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The Decay of the Angel - Yukio Mishima

The Decay of the Angel - Yukio Mishima

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was aware <strong>of</strong> <strong>the</strong> situation. Had any one <strong>of</strong> <strong>the</strong>m<br />

shown <strong>the</strong> slightest misgivings, in that instant it would<br />

have been wiped out by my consciousness.<br />

I have put toge<strong>the</strong>r a delicate machine for feeling<br />

how it would be if I were to feel like a human being.<br />

<strong>The</strong> naturalized Englishman is more English than <strong>the</strong><br />

native Englishman, <strong>the</strong>y say; and I have become more<br />

<strong>of</strong> an expert on humanity than a human being. More, in<br />

any case, than an eighteen-year-old. Imagination and<br />

logic are my weapons, more precise than nature or<br />

instinct or experience, quite waterpro<strong>of</strong> in awareness<br />

<strong>of</strong> and accommodation to probability. I have become<br />

a specialist in humanity, as an entomologist might<br />

become a specialist in South American beetles. With<br />

odorless flowers I have explored <strong>the</strong> ways in which<br />

human beings are captured by <strong>the</strong> odor <strong>of</strong> certain<br />

flowers, caught up in certain feelings.<br />

So it is to see. I have seen from <strong>the</strong> signal station<br />

how an international freighter sets its sights from a<br />

certain distance out at sea, and makes toward shore<br />

at twelve and a half knots with <strong>the</strong> most urgent dreams<br />

<strong>of</strong> home. That was mere probing, my eye was really<br />

turned on an invisible realm far beyond <strong>the</strong> horizon.<br />

What is it to see <strong>the</strong> invisible? That is <strong>the</strong> ultimate<br />

vision, <strong>the</strong> denial at <strong>the</strong> end <strong>of</strong> all seeing, <strong>the</strong> eye’s<br />

denial <strong>of</strong> itself.

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