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Theatre Space<br />

above the theatre.” Reber was pleased to be part of solving the<br />

challenges of this project. “The original Henry Miller's had a rich<br />

history, and successfully creating a new state-of-the-art facility to<br />

replace it was an exciting way to carry on that history.”<br />

Fox was also pleased with FDA as the theatre consultant for<br />

this project. “Josh has a real love for this Broadway typology,” says<br />

Fox. “It helped us understand what portions of it we wanted to<br />

make sure that the new Henry Miller’s Theatre had and what parts<br />

of it were unique to style and not necessarily relevant any longer.”<br />

Dachs also found the collaboration with Cook+Fox successful,<br />

saying, “We spent a lot of time looking at Broadway theatres so he<br />

could better understand what the architects of those days were<br />

doing that made the room feel the way that it felt. He really got<br />

into the way they were thinking and adapted a contemporary<br />

language to achieve the same ends so you will find a room that is<br />

really warm; intimate and makes you feel very close to the stage.<br />

He spoke old poetry with a contemporary language.”<br />

Fox feels that personally and as a firm, “It was a once in a lifetime<br />

opportunity; very few of us have an opportunity to design a<br />

brand-new Broadway theatre, so we viewed it as an opportunity<br />

to contribute to the theatre community and ideally respecting<br />

Henry Miller’s thoughts.”<br />

Dachs adds: “I am from New York; I grew up going to Broadway<br />

theatres and of course my partner Jules Fisher has spent a fair<br />

amount of time in them too. To have the opportunity to make<br />

a new Broadway theatre—from scratch and yet one that is<br />

completely respectful and understanding of the long-tradition<br />

of Broadway is a great thrill and a great honor. I am absolutely<br />

delighted and very proud of how it has turned out.”<br />

Elements of Adamesque plasterwork have been salvaged and reinstalled in the new theatre. The<br />

dancing muses on the salvaged plasterwork inspired the form of the main public staircases.<br />

dbox for Cook+Fox Architects<br />

www.stage-directions.com • November 2009 19

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