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from an architecturally sound location
above the stage, such as a grid or gallery
railing, to support the steel pipe to
which the backdrop will be tied. This
approach is available when the backdrop
does not have to be flown out of
sight. The backdrop should be tied to
Schedule 40 steel pipes, with pick-up
lines leading from the pipe batten to
the grid or other architecture, placed
every 10 feet to avoid flexing the pipe
under load. Your technicians must be
experienced with several types of knots
to ensure the scenery does not place
anyone at risk.
You should follow information about how to handle and
maintain the backdrop as provided by the rental company,
and make sure the painted surface does not drag on the
theatre floor at any time during installation or operation.
Alteration of the backdrop dimensions is not permitted,
but if the drop is too wide for the venue you may be able
to gently fold back the excess width on both sides and tie
the reversed excess to the pipe.
Although rented backdrops are sometimes not the most
Charles H. Stewart’s Paddington Green backdrop used for Oliver
cost-effective scenery solution, they offer lavish design execution
with minimal effort. There is no easier way to visually
fill a large area on stage, and backdrops can add versatility
and elegance to even a modest production.
Erik Viker is an assistant professor of Theatre at Susquehanna
University, where he serves as faculty technical director for
the Department of Theatre and teaches courses in theatre
operations and stage management.
www.stage-directions.com • May 2008 45