26.06.2015 Views

The Olympian Gods at the Parthenon Frieze

The Olympian Gods at the Parthenon Frieze

The Olympian Gods at the Parthenon Frieze

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>The</strong> Par<strong>the</strong>non<br />

<strong>The</strong> Par<strong>the</strong>non, <strong>the</strong> gre<strong>at</strong> temple th<strong>at</strong><br />

domin<strong>at</strong>es <strong>the</strong> A<strong>the</strong>nian Acropolis, was built<br />

by <strong>the</strong> leading st<strong>at</strong>esman Pericles, in honour<br />

of <strong>the</strong> goddess A<strong>the</strong>na, by <strong>the</strong> architects<br />

Ictinus and Callicr<strong>at</strong>es from 447 to 438 B.C.<br />

<strong>The</strong> famous sculptor Pheidias, a personal<br />

friend of Pericles, had general responsibility<br />

for supervising <strong>the</strong> entire project.<br />

<strong>The</strong> temple has always been famous for <strong>the</strong><br />

unprecedented wealth of its sculptural<br />

decor<strong>at</strong>ion, which comprised <strong>the</strong> gre<strong>at</strong> gold<br />

and ivory st<strong>at</strong>ue of <strong>the</strong> A<strong>the</strong>na Par<strong>the</strong>nos, 13.5<br />

metres high, in <strong>the</strong> cella, <strong>the</strong> east pediment with<br />

<strong>the</strong> Birth of A<strong>the</strong>na, <strong>the</strong> west pediment with <strong>the</strong><br />

Contest between A<strong>the</strong>na and Poseidon for <strong>the</strong><br />

privilege of being <strong>the</strong> guardian divinity of <strong>the</strong><br />

city, <strong>the</strong> 92 metope reliefs with <strong>the</strong> B<strong>at</strong>tle of <strong>the</strong><br />

Giants, <strong>the</strong> Sack of Troy, <strong>the</strong> Amazonomachy<br />

and <strong>the</strong> Centauromachy on <strong>the</strong> east, north, west<br />

and south sides, and <strong>the</strong> Ionic frieze<br />

representing <strong>the</strong> Pan<strong>at</strong>henaic procession.<br />

<strong>The</strong> Par<strong>the</strong>non <strong>Frieze</strong><br />

<strong>The</strong> Par<strong>the</strong>non frieze is a continuous relief band,<br />

running along <strong>the</strong> top part of <strong>the</strong> outside wall of<br />

<strong>the</strong> main temple, within <strong>the</strong> outer colonnade. Its<br />

total length was 160 meters while its height was<br />

approxim<strong>at</strong>ely one meter. Rich colours and<br />

added metal <strong>at</strong>tachments were used to<br />

decor<strong>at</strong>e <strong>the</strong> individual figures th<strong>at</strong> stood out<br />

against a deep blue ground.<br />

<strong>The</strong> frieze illustr<strong>at</strong>es <strong>the</strong> gre<strong>at</strong> procession of<br />

<strong>the</strong> A<strong>the</strong>nians to <strong>the</strong> Acropolis, in honour of<br />

goddess A<strong>the</strong>na during <strong>the</strong> Pan<strong>at</strong>henaia<br />

festival. Participants in <strong>the</strong> composition were<br />

360 divine and human figures and more than<br />

250 animals, most of <strong>the</strong>m horses. Competing<br />

groups of riders and charioteers take up most<br />

of <strong>the</strong> procession. <strong>The</strong>re follows <strong>the</strong><br />

procession of <strong>the</strong> sacrificial animals as well as<br />

<strong>the</strong> groups of men and women bringing <strong>the</strong><br />

holy ritual vessels and <strong>the</strong> offerings.<br />

<strong>The</strong> Peplos Scene<br />

Depicted in <strong>the</strong> middle of <strong>the</strong> east side, above<br />

<strong>the</strong> entrance to <strong>the</strong> temple, is <strong>the</strong> culmin<strong>at</strong>ion<br />

of <strong>the</strong> festival, <strong>the</strong> handing over of <strong>the</strong><br />

"peplos", a new robe, <strong>the</strong> gift of <strong>the</strong> A<strong>the</strong>nians<br />

to <strong>the</strong> ancient heaven-sent wooden cult st<strong>at</strong>ue<br />

of A<strong>the</strong>na.<br />

Five figures appear in <strong>the</strong> central scene. Three<br />

females, two carrying <strong>the</strong> sacred stools and a<br />

larger one, perhaps a priestess who leeds <strong>the</strong>m.<br />

A reverent male figure, propably <strong>the</strong> Archon-<br />

King and a boy hold <strong>the</strong> peplos.<br />

Which of <strong>the</strong> two receive <strong>the</strong> peplos to present<br />

it to <strong>the</strong> goddess A<strong>the</strong>na? Justify your answer.<br />

<strong>The</strong> <strong>Olympian</strong> <strong>Gods</strong><br />

To <strong>the</strong> left and right of <strong>the</strong> peplos scene, are<br />

illustr<strong>at</strong>ed se<strong>at</strong>ed <strong>the</strong> twelve <strong>Olympian</strong> gods,<br />

executed with exceptional skill. <strong>The</strong>se must<br />

have been sculpted by <strong>the</strong> gre<strong>at</strong> and famous<br />

sculptors of <strong>the</strong> day such as Pheidias,<br />

Agorakritos and Alkamenes, who all took part in<br />

this outstanding project.<br />

Look <strong>at</strong> <strong>the</strong> wonderful heads, <strong>the</strong> beautiful<br />

clo<strong>the</strong>s, <strong>the</strong> outstanding throne!<br />

Try to identify <strong>the</strong> deities and justify your<br />

identific<strong>at</strong>ion. Carefully note <strong>the</strong> hierarchical<br />

position <strong>the</strong>y have in <strong>the</strong> composition, <strong>the</strong><br />

rel<strong>at</strong>ionship between <strong>the</strong>m and <strong>the</strong>ir<br />

characteristic <strong>at</strong>tributes (or symbols) th<strong>at</strong> <strong>the</strong>y<br />

hold and which you recognize from mythology.<br />

<strong>The</strong> Acropolis restor<strong>at</strong>ion project is co-funded<br />

by <strong>the</strong> European Union.<br />

© YSMA - Department of Inform<strong>at</strong>ion and Educ<strong>at</strong>ion<br />

<strong>Frieze</strong>block IV, British Museum<br />

MA 855<br />

<strong>Frieze</strong>block V, British Museum<br />

Drawings: M. Korres ñ Photographs: S. Mavromm<strong>at</strong>is<br />

Ministry of Culture ñ Acropolis Restor<strong>at</strong>ion Service<br />

<strong>The</strong> <strong>Olympian</strong> <strong>Gods</strong><br />

<strong>at</strong> <strong>the</strong> Par<strong>the</strong>non <strong>Frieze</strong><br />

First Ephor<strong>at</strong>e of Prehistoric & Classical Antiquities<br />

Cornelia Hadziaslani<br />

Design and Layout: AltSys ISBN: 960-214-475-0<br />

Department of Inform<strong>at</strong>ion and Educ<strong>at</strong>ion<br />

<strong>Frieze</strong>block VI, Acropolis Museum


KÂÚ‰ˆÔÛ<br />

B·Î¯ÔÛ<br />

K·ÚappleÔÊÔÚÔÛ<br />

TÂȯÂÛÈappleÏÂÈÎÙËÛ<br />

‚·ÛÙË<br />

MÂÁÈÛÙÔÛ<br />

·ÏÏ·Û<br />

X·Ï΢Û<br />

EÓ·ÏÈÔÛ<br />

MÔ˘ÛËÁÂÙËÛ<br />

ÔÙÓÈ· £ËÚˆÓ<br />

AÊÚÔÂÛÛ·<br />

ram<br />

cedar<br />

pan<strong>the</strong>r<br />

ivy<br />

pig<br />

whe<strong>at</strong><br />

dog<br />

apple tree<br />

peacock<br />

pomegran<strong>at</strong>e<br />

eagle<br />

oak tree<br />

owl<br />

olive tree<br />

donkey ?<br />

horse<br />

pine tree<br />

dolphin<br />

laurel<br />

deer<br />

cypress<br />

dove<br />

rose<br />

God<br />

God<br />

Goddess<br />

God<br />

Goddess<br />

God<br />

Goddess<br />

God<br />

God<br />

God<br />

Goddess<br />

Goddess<br />

Symbols<br />

Symbols<br />

Symbols<br />

Symbols<br />

Symbols<br />

Symbols<br />

Symbols<br />

Symbols<br />

Symbols<br />

Symbols<br />

Symbols<br />

Symbols

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!