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2007 Conference Program<br />

Welcome<br />

Desert<br />

Andamento<br />

6th Annual SAMA Conference<br />

Mesa, Arizona • March 21-24, 2007<br />

Marriott Phoenix/Mesa Hotel & Convention Center


6th Annual SAMA Conference<br />

Desert Andamento •<br />

Welcome to Mesa!<br />

It has been our extraordinary pleasure to put mosaic art in <strong>the</strong> <strong>for</strong>efront <strong>of</strong> <strong>the</strong> southwest art scene<br />

by organizing Desert Andamento in Mesa, Arizona <strong>for</strong> <strong>the</strong> SAMA 2007 conference. The locale was<br />

conceived as a conference site back in 2004 and has been slow to come to fruition as we waited<br />

<strong>for</strong> <strong>the</strong> construction <strong>of</strong> <strong>the</strong> beautiful new Mesa Arts Center with <strong>the</strong> Mesa Contemporary Arts<br />

gallery to ho<strong>us</strong>e our exhibition. We think it was worth <strong>the</strong> wait and hope that you agree.<br />

The conference, Desert Andamento, was designed to give you a flavor <strong>of</strong> <strong>the</strong> southwest spirit and<br />

ambience. We have included some new elements in this year’s conference such as <strong>the</strong> <strong>Mosaic</strong><br />

Marathon, which will leave behind a lasting mosaic legacy <strong>of</strong> <strong>the</strong> conference to be shared with <strong>the</strong><br />

local community. The spectacular <strong>Mosaic</strong> Arts International 2007 exhibition represents <strong>the</strong> enormo<strong>us</strong><br />

diversity <strong>of</strong> SAMA’s member artists and is a tribute to <strong>the</strong> continuation <strong>of</strong> growth and imagination in this<br />

exciting medium.<br />

Our special concluding treat <strong>for</strong> <strong>the</strong> conference is <strong>the</strong> closing party at <strong>the</strong> Heard M<strong>us</strong>eum, a long-standing monument to<br />

<strong>the</strong> cultural and fine art contributions <strong>of</strong> Southwestern native people. It has been <strong>the</strong> goal <strong>of</strong> Desert Andamento to piece toge<strong>the</strong>r elements <strong>of</strong><br />

education, hands-on learning opportunities, networking and community art collaboration grouted with humor, food and lots <strong>of</strong> fun to present as<br />

our mosaic gift to you.<br />

Please enjoy <strong>the</strong> conference and our desert community.<br />

Vicki Bess and S<strong>us</strong>an Jeffreys<br />

Conference Co-Chairs<br />

Table <strong>of</strong> Contents<br />

Schedule 3<br />

Announcements and Special Instructions 4<br />

<strong>Mosaic</strong> Arts International 2007 5<br />

Vendor Marketplace 6<br />

<strong>Mosaic</strong> Marathon 7<br />

Program In<strong>for</strong>mation 8<br />

2007 Contributors Roster 13<br />

Acknowledgements 14<br />

Map 15<br />

2<br />

Cover <strong>Artists</strong>:<br />

Brooks Tower<br />

Janet Kozachek<br />

www.<strong>American</strong><strong>Mosaic</strong>s.org<br />

Lori Greene<br />

Ellen Blakeley SAMA — P.O. Box 624, Ligonier, PA 15658


Mesa, Arizona • March 21-24, 2007<br />

www.<strong>American</strong><strong>Mosaic</strong>s.org<br />

2007 Conference Schedule<br />

Wednesday, March 21, 2007<br />

Time Event Location<br />

7:00am – 7:00pm Registration Marriott Mesa Arizona Ballroom Foyer<br />

8:00am – 5:00pm Workshops Marriott Mesa, Mesa Convention Center and <strong>of</strong>fsite<br />

5:00pm – 1:00am <strong>Mosaic</strong> Marathon Apache Room, Rendezvo<strong>us</strong> Center<br />

Thursday, March 22, 2007<br />

7:00am – 8:00am Continental Breakfast Marriott Mesa Arizona Ballroom Foyer and Courtyard<br />

7:00am – 4:30pm Registration Marriott Mesa Arizona Ballroom Foyer<br />

8:00am – 5:00pm Workshops Marriott Mesa, Mesa Convention Center and <strong>of</strong>fsite<br />

9:00am – 5:00pm <strong>Mosaic</strong> Marathon Apache Room, Rendezvo<strong>us</strong> Center<br />

12:00pm – 1:00pm Box Lunch Pickup<br />

12:00pm – 5:00pm Vendor Marketplace Marriott Mesa Arizona Ballroom DG<br />

12:00pm – 5:00pm SAMA Store Marriott Mesa Boardroom/across hall from Ballroom<br />

6:00pm – 9:00pm <strong>Mosaic</strong> Arts International Mesa Contemporary Arts Gallery In <strong>the</strong> Mesa Arts Center<br />

2007 Opening Night Party<br />

Friday, March 23, 2007<br />

7:00am – 8:00am Continental Breakfast Marriott Mesa Arizona Ballroom Foyer and Courtyard<br />

7:00am – 8:00am Registration Marriott Mesa Arizona Ballroom Foyer<br />

8:00am – 10:00am 2007 Member’s General Marriott Mesa Arizona Ballroom ABC<br />

Meeting and Scholarship<br />

Winners’ Presentations<br />

10:00am – 1:00pm Vendor Marketplace Marriott Mesa Arizona Ballroom DG<br />

10:00am – 1:00pm SAMA Store/ Registration Marriott Mesa Boardroom/across hall from Ballroom<br />

12:00pm – 1:00pm Box Lunch Pickup<br />

Conference Program Presentations<br />

1:00pm – 2:15pm Ilana Shafir Marriott Mesa Arizona Ballroom ABC<br />

2:30pm – 3:45pm Janet Kozachek and Guests Marriott Mesa Arizona Ballroom ABC<br />

4:00pm – 5:00pm Malena Perdomo Marriott Mesa Arizona Ballroom ABC<br />

5:00pm – 5:30pm John O’Brien, BAMM News Marriott Mesa Arizona Ballroom ABC<br />

6:00 pm – 7:00 pm Volunteer Appreciation Sedona Room<br />

Reception <strong>for</strong> Volunteers and<br />

Board Members<br />

7:00pm – 9:00pm Sponsor Appreciation Dinner Mesa Convention Center – Main Hall<br />

Saturday, March 24, 2007<br />

8:00am – 1:00pm Registration Marriott Mesa Arizona Ballroom Foyer<br />

8:00am – 9:00am Continental Breakfast Marriott Mesa Arizona Ballroom Foyer and Courtyard<br />

8:30am – 12:00pm Vendor Marketplace Marriott Mesa Arizona Ballroom DG<br />

8:30am – 12:00pm SAMA Store Marriott Mesa Boardroom/across hall from Ballroom<br />

11:00am – 12:00pm Brown Bag Exchange Marriott Mesa Arizona Ballroom Foyer outside D<br />

12:00pm – 1:00pm Box Lunch Pickup<br />

Conference Program Presentations<br />

12:30pm – 1:30pm Steve Aimone Marriott Mesa Arizona Ballroom ABC<br />

1:45pm – 2:45pm Enzo Aiello Marriott Mesa Arizona Ballroom ABC<br />

3:00pm – 4:15pm KEYNOTE: Sherri Warner Hunter Marriott Mesa Arizona Ballroom ABC<br />

4:15pm – 5:15pm Raffle and Members Choice Award Marriott Mesa Arizona Ballroom ABC<br />

7:00pm – 11:00pm Closing Night Party Heard M<strong>us</strong>eum<br />

3


6th Annual SAMA Conference<br />

Desert Andamento •<br />

Announcements and Special Instructions<br />

Stay Hydrated!<br />

Water Bottles and Hydration Stations<br />

The desert is a unique environment and it is possible to become dehydrated without realizing until it is too late. You will need to drink to prevent thirst,<br />

not j<strong>us</strong>t to quench it. To this end, every registered attendee will receive a re-<strong>us</strong>able logo water bottle, sponsored by <strong>Mosaic</strong>Smalti.com. We will have<br />

approximately 10 water re-filling stations around <strong>the</strong> conference area. Please take <strong>the</strong> opportunity to refill your water bottles at <strong>the</strong>se stations.<br />

You may want to write your name on your bottle as <strong>the</strong>y are all alike. Keep it with you and hydrate regularly.<br />

Although it is very unlikely that anyone will suffer from dehydration at <strong>the</strong> conference, <strong>the</strong> signs <strong>of</strong> dehydration include: dry, sticky mouth, sleepiness<br />

or tiredness, thirst, decreased urine output, m<strong>us</strong>cle weakness, headache, dizziness or ligh<strong>the</strong>adedness. If you feel you are dehydrated, please contact<br />

one <strong>of</strong> <strong>the</strong> conference coordinators (S<strong>us</strong>an, Vicki, Chris, Dawnmarie, Deb). We will have some electrolyte water available.<br />

Meal In<strong>for</strong>mation<br />

Show and Tell Continental Breakfasts<br />

You're invited to bring your portfolios or photos <strong>of</strong> recent work to share at <strong>the</strong> Show-and-Tell Continental Breakfasts scheduled <strong>for</strong> Thursday 7:00am-<br />

8:00am, Friday 7:00am-8:00am, and Saturday 8:00-9:00am in <strong>the</strong> Marriott Mesa Arizona Ballroom Foyer. It's a great opportunity <strong>for</strong> networking and<br />

shoptalk. The breakfasts are complimentary <strong>for</strong> registered conference attendees and will be hosted by SAMA's Board <strong>of</strong> Tr<strong>us</strong>tees. Board members<br />

will be circulating in <strong>the</strong> room to answer questions and hear your comments. Only registered attendees may attend <strong>the</strong> continental breakfasts.<br />

Guests will not be permitted and neck wallets will be checked.<br />

Box Lunch Vouchers<br />

Your Box Lunch Vouchers are inside your neck wallet. We are sorry but due to <strong>the</strong> logistics <strong>of</strong> this service, additional Box lunches will NOT be<br />

available <strong>for</strong> sale during <strong>the</strong> conference and substitutions will not be allowed from your meal choice at <strong>the</strong> time <strong>of</strong> registration. Box lunches will not be<br />

provided without presentation <strong>of</strong> a voucher. Please be aware that <strong>the</strong>re are SURPRISE GOODIES from our sponsors in <strong>the</strong> box lunches and some<br />

items are not edible!<br />

<strong>Mosaic</strong> Arts International 2007 Opening Reception<br />

6:00pm, Thursday, March 22, 2007<br />

Held at <strong>the</strong> fabulo<strong>us</strong> new Mesa Arts Center, j<strong>us</strong>t a few minutes’ walk from <strong>the</strong> conference hotel. Private opening reception <strong>for</strong> SAMA members from<br />

6:00pm – 7:00pm (Food and cash bar available <strong>for</strong> SAMA members at that time). Public opening from 7:00pm to 9:00pm. (Snacks available).<br />

Part <strong>of</strong> <strong>the</strong> reception will be held out <strong>of</strong> doors.<br />

Sponsor Appreciation Dinner<br />

7:00pm Friday, March 23, 2007<br />

Dinner tickets will be in your neck wallet. Guest Dinner tickets will be in <strong>the</strong> neck wallet <strong>of</strong> <strong>the</strong> registered attendee who purchased <strong>the</strong> guest ticket.<br />

Registered attendees and guests with pre-purchased guest tickets <strong>for</strong> this dinner m<strong>us</strong>t present <strong>the</strong>ir Dinner Ticket with Meal Choice to your meal<br />

server upon request at your table prior to Dinner. Due to <strong>the</strong> logistics <strong>of</strong> this meal, substitutions will not be allowed<br />

from your meal choice at <strong>the</strong> time <strong>of</strong> registration. Meals will not be provided without presentation <strong>of</strong> Dinner Ticket.<br />

Closing Night Party at <strong>the</strong> Heard M<strong>us</strong>eum<br />

7:00pm – 11:00pm Saturday, March 24, 2007<br />

The Heard M<strong>us</strong>eum is an internationally acclaimed cultural heritage m<strong>us</strong>eum foc<strong>us</strong>ing on Native<br />

<strong>American</strong> Art and Culture. The Heard is a beautiful venue in central Phoenix with plenty <strong>of</strong> lovely<br />

outdoor spaces. The M<strong>us</strong>eum will be open this evening only to SAMA members and guests.<br />

There will be dining, dancing and free docent-led tours throughout <strong>the</strong> evening sponsored by<br />

MAPEI Corporation. Please take advantage <strong>of</strong> this unique opportunity to see <strong>the</strong> m<strong>us</strong>eum in a<br />

fairly private setting. The Heard M<strong>us</strong>eum Gift Shop will also be open. There is some excellent<br />

Native <strong>American</strong> art <strong>for</strong> sale as well as gifts <strong>for</strong> friends and family at home. The Heard M<strong>us</strong>eum can<br />

be found on <strong>the</strong> web at www.Heard.org.<br />

Dinner will be Buffet style with dinner seating, so please consider boarding an early b<strong>us</strong>. A shuttle will be<br />

provided from <strong>the</strong> front <strong>of</strong> <strong>the</strong> Marriott Mesa Hotel. Look in your registration folder <strong>for</strong> <strong>the</strong> shuttle schedule.<br />

4


Mesa, Arizona • March 21-24, 2007<br />

www.<strong>American</strong><strong>Mosaic</strong>s.org<br />

Announcements and Special Instructions<br />

Tesserae Exchange<br />

Get a Tesserae Surprise! Brown Bags will be collected throughout <strong>the</strong> conference at <strong>the</strong> registration area. When you turn in your bag, you will be<br />

provided a ticket to present on Saturday from 11:00am – 12:00pm outside Marriott Mesa Arizona Ballroom D to redeem your exchange! Please<br />

do not drop <strong>of</strong>f bags that are torn or damaged and do not leave your bag without getting a ticket!<br />

SAMA Store<br />

Marriott Ballroom Boardroom<br />

Thursday, March 22<br />

Friday, March 23<br />

Saturday, March 24<br />

12:00pm – 5:00pm<br />

10:00am – 1:00pm<br />

8:30am – 12:00pm<br />

This year <strong>the</strong> SAMA Store will feature a new version <strong>of</strong> an old favorite! We have ordered all new SAMA Logo Aprons! Perfect <strong>for</strong> teaching,<br />

demonstrating or j<strong>us</strong>t showing your SAMA pride while creating your mosaic magic! You will also be able to buy from SAMA’s library <strong>of</strong> Exhibition<br />

Catalogs, Groutline back issues, mosaic guide books, posters and several collectible logo items from past conferences. Discount shipping will be<br />

provided on orders placed to be shipped after <strong>the</strong> conference! Renew your membership, update your contact in<strong>for</strong>mation or j<strong>us</strong>t stop in and say “Hi!”<br />

We are going to be located outside <strong>the</strong> Marriott Mesa Ballroom in <strong>the</strong> Boardroom and open during <strong>the</strong> Vendor Marketplace hours.<br />

Raffle<br />

Saturday, 4:15pm - 5:15pm<br />

Marriott Ballrooms A,B,C<br />

Last year in Chicago, tho<strong>us</strong>ands <strong>of</strong> dollars worth <strong>of</strong> goodies donated by our genero<strong>us</strong> sponsors and vendors were raffled <strong>of</strong>f at our most successful<br />

raffle ever! It is fun and exciting and is <strong>the</strong> best way to wrap up an inspirational day <strong>of</strong> presentations with your mosaic friends both new and old!<br />

Again this year, Orsoni Smalti Veneziani has donated a gift certificate <strong>for</strong> a master in mosaic one-week course and six nights at Dom<strong>us</strong> Orsoni<br />

valued at approximately $1,800!<br />

A Gift Bag <strong>for</strong> You<br />

New <strong>for</strong> 2007! Everyone's a winner at this year's raffle. For <strong>the</strong> first time, every conference attendee who comes to Saturday's big raffle event will<br />

receive a take-home Gift Bag stuffed with mosaic goodies and freebies, all courtesy <strong>of</strong> SAMA's great sponsorship family. You'll receive product<br />

samples, product literature, money- saving product coupons, magazines, brochures, catalogs and o<strong>the</strong>r promotional items. Don’t leave without it!<br />

<strong>Mosaic</strong> Arts International 2007<br />

Mesa Contemporary Arts<br />

at <strong>the</strong> Mesa Arts Center<br />

1 East Main St<br />

Mesa, AZ 85201<br />

+1 480 644 6501<br />

www.mesaartscenter.com<br />

Mesa Contemporary Arts Gallery hours (admission $3.50):<br />

Tuesday – Wednesday, 10:00am – 5:00pm<br />

Thursday – Saturday, 10:00am – 8:00pm<br />

Sunday, Noon – 5:00pm<br />

Held in conjunction with SAMA's annual conference, <strong>the</strong> juried exhibition presents <strong>the</strong> best in contemporary<br />

mosaics from SAMA's diverse international membership. <strong>Mosaic</strong> Arts International 2007 will be held<br />

March 20 - April 29th at <strong>the</strong> beautiful Mesa Contemporary Arts Gallery at <strong>the</strong> new Mesa Arts Center in Mesa, Arizona.<br />

Always a highlight with <strong>the</strong> visiting public, <strong>the</strong> exhibition unites compelling materials, innovative design and masterful<br />

technique currently explored by artists working in <strong>the</strong> medium. $5,000 in awards are presented, including Best in Show.<br />

Categories include 2D, 3D, Large-Scale Interior and Large-Scale Exterior mosaics.<br />

Lynne Chinn and<br />

Shug Jones<br />

5


6th Annual SAMA Conference<br />

Desert Andamento •<br />

Vendor Marketplace<br />

Thursday, March 22, 2007 through Saturday, March 24, 2007<br />

Marriott Ballrooms D and G<br />

Thursday, March 22<br />

Friday, March 23<br />

Saturday, March 24<br />

2007 Vendors<br />

ArtNetwork<br />

Brownian Bee Press<br />

Chicago <strong>Mosaic</strong> School<br />

D&D Tile<br />

di <strong>Mosaic</strong>o<br />

Garden Candy<br />

Gemini Saw<br />

Glass Accessories Int’l<br />

Institute <strong>of</strong> <strong>Mosaic</strong> Art<br />

Matteo Randi <strong>Mosaic</strong>s<br />

McIntyre Tile Company<br />

Morton Glass Works, Inc.<br />

<strong>Mosaic</strong> Details<br />

12:00pm – 5:00pm<br />

10:00am – 1:00pm<br />

8:30am – 12:00pm OPEN TO THE PUBLIC<br />

<strong>Mosaic</strong> Outpost<br />

<strong>Mosaic</strong> Rocks<br />

<strong>Mosaic</strong> Smalti<br />

<strong>Mosaic</strong>-Tile.com<br />

<strong>Mosaic</strong>tools.com<br />

Orsoni Smalti Veneziani<br />

Santa Theresa Tile Works, Inc.<br />

Smalti.com<br />

Stained Glass Shop<br />

TeaMac, Inc.<br />

Venture Tape<br />

Warner Crafts<br />

WitsEnd <strong>Mosaic</strong><br />

6


Mesa, Arizona • March 21-24, 2007<br />

www.<strong>American</strong><strong>Mosaic</strong>s.org<br />

<strong>Mosaic</strong> Marathon<br />

Wednesday, March 21, 2007, 5:00pm – 1:00am, Apache Room, Rendezvo<strong>us</strong> Center<br />

Thursday, March 22, 2007, 9:00am – 5:00pm, Apache Room, Rendezvo<strong>us</strong> Center<br />

Many SAMA members are interested in public art mosaics and as a part <strong>of</strong> <strong>the</strong> Mesa Conference we'll be tackling <strong>the</strong> topic in a new and ambitio<strong>us</strong><br />

way. Longtime SAMA member Kim Emerson has agreed to lead two workshops on large-scale architectural mosaics. Kim has been <strong>the</strong> recipient <strong>of</strong><br />

SAMA’s "Best Architectural" prize <strong>for</strong> <strong>the</strong> past two year SAMA juried exhibitions. Prior to <strong>the</strong> <strong>Mosaic</strong> Marathon, SAMA members taking Kim's public<br />

mosaics workshop in Mesa will begin fabricating a series <strong>of</strong> five panels Kim designed after meeting with our "client”.<br />

Our genero<strong>us</strong> corporate sponsors will be providing <strong>the</strong> necessary materials, which include Quarry Ceramic Tile, hammers and hardies, mosaic tape,<br />

substrates, thin-set and grout. We'll be following Kim's method <strong>of</strong> face-taping <strong>the</strong> design and thin setting it to panels.<br />

We will be donating <strong>the</strong> finished panels to Southwest Human Development, a not-<strong>for</strong>-pr<strong>of</strong>it organization with <strong>the</strong> mission <strong>of</strong> creating a positive future<br />

<strong>for</strong> young children. To learn more about SWHD go to http://www.swhd.org. The mosaic panels will be mounted on <strong>the</strong> exterior wall <strong>of</strong> SWHD’s<br />

four-story building in Phoenix. We hope to have <strong>the</strong> entire project completed and installed at SWHD on Sunday. The MOSAIC MARATHON will be<br />

held in an adjoining facility to <strong>the</strong> Mesa conference hotel. Once <strong>the</strong> workshops are over on Wednesday, March 21, <strong>the</strong> Marathon will begin. We will<br />

<strong>of</strong>fer two-hour volunteer shifts throughout <strong>the</strong> evening and plan to finish <strong>the</strong> panels at some point on Thursday.<br />

This is a free activity (except <strong>for</strong> Kim’s workshops) designed as an opportunity <strong>for</strong> members to work on a large project in small groups. Not only will<br />

this be a wonderful networking and relationship-building experience <strong>for</strong> our members, but it’s also an opportunity <strong>for</strong> SAMA to leave a beautiful<br />

mosaic legacy with our host city.<br />

In addition to having <strong>the</strong> guidance <strong>of</strong> Kim Emerson we have invited "Special Guest <strong>Artists</strong>" to visit with Marathon participants while <strong>the</strong>y are working.<br />

These "special guests" are working mosaic artists and mosaic instructors. What a wonderful opportunity to get to know conference attendees whose<br />

paths may not o<strong>the</strong>rwise cross with yours!<br />

There will be a spectator viewing area and cash bar available during <strong>the</strong> Marathon.<br />

7


6th Annual SAMA Conference<br />

Desert Andamento •<br />

Conference Program Presentations<br />

Friday, March 23, 2007<br />

2007 SAMA Member’s Annual General Meeting<br />

Including presentations from 2006 Robin Brett <strong>Mosaic</strong> Scholarship winners<br />

Friday, March 23, 2007<br />

8:00 AM – 10:00 AM<br />

Marriott Ballroom A,B,C<br />

You won't want to miss this year's 2007 General Meeting! You'll be<br />

energized by our annual update on SAMA's many accomplishments<br />

in <strong>the</strong> past year. You'll be inspired by presentations from our two<br />

Robin Brett <strong>Mosaic</strong> Scholarship recipients on <strong>the</strong> workshops <strong>the</strong>y've<br />

attended. You'll be in<strong>for</strong>med about <strong>the</strong> stat<strong>us</strong> <strong>of</strong> <strong>the</strong> organization<br />

and plans <strong>for</strong> <strong>the</strong> future. Designed to be fun and interactive,<br />

this year's Meeting will have plenty <strong>of</strong> surprises.<br />

Be <strong>the</strong>re or be square!<br />

My Journey to <strong>Mosaic</strong><br />

By Ilana Shafir<br />

Friday, March 23, 2007<br />

Ilana Shafir<br />

1:00pm - 2:15pm<br />

Marriott Ballroom A,B,C<br />

In a story <strong>of</strong> how art and life are intricately intertwined, Ilana’s presentation entitled “My Journey to <strong>Mosaic</strong>” will reflect on her career <strong>of</strong> more than six<br />

decades, beginning at age 17 in Sarajevo, in <strong>the</strong> <strong>for</strong>mer Yugoslavia, and continuing to this day. Ilana will talk about different periods <strong>of</strong> her life and<br />

draw parallels between her biography and artistic work, beginning with early oil paintings and portraits that she made years be<strong>for</strong>e she enrolled as a<br />

student at <strong>the</strong> Zagreb Art Academy, and conclude with her newly built mosaic garden, which is adjacent to her ho<strong>us</strong>e and studio in Ashkelon, Israel.<br />

Her lecture will begin with <strong>the</strong> documentary, “The Worlds <strong>of</strong> Ilana Shafir”, which was filmed both in Croatia and in Ashkelon. A holoca<strong>us</strong>t survivor, Ilana<br />

will share her life story, talk about <strong>the</strong> experiences that influenced her artwork, and reflect on how her artwork helped her overcome challenges in her<br />

life. Ilana’s retrospective account <strong>of</strong> her artistic journey will convey <strong>the</strong> idea that every stage in an artist’s development plows <strong>the</strong> ground <strong>for</strong> <strong>the</strong> next<br />

stage in a long journey that cannot be <strong>for</strong>eseen. Each phase is like a stepping-stone, essential <strong>for</strong> making progress. This session should particularly<br />

benefit artists who wish to pa<strong>us</strong>e <strong>for</strong> a moment from <strong>the</strong>ir daily artistic pursuits to reflect on <strong>the</strong>ir own creative journey. This lecture is sure to inspire<br />

everyone, at all artistic levels and age groups.<br />

Ilana Shafir was born in 1924 in Sarajevo, <strong>for</strong>mer Yugoslavia. Ilana was a student at <strong>the</strong> high school <strong>for</strong> architecture, when her studies were<br />

interrupted by <strong>the</strong> Nazi invasion <strong>of</strong> Yugoslavia. After <strong>the</strong> war, Ilana was able to begin her studies at <strong>the</strong> Zagreb Art Academy from which she graduated<br />

in 1949. Shortly <strong>the</strong>reafter <strong>the</strong> family immigrated to Israel to finally settle in Ashkelon. For years, Ilana was a dedicated art teacher and later founder<br />

and director <strong>of</strong> <strong>the</strong> Ashkelon Art Center, a flourishing educational institution with multimedia studios. Since 1980, Ilana has been an active participant<br />

in <strong>the</strong> growing community <strong>of</strong> mosaic artists throughout <strong>the</strong> world and is <strong>of</strong>ten invited as a guest speaker at national and international mosaic<br />

conferences. She is a member <strong>of</strong> AIMC (International Association <strong>of</strong> Modern <strong>Mosaic</strong> Artist, Ravenna, Italy) and a member <strong>of</strong> SAMA (<strong>Society</strong> <strong>of</strong><br />

<strong>American</strong> <strong>Mosaic</strong> <strong>Artists</strong>).<br />

Ilana's work has been recognized in vario<strong>us</strong> venues. Her mosaic "Gate <strong>of</strong> The Souls" received <strong>the</strong> Curator's Choice Award at <strong>the</strong> inaugural exhibition<br />

<strong>of</strong> SAMA held in 2002 in Orangeburg, SC. Ano<strong>the</strong>r mosaic, "In <strong>the</strong> Deep," was recognized as <strong>the</strong> Best Large Scale Contemporary Work at <strong>the</strong> SAMA<br />

exhibition at <strong>the</strong> Eleven Eleven Gallery in Washington DC. Recently, Ilana's poster won <strong>the</strong> award <strong>for</strong> <strong>the</strong> category <strong>Mosaic</strong> as Art at <strong>the</strong> poster<br />

exhibition in Melbourne, A<strong>us</strong>tralia, held in 2005 at <strong>the</strong> AIMC Conference. In 2004, Ilana's mosaic "Worlds" was installed in <strong>the</strong> lobby <strong>of</strong> <strong>the</strong> Ashkelon<br />

Center <strong>for</strong> <strong>the</strong> Per<strong>for</strong>ming Arts and was recognized in a gala ceremony in which <strong>the</strong> documentary "The Worlds <strong>of</strong> Ilana Shafir" was premiered.<br />

8


Mesa, Arizona • March 21-24, 2007<br />

www.<strong>American</strong><strong>Mosaic</strong>s.org<br />

Friday, March 23, 2007<br />

Towards a New Perspective on Non-Western <strong>Mosaic</strong>s and Their Legacies<br />

A panel disc<strong>us</strong>sion <strong>of</strong> Non-Western <strong>Mosaic</strong>s<br />

Janet Kozachek, Artist, SAMA Past President (Moderator)<br />

Diana Pardue, Curator <strong>of</strong> Collections, Heard M<strong>us</strong>eum<br />

Dr. Mikelle Smith Omari-Tunkara, University <strong>of</strong> Arizona<br />

Friday, March 23, 2007<br />

2:30 PM to 3:45 PM<br />

Marriott Ballroom A, B, C<br />

By serendipity or by design, <strong>the</strong> influence <strong>of</strong> Greco-Roman, European traditions has been set aside by some mosaic artists in favor <strong>of</strong> traditions that<br />

are more familiar to Asia, Africa or Native America. What inspires <strong>the</strong>se artists to risk creating art that may only truly be understood by a narrow<br />

audience? How do <strong>the</strong>se artists explain <strong>the</strong>ir work? What are <strong>the</strong> building blocks <strong>of</strong> <strong>the</strong>se mosaics that aren’t typically seen? Are <strong>the</strong>y less<br />

commercial and more intimate? What makes a work “non-western?” How can <strong>the</strong>ir mosaics challenge our own imagination and creative work?<br />

How do we learn to integrate non-western source material into our own mosaics?<br />

These questions and o<strong>the</strong>rs will be explored through a sampling <strong>of</strong> artists working from an interest in <strong>the</strong> mosaics <strong>of</strong> o<strong>the</strong>r cultures or from <strong>the</strong><br />

vantage point <strong>of</strong> being <strong>of</strong> a non-western culture <strong>the</strong>mselves. This paper will present <strong>the</strong> audience with a look at how <strong>the</strong> building blocks <strong>of</strong> mosaics<br />

in non-western art differ from <strong>the</strong> <strong>us</strong>e <strong>of</strong> “tesserae” as we know <strong>the</strong>m in <strong>the</strong> context <strong>of</strong> Greco-Roman understanding, creating a narrative that is <strong>of</strong>ten<br />

less decorative and more in<strong>for</strong>mative.<br />

Janet Kozachek holds a Master <strong>of</strong> Fine Arts degree from Parsons School <strong>of</strong> Design, a graduate certificate in Chinese Art from <strong>the</strong> Beijing Central Art<br />

Academy and her undergraduate degree in Art and Science from Douglas College. Ms. Kozachek has an extensive exhibition history and her mosaics<br />

and paintings are in numero<strong>us</strong> public and private collections. She has been working in mosaics <strong>for</strong> fourteen years and has a special interest in <strong>the</strong><br />

mosaics <strong>of</strong> non-western cultures. Janet Kozachek is <strong>the</strong> co-founder <strong>of</strong> <strong>the</strong> <strong>Society</strong> <strong>of</strong> <strong>American</strong> <strong>Mosaic</strong> <strong>Artists</strong> and served as <strong>the</strong> first president from<br />

1999 to 2002. www.janetkozachek.com<br />

Diana Pardue is author <strong>of</strong> Shared Images: The Innovative Jewelry <strong>of</strong> Yazzie Johnson and Gail Bird, 2007 and The Cutting Edge: Southwest Jewelry<br />

and Metalwork, 1997. She has written articles about jewelry <strong>for</strong> Ornament and <strong>American</strong> Indian Art magazines and <strong>for</strong> a Phoenix-based monthly news<br />

magazine Frontdoors. She is curator <strong>of</strong> collections at <strong>the</strong> Heard M<strong>us</strong>eum, where she has worked since 1978.<br />

Dr. Mikelle Smith Omari-Tunkara is a full pr<strong>of</strong>essor <strong>of</strong> <strong>the</strong> History, Methods, and Theory <strong>of</strong> African and African Diaspora Arts at <strong>the</strong> University <strong>of</strong><br />

Arizona, Tucson where she has taught since 1991. She holds an MFA in Painting and Printmaking from WSU, Pullman and a Ph.D. in Art History from<br />

UCLA. She has published and lectured nationally and internationally. Her most recent book, Manipulating <strong>the</strong> Sacred: Yoruba Art, Ritual and<br />

Resistance in Brazilian Candomble, was published in October 2005 by Wayne State University Press. Please visit her web site<br />

/www.u.arizona.edu/~aasp/<br />

<strong>Mosaic</strong>s in Mexico: Fabrication, Techniques and Studio By Malena Perdomo, Kolorines Export Manager<br />

Friday, March 23, 2007<br />

4:00 PM to 5:00 PM<br />

Marriott Ballroom A, B, C<br />

This session will share <strong>the</strong> experiences <strong>of</strong> a family-owned b<strong>us</strong>iness, founded in 1949, as manufacturers <strong>of</strong> mosaic smalti. This presentation will be<br />

divided into three portions. The first will give a brief history <strong>of</strong> <strong>the</strong> company and how it was founded under <strong>the</strong> influence <strong>of</strong> Murano Masters. It will<br />

include <strong>the</strong> story <strong>of</strong> <strong>the</strong> migration <strong>of</strong> skilled Fruili mosaic artists and <strong>the</strong> foundation <strong>of</strong> <strong>the</strong> first mosaic studio in <strong>the</strong> <strong>American</strong> continent to manufacture<br />

its own smalti. The second portion <strong>of</strong> <strong>the</strong> presentation will describe <strong>the</strong> birth <strong>of</strong> <strong>the</strong>ir own style <strong>of</strong> manufacturing and describe <strong>the</strong> Mexican smalti with<br />

<strong>the</strong>ir characteristics, applications and techniques. The final portion <strong>of</strong> <strong>the</strong> presentation will foc<strong>us</strong> on experiences, challenges and growth throughout<br />

<strong>the</strong> years, spanning different muralists in <strong>the</strong> 1960’s to contemporary artists and architects.<br />

Malena Perdomo is one <strong>of</strong> 6 children <strong>of</strong> Manuel Perdomo, co-founder <strong>of</strong> <strong>Mosaic</strong>os Venecianos de Mexico. She has been working in <strong>the</strong> company<br />

<strong>for</strong> 22 years and is dedicated to working with English speaking artists. Malena is responsible <strong>for</strong> providing quotations, delivery dates, samples,<br />

production <strong>of</strong> special colors and techniques to meet <strong>the</strong> artist’s budget restrictions. She is available <strong>for</strong> communication with <strong>the</strong> artist during <strong>the</strong><br />

mosaic production and installation process, ei<strong>the</strong>r by scheduled visits to <strong>the</strong> artist studio or by means <strong>of</strong> digital photographs. Malena was trained by<br />

Luigi Scodeller, a Fruili mosaic artist from <strong>the</strong> Gino Avon <strong>Mosaic</strong> School in Spilimbergo, Italy and artistic director <strong>of</strong> <strong>the</strong> Perdomo <strong>Mosaic</strong> Studio.<br />

9


6th Annual SAMA Conference<br />

Desert Andamento •<br />

Conference Program Presentations<br />

Saturday, March 24, 2007<br />

The Spiritual Language <strong>of</strong> Design By Steve Aimone<br />

Saturday, March 24, 2007<br />

12:30 PM to 1:30 PM<br />

Marriott Ballroom A, B, C<br />

The Spiritual Language <strong>of</strong> Design explores and disc<strong>us</strong>ses <strong>the</strong> meaning <strong>of</strong> abstract art (non-objective arrangement). It asks and answers <strong>the</strong><br />

following question: What can a design express when it does more than simply 1) describe <strong>the</strong> visible world, 2) convey a literary narrative or<br />

3) serve a utilitarian purpose?<br />

The crux <strong>of</strong> <strong>the</strong> message is that visual arrangements serve as metaphors <strong>for</strong> realities that are internal and/or transcendent. We’ll disc<strong>us</strong>s how design<br />

mirrors our emotional, psychological and spiritual lives. For example, we’ll see how visual rhythm echoes rhythms permeating all <strong>of</strong> life; disc<strong>us</strong>s how<br />

symmetry and asymmetry present feelings <strong>of</strong> balance that mirror <strong>the</strong> equilibrium essential in all living things; and see how underlying shapes can be<br />

<strong>us</strong>ed to create designs that mirror structural arrangements found in nature.<br />

The presentation will include images from a wide variety <strong>of</strong> art media, including a range <strong>of</strong> mosaic works. It will include rich and diverse quotes from<br />

major 20th century artists.<br />

This session will benefit those wishing to 1) broaden <strong>the</strong>ir understanding and appreciation <strong>of</strong> abstract art, and 2) appreciate <strong>the</strong> ways in which abstract<br />

principles can be applied to streng<strong>the</strong>n <strong>the</strong>ir designs (representational and non-representational), regardless <strong>of</strong> media. There will be time at <strong>the</strong> end <strong>of</strong><br />

<strong>the</strong> presentation <strong>for</strong> a question and answer session.<br />

Steven Aimone (M.F.A, Brooklyn College) is an artist, fine arts instructor and independent curator who has taught numero<strong>us</strong> design workshops and<br />

courses to a wide variety <strong>of</strong> audiences: pr<strong>of</strong>essional artists and craftspeople, college students, m<strong>us</strong>eum patrons and school teachers. Aimone has<br />

taught painting, drawing and design at both Western Carolina University in North Carolina and Stetson University in Florida. He is <strong>the</strong> author <strong>of</strong><br />

DESIGN! A Lively Guide to Design Basics <strong>for</strong> <strong>Artists</strong> and Craftspeople, published by Lark Books. His own works have been <strong>the</strong> subject <strong>of</strong> solo<br />

exhibitions in New York City, Florida and North Carolina. He now teaches, lectures and furnishes critiques through Aimone Art Services, which<br />

publishes an online Critique <strong>of</strong> <strong>the</strong> Month at www.aimoneartservices.com.<br />

Roman <strong>Mosaic</strong>s: Painting <strong>for</strong> Eternity By Enzo Aiello<br />

Saturday, March 24, 2007<br />

1:45 PM to 2:45 PM<br />

Marriott Ballroom A, B, C<br />

Last summer Enzo was invited by Karen Ami to run a Roman <strong>Mosaic</strong> workshop at The Chicago <strong>Mosaic</strong> School. He was very surprised at <strong>the</strong> interest<br />

<strong>of</strong> <strong>the</strong> students <strong>for</strong> this charming and mysterio<strong>us</strong> art. The goal <strong>of</strong> this presentation is to examine aspects <strong>of</strong> Roman <strong>Mosaic</strong>s in depth that were only<br />

briefly mentioned in that Chicago class.<br />

Enzo has specialized in <strong>the</strong> art <strong>of</strong> mosaic <strong>for</strong> almost twenty years after starting his career in 1987 at <strong>the</strong> Vatican Studio <strong>of</strong> <strong>Mosaic</strong> in Rome. <strong>Mosaic</strong> art<br />

is one <strong>of</strong> <strong>the</strong> most refined artistic techniques and in order to understand <strong>the</strong> meaning <strong>of</strong> <strong>the</strong> “tessera” we will study <strong>the</strong> “philosophy” <strong>of</strong> mosaics that<br />

developed along <strong>the</strong> coasts <strong>of</strong> <strong>the</strong> Mediterranean Sea.<br />

Topics in this presentation will include <strong>the</strong> relationships, <strong>the</strong> influences and <strong>the</strong> competition between mosaic art and painting during <strong>the</strong> centuries.<br />

The course will address <strong>the</strong> different “op<strong>us</strong>” as well as <strong>the</strong> figure in Greek-Roman mosaic art.<br />

Additionally, <strong>the</strong> passage from <strong>the</strong> “floor” to <strong>the</strong> “wall” in Roman <strong>Mosaic</strong>s, which was <strong>the</strong> real beginning <strong>of</strong> <strong>the</strong> competition between mosaic art and<br />

painting will be disc<strong>us</strong>sed. Finally, <strong>the</strong> course will explore <strong>the</strong> wonderful op<strong>us</strong> vermiculatum in <strong>the</strong> “Casa del Fauno” in Pompeii.<br />

This presentation should particularly benefit those who want to learn how to put toge<strong>the</strong>r <strong>the</strong> tesserae <strong>of</strong> mosaic art history.<br />

Enzo Aiello is an artist <strong>of</strong> mosaic. He was born in Vibo Valentia, Italy, in 1963. He received his BFA from <strong>the</strong> Accademia Delle Belle Arti, Roma, Italy<br />

and continued his education at <strong>the</strong> Vatican Studio <strong>of</strong> <strong>Mosaic</strong>, Vatican City, Italy, <strong>the</strong> Scuola <strong>Mosaic</strong>isti del Friuli, Spilimbergo, Italy, and <strong>the</strong> Albe Steiner<br />

Studio, Ravenna, Italy. During <strong>the</strong> last twenty years he has been commissioned to restore a number <strong>of</strong> well-known ancient mosaics in European and<br />

<strong>American</strong> Collections. Enzo also has many original mosaic installations in vario<strong>us</strong> countries around <strong>the</strong> world. He currently lives and works in both<br />

Rome and New York and is involved in teaching mosaics as well as creating original works and restoring antique mosaics. Learn more by visiting his<br />

website, www.mosaicartcourses.com.<br />

10


Mesa, Arizona • March 21-24, 2007<br />

www.<strong>American</strong><strong>Mosaic</strong>s.org<br />

Keynote Presentation<br />

Saturday, March 24, 2007<br />

HAND & HEART: Outdoor and Outsider <strong>Mosaic</strong>s By featured Keynote Speaker, acclaimed author, Sherri Warner Hunter<br />

Saturday, March 24, 2007<br />

3:00 PM to 4:15 PM<br />

Marriott Ballroom A, B, C<br />

Much <strong>of</strong> <strong>the</strong> commission and community built work that Hunter is involved with results in outdoor mosaics. When she started to develop this work<br />

15 years ago, it was only natural to look at what was done be<strong>for</strong>e and how <strong>the</strong> materials, processes and look <strong>of</strong> outdoor mosaic work have evolved<br />

over time.<br />

Vario<strong>us</strong> works created throughout <strong>the</strong> centuries and by different civilizations have had a significant impact on Hunter. She’ll present some <strong>of</strong> <strong>the</strong><br />

images that have had a bearing on her own work and that <strong>of</strong> o<strong>the</strong>r mosaic artists in recent years.<br />

In addition to what she finds inspiring in academic and traditional avenues, she will also share what she has learned from nontraditional resources –<br />

primarily outsider artists. Their work hasn’t been created by traditional methods, but through a more instinctive process where <strong>the</strong> hand and <strong>the</strong> heart<br />

work toge<strong>the</strong>r to manifest an outdoor mosaic. Monuments and environments created by individuals with no art training or by o<strong>the</strong>rs who have taken<br />

what <strong>the</strong>y’ve learned and processed it in wonderfully quirky ways, provide inspiration <strong>for</strong> Hunter and hopefully, you too.<br />

Sherri Warner Hunter has exhibited her award winning artwork across <strong>the</strong> country. Since moving to Bell Buckle, TN in 1994, Hunter has concentrated<br />

on large-scale public commissions and community built projects. Her work is included in numero<strong>us</strong> private collections and can be viewed publicly<br />

at <strong>the</strong> Nashville International Airport, TN; Memphis Shelby county Public Library, TN, and <strong>the</strong> TigerTown shopping complex in Opelika, AL.<br />

Hunter is <strong>the</strong> President <strong>of</strong> <strong>the</strong> Community Built Association, a national organization <strong>of</strong> pr<strong>of</strong>essional designers, architects and artists who work with<br />

communities to design and develop volunteer based projects. Her participation with community based projects include <strong>the</strong> mosaics at Turtle Grove,<br />

Albany, GA; <strong>the</strong> Salvation Army Area Command Center’s Stepping Stone Park, Nashville, TN; “The Ga<strong>the</strong>ring” <strong>for</strong> <strong>the</strong> Oasis Center, Nashville, TN,<br />

as well as numero<strong>us</strong> projects with schools and <strong>the</strong>ir local communities<br />

Hunter is also known <strong>for</strong> teaching concrete sculpture and mosaic workshops in her studio in Tennessee and around <strong>the</strong> country. She has authored<br />

two books on working with concrete, Making Concrete Garden Ornaments and Creative Concrete Ornaments <strong>for</strong> <strong>the</strong> Garden, both published by<br />

Lark Books. Visit her website at www.sherriwarnerhunter.com.<br />

Workshops<br />

Wednesday, March 21, 2007 & Thursday, March 22, 2007<br />

SAMA is making history this year with a record number <strong>of</strong> workshop sessions over a two day period. Over 230 conference attendees will participate<br />

in a total <strong>of</strong> 27 workshops with 19 instructors. This year we have foc<strong>us</strong>ed <strong>the</strong> workshops to address three distinct areas <strong>of</strong> development that will be<br />

instrumental in advancing <strong>the</strong> careers, b<strong>us</strong>inesses and artistic achievements <strong>of</strong> our members.<br />

Announcements<br />

There may be limited openings in workshops upon arriving in Mesa. Please check <strong>the</strong> listing <strong>of</strong> open workshops at <strong>the</strong> Registration area. Walk-In<br />

Workshop seats will only be available to registered conference attendees, not guests. Walk-in workshop registrations will need to be paid in full prior<br />

to <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> workshop.<br />

Workshop participants should arrive on time to all sessions. The transportation to Nina Solomon’s workshop will pick up in front <strong>of</strong> <strong>the</strong> Marriott Mesa<br />

45 minutes prior to <strong>the</strong> start <strong>of</strong> her workshop.<br />

The following workshop location has changed from <strong>the</strong> original Program Brochure.<br />

Louis Weiner’s Photographing your <strong>Mosaic</strong>s has moved to The Marriott Mesa hotel’s Sedona Room.<br />

Sonia King's <strong>Mosaic</strong>s 101 has moved to Arizona Ballroom A<br />

11


6th Annual SAMA Conference<br />

Desert Andamento •<br />

Workshop Schedule<br />

Session<br />

Code Workshop Title Date Time Location<br />

PROFESSIONAL DEVELOPMENT<br />

(See Location Map Page 15)<br />

1 - PWW-1 Photographing Your <strong>Mosaic</strong>s by Louis Weimer Wed. 3/21 8am – 12pm Sedona Room<br />

2 - PWTAI-1 DESIGN <strong>for</strong> <strong>Artists</strong> and Craftspeople by Steven Aimone Wed. 3/21 & Thurs. 3/22 8am – 5pm Arizona Ballroom E<br />

3 - PWAM-1 Preparing a Pr<strong>of</strong>essional Art Portfolio, by Karen Ami and Lori Greene Wed. 3/21 3pm – 5pm Cholla I-II<br />

4 - PTAM-2 Preparing a Pr<strong>of</strong>essional Art Portfolio, by Karen Ami and Lori Greene Thurs. 3/22 1pm – 3pm Cholla I-II<br />

5 - PWHG-1 Creative Community Collaborations: Fabulo<strong>us</strong> Clay Techniques, Wed. 3/21 8am – 12pm Pomeroy<br />

by Helen Helwig and Niki Glen<br />

6 - PTK-1 <strong>Mosaic</strong>s 101, by Sonia King Thurs. 3/22 1pm – 5pm Arizona Ballroom A<br />

7 - PWB-1 Design <strong>for</strong> <strong>Mosaic</strong>s, by Emma Biggs Wed. 3/21 8am – 5pm Arizona Ballroom B<br />

8 - PTB-2 Design <strong>for</strong> <strong>Mosaic</strong>s, by Emma Biggs Thurs. 3/22 8am – 5pm Arizona Ballroom B<br />

9 - PWP-1 Basic Elements <strong>of</strong> <strong>Mosaic</strong> Faces, by Michele Petno Wed. 3/21 10am – 5pm Arizona Ballroom A<br />

BUSINESS DEVELOPMENT<br />

10 - BTW-1 Art <strong>of</strong> B<strong>us</strong>iness Accounting and Taxation, by Ruth Wunsh Thurs. 3/22 9am – 12pm Cholla I-II<br />

11 - BWT-1 B<strong>us</strong>iness <strong>of</strong> <strong>Mosaic</strong>s: Doing What You Love and Making a Living at It, Wed. 3/21 8am – 3pm Arizona Ballroom C<br />

by Laurel True<br />

12 - BTT-2 B<strong>us</strong>iness <strong>of</strong> <strong>Mosaic</strong>s: Doing What You Love and Making a Living at It, Thurs. 3/22 8am – 3pm Arizona Ballroom C<br />

by Laurel True<br />

TECHNICAL DEVELOPMENT<br />

15 - TWW-1 Architectural Installations Using Mesh: Out <strong>of</strong> Your Sketchbook and Wed. 3/21 8am – 5pm Superstition North<br />

Onto <strong>the</strong> Wall, by Kim Wozniak<br />

16 - TWS-1 On-Site Pebble <strong>Mosaic</strong>s, by Nina Ilitzky Solomon Wed. 3/21 8am – 5pm Artist’s Studio<br />

17 - TTS-2 On-Site Pebble <strong>Mosaic</strong>s, by Nina Ilitzky Solomon Thurs. 3/22 8am – 5pm Artist’s Studio<br />

18 - TWH-1 A Lighter Base <strong>for</strong> 3-D <strong>Mosaic</strong>s: Polystyrene Forms and Wed. 3/21 8am – 5pm Arizona Ballroom F<br />

Polymer Fortified Concrete, by Sherri Warner Hunter Wed. 3/21 8am – 5pm Arizona Ballroom F<br />

19 - TTH-2 A Lighter Base <strong>for</strong> 3-D <strong>Mosaic</strong>s: Polystyrene Forms and Thurs. 3/22 8am – 5pm Arizona Ballroom F<br />

Polymer Fortified Concrete, by Sherri Warner Hunter<br />

20 - TTD-1 A Master Class in <strong>the</strong> Indirect Technique, by Gary Drostle Thurs. 3/22 8am – 12pm Superstition North<br />

21 - TTD-2 A Master Class in <strong>the</strong> Indirect Technique, by Gary Drostle Thurs. 3/22 1pm – 5pm Superstition North<br />

22 - TTHA-1 Grouting, Substrates and Adhesives, by Yulia Hanansen Thurs. 3/22 8am – 12pm Sirrine<br />

23 - TTHA-2 Grouting, Substrates and Adhesives, by Yulia Hanansen Thurs. 3/22 1pm – 5pm Sirrine<br />

24 - TWA-1 Andamento and Texture in Roman and Byzantine <strong>Mosaic</strong>s, Wed. 3/21 8am – 12pm Superstition South<br />

by Enzo Aiello<br />

25 - TWA-2 Andamento and Texture in Roman and Byzantine <strong>Mosaic</strong>s, Wed. 3/21 1pm – 4pm Superstition South<br />

by Enzo Aiello<br />

26 - TTR-1 Roman Holiday: A Hammer and Hardie Workshop, by Matteo Randi Thurs. 3/22 8am – 12pm Superstition South<br />

27 - TTR-2 Roman Holiday: A Hammer and Hardie Workshop, by Matteo Randi Thurs. 3/22 1pm – 5pm Superstition South<br />

28 - MM-1 Large-Scale Outdoor <strong>Mosaic</strong> Workshop, by Kim Emerson Wed. 3/21 8am – 12pm Apache Room<br />

29 - MM-2 Large-Scale Outdoor <strong>Mosaic</strong> Workshop, by Kim Emerson Wed. 3/21 1pm – 5pm Apache Room<br />

B<strong>us</strong> Tour Helen's Fabulo<strong>us</strong> Public Art B<strong>us</strong> Tour Thurs. 3/22 9am - 12pm Departs from Marriott<br />

12


Mesa, Arizona • March 21-24, 2007<br />

www.<strong>American</strong><strong>Mosaic</strong>s.org<br />

2007 Contributors<br />

President’s Circle S<strong>us</strong>taining Contributors<br />

MAPEI Corporation – Closing Night Party at <strong>the</strong> Heard M<strong>us</strong>eum<br />

po2 Associates, Inc. – Opening Night Party at <strong>the</strong> Mesa Contemporary Arts Center<br />

Silver Circle S<strong>us</strong>taining Contributors<br />

Laticrete International, Inc. – Opening Day <strong>of</strong> <strong>Mosaic</strong> Marathon and<br />

materials donor <strong>for</strong> Workshops<br />

<strong>Mosaic</strong> Rocks! – Friday Box Lunches<br />

<strong>Mosaic</strong> Smalti – Insignia Water Bottle<br />

SAMA Board <strong>of</strong> Tr<strong>us</strong>tees – Show-and-Tell Continental Breakfasts<br />

The Chicago <strong>Mosaic</strong> School – Neck Wallets<br />

WitsEnd <strong>Mosaic</strong> – Thursday Box Lunches<br />

Bronze Circle S<strong>us</strong>taining Contributors<br />

Airfloat Systems – Presentation: Roman <strong>Mosaic</strong>s—Painting <strong>for</strong> Eternity and<br />

SAMA Member discount/Gift Bag enclosure<br />

Artful Crafter – Exhibition Postcard and Unrestricted Gift<br />

D&D Tile – Full-Day Workshop – Sherri Warner Hunter (Wednesday)<br />

di <strong>Mosaic</strong>o – Presentation: The Spiritual Language <strong>of</strong> Design and Gift Bag enclosure<br />

Gemini Saw Company – Full-Day Workshop – Steve Aimone (Wednesday)<br />

Institute <strong>of</strong> <strong>Mosaic</strong> Art – Keynote Presentation and Gift Bag enclosure<br />

McIntyre Tile Company, Inc. – Full-Day Workshop – Emma Biggs (Thursday)<br />

Monster <strong>Mosaic</strong>s – Presentation: <strong>Mosaic</strong>s in Mexico—Fabrication, Techniques and Studio and Gift Bag enclosure<br />

<strong>Mosaic</strong><strong>Artists</strong>Org -– Exhibition Poster<br />

<strong>Mosaic</strong> Mercantile – Full-Day Workshop – Emma Biggs (Wednesday)<br />

<strong>Mosaic</strong>-Tile.com – Full-Day Workshop – Steve Aimone (Thursday)<br />

Ranco – Full-Day Workshop – Sherri Warner Hunter (Thursday)<br />

TeaMac, Inc.– Two Half-Day Workshops – Laurel True<br />

Venture Tape Corp. – Unrestricted Gift<br />

Warner Crafts – Presentation: Towards a Perspective on Non-Western <strong>Mosaic</strong>s and Their Legacies<br />

WeldBond Universal Adhesive – Two Half-Day Workshops – Sonia King and Yulia Hanansen and Gift Bag enclosure<br />

Benefactors<br />

Liquid Nails ® Adhesives – Refreshment Breaks<br />

OpioMosaique – Presentation: My Journey to <strong>Mosaic</strong><br />

Partners<br />

Arizona Tile – <strong>Mosaic</strong> Marathon Workshop sponsor and materials donor <strong>for</strong> <strong>Mosaic</strong> Marathon and Workshops<br />

Cinca – Half-Day Workshop – Gary Drostle (Thursday morning session)<br />

Meshmount Paper and Tape – Gift Bag enclosure and materials donor <strong>for</strong> <strong>Mosaic</strong> Marathon<br />

<strong>Mosaic</strong> Studio & Gallery LLC – Unrestricted Gift<br />

Advocates<br />

Art Boards – Gift Bag enclosure<br />

Artha’s <strong>Mosaic</strong>s & Supplies – Gift Bag enclosure<br />

Bedrock Ind<strong>us</strong>tries – Gift Bag enclosure<br />

Chicago Art Glass – Gift Bag enclosure<br />

Eric N. Rattan – Unrestricted Gift<br />

Glass Craftsman Magazine – Unrestricted Gift<br />

Kokomo Opalescent Glass – Gift Bag enclosure<br />

Mac Glue – Gift Bag enclosure<br />

Maryland <strong>Mosaic</strong>s – Gift Bag enclosure<br />

Friends<br />

Aftosa – Gift Bag enclosure<br />

The Compleat Sculptor – Gift Bag enclosure<br />

<strong>Mosaic</strong> Station – Unrestricted Gift<br />

<strong>Mosaic</strong>s By Maria – Gift Bag enclosure<br />

Smalti.com – Unrestricted Gift<br />

S<strong>us</strong>anJablon<strong>Mosaic</strong>s.com – Unrestricted Gift<br />

Tile Shack – Gift Bag enclosure<br />

Wedi Corp. – Gift Bag enclosure<br />

Wholesalers USA – Gift Bag enclosure<br />

Youghigheny Opalescent Glass – Gift Bag enclosure<br />

<strong>Mosaic</strong> On a Stick – Materials donor <strong>for</strong> workshops<br />

Enzo Aiello<br />

13


6th Annual SAMA Conference<br />

Desert Andamento •<br />

Acknowledgements<br />

Vicki Bess, Conference Co-chair<br />

S<strong>us</strong>an Jeffreys, Conference Co-chair<br />

Chris Forillo, Conference Planner<br />

Deb Green, Conference Committee Assistant<br />

Dawnmarie Zimmerman, SAMA Executive Director<br />

Patty Haberman, Curator, Mesa Contemporary Arts<br />

Rhonda Heisler, Sponsorship & Fundraising Committee Chair<br />

Tim Stassines, Graphic Designer and Catalog Production Manager<br />

Julie Richey, <strong>Mosaic</strong> Marathon Co-chair<br />

Karen Ami, <strong>Mosaic</strong> Marathon Co-chair<br />

Bonnie Fitzgerald, <strong>Mosaic</strong> Marathon Co-chair<br />

Kim Emerson, <strong>Mosaic</strong> Marathon designer and head artist<br />

Ginger Ward, Southwest Human Development<br />

Laura Chasko, Southwest Human Development<br />

Donna Smith, Southwest Human Development<br />

Laurie Mika<br />

Kathleen Crowley, Mesa Contemporary Arts<br />

JeanAnn Dabb, Gallery Guide coordinator and students <strong>of</strong> <strong>the</strong> “<strong>Mosaic</strong>s: History and Techniques” class at <strong>the</strong><br />

University <strong>of</strong> Mary Washington; Melody L. Fitzgerald, Elizabeth M.Goble, Michael L. Howard,<br />

Kandy E. Lovelidge and Jane E. Mangione<br />

The incredible team on <strong>the</strong> SAMA Mesa Planning Committee;<br />

Yvonne Allen, Volunteer Coordinator<br />

Michelle Legler, Vendor Marketplace<br />

Chip and Joelyn Hilton, Raffle<br />

Steve Kurzon, Hydration<br />

Cindy Eddy, Brown Bag Exchange<br />

Debbie Wahl, Dining Coordinator<br />

Delfina and Franco Valentini<br />

And all <strong>the</strong> devoted SAMA Conference Volunteers<br />

14<br />

Youlia Tkatchouk<br />

www.<strong>American</strong><strong>Mosaic</strong>s.org<br />

866-902-SAMA<br />

SAMA — P.O. Box 624, Ligonier, PA 15658<br />

SAMA is a 501(c)(3) corporation. Donations are tax deductible to <strong>the</strong> extent allowed by law. ©2007


Mesa, Arizona • March 21-24, 2007<br />

www.<strong>American</strong><strong>Mosaic</strong>s.org<br />

Join <strong>us</strong> <strong>for</strong> Show-and-Tell Continental Breakfast<br />

Shoptalk • Networking • Sharing <strong>of</strong> Portfolios<br />

Thursday 7:00am-8:00am<br />

Friday 7:00am-8:00am<br />

Saturday 8:00-9:00am<br />

in <strong>the</strong> Marriott Mesa Arizona Ballroom Foyer<br />

Hosted by SAMA's Board <strong>of</strong> Tr<strong>us</strong>tees and Advisory Board<br />

Nancie Mills Pipgras, President<br />

Rhonda Heisler, Vice-President<br />

Karen Ami, Secretary<br />

Teresa Sullivan, Treasurer<br />

Nancy Ancrum<br />

Bill Buckingham<br />

Juanita Canzoneri<br />

Jean Ann Dabb<br />

George Fishman<br />

Bonnie Fitzgerald<br />

S<strong>us</strong>an Jeffreys<br />

Sheilah Jewart<br />

Sonia King<br />

Lori Postma<br />

Julie Richey<br />

Andrea Taylor<br />

Complimentary <strong>for</strong> Registered Conference Attendees<br />

www.<strong>American</strong><strong>Mosaic</strong>s.org<br />

866-902-SAMA<br />

15


<strong>thanks</strong> <strong>the</strong><br />

<strong>Society</strong> <strong>of</strong> <strong>American</strong> <strong>Mosaic</strong> <strong>Artists</strong><br />

<strong>for</strong> <strong>helping</strong> <strong>us</strong> celebrate<br />

our 70 th anniversary !<br />

Collaborating <strong>Artists</strong><br />

Beth Norton • Carole Choucair Oueijan • Donna Parsons • George Fishman<br />

Irina Chamy • Karen Ami • Karen Dimit • Kimberly Schonfeld • Leann Wooten<br />

Lynn Adamo • Lynne Chinn • Margo Anton • Martha Crandall<br />

Nancie Mills Pipgras • Samyak Yamauchi • Shawn Newton • Sheilah Jewart<br />

Tobi Ellis • Victor Jorgensen • Yulia Hanansen

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