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Stephanie Graziano's Portfolio

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<strong>Stephanie</strong> Graziano<br />

architecture I design portfolio


Sketch of the Perez Art Museum<br />

by Herzog and de Meuron


<strong>Stephanie</strong> Graziano B.Arch<br />

About Me<br />

“ If opportunity doesn’t knock, build a door.” -Milton Berle<br />

My name is <strong>Stephanie</strong> Graziano. I am an architectural<br />

designer with a propensity for contemporary<br />

architectural, urban, interior, and sustainable design.<br />

HOMETOWN: Bronxville, New York<br />

EDUCATION: Bachelor of Architecture, Professional Degree - University of Miami 2010-2015<br />

SKILLS:<br />

AUTOCAD<br />

AUTODESK REVIT<br />

GOOGLE SKETCHUP<br />

ADOBE PHOTOSHOP<br />

ADOBE INDESIGN<br />

3DS MAX<br />

WORK EXPERIENCE EDUCATION AFFILIATIONS<br />

Joseph R. Crocco Architects,<br />

Armonk, New York<br />

Architectural Digest,<br />

New York, New York<br />

University of Miami, Bachelor of Architecture<br />

and Minor in Business Administration, 2015<br />

Rome Program, Study Abroad<br />

Rome, Italy Fall Semester 2014<br />

The Ursuline School, Highschool Graduate,<br />

2010<br />

The National Society of<br />

Collegiate Scholars (NSCS)<br />

Women’s Club Soccer, University of<br />

Miami<br />

American Institute of Architecture<br />

Students (AIAS), University of<br />

Miami Chapter


THE HOSTEL<br />

Skyscraper Design<br />

THE UNDERLINE<br />

Urban Park Design<br />

BAROQUE BREAKDOWN<br />

Elemental Analysis<br />

STRUCTURAL ANALYSIS<br />

Conceptual Model<br />

THE WALL WALK<br />

Adaptive Reuse<br />

01 05 07 08 09


Contents<br />

THE SHIPYARD<br />

Reuse & Reprogram<br />

MIAMI FISH MARKET<br />

Civic Structure<br />

INTERMODAL CENTER<br />

Transportation Hub<br />

URBAN MORPHOLOGY<br />

Informal Plan Analysis<br />

ARTIFCIAL CANOPY<br />

Metaphysical Thinking<br />

11 15 17 19 21


01<br />

PROFESSOR: Steven Fett/Roberto Behar PARTNER: Zachary Anderson LOCATION: New York, NY YEAR: 2015 MEDIUM: Revit, AutoCAD<br />

BOUNDARY<br />

Greene Street<br />

BISECTION<br />

Canal Street<br />

EXTRUSION<br />

SITE PLAN


The Hostel Skyscraper Design<br />

PROJECT FOCUS: Hostels are social environments. The design intent of our hostel was<br />

to create social interaction between its SoHo location and its visitors. We achieved this<br />

by bisecting the site to create a programmed path and plaza where the two buildings<br />

meet. The program is bisected as well. The main 300 foot structure is the hostel and<br />

the adjacent building is a bath house, acting as an amenity to the hostel.<br />

PROGRAM<br />

GREENE STREET ELEVATION


03<br />

GREENE STREET VIEW<br />

THIRD FLOOR PLAN


TYPICAL HOSTEL SECTION<br />

PROGRAMMED PATH VIEW


05<br />

PROFESSOR: Rocco Ceo LOCATION: Miami, FL YEAR: 2014 MEDIUM: AutoCAD, Photoshop, Sketchup<br />

4. the skyline<br />

4.The Skyline


www.theunderline.org<br />

The Underline<br />

Urban Park Design<br />

PROJECT FOCUS: Design one mile of a ten mile path that will span from South Miami to the Miami River. The mile that I designed was the<br />

most urban part of the path running through the Brickell, or downtown, region of Miami. I subdivided my section into five parts. This area of<br />

the path was the only section where the Metrorail height severely increased. In order to take advantage of the height and bipass the<br />

dangerous cross walks of the area I designed a skyline, or suspended path, that would run above the street, but below the Metro.<br />

1.PEDAGOGICAL GARDEN 2.SUNKEN GARDEN 3.GROTTO 4.THE SKYLINE 5. CONNECTION BUILDING<br />

ELEVATION<br />

SITE PLAN


07<br />

Baroque Breakdown<br />

Elemental Analysis<br />

ANALYSIS: This<br />

elemetal analysis<br />

takes windows from a<br />

piazza, a palazzo, and<br />

a church and breaks<br />

them down into their<br />

simplest form in order<br />

to understand them<br />

further. The first two<br />

iterations show the<br />

windows in full detail.<br />

The third iteration<br />

shows the load<br />

distribution of the<br />

window, and the<br />

fourth solely depicts<br />

the window’s frame.<br />

Each iteration gives<br />

each window a<br />

different meaning.<br />

The ornament is what<br />

makes these windows<br />

unique.<br />

PIAZZA NAVONA<br />

PALAZZO FARNESE<br />

CHIESA SANTA SABINA<br />

PROFESSOR: Katherine Wheeler PARTNER: Irene Balza LOCATION: Rome. Italy YEAR: 2014 MEDIUM: AutoCAD, Photoshop, Photography


Structural Analysis<br />

ANALYSIS: This project analyzes the structure of the Main Concourse of<br />

Grand Central Terminal through the creation of a hybrid model. The model<br />

depicts a steel truss system clad with composite and stone. It studies both<br />

primary and secondary forms of structure.<br />

PROFESSOR: Carrie Penabad PARTNER: Paul Haislmaier YEAR: 2011 MEDIUM: Balsa Wood


09<br />

PROFESSOR: Alfredo Pirri LOCATION: Rome. Italy YEAR: 2014 MEDIUM: Charcoal<br />

PROJECT FOCUS: The Wall Walk is a proposal to rehabilitate the Aurelian Wall. Our group was given the Porta San Sebastiano<br />

section of the wall to redesign and reprogram. The Appian Way runs through this gate of the wall and is known as one of Rome’s<br />

most important roads for its connection to southeastern Italy during the republic. Our idea was to create a social amphitheartre<br />

using staired seating that shares the same proportions as the columns of the existing arches. Local Roman vegetation would<br />

surround the area, isolating it and delineating it as its own space.<br />

PROPOSAL ANALYTIQUE


www.wallwalkproject.wix.com<br />

The Wall Walk Urban Path Design<br />

HISTORICAL PORTA SAN<br />

SEBASTIANO<br />

CURRENT PORTA SAN<br />

SEBASTIANO


11<br />

PROFESSOR: Allan Shulman LOCATION: Miami, FL YEAR: 2012 MEDIUM: AutoCAD, Sketchup<br />

TRANSVERSE SECTION


The Shipyard Reuse & Reprogram<br />

PROJECT FOCUS: The focus of this project was to use the existing site of the Merrill Stevens Shipyard on the Miami River to adaptively<br />

include a museum, a shipbuilding school, and a restaurant on site. We were not prohibitted to alter any of the existing structures of the area<br />

and we had to add another water slip for boats. I created a building that was lifted off of the ground allowing for ship operations to continue<br />

on the ground floor. The building cantilevers over the water and the street making itself present. It is connected to the other existing<br />

structures by an elevated path that plugs into the main building.


13<br />

INTERIOR MUSEUM SPACE


GROUND FLOOR PLAN<br />

FIRST FLOOR PLAN<br />

WALL SECTION


SECTIONAL MODEL


Miami Fish Market<br />

Civic Structure<br />

PROJECT FOCUS: The Miami<br />

Fish Market creates a relationship<br />

between the land and the Miami<br />

River through its Stoa-like structure<br />

and layout. The hypostyle and<br />

repetitive modular stall units<br />

create a head and tail scheme<br />

bringing the public in and through<br />

the bulding.<br />

SITE PLAN<br />

ELEVATION FROM MIAMI RIVER<br />

PROFESSOR: Carrie Penabad PARTNER:Paul Haislmaier LOCATION: Lummus Park, FL YEAR: 2011 MEDIUM: AutoCAD, Sketchup, Balsa Wood


17<br />

PROFESSOR: Steven Fett<br />

LOCATION: Downtown Miami, FL YEAR: 2012 MEDIUM: Revit, AutoCAD, Photoshop<br />

VIEW FROM ACROSS THE SLIP


Intermodal Center<br />

Transportation Hub<br />

PROJECT FOCUS: The goal of this project is to create a monumental transportation hub. The use of a single large scale room creates a<br />

meeting point for all transportation, as well as a point of memory in one’s mind, much like Grand Central Terminal’s Main Concourse. The<br />

rectangular adjacent building acts as a boat maintenance area, as well as a terminal for seaplanes.<br />

SECOND FLOOR PLAN<br />

GROUND FLOOR PLAN<br />

SITE SECTION<br />

WALL SECTION


19<br />

PROFESSOR: Patirki Astigaraga<br />

LOCATION: Mexico City, Mexico YEAR: 2013 MEDIUM: AutoCAD, Photoshop<br />

ANALYSIS: Mexico City’s rapidly increasing population has lead<br />

to great informality in its urban plan. This study shows that the<br />

farther outside the center of the city an area is, the more<br />

informal its plan will be. There is also a great amount<br />

informality in the center of the city due to historical events.<br />

1325<br />

AZTEC PLAZA<br />

1519<br />

SPANISH GRID<br />

1850<br />

COLONIAL SUBURB


Urban Morphology<br />

Informal Plan Analysis<br />

1902<br />

PEDESTRIAN<br />

NEIGHBORHOOD<br />

1903<br />

PARK RADIALITY<br />

1937<br />

"CALIFORNIA COLONY"<br />

1957<br />

ENVIRONMENTAL<br />

HARMONY<br />

1990<br />

“EDGE CITY”


21<br />

PROFESSOR: Jaime Correa LOCATION: Porta Portese, Rome, Italy YEAR: 2014 MEDIUM: AutoCAD, Skeuthcup, Photoshop<br />

VIEW FROM UNDER THE CANOPY


Artifcial Canopy<br />

Metaphysical Thinking<br />

PROJECT FOCUS: This project is a metaphysical approach to<br />

historic preservation. It covers the existing market structure<br />

of Porta Portese with an artificial canopy made of red<br />

porcelain panels to create a new experience of the space.<br />

Within the groups of panels are voids shaped as Italian stone<br />

pines; a species native to Rome.<br />

CROSS SECTION<br />

SITE PLAN<br />

LONGITUDINAL SECTION<br />

ELEVATION FROM THE TIBER


23<br />

Sketch of Sant’Ivo della Sapienza<br />

in Rome, Italy


Sketch of The Barnacle in<br />

Coconut Grove, Miami


25<br />

Sketch of Vizcaya in Miami, Florida


Sketch of a Palazzina in Rome, Italy<br />

t<br />

Sketch of the Perez Art Museum by<br />

Herzog and de Meuron in Miami, Florida

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