13.05.2015 Views

on-writing-well

on-writing-well

on-writing-well

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Enjoyment, Fear and C<strong>on</strong>fidence 249<br />

mentary called "A Celebrati<strong>on</strong> of Birds," which summed up<br />

Roger Tory Peters<strong>on</strong>s life and work. The film had so much<br />

beauty that I wanted to know more about him. What caught my<br />

attenti<strong>on</strong> was that Peters<strong>on</strong> was still going at full momentum at<br />

84—painting four hours a day and photographing birds in habitats<br />

all over the world. That did interest me. Birds aren't my<br />

subject, but survivors are: how old people keep going. I remembered<br />

that Peters<strong>on</strong> lived in a C<strong>on</strong>necticut town not far from<br />

where our family goes in the summer. I could just drive over<br />

and meet him; if the vibrati<strong>on</strong>s weren't right, nothing would be<br />

lost except a gall<strong>on</strong> of gas. I told the Audub<strong>on</strong> editor that I<br />

would try something informal—"a visit with Roger Tory Peters<strong>on</strong>,"<br />

not a major profile.<br />

Of course it did turn into a major profile, 4,000 words l<strong>on</strong>g,<br />

because as so<strong>on</strong> as I saw Peters<strong>on</strong>'s studio I realized that to think<br />

of him as an ornithologist, as I always had, was to miss the point<br />

of his life. He was above all an artist. It was his skill as a painter<br />

that had made his knowledge of birds accessible to milli<strong>on</strong>s and<br />

had given him his authority as a writer, editor and c<strong>on</strong>servati<strong>on</strong>ist.<br />

I asked him about his early teachers and mentors—major<br />

American artists like John Sloan and Edmund Dickins<strong>on</strong>—and<br />

about the influence of the great bird painters James Audub<strong>on</strong><br />

and Louis Agassiz Fuertes, and my story became an art story<br />

and a teaching story as <strong>well</strong> as a bird story, engaging many of my<br />

interests. It was also a survivor story; in his mid-80s Peters<strong>on</strong><br />

was <strong>on</strong> a schedule that would tax a man of 50.<br />

The moral for n<strong>on</strong>ficti<strong>on</strong> writers is: think broadly about your<br />

assignment. D<strong>on</strong>'t assume that an article for Audub<strong>on</strong> has to be<br />

strictly about nature, or an article for Car & Driver strictly<br />

about cars. Push the boundaries of your subject and see where it<br />

takes you. Bring some part of your own life to it; it's not your<br />

versi<strong>on</strong> of the story until you write it.<br />

As for my versi<strong>on</strong> of the Peters<strong>on</strong> story, not l<strong>on</strong>g after it ran<br />

in Audub<strong>on</strong> my wife found a message <strong>on</strong> our home answering

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!