P L A N T A R C H Y 2 - Critical Documents

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“Providing efficacious and exaggerated examples of life and death since the new millennium.” �� “death is a lonely boy death is a lonely voice” 11
Page 2 and 3: RFORMATIVITY PERFORMANCE & PERFORM
Page 4 and 5: CONTRIBUTORS 4 — Editor 6 — cri
Page 6 and 7: And so take this, from Stuart Calto
Page 8 and 9: That among hard gesticulating male
Page 10 and 11: your ticket to the free guide loved
Page 15 and 16: 14 Laura Elrick from Permeable Stru
Page 17 and 18: 16 Two Voices, Rhythmically Enmeshe
Page 19 and 20: 18 Like receiving a photo of onesel
Page 21 and 22: 20 A film book magazine poem
Page 23 and 24: 22 The globe remnants remnants Thei
Page 25 and 26: 24 If oligarch oligarch then thug t
Page 27 and 28: 26 § Cartographers of reasonable d
Page 29 and 30: 28 Look Look get thusly distracted
Page 31 and 32: 30 Mike Wallace-Hadrill RAPE OF THE
Page 33 and 34: 32 Stephen Perkins Why we eat Kello
Page 35 and 36: 34 Our modern belief in immediate c
Page 37: 36 Joshua Strauss
Page 41 and 42: 40 It’s in your hands. And forms
Page 43 and 44: 42 Private Letters
Page 45 and 46: 44 notions of scoring, and all the
Page 47 and 48: 46 to write. Basinski is interested
Page 49 and 50: 48 never realize it myself, because
Page 51 and 52: 50 becoming a vast undifferentiated
Page 53 and 54: 52 illegible” (42). Yet just beca
Page 55 and 56: 54 Eco, Umberto. The Open Work. Mas
Page 57 and 58: 56 HORSE VOICE WHEN YOU ADD A HORN
Page 59 and 60: 58 HORSE VOICE (cont) HORSE VOICE (
Page 61: 60 Aaren Yandrich stills from Make
Page 83 and 84:
82 82 405-12-3415 Cultural Angelina
Page 85 and 86:
84 2. a/ sealed/ envelope any/ repe
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86 4. to/ begin/ in order/ to/ ente
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88 6. O animula tremula vagula blan
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90 8. when/ I/ start I/ start/ inco
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92 10. “delicate/ cirrus-like/ cu
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94 12. all/ the/ numbers we/ clippe
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96 14. where/ will/ this end/ this/
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98 without intermission; every day
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100 of reading, and enlarge the cir
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102 and gor’d several persons. A
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104 was only a matter of getting ot
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106 suggest “try for a better sen
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108 campaigns that ebbed and waned
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110 clear not talk — take a wrait
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112 down one — same occurrence in
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114 poets who matter to readers in
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116 for some poets, including Fishe
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118 and a “discourse of social ge
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120 Goode’s conclusions are not h
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122 Emily Critchley NEIL pattison
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124 HAMBURGER LANDING (sung to the
Page 127 and 128:
126 Scott MacLeod C’EST UN AMI
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128 Cemetery Stoner: We axe the las
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130 the light of etc. makes factory
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132 some nerve modified and erased
Page 135 and 136:
134 Roaring through the vacant ear,
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ACKNOWLEDGEMENTS Plantarchy is take
Page 139 and 140:
Caroline Bergvall. Éclat (Sound &
Page 141 and 142:
Labs, 2005) - Gothick Institutions
Page 143:
Pense Aqui: Revista de Arte Postal
Page 147:
Miami University Press presents R A
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P L A N T A R C H Y 2 - Critical Documents

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