檢視/開啟 - 國立彰化師範大學

256 彰 化 師 大 國 文 學 誌 第 十 三 期
painting, “the unpainted is as important as the painted.” There is no need to only see
one facet. This is how to deeply experience and grasp the harmonious principle of the
“middle way” in a natural way. To take it further, the “slanted/upright, light/heavy,
fast/slow, smooth/rough, curved/straight, hard/soft, bright/dark, thick/thin, dry/wet,
front/back, sparse/dense, and tight/loose” principles of opposition and agreement can
be freely used, and painters who attain this realm will find success.
Key words:calligraphy, form and emptiness, the unpainted is as important as
the painted, Middle Way Aesthetics, copying the masters,
independent use
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