Du Nord - Playtype
Du Nord - Playtype
Du Nord - Playtype
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PLAYTYPE<strong>Playtype</strong> | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com1All Fonts are in this format: Opentype<strong>Du</strong> <strong>Nord</strong>Design: Jonas HecksherPublished: 20105 STYLES1 FAMILYFAMILY<strong>Du</strong> <strong>Nord</strong><strong>Playtype</strong> is an online type foundry and concept store,created as a place to play, a home forexperimentation and a showcase of our craft.Version no. 1.001/2010DU NORD FAMILY
PLAYTYPE<strong>Du</strong> <strong>Nord</strong><strong>Playtype</strong> | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com2Design: Jonas Hecksher | Published: 2010 All Fonts are in this format: Opentype<strong>Du</strong> <strong>Nord</strong> Family<strong>Du</strong> <strong>Nord</strong> Regular<strong>Du</strong> <strong>Nord</strong> Medium<strong>Du</strong> <strong>Nord</strong> DemiBold<strong>Du</strong> <strong>Nord</strong> Bold<strong>Du</strong> <strong>Nord</strong> Dingbats
PLAYTYPE<strong>Du</strong> <strong>Nord</strong><strong>Playtype</strong> | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com3Design: Jonas Hecksher | Published: 2010 All Fonts are in this format: OpentypeUPPERCASELOVERCASESTANDARD PUNCTUATIONMATH SYMBOLSCURRENCY & SYMBOLSPROPORTIONAL LINING (DEFAULT FIGURES)SUPERSCRIPTPREBUILT FRACTIONSACCENTED UPPERCASEACCENTED LOVERCASEACCENTSLIGATURESABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz{[(_)]}*,.:;¿¡?&@/|¦\•®©«»‹›“”‘’‚„”’…-–—†‡¬+≠≤≥±÷−×∞~≈°$¢ƒ£¥€§√#∫π%‰∑◊∏∂∆µΩªº0123456789¹²³½¼¾ÆŒØÁÀÂÄÃÅÇĐÐÉÈÊËÍÎÌÏIŁÑÓÒÔÖÕØŠÚÙÛÜŸÝŽÞæœøáàâäãåçðéèêëíîìïıłñóòôöõøšßúùûüÿýžþ`´¨ˆ˜˘˙ˉ˚¸˝˛ˇfi fl
PLAYTYPE<strong>Du</strong> <strong>Nord</strong> Regular<strong>Playtype</strong> | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com24/25 The warmleather embrace ofthe cab creaks ominouslyto the rhythmof the street. I restmy head on the coolglass.18/19 The harsh curves ofthe neon city exploding onmy closed eyelids as thecombination of Xanax andjet-lag slowly deadens mylimbs. “Rest” I mouth. Thenoblivion.16/17 I ask her her name, strainingto hear above the slow dronecoming from the PA. She grabsmy arm and inscribes »Melissa«4Design: Jonas Hecksher | Published: 2010 All Fonts are in this format: Opentypeon it in neat, tightly-spacedcursive, punctuating the i with.14/15 The tattoo guns passesaround the table- A kid etches out‘MOMS’ in blue biro ink laughinghysterically as the machine purrsacross his forearm. I can see Melissathrough the open door to the bathroom,perched on the toilet, a pairof boys briefs around her ankles,absentmindedly smoking a cigaretteand blowing smoke rings; O followedby Q followed by O.12/13 More days in daze. More scripts,more novels. More pages and clammy businesscards passed of in moist handshakes.More Melissa. More pointless shoppingsprees and more people to please. Moredusty blond boys and speedos. I flick myaviators down and read the street signs.10/12 I keep on crackingjokes, right? BecauseI’m funny. I want to befunny. Only each timethe punch-line fallsflat. My delivery is off. Ikeep glancing betweenthe menu and the foisgras printed out inrounded serifs and thewaiter laughing politely,anxiously. I settle onthe duck since it strikesme as funny somehow.She picks her teeth andnods.8/10 The ‘clack’ of the cabdoor snaps me back and Inervously glance up at thedepartures sign. Numeralsslither rapidly as I scan theboard. SK402 to Copenhagen.Exhausted i push throughsecurity – belt, shoes, watch,laptop and slump down at thenearest bar. I slip out my creditcard, leaving it on the barand pick at the polaroid withMelissa´s number on the back.8 digits, XXX and Melissa witha heart doting the i.14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 This is dummy text. it isintended to be read buthave no apparent meaning.as a simulation of actualcopy, using ordinary wordswith normal letter frequencies,it cannot deceive eyeor brain.6/8 But can words ever be said to have no meaning? And if thewords have no meaning cannot the medium of it’s delivery besaid to be equally meaningless. This is the existentialist paradoxof the typographer; can type ever be separate from meaning?Words separate from medium?9/11 Smart as a whip:the typographer, but never smarter thanhis script. »the philosophy of type«<strong>Playtype</strong> is an online type foundry and concept store,created as a place to play, a home for experimentationand a showcase of our craft.
PLAYTYPE<strong>Du</strong> <strong>Nord</strong> Medium<strong>Playtype</strong> | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com24/25 The warmleather embrace ofthe cab creaks ominouslyto the rhythmof the street. I restmy head on the coolglass.18/19 The harsh curves ofthe neon city exploding onmy closed eyelids as thecombination of Xanax andjet-lag slowly deadens mylimbs. “Rest” I mouth. Thenoblivion.16/17 I ask her her name, strainingto hear above the slow dronecoming from the PA. She grabsmy arm and inscribes »Melissa«5Design: Jonas Hecksher | Published: 2010 All Fonts are in this format: Opentypeon it in neat, tightly-spacedcursive, punctuating the i with.14/15 The tattoo guns passesaround the table- A kid etches out‘MOMS’ in blue biro ink laughinghysterically as the machine purrsacross his forearm. I can see Melissathrough the open door to the bathroom,perched on the toilet, a pairof boys briefs around her ankles,absentmindedly smoking a cigaretteand blowing smoke rings; O followedby Q followed by O.12/13 More days in daze. More scripts,more novels. More pages and clammy businesscards passed of in moist handshakes.More Melissa. More pointless shoppingsprees and more people to please. Moredusty blond boys and speedos. I flick myaviators down and read the street signs.10/12 I keep on crackingjokes, right? BecauseI’m funny. I want to befunny. Only each timethe punch-line fallsflat. My delivery is off. Ikeep glancing betweenthe menu and the foisgras printed out inrounded serifs and thewaiter laughing politely,anxiously. I settle onthe duck since it strikesme as funny somehow.She picks her teeth andnods.8/10 The ‘clack’ of the cabdoor snaps me back and Inervously glance up at thedepartures sign. Numeralsslither rapidly as I scan theboard. SK402 to Copenhagen.Exhausted i push throughsecurity – belt, shoes, watch,laptop and slump down at thenearest bar. I slip out my creditcard, leaving it on the barand pick at the polaroid withMelissa´s number on the back.8 digits, XXX and Melissa witha heart doting the i.14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 This is dummy text. it isintended to be read buthave no apparent meaning.as a simulation of actualcopy, using ordinary wordswith normal letter frequencies,it cannot deceive eyeor brain.6/8 But can words ever be said to have no meaning? And if thewords have no meaning cannot the medium of it’s delivery besaid to be equally meaningless. This is the existentialist paradoxof the typographer; can type ever be separate from meaning?Words separate from medium?9/11 Smart as a whip:the typographer, but never smarter thanhis script. »the philosophy of type«<strong>Playtype</strong> is an online type foundry and conceptstore, created as a place to play, a home forexperimentation and a showcase of our craft.
PLAYTYPE<strong>Du</strong> <strong>Nord</strong> Bold<strong>Playtype</strong> | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com24/25 The warmleather embrace ofthe cab creaks ominouslyto the rhythmof the street. I restmy head on the coolglass.18/19 The harsh curves ofthe neon city exploding onmy closed eyelids as thecombination of Xanax andjet-lag slowly deadens mylimbs. “Rest” I mouth. Thenoblivion.16/17 I ask her her name,straining to hear above the slowdrone coming from the PA. Shegrabs my arm and inscribes7Design: Jonas Hecksher | Published: 2010 All Fonts are in this format: Opentype»Melissa« on it in neat, tightlyspacedcursive, punctuating thei with.14/15 The tattoo guns passesaround the table- A kid etches out‘MOMS’ in blue biro ink laughinghysterically as the machine purrsacross his forearm. I can see Melissathrough the open door to the bathroom,perched on the toilet, a pairof boys briefs around her ankles,absentmindedly smoking a cigaretteand blowing smoke rings; O followedby Q followed by O.12/13 More days in daze. More scripts,more novels. More pages and clammybusiness cards passed of in moist handshakes.More Melissa. More pointlessshopping sprees and more people toplease. More dusty blond boys and speedos.I flick my aviators down and read thestreet signs.10/12 I keep on crackingjokes, right? BecauseI’m funny. I wantto be funny. Only eachtime the punch-line fallsflat. My delivery is off. Ikeep glancing betweenthe menu and the foisgras printed out inrounded serifs and thewaiter laughing politely,anxiously. I settle onthe duck since it strikesme as funny somehow.She picks her teeth andnods.8/10 The ‘clack’ of the cabdoor snaps me back and Inervously glance up at thedepartures sign. Numeralsslither rapidly as I scan theboard. SK402 to Copenhagen.Exhausted i push throughsecurity – belt, shoes, watch,laptop and slump down at thenearest bar. I slip out my creditcard, leaving it on the barand pick at the polaroid withMelissa´s number on the back.8 digits, XXX and Melissa witha heart doting the i.14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 This is dummy text. itis intended to be read buthave no apparent meaning.as a simulation of actualcopy, using ordinary wordswith normal letter frequencies,it cannot deceiveeye or brain.6/8 But can words ever be said to have no meaning? And ifthe words have no meaning cannot the medium of it’s deliverybe said to be equally meaningless. This is the existentialistparadox of the typographer; can type ever be separate frommeaning? Words separate from medium?9/11 Smart as a whip:the typographer, but never smarter thanhis script. »the philosophy of type«<strong>Playtype</strong> is an online type foundry and conceptstore, created as a place to play, a home forexperimentation and a showcase of our craft.
PLAYTYPE<strong>Du</strong> <strong>Nord</strong> Dingbats<strong>Playtype</strong> | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com24 25 Thewarm leatherembraceof the cabcreaks ominouslytothe rhythm ofthe street. Irest my headon the coolglass.18 19 The harshcurves of theneon city explodingon my closedeyelids as thecombination of8Design: Jonas Hecksher | Published: 2010 All Fonts are in this format: OpentypeXanax and jet-lagslowly deadensmy limbs. Rest Imouth. Then oblivion.16/17 I ask her hername, strainingto hear above theslow drone comingfrom the PA. Shegrabs my arm and inscribesMelissa onit in neat, tightly-spacedcursive,punctuating the iwith.1415 The tattoo gunspasses around the table-A kid etches outMOMS in blue biro inklaughing hystericallyas the machinepurrsacross hisforearm.I can seeMelissathroughthe opendoor tothe bathroom,perchedon the toilet,a pairof boysbriefsaround herankles,absentmindedlysmoking acigaretteand blowingsmokerings Ofollowedby Q followedby O.1417 abcdefghijklmnopqrstuvwxyzabcde fghijklmnopqrstuvwxyz1234567890 This is dummytext. it is intendedto beread but have noapparent meaning.as a simulationof actualcopy, using ordinarywords withnormal letterfrequencies, itcannot deceiveeye or brain.68 But can words ever be said to have nomeaning And if the words have no meaningcannot the medium of its deliverybe said to be equally meaningless.This is the existentialist paradoxof the typographer can type ever beseparate from meaning Words separatefrom medium911 Smart as a whipthe typographer, but
PLAYTYPE<strong>Du</strong> <strong>Nord</strong><strong>Playtype</strong> | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com9Big playDesign: Jonas Hecksher | Published: 2010 All Fonts are in this format: OpentypeBig play
PLAYTYPE<strong>Du</strong> <strong>Nord</strong><strong>Playtype</strong> | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com11BigDesign: Jonas Hecksher | Published: 2010 All Fonts are in this format: Opentypeplay
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