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Volume 1 | Fall/Winter 2008<br />

MEMBER MAGAZINE<br />

ART<br />

MEETS<br />

WORLD<br />

THE NEW FROST OPENS<br />

Six Exhibitions, Outstanding Programs<br />

and Events, Mark Inaugural Season<br />

1


INSIDE<br />

<strong>The</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> at <strong>Florida</strong> International University is<br />

an AAM accredited museum and Smithsonian affiliate.<br />

<strong>Museum</strong> Hours<br />

From Saturday Nov. 29th, through Sunday, December 7th,<br />

the new <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> will expand hours of operation for<br />

inaugural events and exhibitions. On Wednesday, December<br />

10th, we will resume normal hours of operation as follows:<br />

Tues / Wed / Thurs / Fri / Sat 10am – 5pm<br />

Sun / Noon – 5 pm<br />

<strong>The</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> is closed on all legal holidays.<br />

Admission is free.<br />

Accessibility<br />

Our main entrance is wheelchair accessible and includes<br />

electronic doors. If you require additional arrangements,<br />

please call us at 305.348.6186.<br />

Parking<br />

Visitors may park in metered parking spaces conveniently located<br />

across from the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> in the Blue and Gold garages.<br />

Parking is free on weekends.<br />

Directory<br />

General Information / 305.348.2890<br />

Education and Student Tours / 305.348.6963<br />

Member Services / 305.348.2254<br />

Sculpture Park / 305.348.6283<br />

On the Cover: Clouds + Steps, June 2008,<br />

at <strong>Frost</strong> <strong>Museum</strong>, by Paul Clemence.<br />

HOW WE GOT HERE 10<br />

In this special section, a look back at the<br />

<strong>Frost</strong>’s 31-year history reveals that the once<br />

small gallery became the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong><br />

through vision, leadership and sheer force of will.<br />

<strong>Frost</strong> On View is published three times yearly for members of<br />

<strong>The</strong> <strong>Patricia</strong> & <strong>Phillip</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>.<br />

Editor / Kitty Dumas<br />

Designer / Kirtland House<br />

Contributing Writers / Judith Blumenthal, Nicole Espaillat,<br />

Ana Estrada, Stephanie Guasp, Linda Powers and Susan Thomas<br />

Photographer / Ivan Santiago<br />

About <strong>Frost</strong> on View<br />

This special issue of <strong>Frost</strong> On View, devoted to<br />

the opening of the new <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>, is<br />

dedicated to our founder Jim Couper, Director<br />

Emerita Dahlia Morgan, <strong>Patricia</strong> & <strong>Phillip</strong> <strong>Frost</strong><br />

and to you our donors and members.<br />

Without your vision, dedication and devotion to<br />

<strong>art</strong> education and community, there would be no<br />

<strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>.<br />

Thanks also to our members and friends for your<br />

positive response to our first issue of <strong>Frost</strong> On View<br />

and your encouragement of our efforts. Enjoy.<br />

Kitty Dumas<br />

Editor<br />

Director’s View 3<br />

Acquisitions 4<br />

Exhibitions 6<br />

Modern Masters from<br />

<strong>The</strong> Smithsonian American <strong>Art</strong> <strong>Museum</strong><br />

Simulacra and Essence:<br />

<strong>The</strong> Paintings of Luisa Basnuevo<br />

Florencio Gelabert: Intersections<br />

<strong>The</strong> Figure Past and Present:<br />

Selections from the Permanent Collection<br />

John Henry’s Drawing in Space:<br />

<strong>The</strong> Peninsula Project Illustrated<br />

Andrew Reach: Full Circle<br />

Green Lecture Series 18<br />

NEWS & EVENTS 20<br />

Education 21<br />

HAPPENINGS 22<br />

ART OF GIVING 24<br />

MEMBERS & DONORS 26<br />

frost<strong>art</strong>museum.org<br />

2


DIRECTOR’S VIEW<br />

Dear MemberS,<br />

Whenever the doors of an <strong>art</strong> museum open, so do minds. <strong>Art</strong>, like literature,<br />

challenges and inspires the mind and spirit. Students of every age see,<br />

experience and learn new ways of viewing and interpreting the <strong>world</strong><br />

around them. As a professor of <strong>art</strong> and <strong>art</strong> history, I have seen firsthand the<br />

power of <strong>art</strong> education to turn students into students of the <strong>world</strong>.<br />

<strong>The</strong> opening of the new <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> building is a pivotal moment<br />

in our history as an institution. <strong>The</strong> sheer beauty of the structure, the years<br />

of design and construction and the contributions of those who made it<br />

possible make for an event well worth celebrating.<br />

Dr. Carol Damian<br />

Yet, this grand moment for the <strong>Frost</strong> and <strong>Florida</strong> International University will<br />

soon be overshadowed many times over by the greater impact of the museum<br />

on our community.<br />

For the first time, residents of Miami-Dade County, p<strong>art</strong>icularly students of<br />

all ages, cultures and economic backgrounds will have access to a <strong>world</strong>-class<br />

museum building featuring significant exhibitions and outstanding programs<br />

at no cost. Admission to the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> at FIU and its exhibitions is<br />

free. <strong>The</strong> potential impact on the lives of FIU students and children across<br />

Miami-Dade County is limitless. Our generous donors and members have<br />

allowed us to offer the priceless gifts of both <strong>art</strong> and education. <strong>The</strong>y believe<br />

this community is a worthwhile investment. Access to major <strong>art</strong> exhibitions<br />

and programming, especially in these lean economic times, is a gift of which<br />

we are proud.<br />

Since its opening in 1977, the <strong>Frost</strong>, previously known as <strong>The</strong> <strong>Art</strong> <strong>Museum</strong><br />

at FIU, has never charged admission. P<strong>art</strong> of the mission of the <strong>Frost</strong><br />

is to “enrich and educate the university and local communities as well<br />

as national and international audiences through the universal language<br />

of <strong>art</strong>. <strong>The</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> contributes to the goals of FIU and its<br />

commitment to educate students, provide service to the community and<br />

promote greater understanding by collecting, preserving, presenting and<br />

interpreting a broad range of <strong>art</strong> from around the <strong>world</strong>.” We do not take<br />

this mission lightly. <strong>The</strong> <strong>Frost</strong> is the only <strong>art</strong> museum in western Miami-<br />

Dade, an area long underserved by cultural institutions.<br />

As we open our doors to a new era in our history, we look forward to<br />

seeing you, our members and donors, inside the building you made<br />

possible. We also hope to share this experience with other members of our<br />

local community, students, faculty and visitors from around the country<br />

and the <strong>world</strong>. <strong>The</strong> <strong>Frost</strong> belongs to all of us.<br />

Dr. Carol Damian<br />

Director and Chief Curator<br />

3


ACQUISITIONS<br />

4<br />

Carlos Estevéz<br />

Feminologia Practica, 2005<br />

Mixed media assemblage, 49 1/2” x 37 7/8” x 4”<br />

Gift of Pan American <strong>Art</strong> Projects<br />

Born in Havana, the Miami <strong>art</strong>ist is known for symbolic<br />

work, combining myth and reality, as he presents people<br />

as hybrids, p<strong>art</strong> human, p<strong>art</strong> machine and sometimes<br />

p<strong>art</strong> bird. Inspired by themes of freedom, knowledge and<br />

human existence, his work is based on elements from<br />

alchemy, botanical and mechanical drawings.<br />

Thornton Dial<br />

Lady Know How to Hold the Jungle<br />

Mixed media assemblage, 47 1/4” x 59 1/4”<br />

Gift of Richard Levine, AIA<br />

Born in 1928, this self-taught <strong>art</strong>ist began making <strong>art</strong> after<br />

his retirement. Dial worked as a steelworker, welder carpenter<br />

and a bricklayer around Bessemer, AL, before deciding to<br />

create for his own enjoyment. He was soon discovered by the<br />

<strong>art</strong> <strong>world</strong> and showing his work at galleries and museums,<br />

including <strong>The</strong> New <strong>Museum</strong> in New York and the Whitney<br />

Biennial. His <strong>art</strong> uses African and American traditions to tell<br />

stories, functioning as folktales.<br />

Richard Levine and Jose Calderin also donated a large<br />

collection of works by a number of <strong>art</strong>ists including 35<br />

drawings by Purvis Young and prints by 50 renowned<br />

<strong>art</strong>ists including Picasso and Matisse.<br />

Aramis O’Reilly<br />

Providence, 1998<br />

Graphite drawing on canvas, 12” x 18”<br />

Gift of Susana and Yann Weymouth<br />

in honor of <strong>Patricia</strong> <strong>Frost</strong><br />

<strong>The</strong> critic Juan Espinosa has described O’Reilly’s <strong>art</strong> as<br />

providing “the traditional visual elements of drawing and<br />

painting with scenic, kinetic and musical components.”<br />

Born in Havana, he has had his work exhibited in<br />

museums, galleries and public spaces. A Cintas fellow,<br />

O’Reilly attended the University of Connecticut and<br />

received a Master of Fine <strong>Art</strong>s degree from <strong>Florida</strong><br />

International University. He teaches painting and drawing<br />

at the New World School of the <strong>Art</strong>s in Miami.


Charles Ginnever<br />

Fourth Bridge, 1979<br />

Corten steel, 116” x 240” x 72”<br />

Gift of Gloria and Leonard Luria<br />

in honor of <strong>Patricia</strong> <strong>Frost</strong><br />

In the 1960s and ’70s, Ginnever was a pioneer in the<br />

revival of outdoor sculpture and public <strong>art</strong> in America.<br />

Best known for his large-scale geometric abstractions in<br />

steel which display an intentional patina of rust, Ginnever<br />

came to maturity as a sculptor in 1960s New York. He<br />

characteristically explores the tension between optical<br />

illusions and sculptural reality in his large open form<br />

welded metal constructions.<br />

Steve Tobin<br />

Steelroots, 2008<br />

Steel with white patina, 144” x 336” x 144”<br />

Steve Tobin<br />

Steelroots, 2008<br />

Steel with rust patina, 180” x 240” x 192”<br />

Long-term loan from the <strong>art</strong>ist<br />

Tobin’s Steelroots are an evolution of his signature bronze<br />

Walking Roots series, which culminated in the first and<br />

only 9/11 memorial near Ground Zero. Trinity Root, the<br />

massive bronze casting/sculpture is known for being the<br />

“tree that saved St. Paul’s Chapel” during the World Trade<br />

Center attack.<br />

In 2007, Tobin’s Steelroots was one of 40 sculptures<br />

chosen for the City of New York’s “40 Years of <strong>Art</strong> in the<br />

Parks” retrospective, gracing the entrance to Prospect<br />

Park in Brooklyn. Tobin is known for turning aspects of<br />

nature into sculpture. His work has been shown at the<br />

American <strong>Museum</strong> of Natural History and the American<br />

Craft <strong>Museum</strong>.<br />

<strong>The</strong> sculptures join other Tobin works, Bone Wall,<br />

Walking Roots, and Forest Floor, on loan since 2003.<br />

5


EXHIBITIONS<br />

MODERN<br />

MASTERS<br />

FROM THE<br />

SMITHSONIAN<br />

AMERICAN<br />

ART MUSEUM<br />

Nathan Oliveira, Nineteen Twenty-Three, 1961,<br />

Oil on canvas, 54 1/8” x 50 1/8, Courtesy the<br />

Smithsonian American <strong>Art</strong> <strong>Museum</strong><br />

<strong>The</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> is the first stop on a national tour for<br />

Modern Masters from the Smithsonian American <strong>Art</strong> <strong>Museum</strong>,<br />

which features more than 30 <strong>art</strong>ists who transformed<br />

American <strong>art</strong> in the years after World War II. <strong>The</strong> exhibition<br />

includes five pieces donated to the Smithsonian by <strong>Patricia</strong><br />

and <strong>Phillip</strong> <strong>Frost</strong> in 1986, including works by Josef Albers<br />

and Hans Hofmann.<br />

In this important show, Virginia Mecklenburg, senior<br />

curator for the Smithsonian American <strong>Art</strong> <strong>Museum</strong>,<br />

chronicles the emergence of postwar abstraction, and<br />

Abstract Expressionism in p<strong>art</strong>icular, from the mid-1940s<br />

through its “triumph” in the late 1950s.<br />

Richard Diebenkorn and Nathan Oliveira in California,<br />

immigrants Hans Hofmann and Louise Nevelson, New<br />

Yorkers Franz Kline and Robert Motherwell, and many<br />

more explored powerful color and the nuance of line as<br />

they sought to express what it meant to live in the midtwentieth<br />

century. Some were friends who dropped by each<br />

other’s studios, attended each other’s openings, and then<br />

retired to bars and restaurants to talk about <strong>art</strong>. Others<br />

never met, but knew of the paintings and sculptures created<br />

by their colleagues from reports in the press.<br />

Some of the <strong>art</strong>ists, among them Seymour Lipton<br />

and <strong>The</strong>odore Roszak, probed the dark side of man’s<br />

unconscious. Sam Francis and Adolph Gottlieb explored the<br />

mysteries of space. Helen Frankenthaler and Joan Mitchell<br />

captured the color and light of the natural landscape;<br />

Romare Bearden and Larry Rivers explored meaning in<br />

family and community. Others, including Josef Albers, Ad<br />

Reinhardt and Esteban Vicente, tested the nature of human<br />

perception. <strong>The</strong>y all experimented, reversed course, refined<br />

and readjusted to capture the thoughts, feelings and moods<br />

of America during the Cold War.<br />

Exhibition runs through March 1, 2009.<br />

6


SIMULACRA AND ESSENCE:<br />

THE PAINTINGS OF LUISA BASNUEVO<br />

Florencio Gelabert:<br />

INTERSECTIONS<br />

Luisa Basnuevo, <strong>The</strong> Other Side of <strong>The</strong> River, 2006, Oil on canvas,<br />

66 x 80 inches, Courtesy of the <strong>Art</strong>ist<br />

Luisa Maria Basnuevo’s solo exhibition was the first to hang<br />

in the new <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>, an emotional event for both<br />

Basnuevo and the show’s curator, Jim Couper, founder<br />

of the <strong>Frost</strong> and Basnuevo’s former painting professor.<br />

Basnuevo was one of the first graduates of FIU’s BFA<br />

program and received a Betty Laird Perry Student Award in<br />

1988 upon her graduation. She went on to receive her MFA<br />

in painting and printmaking from Yale University in 1991.<br />

“Luisa has had numerous solo shows, p<strong>art</strong>icipated in<br />

many group exhibitions, has had her work placed in<br />

prestigious collections, and has been the subject of<br />

dozens of reviews and <strong>art</strong>icles,” Couper said. “Her <strong>art</strong> is<br />

rich, mysterious and compelling…”<br />

Simulacra and Essence presents recent works from her<br />

series of large-scale paintings inspired by eucalyptus<br />

seeds she collected in Spain.<br />

“As the title of this exhibition suggests, each canvas is a<br />

synthesis of ideas and images,” says independent curator<br />

Mark Ormond. “In her investigation of the formal issues<br />

of painting, Basnuevo has creatively appropriated shapes<br />

and forms from the real <strong>world</strong> to become vehicles for her<br />

study, as well as material for discourse about her imagined<br />

terrain. Basnuevo’s intuitive combination of referential<br />

elements and process on the same picture plane endows<br />

her paintings with energy of anticipation…”<br />

Exhibition runs through April 4, 2009.<br />

Florencio Gelabert, Birth, 2008, Plywood, Styrofoam, aquaresin, soil, <strong>art</strong>ificial<br />

plant and flowers, 6’ x 3’ x 1’<br />

Florencio Gelabert’s environmentally-based installation<br />

Intersections illustrates the diverse nature of his oeuvre,<br />

from sculptures to video. <strong>The</strong> new show is comprised<br />

of two large-scale sculptures, Birth (2008) and Column<br />

Tree (2008), made in Gelabert’s characteristic style and a<br />

video loop Cycle (2008).<br />

Birth comes from a recent series of works in which<br />

the <strong>art</strong>ist combines <strong>art</strong>ificial elements extracted from<br />

the real <strong>world</strong> and his own creations. <strong>The</strong> result is the<br />

creation of a dramatic fantasy supplemented with a title<br />

that gives the work a figurative reference to the uterus.<br />

Column Tree is comprised of tree trunks made in aquaresin,<br />

burlap, gauze and PVC mirror panels, vertically forming<br />

a 12-foot high column supported by a steel structure. <strong>The</strong><br />

mirrors are arranged as if they were cutting the trunk’s<br />

surface from different angles as the spectator walks around<br />

the piece, constantly changing the perspective.<br />

In Cycle, Gelabert is interested in transcending traditional<br />

notions of sculpture by expanding its definition of threedimensionality<br />

into a multi-media video.<br />

Exhibition runs through February 28, 2009.<br />

7


EXHIBITIONS<br />

<strong>The</strong> FIGURE Past and PrEsenT<br />

Selections from the Permanent<br />

Collection<br />

JOHN HENRY’s<br />

Drawing in Space:<br />

THE PENINSULA PROJECT ILLUSTRATED<br />

Head of an Oba, early 19th century, West Africa, Late Benin Kingdom<br />

Bronze, 16.5 x 11 x 13 inches<br />

For thousands of years, every culture across the <strong>world</strong> has<br />

paid homage to the human body. Today, in a <strong>world</strong> of vastly<br />

expanded knowledge of physical life, <strong>art</strong>ists go beyond the<br />

simple representation of the human body by relating it,<br />

by analogy, to all structures that have become p<strong>art</strong> of our<br />

imaginative and intellectual experience.<br />

This exhibition showcases the similarities and differences<br />

among the traditional cultures of Asia, Africa, Europe and<br />

the Americas, and honors the achievements of the men<br />

and women we now call <strong>art</strong>ists. Many of them were not<br />

<strong>art</strong>ists in the contemporary sense, but rather magicians,<br />

shamans, priests and anonymous servitors of a higher<br />

authority. This selection is meant to introduce the viewer to<br />

the rich traditions associated with figurative representation,<br />

real and imagined, human and animal, and the often<br />

fantastic combinations of both. By casting wide temporal<br />

and geographic nets, the exhibits show the cross-cultural<br />

influences so relevant today, especially in the Miami area.<br />

This selection represents only a small number of works<br />

in <strong>The</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>’s collection of more than<br />

6,000 pieces of <strong>art</strong>.<br />

Exhibition runs through 2010.<br />

Image courtesy the Peninsula Project<br />

This exhibition highlights the process and concept<br />

behind Drawing in Space: <strong>The</strong> Peninsula Project, which<br />

incorporates large scale sculpture into the <strong>Florida</strong><br />

landscape. Henry specifically chose <strong>Florida</strong> for its<br />

peninsular shape which creates a unique geographic<br />

environment. Each individual sculpture invites the viewer<br />

to see the next, thus experiencing a new p<strong>art</strong> of <strong>Florida</strong>.<br />

This is not only an <strong>art</strong> exhibition but a way to provide<br />

a deeper connection between the viewer, the cities and<br />

the sculptures that encourages exploration of the natural<br />

beauty of <strong>Florida</strong>. Along with each outdoor installation, a<br />

local museum p<strong>art</strong>ner hosts an accompanying exhibition.<br />

<strong>The</strong> <strong>Frost</strong> presents the signature exhibition for the<br />

project: Peninsula Project Illustrated and showcases all nine<br />

monumental works in the seven p<strong>art</strong>icipating <strong>Florida</strong><br />

cities. With models of the sculpture and large photographs<br />

of the pieces set in their various landscapes, the show will<br />

illustrate the <strong>art</strong>ist’s unprecedented use of the <strong>Florida</strong><br />

peninsula as his canvas.<br />

Exhibition runs through March 9, 2009.<br />

8


ANDREW REACH:<br />

FULL CIRCLE<br />

Xavier Cortada<br />

THE FOUR ELEMENTS<br />

Andrew Reach, <strong>The</strong>re’s No Place to Hide, 2008, Edition 3 of 3, 40” x 70”<br />

Andrew Reach was working as an architect, helping<br />

to design the new <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>, when his career<br />

ended because of a crippling spinal disease. In an effort<br />

to transcend his pain and physical limitations, he turned<br />

his creative energies to <strong>art</strong>. Lacking the strength to<br />

paint, Reach ultimately created large-format computergenerated<br />

images. Reach’s love for painters Larry Rivers,<br />

Jackson Pollock, and other mid-twentieth century<br />

American <strong>art</strong>ists inspired him to fuse the Abstract<br />

Expressionist’s aesthetic with his interest in Eastern<br />

traditions, Islamic <strong>art</strong> and African patterns. Reach’s<br />

conception of vertebral structures and cellular forms<br />

evolved as he created images through which viewers<br />

might obtain a brief glimpse into the effects of his<br />

debilitating physical condition.<br />

With its ability to heal, <strong>art</strong> provided Reach the means to<br />

transcend his pain and limitations and exist in a space<br />

free of their constraints. With this exhibition, Reach has<br />

brought his career full circle by showing his work at the<br />

<strong>Frost</strong>: the beautiful and innovative structure he helped<br />

design at the close of his architectural career.<br />

Exhibition runs through April 4, 2009.<br />

Photo: Sherry Zambrano<br />

One of the first sights to greet visitors to FIU’s new<br />

<strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> is a stunning 40-foot tapestry created<br />

by celebrated Miami <strong>art</strong>ist Xavier Cortada. <strong>The</strong> piece<br />

entitled “aer” or air, which hangs in the museum’s<br />

soaring atrium, is the first of four commissioned works<br />

that the <strong>art</strong>ist describes as “digital tapestries.” <strong>The</strong><br />

works are inspired by the four elements of water, air,<br />

fire and e<strong>art</strong>h, and will be rotated throughout the year.<br />

Cortada’s work was chosen from among 80 <strong>art</strong>ists who<br />

submitted proposals to the <strong>Frost</strong> for an installation as<br />

p<strong>art</strong> of the state <strong>Art</strong> in Public Buildings Program.<br />

“<strong>The</strong> piece is breath-taking,” said Carol Damian, director<br />

and chief curator of the <strong>Frost</strong>. “Along with our beautiful<br />

building, this work makes quite a first impression.”<br />

Cortada says that the tapestries, composed in striking<br />

colors that relate to each element, suggest “that if we<br />

look more closely at our surroundings, there are new<br />

<strong>world</strong>s to discover. Indeed, inside the museum, there<br />

are works by <strong>art</strong>ists who strive to push boundaries to<br />

further human understanding.”<br />

9


10 1<br />

REASONS TO<br />

VISIT THE NEW<br />

FROST ART MUSEUM<br />

<strong>The</strong> <strong>Frost</strong> begins the season and its next chapter with<br />

a new building, more exhibitions, events and members<br />

than at any other time in its history – a multitude of<br />

gifts worth celebrating. Priming the city for <strong>Art</strong> Basel<br />

Miami Beach and other important upcoming <strong>art</strong> fairs,<br />

the <strong>Frost</strong> opening invites South <strong>Florida</strong> and its visitors to<br />

experience a new <strong>art</strong>s destination.<br />

In the spirit of the opening and the new <strong>art</strong>s season, we<br />

would like to provide you with 10 reasons to visit the<br />

<strong>Frost</strong> this season.<br />

Adolph Gottlieb, Three Discs, 1960, Oil on canvas<br />

Courtesy of the Smithsonian American <strong>Art</strong> <strong>Museum</strong><br />

EXHIBITIONS<br />

Alfred Stieglitz (1980), <strong>The</strong> Marcel<br />

Duchamp Exhibition (1985), Adolph<br />

Gottlieb: Works on Paper (1987) and a<br />

list of other important shows set a new<br />

standard for Miami. Modern Masters<br />

from the Smithsonian American <strong>Art</strong><br />

<strong>Museum</strong> follows that impressive list.<br />

2THE<br />

SCULPTURE PARK<br />

AT FIU<br />

One of the nation’s best<br />

university sculpture parks is<br />

on the museum’s front lawn<br />

and stretches across FIU’s<br />

342-acre campus. Tour the<br />

sculpture park, and see works<br />

from celebrated <strong>art</strong>ists, including<br />

Tony Rosenthal, Steve Tobin,<br />

Charles Ginnever, John Henry<br />

and Jean Claude Rigaud.<br />

10<br />

Steve Tobin, Steelroots, 2008, Steel with white patina


3<br />

KENAN-FLAGLER FAMILY<br />

DISCOVERY GALLERY<br />

Coming in spring 2009, this<br />

centerpiece of the new <strong>Frost</strong> <strong>Art</strong><br />

<strong>Museum</strong> will welcome families,<br />

students and guests with <strong>art</strong><br />

activities designed to educate<br />

and entertain children.<br />

9<br />

Bring a<br />

Friend to<br />

Lunch.<br />

Connoisseur members enjoy lunch,<br />

an exhibition tour and lecture.<br />

THE STEVEN<br />

& DOROTHEA<br />

GREEN<br />

CRITICS’<br />

LECTURE<br />

SERIES<br />

Since 1981, this series has<br />

introduced an array of <strong>art</strong> <strong>world</strong><br />

luminaries to South <strong>Florida</strong> including<br />

Philippe de Montebello, Michael<br />

Graves and Maya Lin.<br />

5<br />

THE FROST ART MUSEUM<br />

<strong>The</strong> building is a work of <strong>art</strong> in itself.<br />

6THE PERMANENT<br />

4<br />

Maya Lin<br />

Photo: Cheung Ching Ming<br />

Head of Buddha, ca. 1300-1400, Siam (Kumpeang Province,<br />

Thailand), gilt, mother-of-pearl, 16.5 x 10.5 x 11.37 inches<br />

COLLECTION<br />

Our collection includes 6,000 works<br />

of <strong>art</strong> from around the <strong>world</strong>. <strong>The</strong><br />

new exhibition <strong>The</strong> Figure Past and<br />

Present: Selections from the Permanent<br />

Collection runs through 2010.<br />

7 10<br />

TARGET WEDNESDAY IT’S<br />

AFTER HOURS<br />

FREE<br />

Great music, dance, films lectures,<br />

poetry slams and performance <strong>art</strong>.<br />

Need we say more?<br />

(Don’t miss Nicole Henry January 7th. Admission is free at <strong>The</strong> <strong>Frost</strong>.<br />

See story on page 19)<br />

<strong>Art</strong> Sm<strong>art</strong> and<br />

<strong>Art</strong> Sm<strong>art</strong> Figures<br />

Our children’s programs<br />

educate, challenge and engage<br />

young <strong>art</strong>ists.<br />

8<br />

11


HOW WE<br />

GOT HERE<br />

MOVING FORWARD LOOKING BACK<br />

As the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> steps into the future with the debut of its<br />

new building, it is with a sense of history. Years from now, visitors<br />

will find it hard to imagine that this major cultural institution<br />

began as a small university gallery in the lone building on a fledgling<br />

campus. A look back at its 31-year history reveals that the gallery<br />

became a museum through vision, leadership and sheer force of will.<br />

Jim Couper, founder of the original Visual <strong>Art</strong>s Gallery, and Director<br />

Emerita Dahlia Morgan, who transformed the gallery into a major <strong>art</strong><br />

museum, created the institution we now know as <strong>The</strong> <strong>Frost</strong>. Couper’s<br />

initial vision and Morgan’s passion changed the landscape of FIU<br />

and Miami. In this special section, they tell us how it all happened,<br />

bridging the past and present.<br />

1977 1978 1979 1980 1981 1982<br />

Jim Couper Opens<br />

Visual <strong>Art</strong>s Gallery<br />

Exhibitions:<br />

<strong>The</strong> Nazi Drawings of<br />

Mauricio Lasansky<br />

Jean Dubuffet<br />

Electronic <strong>Art</strong><br />

Light Works<br />

Exhibition:<br />

Mira, Mira, Mira<br />

Los Cubanos de Miami<br />

Dahlia Morgan<br />

Becomes Director of<br />

Gallery<br />

Betty Laird Perry<br />

Establishes Student<br />

Purchase Award<br />

Exhibition:<br />

Alfred Stieglitz<br />

Exhibition:<br />

<strong>The</strong> Olga Hirshhorn<br />

Collection<br />

Critics’ Lectures:<br />

Marcia Tucker<br />

Critics’ Lectures:<br />

Robert Hughes<br />

12


1983 1984 1985 1986 1987 1988<br />

Critics’ Lectures:<br />

John Cage<br />

Michael Graves<br />

Linda Nochlin<br />

Exhibition:<br />

Anxious Interiors<br />

Critics’ Lectures:<br />

Tom Wolfe<br />

Exhibition:<br />

<strong>The</strong> Marcel Duchamp<br />

Exhibition<br />

Critics’ Lectures:<br />

Roberta Smith<br />

Mark Stevens<br />

Susan Sontag<br />

Critics’ Lectures:<br />

Claes Oldenburg &<br />

Coosje Van Bruggen<br />

Dore Ashton<br />

“American <strong>Art</strong> Today”<br />

Exhibition Series st<strong>art</strong>s<br />

with Portraits<br />

Adolph Gottlieb:<br />

Works on Paper<br />

Recent Sculpture by<br />

Louise Bourgeois<br />

Critics’ Lectures:<br />

Robert Irwin<br />

Robert Storr<br />

Exhibitions:<br />

William Tucker<br />

American <strong>Art</strong> Today:<br />

Narrative Painting<br />

Critics’ Lectures:<br />

Peter Seltz<br />

13


JIM COUPER:<br />

THE NEW<br />

FROST BUILT<br />

ON FOUNDER’s<br />

VISION<br />

As a visual <strong>art</strong>s professor and a painter, Jim Couper<br />

has influenced the lives and careers of thousands of<br />

students and <strong>art</strong> lovers for nearly 40 years. In the<br />

course of doing his work with his characteristic passion,<br />

and easy plain-spoken Southern style, he also achieved<br />

one of his greatest accomplishments. Couper founded<br />

the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>.<br />

More than 30 years later, his initial<br />

vision and direction still define the<br />

<strong>Frost</strong>, and is arguably responsible for its<br />

tremendous success over the years.<br />

What was that vision?<br />

<strong>The</strong> museum opened in 1977 as<br />

the Visual <strong>Art</strong>s Gallery at FIU, a<br />

2,800-square-foot gallery. (It was<br />

renamed the <strong>Art</strong> <strong>Museum</strong> at FIU four<br />

years later, and renamed in honor<br />

of donors <strong>Patricia</strong> & <strong>Phillip</strong> <strong>Frost</strong> in<br />

2003.) Couper’s focus was securing<br />

exhibitions of work by major <strong>art</strong>ists,<br />

while building a teaching arm for the<br />

<strong>art</strong> dep<strong>art</strong>ment.<br />

Although his mission was also<br />

to develop a solid link to the <strong>art</strong><br />

dep<strong>art</strong>ment, “the museum was never<br />

exclusively designed conceptually to<br />

be a student exhibition place,” Couper<br />

said. “I insisted there be a programmatic<br />

link between the museum and the<br />

dep<strong>art</strong>ment. It’s a teaching component<br />

in that sense and an educational<br />

component in a larger sense. It’s<br />

a critical element to the whole <strong>art</strong><br />

experience at FIU.”<br />

Carol Damian, director and chief curator<br />

at the <strong>Frost</strong> and former chairperson of<br />

the School of <strong>Art</strong> and <strong>Art</strong> History, credits<br />

Couper with much more.<br />

“It was Jim Couper who had the<br />

original vision to create a museum that<br />

would also serve as an introduction<br />

to a professional career in the <strong>art</strong>s,”<br />

she said. “Students could see <strong>art</strong>,<br />

study techniques, talk to <strong>art</strong>ists and<br />

understand the entire gallery process,<br />

things not readily available to our<br />

students in South <strong>Florida</strong>. <strong>The</strong>y could<br />

p<strong>art</strong>icipate in the entire experience<br />

of being an <strong>art</strong>ist. It was really the<br />

beginning of our very successful BFA<br />

and MFA programs that prepare<br />

students as <strong>art</strong>ists and as qualified<br />

members of the <strong>art</strong> <strong>world</strong>.”<br />

Successful <strong>art</strong>ist Luisa Basnuevo was<br />

Couper’s student. His instruction and<br />

1989 1990 1991 1992 1993<br />

<strong>The</strong> Metropolitan Collection<br />

Acquired by the <strong>Museum</strong><br />

<strong>The</strong> Cintas Fellow Collection<br />

Exhibits at the <strong>Museum</strong><br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

Contemporary Landscape<br />

Critics’ Lectures:<br />

Philippe de Montebello<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

<strong>The</strong> City<br />

New Aquisition:<br />

<strong>The</strong> Metropolitan Collection<br />

Critics Lectures:<br />

Lucinda Barnes<br />

Frank Stella<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

New Directions<br />

Contemporary<br />

Spanish Paintings<br />

Through the Path of Echoes:<br />

Contemporary <strong>Art</strong> in Mexico<br />

Critics’ Lectures:<br />

Richard Serra<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

Surface Tension<br />

Cuba-USA: <strong>The</strong> First Generation<br />

Anton Tapies In Print<br />

Agustín Fernandez -<br />

A Retrospective<br />

Critics’ Lectures:<br />

Helen Frankenthaler<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

Clothing as Metaphor<br />

Elaine de Kooning<br />

Critics Lectures:<br />

Michael Kimmelman<br />

14


mentoring helped her to overcome her<br />

shyness and fear as an <strong>art</strong>ist. An early<br />

graduate of FIU’s Bachelor of Fine <strong>Art</strong>s<br />

Program, Basnuevo went on to receive<br />

her Master of Fine <strong>Art</strong>s degree from Yale<br />

University. Her exhibition Simulacra<br />

and Essence: <strong>The</strong> Paintings of Luisa<br />

Basnuevo, with Couper as curator, is the<br />

first to hang in the new museum. <strong>The</strong><br />

show is on view in the Betty Laird Perry<br />

Student Gallery.<br />

“He has a good way of talking<br />

about a student’s work without<br />

harshness…and telling you<br />

how you can improve the work,”<br />

BASNUEVO said.<br />

A native of Atlanta, Couper moved<br />

to <strong>Florida</strong> to attend <strong>Florida</strong> State<br />

University where he majored in<br />

painting. He came to Miami in 1963 to<br />

begin his teaching career in Humanities<br />

at the University of Miami. He taught<br />

p<strong>art</strong>-time at Miami-Dade Community<br />

College and was <strong>art</strong>ist in residence at<br />

the former Miami <strong>Art</strong> Center.<br />

When FIU opened its doors in 1972,<br />

Couper was hired as a painting professor<br />

by the founder of the university’s <strong>art</strong><br />

dep<strong>art</strong>ment, Frank Wyroba, who knew<br />

of Couper’s success as a teacher. Couper<br />

felt extremely fortunate to land the job.<br />

“A lot of <strong>art</strong>ists wanted that position.<br />

FIU was a hot new place,” Couper said.<br />

<strong>Museum</strong> founder Jim Couper, Director Carol Damian<br />

and Luisa Basnuevo enjoy the moment after the<br />

installation of Basnuevo’s exhibition, Simulacra and<br />

Essence: <strong>The</strong> Paintings of Luisa Basnuevo. <strong>The</strong><br />

exhibition, curated by Couper, was the first to hang in<br />

the new museum building.<br />

“I was the lucky one.”<br />

During the interview, Wyroba asked<br />

Couper if he would be willing to<br />

establish the museum and assume the<br />

directorship. Couper agreed.<br />

When Couper signed on, FIU’s total<br />

enrollment was 5,000 students, and<br />

the campus had only one building, the<br />

Primera Casa or PC building. FIU was<br />

still a two-year college using trailers for<br />

classrooms.<br />

“Despite the absence of infrastructure,<br />

there was a great deal of excitement<br />

about what the university and the <strong>art</strong><br />

dep<strong>art</strong>ment could become, Couper said.<br />

<strong>The</strong> Visual <strong>Art</strong>s Gallery found a home<br />

on the first floor of the Primera Casa<br />

building, PC 112, where the museum<br />

remained until May 2008.<br />

Couper’s first exhibition, Contemporary<br />

Latin American Drawings, included<br />

work by such internationally known<br />

<strong>art</strong>ists as Fernando Botero and Claudio<br />

Bravo. This important show set the<br />

standard for the gallery. Three years<br />

after its opening, the museum was up<br />

and running with both cutting edge<br />

exhibitions and the clearly defined<br />

role as an educational component for<br />

the <strong>art</strong> dep<strong>art</strong>ment that Couper had<br />

envisioned. For him, it was time to go.<br />

“My he<strong>art</strong> was in my creative work and<br />

in the teaching profession,” he said.<br />

Couper supported the choice of Dahlia<br />

Morgan as his successor, ushering in a new<br />

era of success that furthered the operations<br />

and mission he had set in place.<br />

As the <strong>Frost</strong> debuts its new building<br />

and major exhibitions including Modern<br />

Masters from the Smithsonian American<br />

<strong>Art</strong> <strong>Museum</strong>, Couper is gratified, but<br />

hardly on the sidelines. He is still<br />

painting and curating.<br />

‘It’s the finest university museum<br />

in the state, and one of the best in<br />

the country…” Couper said.<br />

“It’s a very satisfying moment for me to<br />

see what is happening today – and to<br />

have played a role in that.”<br />

1994 1995 1996 1997 1998<br />

Exhibition:<br />

Visiones de Pueblo:<br />

<strong>The</strong> Folk <strong>Art</strong> of Latin America<br />

Critics’ Lectures:<br />

James Rosenquist<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

Night Paintings<br />

Miró & Noguchi, Selections<br />

from the M<strong>art</strong>in Z. Margulies<br />

Collection<br />

“Dictated By Life”: Marsden<br />

H<strong>art</strong>ley’s German Paintings and<br />

Robert Indiana’s H<strong>art</strong>ley Elegies<br />

Exhibition:<br />

American <strong>Art</strong> Today:<br />

Images from Abroad<br />

Critics’ Lectures:<br />

George Segal<br />

William Lieberman<br />

Anne D’Harnoncourt<br />

Steven & Dorothea<br />

Green Endow the Critics’<br />

Lecture Series<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

<strong>The</strong> Garden<br />

Guido Llinás and<br />

Los Once After Cuba<br />

Exhibition:<br />

El Alma del Pueblo<br />

Critics’ Lectures:<br />

Glenn Lowry<br />

Françoise Gilot<br />

<strong>Art</strong> Spiegelman<br />

Critics’ Lectures:<br />

Robert Indiana<br />

Alex Katz<br />

15


DAHLIA MORGAN:<br />

PORTRAIT<br />

OF A LIFE<br />

IN ART<br />

Before there was <strong>Art</strong> Basel Miami Beach, the Wynwood <strong>art</strong><br />

district or the countless other venues that bring <strong>art</strong> to Miami,<br />

there was Dahlia Morgan. When people in Miami’s <strong>art</strong> community<br />

think of the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> at FIU, they inevitably think of<br />

her. For nearly 30 years, Morgan infused the <strong>Frost</strong> with<br />

her style and flair as a trail-blazing <strong>art</strong> maven, and in the<br />

process became a local <strong>art</strong> institution in her own right.<br />

As visitors and members of the <strong>Frost</strong><br />

explore its new building, they will find<br />

the Dahlia Morgan Members’ Lounge,<br />

a tranquil space overlooking the pond at<br />

the rear of the building and the campus<br />

beyond – a tribute to the woman who<br />

took a small university gallery and<br />

developed one of South <strong>Florida</strong>’s best<br />

museums. It is a fitting tribute, given<br />

Morgan’s commitment to <strong>Frost</strong> members<br />

and to building a loyal membership base<br />

over the years.<br />

“A museum’s strength lies in its members<br />

– their faith in its leadership and belief<br />

in what’s possible,” said Carol Damian,<br />

director and chief curator of the <strong>Frost</strong>.<br />

“Dahlia understood that.”<br />

Morgan’s passion for <strong>art</strong>, characteristic<br />

drive and zeal made her the top choice to<br />

lead the <strong>Frost</strong> when founder Jim Couper<br />

decided to return to teaching in 1980.<br />

“Dahlia was the right person at the right<br />

time,” Couper said.<br />

Four years after Morgan became director,<br />

the original gallery space had evolved<br />

from the Visual <strong>Art</strong>s Gallery to the <strong>Art</strong><br />

<strong>Museum</strong> at FIU. For long-time members<br />

of the gallery, it was not just the cuttingedge<br />

exhibitions Morgan brought to<br />

Miami, but her passion and excitement<br />

that first attracted them to a small gallery<br />

located in what was then viewed as the<br />

hinterlands of the county.<br />

“Before you knew it you were talking to<br />

people and telling them to join,” said<br />

Connoisseur member and long-time<br />

friend, Lois Rukeyser. “She made the<br />

membership grow to an unbelievable<br />

amount of people who followed her.”<br />

Rukeyser believes that member loyalty<br />

to Morgan and to the institution over<br />

so many years reveals the most about<br />

Dahlia’s work as director.<br />

“You stay because you feel the dedication<br />

in what you’re getting back,” she said.<br />

“That should tell you something.”<br />

1999 2000 2001 2002 2003<br />

16<br />

Latin American & Caribbean<br />

Lecture Series Begins<br />

<strong>Museum</strong> Receives American<br />

Association of <strong>Museum</strong>s<br />

Accreditation<br />

Exhibitions:<br />

Luis Jiménez Working Class<br />

Heroes - Images from Popular<br />

Culture, Exhibits USA<br />

José Bedia<br />

Critics’ Lectures:<br />

Keith Davis<br />

Susan Stamberg<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

Fantasies & Curiosities<br />

Critics’ Lectures:<br />

Barbara Haskell<br />

Arnold Lehman<br />

<strong>Museum</strong> Becomes a<br />

Smithsonian Affiliate<br />

Exhibitions:<br />

Contemporary Folk <strong>Art</strong>:<br />

Treasures from the Smithsonian<br />

American <strong>Art</strong> <strong>Museum</strong><br />

Faces of the Gods: <strong>Art</strong> and<br />

Altars of Africa and the African<br />

Americas<br />

<strong>Art</strong>e Latino: Treasures from<br />

the Smithsonian American <strong>Art</strong><br />

<strong>Museum</strong><br />

Critics’ Lectures:<br />

Arlo Guthrie<br />

Critics’ Lectures:<br />

Pierre Rosenberg<br />

Julia Platt Herzberg<br />

Harald Szeemann<br />

<strong>The</strong> Building of the New<br />

<strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> Begins<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

Faces & Figures<br />

<strong>The</strong> Land Through a Lens:<br />

Highlights from the Smithsonian<br />

American <strong>Art</strong> <strong>Museum</strong><br />

Critics’ Lectures:<br />

Dave Hickey


Morgan remembers that the first<br />

members of the museum were actually<br />

p<strong>art</strong> of a group of friends and <strong>art</strong><br />

enthusiasts who were attracted to the<br />

exhibitions and speakers.<br />

“<strong>The</strong>y came to me and said we want<br />

to establish a Friends group for the<br />

museum,” she said. <strong>The</strong>y held an<br />

informal reception and the museum’s<br />

membership base was born.<br />

“It was an adventure,” Morgan<br />

says of her years as director.<br />

“You had to be beyond<br />

entrepreneurial… I had three<br />

jobs – director, chief curator<br />

and fundraiser.”<br />

“We had a great vision as a group,”<br />

she says of her staff. “We were a tiny<br />

band of loyal and determined people for<br />

many years.”<br />

Morgan sought and received museum<br />

accreditation from the American<br />

Association of <strong>Museum</strong>s (AAM) in<br />

1999. Just two years later, in 2001, at<br />

her urging, the entire university signed<br />

an agreement with the Smithsonian<br />

Institution that provides use of<br />

Smithsonian resources and institutions.<br />

<strong>The</strong> affiliation between the two was the<br />

first of its kind in the United States.<br />

Under her direction, the museum has<br />

given Miami more than 200 exhibitions<br />

attracting varied audiences and respect<br />

from local and international critics.<br />

Exhibitions of work by Alfred Stieglitz,<br />

Marcel Duchamp, Louise Bourgeois,<br />

and others which at that time were only<br />

presented in New York and Europe, were<br />

a triumph for Morgan and the museum<br />

at FIU. In addition, the museum was<br />

one of the first to highlight the works of<br />

young Latin American <strong>art</strong>ists including<br />

Agustin Fernandez, at a time when they<br />

were just beginning to be well known.<br />

<strong>The</strong> museum garnered recognition<br />

with its important exhibitions as well<br />

as its programs.<br />

With the Steven & Dorothea Green<br />

Critics’ Lecture Series, Morgan brought<br />

to South <strong>Florida</strong> some of the best<br />

and brightest in the <strong>art</strong> <strong>world</strong>. This<br />

series has introduced Miami to such<br />

distinguished lecturers as Michael<br />

Graves, Philippe de Montebello, Claes<br />

Oldenburg, George Segal, Robert<br />

Hughes and many other famed <strong>art</strong>ists,<br />

museum curators, scholars and critics.<br />

“You had to get there early or you wouldn’t<br />

get a seat,” Rukeyser said. <strong>The</strong>y were<br />

free to anyone in the city, and they were<br />

outstanding. Tom Wolfe, <strong>Art</strong> Spiegelman<br />

John Richardson…Where would you ever<br />

get an opportunity to do that? In New<br />

York you have to pay for everything.”<br />

Not only did Morgan bring important<br />

critics and <strong>art</strong> <strong>world</strong> luminaries to the<br />

<strong>Frost</strong>, she became a popular speaker with<br />

her own lecture series, the Dahlia Morgan<br />

Lecture Series, for members. <strong>The</strong> series<br />

gave members a chance to increase their<br />

knowledge of <strong>art</strong> and <strong>art</strong> history.<br />

“Dahlia has been my teacher and my<br />

mentor,” said <strong>Patricia</strong> Strawgate, a<br />

Connoisseur and one of the first museum<br />

members. “I have learned more from<br />

Dahlia than from all my humanities<br />

classes in college.”<br />

However, despite all of these<br />

accomplishments the museum lacked<br />

the space to exhibit larger pieces and<br />

shows and to store its growing permanent<br />

collection. Morgan’s dream was to build a<br />

stand-alone museum, and she worked to<br />

raise the necessary funding. A gift from<br />

<strong>Patricia</strong> and <strong>Phillip</strong> <strong>Frost</strong> set the project<br />

on its way. In 2003, the museum was<br />

renamed in their honor, and construction<br />

began in 2004.<br />

“It was her vision, her input<br />

into every aspect of its<br />

design and construction,<br />

and her extraordinary gift<br />

for convincing others to get<br />

involved and give substantial<br />

donations,” Damian said.<br />

“Dahlia Morgan is our Director Emerita,”<br />

Damian added, “but that honorary title<br />

really does not do justice to describe her<br />

years of work as director that culminated<br />

in this amazing building. ”<br />

2004 2005 2006 2007 2008<br />

Exhibition:<br />

Vision Revealed:<br />

Selections from the Work<br />

of Abelardo Morell<br />

Lespri Endepandan:<br />

Discovering Haitian Sculpture<br />

Critics’ Lectures:<br />

Terry Gross<br />

Vision Revealed Tours<br />

Latin America<br />

Exhibitions:<br />

Mark Klett: Ideas About Time<br />

<strong>The</strong> Saint Makers: A Living<br />

Tradition in American Folk <strong>Art</strong><br />

Critics’ Lectures:<br />

Carlos Fuentes<br />

Guillermo Gómez-Peña<br />

Exhibitions:<br />

Ruben Torres-Llorca<br />

A Room of One’s Own<br />

Critics’ Lectures:<br />

Glenn Lowry<br />

<strong>Art</strong> Sm<strong>art</strong> Program Begins<br />

Exhibition:<br />

Pip Brant: <strong>The</strong> Flying Carpet<br />

and Other Reusables<br />

Critics’ Lectures:<br />

Maya Lin<br />

<strong>The</strong> new <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong><br />

opens to the public.<br />

Carol Damian, professor and<br />

former chairperson of FIU’s<br />

School of <strong>Art</strong> + <strong>Art</strong> History, is<br />

named director and chief curator.<br />

Critics’ Lectures:<br />

David Adjaye<br />

Exhibitions:<br />

Modern Masters from the<br />

Smithsonian American <strong>Art</strong> <strong>Museum</strong><br />

17<br />

<strong>The</strong> Figure Past and Present


LECTURE SERIES<br />

STEVEN & DOROTHEA GREEN<br />

CRITICS’ LECTURE SERIES<br />

ROBERT ADANTO<br />

Robert Adanto’s provocative film<br />

<strong>The</strong> Rising Tide was screened at<br />

the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> October<br />

22nd, and on October 24th,<br />

Adanto talked about the making<br />

of the film at the Green Library<br />

auditorium. He appeared as the<br />

first speaker of the season for the<br />

<strong>Frost</strong>’s Steven & Dorothea Green<br />

Critics’ Lecture Series.<br />

<strong>The</strong> film navigates the complex<br />

cultural, political and economic<br />

landscape <strong>art</strong>ists face in the<br />

newly awakening China. <strong>The</strong><br />

Rising Tide investigates China’s<br />

meteoric march toward the<br />

future through some of its most<br />

talented emerging <strong>art</strong>ists, whose<br />

work reflects the country’s rising<br />

influence as an economic,<br />

political and cultural force in<br />

the global arena.<br />

Adanto said he chose China’s<br />

visual <strong>art</strong>ists to tell the story of<br />

China’s rise, because “I knew I<br />

needed to find individuals whose<br />

lives had been transformed by this<br />

great social stirring.”<br />

“<strong>The</strong>re was this epic tale<br />

unfolding in this enigmatic land<br />

of contradictions… and it was<br />

escaping the notice of most<br />

Westerners,” Adanto said.<br />

“I wanted to change that.”<br />

Virginia Mecklenburg / Image Courtesy of the<br />

Smithsonian American <strong>Art</strong> <strong>Museum</strong><br />

VIRGINIA MECKLENBURG<br />

Virginia Mecklenburg, senior curator at the Smithsonian American <strong>Art</strong><br />

<strong>Museum</strong>, will be the featured speaker for the Green Critics’ Lecture Series<br />

January 23rd at 8pm at the Wertheim Performing <strong>Art</strong>s Center located<br />

adjacent to the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>. Mecklenburg will talk about 20thcentury<br />

abstraction and the exhibition Modern Masters from the Smithsonian<br />

American <strong>Art</strong> <strong>Museum</strong>, which debuts at the new <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> building<br />

November 29th and runs through March 1st.<br />

Mecklenburg is a writer and lecturer who specializes in American <strong>art</strong>. She has<br />

organized exhibitions and written on Edward Hopper, George Bellows, Earl<br />

Cunningham, Robert Indiana, James Rosenquist, abstraction in the 1930s and<br />

1940s and other 20th century <strong>art</strong>ists and movements. Metropolitan Lives: <strong>The</strong><br />

Ashcan <strong>Art</strong>ists and <strong>The</strong>ir New York, which she co-authored with Rebecca Zurier<br />

and Robert Snyder, won the Alfred H. Barr, Jr. Award in 1997.<br />

ROBERT STORR<br />

Robert Storr / Photo: Herbert Lotz<br />

On February 20th, Robert Storr, dean of Yale University’s School of <strong>Art</strong>,<br />

will talk about the evolution of contemporary <strong>art</strong>, which he has helped to<br />

shape during his 30 years as a writer and critic. He will speak at 8pm at the<br />

Wertheim Performing <strong>Art</strong>s Center. Storr was also the first American to serve<br />

as commissioner of the Venice Biennale in 2007. He was curator in the<br />

Dep<strong>art</strong>ment of Painting and Sculpture at the <strong>Museum</strong> of Modern <strong>Art</strong>, New<br />

York, from 1990 to 2002, where he organized exhibitions on Elizabeth Murray,<br />

Gerhard Richter, Max Beckmann, Tony Smith, Robert Ryman and others.<br />

18<br />

JOIN US<br />

Steven & Dorothea Green Critics’ Lecture Series<br />

Virginia Mecklenburg | January 23, 2009 | 8pm<br />

Robert Storr | February 20, 2009 | 8pm<br />

<strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>


TARGET WEDNESDAY<br />

AFTER HOURS SERIES<br />

Nicole Henry<br />

TARGET SPONSORS POPULAr FROST SERIES<br />

Target has teamed up with the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> in sponsoring the<br />

museum’s popular educational series Wednesday After Hours. <strong>The</strong> <strong>Frost</strong><br />

and Target will kick off the new Target Wednesday After Hours on January<br />

7th, at 7pm. <strong>The</strong> series, which will take place on the first Wednesday<br />

evening of every month, is designed to complement the museum’s<br />

exhibitions with events including music and dance performances, films,<br />

lectures, panel discussions, poetry slams and performance <strong>art</strong>. All of the<br />

events are free and open to the public.<br />

One of the <strong>Frost</strong>’s core community outreach programs, the series aims to<br />

engage FIU students and faculty and the local community in a multifaceted<br />

approach to the <strong>art</strong>s, said Carol Damian, director and chief curator.<br />

“Target shares our commitment to increasing access to the <strong>art</strong>s, and this<br />

p<strong>art</strong>nership is an ideal way to foster an <strong>art</strong>istic culture on campus and in<br />

the community.”<br />

Target also signed on to help the <strong>Frost</strong> celebrate the opening of its new<br />

building by sponsoring a barbecue for Student Day at the new museum,<br />

Wednesday, December 3rd.<br />

“We are grateful for Target’s generous commitment to sponsor the 2009<br />

series as well as the student celebration during this important week in our<br />

history,” Damian said.<br />

Through Target Wednesday After Hours, the <strong>Frost</strong> would like to inspire<br />

an integrated approach to the <strong>art</strong>s among students and members of the<br />

community who might not typically take advantage of FIU’s many cultural<br />

resources, including the museum. <strong>The</strong> museum will p<strong>art</strong>ner with FIU<br />

academic units such as the College of Business Administration and the<br />

Honors College for each event.<br />

For more information on the series contact:<br />

Linda Powers at 305-348-6963<br />

BEST IN CLASS<br />

<strong>The</strong> first event of the series will<br />

feature popular jazz vocalist<br />

Nicole Henry, accompanied by<br />

musicians from the FIU School<br />

of Music. Hailed by Japan<br />

Times as “one of the most<br />

impressive live performers to<br />

personalize the great American<br />

songbook,” Henry will perform<br />

songs from her recent CD, At<br />

Last, featuring standards and<br />

new compositions. <strong>The</strong> evening<br />

will honor FIU students, staff,<br />

faculty and alumni recognized<br />

in the university’s “Best in<br />

Class” campaign, designed to<br />

showcase the achievements of<br />

the university community.<br />

JOIN US<br />

Target Wednesday After Hours<br />

“Best in Class”<br />

Featuring jazz vocalist Nicole Henry<br />

January 7, 2009 | 7pm<br />

<strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong><br />

19


NEWS & EVENTS<br />

WELCOME LINDA POWERS<br />

AND JULIA PLATT HERZBERG<br />

Linda Powers joins the <strong>Frost</strong><br />

<strong>Art</strong> <strong>Museum</strong> as Curator of<br />

Education. Prior to joining the <strong>Frost</strong>,<br />

she worked as an <strong>art</strong> teacher,<br />

classroom teacher and adjunct<br />

instructor in New York City and<br />

Miami. Powers holds a double<br />

major in finance and <strong>art</strong> history from<br />

Rutgers University and a Masters<br />

in Education with a concentration<br />

in <strong>Art</strong> Education from City College<br />

of New York. At the <strong>Frost</strong>, her<br />

responsibilities include managing<br />

education programs for children,<br />

Target Wednesday After Hours,<br />

teacher workshops and BFA and<br />

MFA exhibitions.<br />

Julia Platt Herzberg has been<br />

appointed Consulting Curator to<br />

assist Director and Chief Curator<br />

Carol Damian with curatorial<br />

projects and exhibitions. Dr.<br />

Herzberg received her PhD in<br />

<strong>Art</strong> History from the Graduate<br />

Center, City University of New<br />

York. Her dissertation was on<br />

“Ana Mendieta: <strong>The</strong> Iowa Years,<br />

A Critical Study, 1969-1977.”<br />

She has a Master of <strong>Art</strong>s from the<br />

Institute of Fine <strong>Art</strong>s, New York<br />

University and a Master of <strong>Art</strong>s in<br />

Linguistics/Teaching English As<br />

A Second Language from Hunter<br />

College (CUNY), New York. Dr.<br />

Herzberg resides in New York City.<br />

Breakfast in the Park<br />

FEATURES JOEL SHAPIRO<br />

<strong>The</strong> sixth annual Breakfast in the Park, the <strong>Frost</strong>’s<br />

signature event during <strong>Art</strong> Basel Miami Beach, features<br />

renowned modernist sculptor Joel Shapiro December<br />

7th. This year, the event will culminate more than a<br />

week of opening events for the new <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>,<br />

beginning November 29th. Visitors can also see<br />

two pieces of Shapiro’s work on loan from the Pace<br />

Wildenstein Gallery in New York City. <strong>The</strong> pieces are on<br />

display in the Sculpture Park.<br />

Breakfast in the Park has become a destination for hundreds of visitors to<br />

<strong>Art</strong> Basel Miami Beach each year. <strong>The</strong>y enjoy an elegant complimentary<br />

outdoor breakfast, a lecture by an acclaimed sculptor, tours of the<br />

Sculpture Park and a look at current exhibitions at the museum.<br />

In Shapiro’s elegant works, human moods and movement are reduced to a<br />

geometric essence that is open to the viewer’s perception and speculation.<br />

As you walk around each sculpture, the changing vantage points offer<br />

views of the work that look very different.<br />

Since his first one-person exhibition in 1970, Shapiro’s work has been<br />

the subject of more than 100 solo exhibitions and retrospectives. His<br />

sculptures have been regularly included in prestigious group exhibitions<br />

such as the Whitney Biennial, Documenta in Germany and the Venice<br />

Biennale. Commissions and publicly sited sculptures by Shapiro are<br />

located in major Asian, European and North American cities including<br />

the United States Holocaust Memorial <strong>Museum</strong> in Washington and<br />

a major plaza in the city of Orleans, France. His work is also in more<br />

than 80 public collections including <strong>The</strong> Metropolitan <strong>Museum</strong> of <strong>Art</strong>,<br />

Hirshhorn <strong>Museum</strong> and Sculpture Garden, Los Angeles County <strong>Museum</strong><br />

of <strong>Art</strong>, Centre Georges Pompidou, Tate Gallery, National Gallery of <strong>Art</strong>,<br />

Walker <strong>Art</strong> Center and Philadelphia <strong>Museum</strong> of <strong>Art</strong>.<br />

He lives and works in New York City.<br />

JOIN US<br />

Breakfast in the Park<br />

December 7, 2008 | 9:30am - Noon<br />

<strong>Florida</strong> International University<br />

Joel Shapiro,<br />

Untitled, 2007<br />

Bronze<br />

9’4” x 4’ 7-7/8”<br />

x 2’ 11-1/2”<br />

Cast Edition 1 of 3.<br />

Edition 3 + 1AP.<br />

20


EDUCATION<br />

FROST IS NEW HOME OF<br />

MUSEUM STUDIES PROGRAM<br />

FIU’s <strong>Museum</strong> Studies program, formerly offered by the School of <strong>Art</strong> and <strong>Art</strong><br />

History, is now p<strong>art</strong> of the new <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>. With the completion of the<br />

new museum building, the program moved to the <strong>Frost</strong> this past summer.<br />

FIU’s <strong>Museum</strong> Studies certificate is an 18-credit-hour program intended to<br />

prepare students for professional employment in museums and historical sites.<br />

<strong>The</strong> program is available to students who already hold a B.A. degree. Courses are<br />

offered at FIU’s University Park campus, and the graduate certificate is awarded<br />

by the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>. Application forms for the <strong>Museum</strong> Studies program<br />

are available on frost<strong>art</strong>museum.org.<br />

For more information, contact:<br />

Dr. Annette B. Fromm, Coordinator <strong>Museum</strong> Studies<br />

305-348-6056 or fromma@fiu.edu<br />

Be a <strong>Frost</strong> Ambassador<br />

<strong>The</strong> new <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> is recruiting and training FIU students and<br />

community <strong>art</strong> lovers to be <strong>Frost</strong> Ambassadors in its new docent program. <strong>Frost</strong><br />

docents guide visitors toward a personal connection with works of <strong>art</strong> and the<br />

museum space. <strong>The</strong>y provide educational tours of museum exhibitions, including<br />

bilingual and multilingual tours.<br />

To gain a thorough overview of the works of <strong>art</strong>, <strong>art</strong>ists and related <strong>art</strong>istic<br />

movements, docents will conduct research and receive extensive training on the<br />

<strong>Frost</strong>’s permanent collection, history of the museum and temporary exhibitions.<br />

To volunteer or receive more information, contact:<br />

Education Dep<strong>art</strong>ment at 305-348-6963<br />

KENAN-FLAGLER<br />

DISCOVERY GALLERY<br />

COMING IN SPRING 2009...<br />

A centerpiece of the new <strong>Frost</strong> <strong>Art</strong><br />

<strong>Museum</strong>, the Kenan-Flagler Family<br />

Discovery Gallery will welcome<br />

families, students and guests with<br />

<strong>art</strong> activities designed to educate<br />

and entertain children. A generous<br />

gift of the William R. Kenan Jr.<br />

Charitable Trust, this interactive<br />

gallery is grounded in the belief<br />

that hands-on <strong>art</strong> activities help<br />

children learn.<br />

Children will explore interactive<br />

stations where they can use a<br />

touch screen monitor to create a<br />

self portrait, design patterns using<br />

the theory of positive and negative<br />

space, experience the printmaking<br />

process through a series of<br />

rubbings on low relief metal<br />

shapes and manipulate images<br />

on a computer to create their own<br />

works of <strong>art</strong>. Some activities will<br />

encourage individual exploration,<br />

while others will require group<br />

interaction. Some will encourage<br />

physical activity and others quiet<br />

contemplation.<br />

<strong>The</strong> gallery will add a new dimension<br />

to the museum visit, and provide a<br />

powerful experience for parents and<br />

children working together.<br />

FOR MORE INFO<br />

To find out more about the<br />

Kenan-Flagler Family Discovery Gallery,<br />

visit frost<strong>art</strong>museum.org<br />

21


HAPPENINGS<br />

BRING A FRIEND TO LUNCH<br />

Members, donors and friends enjoy Bring a Friend to Lunch,<br />

a <strong>Frost</strong> member event that features special guided tours<br />

of <strong>Frost</strong> exhibitions, a lecture and lunch.<br />

Francien Ruwitch, Susan Jay and Ella Gelvan<br />

22


<strong>Art</strong>hur Dunkelman and <strong>Patricia</strong> <strong>Frost</strong><br />

Francien Ruwitch and Stefanie Block Reed<br />

Guests listen to Director Carol Damian discuss the new <strong>Frost</strong> and upcoming exhibitions.<br />

Irina Leyva Perez and Magnus Sigurdarson<br />

Juan M<strong>art</strong>inez and Florencia Rodríguez Giavarin<br />

Dora Valdes-Fauli, Amy Pollack, Axel Stein, Carolina Camps, M<strong>art</strong>a de la Torre and Nancy Wilson<br />

23


ART OF GIVING<br />

THE FROST ART MUSEUM GALLERIES<br />

<strong>Frost</strong> Founders Use Galleries as <strong>The</strong>ir Canvas<br />

I would like to express my sincerest thanks to the donors of the named spaces, who not only<br />

gave their time and financial resources, but great thought to endowing these beautiful galleries<br />

with a greater meaning and purpose beyond just building materials.<br />

<strong>The</strong>ir contributions support <strong>art</strong> education, student and emerging <strong>art</strong>ists and greater awareness<br />

of the healing <strong>art</strong>s and the state of the environment. Some donors wanted to honor the<br />

commitment and legacy of our Director Emerita Dahlia Morgan, while others wanted to provide<br />

classrooms and state-of-the-<strong>art</strong> technology.<br />

<strong>The</strong>se special individuals are all <strong>Frost</strong> Founders who chose to use their galleries as a<br />

canvas to help create a better community, and we salute them.<br />

Carol Damian<br />

FIRST FLOOR<br />

DAHLIA MORGAN MEMBERS’ LOUNGE<br />

KENAN-FLAGLER FAMILY TERRACE<br />

KENAN-FLAGLER<br />

FAMILY DISCOVERY<br />

GALLERY<br />

SOL TAPLIN FAMILY CLASSROOM<br />

24<br />

STEVEN & DOROTHEA GREEN<br />

MULTI-PURPOSE ROOM


SECOND FLOOR<br />

WILLIAM R. KENAN, JR.<br />

GRAND GALLERY<br />

THE GRAND GALLERY<br />

TERESA & ALFRED ESTRADA GALLERY<br />

GALLERY 4<br />

< STELLA &<br />

J. BURTON ORR<br />

PAVILION<br />

<strong>The</strong> B. & Don Carlin Pavilion ><br />

CAROL WELDON METROPOLITAN GALLERY<br />

GALLERY 2<br />

THIRD FLOOR<br />

Francien Ruwitch GALLERY<br />

Fishman Family Pavilion ><br />

WILMA BULKIN<br />

SIEGEL GALLERY<br />

BETTY LAIRD<br />

PERRY GALLERY<br />

25


JOIN US!<br />

BECOME<br />

A<br />

MEMBER<br />

Whether you’re an <strong>art</strong> aficionado, an admirer or just<br />

want to know more about <strong>art</strong>, a membership<br />

to the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> is the perfect gift for you or<br />

someone you know. Here’s why.<br />

It’s your museum.<br />

<strong>The</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> was built for you. Meet your friends at the <strong>Frost</strong> for a look<br />

at our exhibitions, a special member event or a reception with the <strong>art</strong>ists. Enjoy<br />

our Steven & Dorothea Green Critics’ Lecture Series and Wednesday After<br />

Hours featuring local and internationally acclaimed <strong>art</strong>ists. You’ll be the first<br />

to know about our exciting exhibitions, and receive invitations to special <strong>Frost</strong><br />

programs and social events. We keep you informed with <strong>Frost</strong> Bytes (our online<br />

updates) and <strong>Frost</strong> On View, our member magazine.<br />

<strong>The</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> is a work of <strong>art</strong>.<br />

Call us for a tour. You’ll see what we mean. Some membership levels include<br />

discounts for facility rentals, allowing you to use the <strong>Frost</strong> as the perfect<br />

backdrop for your events.<br />

You can help support the next<br />

generation of <strong>art</strong>ists.<br />

<strong>The</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> is the teaching arm of FIU’s respected visual <strong>art</strong>s<br />

program, which has produced many internationally acclaimed <strong>art</strong>ists.<br />

<strong>The</strong> <strong>Frost</strong>’s Betty Laird Perry Emerging <strong>Art</strong>ist Collection is comprised of<br />

<strong>art</strong>work obtained through purchase awards granted to selected Bachelor<br />

of Fine <strong>Art</strong>s and Masters of Fine <strong>Art</strong>s students.<br />

26<br />

Ways to join:<br />

Phone:<br />

305.348.2254<br />

Fax:<br />

305.348.2762<br />

Online:<br />

frost<strong>art</strong>museum.org<br />

Onsite:<br />

Sign up at the front desk<br />

<strong>Art</strong> works.<br />

We know that exposure to <strong>art</strong> and <strong>art</strong> education challenges and motivates<br />

children. <strong>The</strong> Kenan-Flagler Family Discovery Gallery offers children the<br />

chance to create their own exhibitions. <strong>The</strong> <strong>Frost</strong> also offers <strong>Art</strong> Sm<strong>art</strong>, a<br />

program designed for 5th graders. It includes a tour of the Sculpture Park<br />

at FIU and engaging <strong>art</strong> activities. <strong>Art</strong> Sm<strong>art</strong>: Figures, a spin-off of the<br />

original, was inspired by the <strong>Frost</strong> exhibition, Figurative <strong>Art</strong> Past and Present:<br />

Highlights from the Permanent Collection. Students receive a tour of the<br />

exhibition and p<strong>art</strong>icipate in a collaborative learning <strong>art</strong> activity. <strong>The</strong> program<br />

takes students on a journey through time and place as they learn about<br />

history, cultures and customs through <strong>art</strong>work from around the globe.<br />

You get an excellent return on<br />

your investment.<br />

Your support is a gift to you and your community. <strong>The</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> is<br />

the only museum in South <strong>Florida</strong> that charges no admission. Why is this<br />

important? People in our community who might not have access to an <strong>art</strong><br />

museum – p<strong>art</strong>icularly young people – can visit and learn at no cost.


MEMBERS & DONORS<br />

UNIVERSITY COMMUNITY<br />

MEMBERS<br />

Claudia Alvarez<br />

Daisy Baez<br />

Robin Bellante<br />

Ana Maria Bidegain<br />

Elizabeth Cambeyro<br />

M<strong>art</strong>a Carrodeguas<br />

Etain E. Connor<br />

Lynn Corson<br />

Lilia Garcia<br />

Jean-Claude Garcia-Zamor<br />

Leni Ibarguengoytia<br />

Cherly Maison<br />

Karen & Mc Eachin Breit<br />

Scott McKinley<br />

Rene Mills<br />

Leslie & Michel Mc Kinley<br />

Noreen Monahan<br />

Guillermo Oliver<br />

Joseph Panoff<br />

Jose Perez de Corcho<br />

Angela & Jesse Puentes-Leon<br />

Annette Shumway<br />

Suzanne & Henry Stolar<br />

John Stu<strong>art</strong><br />

Carol Anne Wien<br />

Dianette Wynn<br />

FAMILY MEMBERS<br />

James Couper<br />

Maureen Donnelly<br />

Brian Peterson<br />

Jennifer Richards<br />

CONTRIBUTOR<br />

Donn Goldin<br />

Bruce J. Leavitt<br />

Ruth Sackner<br />

Roberto Saco<br />

Dora Valdes-Fauli<br />

SUSTAINER<br />

Doris Bass<br />

Mary Lou Bunger<br />

Alvah & Betty Chapman<br />

Silvia & Robert Feltman<br />

Lawrence Fishman<br />

Richard Greenman<br />

Marilyn & Ronald Kohn<br />

Cathy Leff<br />

Mireya Muniz<br />

Barbara & Harvey Peretz<br />

Eileen Silverman<br />

Raul Valdes-Fauli<br />

PATRON<br />

Sandi-Jo & Mark Gordon<br />

Gloria & Leonard Luria<br />

Elisabeth & Mark Rodgers<br />

Emmanuelle & Allan Slaight<br />

Anne & Ray Stromont<br />

Christine & M<strong>art</strong>in Taplin<br />

Phyllis Wesler<br />

CONNOISSEUR<br />

Gonzalo Acevedo<br />

Helene & Irwin Adler<br />

Virginia & Raul Benitez<br />

Elizabeth & Bernard Blum<br />

Judith Blumenthal ’97 ’04<br />

Joan & Vincent Carosella<br />

Maureen & George Collins<br />

Carol & Vincent Damian<br />

Paulette & Bernard D<strong>art</strong>y<br />

M<strong>art</strong>a & Jose de la Torre<br />

Sheila Elias<br />

Teresa & Alfred Estrada<br />

Amaryllis and Guillermo Feria<br />

Tara Ana Finley<br />

Domitila Fox<br />

Mary Frank<br />

<strong>Patricia</strong> & <strong>Phillip</strong> <strong>Frost</strong><br />

Cookie & Ralph Gazitua<br />

Ideal Gladstone<br />

Rebecca Haug<br />

Florence Hecht<br />

Susan & Larry Jay<br />

Kimberly Jones<br />

Jane & Gerald Katcher<br />

Areta Kaufman<br />

Jay Kislak<br />

Lois & Alvin Lapidus<br />

Harrie & Ronald Lassin<br />

Donna Litowitz<br />

Heidi & Jack Loeb<br />

Lillia Ana Lopez<br />

M<strong>art</strong>in Margulies<br />

Heather & Max Millard<br />

Liza & <strong>Art</strong>uro Mosquera<br />

Sunny & James Neff<br />

Linda & David Paresky<br />

Rita & David Perlman<br />

Betty Perry<br />

Barbara Pinkert<br />

Amy & Richard Pollack<br />

Mary Ann Portell<br />

Linda Potash<br />

Elvira & Jorge Pupo<br />

Hazel & Larry Rosen<br />

Wendy & Ira Rothfield<br />

Lois & Howard Rukeyser<br />

Francien Ruwitch<br />

Barbara Schiff<br />

Betsy Sherman<br />

Lois Siegel<br />

Sandra & Joseph Slotnick<br />

Peggy & Stan Smith<br />

Joan & Harry Smith<br />

Clara Sredni<br />

Lesta Stacom<br />

Florence Stern<br />

Pat Strawgate<br />

Carol & Norman Weldon<br />

Nicolette Wernick<br />

Dolores Ziff<br />

CONNOISSUER COUPLE<br />

Audre & Donald Carlin<br />

Tilly & Jeffrey Horstmeyer<br />

Miriam & Ricardo Machado<br />

CORPORATE CONNOISSEUR<br />

<strong>Art</strong> Miami<br />

Christie’s<br />

Sotheby’s<br />

Target<br />

<strong>The</strong> Miami Herald<br />

DONORS<br />

Gonzalo A. Acevedo ‘91<br />

Helene E. & Irwin M.Adler<br />

Lee Aerenson<br />

Leslie Ahlander<br />

Evelyn Aimis<br />

Murray Alexander<br />

<strong>The</strong> Alison Company<br />

Pamela J. & Michael N. Alper<br />

Catherine B. Alsop<br />

Jannine & Neil Alter<br />

Isabelle H. Amdur<br />

American Academy of <strong>Art</strong>s &<br />

Letters<br />

Club of American Collectors of<br />

Fine <strong>Art</strong>s Inc.<br />

<strong>The</strong> American Foundation for<br />

the <strong>Art</strong>s<br />

Marie Anderson<br />

Lilly M. Langer Ph.D. & Thomas<br />

Anderson<br />

Denise B. Andrews<br />

Angelides Hinds Coll Nadler &<br />

Rosabal M.D. P.A.<br />

Dr. Alexander C. Angelides<br />

Victor Angulo ‘83<br />

Dr. Narciso Anillo<br />

George & Brenda Anthony<br />

Cecilia P. Arboleda ‘88<br />

Ted Arison Family Foundation<br />

USA, Inc.<br />

Barbara Arnold<br />

Hubert Aronson<br />

Thomas E. Arrigo<br />

<strong>Art</strong> Basel Miami Beach<br />

<strong>Art</strong>e Americas, Inc.<br />

Wayne Ashby<br />

Michael & Sheila Ashkin<br />

AT&T <strong>Florida</strong><br />

John K. Aurell<br />

Thomas W. Austin<br />

AXA Foundation<br />

Evelyn K. & Morton M. Axler<br />

Georgette & Daniel Azoulay<br />

Daniel Azoulay Gallery<br />

Teresa Azrack<br />

Bacardi U.S.A., Inc.<br />

Gayle A. Bainbridge ‘75<br />

Irving & Elaine,Baker<br />

Waldo Bal<strong>art</strong><br />

Paul E. Baldridge<br />

Julien E. Balogh<br />

Michael A. & Jo Anne C. Bander<br />

Bank of America<br />

BankAtlantic<br />

Baring Industries Incorporated<br />

Ann Barish<br />

Judge & Mrs. Thomas Barkdul<br />

Bettie B. Barkdull ‘75<br />

Barnes & Noble College<br />

Booksellers Inc.<br />

Stanley L. Barnett ‘74<br />

Norma Barr<br />

A.J. Barranco Jr.<br />

James Barrett Jr.<br />

Richard S. & Marsha B<strong>art</strong>ley<br />

Alfred I. B<strong>art</strong>on<br />

Doris Bass ‘74 ‘77<br />

Mr. David Bates<br />

Augustin & Walkyria F. Batista<br />

Rachel Bauer<br />

Beatrice Baxter<br />

Rusty Belote<br />

Elio Beltran<br />

Virginia F. & Raul J. Benitez<br />

Carolina F. Benitez<br />

Elaine Bercu<br />

Paul & Estelle Berg<br />

Helene & Adolph J. Berger<br />

Helene & Adolph Berger Family<br />

Foundation, Inc.<br />

George & Marla Bergmann<br />

<strong>The</strong> Sybiel B. Berkman Foundation<br />

Bobbi & Stephen L. Berkman<br />

Jay Berkow<br />

Berkowitz Dick Pollack & Brant<br />

Madeline L. Berlin<br />

Berlin Family Foundation<br />

Dr. Paul K. Berman<br />

Irmengard Bettendorf<br />

Mr. & Mrs. Austin Beutel<br />

Bill J. Bevacqua<br />

Julia R. Bianchi<br />

Maria A. Bilbao, EdD ‘95<br />

Linda C. Binder<br />

Blank Family Foundation, Inc.<br />

William J. JD & Rachel S.<br />

Blechman<br />

Edward Bleckner<br />

M<strong>art</strong>in & Carolyn Bloom<br />

Mrs. E. E. Bloom<br />

Bernard Blum<br />

David M. & Judith Blumenthal ‘97<br />

Dr. & Mrs. Jordan E. Bluth<br />

Richard & Brenda Bodner<br />

Lloyd J. Boggio<br />

Anna T. & Alexander M. Bogusky<br />

Marvin Ross Friedman Esq. &<br />

Adrienne bon Haes<br />

Sue Boock<br />

Francesca & Stephen Booke<br />

Jaime E. Borrelli III ‘87<br />

Boston Consulting Group<br />

<strong>The</strong> Boston Foundation<br />

Clifton P. Boutelle<br />

Marissa G. Boyescu<br />

Mrs. Myna Brady<br />

Brain Power Incorporated<br />

Irma & Norman Braman<br />

Dr. Frederick S. Brandt<br />

Eileen Breier<br />

J. Daniel Brinker<br />

Morris N. Broad<br />

Elizabeth & Stefan Brodie<br />

Ilana L. & Alexander Brodt<br />

27


MEMBERS & DONORS<br />

28<br />

Michael Bronner<br />

Mr. Robert Brooks<br />

Sheila & Arnold Broser<br />

Carol K. Brown<br />

Deborah Brown<br />

Herman Bruckner<br />

Ashel G. Bryan<br />

Robert P. Buford<br />

Mary Lou Bunger<br />

Bill J. Burke<br />

Irving & Barbara F. Burnstine<br />

Elaine Burton<br />

<strong>Patricia</strong> A. Byerly<br />

Jorge Caceres<br />

Mr. & Mrs. <strong>Art</strong>hur J. Cade<br />

Mr. & Mrs. Hector Calderon<br />

Richard J. Caley<br />

Humberto J. Calzada<br />

Elizabeth Cambeyro Leon ‘03<br />

George H. Campbell<br />

Robert Campeau Family<br />

Foundation<br />

Jamie Canaves ‘05<br />

Dr. Juan J. Capello<br />

Constance R. Caplan<br />

Manuel Carbonell<br />

B L. Carlin<br />

B. & Donald Carlin<br />

Carnival Corporation<br />

Joan & Vincent F. Carosella<br />

John A. Carpenter<br />

Randi J. Carr<br />

Mario Carreño<br />

Ramon Carulla<br />

May Cassard<br />

Adrian Castro<br />

Carlos Victor Causo<br />

Mr. & Mrs. Joseph Cavaliere<br />

CCo Communications<br />

Trudy C. & Paul L. Cejas<br />

Center for Latin American <strong>Art</strong>s &<br />

Studies<br />

Ramon & Nercys Cernuda<br />

Alvah H. & Wyline P. Chapman<br />

Foundation, Inc.<br />

Betty & Alvah H. Chapman Jr.<br />

Donna A. & Stephen F. Chase<br />

Chelsea Galleria Inc.<br />

Mitchell & Loretta Chipin<br />

Elisa V. Chovel<br />

Christie’s<br />

Cintas Foundation Inc.<br />

Citibank <strong>Florida</strong><br />

Citibank N.A.<br />

Citigroup Foundation<br />

Citi Private Bank<br />

Coconut Grove Association<br />

Robert G. Coghlan ‘99<br />

William D. Cohen<br />

Wendy & Edward E. Cohen<br />

Bernard H. Cohen<br />

Lynnia Cohen<br />

Gala & Stanley Cohen<br />

Lane J. Coleman<br />

Rita Coll<br />

Clara E. Collado ‘82<br />

Maureen E. & George J. Collins<br />

M<strong>art</strong>in Z. Margulies & Constance<br />

Collins<br />

Colonial Bank of South <strong>Florida</strong><br />

Color Express<br />

Color Guard Employees of Braniff<br />

International<br />

Kathleen Conahan<br />

Cesar A. Conde<br />

Timothy Cone<br />

C. L. Conroy<br />

Fredi Consolo<br />

Betty O. Consuegra<br />

Rafael Consuegra<br />

Consulate General of Spain<br />

Consulting for the Professions<br />

Inc.<br />

John L.Cook<br />

Don E. Cook<br />

Samuel M. Cooper<br />

Barbara Cooper<br />

Adriana Cora<br />

Fermin Coronado<br />

Louise Corwin<br />

Mr. & Mrs. Raul Cosculluela<br />

Marianne & Carlos Coto<br />

James M. Couper<br />

Jack R. & Dolores B. Courshon<br />

Eric L. Covington ‘99<br />

<strong>The</strong> Cowles Charitable Trust<br />

Jan Cowles<br />

Douglas Wayne & Myrene Cox<br />

<strong>The</strong> Crapple Foundation<br />

George S. & Carol T. Crapple<br />

<strong>Patricia</strong> L. Crow<br />

Ray P. Cruz<br />

CubaNostalgia Inc.<br />

Maria Elena Cupello de Quintana<br />

Charles A. Cushman<br />

Charles & Linda Cushman<br />

Mr. & Mrs. Herman Cutler<br />

Aldona & Andrzej Czernecka<br />

Dade Community Foundation<br />

Carol A. & Vincent E. Damian<br />

Estate of Sylvia Daniels<br />

Barbara S. Danielson<br />

Mr. J. Deering Danielson<br />

Paulette & Bernard D<strong>art</strong>y<br />

Mrs. Polly Davis<br />

Ms. Elizabeth Davis<br />

Simon D. Dawidowicz<br />

Simon & Sylvia Daro Dawidowicz<br />

Foundation<br />

Celia S. de Birbragher<br />

Yohayra de la Fuente<br />

Guerra de la Paz<br />

Gonzalo de la Pezuela<br />

M<strong>art</strong>a A. & Jose R.de la Torre<br />

Roxana del Valle<br />

Maria Cristina Del-Valle Esq.<br />

Pete L. DeMahy Esq. ‘74<br />

Peggy P. & Walter Denny<br />

Dr. Marcel Deray<br />

Wouter Deruytter<br />

Gary S. & Claudia Dessler<br />

Francesca Di Rocco<br />

Lilia Diaz<br />

Alicia Esther Diaz Bencomo<br />

Rafael L. Diaz-Bal<strong>art</strong><br />

Lawrence DiCarlo<br />

Veranda L. Dickens<br />

Fanny Dillon-Tuck<br />

Rita & Harold Divine<br />

Zo K. Dodge<br />

Alberto Donat<br />

Layte B. Dopp<br />

Mr. & Mrs. Samuel Dorsky<br />

Murray Drescher<br />

Abby P. & Stephen J. Dresnick<br />

Mrs. Rudolph E. Drosd<br />

Janet J. Duchossois<br />

Marcia B. Dunn<br />

Herbert L. Dunn<br />

Mina Gina Dwoskin<br />

Dynacolor Graphics Inc.<br />

Eagle Brands Inc.<br />

Eastern Aero Marine<br />

Eastern Airlines<br />

Eastman Kodak Company<br />

Diane H. Easton<br />

Brian P. Eaton, ‘90<br />

Victor I. & Betty Eber<br />

Andrew P. & <strong>Patricia</strong> B. Edelmann<br />

David Ehrenreich<br />

David Ehrlich<br />

Sheila Elias<br />

Mr. & Mrs. Leonard J. Emmerglick<br />

Berg Endresen<br />

Dr. Alfred J. Ephraim<br />

Joan & Fred Epstein<br />

Elvira A. & Julio Escribano<br />

Jan Eskuchen<br />

Esso InterAmerica Inc.<br />

Teresa A. & Alfred Estrada<br />

Maggie Evans Silverstein<br />

Photography Evans<br />

Marcia J. Fair<br />

<strong>The</strong> Farago Foundation Inc.<br />

Claudia P. & Peter,Fay<br />

Dr. Lewis Feder<br />

Sidney M. Feldman<br />

Dr. Edward J. Feller<br />

Marilyn Fellman ‘76<br />

Mr. & Mrs. Lawrence B. Felton<br />

Amaryllis Feria & Guillermo Feria<br />

Benjamin Fernandez, IV ‘74<br />

Ana Maria Fernandez-Haar<br />

Fiduciary Trust International of<br />

the South<br />

John Fillo<br />

M<strong>art</strong>in Fine<br />

<strong>The</strong> Fine <strong>Art</strong>s Conservancy/<br />

Stoneledge Inc.<br />

Renee Fink<br />

Mr. & Mrs. Marvin A. Fink<br />

Tara A. Finley<br />

Glenn Firestone<br />

Fischbach Gallery<br />

Polly & M<strong>art</strong>in Fischer<br />

Albine Fischer<br />

Kay Fisher<br />

Joy & Jack Fishman<br />

Dr. Lawrence M. Fishman<br />

Alan P. Fiske<br />

Flagler Greyhound Racing<br />

& Poker<br />

Julie Fleischmann<br />

Betty Fleisher<br />

Lenore L. Fleming<br />

Michele L. Fletcher<br />

<strong>Florida</strong> Glass <strong>Art</strong> Alliance<br />

<strong>Florida</strong> Hose & Hydraulics Inc.<br />

Richard Floursheim <strong>Art</strong> Fund<br />

Ford Motor Company<br />

Jeffrey L. Horstmyer MD &<br />

Tillie Fox<br />

Barbara E. Frank<br />

Herbert M. Frank<br />

Mary E. & Howard S. Frank<br />

Francoise A. Franklin<br />

Michele Frisch<br />

Doree Fromberg<br />

<strong>Patricia</strong> & <strong>Phillip</strong> <strong>Frost</strong><br />

Funding <strong>Art</strong>s Network Inc.<br />

Rosemary Furman<br />

Mr. & Mrs. M<strong>art</strong>in Gallant<br />

Garber & Goodman Advertising Inc.<br />

Ralph L. & Cookie Gazitua<br />

Flavia & Juan-Rene Geada<br />

Daniel Gelfman<br />

Robert J. Geller<br />

Nita Maercks & Robert Gellerman<br />

Ella Gelvan<br />

<strong>Phillip</strong> T. & Judith George<br />

Heather H. Gerson<br />

<strong>The</strong> Geszel Family Foundation<br />

Yetta & Irving M. Geszel<br />

Irving Getz & Joan Getz<br />

Morton E. & Carol W. Getz<br />

Snyder Gilbert<br />

Benjamin & Maxine Z. Gilbert<br />

Alvin J. Gilbert<br />

Victoria & Alfred Gildred<br />

Foundation<br />

Barbara Gillman<br />

Mr. & Mrs. Bernard W. Gimbel<br />

Nicholas A Giorgio<br />

Gail S. Gitin ‘87<br />

John & Ideal Gladstone<br />

Stanley J. Glaser & Kathleen D.<br />

Glaser<br />

Lucienne M. & Lawrence D.<br />

Glaubinger<br />

Henry I. Glick<br />

Saul Glottmann<br />

Phyllis Glukstad<br />

Charles Goedken<br />

Marilyn Goldaber<br />

Michael A. Goldberg<br />

Pamela D. & Gary L. Goldfaden<br />

Max A. Goldfarb<br />

Barry & Barbara Goldin<br />

Jane & Jerrold F. Goodman<br />

Albert Goodstein<br />

Helen-Marie & Alan Gordich<br />

Myra & Jack D. Gordon<br />

Allen Gordon<br />

Sandi-Jo & Mark W. Gordon, MD


MEMBERS & DONORS<br />

Norman Gorson<br />

Betty C. Gosman<br />

Harry Graff<br />

D. R. Graham<br />

Dorothea & Steven J. Green<br />

Dorothea Green Emerging <strong>Art</strong>ist<br />

Fund<br />

Green Family Foundation, Inc.<br />

Eric F. Green<br />

Monte W. Green<br />

Sylvia & Carl Green<br />

Randall M. Greenbaum ‘84<br />

Ms. Beatrice Greenberg<br />

Barbara U. Greene<br />

Greene Gallery Inc.<br />

Rose E. & Gerald Green<br />

Timothy Greenfield-Sanders<br />

Richard Greenman<br />

William K. Greiner<br />

Mr. William Kross Greiner<br />

Marsha A. Griffith<br />

Giovanni Grimaldi<br />

Felice Grodin<br />

Lynne & Robert Grossman<br />

Dr. & Mrs. M<strong>art</strong>in B. Grossman<br />

Helene Grubair-Hermantin<br />

Jose Guerra<br />

Ramon Guerrero<br />

Sheldon B. Guren<br />

Alfredo D. Gutierrez<br />

Fernando Gutierrez<br />

M<strong>art</strong>a & Henry Gutierrez<br />

M<strong>art</strong>a Gutierrez<br />

Mr. & Mrs. Richard Haft<br />

Clayre & Jay M. Haft Esq.<br />

Karen & Anthony Hai<br />

Ernest M. & Diane Halpryn<br />

Harriet L. & Marshall S. Harris<br />

Mr. & Mrs. Erwin Harris<br />

Mr. & Mrs. Joseph Harrison<br />

M.C. Harry & Associates Inc.<br />

Erica H<strong>art</strong>man<br />

Rebecca Haug<br />

Robert R. Hawk<br />

David M. Hayes<br />

Thomas P. Healy<br />

Florence Hecht<br />

Karen S. & Kenneth Heithoff<br />

Bruce Helander<br />

Daniel N. & Diane S. Heller<br />

John Henry<br />

Jane & Richard A. Herron<br />

Robbie & Jerome Herskowitz<br />

Joseph M. Hickey<br />

Mr. & Mrs. Hieber<br />

Mr. & Mrs. Daly Highleyman<br />

Argentina & Lee Hills<br />

Marilyn P. Himmel ‘81<br />

Katherine J. Hinds<br />

Hyman Hirsch<br />

Robert S. Hoag<br />

James E. Hof<br />

Peggy M. Hollander<br />

Gary Holmes<br />

Rol& R. Homberger<br />

E.W. Hopkins<br />

Jeffrey & Helen Horowitz<br />

<strong>Art</strong>hur A. Horowitz<br />

Robert D. Howard<br />

HSBC Bank USA<br />

Jane Hsiao<br />

<strong>Patricia</strong> C. & Jerry G. Hubbard<br />

William B. Humphreys<br />

E. Joan Hynek<br />

IAC Advertising Group Inc.<br />

M<strong>art</strong>ha E. Ibarguengoytia<br />

Iberia Tiles<br />

Icex/Commercial Office of Spain<br />

Immaculate Conception School<br />

Chris Ingalls<br />

Natalie Ireland<br />

Thomas Isenberg<br />

Island Developers Ltd.<br />

Islands in the Sun Inc.<br />

Samuel Jacobson<br />

Norman Jaffe<br />

Dr. & Mrs. Edward Jaffe<br />

Lucille Jaffe<br />

Robert Jaffee<br />

Mr. & Mrs. Frank Jagger<br />

Kathleen Janik<br />

Remon Janpier<br />

Susan R. Jay EdD ‘98<br />

Jefferson National Bank<br />

William T. Jerome<br />

Jewish Communal Fund<br />

Jewish Federation of Metropolitan<br />

Chicago<br />

Steve Jones<br />

Kimberly Jones<br />

Mr. M<strong>art</strong>in Jones<br />

Bonnie Joustra<br />

Gregg G. Juarez<br />

Donald P. Kahn<br />

Ruth Kalb<br />

Moe J. Kammer<br />

Naomi Kanter<br />

John Kapioltas<br />

Betsy H. Kaplan<br />

Robert A. Kast MD<br />

Katcher Family Foundation, Inc.<br />

Jane & Gerald Katcher<br />

Phyllis Katz<br />

Michael D. Katz<br />

<strong>The</strong>a Katzenstein<br />

Areta & Jeffrey S. Kaufman<br />

<strong>The</strong> Kaufman Foundation Inc.<br />

Susanne Kayyali<br />

Karen Kearns<br />

Robert J. & Frances C. Keefe<br />

William R. Kenan Jr. Charitable<br />

Trust<br />

Kenneth Keusch<br />

Mary F. King<br />

Billie Kirpich<br />

Charles E. Kirsch<br />

Jean & Jay I. Kislak<br />

Gerti Kleikamp<br />

Donald Klein<br />

Roland & Helen Kohen<br />

Marilyn & Ronald Kohn<br />

Saida Koita<br />

Melvin & Rosalie Kolbert<br />

Bernard J. & Evelyn Korman<br />

Jacqueline Kott & Irwin Kott<br />

Mark A. Koven ‘88<br />

Louis Kowalski<br />

Florence Kraft<br />

Carolyn & Stanley Kraftsow<br />

Robert I. Kramer<br />

Kate Kretz<br />

Sarah Kupchik<br />

Margery Kurtz<br />

Alan Kurzweil<br />

Judy Kutun<br />

Barbara Lagoa ‘89<br />

Robert F. Laird<br />

Kenneth L. & Sarah M. Laird<br />

Leo Landis<br />

B. Landon Foundation, Inc.<br />

Gayle & Jerome J. Landy<br />

<strong>The</strong> Lannan Foundation<br />

Helene & Solomon Lanster<br />

Rochelle & Steven M. Lanster<br />

Alvin M. & Lois Lapidus<br />

Lapidus-Corenblum Foundation,<br />

Inc.<br />

John A. Laskey<br />

Mr. & Mrs. David Laskey<br />

Harriet J. & Ronald Lassin<br />

Jerome Laudy<br />

Bruce J. & Joan G. Leavitt<br />

Joann E. Leavitt ‘80<br />

Wynne L. Leavitt ‘80<br />

Geraldine C. & Bennett S. LeBow<br />

<strong>The</strong> Bennett & Geraldine LeBow<br />

Foundation, Inc.<br />

Dr. & Mrs. Jacob Leby<br />

Jack & Joan Lee Fund<br />

K. W. Leffland<br />

Joel L. Lefkowitz<br />

Donald C. Lelong<br />

Ann Lemire<br />

James W. Lessig<br />

Lorraine M. Letendre<br />

Rustin & Randal Levenson<br />

Sandra & Stanton G. Levin<br />

Richard Levine<br />

Denise LeVine<br />

Elizabeth & Richard B. Levine<br />

Sheila W. Levine ‘85<br />

Rhoda & Morris D. Levitt<br />

Allan Lewis<br />

Barry M. Lewis<br />

Juan Carlos Liberti<br />

Dr. Sidney Licht<br />

Pat Lieberman<br />

Jerry M. Lindzon<br />

Charles R. Lipcon<br />

Nancy & Norman H. Lipoff<br />

Robert & Donna M. Litowitz ‘80<br />

Carlos A. Lizano ‘01<br />

David S. Loeb<br />

Heidi Krisch & Jack Loeb<br />

Lilia-Ana R. Lopez<br />

Karen E. Lord<br />

P. Lorillard & Company<br />

Juan P. Loumiet<br />

Mrs. C. Ruxton Love<br />

Robert C. & Barbara A. Lowes<br />

Emil Lukas<br />

L. Luria & Sons Incorporated<br />

Leonard & Gloria Luria<br />

Ralph M. Lutrin<br />

Ernest Lynk<br />

Roslyn M. Lyons<br />

Ricardo Machado ‘05<br />

Miriam Machado ‘07<br />

Macy’s <strong>Florida</strong><br />

Dr. Ralph & Nita Maercks<br />

Dr. Modesto Maidique<br />

William G. Mallory<br />

Stacey H. Mancuso<br />

Ellen & Bernard Mandler<br />

Dr. Joel Mann<br />

Elizabeth B. & Robert T. Mann,<br />

Esq.<br />

Mr. David Manzur<br />

Dr. & Mrs. Rene I. Marasigan<br />

Alan Marcus<br />

<strong>Phillip</strong> Marcus<br />

M<strong>art</strong>in Z. Margulies<br />

Dr. Loren Skeist & Dr. Marlene<br />

Marko<br />

Mr. & Mrs. Cedric Marks<br />

Larry Marshall<br />

Conroy M<strong>art</strong>inez Group, Inc.<br />

Jose M<strong>art</strong>inez-Caña<br />

Rosario M<strong>art</strong>inez-Cañas<br />

Jean Mason<br />

Don A. Mayerson<br />

Sabrina R. Mayfield<br />

Angela McBride<br />

Judith S. McCleary<br />

Lynnette P. McCollum<br />

Mrs. Malcolm McConnell<br />

David McKee Inc.<br />

W. Scott McM<strong>art</strong>in<br />

<strong>Patricia</strong> A. & Robert A.<br />

McNaughton<br />

Adam R. Rose & Peter McQuillan<br />

Virginia S. & D. Richard Mead, Jr.<br />

Mr. & Mrs. Oded Meltzer<br />

Donald Carlin & Audre Mendel<br />

Eliecer F. Mendia<br />

<strong>The</strong> Metropolitans<br />

Michael A. Meyers<br />

Miami Clay Company<br />

Miami-Dade County Fair &<br />

Exposition<br />

Inge W. Michaels<br />

Heather & Max Millard<br />

Joel Miller<br />

Virginia Miller Gallery, Inc.<br />

Irvin D. Milowe<br />

Paulette E. Mintz<br />

Marijean & Rafael Miyar<br />

Sami Mnaymneh<br />

Rosanne Model<br />

Marvin & Elayne Mordes<br />

Rose Morgan<br />

Andrew & Dahlia Morgan<br />

Joan & Albert Morrison<br />

Dale K. Moses<br />

29


MEMBERS & DONORS<br />

30<br />

<strong>Art</strong>uro F. & Liza Mosquera<br />

Mrs. Alexander Moss<br />

Cindi Mufson Design Studio, Inc.<br />

Multinational Trading Company<br />

Mireya A. Muniz ‘77<br />

Yvette G. Murphy<br />

Sandra S. & Stephen Muss<br />

Gary Nader Fine <strong>Art</strong><br />

Naples-Fort Myers Greyhound<br />

Track<br />

Robert Nau<br />

Larry Rivero & Steven Neckman<br />

Sunny & James Neff<br />

Barbara Neijna<br />

Neikrug Photographica Limited<br />

Mr. & Mrs. Joseph Nesbitt<br />

Brenda Nestor Castellano<br />

Netsky Gallery<br />

<strong>Art</strong>hur C. Nharwold<br />

Helen J. Nicastri<br />

Diana & George L. Niels<br />

Peggy Nolan<br />

Lynne & Murray Norkin<br />

Neil Norry<br />

Norseman Shipbuilding<br />

Corporation<br />

Mrs. E. Hope Norton<br />

Peter Norton & Family<br />

Isaac Nossel<br />

Joe Novak<br />

Jorge G. Nuche ‘85<br />

Ricardo & Dolores Nunez-<br />

Portuondo<br />

Margie Goldsmith & Jack H.<br />

Nusbaum<br />

Hilda Kutsukian & Hakim O’Brien<br />

Ocean Reef <strong>Art</strong> League<br />

Oceania Brokerage, Inc.<br />

Gloria L. O’Connell ‘81 ‘02<br />

Richard Ogust<br />

William T. & Nancy N. O’Leary<br />

Noramari Onate<br />

Steven Opler<br />

Sadie Opper<br />

<strong>Patricia</strong> Orden<br />

Nedra & Mark E. Oren<br />

Rose & Samuel Oroshnik<br />

Marilyn Ostrow<br />

Linda Oxenberg<br />

Wendy Pagán<br />

Fern&o Paiz<br />

Ingeborg & Mario Palenzona<br />

Palm Gardens Chapter<br />

Robin M. & Carlos Palomares<br />

Pan American <strong>Art</strong> Projects<br />

Jayson D. Pankin<br />

Joseph M. & Mary L. Pankowski<br />

PhD<br />

Louis Paolino<br />

Mr. & Mrs. Matthew Paolino<br />

<strong>Patricia</strong> M. & Emanuel M.<br />

Papper, MD<br />

Charles C. Papy<br />

David Paresky<br />

Beverly A. & William H. Parker<br />

Ricardo Pau-Llosa<br />

Gail Payne<br />

Carolyn Pearce<br />

Nancy Pencer<br />

Harvey Peretz DDS<br />

M<strong>art</strong>ha Perez<br />

Henry A. Perles<br />

Rita K. & David L. Perlman<br />

LouisPerlman<br />

Perlman Family Supporting<br />

Foundation Inc.<br />

Edward Perlow<br />

Ethel Perry<br />

Thomas E. Perry<br />

James F. Perry<br />

Charles E. Perry<br />

Betty Laird Perry Emerging <strong>Art</strong>ists<br />

Fund<br />

Betty L. Perry ‘74<br />

Jonlee Peterson<br />

Vivian B. Kenneth Pfeiffer<br />

Mary Lou Pfeiffer ‘96, MA ‘04<br />

Mrs. E. L. <strong>Phillip</strong>s<br />

Julius W. Phoenix<br />

Jorge H. Picaza<br />

Maxine & Isidore Pines<br />

Barbara & Robert Pinkert<br />

Pitman Photo, Inc.<br />

Platina <strong>Art</strong> Appreciation Club<br />

Diana C. Platz<br />

Podhurst Orseck, P.A.<br />

<strong>The</strong> Podhurst Family Supporting<br />

Foundation, Inc.<br />

Dorothy E. & Aaron S. Podhurst<br />

Mai Pogue<br />

Amy B. & Richard A. Pollack,<br />

CPA ‘02<br />

<strong>The</strong> Polo Club of Boca Raton<br />

Peter M. Polow<br />

Mary Ann Portell<br />

Porto Vita Property Owners<br />

Association<br />

Mark & Kathie Poses<br />

Potamkin Family Foundation<br />

Claudia Potamkin<br />

Alan Potamkin<br />

Linda S. & Irwin M. Potash, MD<br />

Nancy & Herbert Praver<br />

Primerica Holdings Inc.<br />

Publicis Sanchez & Levitan<br />

Elvira F. & Jorge R. Pupo, Jr.<br />

June Purcilly<br />

Jerry H. Pyle<br />

Rachlin LLP Rachlin<br />

Mr. Ashvin Rajan<br />

Mrs. Alma Rand<br />

Toni & Carl Randolph<br />

Marc Ransdell<br />

David K. & Crennan M. Ray<br />

Lucille F. Reals<br />

Alita W. Reed<br />

Stefanie B. & Evan J. Reed<br />

Nathan Reiber<br />

Sonya Reich<br />

Jay A. Reinfeld<br />

Serge Renard<br />

Republic National Bank<br />

of New York<br />

Sheila & Sorrel S. Resnik<br />

Rex <strong>Art</strong>ist Supplies<br />

Alberto Rey<br />

Raymond & Judi Richards<br />

Steven D. Richman<br />

Jean Claude Rigaud<br />

Kjell Ringi<br />

Serg J. Rioux<br />

Lazaro M. Rivero ‘00<br />

Mr. & Mrs. Norman Robbins<br />

Charles W. Roberts<br />

Sanford Robertson<br />

Steven D. & Joyce Robinson<br />

Margaret D. Robson<br />

Olivia Rocabado De Viets<br />

Miguel Rodrigo-Mazure<br />

David Rodriguez<br />

<strong>Art</strong>uro Rodriguez<br />

Elizabeth L. & Mark C. Rogers<br />

David J. Roomy<br />

Helena W. Roomy<br />

Hazel Rosen & Larry L. Rosen<br />

Janice M. & Charles B. Rosenak<br />

Victoria A. Rosenberg<br />

Herbert & Michelle Rosenfeld<br />

Leonard H. Rothenberg<br />

Mrs. R. Rothenberg<br />

Wendy & Ira Rothfield<br />

Mr. & Mrs. Ludwig Rothschild<br />

Sandy B. Rouse<br />

Marc Routh<br />

Dr. & Mrs. Seymour Rubenfeld<br />

Joseph Rubini<br />

Ruden McClosky Smith Schuster<br />

& Russell, P.A.<br />

Evelyn R. Rudnick<br />

Charles Ruffner<br />

Lois M. & Howard Rukeyser<br />

Stephanie Russell<br />

Francien Ruwitch<br />

<strong>The</strong> Francien & Lee Ruwitch<br />

Charitable Foundation Inc.<br />

Ryder System, Inc.<br />

Mr. Natan Saban<br />

George B. Sachs<br />

Marvin A. & Ruth K. Sackner<br />

Susan & Philip Sacks<br />

Dominique Sada<br />

Doris Sadoff<br />

Sagamore Hotel<br />

Kate D. Sage<br />

Phyllis Salzman<br />

Lina Z. Samimy<br />

Hortensia Sampedro Hacker<br />

Angela E. Sanchez<br />

Emilio Sanchez<br />

Mr. & Mrs. Donald Sanderson<br />

Nelson Santiago<br />

Annie Santuli<br />

Sylvan Sarasohn<br />

Michael J. Sastre ‘84<br />

Joann P. Sautte<br />

Samuel & Pearl Schaffer<br />

James S. Schainuck<br />

<strong>The</strong> Scharlin Family Foundation<br />

Gloria G. & Howard R. Scharlin<br />

Linda S. Schejola<br />

Dr. Donald A. Scheurer<br />

Barbara Schiff<br />

Arnold A. Schiller<br />

Dr. Paul Lambert Schmitz<br />

Mr. Leonard Schneidman<br />

Mrs. Robert Schoelkopf<br />

Jason Schoen<br />

Dennis Scholl, Esq. ‘77<br />

Leslie J. Schreiber, Esq.<br />

Adam Schuster<br />

Eugene I. Schuster<br />

Karyn K. & James G. Schwade,<br />

MD<br />

Fred Schwalbe<br />

Marvin W. Schw<strong>art</strong>zbard<br />

Leonore & Alexander E.<br />

Schwerter<br />

Mr. & Mrs. A.M. Schwitalla<br />

Raymond E. & Jean C. Scroggins<br />

Dr. & Mrs. <strong>Art</strong>hur I. Segual<br />

Jane G. Seifert<br />

June I. Seley<br />

Ruth & Richard Shack<br />

Marvin Shapiro<br />

Beverly Shapiro<br />

Louis E. Shecter<br />

Betsy R. Sherman<br />

Dr. M. Shinefield<br />

Sarah L. Shuck<br />

Dr. Richard M. Siebold<br />

Robert S. & Marian Siegel<br />

Lois H. Siegel<br />

Irving & Diane Siegel<br />

Jesse S. & Wilma B. Siegel<br />

Susan & Gerald Silver<br />

Jacqueline Simkin<br />

Muriel & Sherman Simon<br />

Susan Helfman & George M.<br />

Simon<br />

Mr. & Mrs. Charles Sioberg<br />

Dr. Bernard Siverstein<br />

Emmanuelle & Allan Slaight<br />

Donald D. Slesnick, II<br />

Dr. Mike Slomka<br />

Hunt Slonem<br />

Mr. Charles E. Slonem<br />

Sandra L. & Joseph J. Slotnik<br />

Jo Ann Smith<br />

Joan Peven & Harry B. Smith<br />

Peggy Smith<br />

Smith & Wollensky Restaurant<br />

Allison C. Smith ‘91<br />

Jacqueline A. & Chesterfield H.<br />

Smith, Sr.<br />

Fredric Snitzer<br />

Dr. & Mrs. Gilbert & Natalie<br />

Snyder<br />

<strong>The</strong>odore Sobel<br />

Societa Dante Alighieri D’Italia, Inc.<br />

Sharon & Howard Socol<br />

Sonesta Charitable Foundation, Inc.<br />

Roger & Joan Sonnabend<br />

Susana Sori<br />

Sotheby’s<br />

Mr. & Mrs. William Sottile<br />

Southeast Banking Foundation<br />

Southeast Banking Corporation


Southeastern College <strong>Art</strong><br />

Conference<br />

Southland Corp. Inc.<br />

Southwest <strong>Florida</strong> Enterprises, Inc.<br />

<strong>The</strong>odore & Rosalind P. Spak<br />

Jacqueline A. Ford & Byron<br />

Sparber<br />

Irving A. Spiegel<br />

Ulysses V. Spiva<br />

Clara Sredni<br />

Lesta S. & Matthew J. Stacom<br />

Gerald I. Starr<br />

<strong>Art</strong>hur J. Steel<br />

Sarah Steinbaum<br />

Bernice Steinbaum<br />

Mark Steingard<br />

Rosalind G. & Raul Stern<br />

Edward Stern<br />

Florence & Sidney J. Stern<br />

Jewel Stern<br />

Lynn Steuer<br />

Judith H. Stiehm & E. Richard<br />

Stiehm<br />

Jacqueline H. Stoneberger<br />

Anne Stormont ‘97<br />

Adam Straus<br />

Pat Strawgate<br />

Laura J. & Arch A. Sturaitis<br />

Hilda & Amancio V. Suarez<br />

Barry & Barbara Sugarman<br />

Rosa Sugrañes<br />

Clara Diament Sujo<br />

Nesie Summers<br />

Mark Surloff<br />

Lily Swaebe<br />

Robert M. Swedroe<br />

Leatrice Swenson<br />

Edward F. Swenson<br />

Sherie & Michael J. Swerdlow<br />

Ms. Frances F. Switt<br />

Tassilo Szechenyi<br />

William Tagg<strong>art</strong><br />

Christine J. & M<strong>art</strong>in W. Taplin<br />

Sheila Elias Taplin<br />

<strong>The</strong> Sol Taplin Charitable Trust<br />

Target Stores<br />

Monica Tchinnosian<br />

Marjorie Tedesco<br />

Mrs. Francisco Tejidor<br />

Rebeca Terner<br />

Texaco Inc.<br />

Nancy M. Herstand & Jacques<br />

Teze<br />

Mrs. Roberta Thompson<br />

Vann & Parker D. Thomson<br />

Helene & Anitra Thorhaug<br />

Steve Tobin<br />

Pilar Tobon<br />

Mr. & Mrs. Alexander E.<br />

Schwerter & Frank D. Tolin<br />

Bernardo C. Navarro Tomas<br />

Elba M. Torres ‘76<br />

Ruben Torres-Llorca<br />

<strong>Patricia</strong> A. Torter<br />

<strong>The</strong> Travelers Foundation<br />

Travelers Insurance Company<br />

Harriet Trepper<br />

Lawrence & Linda Twill<br />

UBS International Inc.<br />

Marbel X. Ugando ‘96<br />

Gladys & Orlando Valdes<br />

José J. Valdés-Fauli ‘75<br />

Lynn A. & Thomas F. Valerius, Esq.<br />

Paul Vaughan<br />

Kathleen D. & Michael Vazquez<br />

Peter A. Venzara<br />

Candido & Anabelle Viyella<br />

Mark R. Vogel<br />

Mary B. Vuglen<br />

Mr. Herbert Wallach<br />

Roberta H. Waller<br />

Janis W. Ward<br />

William L. Ward<br />

Edith A. Warga<br />

Natalie & Frank Warner<br />

Washington Storage Company, Inc.<br />

Dale Chapman Webb<br />

Mark J. Webb<br />

Carol A. Wein<br />

Sandra & Albert L. Weintraub<br />

<strong>The</strong> Weiser Family Foundation Inc.<br />

Sherwood M. & Judith Weiser<br />

Stephen & Sharlene M. Weiss<br />

Dr. Peter Weissman<br />

<strong>The</strong> Weldon Foundation, Inc.<br />

Carol J. & Norman R. Weldon<br />

Nicolette Wernick<br />

Dr. Herbert & Nicole Wertheim<br />

Foundation<br />

Pinki & Allan Wesler<br />

Janda Wetherington<br />

Yann & Susana Weymouth<br />

Helena C. White<br />

Peggy White<br />

Richard M. White Sr.<br />

Marie-Ilene Whitehurst<br />

Marina D. Whitman<br />

Bernard & Delores Whyman<br />

Mr. & Mrs. Leonard A. Wien<br />

Carol A. Wien<br />

Dinorah Wilkins<br />

Bryan Williams<br />

Frank Williams<br />

Willington Holdings Limited<br />

Mr. & Mrs. James R. Willis<br />

Dolores & Arnold Wolf<br />

Mary Ann & Gregory B. Wolfe, PhD<br />

Richard F. Wolfson Family<br />

Foundation<br />

Elaine R. Wolfson<br />

Mr. Mitchell Wolfson Jr.<br />

Nancy D. Wood<br />

E. M<strong>art</strong>in Wunsch<br />

Roger E. & Vicki S. Wyman<br />

Rose M. & Harold E. Wyman PhD<br />

Thomas Wyroba<br />

Francis Wyroba<br />

Yablick Charities Yablick<br />

Allan D. & Ray Ellen Yarkin<br />

Walter P. Zivley<br />

Ricardo Zulueta<br />

Cynthia J. Zwierlein<br />

Board of Trustees<br />

Cesar L. Alvarez<br />

Jorge L. Arrizurieta<br />

Betsy S. Atkins<br />

Thomas Breslin<br />

Albert E. Dotson, Sr.<br />

<strong>Patricia</strong> <strong>Frost</strong><br />

R. Kirk Landon<br />

MEMBERS & DONORS<br />

Miriam López<br />

Albert Maury<br />

<strong>Art</strong>hur “AJ” Meyer<br />

David R. Parker<br />

Claudia Puig<br />

Rosa Sugrañes<br />

UNIVERSITY ADMINISTRATION<br />

Modesto A. Maidique, President<br />

Ronald M. Berkman, Executive Vice<br />

President and Provost<br />

Sandra Gonzalez-Levy, Vice President,<br />

University and Community Relations<br />

Robert Conrad, Vice President, University Advancement<br />

Rosa L. Jones, Vice President, Student Affairs<br />

and Undergraduate Education<br />

Vivian A. Sanchez, Chief Financial Officer and Senior Vice President,<br />

Business & Finance and Human Resources<br />

Stephen A. Sauls, Vice President, Governmental Relations<br />

George E. Walker, Vice President, Research<br />

and Dean of University Graduate School<br />

Douglas W<strong>art</strong>zok, Vice President, Academic Affairs<br />

Corrine M. Webb, Vice President, Enrollment Management<br />

Min Yao, Vice President, Information Technology<br />

and Chief Information Officers<br />

<strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong><br />

Carol Damian, Director & Chief Curator<br />

Julio Alvarez, Security Manager<br />

Etain Connor, Development Director<br />

Kitty Dumas, Communications Director<br />

Nicole Espaillat, <strong>Museum</strong> Assistant<br />

Ana Estrada, Curatorial Assistant<br />

Annette Fromm, <strong>Museum</strong> Studies Coordinator<br />

Alison Garcia, <strong>Museum</strong> Assistant<br />

Ana Garcia, <strong>Museum</strong> Intern<br />

Elisabeth Gonzalez, Administrative Assistant<br />

Stephanie Guasp, <strong>Museum</strong> Assistant<br />

Julia Herzberg, Consulting Curator<br />

Catalina Jaramillo, Curatorial Coordinator<br />

Debbye Kirschtel-Taylor, Curator of Collections/Registrar<br />

Miriam Machado, <strong>Museum</strong> Studies Intern<br />

Mary Alice Manella, Budget & Finance Manager<br />

Ailyn Mendoza, Communications Coordinator<br />

Amy Pollack, Special Projects<br />

D. Gabriella Portela, <strong>Museum</strong> Intern<br />

Linda Powers, Curator of Education<br />

Ana Quiroz, <strong>Museum</strong> Assistant<br />

Alejandro Rodriguez Jr., <strong>Museum</strong> Assistant<br />

Klaudio Rodriguez, <strong>Museum</strong> Assistant<br />

Miryam Rodriguez, <strong>Museum</strong> Intern<br />

Chip Steeler, Exhibition Designer<br />

Susan Thomas, Membership Coordinator<br />

Tatiana Torres, <strong>Museum</strong> Intern<br />

Andy Vasquez, Preparator<br />

Sherry Zambrano, Assistant Registrar<br />

31


Nathan C<strong>art</strong>er, Aero Dolomitti Flight 3MTA3 Calling All Non-Stop Cali-Marys,<br />

Linda Blair and Give Your Blowers Some Go-Juice It’s A Furball, 2005<br />

Coming April 17, 2009<br />

Because I SAY So<br />

Sculpture from the Collection of<br />

Debra and Dennis Scholl<br />

10975 SW 17th Street<br />

Miami, FL 33199<br />

Address Service Requested<br />

<strong>The</strong> <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong> receives ongoing<br />

support from the Miami-Dade County<br />

Dep<strong>art</strong>ment of Cultural Affairs, the<br />

Cultural Affairs Council, the Mayor<br />

and the Miami-Dade Board of County<br />

Commissioners, the Steven & Dorothea<br />

Green Endowment, Funding <strong>Art</strong>s<br />

Network, the <strong>Florida</strong> Division of Cultural<br />

Affairs, Dade Community Foundation,<br />

CitiGroup Foundation, CitiPrivate Bank<br />

and the Friends of the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>.<br />

Equal Opportunity/Access Employer and Institution<br />

TDD via FRS 1-800-955-8771 7/08<br />

<strong>Frost</strong> On View is printed using<br />

recycled paper and soy-based ink.<br />

Non-Profit Org.<br />

U.S. Postage<br />

PAID<br />

Miami, FL<br />

Permit No. 3675

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