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On Writing Well
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On Writing Well cssao THE CLASSIC G
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C O N T E N T S osso INTRODUCTION 1
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- Page 18 and 19: 4 ON WRITING WELL Absolutely not, h
- Page 20 and 21: 6 ON WRITING WELL of gimmicks to "p
- Page 22 and 23: 8 ON WRITING WELL struction that le
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- Page 26 and 27: 12 ON WRITING WELL Faced with such
- Page 28 and 29: 14 ON WRITING WELL typical of hundr
- Page 30 and 31: 16 ON WRITING WELL think there's mu
- Page 32 and 33: QSSSO Style So much for early warni
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- Page 38 and 39: 24 ON WRITING WELL aging boxers don
- Page 40 and 41: 26 ON WRITING WELL tion or sleep. N
- Page 42 and 43: 28 ON WRITING WELL who fill the air
- Page 44 and 45: 30 ON WRITING WELL religion and the
- Page 46 and 47: 32 ON WRITING WELL and it allows fo
- Page 48 and 49: 34 ON WRITING WELL someone is forev
- Page 50 and 51: 36 ON WRITING WELL instance, and yo
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- Page 58 and 59: 44 ON WRITING WELL Meanwhile the ba
- Page 60 and 61: 46 ON WRITING WELL back, though I'd
- Page 64 and 65: 50 ON WRITING WELL solve the proble
- Page 66 and 67: 52 ON WRITING WELL depending on wha
- Page 68 and 69: 54 ON WRITING WELL There's nothing
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- Page 72 and 73: 58 ON WRITING WELL the larger point
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- Page 80 and 81: 66 ON WRITING WELL end so soon, or
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- Page 84 and 85: 70 ON WRITING WELL "slightly sparta
- Page 86 and 87: 72 ON WRITING WELL writer who belie
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- Page 92 and 93: 78 ON WRITING WELL development inte
- Page 94 and 95: 80 ON WRITING WELL THE QUICKEST FIX
- Page 96 and 97: 82 ON WRITING WELL feminist movemen
- Page 98 and 99: 84 ON WRITING WELL mainly by switch
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- Page 104 and 105: 90 ON WRITING WELL Which was odd, b
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- Page 109 and 110: 11 OSSD Nonfiction as Literature On
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Nonfiction as Literature 99 deep em
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Writing About People: The Interview
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Writing About People: The Interview
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Writing About People: The Interview
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Writing About People: The Interview
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Writing About People: The Interview
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Writing About People: The Interview
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Writing About People: The Interview
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Writing About People: The Interview
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Writing About Places: The Travel Ar
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Writing About Places: The Travel Ar
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Writing About Places: The Travel Ar
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Writing About Places: The Travel Ar
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Writing About Places: The Travel Ar
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Writing About Places: The Travel Ar
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Writing About Places: The Travel Ar
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Writing About Places: The Travel Ar
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1 4 CKSQ Writing About Yourself The
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Writing About Yourself: The Memoir
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Writing About Yourself: The Memoir
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Writing About Yourself: The Memoir
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Writing About Yourself: The Memoir
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Writing About Yourself: The Memoir
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Writing About Yourself: The Memoir
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Writing About Yourself: The Memoir
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Science and Technology 149 paper. A
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Science and Technology 151 A good e
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Science and Technology 153 ability
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Science and Technology 155 At about
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Science and Technology 157 writing
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Science and Technology 159 love aff
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Science and Technology 161 I've quo
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Science and Technology 163 containe
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Science and Technology 165 Speaking
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Business Writing: Writing in Your J
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Business Writing: Writing in Your J
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Business Writing: Writing in Your J
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Business Writing: Writing in Your J
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Business Writing: Writing in Your J
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Business Writing: Writing in Your J
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1 7 QS&O Sports As an addict of the
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Sports 181 was a devout angler, and
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Sports 183 tions suffered by Georgi
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Sports 185 social change, and some
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Sports 187 ball might carry to the
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Sports 189 cycles 10,000 times a mi
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Sports 191 tors is likely to be Joa
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Sports 193 matic personal moments t
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Writing About the Arts: Critics and
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Writing About the Arts: Critics and
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Writing About the Arts: Critics and
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Writing About the Arts: Critics and
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Writing About the Arts: Critics and
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Writing About the Arts: Critics and
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Writing About the Arts: Critics and
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Humor 209 Woody Allen and Garrison
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Humor 211 Dear Haircurl: My boyfrie
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Humor 213 ing with her son s draft
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Humor 215 superb writers. Don't sea
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Humor 217 "Right you are," said the
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Humor 219 St. Francis of Assisi (un
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Humor 221 My classroom survey ended
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Humor 223 his point obliquely. Agai
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Humor 225 earlier golden ages was a
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Humor 227 Balenciaga with a stroke
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Humor 229 that made a difference. I
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20 -esse- The Sound of Your Voice I
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The Sound of Your Voice 235 How wou
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The Sound of Your Voice 237 a write
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The Sound of Your Voice 239 to the
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The Sound of Your Voice 241 home. T
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21 osao Enjoyment, Fear and Confide
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Enjoyment, Fear and Confidence 245
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Enjoyment, Fear and Confidence 247
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Enjoyment, Fear and Confidence 249
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Enjoyment, Fear and Confidence 251
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Enjoyment, Fear and Confidence 253
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22 esse The Tyranny of the Final Pr
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The Tyranny of the Final Product 25
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The Tyranny of the Final Product 25
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The Tyranny of the Final Product 26
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The Tyranny of the Final Product 26
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23 CSSSD A Writer's Decisions This
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A Writer's Decisions 267 writers ge
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A Writer's Decisions 269 Besides ex
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A Writer's Decisions 271 Versailles
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A Writer's Decisions 273 been built
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A Writer's Decisions 275 of mud bui
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A Writer's Decisions 277 some of th
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A Writer's Decisions 279 crazy. Why
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A Writer's Decisions 281 nomad appe
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A Writer's Decisions 283 own. We ha
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A Writer's Decisions 285 I'm not ne
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Write as Well as You Can 287 the pr
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Write as Well as You Can 289 mornin
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Write as Well as You Can 291 and pr
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Write as Well as You Can 293 piece
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S O U R C E S csso Most of the mate
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Sources 297 1975, 1976 by Maxine Ho
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Sources 299 lor. Originally in The
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302 INDEX Bush, George, 23, 223, 23
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304 INDEX How to Survive in Your Na
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306 INDEX Oral language, 42,107,240
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308 INDEX Thomson, Virgil, 41,244 T