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Issue 1 May 2014 features an in depth look into the music industry. Including music from Lauren Mason, Blitz Recordings, KDIH, Slime Recordings, Studio Tan, Kelly Pepper, Limestone Recordings, GTE & Mike Delinquent Project.

Issue 1 May 2014 features an in depth look into the music industry. Including music from Lauren Mason, Blitz Recordings, KDIH, Slime Recordings, Studio Tan, Kelly Pepper, Limestone Recordings, GTE & Mike Delinquent Project.

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"We just need unity and a united vision, not division" DJ Emma Champion.<br />

“I think the important thing is for producers to move away from labeling their music as a particular<br />

genre as it can put people off listening to it. Many tunes out nowadays cross a number of genres<br />

put people will still pigeon-hole them and will continue to do so. Good music will always rise to the<br />

top if it gets the right support.” Minerals.<br />

But evolution of music is natural right? Music is always changing, people are always learning and<br />

new talent emerging every day. Then why are there still the stereotypes of genres? Music is an<br />

expression, in this instance the new style of uk garage has come a long way since the last decade,<br />

but then why do people still associate garage as being old. Is society open to change? People need<br />

to consciously understand that there are always new things out there and genres will constantly<br />

grow and change and should not be labelled as one particular thing.<br />

So how does it all work? All areas have links that effect each other and this works for everything<br />

including the music industry.. Producers/Artists create pieces from their own influences and loves,<br />

the media promote music to the audience, the audience will listen to what they like, the "hot"<br />

producers/artists will be booked and promoted more, the others get less acknowledgement, the<br />

media won't promote them, the audience concludes that their music is "old", and the vicious cycle<br />

continues.. leaving the talent to keep rising but no one wanting to pay attention to their views.<br />

"I may be in line at the grocery store and hear something I like. I will pull out the phone and Shazam it<br />

to sort which tune it is. I am ALWAYS searching for new stuff." The Sassy Yank.<br />

Growth of technology: Where do people go to hear music? The evolution has passed<br />

through vinyls, cassettes, CDs to MP3s, and now in this day and age, YouTube. Doing a quick survey,<br />

6/10 people listen to the good old radio for new music, and the others go to music<br />

sites, predominately Youtube or Soundcloud. Music promotion has also evolved and it's all about<br />

gaining that first airplay on radios, filling up all the social networking sites and uploading to Youtube<br />

and Soundcloud.<br />

The industry artists & producers now rely on the internet for their sales. Far from whiling away in<br />

the music stores flicking through, having a listen and getting lost in a piece of music.. it is now one<br />

click on iTunes and you can get he top ten chart.. soul less. I would like to express that I am not at<br />

all slating these companies because they do efficient work at helping people share & listen to<br />

music, I am however concerned about how people are using these tools.<br />

The Trichordist & The Digital Music News discuss the affects on sales with the increasing<br />

technology. To all lovers of music, please support the good talent as much as you can.<br />

"White labels, test presses, 3 copies of a track and that was it! That was underground and<br />

exclusive!" DJ Kristal.<br />

Commercialism: Music to me is everything, and I respect those who know the industry inside out<br />

through their experiences. A lot of commercial listeners don't understand the underground scene<br />

or the works of the business Some people just want money and fame and that's not what music is<br />

about at all...

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