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The Decay of the Angel - Yukio Mishima

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“<strong>The</strong> sin is ours, Kiyo’s and mine, and nobody<br />

else’s,” she had said on <strong>the</strong> way back from<br />

Kamakura.<br />

Sixty years had gone by and <strong>the</strong> words were still in<br />

his ears. Were he to visit Satoko she would probably<br />

after a quiet laugh talk easily about <strong>the</strong> chain <strong>of</strong><br />

memories. But <strong>the</strong> journey was too much for him. Old<br />

and ugly and stained with sin as he was, <strong>the</strong><br />

complications seemed only to increase.<br />

<strong>The</strong> Gesshuuji itself, gently enveloped in a spring<br />

snow, was layer by layer more distant, with memories<br />

<strong>of</strong> Satoko, as <strong>the</strong> years passed. More distant, but not<br />

with a distance as <strong>of</strong> withdrawing into <strong>the</strong> heart. As he<br />

sought to remember it, <strong>the</strong> Gesshuuji was on a snowy<br />

pinnacle, like a temple in <strong>the</strong> Himalayas, its beauty<br />

turned to harshness, its s<strong>of</strong>tness to a day <strong>of</strong> wrath.<br />

<strong>The</strong> ultimate in clarity, a moon temple quite at <strong>the</strong><br />

ends <strong>of</strong> <strong>the</strong> earth, dotted a single dot with <strong>the</strong> purple<br />

cassock <strong>of</strong> an aging and ever more delicately<br />

beautiful abbess, seemed to send <strong>of</strong>f an ice-light, as<br />

if it stood at <strong>the</strong> very limits <strong>of</strong> awareness and reason.<br />

Honda knew that he could be <strong>the</strong>re in no time by<br />

airplane or express train. But <strong>the</strong> Gesshuuji had<br />

become not a temple for a man to visit and look upon,<br />

but a ray <strong>of</strong> moonlight through a rent in <strong>the</strong> extremities<br />

<strong>of</strong> his consciousness.

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