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The Decay of the Angel - Yukio Mishima

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<strong>the</strong> position best for <strong>the</strong> Hondas, fa<strong>the</strong>r and son. If <strong>the</strong><br />

“relationship” between <strong>the</strong>m consisted in using nature<br />

as a mediator between <strong>the</strong>ir separate awarenesses,<br />

knowing that evil results from a direct meeting, <strong>the</strong>n<br />

<strong>the</strong>y were using nature as a giant filter to turn brine<br />

into potable water.<br />

Below <strong>the</strong> prow <strong>of</strong> <strong>the</strong> Chung Lien was <strong>the</strong> lighter<br />

anchorage, like an accumulation <strong>of</strong> bobbing<br />

driftwood. Marks and signs on <strong>the</strong> concrete pier<br />

forbidding automobiles suggested <strong>the</strong> aftermath <strong>of</strong> a<br />

game <strong>of</strong> hopscotch. A dirty smoke drifted in from<br />

somewhere, and <strong>the</strong>re was an incessant chugging <strong>of</strong><br />

engines.<br />

<strong>The</strong> paint had flaked from <strong>the</strong> dark hull <strong>of</strong> <strong>the</strong><br />

Chung Lien. <strong>The</strong> bright red <strong>of</strong> <strong>the</strong> rust-preventive<br />

painted a pattern around <strong>the</strong> prow like an aerial map<br />

<strong>of</strong> harbor installations. <strong>The</strong> rusty stockless anchor<br />

clung to <strong>the</strong> hawse pipe like a great crab.<br />

“What is <strong>the</strong> cargo, all done up in neat, long<br />

bundles? Like spindles.” Honda was already<br />

scrutinizing <strong>the</strong> stevedores at work on <strong>the</strong> Chung<br />

Lien.<br />

“Boxes <strong>of</strong> some sort, I’d imagine.”<br />

Satisfied that his son knew no more than he, Honda<br />

turned his attention to <strong>the</strong> shouts <strong>of</strong> <strong>the</strong> stevedores<br />

and labor such as he had not known in his life.

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