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<strong>Stephanie</strong> Graziano<br />
architecture I design portfolio
Sketch of the Perez Art Museum<br />
by Herzog and de Meuron
<strong>Stephanie</strong> Graziano B.Arch<br />
About Me<br />
“ If opportunity doesn’t knock, build a door.” -Milton Berle<br />
My name is <strong>Stephanie</strong> Graziano. I am an architectural<br />
designer with a propensity for contemporary<br />
architectural, urban, interior, and sustainable design.<br />
HOMETOWN: Bronxville, New York<br />
EDUCATION: Bachelor of Architecture, Professional Degree - University of Miami 2010-2015<br />
SKILLS:<br />
AUTOCAD<br />
AUTODESK REVIT<br />
GOOGLE SKETCHUP<br />
ADOBE PHOTOSHOP<br />
ADOBE INDESIGN<br />
3DS MAX<br />
WORK EXPERIENCE EDUCATION AFFILIATIONS<br />
Joseph R. Crocco Architects,<br />
Armonk, New York<br />
Architectural Digest,<br />
New York, New York<br />
University of Miami, Bachelor of Architecture<br />
and Minor in Business Administration, 2015<br />
Rome Program, Study Abroad<br />
Rome, Italy Fall Semester 2014<br />
The Ursuline School, Highschool Graduate,<br />
2010<br />
The National Society of<br />
Collegiate Scholars (NSCS)<br />
Women’s Club Soccer, University of<br />
Miami<br />
American Institute of Architecture<br />
Students (AIAS), University of<br />
Miami Chapter
THE HOSTEL<br />
Skyscraper Design<br />
THE UNDERLINE<br />
Urban Park Design<br />
BAROQUE BREAKDOWN<br />
Elemental Analysis<br />
STRUCTURAL ANALYSIS<br />
Conceptual Model<br />
THE WALL WALK<br />
Adaptive Reuse<br />
01 05 07 08 09
Contents<br />
THE SHIPYARD<br />
Reuse & Reprogram<br />
MIAMI FISH MARKET<br />
Civic Structure<br />
INTERMODAL CENTER<br />
Transportation Hub<br />
URBAN MORPHOLOGY<br />
Informal Plan Analysis<br />
ARTIFCIAL CANOPY<br />
Metaphysical Thinking<br />
11 15 17 19 21
01<br />
PROFESSOR: Steven Fett/Roberto Behar PARTNER: Zachary Anderson LOCATION: New York, NY YEAR: 2015 MEDIUM: Revit, AutoCAD<br />
BOUNDARY<br />
Greene Street<br />
BISECTION<br />
Canal Street<br />
EXTRUSION<br />
SITE PLAN
The Hostel Skyscraper Design<br />
PROJECT FOCUS: Hostels are social environments. The design intent of our hostel was<br />
to create social interaction between its SoHo location and its visitors. We achieved this<br />
by bisecting the site to create a programmed path and plaza where the two buildings<br />
meet. The program is bisected as well. The main 300 foot structure is the hostel and<br />
the adjacent building is a bath house, acting as an amenity to the hostel.<br />
PROGRAM<br />
GREENE STREET ELEVATION
03<br />
GREENE STREET VIEW<br />
THIRD FLOOR PLAN
TYPICAL HOSTEL SECTION<br />
PROGRAMMED PATH VIEW
05<br />
PROFESSOR: Rocco Ceo LOCATION: Miami, FL YEAR: 2014 MEDIUM: AutoCAD, Photoshop, Sketchup<br />
4. the skyline<br />
4.The Skyline
www.theunderline.org<br />
The Underline<br />
Urban Park Design<br />
PROJECT FOCUS: Design one mile of a ten mile path that will span from South Miami to the Miami River. The mile that I designed was the<br />
most urban part of the path running through the Brickell, or downtown, region of Miami. I subdivided my section into five parts. This area of<br />
the path was the only section where the Metrorail height severely increased. In order to take advantage of the height and bipass the<br />
dangerous cross walks of the area I designed a skyline, or suspended path, that would run above the street, but below the Metro.<br />
1.PEDAGOGICAL GARDEN 2.SUNKEN GARDEN 3.GROTTO 4.THE SKYLINE 5. CONNECTION BUILDING<br />
ELEVATION<br />
SITE PLAN
07<br />
Baroque Breakdown<br />
Elemental Analysis<br />
ANALYSIS: This<br />
elemetal analysis<br />
takes windows from a<br />
piazza, a palazzo, and<br />
a church and breaks<br />
them down into their<br />
simplest form in order<br />
to understand them<br />
further. The first two<br />
iterations show the<br />
windows in full detail.<br />
The third iteration<br />
shows the load<br />
distribution of the<br />
window, and the<br />
fourth solely depicts<br />
the window’s frame.<br />
Each iteration gives<br />
each window a<br />
different meaning.<br />
The ornament is what<br />
makes these windows<br />
unique.<br />
PIAZZA NAVONA<br />
PALAZZO FARNESE<br />
CHIESA SANTA SABINA<br />
PROFESSOR: Katherine Wheeler PARTNER: Irene Balza LOCATION: Rome. Italy YEAR: 2014 MEDIUM: AutoCAD, Photoshop, Photography
Structural Analysis<br />
ANALYSIS: This project analyzes the structure of the Main Concourse of<br />
Grand Central Terminal through the creation of a hybrid model. The model<br />
depicts a steel truss system clad with composite and stone. It studies both<br />
primary and secondary forms of structure.<br />
PROFESSOR: Carrie Penabad PARTNER: Paul Haislmaier YEAR: 2011 MEDIUM: Balsa Wood
09<br />
PROFESSOR: Alfredo Pirri LOCATION: Rome. Italy YEAR: 2014 MEDIUM: Charcoal<br />
PROJECT FOCUS: The Wall Walk is a proposal to rehabilitate the Aurelian Wall. Our group was given the Porta San Sebastiano<br />
section of the wall to redesign and reprogram. The Appian Way runs through this gate of the wall and is known as one of Rome’s<br />
most important roads for its connection to southeastern Italy during the republic. Our idea was to create a social amphitheartre<br />
using staired seating that shares the same proportions as the columns of the existing arches. Local Roman vegetation would<br />
surround the area, isolating it and delineating it as its own space.<br />
PROPOSAL ANALYTIQUE
www.wallwalkproject.wix.com<br />
The Wall Walk Urban Path Design<br />
HISTORICAL PORTA SAN<br />
SEBASTIANO<br />
CURRENT PORTA SAN<br />
SEBASTIANO
11<br />
PROFESSOR: Allan Shulman LOCATION: Miami, FL YEAR: 2012 MEDIUM: AutoCAD, Sketchup<br />
TRANSVERSE SECTION
The Shipyard Reuse & Reprogram<br />
PROJECT FOCUS: The focus of this project was to use the existing site of the Merrill Stevens Shipyard on the Miami River to adaptively<br />
include a museum, a shipbuilding school, and a restaurant on site. We were not prohibitted to alter any of the existing structures of the area<br />
and we had to add another water slip for boats. I created a building that was lifted off of the ground allowing for ship operations to continue<br />
on the ground floor. The building cantilevers over the water and the street making itself present. It is connected to the other existing<br />
structures by an elevated path that plugs into the main building.
13<br />
INTERIOR MUSEUM SPACE
GROUND FLOOR PLAN<br />
FIRST FLOOR PLAN<br />
WALL SECTION
SECTIONAL MODEL
Miami Fish Market<br />
Civic Structure<br />
PROJECT FOCUS: The Miami<br />
Fish Market creates a relationship<br />
between the land and the Miami<br />
River through its Stoa-like structure<br />
and layout. The hypostyle and<br />
repetitive modular stall units<br />
create a head and tail scheme<br />
bringing the public in and through<br />
the bulding.<br />
SITE PLAN<br />
ELEVATION FROM MIAMI RIVER<br />
PROFESSOR: Carrie Penabad PARTNER:Paul Haislmaier LOCATION: Lummus Park, FL YEAR: 2011 MEDIUM: AutoCAD, Sketchup, Balsa Wood
17<br />
PROFESSOR: Steven Fett<br />
LOCATION: Downtown Miami, FL YEAR: 2012 MEDIUM: Revit, AutoCAD, Photoshop<br />
VIEW FROM ACROSS THE SLIP
Intermodal Center<br />
Transportation Hub<br />
PROJECT FOCUS: The goal of this project is to create a monumental transportation hub. The use of a single large scale room creates a<br />
meeting point for all transportation, as well as a point of memory in one’s mind, much like Grand Central Terminal’s Main Concourse. The<br />
rectangular adjacent building acts as a boat maintenance area, as well as a terminal for seaplanes.<br />
SECOND FLOOR PLAN<br />
GROUND FLOOR PLAN<br />
SITE SECTION<br />
WALL SECTION
19<br />
PROFESSOR: Patirki Astigaraga<br />
LOCATION: Mexico City, Mexico YEAR: 2013 MEDIUM: AutoCAD, Photoshop<br />
ANALYSIS: Mexico City’s rapidly increasing population has lead<br />
to great informality in its urban plan. This study shows that the<br />
farther outside the center of the city an area is, the more<br />
informal its plan will be. There is also a great amount<br />
informality in the center of the city due to historical events.<br />
1325<br />
AZTEC PLAZA<br />
1519<br />
SPANISH GRID<br />
1850<br />
COLONIAL SUBURB
Urban Morphology<br />
Informal Plan Analysis<br />
1902<br />
PEDESTRIAN<br />
NEIGHBORHOOD<br />
1903<br />
PARK RADIALITY<br />
1937<br />
"CALIFORNIA COLONY"<br />
1957<br />
ENVIRONMENTAL<br />
HARMONY<br />
1990<br />
“EDGE CITY”
21<br />
PROFESSOR: Jaime Correa LOCATION: Porta Portese, Rome, Italy YEAR: 2014 MEDIUM: AutoCAD, Skeuthcup, Photoshop<br />
VIEW FROM UNDER THE CANOPY
Artifcial Canopy<br />
Metaphysical Thinking<br />
PROJECT FOCUS: This project is a metaphysical approach to<br />
historic preservation. It covers the existing market structure<br />
of Porta Portese with an artificial canopy made of red<br />
porcelain panels to create a new experience of the space.<br />
Within the groups of panels are voids shaped as Italian stone<br />
pines; a species native to Rome.<br />
CROSS SECTION<br />
SITE PLAN<br />
LONGITUDINAL SECTION<br />
ELEVATION FROM THE TIBER
23<br />
Sketch of Sant’Ivo della Sapienza<br />
in Rome, Italy
Sketch of The Barnacle in<br />
Coconut Grove, Miami
25<br />
Sketch of Vizcaya in Miami, Florida
Sketch of a Palazzina in Rome, Italy<br />
t<br />
Sketch of the Perez Art Museum by<br />
Herzog and de Meuron in Miami, Florida