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180 ON WRITING WELL<br />

any pig farmer—and describe the frenzied bleacherites caught<br />

up in the excitement of the autumn classic. I could, in short,<br />

write sports English instead of good English, as if they were two<br />

different languages. They're not. Just as in <strong>writing</strong> about science<br />

or any other field, there's no substitute for the best.<br />

What, you might ask, is wr<strong>on</strong>g with "southpaw"? Shouldn't<br />

we be grateful for a word so picturesque? Why isn't it a relief to<br />

have twirlers and circuit clouts instead of the same old pitchers<br />

and home runs? The answer is that these words have become<br />

even cheaper currency than the coins they were meant to<br />

replace. They come flooding automatically out of the typewriter<br />

of every scribe (sportswriter) in every press box.<br />

The man who first thought of "southpaw" had a right to be<br />

pleased. I like to think he allowed himself the small smile that is<br />

the due of any<strong>on</strong>e who invents a good novelty. But how l<strong>on</strong>g ago<br />

was that? The color that "southpaw" added to the language has<br />

paled with decades of repetiti<strong>on</strong>, al<strong>on</strong>g with the hundreds of<br />

other idioms that form the fabric of daily sports<strong>writing</strong>. There is<br />

a weariness about them. We read the articles to find out who<br />

w<strong>on</strong>, but we d<strong>on</strong>'t read them with enjoyment.<br />

The best sportswriters know this. They avoid the exhausted<br />

syn<strong>on</strong>yms and strive for freshness elsewhere in their sentences.<br />

You can search the columns of Red Smith and never find a batsman<br />

bouncing into a twin killing; Smith wasn't afraid to let a batter<br />

hit into a double play. But you will find hundreds of unusual<br />

words—good English words—chosen with precisi<strong>on</strong> and fitted<br />

into situati<strong>on</strong>s where no other sportswriter would put them. They<br />

please us because the writer cared about using fresh imagery in a<br />

journalistic form where his competitors settled for the same old<br />

stuff. That's why Red Smith was still king of his field after half a<br />

century of <strong>writing</strong>, and why his competitors had l<strong>on</strong>g since been<br />

sent—as they would be the first to say—to the showers.<br />

I can still remember many phrases in Red Smith s columns<br />

that took me by surprise with their humor and originality. Smith

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