced some of the most important<br />

music of their genre. There’s also the fact that<br />

Slimkid3’s The Pharcyde were collaborators<br />

with probably the most important figure in<br />

modern hip hop: the late, great J Dilla. This<br />

show is happening on the eve of Dilla Day,<br />

and feels like a monumental tribute to such<br />

an inspiring musician.<br />

DJ Numark makes an impact on the<br />

turntables as he runs through about an hour’s<br />

worth of hip hop history. His scratching skills<br />

are a treat, and the guy clearly knows how<br />

to work a crowd. He drops tracks from artists<br />

such as A Tribe Called Quest, The Fugees, DJ<br />

Shadow and, of course, Jurassic 5 and The<br />

Pharcyde. It is a fevered party as Numark<br />

makes the whole venue move and, without<br />

saying a word, has the entire crowd at his<br />

fingertips.<br />

Slimkid3 joins Numark on stage, finally,<br />

and breaks into a fierce spat of conscious,<br />

effortlessly delivered verses. Tracks such as<br />

I Know, Didn’t I, Bom Bom Fiya and What<br />

Are Words For propel the intense energy of<br />

the crowd. This duo carry a chemistry that is<br />

brotherly. This is hip hop how it should be:<br />

raw and honest with the power to unify all<br />

who listen. Slimkid3 and DJ Numark prove<br />

that they are masters of their trade in a<br />

flawless, cathartic show.<br />

Christopher Carr<br />

BINKBEATS<br />

Paper Tiger<br />

INKARTA @ Blade Factory<br />

Some things taste better when you come<br />

back to them after a while away: last night’s<br />

pizza, that novel you started a month ago,<br />

whatever album you were raving about last<br />

PAPERHEAD<br />

Holy Thursday<br />

Harvest Sun @ The Shipping Forecast<br />

It has become something of a recent rarity<br />

to wander into a venue in Liverpool and<br />

not be greeted with the familiar strains of<br />

repetition and effects-laden guitars. Despite<br />

the neo-psych movement's many pros, it is<br />

all perhaps becoming a bit much. However,<br />

in recent months the furore appears to have<br />

died down slightly, and so it’s with fresh ears<br />

and an open, willing mind that I head to the<br />

Shipping Forecast to take in PAPERHEAD.<br />

bidolito.co.uk

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