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Key<br />
Visitors (arranged in five separate conversations)<br />
Two young men draw the Cupid and Psyche:<br />
1 Charles Loraine Smith (1751–1835), a minor artist<br />
2 Richard Edgcumbe, later 2nd Earl of Mount Edgcumbe (1764–1839)<br />
Six men discuss Lord Cowper’s Raphael; from left to right:<br />
3 George, 3rd Earl Cowper (1738–89), who tried to sell this painting to the King<br />
4 Sir John Dick (1720–1804), British Consul at Leghorn<br />
5 Other Windsor, 6th Earl of Plymouth (1751–99)<br />
6 Johan Zoffany<br />
7 Mr Stevenson, companion to the Lord Lewisham<br />
8 George Legge, Lord Lewisham, later 3rd Earl of Dartmouth (1755–1810)<br />
Two men discuss the Satyr playing the Cymbals:<br />
9 Unknown young man<br />
10 Valentine Knightley of Fawsley (1744–96)<br />
A group of six men discuss Titian’s Venus of Urbino:<br />
11 Pietro Bastianelli, the custodian of the gallery<br />
12 Mr Gordon<br />
13 Hon. Felton Hervey (1712–73)<br />
14 Thomas Patch (c.1725–82), artist living in Florence<br />
15 Sir John Taylor Bt., (d. 1786)<br />
16 Sir Horace Mann (1706–86), British Consul in Florence<br />
Six men look at the Medici Venus:<br />
17 George Finch, 9th Earl of Winchilsea (1752–1826)<br />
18 Probably Roger Wilbraham (1743-1829)<br />
19 Mr Watts<br />
20 Mr Doughty, travelling with Charles Loraine Smith<br />
21 Probably Thomas Wilbraham (b. 1751), brother of Roger<br />
22 James Bruce (1730–94), the famous African explorer
Paintings<br />
23 Annibale Carracci, Venus and Satyr, c.1588<br />
24 Guido Reni, Charity, 1607<br />
25 Raphael, Madonna della Sedia (Madonna of the Chair), c.1514<br />
26 Correggio, Madonna and Child, c.1525<br />
27 Justus Sustermans [cut (1597–1681)], Galileo, c.1636<br />
28 Rembrandt, Holy Family, 1640<br />
29 Titian (school), Madonna and Child with St Catherine<br />
30 Raphael, St John the Baptist, c.1518<br />
31 Guido Reni, Madonna<br />
32 Raphael, Madonna of the Goldfinch, c.1505, then in this position in the Tribuna<br />
33 Rubens, Allegory Showing the Effects of War, c. 1637;<br />
34 ‘Raphael’, Madonna of the Well<br />
35 Holbein, Sir Richard Southwell, 1536<br />
36 Portrait, then thought to be a Holbein portrait of Martin Luther; now possibly a Raphael portrait of his master Perugino<br />
37 Holy Family, then attributed to Perugino<br />
38 Guido Reni, Cleopatra, 1635–40<br />
39 Rubens, Justus Lipsius with his Pupils, c.1615<br />
40 Raphael, Pope Leo X with Cardinals Giulio de’ Medici and Luigi de’ Rossi, 1518<br />
41 Pietro da Cortona, Abraham and Hagar, c.1640<br />
42 Caravaggio (school), Tribute Money<br />
43 Cristofano Allori, Miracle of St Julian<br />
44 Unknown artist, Roman Charity<br />
45 Raphael, Niccolini-Cowper Madonna, 1508, then in Lord Cowper’s possession, having bought it from Zoffany,<br />
now National Gallery of Art, Washington, DC<br />
46 Guercino, Samian Sibyl<br />
47 Titian, Venus of Urbino, 1538
Sculpture<br />
48 Cupid and Psyche, Roman copy of a Greek original of the 1st or 2nd century BC<br />
49 The ‘Arrotino’ (Knife-Grinder), a Pergamene original of 2nd or 3rd century BC<br />
50 Dancing Faun, marble replica of a bronze of the circle of Praxiteles, 4th century BC<br />
51 The Infant Hercules Strangling the Serpents<br />
52 The Wrestlers, marble copy of a bronze Permamene original, 2nd or 3rd century BC<br />
53 The Medici Venus, Roman copy of a Greek original of the 2nd century BC<br />
Other objects<br />
54 South Italian crater, 4th century BC<br />
55 Etruscan helmet<br />
56 Chimera much valued as an example of local Etruscan art<br />
57–8 Roman oil lamps, one obscene<br />
59 South Italian Situla<br />
60 Egyptian ptahmose, 18th dynasty<br />
61 Greek bronze torso<br />
62 Bust of Julius Caesar<br />
63 Roman silver shield<br />
64 Head of Antinous<br />
65 South Italian crater<br />
66 Etruscan jug<br />
67 Octagonal table with pietra dura top made for the Tribuna, designed by Jacopo Ligozzi and Bernardino Poccetti.