Andante con moto Allegretto
Andante con moto Allegretto
Andante con moto Allegretto
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<strong>Andante</strong> <strong>con</strong> <strong>moto</strong><br />
1<br />
X<br />
dolce<br />
cresc.<br />
<strong>Allegretto</strong><br />
2<br />
2 1<br />
1 2 4 2 1<br />
4 1 2 4<br />
N<br />
4 1<br />
4<br />
4 2 1<br />
1<br />
2 3<br />
2<br />
Justus Johann Friedrich Dotzauer (1783–1860)<br />
4 2 1 4 2<br />
2 4<br />
4<br />
1<br />
4<br />
1<br />
dim.<br />
4<br />
cresc.<br />
4 4<br />
4 4<br />
From the cello method<br />
Michael Corssen<br />
7
Third Position<br />
Pitches And Finger Patterns In Third Position:<br />
1<br />
3<br />
4<br />
1<br />
3<br />
4<br />
1<br />
2<br />
2<br />
N with third<br />
or se<strong>con</strong>d finger<br />
Compare these pitches to open strings to easily find the third position.<br />
0 1 0<br />
N with third<br />
0 2 0 2<br />
3 2<br />
or<br />
3 2<br />
Compare these pitches to open strings.<br />
etc.<br />
0 3<br />
or se<strong>con</strong>d finger<br />
etc.<br />
1<br />
2<br />
3<br />
4<br />
1 0<br />
1<br />
2<br />
(3)<br />
4<br />
or<br />
X<br />
X<br />
0 2<br />
etc.<br />
11
Andantino grazioso<br />
68<br />
2<br />
4<br />
Allegro<br />
3<br />
1<br />
Joseph Muntz-Berger<br />
4 2 4 1 1 1 4 1<br />
3<br />
4 1 1 4 4 1 4 1 2 4 2 1 3<br />
1 2 4 1 2 4<br />
3 2 1 4 1<br />
1 1<br />
1 2 4 1 2 4 4<br />
3<br />
2<br />
From the cello method, op. 30<br />
Jean-Baptiste Bréval<br />
2 4 2 1 2 1 4 3 1 1 4 1 1 4 2 1<br />
1<br />
3 3<br />
4<br />
1 2 3 1 3 4<br />
II<br />
1
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