london's largest generally well-read newspaper! - Scene Magazine
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MISS CALEDONIA<br />
Of farms and<br />
beauty queens<br />
�OPP INSPECTOR TONY CRISTILLI�SPEED &<br />
CUSTOM CAR SHOW�ANDY KIM REMEMBERS<br />
DAVY JONES �3 DECADES OF STRUNZ AND<br />
FARAH�TEMPTING PROVIDENCE�<br />
®<br />
FREE<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
MARCH 15 - 28, 2012<br />
EDITION 662
Theatre Newfoundland Labrador’s production of<br />
TEMPTING<br />
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Come celebrate the true story of this amazing Canadian.<br />
2<br />
TITLE SPONSOR<br />
MISS CALEDONIA<br />
By Melody A. Johnson<br />
Musical Arrangements by Alison Porter<br />
Directed by Rick Roberts and Aaron Willis<br />
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LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012
this�edition NEWS �5<br />
Features ><br />
• Cop talk: a new detachment commander for<br />
Middlesex Ontario Provincial Police<br />
• Not the destination, but the journey:<br />
The Speed & Custom Car Show<br />
Local & Provincial Digest<br />
Local Crime Report<br />
Listings > Daily Events<br />
CITY HALL: Council and Committee Meetings<br />
National / International Digest<br />
MUSIC�11<br />
Cover Story ><br />
• George Canyon<br />
entertains and helps in many ways<br />
Feature ><br />
• Andy Kim remembers Davy Jones<br />
<strong>Scene</strong> & Heard<br />
London’s Indie Pop Beat<br />
Listings > Concerts /Limited Engagements<br />
• House Bands / DJ’s / Karaoke<br />
CD/DVD Reviews<br />
LIFE�22<br />
Astrology ><br />
• Sun Signs for March 15 – April 11<br />
Advice Goddess ><br />
• The Spinster Cycle<br />
• Lard Of The Dance<br />
• Memory Bank Fraud<br />
ARTS�18<br />
Features ><br />
• Of farms and beauty queens:<br />
Miss Caledonia at the McManus<br />
• Three decades of Strunz and Farah<br />
• The power of one:<br />
Tempting Providence at the Grand<br />
Classical CD Reviews / Book Reviews<br />
London’s Indie Art<br />
Listings > Visual Arts • Performing Arts • Literary • Museums<br />
MOVIES�24<br />
DVD Reviews ><br />
Select Movie Reviews<br />
Movie Listings<br />
CLASSIFIEDS�24<br />
THE INTIMATE VENUES TOUR<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
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�news<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012
news�<br />
COP TALK: A NEW<br />
DETACHMENT COMMANDER<br />
FOR MIDDLESEX OPP<br />
LONDON, ON<br />
If you haven’t heard the name Tony Cristilli, you<br />
may sometime soon.<br />
But just because you hear the name of the<br />
new detachment commander for Ontario Provincial<br />
Police (OPP) in Middlesex County, it doesn’t mean<br />
you’re in trouble with the law – necessarily.<br />
In fact, you’re more likely to have been at an event,<br />
seen or heard an interview featuring inspector Cristilli,<br />
since he offi cially took charge of Middlesex OPP<br />
detachment at the beginning of 2012.<br />
“I welcome it, and I expect to do more,” Cristilli told<br />
SCENE when asked about his role engaging the public.<br />
The conversation with the inspector came just following<br />
a primary school event that had him fi elding<br />
questions from kindergarten students.<br />
INSPECTOR TONY CRISTILLI<br />
TOOK COMMAND OF THE OPP MIDDLESEX<br />
DETACHMENT IN JANUARY 2012<br />
“It is important to be out there, projecting a positive<br />
image for the OPP, for this detachment certainly, and<br />
for policing in general,” he said.<br />
Born and raised in the Toronto area, Cristilli applied<br />
to the OPP as a young man. His earliest stationing<br />
would give the future detachment commander a<br />
real sense of what his duty to the provincial police<br />
force would entail.<br />
“It’s rather comical story. I applied to the OPP and<br />
received a phone call that I had been successful, and<br />
was being offered a position - I was very excited to<br />
jump at that opportunity,” Cristilli recalled fondly.<br />
“However, I was cautioned, because I didn’t yet<br />
know where I was being posted. So I asked, ‘Where<br />
am I being posted?’ And the recruiter said, ‘Minaki.’<br />
“‘Minaki?’ I said, ‘How many hours north of Toron-<br />
�FEATURES<br />
to is Minaki?’ And the recruiter said, ‘Two days.’ Cue<br />
the audience laughter.<br />
Yet despite any initial reservations Cristilli might<br />
have had serving the Northwestern Ontario community,<br />
they soon dissolved – like the frost on a windshield<br />
in the mid-March sun.<br />
He ended up spending three years on his initial contract<br />
in Minaki – and went on to serve throughout the<br />
region for the next 14 years.<br />
“I was fortunate to work with some great people,<br />
and not just in Minaki. I also spent considerable time<br />
in Kenora, and throughout Northwestern Ontario<br />
conducting criminal investigations. Eventually, I was<br />
supervising the criminal investigations unit in the<br />
Kenora area for the OPP,” Cristilli recalled.<br />
“After about 13-and-a-half years, I took a transfer<br />
down to Southwestern Ontario – from Northwest Ontario<br />
to Southwest Ontario, Kenora to Essex detachment,”<br />
he said.<br />
While in Essex, Cristilli took charge of the detachment’s<br />
crime unit. From there, he worked towards the<br />
rank of inspector, which he received offi cially in 2007.<br />
For the next four years – as the OPP’s manager for<br />
criminal operations in Southwestern Ontario - Cristilli<br />
oversaw the management of the region’s crime<br />
program. Then, in January 2012, he offi cially took<br />
command of the OPP’s Middlesex detachment.<br />
Cristilli’s career trajectory gave him opportunities<br />
to work in various capacities for the province’s police<br />
force, mixing practical, frontline experiences with<br />
more administrative duties.<br />
“Of course, we tend to learn more as the years go<br />
on. But I’ve been fortunate to see the organization<br />
from different perspectives,” the inspector said.<br />
“In fact, even as a detachment commander, I had –<br />
prior to taking this position - the chance to temporarily<br />
run three other detachments for short periods of<br />
time. It was defi nitely an advantage to have had that<br />
experience [before taking command here],” he said.<br />
Although Cristilli has only been in the position offi<br />
cially for two months, it’s been long enough for the<br />
new detachment commander to form some pretty<br />
defi nite ideas about his new role and the people that<br />
help him to fulfi ll it daily.<br />
“I think what stands out – and what is such a signifi<br />
cant reminder – is the hard work that our folks do<br />
every single day on the frontlines,” Cristilli said.<br />
“It truly is a rewarding experience to see the exceptional<br />
police work that is being done every single day.<br />
One of my priorities is supporting these folks, so they<br />
can continue to do the best they can do out there,<br />
helping and protecting our communities.”<br />
~ Chris Morgan<br />
NOT THE DESTINATION,<br />
BUT THE JOURNEY: THE<br />
SPEED & CUSTOM CAR SHOW<br />
LONDON, ON<br />
With warmer temperatures in the offi ng<br />
and April just around the corner, automobile<br />
enthusiasts eagerly await the numerous<br />
car shows that typically attend spring’s arrival.<br />
Get a jump start on event season with the Speed<br />
& Custom Car Show at Western Fair District. The<br />
<strong>largest</strong> exhibition of its kind in Southwestern Ontario<br />
takes place at<br />
the Agriplex Building,<br />
March 23-25.<br />
The origins of<br />
this particular automotive<br />
show date<br />
back some fi ve decades,<br />
said Western<br />
Fair District event<br />
services manager<br />
Andrew Kitt.<br />
Initiated by local<br />
car clubs, the show<br />
has undergone numeroustransformations,<br />
promoted<br />
under different<br />
names and by various<br />
organizers. This year, responsibility for managing<br />
the event was assumed by the district, along<br />
with a group of dedicated car club members.<br />
Even though the show is largely intended for fans<br />
of classic and restored automobiles, many of the<br />
city’s car dealerships will also be on site promoting<br />
special incentives for people interested in buying a<br />
new vehicle.<br />
“We have a section with a lot of our big dealers<br />
in town – BMW, MINI, Scion, Nissan, London City<br />
Chrysler – and they’re going to be exhibiting some<br />
of their really show-worthy models, as <strong>well</strong> as offering<br />
some great deals and incentive programs,”<br />
Kitt said.<br />
In addition to car enthusiasts and prospective<br />
automobile buyers, anybody interested in custom<br />
car culture will fi nd something to see at the show.<br />
“We have a whole ‘pin stripers panorama’ going<br />
on this year, which is a bunch of guys who do the<br />
pinstripe painting on the cars, as <strong>well</strong> as the Rat<br />
Fink-inspired, hotrod artwork. Lots of cool drawers<br />
and painters are going to be here showcasing their<br />
work,” Kitt said.<br />
“All of the artists are from Southwestern Ontario,”<br />
he added.<br />
Other elements of the show include the Classic<br />
Car Corral, which will house hotrods, vintage automobiles<br />
and feature vehicles, like the Anaconda<br />
THE SPEED & CUSTOM CAR SHOW<br />
TAKES PLACE AT THE WESTERN FAIR DISTRICT AGRIPLEX<br />
FROM MARCH 23-25<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
5<br />
Truck – “a huge truck that’s made to look ‘reptileish’<br />
with the bodywork and the paint job.”<br />
Another fantastical vehicle jumps off the pages of<br />
the comics, and into the Classic Car Corral. Local<br />
car enthusiast Andrew Murray will display his recreation<br />
of the famous Batmobile from the 1960’s<br />
Batman television series for attendees to enjoy.<br />
“[The Batmobile] looks just amazing,” Kitt said.<br />
“We’ll also have<br />
Batman and Batgirl<br />
onsite all<br />
weekend, too,” he<br />
added.<br />
The other major<br />
component to the<br />
show is the Racing<br />
Zone, presented by<br />
Delaware Speedway<br />
in conjunction<br />
other local race-<br />
ways.<br />
“You’ll be able to<br />
see every type of car<br />
there is to race out<br />
there. If it has four<br />
wheels and goes<br />
fast, you can race it – from stock cars to dragsters<br />
to even lawnmowers,” Kitt said.<br />
Among the wide variety of displays and services<br />
offered, there’s certainly something at the Speed &<br />
Custom Car Show for everybody. Whether the goal<br />
is to pimp out your ride, or make it operate optimally,<br />
the exhibition will likely have the solution<br />
for you.<br />
“Anything to detail your car, make your car run<br />
more smoothly. We have a lot of custom painters<br />
and bodywork guys in this year, and even representatives<br />
from automotive magazines,” Kitt said.<br />
A new lounge will also add a degree of comfort to<br />
the year’s proceedings, he added.<br />
“The BMW/MINI lounge will feature a great local<br />
oldies cover band named Radio, as <strong>well</strong> as some<br />
classic car footage. We’re going to broadcast the<br />
NASCAR race on Sunday,” Kitt said.<br />
“It adds a whole new element to the show – a<br />
place to gather, hang out, enjoy some cold beverages<br />
and have a good time.”<br />
The 2012 Speed & Custom Car Show takes place<br />
at the Western Fair District Agriplex Building (845<br />
Florence Street), March 23-25. Admission is $10<br />
online or in advance, $12 at the door. For more information,<br />
call 1-800-619-4629.<br />
~ Chris Morgan
6<br />
LOCAL&PROVINCIAL<br />
�DIGEST<br />
In the Market for<br />
Western Heads East<br />
Western Heads East - a Western University-led initiative to establish<br />
pro-biotic yogurt programs in East Africa in response to<br />
the HIV/AIDS crisis - is about to hold one of their biggest events<br />
WESTERN HEADS EAST WELCOMES DONNE ROBERTS MAR. 22<br />
of the year. On March 22 from 4pm to 6:30pm, the Great Hall<br />
at Somerville House will be transformed into a lively African<br />
market – complete with food and wine pairings, guest speakers,<br />
multimedia presentations and live musical entertainment by<br />
Juno Award winner Donne Roberts. The evening will also feature<br />
a silent auction of artwork by African crafters and packages<br />
generously donated by local sponsors including the Toronto International<br />
Film Festival, Labatt Brewery, Stratford Shakespeare<br />
Festival, Johnston’s Cranberry Marsh and Muskoka Lakes Winery,<br />
plus many more. Maimuna Kanyamala, executive director of the<br />
Kivulini Women’s Rights Organization in Mwanza, Tanzania, will<br />
be the evening’s keynote speaker. The event celebrates the work<br />
done by the Western Heads East community and the successes<br />
of the women-led enterprises in Tanzania, Kenya, Rwanda and<br />
Uganda that produce the pro-biotic yogurt and provide it for free<br />
to people living with AIDS who cannot afford to buy it. Tickets<br />
for In the Market are $55 general and $20 for Western students.<br />
Please call 519-661-3548.<br />
New guide excludes<br />
drain water recovery<br />
A Kitchener-based manufacturer of drain water heat recovery<br />
systems claims the provincial government is doing nothing to<br />
promote its green technology and the benefi ts of including it in<br />
new building projects. RenewABILITY Energy Inc. held a press<br />
conference at its manufacturing facility on March 1 to expose<br />
what they call inaction and stonewalling by the Ministry of Mu-<br />
nicipal Affairs and Housing regarding proposals to add drain<br />
water heat recovery to its 2012 Compliance Guide. Many home<br />
builders consult the guide to ensure they are meeting the terms of<br />
tougher energy performance levels in Ontario. Drain water heat<br />
recovery captures water that goes down the drain, heats it, and<br />
uses it to heat incoming cold water. This saves energy used by hot<br />
water heaters, and money for homeowners. The option to include<br />
the technology is absent from the guide, contrary to supporting<br />
green energy and related jobs, RenewABILITY Energy Inc. said.<br />
March is ‘tapping<br />
of the trees’ month!<br />
Nothing says spring in Canada like a visit to a sugar bush. The<br />
Kinsmen Fanshawe Sugar Bush is open to visitors every weekend<br />
in March for horse-drawn hayrides, historical guided tours, pancakes,<br />
and more. Sugar Bush operators provide a complete maple<br />
syrup tour – starting with the discovery methods to the modern<br />
evaporator – and have plenty of sweet samples of maple products.<br />
Visitors can enjoy a pancake, sausage and pure maple syrup meal<br />
ENJOYING PANCAKES AT KINSMEN FANSHAWE SUGAR BUSH<br />
in the Pancake Pavilion (a tradition since 1972), and buy syrup<br />
to take home (cash only) at the Sugar Shack. The Kinsmen Fanshawe<br />
Sugar Bush is located at 21201 Lakeside Drive, Thorndale.<br />
Hours of operation are 9am to 4pm; admission is $3 for adults,<br />
$2 for kids 12 and under ($10 max per family). All of the funds<br />
raised go back to the London and area community. Group tours<br />
are available in six different languages. For more information,<br />
call the Kinsmen Club of Greater London at 519-461-1073.<br />
Lear labour contract<br />
takes new approach<br />
A contract reached with union members working for a Southwestern<br />
Ontario auto parts manufacturer may provide the template<br />
for future labour agreements in the sector. In early March,<br />
Lear Corporation announced a deal with workers in their Kitchener<br />
plant which will see wages reduced from an average $28 an<br />
hour to $19.50. But offsetting the dramatic pay cut, workers will<br />
�news<br />
PUBLISHER &<br />
EDITOR-IN-CHIEF<br />
Bret Downe<br />
bret@scenemagazine.com<br />
ph: 519 642 4780<br />
CO-ORDINATOR<br />
Alma Bernardo Downe<br />
alma@scenemagazine.com<br />
CREATIVE DIRECTOR<br />
Diane White<br />
diane@scenemagazine.com<br />
EDITORIAL & LISTINGS<br />
ASSIGNMENT EDITORS<br />
John Sharpe | Chris Morgan<br />
ph: 519 642 4780<br />
fax: 519 642 0737<br />
ADVERTISING SALES<br />
ADVERTISING London: SALES<br />
ads@scenemagazine.com<br />
London:<br />
ads@scenemagazine.com<br />
ph: 519 642 4780<br />
ph: 519 642 4780<br />
National:<br />
<strong>Magazine</strong> National: Network<br />
jan@magnetwork.com<br />
<strong>Magazine</strong> Network<br />
jan@magnetwork.com.com<br />
ph: 416 538 1584<br />
(416) 538-1584 x 22<br />
SCENE has been<br />
published continuously<br />
since March 23, 1989<br />
PUBLICATION SCHEDULE:<br />
Every other Thursday<br />
25 times each year<br />
NEXT EDITION:<br />
March 29, 2012<br />
ADVERTISING DEADLINE:<br />
March 23, 2012<br />
EDITORIAL POLICY:<br />
SCENE editorial includes opinions,<br />
news, music, the arts and movies,<br />
and strives to provide our <strong>read</strong>ers<br />
with a variety of points of view, to<br />
entertain, from right across our<br />
community. Please note that these<br />
points of view may or may not<br />
represent the points of view<br />
of the Publisher.<br />
LETTERS: Your letters are most<br />
appreciated. SCENE reserves the<br />
right to edit for length, clarity and<br />
language. Please provide your printed<br />
name and telephone number for<br />
verifi cation. Anonymous letters will<br />
not be published. Please either mail<br />
your letters to:<br />
SCENE, P.O. Box 27048, London ON<br />
N5X 3X5 or email to:<br />
letters@scenemagazine.com<br />
SCENE Communications, Limited.<br />
Copyright©2012. All rights reserved.<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012
news�<br />
get a $40,000 lump sum payment while transitioning to the lower scale. As <strong>well</strong>, wage increases in the last two<br />
years will see hourly rates rise to around $20 an hour. “It’s a blueprint that really could change our overall<br />
competitiveness in this province; it is that important,” said Steve Rodgers, president of the Automotive Parts<br />
Manufacturers Association, the national organization representing parts makers. “I would be so bold as to call<br />
it a game changer. It is exactly what is needed in this sector and it is very encouraging.” While the deal has support<br />
across company and union lines, critics warn the Lear agreement may signal the beginning of a dangerous<br />
precedent. “In four years, [the company’s owners] may want more; they may want parity with their plants in<br />
Mexico. What is to stop them from asking for that?” McMaster University labour professor Charlotte Yates said.<br />
“I am not sure this is a sustainable solution for the manufacturing sector as a whole.” There are currently more<br />
than 80,000 workers in the automotive parts sector nationwide, but in 2007 there were more than 100,000. Over<br />
90 percent of the work force is employed in Ontario.<br />
Your summer job is out there<br />
The provincial government is assisting young people in fi nding summer employment through Ontario’s Summer<br />
Jobs Strategy. At ontario.ca/summerjobs, those interested can fi nd helpful tips for securing work in a wide<br />
variety of fi elds, including public service, outdoors/ranger programs, law, aboriginal law, and aboriginal work<br />
exchange. A workplace skills program for youth ages 15 to 19 from selected communities is offered to give teens<br />
valuable work experience (in London, those communities include Limberlost, Carling, Huron Heights, White<br />
Oaks/Southdale). Applications are still open for students ages 15 to 29 who want to try their hand at running<br />
their own small business. Chosen applicants will receive hands-on business coaching, training and mentoring,<br />
as <strong>well</strong> as $1,500 on start-up, and $1,500 upon successful completion of the program (application deadline is<br />
May 7). Furthermore, private, not-for-profi t or broader public sector employers operating and offering a summer<br />
job in Ontario to students age 15 to 30 who are returning to school in the fall are eligible for a $2 per hour<br />
hiring incentive from the government.<br />
Home for teen<br />
moms needs<br />
$1.5 million<br />
BETHESDAʼS MOST FAMOUS FORMER RESIDENT:<br />
JUSTIN BIEBERʼS MOM PATTIE MALLETTE<br />
The Salvation Army’s Bethesda<br />
Centre needs $1.5 million in donations<br />
or else it will close on<br />
June 30, the centre announced<br />
last month. Details about the<br />
future viability of the centre –<br />
which houses teenage mothers in<br />
crisis and teaches them parenting<br />
and life skills – were made on<br />
March 9 by Lieutenant-Colonel<br />
Lee Graves of the Salvation Army.<br />
The money must be raised by May<br />
31 in order to halt the closing<br />
deadline in June. Lt. Col. Graves<br />
cited long-term operational defi -<br />
cits as the reason for the closing<br />
risk. Pattie Mallette, mother of<br />
pop superstar Justin Bieber, has<br />
gone on record as a supporter of<br />
the centre. Mallette was a Bethesda<br />
resident while pregnant with her<br />
son in 1994. In operation for 57 years, Bethesda can accommodate 18 mothers and babies, and includes the<br />
Cantara Childcare and Parenting Resource Centre. It currently houses six moms and their babies. Since 1882,<br />
the Salvation Army has provided hope and support to vulnerable people in hundreds of communities across<br />
Canada, and more than 120 countries around the world. Donations can be made at salvationarmy.ca/savebethesda.<br />
Should they not achieve their fundraising goal, all monies will be returned to donors.<br />
Action Plan at work in London<br />
Ontario’s recently launched Action Plan aims to transform the health care system, address demographic challenges,<br />
and the province’s defi cit. A few of the key areas outlined in the plan include how the province plans<br />
to provide Ontarians with better access to family doctors and nurse practitioners, support seniors who want<br />
to live independently at home by providing more home care supports, and new measures to prevent illness.<br />
In the London region, the programs al<strong>read</strong>y underway include The South West Self-Management Program,<br />
which assists those living with diabetes and other chronic illnesses; Three ‘Family Health Teams’ who take care<br />
of 120,000 patients; and the Salvation Army Day Program, which provides services to those with Alzheimer’s<br />
Disease and dementia.<br />
Tori’s mother takes stand in Rafferty trial<br />
The London-based trial of Michael Rafferty, accused in the April 2009 murder of eight-year-old Victoria ‘Tori’<br />
Stafford, got underway in early March with a recounting of the grim details of the case. Rafferty, 31, is charged<br />
with fi rst-degree murder, kidnapping and sexual assault causing bodily harm in relation to Stafford’s death.<br />
He has pleaded not guilty to the charges. On March 7, the court heard testimony from Stafford’s mother, Tara<br />
McDonald. McDonald admitted that she twice visited the home of the only person convicted in Tori’s murder<br />
case so far – Rafferty’s then-girlfriend, Terri-Lynne McClintic. According to court transcripts, McDonald and her<br />
partner went to McClintic’s house to buy OxyContin pills from McClintic’s mother in early 2009; a second meeting<br />
was set up shortly thereafter to discuss the possibility of breeding their dogs. McDonald also said that - while<br />
she was currently not using Oxy - she was high on the drug the day her daughter disappeared. She described<br />
the last time she saw Tori, lovingly nicknamed ‘Princess Chubs Chubs’, and broke down when she talked about<br />
Stafford’s favourite things: art, dogs, lip-gloss, dance movies and her older brother Daryn. The eight-year-old’s<br />
abduction triggered the <strong>largest</strong> police investigation in Ontario history. Her body was found in garbage bags<br />
under a rock pile near Mount Forest, ON in July 2009. In April 2010, McClintic pleaded guilty to fi rst-degree<br />
murder in Stafford’s death. She is serving a life sentence with no chance of parole for at least 25 years, and is<br />
also scheduled to testify in Rafferty’s trial.<br />
Monckton to speak at Western<br />
The Right Honourable Lord Christopher Monckton will give a lecture at Western University as part of his<br />
speaking tour of Canada and the United States. The Third Viscount Monckton of Brenchley will speak on<br />
‘The Courtier’s Conundrum,’ on March 19, 7:30pm, at Conron Hall. Monckton graduated from Cambridge’s<br />
Churchill College and Cardiff University and acted as a special advisor to Margaret Thatcher as UK Prime Minister<br />
from 1982 to 1986. Widely consulted by governments on climate issues, he was among the fi rst to advise<br />
Thatcher that the prospect of global warming caused by CO2 should be investigated. Interestingly, Monckton<br />
is the inventor of the million-selling Eternity puzzles, as <strong>well</strong> as the Sudoku X puzzles. He is also an autodidact<br />
mathematician, classical architect, trained public orator, and has worked as a <strong>newspaper</strong> editor and consultant<br />
on technical advice to corporations and governments. The Nerenberg Lecture is organized by Western’s Department<br />
of Applied Mathematics and sponsored by numerous departments and faculties.<br />
Children are our future!<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
7<br />
~ Amie Ronald-Morgan and Chris Morgan
Have you seen Vanessa?<br />
Police are asking for the help of the public in locating a missing woman.<br />
Vanessa Fotheringham, 24, was last seen on February 16 in London. Police<br />
and her family are concerned for her welfare. She is white, 5’ 3” tall, 110 lbs,<br />
with long brown hair and brown eyes (see photo). She may have been riding<br />
in a 2002 grey Saturn Vue SUV on the evening of February 16 or the early the<br />
next morning, possibly in the area of Dundas Street East, Wharncliffe Road<br />
North, Oxford Street West, or elsewhere within the city or just outside the city<br />
limits. The SUV has black steel rims and no hubcaps. Anyone with information<br />
about Fotheringham, or who may have seen her in the vehicle, is asked to<br />
VANESSA FOTHERINGHAM (PICTURED) AND AN SUV SIMILAR TO THE<br />
ONE SHE MAY HAVE BEEN IN ON THE NIGHT SHE DISAPPEARED<br />
call 519-661-5670 or Crime Stoppers at 1-800-222-TIPS (8477). You can also<br />
provide your tips anonymously online. Police have clarifi ed that they have<br />
al<strong>read</strong>y identifi ed the Saturn Vue and are no longer looking for it; they are<br />
asking to speak to anyone who may have seen Fotheringham or the vehicle<br />
on the night she went missing.<br />
8<br />
LOCAL�CRIME�REPORT<br />
Cigarettes stolen<br />
Police are asking for the public’s assistance with their investigation into a<br />
recent break-in and robbery of a South London grocery store. The suspects<br />
entered the National Grocers Cash and Carry, located at 1055 Hargrieve Road,<br />
on Sunday, February 19 at approximately 11:45pm. Once inside, the suspects<br />
stole a large quantity of cigarettes and 20 of the store’s red metal two-tier<br />
(or ‘truck’) inventory carts. The carts had been loaded with the cigarettes.<br />
Anyone with information about this incident is asked to call 519-661-5670<br />
or Crime Stoppers at 1-800-222-TIPS (8477). You can also provide your tips<br />
anonymously online.<br />
Four nabbed in<br />
pharmacy robbery<br />
Police have laid a total of 28 charges against four people in connection<br />
with the armed robbery of a downtown pharmacy on February 24. Two men<br />
wearing balaclavas entered the pharmacy, located at 458 Central Ave, just<br />
before 7pm and demanded money and drugs. One of the men was carrying a<br />
handgun and assaulted a pharmacist, leaving him with minor injuries. The<br />
suspects then fl ed with a quantity of cash. Police were able to locate and arrest<br />
one of the suspects shortly after the incident occurred. A subsequent investigation<br />
led police to enact searches of three London addresses and one vehicle<br />
where they recovered property related to the robbery. Charged with numerous<br />
Criminal Code and drug-related offences are Joseph Kennedy, 41, Troy Wolfe,<br />
23, and Jessica Kelly, 21, all of London. An arrest warrant for Justin Ninham-<br />
McConnell, 19, of London, has been issued. More charges are expected to be<br />
laid; the investigation is ongoing. Anyone with information about this incident<br />
is asked to call 519-661-5670 or Crime Stoppers at 1-800-222-TIPS<br />
(8477). You can also provide your tips anonymously online.<br />
�news<br />
Teen dead after Belmont crash<br />
Elgin County OPP were called to a fatal two-vehicle collision that occurred<br />
shortly after 6pm on March 10, just south of London. A Pontiac Sunfi re carrying<br />
four teens between the ages of 16 and 17 was travelling southbound on<br />
Belmont Road south of Crossley Hunter Line when it travelled onto the west<br />
shoulder and veered abruptly across the centre line into the path of a northbound<br />
Pontiac Firebird. The Sunfi re was struck broadside on the passenger<br />
side of the vehicle. Nick Taylor, 16, who was travelling in the front passenger<br />
seat, was pronounced dead at the scene. The driver of the Sunfi re and one<br />
rear passenger were taken to St. Thomas Elgin General Hospital and treated<br />
for minor injuries; one rear passenger escaped unharmed. The driver and<br />
lone occupant of the Firebird was also taken to hospital with minor injuries.<br />
Everyone involved in the accident are from Belmont.<br />
Western elections hacker charged<br />
A Western grad behind the botched 2012 University Students’ Council (USC)<br />
online elections is now facing four charges related to cyber crime. Keith Horwood,<br />
23, turned himself into Western’s Community Campus Police within<br />
days after breaching the election website on February 14. Western’s IT department<br />
reported the changes made to the site to police the following day, and<br />
the elections were ruled invalid. The hack consisted of a number of changes<br />
to the site that were meant to be humorous; Horwood took to YouTube to post<br />
an apology. Damage to the site was pegged at just over $14,000. The investigation<br />
was turned over to the London Police Cyber Crime Unit on February 24.<br />
On March 2, Horwood was charged with mischief to computer data, altering<br />
computer data, intercepting computer functions, and use of a computer with<br />
intent contrary to the Criminal Code of Canada. A new student vote was held<br />
online between February 29 and March 1.<br />
~ Amie Ronald-Morgan<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012
news�<br />
LONDON BLOOD DONOR CLINIC (840 Commissioners<br />
Road East) - Canadian Blood Services,<br />
Whole Blood Clinic Hours: Mon & Thurs 4 – 8<br />
pm, Tue 10 am – 2 pm, Wed noon – 8 pm, Fri<br />
& Sat 9 am – 1 pm; Plasma Clinic Hours: Tues<br />
& Wed 12:30 - 7:30 pm, Thurs & Fri 7 am – 1:30<br />
pm, Sat 9 am – noon. Platelet Clinic Hours: Call<br />
519-690-3929.<br />
DUNDAS ST. CENTER UNITED CHURCH - Selfhelp<br />
Meetings, every Monday, 11:30 am– 1:30<br />
pm. Group meetings to help people cope with<br />
anxiety, stress & mood disorders. Call 519-679-<br />
0804.<br />
VICTORY LEGION (311 Oakland Ave.) – Euchre,<br />
every Tues, 1 pm; Cribbage, every Thurs; Bridge,<br />
every Wed. & Thurs. An afternoon for seniors 55 &<br />
older. Cost: 3.00. Call 519-649-2910.<br />
LONDON CITY HALL (300 Dufferin Ave.) - Toastmasters<br />
Meeting, every Thursday, noon – 1 pm.<br />
You are invited to come visit us & see how we<br />
hone our Communication & Leadership Skills &<br />
utilize them in our work life, home life & social<br />
life. Admis. Fee: $40 initiation, plus $72 yearly.<br />
Call 519-661-2500 X 4879.<br />
IMPACT CHURCH LONDON (220 Adelaide St.) -<br />
Healing Rooms of London, every Thurs., 7:30 – 9<br />
pm. Come & be healed physically, emotionally,<br />
spiritually by a group of specifi cally trained individuals!!<br />
Call 519-438-7036.<br />
METHODIST CHURCH (402 Commissioners Rd.<br />
W) - The London Camera Club Meetings, every<br />
Thurs, to May, 7:30 pm. The Camera Club provides<br />
a variety of interesting programs, competitions<br />
& fi eld trips to help members improve the<br />
quality of their photographs. Cost: $80/year.<br />
REGIONAL HIV/AIDS CONNECTION (30-186 King<br />
St.) - Hepatitis C Lunch & Learn, second Fri. of<br />
every month, 12:30 -1:30 pm. For anyone living<br />
with or affected by hepatitis C, come out for<br />
a free lunch & some interesting information on<br />
different topics related to hepatitis C. Call 519-<br />
434-1601.<br />
SUGAR SHACK and PANCAKE PAVILION (21201c,<br />
Lakeside Dr., Thorndale) - Kinsmen Fanshawe<br />
Sugar Bush 2012, March 15, 16, 17, 18, 24, 25,<br />
9:00 am - 4:00 pm. We provide a complete maple<br />
syrup tour, starting with the discovery methods,<br />
to the modern day evaporator; maple products<br />
available to sample; group tours available; gravel<br />
parking lot. Adults $3.00 Children 12 and under<br />
$2.00 Max: $10 per family. Sugar Bush Hotline:<br />
519-461-1073<br />
FLAGSWIPE PAINTBALL (529 Philip St.) - March<br />
Break All Day Ticket, to Mar. 18, noon – 6 pm.<br />
Cheap Paintball all week long at Flagswipe! Admis.<br />
Fee: $10 (includes rental!) Call 519-642-<br />
0908.<br />
RICHARDS MEMORIAL UNITED CHURCH, DUR-<br />
RANT HALL (360 Edgeworth Ave.) - O’Richards<br />
Shamrock Shindig, Mar. 15, 1 – 2:30 pm. Irish<br />
music provided by Michael Kelly Cavan, refreshments,<br />
Free Will Offering, All Welcome. Call 519-<br />
455-3470.<br />
FREE<br />
DAILY�EVENTS�LISTINGS<br />
WINDERMERE MANOR GRAND HALL (200 Collip<br />
Circle) - Discover Ireland, Mar. 16, 6:30 pm. Irish<br />
Music, dancing, food, draught Guinness & Oysters.<br />
Admis. Fee: $50. Call 519-673-3700.<br />
CHAPTERS BOOKSTORE CONFERENCE ROOM<br />
(86 Fanshawe Park Rd.) - How Past Lives Affect<br />
Your Relationships Today, Mar. 16, 7:30-9 pm.<br />
Open discussion on reincarnation sponsored<br />
by the London Spiritual Experiences Meetup<br />
Group.<br />
ST. PATRICK’S DAY: Mar 17<br />
BYRON BRANCH LIBRARY (1295 Commissioners<br />
Rd. W) - St. Patrick’s Day Ceilidh, Mar. 17, 2 – 4<br />
pm. Celebrate St. Patrick’s Day with live music<br />
by Celtic Knot, crafts for the children, & refreshments.<br />
Call 519-471-4000.<br />
427 (LONDON) WING, ROYAL CANADIAN AIR<br />
FORCE ASSOCIATION (2155 Crumlin Rd.) - St.<br />
Patrick’s Day Dance, Mar. 17, doors open at 7 pm;<br />
dance 8-11 pm. Music by Dr. Energy aka Nippy<br />
Watson. Wing Lunch 11: 30 am – 1pm. Call Jack<br />
at 519 686-1301.<br />
CONRON HALL, UWO (Rm 224 University College)<br />
- The Courtier’s Conundrum, Mar 19, 730<br />
pm. The Third Viscount Monckton of Brenchley,<br />
the Right Honourable Lord Christopher Monckton<br />
will speak. He is the inventor of the millionselling<br />
Eternity puzzles, as <strong>well</strong> as the Sudoku<br />
X puzzles; widely consulted by governments on<br />
climate issues, he was among the fi rst to advise<br />
Thatcher that the prospect of global warming<br />
caused by CO2 should be investigated.<br />
SPRING BEGINS: Mar 20<br />
BEST WESTERN LAMPLIGHTER INN (591 Wellington<br />
Rd. S) – ClothingWorks 4th Annual<br />
Fashion Show & Silent Auction, Mar. 20, 5:30 pm.<br />
The Fashion Show will feature the latest spring<br />
fashions, a silent auction, gourmet tapas & entertainment.<br />
Emcees are Ken Eastwood, BOB FM<br />
morning host & ofdaytimeat Rogers TV with cohost<br />
Sabrina Pierson. Admis. Fee: $45 or table of<br />
8 for $320. Call 519-672-3780.<br />
ONTARIO EARLY YEARS LONDON WEST (1019<br />
Viscount Rd.) - What’s Up With Boys & Girls?<br />
Bringing out the best in both 0-7 years old, Mar.<br />
20, 6:30 – 8:30 pm. This session will explore research<br />
based information on differences in brain<br />
development & an individual’s preferred learning<br />
style; trategies to help children of both genders<br />
reach their fullest potential will be provided. Call<br />
519 473-2825 to register.<br />
BEACOCK PUBLIC LIBRARY (1280 Huron St.) -<br />
Literacy Working Group, Mar. 21, 6 – 8 pm. Lend<br />
us your voice for planning community-based<br />
literacy initiatives in northeast London. Childminding<br />
& homework help available. Call 519-<br />
476-2187.<br />
UNITY OF LONDON (4026 Meadowbrook Dr.) -<br />
Open Mic Night for Peace, Mar 21, 7 pm. Show<br />
off your vocal stylings, poetry skills or whatever<br />
you’d like to share with our Unity community.<br />
Love offerings of $5 will be accepted & shared<br />
with Open Closet, a non-for-profi t social support<br />
LISTINGS IN SCENE ARE FREE ~ Email: news@scenemagazine.<br />
com. Please Include: Venue Name, Address, Event Title, Date, Time,<br />
Brief Description, Admission Fee and Phone Number.<br />
Deadline for March 29, 2012 edition~March 23, 2012~Alma Bernardo Downe<br />
FREEALL<br />
group for youth between 14 & 18 years of age who<br />
identify as gay, lesbian, bisexual, transgender,<br />
two-spirited, queer & questioning their sexual<br />
orientation.<br />
GREAT HALL (Somerville House, Western University)<br />
- In the Market for Western Heads East,<br />
March 22, 3:30-6:30pm. A lively East African<br />
market-style celebration of the University’s community<br />
response to the HIV/AIDS crisis in Africa.<br />
Food & wine pairings, guest speakers, silent auction<br />
& live music from Juno award winner Donne<br />
Roberts. Tickets: $55 or $20 for Western students.<br />
Call 519-661-3548.<br />
GREAT HALL SOMERVILLE HOUSE - (UWO) - In<br />
the Market for Western Heads East, March 22,<br />
4-6:30 pm. A lively East African market-style celebration<br />
of the University’s community response<br />
to the HIV/AIDS crisis in Africa. Food & wine pairings,<br />
guest speakers, silent auction & live music<br />
from Juno award winner Donne Roberts. Tickets:<br />
$55 or $20 for Western students. Call 519-611-<br />
2111 x 83548.<br />
BOSTON PIZZA BAR SECTION (1275 Fanshawe<br />
Park Rd. W) - So a Bishop Walks into a Bar, 8-10<br />
pm. Bishop John Michael Sherlock, retired bishop<br />
of the Roman Catholic Diocese of London, will<br />
talk to young adults, ages 19-35, as part of a series<br />
of talks in a bar each Thursday evening during<br />
Lent. Topics: Sexual Abuse Scandals - You’ve<br />
got questions, We Have Answers, Mar. 25; Homosexuality<br />
& Gay Marriage - Why Can’t we Just Accept<br />
Them?, Mar. 22, and Abortion - How Can we<br />
Respond After the Fact?, Mar. 29.Free parking &<br />
appetizers. Cash bar. Call 519-433-0658 x 227.<br />
WESTERN FAIR DISTRICT AGRIPLEX (845 Florence<br />
St.) - The Speed & Custom Car Show, Mar.<br />
23, 4 – 10 pm; Mar. 24, 10 am – 10 pm; Mar. 25,<br />
10 am – 4 pm. Get revved up over modifi ed, restored,<br />
classic & new automobiles from past to<br />
present. Admis. Fee: $10 in advance, $12 at the<br />
door. Call 519-438-7203.<br />
DOWNTOWN KATHY BROWN’S (228 Dundas<br />
St.) - Court House Rocks IX – “Frontier Justice,<br />
Mar. 23, 6 – 10 pm. Fundraiser for the London<br />
Lawyers Feed the Hungry Program. Cost: $25. Call<br />
519-679-7046.<br />
RICHARDS MEMORIAL UNITED CHURCH, DUR-<br />
RANT HALL (360 Edgeworth Ave.) - Gospel Music<br />
Night, Mar. 23, 7:30 pm. Gospel Music, refreshments<br />
to follow. Tickets at door $10/person, children<br />
12 & under free. Call 519-455-3470.<br />
LONDON CONVENTION CENTRE (600 York St.) -<br />
Women’s Lifestyle Show, Mar. 24, 9 am – 5 pm;<br />
Mar. 25, 10 am – 4 pm. 10th anniversary of this<br />
fab event - fun, fi tness, fashion, food, wine, shopping!<br />
Meet CTV’s Marilyn Denis! Admis. Fee: $10.<br />
Call 519-263-5050.<br />
CENTRAL LIBRARY (251 Dundas St.) - Cafe: Occupy,<br />
Mar. 26, 7 – 8:45 pm. Can there be faith in<br />
the age of Facebook? Do religion, the Internet<br />
& civil disobedience mix? Rabbi Debra Dressler<br />
(Temple Israel), Dean Bill Danaher (Huron Univ.<br />
College) & Dr. Wael Haddara (Muslim Assoc. of<br />
Canada) weigh in, moderated by Larry Cornies of<br />
the London Free Press. Q & A to follow. Call 519-<br />
661-5122.<br />
BOWLERAMA ROYALE (2086 Dundas St.) - 2nd<br />
Annual Roll & Bowl Tournament, Mar. 26, 5:30-8<br />
pm. Teams of 5 will compete for fun prizes while<br />
supporting people with spinal cord injury & other<br />
physical disabilities in this community. Admis.<br />
Fee: min. $25 in pledges/person. Call 519-433-<br />
2331 x 223.<br />
WINDERMERE MANOR (200 Collip Circle) -<br />
Cruise Travel Talk, Mar. 27, 2 or 7 pm. Please be our<br />
personal guests to hear the Regent Seven Seas Cruises,<br />
& AMA Waterways stories. Call 519-660-6966.<br />
ROCKYS HARLEY DAVIDSON (900 Wilton Grove<br />
Rd.) - Ladies Only Garage Party, Mar 29. Learn<br />
everything there is to know about the art of motorcycling<br />
from a woman’s perspective – the metal,<br />
the road, the fashions, and the social network.<br />
Call (519) 438-1450<br />
CENTRAL PUBLIC LIBRARY, STEVENSON HUNT<br />
ROOM (251 Dundas St.) - Creatively Speaking:<br />
Improve Your Presentation & Communication<br />
Skills, Mar. 29, 7 – 8:30 pm. Presented by the<br />
London Arts Council & London Talbot Toastmasters,<br />
improve both prepared presentations &<br />
impromptu speaking skills. Admis. Fee: $12 in<br />
advance, $15 at the door (or $5 for Toastmasters<br />
members). Call 519-931-3167.<br />
SMOKE N BONES (855 Wellington St.) - Rock for<br />
Dimes London! Mar. 29, 7 pm. Corporate Battle of<br />
the Bands in support of March of Dimes Canada’s<br />
programs & services for children & adults with<br />
disabilities. Admis. Fee: $15/person. Call 1-800-<br />
263-3463 x 7380.<br />
VARIOUS LOCATION- Daffodil Month, Mar. 29 –<br />
Apr. 1, various shift times. Volunteers from the<br />
Canadian Cancer Society will be promoting Daffodil<br />
Pins by donation. Wear a pin & show your<br />
support for those living with cancer! Who will you<br />
wear your pin for? Call 519-432-1137.<br />
LONDON CONVENTION CENTRE (300 York St.)<br />
- 4th Annual Latin American Leadership Awards<br />
2012, Mar. 30, 7 pm. This year, important personalities<br />
will be in attendance to celebrate the<br />
merits & contributions of the Latino community<br />
to the advancement of our society. $60/person;<br />
Tables: $600. Call 519-933-3299.<br />
LONDON CENTRAL SECONDARY SCHOOL AUDI-<br />
TORIUM (509 Waterloo St.) - Evening in India,<br />
Mar. 30, 7 – 9 pm. An evening of Cultural Dance.<br />
Silent Auction. Hosted by India Health Initiative,<br />
a Western University student-run global health<br />
initiative All proceeds will be donated to Families<br />
for Children, the Comprehensive Rural Health<br />
Project, & Amar Seva Sangam in India. Cost:<br />
Gold (tax receipt issued) $40, adult $20, students/<br />
seniors $15, children (12 & under) $10. Email:<br />
indiahealth@gmail.com.<br />
MARY CAMPBELL CO-OP (587 Talbot St) - Pagan<br />
Coffee Social, Mar. 30, 7 – 10 pm. Topic presented<br />
will be ‘Introduction to Chakras’. Cost: $2 min.<br />
donation. Call 519-433-7673.<br />
BRESCIA AUDITORIUM (1285 Western Rd.) -<br />
Take the Lead, Brescia’s annual high school public<br />
speaking contest, Mar. 31, 9 am – 3 pm. Take<br />
the Lead, an annual high school public speaking<br />
contest hosted by Brescia University College, empowers<br />
women in Grades 11 & 12 to speak boldly<br />
about women in leadership. Registered participants<br />
research & prepare a fi ve minute speech<br />
about women who are catalysts for change for a<br />
chance to win a full one year fall/winter scholarship<br />
to Brescia University College. Call 519-432-<br />
8353 x 28280.<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
9<br />
COLBORNE STREET UNITED CHURCH (711 Colborne<br />
St.) - 100 Years of Fashion & Music, Mar.<br />
31, 1:30 pm & 7 pm.: A variety show featuring<br />
the 1870 to 1970 vintage fashion collection of<br />
Marion Kernighan with musical accompaniment<br />
by Angus Sinclair. Admis. Fee: $20. Call 519-432-<br />
4552.<br />
LONDON CONVENTION CENTRE (300 York St.) -<br />
CAISA Fashion Show 2012: IMPULSE, March 31,<br />
doors 6 pm; show 7 pm. Admis. Fee: $30, VIP -<br />
$45. Canada’s <strong>largest</strong> student run fashion show<br />
together with London fashion designers & professional<br />
dancers, will present an exotic mixture of<br />
the seven deadly sins. Email: cfs.mediadirector@<br />
gmail.com.<br />
JEWISH COMMUNITY CENTRE (536 Huron St<br />
@ Adelaide) - London Community Hebrew Day<br />
School Presents Yuk Yuk’s Stand Up Comedy,<br />
Mar. 31, 9 pm. The whole community is invited<br />
to an evening of Yuk Yuk’s comedy featuring 3 of<br />
Canada’s top comedians: Dylan Mandlsohn, Jen<br />
Grant & Lawrence Morgenstern. Door Prizes, Nibbly<br />
Noshes, Cash Bar & Silent Auction. Admis. Fee:<br />
$36. All proceeds will support the London Community<br />
Hebrew Day School. Call 519-709-8046.<br />
PALM SUNDAY: Apr 1<br />
EAST LONDON LIBRARY (2016 Dundas St.) -<br />
Community Family Literacy Night, Apr. 4, 5:30 – 8<br />
pm. Bring the whole family! Enjoy fun activities<br />
including comic books & healthy activity. A light<br />
meal to start & the evening wraps up with prizes.<br />
Call 519-476-2187.<br />
WOLF PERFORMANCE HALL (London Central<br />
Library, 251 Dundas St.) - Linda McQuaig speaking<br />
on “The Trouble with Billionaires: Gluttony<br />
& Hubris in an Age of Epic Inequality, Apr. 5, 6:30<br />
pm. Linda McQuaig <strong>well</strong> known journalist & author<br />
of the book The Trouble with Billionaires<br />
which relates to today’s Occupy Wall Street will<br />
be speaking about the current fi nancial crisis &<br />
copies of her books will be available. Call 519-<br />
439-4015.<br />
CITY HALL<br />
Council and<br />
Committee<br />
Meetings<br />
• Civic Works Committee, Apr. 23,<br />
4 pm<br />
• Community Services Committee,<br />
Apr. 23, 7 pm<br />
• Strategic Priorities and Policy<br />
Committee, Apr. 30, 4 pm<br />
• Council meeting, May 1, 5 pm.<br />
• Finance & Administrative Services<br />
Committee, May 7, 1 pm<br />
• Planning & Environment Committee,<br />
May 7, 4 pm<br />
• Investment and Economic Prosperity<br />
Committee, May 14, 1 pm.<br />
• Civic Works Committee, May 14,<br />
4 pm.<br />
• Community Services Committee,<br />
May 14, 7 pm.<br />
Call 519-661-2500 x 4937
NATIONAL / INTERNATIONAL�DIGEST<br />
Repurposing living space in<br />
downtown Vancouver<br />
Representatives from the Canadian federal government and the province<br />
of British Columbia recently announced a private-public partnership – a<br />
so-called ‘P3’ agreement – to renovate and restore provincially owned Single-Room<br />
Occupancy (SRO) hotels in Vancouver’s Downtown Eastside. Once<br />
completed, the new residences will provide access to clean and safe social<br />
housing in a city where the need always seems to be rising. “This project is<br />
an excellent example of how the private sector can leverage greater value for<br />
public dollars and deliver infrastructure that matters to Canadians,” said<br />
Vancouver South MP Wai Young. “By retrofi tting these historic buildings, we<br />
will give those in need a place to call home, provide a lasting benefi t to the<br />
community, and create jobs and growth for Canadians.” Under the terms of<br />
the agreement, the feds will contribute up to $29.1 million through the P3<br />
Canada Fund towards eligible construction and implementation costs, while<br />
the province will kick-in a substantial $87.3 million, as <strong>well</strong> as funding the<br />
project over a 15-year maintenance period. The 13 provincially owned SROs<br />
are over a century old with structural, plumbing and electrical infrastructure<br />
defi ciencies that require refurbishment. In addition to the upgrades, the<br />
aging hotels will be restored, preserving their heritage features that add to<br />
the historic character of Vancouver’s Downtown Eastside.<br />
Treasury Board faces heat over<br />
new litigation unit<br />
The federal government’s willingness to circumvent collective bargaining<br />
processes and impose deals on public and semi-public sector employees has<br />
come under increased fi re recently. One of the more incendiary criticisms<br />
to be levied concerns the creation of a new litigation management unit by<br />
the Treasury Board. The unit is intended to handle the growing number of<br />
constitutional challenges that unions and others have initiated against the<br />
federal government - largely over collective bargaining rights - between 2006<br />
and 2011. Nine of are lawsuits address the constitutionality of the Conservatives’<br />
omnibus budget legislation in 2008; specifi cally, the Expenditure Restraint<br />
Act. Two other lawsuits are aimed at overturning the Public Service<br />
Equitable Compensation Act - also buried in the 2008 omnibus budget bill<br />
- to overhaul pay equity, effectively killing workers’ rights to equal pay for<br />
work of equal value. The last two lawsuits include the long-standing battle<br />
over whether RCMP have the right to form a union and engage in collective<br />
bargaining; the other challenges the constitutionality of certain federal laws<br />
that forbid unions from bargaining pensions, staffi ng and job classifi cations<br />
for their members. With ‘austerity’ al<strong>read</strong>y a buzz word for the 2012 Canadian<br />
budget, critics say the creation of a new $16 million agency to defend<br />
the government against its own employees is poor use of the public’s money.<br />
Young and unemployed,<br />
full-time<br />
It’s great to be young and Canadian – unless you’re looking for a job. According<br />
to numbers released by Statistics Canada in recent years, Canadians<br />
between the ages of 15-24 have consistently scored low on their ability<br />
to break into regional employment markets. For the youth demographic<br />
nationwide, prospects for work remained largely unchanged between 2008<br />
and now – a remarkable fi nding considering the country and the world<br />
experienced a recession during the interim period. A paper released by TD<br />
Bank economist Francis Fong affi rms this perspective, showing how employment<br />
in the youth demographic is still 250,000 positions below prerecession<br />
levels. In contrast, all other employment cohorts have recovered<br />
from the 430,000 jobs lost during the recession, and workers over 25 have<br />
added another 400,000 besides. Economic downturns have traditionally<br />
been hard on the young, but that isn’t the only barrier to employment they<br />
face in the 21st century. A recent analysis of the national job market found<br />
10<br />
that Canadians over 55 were increasingly joining the labour force and taking<br />
jobs traditionally done by young people, particularly in the retail and<br />
service sectors. Since the recession, one-third of all jobs created have come<br />
in this older age category, while other cohorts experienced losses.<br />
US employment improves<br />
over pre-recession levels<br />
The American labour market has been picking up steam since the beginning<br />
of 2012. Recently released numbers from the US Bureau of Labour Statistics<br />
indicated that February was the third consecutive month of job growth over<br />
200,000, capping a 12-month run in which employment nationwide jumped by<br />
just over two million positions. Private employment is 2.8 million jobs higher<br />
than it was at the end of the recession, and government employment is nearly<br />
600,000 jobs less than the level reported in June 2009. The drag from government<br />
job losses continues, but at a much slower pace than the past several<br />
years. In the fi rst two months of 2012, 7,000 public-sector jobs were cut, while<br />
local governments actually added 2,000 workers during the same month.<br />
Undercover hacker<br />
turns state’s evidence<br />
A group of expert hackers who attacked governments and global corporations<br />
were busted recently after its ringleader - one of the world’s mostwanted<br />
and most-feared computer vandals - turned against the group and<br />
secretly became an FBI informant. According to court papers unsealed<br />
in New York federal court on March 6, fi ve people have been charged in<br />
a number of high profi le cybercrimes, including virtual attacks on Visa,<br />
MasterCard and PayPal servers, the US Senate, PBS, Fox News Corp. as <strong>well</strong><br />
HECTOR XAVIER MONSEGUR HAS IMPLICATED A NUMBER<br />
OF ASSOCIATES IN SERIOUS CYBERCRIMES<br />
as government computers in Tunisia, Algeria, Yemeni and Zimbabwe. Authorities<br />
revealed that a sixth person who had headed the group, Hector<br />
Xavier Monsegur - a legendary fi gure known in the hacking underworld<br />
as “Sabu” - had pleaded guilty as <strong>well</strong>. Authorities said Monsegur and his<br />
followers embarked on a dastardly stream of deeds against numerous business<br />
and government entities under the group handle “LulzSec”, resulting<br />
in the theft of confi dential information, the defacing of websites and attacks<br />
that temporarily put victims out of business.<br />
Joe Biden talks drugs in<br />
Mexico and Honduras<br />
American Vice President Joe Biden recently visited Mexico City to meet with<br />
the three main contenders in Mexico’s upcoming elections. Although current<br />
Mexican President Felipe Calderon did not raise questions about the legalization<br />
of drugs, other leaders did. When asked, Biden reiterated the US<br />
position that there was “no possibility that the Obama-Biden administration<br />
will change its policy on legalization.” Many Latin American leaders blame<br />
American drug prohibition policies for generating violence throughout the re-<br />
�news<br />
AMERICAN VICE PRESIDENT JOE BIDEN TALKED ABOUT US DRUG POLICY<br />
WITH MEXICAN POLITICIANS<br />
gion, such as in Honduras, which currently has the highest murder rate in the<br />
world, the next stop on Biden’s diplomatic tour. The Organization of American<br />
States and other critics warned that drug gangs posed a threat to democracy,<br />
and that tackling the drug trade in one country only pushes it somewhere else.<br />
Biden, in an unprompted statement, seemed to admit this last point was true,<br />
but remained fi rm on the American position. Issues of drugs and prohibition<br />
are likely to arise again next month when regional leaders including President<br />
Barack Obama will attend a Summit of the Americas in Colombia.<br />
Fukushima: one year later<br />
It’s been one year since Japan’s Fukushima Daiichi reactor melted down<br />
after sustaining heavy damage from a 9.0 magnitude earthquake and the<br />
resulting tsunami. Local Japanese offi cials, now wary any nuclear reactor,<br />
have been using their legal power to prevent any reactor shut down<br />
for maintenance from being restarted. By the end of next month, the last<br />
two of Japan’s nuclear reactors will be shut down. So far, the government<br />
has made up for the loss of nuclear energy by importing fossil fuels and<br />
enforcing extreme energy conservation, although these measures are not<br />
sustainable. Leaving nuclear plants idle has also lowered tax revenues, left<br />
many unemployed and raised electricity costs. The Japanese people remain<br />
deeply distrustful of the nuclear program, but also of the government and<br />
how they managed nuclear plants in the wake of the tsunami. It’s since<br />
been revealed that offi cials withheld information from the public, and<br />
fi red an offi cial who used the word “meltdown” a day after the tsunami.<br />
The Japanese government’s only solution at the moment is to continue<br />
importing expensive fossil fuels, and to reassure the Japanese people that<br />
nuclear reactors are safe.<br />
Iraq still facing daily violence<br />
Although violence in Iraq has decreased since it reached its post-war peak<br />
in 2006, security continues to be an issue. On March 5, a particularly vicious<br />
and coordinated attack resulted in the deaths of 25 police offi cers in the Western<br />
Iraqi city of Haditha by gunmen disguised as SWAT teams. Local police<br />
said two vehicles used in the attacks contained materials suggesting ties to Al<br />
Qaeda. On March 11, nine people were killed, and several others injured, in<br />
two separate attacks north of Baghdad. These attacks raise worries that political,<br />
economic, and security conditions in Iraq, <strong>generally</strong> improving since<br />
2006, will begin to decline, plunging the country back into sectarian violence.<br />
Despite concern that Iraqi Prime Minister Nuri Kamal al-Maliki is consolidating<br />
power and moving towards a one-man rule, his popularity among<br />
Shiites continues to improve, with many in favour of his tough approach to<br />
political and security threats. Among Sunnis, approval is much smaller, but<br />
as one Sunni journalist noted, even with all the problems Iraq faces, they still<br />
have much more freedom than they did under Saddam Hussein.<br />
~ Adam Shirley and Chris Morgan<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012
music�<br />
COVER�STORY<br />
GEORGE CANYON<br />
ENTERTAINS AND<br />
HELPS IN MANY WAYS<br />
LONDON, ON<br />
George Canyon is a busy man. At present, the<br />
Nova Scotia native is deeply involved in all<br />
the workings and responsibilities of an entertainment<br />
career that not only encompasses his<br />
achievements as one of Canada’s best-loved country<br />
singers but his steadily growing recognition as a TV<br />
and fi lm actor.<br />
Canyon’s achievements certainly aren’t confi ned<br />
to his career successes. Diagnosed at age 14 with<br />
Type 1 diabetes, he refused to let the disease keep<br />
him from pursuing his dreams and managed to<br />
tame it through diet, lifestyle and insulin pump<br />
technology. He has taken his life and held it up<br />
as an example to the many diabetic children he<br />
reaches out to each year in his duties in service of<br />
the Juvenile Diabetes Research Foundation (JDRF).<br />
While Canyon’s successful recording career affords<br />
him great visibility, he has also gained signifi<br />
cant face recognition for himself as an actor<br />
with recurring roles in the CBC series Heartland<br />
and Showcase’s Trailer Park Boys. Juggling his two<br />
careers with his work with JDRF has necessitated<br />
Canyon becoming a past master at time management,<br />
but being a working musician remains his<br />
primary artistic outlet.<br />
“I know that music is and will always be my priority.<br />
Music has taken me a lot of places around<br />
the world and it’s given us a home and a life, so<br />
it’ll always be a priority. I defi nitely get more out of<br />
playing music. The acting thing is not live theatre<br />
so you don’t have an audience there. A live audience<br />
is responsible for breathing life into our show<br />
and in acting you don’t get that. It’s a fun thing to<br />
do and something to work at. I’ve got a long way to<br />
go, let’s put it that way.”<br />
Canyon is in pre-production discussions regarding<br />
his next recording project, slated to be the<br />
follow-up to his successful 2011 release, Better Be<br />
Home Soon (Universal). Produced with his friend<br />
Richard Marx, the album’s title track and hit single<br />
was a country-tinged cover of the late-80s Crowded<br />
House tune, a hit for the Down Under band at the<br />
time of its original issue. George sees no incongruity<br />
in taking a pop tune and doing it his own way.<br />
“It’s always been one of my favourite songs. I<br />
loved the band when I was a kid. It’s just a song<br />
I’ve always played. I never thought about cutting<br />
it until my piano player and I talked about it. I’m<br />
i<br />
GEORGE CANYON HAS WON MULTIPLE JUNO, EAST<br />
COAST MUSIC AWARDS AND CANADIAN COUNTRY MUSIC<br />
AWARDS INCLUDING “HUMANITARIAN OF THE YEAR<br />
AWARD” FOR HIS PHILANTHROPIC ENDEAVOURS<br />
always just about the song. If it’s a good old country<br />
song or it’s a good old rock song or a good old folk<br />
song, it doesn’t matter to me what the genre is, a<br />
good song is a good song. That’s kind of where I<br />
come from.”<br />
Canyon is looking forward to continuing his series<br />
of musical performances and motivational<br />
speaking engagements this year at several JDRFsponsored<br />
events now in the planning stage. He<br />
fi nds both personal satisfaction and an ongoing<br />
sense of purpose in using his talents to help kids<br />
dealing with the same disease that might have held<br />
sway over his own life.<br />
“The whole thing is encompassed in doing what I<br />
can to help out kids with Type 1 diabetes, so we’ve<br />
got a bunch of plans this year to go to diabetic<br />
camps. When we’re on tour we’re always meeting<br />
diabetic kids and their families as much as we<br />
can to discuss diabetes and try to lead by example.<br />
Hopefully, we’re going to do another successful<br />
event where we do four or fi ve nights where myself<br />
and a few other diabetics who are living their<br />
dreams get together and we talk to kids about our<br />
diabetes and sort of show the kids that hey, there<br />
are other people out there who are living a successful<br />
life with Type 1 diabetes.”<br />
~ Rod Nicholson<br />
BOTHWELL, ONTARIO. GEORGE CANYON PLAYS THE BOOTHILL COUNTRY JAMBOREE ON<br />
SUNDAY, AUGUST 5. FOR MORE INFO, CALL (519) 678-3434<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
11<br />
COVER AND PHOTO CREDIT: NEVILLE PALMER<br />
World Music & Jazz Series 2012<br />
Direct from Niger…<br />
titan of the African guitar<br />
BOMBINO<br />
Friday, April 13th, 8:00 pm<br />
$25 Advance ~ $30 Door<br />
UNLESS OTHERWISE INDICATED, ALL SUNFEST CONCERTS ARE<br />
PRESENTED AT THE ACCLAIMED AEOLIAN PERFORMING ARTS CENTRE<br />
����������������������������������������������������������<br />
TICKETS NOW FOR SALE AT THE FOLLOWING OUTLETS<br />
Aeolian Box Office (519-672-7950), Centennial Hall Box Office (519-672-1967),<br />
Chapters North (Masonville), Village Idiot (Wortley Village),<br />
Belle Air Music (2 London outlets), Walters Music Centre (1680 Richmond St. N.),<br />
and online at www.aeolianhall.ca.<br />
Please note: Only The Aeolian, Centennial Hall and aeolianhall.ca accept Visa & MasterCard.<br />
London Arts Council<br />
GENTICORUM<br />
Traditional Music from Ireland<br />
CALADH NUA<br />
(Presented in conjunction with The Aeolian<br />
& Acoustic Muse Concerts)<br />
Sunday, March 25th, 7:30 pm<br />
$22 Advance ~ $25 Door<br />
Ensemble & Trad. Album of the Year Winners -<br />
Canadian Folk Music Awards 2011<br />
Thursday, March 22nd, 8:00 pm<br />
$20 Advance ~ $25 Door<br />
ENSEMBLE VIVANT<br />
with legendary bassist Dave Young<br />
“ Latin Romance – Homage to<br />
Astor Piazzolla”<br />
Friday, March 30th, 8:00 pm<br />
$25 Advance ~ $30 Door<br />
INFO: www.sunfest.on.ca<br />
info@sunfest.on.ca ~ 519-672-1522<br />
Group of the Year<br />
(Live Ireland Music Awards 2012<br />
& the TIR Irish Music Awards)<br />
THE<br />
OUTSIDE TRACK<br />
Saturday, April 14th, 8:00 pm<br />
$20 Advance ~ $25 Door
12<br />
LONDON, ON<br />
On February 29, everyone in<br />
the music community was<br />
shocked to learn that Davy<br />
Jones of The Monkees had died<br />
from a massive heart attack at age<br />
66. Jones, who had proven his stage<br />
chops before The Monkees by starring<br />
in a British production of Oliver!<br />
became a teen idol and heartthrob<br />
almost overnight when he<br />
assumed the role as the frontman<br />
of the pop-rock quartet. One person<br />
who has fond memories of Jones is<br />
noted Canadian singer/songwriter<br />
Andy Kim.<br />
“It’s was a very, very sad occasion.<br />
He was the spirit of The Monkees. You<br />
just look at his smile and his face<br />
and that’s who you got when you met<br />
Davy. It was never anyone other than<br />
the person you saw on television, the<br />
person that you heard on record or<br />
the person you saw in an 8X10 in<br />
one of those magazines that kept<br />
showing his pictures all the time and<br />
on posters in everyone’s bedrooms<br />
around the world. He was a very special<br />
spirit. A lot of people say he was<br />
to The Monkees what Paul McCartney<br />
was to Beatles’ fans and that was<br />
the sexy one, the sweet one, the one<br />
with the smile. In the end, he was just<br />
a wonderful person.”<br />
Kim had the good fortune to meet<br />
the ex-Monkees’ vocalist while Jones<br />
was working on an album with<br />
bandmate Micky Dolenz. Kim had<br />
always been a fan of the group and<br />
was thrilled when Jones and Dolenz<br />
asked him to contribute work for<br />
their new project.<br />
“I was lucky enough to get a<br />
phone call to see if I had any songs<br />
or could write any for Davy and<br />
Mickey. They were going to continue<br />
recording and they wanted<br />
to continue the spirit of their musical<br />
journey. My anxiety was that I<br />
would meet Davy and he wouldn’t<br />
live up to my expectations, but he<br />
far superseded my expectations and<br />
continued to do so whenever we<br />
would meet in subsequent years.<br />
They didn’t say write anything and<br />
we’ll accept it, but I did write a few<br />
songs and they chose to put three<br />
on their album. I came in as they<br />
were trying to establish a career<br />
that wasn’t under the Monkees’<br />
umbrella.”<br />
Once The Monkees became a huge<br />
success, critics began knocking the<br />
group because at the time they began<br />
their TV show they did not play<br />
or write their own music. Kim feels<br />
that the criticism was unwarranted.<br />
“By the time I met them they<br />
were kind of an open book, everyone<br />
knew the story. Here were four<br />
individuals who auditioned for a<br />
television show, not to become part<br />
of a band. That was not the intent.<br />
I think the biggest curse was the<br />
fact that the songs they recorded<br />
became such international hits.<br />
When you have that kind of success,<br />
people start saying ‘Well, you<br />
didn’t write your songs.’ Elvis didn’t<br />
write his songs and Sinatra was not<br />
a songwriter, but people wanted it<br />
to be real. Whatever course it took,<br />
you can’t take away ‘I’m A Believer,’<br />
‘Last Train To Clarksville’ and ‘Hey,<br />
Hey We’re The Monkees.’ That’s part<br />
of the history of the 60s.”<br />
As far as Kim’s career is concerned,<br />
many of his songs have become<br />
classics and staples heard on radios<br />
throughout the world.<br />
�music<br />
�FEATURE<br />
ANDY KIM REMEMBERS<br />
DAVY JONES<br />
DAVY JONES APPEARED ON THE ED<br />
SULLIVAN SHOW THE SAME NIGHT<br />
THE BEATLES MADE THEIR FIRST<br />
APPEARANCE. JONES SAID,<br />
“I WATCHED THE BEATLES FROM THE<br />
SIDE OF THE STAGE, I SAW THE GIRLS<br />
GOING CRAZY, AND I SAID TO MYSELF,<br />
THIS IS IT, I WANT A PIECE OF THAT.”<br />
CANADIAN MUSICIAN ANDY KIM<br />
WROTE SEVERAL SONGS FOR DAVY<br />
JONES AND MICKY DOLENZ AFTER THE<br />
MONKEES DISBANDED<br />
“So many people come up to me<br />
and ask why ‘Sugar, Sugar’ continues<br />
to be this iconic song four decades<br />
later. The truth is, I have no<br />
idea! I’m a child of radio and I love<br />
it, so whenever I hear ‘Rock Me Gently,’<br />
or ‘How’d We Ever Get This Way,’<br />
or ‘Baby, I Love You’ or ‘Sugar, Sugar’<br />
a smile comes to my face. The thing<br />
is, when I wrote ‘Rock Me Gently’ I<br />
took it around to all the major labels<br />
and none of them wanted it, so<br />
I started my own label and was lucky<br />
enough to get another No. 1 with it.<br />
I’m proud that I had enough courage<br />
to travel from Montreal to New<br />
York to see if anyone would listen<br />
to me and I was lucky enough that<br />
someone did.”<br />
After a very long hiatus, Kim released<br />
Happen Again in March, 2010.<br />
It is his fi rst new album in over 20<br />
years.<br />
“I went into the studio with some<br />
very talented musicians in Los Angles<br />
and I was lucky enough to have another<br />
kick at the can. That’s what<br />
Happen Again is all about. I do disappear<br />
from time to time because<br />
it’s my way of being at peace. At this<br />
time in my life it’s nice to know that<br />
people are listening to some of my<br />
new music. I have no expectations<br />
but I have a heart that’s so grateful<br />
to so many people who have helped<br />
me along the way.”<br />
~ John Sharpe<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012
music�<br />
Ensemble Vivant Returns<br />
The Sunfest World Music & Jazz Concerts series presents Ensemble Vivant at<br />
the Aeolian Hall on Friday, March 30, 8:00 p.m. Led by pianist/Artistic Director<br />
Catherine Wilson, Ensemble Vivant also features Erica Beston (violin) and<br />
Sybil Shanahan (cello), along with Dave Young (bass) and Norman Hathaway<br />
(violin/viola). “Our program this time is called Latin Romance, which<br />
will feature music by the Argentine Tango master Astor Piazzolla, as <strong>well</strong> as<br />
music by Venezuelan composer Aldemaro Romero, and Brazilian composers<br />
Ernesto Nazareth and M. Carmargo Guarnieri and others,” said Wilson. “But<br />
our featured composer of the evening will be Astor Piazzolla. We will per-<br />
ENSEMBLE VIVANT IS LED BY<br />
PIANIST/ARTISTIC DIRECTOR CATHERINE WILSON<br />
form selections from Ensemble Vivant’s recent CD release, Homage To Astor<br />
Piazzolla. Our unique genre-diverse concert programs and recordings always<br />
include a mixture of beautiful and exciting but contrasting repertoire, some<br />
of which is familiar, and some of which is unknown.” Always on the lookout<br />
for eclectic music to record and perform, Wilson says she was thrilled<br />
to discover Piazzolla’s compositions. “A few years ago I heard a recording<br />
of Piazzolla’s band performing his composition, ‘Milonga For Three.’ I was<br />
just mesmerized by this work, and jazz great Rick Wilkins, who has arranged<br />
many works for Ensemble Vivant throughout our career, wrote a fabulous<br />
arrangement of this piece for us. As with all the repertoire we perform, we<br />
are very passionate about Piazzolla’s music and about all the music on this<br />
program.” For tickets and info, call (519) 672-7950.<br />
J.P. At The Aeolian<br />
Born in London, Ontario in 1969, bluegrass/Folk/Celtic singer-songwriter<br />
and multi-instrumentalist J.P. Cormier began playing guitar around age fi ve<br />
and won a guitar contest at age nine, feats that amazed everyone. “I was<br />
a bit of a freak,” Cormier recalled in a recent interview. “I used to wander<br />
out in the living room and playing whatever I heard on the turntable. That<br />
kind of threw everybody for a loop.” Over the past few years, J.P. Cormier has<br />
performed for fans up to 250 nights a year in theatres, at festivals, and with<br />
symphonies as guest performer. Unfortunately, after decades on the road,<br />
Cormier has decided to retire from touring and dedicate his creative ener-<br />
J.P. CORMIER (CENTRE) WITH THE ELLIOT BROTHERS –<br />
BASSIST MIKE (LEFT) AND GUITARIST BILL<br />
SCENE&HEARD<br />
gies to composing and record production. “After celebrating 30 years on the<br />
road, I have decided to essentially retire from touring and live performance.<br />
We have a small handful of dates that were contracted prior to this decision<br />
and they will honoured. Other than those, however, we will not be pursuing<br />
any further live work. Instead, I have decided to throw all my effort into more<br />
challenging arenas: My recording studio, Ranson House, where I will continue<br />
to make my own records and produce other artists and their music.”<br />
London fans have a last chance to catch J.P. Cormier & The Elliot Brothers<br />
when they play the Aeolian Hall on Friday, March 16, 8:00 p.m. For tickets and<br />
info, call (519) 672-7950.<br />
Adele Wins Big<br />
Buoyed by her recent multiple wins at this year’s Grammy Awards, Adele’s<br />
recent album, 21, has now spent over a year on the charts, half that time in<br />
the No. 1 spot. In a recent interview, the feisty Brit singer explained that her<br />
music career began at a young age in a rather familiar fashion. “It all comes<br />
from impersonating The Spice Girls and Gabrielle. I did little concerts in my<br />
room for my mum and her friends. My mum’s quite arty; she’d get all these<br />
lamps and shine them up to make one big spotlight.” Later, when her dad’s<br />
ADELE RECENTLY ADDED TWO BRIT AWARDS<br />
TO HER COLLECTION OF SIX GRAMMY AWARDS<br />
best friend, a dance producer, rightly declared Adele’s voice ‘wicked’ he invited<br />
her to record a cover of ‘Heart Of Glass.’ “As soon as I got a microphone in my<br />
hand, when I was about 14, I realised I wanted to do this. Most people don’t<br />
like the way their voice sounds when it’s recorded. I was just so excited by the<br />
whole thing that I wasn’t bothered what it sounded like.” At the end of February,<br />
Adele added two Brit Awards – Best British album and Best British female<br />
– to her trophy case. “Nothing makes me prouder than coming home with six<br />
Grammys and then coming to the Brits and winning album of the year,” she<br />
said. “I’m so proud to be British and to be fl ying our fl ag.”<br />
McGraw’s Country<br />
American country singer Tim McGraw has been a very busy man over the<br />
past few years. His albums and singles have topped the country music charts<br />
with total album sales in excess of 40 million units in the US, and he recently<br />
released his eleventh studio album, Emotional Traffi c. McGraw enjoys recording,<br />
but he says nothing gives him a bigger thrill than performing live for<br />
his fans. “It’s as fun as it ever was,” said McGraw in a recent interview with<br />
the Orlando Sentinal. “For me I don’t think any artist gets into this business<br />
and thinks about making records. The main reason to do it for a living is<br />
to be in front of 15,000 to 20,000 people a night, playing your big hit songs<br />
with everybody singing along. Luckily, we’ve had a long career, with plenty<br />
of records that have done <strong>well</strong>, so we never have the same set lists. Putting<br />
together the list is the biggest deal. You only have time to do 15 or 20 songs<br />
and you’ve got hundreds of songs there. So you can’t even get all the hits in,<br />
TIM MCGRAW, THE SON OF FORMER MAJOR LEAGUE<br />
RELIEVER TUG MCGRAW, WILL PERFORM AT BAMAJAM 2012 IN JUNE<br />
but you also want to get the new stuff out there. You can’t cover it all, but you<br />
can come back next year and do something different.” Fans can catch Tim<br />
McGraw, along with Kid Rock, the Zac Brown Band and others, at BamaJam<br />
2012, to be held Thursday, June 14 through Saturday June 16, 2012 in Enterprise,<br />
Alabama.<br />
Marianas Trench Go Deep<br />
Recently, Canadian rock group Marianas Trench -- Josh Ramsay (vocals/<br />
guitar), Matt Webb (guitar/vocals), Mike Ayley (bass/vocals) and Ian Casselman<br />
(drums/vocals) -- released their third studio album, Ever After, the<br />
follow-up to Masterpiece Theatre. Produced by Ramsay and recorded at his<br />
studio, Umbrella Factory, in Richmond, BC., Ever After has no breaks between<br />
songs and contains an overarching theme of a “pop-rock symphony based<br />
around a fairytale concept.” In an interview with muzikdizcovery.com, Casselman<br />
explained how the album’s theme evolved over time.<br />
“I think we were thinking of doing a concept album. I’m not sure if we<br />
were going to do an opener, closer, and interlude like we did in Masterpiece<br />
Theatre, but it turns out that it ended up working out that way. As the album<br />
was being written, things started taking shape and we decided to for sure go<br />
MARIANAS TRENCH ARE<br />
(L-R) IAN CASSELMAN, MATT WEBB, JOSH RAMSAY AND MIKE AYLEY<br />
with the opener/closer kind of thing. Josh is the main writer, and from the<br />
beginning he wanted to have one long continuous piece. The idea of having<br />
all the interludes between all the songs was there from the beginning.” Some<br />
observers felt that releasing an album consisting of one long continuous piece<br />
might be a risk, but Casselman disagrees. “A lot of the time these days, bands<br />
just do singles and a lot of the other songs on the record are just fi ller, but we<br />
wanted to make sure that there wasn’t any fi ller on this album, that each song<br />
was strong on its own and can stand on its own merit.”<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
13<br />
~ John Sharpe
Rock For Dimes<br />
Rock For Dimes, a fundraising event in aid of the March of Dimes Canada’s<br />
Stroke Recovery Canada program and the Conductive Education program,<br />
will be held at Smoke ‘n’ Bones (855 Wellington Rd.) on Thursday,<br />
March 29, 7:00 p.m. Stroke Recovery Canada offers post-recovery support,<br />
education and programs for stroke survivors, their families and health care<br />
providers, while Conductive Education combines physical rehabilitation<br />
LONDON POLICE SERVICE BAND, DUTY CALLS<br />
HAS HELPED RAISE THOUSANDS OF DOLLARS FOR LOCAL CHARITIES<br />
and education to help children and adults with motor-neuro disabilities<br />
improve their physical mobility. This year’s Battle Of The Bands format will<br />
feature the talents of Second Pass, Oui B. Jamon, Short Fiction. The Collins<br />
Barrow Hard At Tax, Ugly Step Sisters and Duty Calls. The members of Duty<br />
Calls -- Geordie Campbell (vocals), Brendan Hicks (guitar), John Matthews<br />
(guitar), Dan McCoy (drums/vocals), Rob Weatherstone (bass/vocals) and<br />
Michelle Kasper (keyboard) – are all serving members of the London Police<br />
Service. “We have been performing at events for local charities, and Police<br />
events since 1997,” said Campbell. “We perform a mix of classic, 80’s and<br />
14<br />
LONDON’S�INDIE�POP�BEAT<br />
current rock. Our goal is to portray a unique image of Police to the public<br />
by showing a different side to policing. Although some of the band members<br />
have changed over the years, we are currently celebrating our 15th anniversary<br />
as a band.” Phone (519) 649-1103 for more info.<br />
Get Inspired<br />
On Friday, March 23, 8:30 p.m., Barefoot For Orphans presents Inspire,<br />
an acoustic styled benefi t concert, at the London Music Club (470 Colborne<br />
St.). Barefoot For Orphans, a non-profi t, student organization, is dedicated<br />
to providing fi nancial assistance to orphanages throughout India. The organization<br />
supports children by supplying orphanages with donations to<br />
LONG LIVE THE KIDS WILL PERFORM AT THE<br />
BAREFOOT FOR ORPHANS BENEFIT CONCERT AT THE LONDON MUSIC CLUB<br />
help cover the costs of education and basic necessities of<br />
life. Their goal is to encourage, inform, inspire, and also to<br />
invest directly into orphanages. “Barefoot For Orphans was<br />
founded in October, 2010 by Bipin Dhinza. I became involved<br />
when I saw an advertisement looking for volunteers<br />
and I <strong>read</strong> about what they offered to the children of India<br />
and other areas,” said Jenny Lee Graham, a student intern<br />
with Barefoot For Orphans. “I thought I would like to be a<br />
part of something that tries to help underprivileged children,<br />
especially when myself and many other people have<br />
never had to experience this before. Bands for this year’s<br />
event are ones that have performed for BFO in the past. We<br />
are trying to target students to get involved, so all the artists<br />
are either in University or College.” Entertainment at the<br />
Inspire event will be provided by Kelsie Canning, The Sea<br />
And City, Falling For The Pacifi c and Long Live The Kids.<br />
Please call (519) 640-6996 for more info.<br />
Varty’s Feelin’ Free<br />
Long regarded as one of London’s most versatile and<br />
talented musicians, guitarist/vocalist Doug Varty recently<br />
released his latest indie CD, Feel Free. Infl uenced by classic<br />
rockers like ZZ Top, Bad Company, Thin Lizzy, and The<br />
Who, Varty says his new album fi nds him doing what he<br />
does best. “I didn’t fi gure that anything I would write or record<br />
would sell or be a hit of any kind, so my only plan was<br />
to do music that meant something to me. I love pulsating<br />
rock, it stirs my blood, and I’ve always been a huge fan of<br />
Bon Scott’s lyrics. If I like AC/DC, why not write a song that<br />
sounds like AC/DC? Turns out I wrote a whole bunch of ‘em.<br />
They don’t sound like a copy, mind you, there’s a lot of me<br />
in there, but you can certainly see who I’ve been infl uenced<br />
by.” Although Varty is thrilled with his new CD, completing<br />
it was often a long and diffi cult process. “I started writing<br />
DOUG VARTY SAYS HE WRITES, RECORDS AND PLAYS<br />
MUSIC “BECAUSE THATʼS WHATʼS INSIDE YOU,<br />
THATʼS WHAT YOU NEED TO EXPRESS.”<br />
�music<br />
the CD in January<br />
‘09, fi nished in April.<br />
I started recording<br />
at my home in June,<br />
but then there was<br />
a long wait while<br />
we had personnel<br />
changes, studio<br />
breakdowns, remixes,<br />
more breakdowns,<br />
more remixes,<br />
etc. etc. up to the<br />
fall if 2011. I always<br />
felt this recording<br />
had something very<br />
special to it, and it<br />
has kept me going<br />
up to now.” Doug<br />
Varty will perform<br />
at the London Music<br />
Club on March 15<br />
and 22. Call (519)<br />
640-6996.<br />
London’s Theme Song 2.0<br />
When Mayor Joe Fontana gave his annual state-of-the-city address on January 11,<br />
he attempted to add a little pizzazz to the speech by including a song titled ‘London<br />
Is The City of Opportunity’ performed by Jim Chapman’s Incontinentals. The next<br />
day, critics and those in the social-media world slammed the tune as being an embarrassment<br />
to the Forest City. Looking to capitalize on the controversy, Newstalk<br />
AM 1290 decided to sponsor a contest whereby aspiring songwriters could submit<br />
their own London theme songs that better refl ected the Forest City. London musician<br />
Chris Morgan was one<br />
of several people who submitted<br />
a tune prior to the<br />
contest’s March 9 deadline.<br />
“I submitted to the AM1290<br />
contest because I’d wanted<br />
to write a song about London<br />
for quite a while. The<br />
contest seemed like a good<br />
excuse to get it done,” said<br />
Morgan. “The song that catalyzed<br />
the whole event - Jim<br />
Chapman’s ‘London Is The<br />
City of Opportunity’ - really<br />
seemed to upset a lot of<br />
people. There are so many<br />
talented musicians in London,<br />
but writing a song - an<br />
affecting, positive song -<br />
about community is not an<br />
easy thing to do.” The best<br />
song will be voted by Newstalk<br />
1290 listeners and the<br />
winner will receive $1000 cash plus studio recording time at Charterhouse Studios.<br />
Voting ends on March 16 and the winner will be announced on March 19 on London<br />
In The Morning with Steve Garrison.<br />
~ John Sharpe<br />
CALLING ALL MUSICIANS! DO YOU HAVE<br />
A NEW RECORDING, AN UPCOMING SHOW OR<br />
NEWSWORTHY STORY? TELL SCENE READERS ABOUT<br />
IT! CONTACT US AT MUSIC@SCENEMAGAZINE.COM.<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012<br />
?<br />
PHOTO CREDIT: DEB DICKER<br />
SCENE EDITOR CHRIS MORGAN HAS<br />
ENTERED A TUNE IN AM1290ʼS<br />
LONDONʼS THEME SONG 2.0 CONTEST
music�<br />
CONCERTS/LIMITED<br />
ENGAGEMENTS<br />
(SEE ALSO HOUSE BANDS,<br />
DJS, KARAOKE)<br />
THURS. MAR. 15<br />
APK LIVE-The Ballroom Babies<br />
BLACK SHIRE PUB-Lord Thuderin’ Thursday/The Schotts<br />
BRASS-The Shanks<br />
BRENNAN’S BEER BISTRO- Open Mic w/Carole Allison<br />
CENTENNIAL HALL-Danny Bhoy (7:30pm)<br />
CHAPTERS-The Schotts (3-5pm)<br />
COBRA-Tommy Trash<br />
FORWELL HALL- DJ Rick O’Shea<br />
FOX & FIDDLE-Three Penny Piece<br />
LONDON MUSIC CLUB- Intercordia Canada Fundraiser<br />
(6:30pm)/The Big Rock Electric Jam w/Doug Varty (9pm)/<br />
Justin Lacroix/Brent Jones/Emily DeGroot<br />
LONDON MUSIC HALL LOUNGE-James Armstrong (7pm)<br />
MASONVILLE LIBRARY-Suburban Presence (7pm)<br />
MOLLY BLOOM’S –The Mike O’Brien Band<br />
NITE OWL LOUNGE-Vinyl Nite w/Justin Chasty<br />
NORMA JEAN’S –Live Band Karaoke w/Nasty Alex<br />
PLAYERS ATHLETIC LAGER CO.-Pipe & Drum Band (Noon)<br />
RICHMOND-Billy Paton<br />
WINKS EATERY-Paul Langille & David Wright<br />
WITS END PUB-Karaoke<br />
WORTLEY- The Julian Fauth Band<br />
YUK YUK’S-Scott Faulconbridge/Dan Guiry/Dylan Gott<br />
FRI. MARCH 16<br />
AEOLIAN HALL-J.P. Cormier & The Elliot Brothers (8pm)<br />
APK LIVE- After Funk/Tear Away Tusa/Greggy Clypse/Shadow<br />
Giants (8pm)<br />
BLACK SHIRE PUB- Paul Langille (6pm)/Zachary Lucky<br />
BRASS-Loaded Dice<br />
BUCKING BULL SALOON-Karaoke w/Rockin’ Rory/Country<br />
Video w/DJ Doran<br />
CALL THE OFFICE-Catl<br />
COBRA-Congorock<br />
DAWGHOUSE PUB-Larry-oke<br />
DUDE RANCH-Arkham Dispatch/Jean-Paul De Roover/Thousand<br />
Young/The Black Frame Spectacle<br />
EASTSIDE BAR & GRILL-Bender<br />
EAST VILLAGE COFFEEHOUSE-Jo-Ann Lawton/The Wingnuts/<br />
Dave Dillon/Mark Henning/Margo Does (7-11pm)<br />
FITZRAYS- Shaun Sanders<br />
GIGS GRILLHOUSE-Lonny Chicago<br />
HONEST LAWYER-Justin Plet<br />
KELSEY’S EAST-Three Penny Piece (5-9pm)<br />
LONDON MUSIC CLUB-Acoustyle Open Mic (9pm)/London<br />
Poetry Slam (8pm)<br />
MAGGIE’S- Sonja Gustafson/Johnny Noubarian & Darryl<br />
Stacey<br />
MOLLY BLOOM’S – The Mike O’Brien Band<br />
MUSIC BOX-Odium/The Tide Will Take Us<br />
NORMA JEAN’S- Wicked Lies/Dirty Little Secret<br />
OUT BACK SHACK-Rich Kidd/Smash Brovaz/Haviah Mighty/<br />
Sound Minds<br />
POACHER’S ARMS-Loud Noises<br />
RICHMOND- Deathcharger/Reasons Lost/Psychopathy/After<br />
Ashes<br />
SCOTS CORNER-Rock N Roll<br />
TOWN & COUNTRY – DJ Rus-L<br />
VICTORIA TAVERN-The Malachi Brothers<br />
WINDERMERE MANOR-Murray Snelgrove (5-9pm)/Irish Music<br />
(6:30pm)<br />
WINKS EATERY-Sarah Smith<br />
WITS END PUB-Wits End House Band<br />
WORTLEY– The Geoff Masse Band<br />
YUK YUK’S- Scott Faulconbridge/Dan Guiry/Dylan Gott<br />
SAT. MARCH 17<br />
AEOLIAN HALL-Strunz & Farah (8pm)<br />
APK LIVE- Meligrove Band/Lewis Gayfi eld/Raccoon Wedding/<br />
The Hamptons/DJ MediaFrenzy<br />
BLACK SHIRE PUB-Pilots Of Dawn/Skyway Fades/Remembering<br />
Apollo/Backline Revival<br />
BRASS-Redinger/Black Joseph<br />
BRENNAN’S BEER BISTRO-Carole Allison & Dave Wahl<br />
CALL THE OFFICE-63 Monroe/Teenage X/Radio Delete<br />
CANADIAN CORPS-Open Mic w/Raisin’ Cain (3-6pm)<br />
CAROUSEL ROOM-The Mighty MacGowens (8pm)<br />
DAWGHOUSE PUB-Smokin’ Dave (2pm)/Doug Varty (5pm)/<br />
Johnny North (9pm)<br />
EASTSIDE BAR & GRILL-Dr. Delaware & The Malpractice (3-<br />
6pm)/Karaoke (6pm)/IN2U<br />
FITZRAYS-B.A. Baracus/Black Belt Jones/Mike Todd (8pm)<br />
GIGS GRILLHOUSE-Maids Of Music<br />
HONEST LAWYER-Fisted Sister (7pm)<br />
HUSTLER BILLIARDS-Chuckee & The Crawdaddies<br />
KELSEY’S EAST-Larry Smith & The Fiddler (5-8pm)<br />
LONDON MUSIC HALL-Salads/Staylefi sh/Dodger/Two Crown<br />
King<br />
MAGGIE’S- Sonja Gustafson/Johnny Noubarian & Darryl<br />
Stacey<br />
MOLLY BLOOM’S – The Mike O’Brien Band<br />
MUSIC BOX-The Rock Collection/DJ Johnny Classic<br />
NORMA JEAN’S-The Mahones/Murmur<br />
POACHER’S ARMS-St. Patrick’s Day Party<br />
RICHMOND-The Dependables (4-6pm)/K.R.A.W./Swim<br />
ROXBURY- Code 7 (7-10pm)/DJ Mystik<br />
ST. REGIS TAVERN-Open Blues Jam (8pm)<br />
SMOKE-N-BONES-Cork & Kerry<br />
TOWN & COUNTRY –DJ Rus-L<br />
VICTORY LEGION-County Road (2-6pm)/Still Kickin’<br />
WINKS EATERY-Jay Davis<br />
WITS END PUB-Wits Rovers/The Big Eight Band/The Tomato<br />
Soup Band<br />
WORTLEY-The O’Swilligans (3pm)/The Geoff Masse Band<br />
YUK YUK’S- Scott Faulconbridge/Dan Guiry/Dylan Gott<br />
SUN. MARCH 18<br />
BRASS-Karaoke w/Dave<br />
BRENNAN’S BEER BISTRO-The Coalshed Willies (5-9pm)<br />
CONNIE’S BAR & GRILL-Frank Ridsdale (3:30pm)<br />
NITE OWL LOUNGE-Big Shiny Sundays w/DJ Eedy<br />
VICTORIA TAVERN-Rev. Freddie & The Distillers (4-7pm)<br />
VICTORY LEGION-Jamboree (1pm)<br />
WINKS EATERY-Karaoke w/The A-Train<br />
WORTLEY–The Village Blues Band w/Robbie Antone (4pm)<br />
MON. MARCH 19<br />
BLACK SHIRE PUB-Quiz Night (8:30pm)<br />
BRASS-Open Stage<br />
FITZRAYS-DJ Everfresh<br />
FRIDAY KNIGHT LIGHTS-Karaoke w/Bruce Almighty<br />
MOLLY BLOOM’S- Karaoke<br />
NITE OWL LOUNGE-Dub Pub<br />
NORMA JEAN’S- Open Band Nite w/Shepherds Pie<br />
OLD EAST STUDIOS-Southern Ontario Ukulele Players w/June<br />
Cole (7-10pm)<br />
RICHMOND-Karaoke<br />
TOWN & COUNTRY –Open Mic<br />
TUES. MARCH 20<br />
AEOLIAN HALL-John K. Samson & The Provincial Band/Shotgun<br />
Jimmie (7:30pm)<br />
BLACK SHIRE PUB-Open Mic<br />
CALL THE OFFICE-Sidney York/Redbird/Portage & Main<br />
JOHN LABATT CENTRE-Tommy Hunter (6:30pm)<br />
THE�LISTINGS<br />
MUSTANG SALLY’S- Karaoke (8pm)<br />
MAGGIE’S- Jennifer Thorpe/Johnny Noubarian & Darryl Stacey TOWN & COUNTRY – DJ Rus-L<br />
NITE OWL LOUNGE-T’n’T Metal Night<br />
MOLLY BLOOM’S- Labyrinth<br />
VICTORY LEGION-Allen James (2-6pm)/Country Classics (8pm)<br />
NORMA JEAN’S-Karaoke w/Guy<br />
NITE OWL LOUNGE-Salvation Fridays w/DJ Andy Capp<br />
WINKS EATERY-Matt Ridder<br />
SMOKE-N-BONES-Anthony Gomes (8pm)<br />
NORMA JEAN’S-The Reason<br />
WITS END PUB-Wits Rovers<br />
VICTORY LEGION-Open Jam Night (8pm)<br />
OUT BACK SHACK-Shane Philip<br />
WORTLEY- The Hot Tub Hippies<br />
WED. MARCH 21<br />
POACHER’S ARMS-Spoonmen<br />
YUK YUK’S- Richard Lett/Jo-Anna Downey/Ben Miner<br />
BLACK SHIRE PUB-Hey Loretta<br />
RICHMOND-Nothing Left For Tomorrow/Vimena SUN. MARCH 25<br />
BRASS-Acoustic Surprise w/Andy<br />
ST. REGIS TAVERN-Bender<br />
AEOLIAN HALL-Caladh Nua (7:30pm)<br />
CALL THE OFFICE- Flatfoot 56/The Filthy Radicals/DJ Dustin SCOTS CORNER-Howzat<br />
BRASS-Karaoke w/Dave<br />
EASTSIDE BAR & GRILL-Open Jam Nite (8pm)<br />
FRIDAY KNIGHT LIGHTS-Karaoke w/Bruce Almighty<br />
JOHN LABATT CENTRE-Orchestra London: Video Games Live<br />
(8pm)<br />
LONDON MUSIC HALL-The Trews/Poor Young Things/The<br />
Stanfi elds<br />
MAGGIE’S- Charlie Rallo & Darryl Stacey (8pm)<br />
MOLLY BLOOM’S-The Barbs<br />
NITE OWL LOUNGE-Punk’d w/DJ Eedy<br />
OUT BACK SHACK-Acoustic Open Mic Night<br />
O’MALLEY’S-Karaoke w/Music Central (8pm)<br />
POACHER’S ARMS-Open Mic w/J-Me<br />
SCOTS CORNER-Teddy Leonard & Frank Ridsdale<br />
THURS. MARCH 22<br />
AEOLIAN HALL-Genticorum (8pm)<br />
APK LIVE-Rococode/The Sam Allen Band/The Congratulated<br />
Strangers/Colours Collectiva<br />
BLACK SHIRE PUB- Lord Thunderin’ Thursdays/Xprime The<br />
Band<br />
BRENNAN’S BEER BISTRO-Open Mic w/Carole Allison<br />
FOX & FIDDLE-Three Penny Piece<br />
SPOKE (UWO)-Builder Refused/Fun Fact/Papa’s Delicate<br />
Condition<br />
TOWN & COUNTRY – DJ Rus-L<br />
VICTORIA TAVERN-The Kards<br />
WAVE (UWO)-Dean Brody<br />
WINDERMERE MANOR –Tam Duong (5-9pm)<br />
WINKS EATERY-Smokin’ Dave<br />
WITS END PUB-Karaoke w/Tatz<br />
WORTLEY-In My Defence<br />
YUK YUK’S- Richard Lett/Jo-Anna Downey/Ben Miner<br />
SAT. MARCH 24<br />
APK LIVE-The New Cities/The Scenario/Moondog Uproar<br />
BLACK SHIRE PUB-The Mountain, The Forest, The Earth/Dead<br />
City Beat/The Spooky ScareCrows<br />
BRASS-Ralf Wiggum/Disgusticons/Hooker Spit<br />
BUCKING BULL SALOON-Karaoke w/Rockin’ Rory/Country<br />
Video w/DJ Doran<br />
BYRON LEGION-The Comos<br />
CALL THE OFFICE-Barrio Tiger<br />
CENTENNIAL HALL-Orchestra London & Jeans n’ Classics Tribute<br />
To Michael Jackson (8pm)<br />
BRENNAN’S BEER BISTRO-The Coalshed Willies (5-9pm)<br />
CONNIE’S BAR & GRILL-Frank Ridsdale (3:30pm)<br />
LONDON TAP HOUSE-DJ Everfresh<br />
MOLLY BLOOM’S- Karaoke w/Axle<br />
NITE OWL LOUNGE- DJ Eedy<br />
presents...<br />
JP Cormier:<br />
Fare<strong>well</strong> Tour<br />
Friday March 16<br />
Intersection:<br />
Jazz & Classical Series<br />
Alex Ernewein &<br />
Vladimir Soloviev<br />
Sunday March 18<br />
John K Samson and<br />
The Provincial Band<br />
FRIDAY KNIGHT LIGHTS-Karaoke w/Bruce Almighty<br />
DAWGHOUSE PUB-Larry-oke<br />
Tuesday March 20<br />
LONDON MUSIC CLUB-The Big Rock Electric Jam w/Rick Taylor<br />
(9pm)/The Doug Varty Trio (8pm)/The Art Of Streaming<br />
(8:30pm)<br />
LONDON MUSIC HALL-The Trews/Poor Young Things/The<br />
Stanfi elds<br />
MOLLY BLOOM’S- The Mike O’Brien Band<br />
NORMA JEAN’S- Live Band Karaoke w/Nasty Alex<br />
RICHMOND-Jeffy B<br />
SOMERVILLE HOUSE (UWO)- Donne Roberts (4-6:30pm)<br />
EASTSIDE BAR & GRILL-Karaoke (6-9pm)/Entropy (Mat:<br />
3-6pm)<br />
FITZRAY’S-Spinal Cracker Band<br />
FRIDAY KNIGHT LIGHTS-Karaoke w/Bruce Almighty<br />
GIGS GRILLHOUSE-Cork & Kerry<br />
HONEST LAWYER-UFC<br />
LONDON MUSIC CLUB-The Sea & City/Tam Duong (7pm)/<br />
Joelle Westman/Maria MacDonald (8pm)/Samantha Martin &<br />
The Haggard/The Woody Allens (10pm)<br />
Direct from Ireland:<br />
Caladh Nua<br />
Sunday March 25<br />
El Sistema Aeolian<br />
Thursday March 29<br />
Shayne Koyczan and<br />
WAVE (UWO)-Dragonette/Eric Solomon & Young Empires/<br />
Zorba & Luke<br />
MAGGIE’S- Jennifer Thorpe/Johnny Noubarian & Darryl Stacey<br />
The Short Story Long<br />
Monday April 2<br />
WINKS EATERY-J-La<br />
MOLLY BLOOM’S- Labyrinth<br />
WORTLEY-Parallax<br />
YUK YUK’S-Richard Lett/Jo-Anna Downey/Ben Miner<br />
FRI. MARCH 23<br />
APK LIVE- Kidstreet/New Zebra Kid/Greggy Clypse/DJ Loot<br />
BLACK SHIRE PUB- Tim Woodcock & Jenny MacDonald<br />
(6pm)/Matt Alveraz<br />
BRASS-The Merves<br />
BRENNAN’S BEER BISTRO-In Our Favour<br />
CALL THE OFFICE-Murder By Death/Big John Bates<br />
CENTENNIAL HALL-Orchestra London & Jeans n’ Classics Tribute<br />
To Michael Jackson (8pm)<br />
MUSIC BOX-This Or The Apocalypse/The World We Knew/Beheading<br />
Of A King<br />
BidiniBand<br />
NITE OWL LOUNGE-Acres Of Lions<br />
wsg Henry Adam Svec<br />
Thursday April 5<br />
NORMA JEAN’S-ThunderStruck<br />
POACHER’S ARMS-Loud Noises<br />
The Aeolian Box Office<br />
795 Dundas St<br />
RICHMOND- Always A New Day/Malignant Theory/A Faster<br />
Now/Invitation To Die<br />
519.672.7950<br />
ST. REGIS TAVERN-Open Blues Jam (8pm)<br />
www.aeolianhall.ca<br />
438-5141<br />
the<br />
COBRA-Adam K.<br />
DAWGHOUSE PUB- The Rail City Kings<br />
EASTSIDE BAR & GRILL- Blue Mojo<br />
EAST VILLAGE COFFEEHOUSE-Jo-Ann Lawton (7-9pm)<br />
FITZRAYS-Decade Of Sleep<br />
GIGS GRILLHOUSE-Acoustic Showcase<br />
GROOVES-Young Coconut & Friends (2pm)<br />
HONEST LAWYER-Steven Branchaud<br />
LONDON MUSIC CLUB- Acoustyle Open Mic (9pm)/The Sea<br />
& City/Long Live The Kids/Falling For The Pacifi c (8:30pm)<br />
LONDON MUSIC HALL-Down With Webster/Stereokid/Matthew<br />
Johnston<br />
LONDON MUSIC HALL LOUNGE-The Wooden Sky/Daniel Romano/Graham<br />
Nicholas<br />
roadhouse<br />
THURS. MAR. 15<br />
Where the Village Meets<br />
THE JULIAN FAUTH BAND<br />
THURS. MAR. 22<br />
FRI. MAR. 16<br />
PARALLAX<br />
THE GEOFF MASSE BAND<br />
FRI. MAR. 23<br />
SAT. MAR. 17<br />
IN MY DEFENCE<br />
THE O’SWILLIGANS (3PM)<br />
SAT. MAR. 24<br />
/THE GEOFF MASSE BAND<br />
THE HOT TUB HIPPIES<br />
SUN. MAR. 18<br />
SUN. MAR. 25<br />
THE VILLAGE BLUES BAND THE VILLAGE BLUES BAND<br />
W/ ROBBIE ANTONE (4PM)<br />
W/ JOHNNY MAX (4PM)<br />
��� ������� � ������� THE �LISTINGS ������������������������<br />
CONTINUED ON PAGE 16<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
15
VICTORIA TAVERN-Rev. Freddie & The Distillers (4-7pm)<br />
WINKS EATERY-Karaoke w/The A-Train<br />
WITS END PUB-Brian Barber<br />
WORTLEY-The Village Blues Band w/Johnny Max (4pm)<br />
MON. MARCH 26<br />
BLACK SHIRE PUB-Quiz Night (8:30pm)<br />
CALL THE OFFICE-Benjamin Francis Leftwich/Donovan Woods<br />
CEEPS – The Big Mix w/Matt Webb<br />
FITZRAYS-DJ Everfresh<br />
MOLLY BLOOM’S- Karaoke w/Axle<br />
NITE OWL LOUNGE-Dub Pub<br />
NORMA JEAN’S- Open Band Nite w/Shepherds Pie<br />
OLD EAST STUDIOS-Southern Ontario Ukulele Players w/June<br />
Cole (7-10pm)<br />
TUES. MARCH 27<br />
BLACK SHIRE PUB-Open Mic<br />
CALL THE OFFICE-Jordan Klassen/The Mountains & The<br />
Trees/Andy Shauf<br />
NITE OWL LOUNGE-T’n’T Metal Night<br />
NORMA JEAN’S- Karaoke w/Guy<br />
VICTORY LEGION-Open Jam Night<br />
WED. MARCH 28<br />
BLACK SHIRE PUB-Hey Loretta<br />
BRASS-Acoustic Surprise w/Andy<br />
CALL THE OFFICE-Yukon Blonde/Library Voices/Great Bloomers<br />
CENTENNIAL HALL-City And Colour/The Low Anthem (8pm)<br />
EASTSIDE BAR & GRILL-Open Jam (8pm)<br />
MAGGIE’S- Charlie Rallo & Darryl Stacey (8pm)<br />
NITE OWL LOUNGE- Punk’d w/DJ Eedy<br />
O’MALLEY’S-Karaoke w/Music Central (8pm)<br />
PIT STOP- Nasty Alex Live Band Karaoke<br />
POACHER’S ARMS-Open Mic w/J-Me<br />
SCOTS CORNER-HooDoo2<br />
VICTORY LEGION-Karaoke (7pm)<br />
WINKS EATERY-Lonny Chicago & Smokin’ Dave<br />
HOUSE BANDS/DJS/<br />
KARAOKE<br />
(SEE ALSO CONCERTS /<br />
LIMITED ENGAGEMENTS)<br />
THURSDAYS<br />
BARKING FROG – Thirsty Thursday<br />
BLACK SHIRE PUB-Lord Thunderin’ Thirsty Thursdays w/Tara<br />
Dunphy & Jim McGinley (8-11pm)<br />
BUCK WILD-Karaoke<br />
CEEPS-DJ Vinyl<br />
CHAUCER’S PUB-Alex Richmond Trio<br />
CLUB LARGE-All Request Video Party<br />
CLUB ROUGE-Rouge Thursdays<br />
COATES OF ARMS-Lonny Chicago<br />
DAWGHOUSE PUB-Smokin’ Dave<br />
16<br />
FIRESIDE RESTAURANT-Karaoke w/Maggie<br />
FOX & FIDDLE-Three Penny Piece (8:30pm)<br />
GIGS GRILLHOUSE-Maids Of Music<br />
GRAD CLUB (UWO)-Chris Norley<br />
JIM BOB RAY’S-Country Night<br />
LAVISH-Karaoke w/DJ Amy<br />
LONDON TAP HOUSE-DJ Hollywood Lines<br />
MAGGIE’S –Don DiCarlo/Paul Stevenson/Peter Hysen (8pm)<br />
POACHER’S ARMS-The Fairmonts<br />
ROXBURY- DJ Angelo<br />
SCOTS CORNER-The Whiskey Sinners<br />
TOWN & COUNTRY – Karaoke w/DJ Rus-L<br />
UP ON CARLING-Next Level Thursdays w/DJ Calvera<br />
WITS END PUB-Karaoke w/DJ Tatz<br />
WRECK’D ROOM-Techno-Industrial w/DJ Phoenixx<br />
FRIDAYS<br />
BARKING FROG – Frog Fridays<br />
BARNEY’S-The Dan Slingers<br />
BUCKING BULL SALOON-Karaoke w/Rockin’ Rory/Country<br />
Video w/DJ Doran<br />
CANADIAN CORPS-Karaoke (8pm)<br />
CAREY’S BAR & GRILL-Karaoke<br />
CEEPS-Finally Famous<br />
CELLO SUPPER CLUB-DJ EverFresh<br />
CLUB LARGE-R&B/Hip-Hop Fridays<br />
CLUB NOIR- DJ Ruckus<br />
CLUB ROUGE-DJ Rick O’Shea<br />
COWBOYS RANCH-DJ Danny<br />
FATTY PATTY’S-Karaoke w/Sharpe Sound<br />
FIRESIDE RESTAURANT-Live Entertainment<br />
FOX & FIDDLE-Karaoke w/Joe Brunet (8:30pm)<br />
FRIDAY KNIGHT LIGHTS-Karaoke w/Bruce Almighty<br />
JIM BOB RAY’S-FootWork Fridays w/DJ Hush/DJ Mar Keey<br />
JOE KOOLS-DJ Jamie Allen<br />
LAVISH- DJ Lady Finesse<br />
LOCKER ROOM- Pepsi Pete & Friends<br />
LONDON TAP HOUSE-DJ Hollywood Lines<br />
MONGOLIAN MARTINI BAR-DJ Yahohyah<br />
O’MALLEY’S-Karaoke w/Music Central (9pm)<br />
ROXBURY-DJ Hex<br />
SILVER SPUR-Karaoke w/TDG Entertainment<br />
SWAG LOUNGE-DJ<br />
TIGER JACKS - DJ Blair<br />
UP ON CARLING –DJ Jacoby & Joe Keep De Pace/Cosella<br />
WITS END PUB-Wits End House Band<br />
WRECK’D ROOM-DJ Karnage<br />
SATURDAYS<br />
A.N.A.F. – Karaoke w/Leeann<br />
BARKING FROG – Seduction Saturdays<br />
BARNEY’S-The Fairmonts<br />
BUCKING BULL SALOON-Karaoke w/Rockin’ Rory/Country<br />
Video w/DJ Doran<br />
CEEPS-DJ Matty<br />
CELLO SUPPER CLUB-DJ Everfresh<br />
CLUB LARGE-Dancehall/Soca Saturdays<br />
CLUB ROUGE-Black & Yellow<br />
COWBOYS RANCH-BX93 Night w/Heidi Reichert<br />
DOWNTOWN KATHY BROWN’S-Vogue Saturdays w/DJ Satellite<br />
(103.1 Fresh FM)<br />
EASTSIDE BAR & GRILL- Karaoke (6-9pm)<br />
FIRESIDE RESTAURANT-Karaoke w/Maggie<br />
FRIDAY KNIGHT LIGHTS-Karaoke w/Bruce Almighty<br />
JIM BOB RAY’S-Musiq Saturdays<br />
KUBBY’S BAR & GRILL-Bill Savage (8pm)<br />
LAVISH-Seductive Saturdays<br />
LONDON TAP HOUSE-DJ Hollywood Lines<br />
MONGOLIAN MARTINI BAR- DJ D-Red<br />
ROXBURY - DJ Mystik<br />
ST. REGIS TAVERN-Open Jam (8pm)<br />
SCOTS CORNER-Karaoke<br />
SILVER SPUR-Karaoke w/TDG Entertainment<br />
SWAG LOUNGE-DJ<br />
TIGER JACKS - DJ Blair<br />
UP ON CARLING-Up At Night Saturdays<br />
WRECK’D ROOM-DJ Karnage<br />
SUNDAYS<br />
BARKING FROG- Showcase Sundays<br />
BRASS-The Flying Tigers<br />
BRENNAN’S BEER BISTRO- Carole Allison & Kerry-Jane Voth<br />
(4pm)<br />
CALL THE OFFICE – RayGun (9pm)<br />
CLUB LARGE-Old School Sundays<br />
EASTSIDE BAR & GRILL-Sweet Leaf Garrett<br />
JIM BOB RAYS-Guest DJs<br />
LONDON ALE HOUSE-Karaoke (10pm)<br />
NORMA JEAN’S-Nasty Alex Live Band Karaoke (8pm)<br />
RICHMOND- Karaoke w/Dave & Missy<br />
ROXBURY- Karaoke w/Amy<br />
SAHRAT CAFÉ & GRILL-Karaoke w/TDG Entertainment (7-<br />
11pm)<br />
TOWN & COUNTRY – Karaoke w/DJ Russell & Jennifer<br />
VICTORIA TAVERN-Rev. Freddie & The Distillers (4-7pm)<br />
WINDERMERE’S CAFÉ-Kevin Love (11:00am - 2:00pm)<br />
MONDAYS<br />
BRASS-Open Mic w/Donnie Ivey<br />
FITZRAYS-DJ Everfresh<br />
FRIDAY KNIGHT LIGHTS-Karaoke w/Bruce Almighty<br />
GRAD CLUB-Open Mic (8-11pm)<br />
JIM BOB RAY’S-Indie Mondays<br />
MONGOLIAN MARTINI BAR-DJ Yahohyah<br />
MORRISSEY HOUSE-Team Pub Quiz<br />
NORMA JEAN’S- Stripper Mom Open Band<br />
OLD EAST STUDIOS-Southern Ontario Ukulele Players (7pm)<br />
SCOTS CORNER-Greg Lirette<br />
SPOKE UWO-Open Mic Night<br />
TUESDAYS<br />
BLACK SHIRE PUB- Open Mic<br />
BRASS-The Kings<br />
CLUB LARGE-DJ Everfresh<br />
COATES OF ARMS-Celtic Roots (7-9pm)<br />
FITZRAYS-The Quiz<br />
FRIDAY KNIGHT LIGHTS-Amateur Stand-Up Comedy<br />
GIGS GRILLHOUSE-DJ Godgillah<br />
MAGGIE’S-Eli Passic (6-7:30pm)<br />
MOLLY BLOOM’S –The Hoffs<br />
NORMA JEAN’S- Karaoke w/Jeffy B<br />
OLD EAST STUDIOS-Ruby Tuesdays w/Jake Levesque (8pm)<br />
PIT STOP-Open Mic/Jam Night<br />
ROXBURY- Karaoke w/DJ Tatz<br />
SCOTS CORNER-Open Mic w/Vinny Vincenzo<br />
SPOKE UWO- Nasty Alex Live Band Karaoke<br />
TOWN & COUNTRY – Karaoke w/DJ Rus-L<br />
WEDNESDAYS<br />
BARKING FROG – We Like To Party<br />
BRASS-Alternative Cinema<br />
BRENNAN’S BEER BISTRO-DJ Sexy Hara$$er<br />
CALL THE OFFICE – Punk Rock Juke Box<br />
EASTSIDE BAR & GRILL-Open Jam Nite (8pm)<br />
FITZRAYS-Jim McGinley<br />
FOX & FIDDLE-Open Mic w/Chris Tro<strong>well</strong> (8pm)<br />
FRIDAY KNIGHT LIGHTS-Karaoke w/Bruce Almighty<br />
GIGS GRILLHOUSE- Open Mic<br />
JIM BOB RAY’S-DJ Chaos<br />
JOE KOOL’S-Black Belt Jones<br />
LONDON ALE HOUSE-Karaoke (10pm)<br />
MORRISSEY HOUSE- Traditional Celtic Session<br />
O’MALLEY’S-Karaoke w/Music Central (8pm)<br />
PIT STOP-Nasty Alex Live Band Karaoke<br />
POACHER’S ARMS-Open Mic w/J-Me<br />
ROXBURY-DJ Mystic<br />
SAHRAT CAFÉ & GRILL-Karaoke w/TDG Entertainment (2-<br />
6pm)<br />
SCOTS CORNER- HooDoo 2<br />
SPOKE UWO-Rick McGhie<br />
TOWN & COUNTRY – Karaoke w/DJ Rus-L<br />
VICTORIA TAVERN-Karaoke w/Jeffy B.<br />
VICTORY LEGION-Karaoke (7-11pm)<br />
WRECK’D ROOM-The Grim Brothers<br />
VENUE•INDEX<br />
AEOLIAN HALL 795 DUNDAS ST. 672-7950<br />
AIR FORCE ASSOCIATION 2155 CRUMLIN RD. 657-1381<br />
A.N.A.F. 797 YORK ST. 432-0104<br />
APK LIVE 340 WELLINGTON ST. 601-5483<br />
BARKING FROG 209 JOHN ST. 850-3764<br />
BLACK DIAMOND BAR 1440 JALNA BLVD. (226) 663-3263<br />
BLACK SHIRE PUB 511 TALBOT ST. 433-7737<br />
BRASS 186 KING ST. (226) 777-7327<br />
BRENNAN’S BEER BISTRO 347 CLARENCE ST. 858-9900<br />
BUCK WILD 722 YORK ST. 226-268-2766<br />
BUCKING BULL SALOON 333 RICHMOND ST. 601-9333<br />
BYRON LEGION 1276 COMMISSIONERS RD. W. 472-3300<br />
CALL THE OFFICE 216 YORK ST. 432-2263<br />
CANADIAN CORPS. 1051 DUNDAS ST. 455-7530<br />
CAREY’S BAR & GRILL 1569 OXFORD ST. E. 951-6886<br />
CEEPS AND BARNEY’S 671 RICHMOND ST. 432-1232<br />
FREE<br />
�music<br />
CELLO SUPPER CLUB 99 KING ST. 850-8000<br />
CHAPTERS 1037 WELLINGTON RD. 685-1008<br />
CHRISTINA’S PUB 1131 RICHMOND ST. 660-8778<br />
CLUB LARGE 335 RICHMOND ST. 697-4144<br />
CLUB MANSION 89 KING ST. 434-2888<br />
CLUB NOIR 183 KING ST. 317-0990<br />
CLUB ROUGE 50 PICADILLY ST. 433-3636<br />
COATES OF ARMS PUB 580 TALBOT ST. 432-1001<br />
COBRA LONDON 359 TALBOT ST. 661-0761<br />
CONNIE’S BAR & GRILL 411 HAMILTON RD. 660-4032<br />
CONNOLLY HALL 523 FIRST ST. 455-5630<br />
COWBOY’S RANCH 60 WHARNCLIFFE RD. N. 679-0101<br />
DAWGHOUSE PUB 699 WILKINS ST. 685-0640<br />
DOWNTOWN KATHY BROWN’S 228 DUNDAS ST. 433-4913<br />
DUDE RANCH 829 WHARNCLIFFE RD. S.<br />
EASTSIDE BAR & GRILL 750 HAMILTON RD. 951-6462<br />
EAST VILLAGE ARTS CO-OP 757 DUNDAS ST.<br />
FATTY PATTY’S 390 SPRINGBANK DR. 473-5521<br />
FIRESIDE RESTAURANT 1166 COMMISSIONERS RD. E. 680-9899<br />
FITZRAYS 110 DUNDAS ST. 646-1119<br />
FOX & FIDDLE 355 WELLINGTON ST. 679-4238<br />
FRIDAY KNIGHT LIGHTS 391 RICHMOND ST. 672-5050<br />
GIG’S GRILLHOUSE 420 TALBOT ST. 601-4447<br />
GROOVES 353 CLARENCE ST. 640-6714<br />
HONEST LAWYER 228 DUNDAS ST. 433-4913<br />
HUSTLER BILLIARDS 1116 DEARNESS DR. 649-2138<br />
JACK’S 539 RICHMOND ST. 438-1876<br />
JACK ASTOR’S 660 RICHMOND ST. 642-0708<br />
JIM BOB RAY’S 585 RICHMOND ST. 663-5665<br />
JOHN LABATT CENTRE 99 DUNDAS ST. 667-5700<br />
KELSEY’S EAST 900 OXFORD ST. 455-9464<br />
KUBBY’S BAR & GRILL 312 COMMISSIONERS RD. W. 472-9455<br />
LAVISH NIGHTCLUB 238 DUNDAS ST.<br />
LOCKER ROOM 1286 JALNA BLVD. 680-5001<br />
LONDON ALE HOUSE 288 DUNDAS ST. 204-2426<br />
LONDON MUSIC CLUB 470 COLBORNE ST. 640-6996<br />
LONDON MUSIC HALL 185 QUEENS AVE. 432-1107<br />
LONDON TAP HOUSE 545 ½ RICHMOND ST. 936-0268<br />
MAGGIE’S JAZZ LOUNGE 478 RICHMOND ST. 434-5545<br />
MOLLY BLOOM’S 700 RICHMOND ST. 675-1212<br />
MONGOLIAN 645 RICHMOND ST. 645-6400<br />
MORRISSEY HOUSE 359 DUNDAS ST. 204-9220<br />
MUSIC BOX 1472 DUNDAS ST. 226-373-6607<br />
MUSTANG SALLY’S 99 BELMONT DRIVE 649-7688<br />
NITE OWL LOUNGE 353 TALBOT ST. 438-6483<br />
NORMA JEAN’S 1332 HURON ST. 455-7711<br />
O’MALLEY’S IRISH PUB 99 BELMONT AVE. 649-7688<br />
OLD EAST STUDIOS 755 DUNDAS ST. 434-5499<br />
OLD SOUTH VILLAGE PUB 149 WORTLEY RD. 645-1166<br />
PIT STOP 1631 OXFORD ST. E. 455-1163<br />
PLAYERS ATHLETIC LAGER CO. 1749 DUNDAS ST. E. 452-1030<br />
POACHER’S ARMS 171 QUEENS ST. 432-7888<br />
RICHMOND TAVERN 370 RICHMOND ST. 679-9777<br />
ROXBURY BAR & GRILL 1165 OXFORD ST. E. 951-0665<br />
RUM RUNNERS 176 DUNDAS ST. 432-1107<br />
ST. REGIS TAVERN 625 DUNDAS ST. 432-0162<br />
SAHRAT CAFÉ & GRILL 769 SOUTHDALE RD. E. 601-6622<br />
SCOTS CORNER 268 DUNDAS ST. 667-2277<br />
SILVER SPUR 771 SOUTHDALE RD. E. 681-5161<br />
SMOKE-N-BONES 855 WELLINGTON RD 649-1103<br />
SWAG LOUNGE WESTERN FAIR GROUNDS 438-7203<br />
TIGER JACKS 842 WHARNCLIFFE RD. S. 690-0292<br />
TOWN & COUNTRY SALOON 765 DUNDAS ST. 433-4741<br />
UP ON CARLING 153 CARLING ST. 434-6600<br />
VICTORY LEGION 311 OAKLAND AVE. 455-2331<br />
VICTORIA TAVERN 466 SOUTH ST. 432-7303<br />
WINDERMERE MANOR 200 COLLIP CIRCLE 858-1414<br />
WINKS EATERY 551 RICHMOND ST. 936-5079<br />
WITS END PUB 235 NORTH CENTRE RD. 850-9487<br />
WORTLEY ROADHOUSE 190 WORTLEY RD. 438-5141<br />
WRECK’D ROOM 335 1/2 RICHMOND ST. 434-5698<br />
YUK YUK’S 900 KING ST. 936-2309<br />
LISTINGS IN SCENE ARE FREE ~ Email: music@scenemagazine.com.<br />
Please Include: Venue Name, Address, Event Title, Date, Time, Brief Description,<br />
Admission Fee and Phone Number.<br />
Deadline for March 29, 2012 edition~March 23, 2012 ~ John Sharpe<br />
FREEALL<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012
music�<br />
POP�CD&DVD�REVIEWS<br />
NEW�RELEASES<br />
THE BRAINS • DRUNK NOT<br />
DEAD (STOMP)<br />
It’s obvious from their ghoulish<br />
visual vibe that The Brains wish to<br />
present themselves to the public as<br />
another rocka/shocka/horror-billy<br />
band. The sonic evidence on their<br />
new album, Drunk Not Dead, indicates otherwise. This Montreal<br />
trio manages to catch a live feel in the studio and they<br />
deliver a series of songs that fl irt with some sophisticated oldtime<br />
jazzy pop hooks (albeit in triple-time), smooth production<br />
and a band sound that at times reminds more than a<br />
little of the distracted vocals and spacey whirlwind rock of<br />
late-period Queens Of The Stone Age. Mention must also be<br />
made of the fact that the musicianship is excellent throughout<br />
with not a note or beat out of place despite the semi-insane<br />
tempos these guys traffi c in here. – Rod Nicholson B+<br />
WILLIE NELSON • LIVE AT THE US<br />
FESTIVAL (UNIVERSAL)<br />
The subtitle of this DVD is ‘June 4, 1983’,<br />
referring to Country Day at the massive US<br />
Festival then being held in San Bernadino,<br />
California. Outlaw Country legend Willie Nelson<br />
was, almost by default, the headliner that<br />
day and his fi ne set includes ‘Whiskey River,’<br />
‘Night Life,’ ‘My Heroes Have Always Been Cowboys’<br />
etc. Nelson is later joined by partner in crime Waylon Jennings<br />
for performances of ‘Good Hearted Woman’ and ‘Mamas Don’t Let Your<br />
Babies Grow Up To Be Cowboys.’ The sound quality is not bad keeping in<br />
mind the vintage of the recording, but visually there are problems with<br />
a muddy image at times during the fi rst few tunes, although it’s great to<br />
have a video issue of this historic Willie Nelson gig. – Rod Nicholson B-<br />
RINGO STARR AND THE ROUNDHEADS<br />
• LIVE (EONE ENTERTAINMENT)<br />
Recorded at the Genessee Theater in Waukegan,<br />
Illinois in 2005, this concert DVD presents<br />
a show performed by the ex-Beatle that was<br />
later broadcast as part of the PBS Soundstage<br />
series. Ringo is at his charming best here with<br />
renditions of ‘I’m The Greatest,’ ‘Act Naturally,’<br />
Photograph’ and others, fi nishing with the<br />
much-loved ‘With A Little Help From My Friends.’ Anyone looking for<br />
a fl ash of the old Starr brilliance behind the drums will be left wanting<br />
as he works the front of the stage for most of the show. Shot in HD, the<br />
visuals are <strong>well</strong>-done although the sometimes overly-busy camera-work<br />
is a little distracting at times. All in all a nice diversion for longtime fans<br />
of his solo work and easygoing stage presence. – Rod Nicholson B+<br />
TOTAL CHAOS • BATTERED AND<br />
SMASHED (STOMP)<br />
After over 20 years as respected members of<br />
L.A.’s peace-punk/anarchist scene, Total Chaos<br />
continue to soldier on as if it’s still 1977. Battered<br />
And Smashed is another by-now familiar<br />
salvo of double-time drums, chant-along vocal<br />
choruses, buzz-saw guitars and tons of attitude. What makes this<br />
record rise above the built-in clichés are the often humorous lyrics<br />
croaked/roared at full-volume by front-man Rob Chaos that swivel back<br />
and forth between political invective (‘Social Crimes’) and indignantly<br />
sarcastic takes on suburban living (‘Waste Away My Life’). The only false<br />
step here is the ill-advised foray into cod-reggae on ‘Going Down’ but<br />
overall, anyone who hankers for the good old days when punk was a<br />
movement instead of a genre and Johnny really was Rotten will enjoy<br />
this. – Rod Nicholson B+<br />
WAYLON JENNINGS • LIVE AT THE<br />
US FESTIVAL (UNIVERSAL)<br />
Along with his crony Willie Nelson, Waylon<br />
Jennings shared the lineup of Country Day at<br />
the 1983 US Festival with artists such as Alabama,<br />
Emmylou Harris and Hank Williams,<br />
Jr. By all accounts Jennings’ set was one of the<br />
highlights of the day and it’s easy to see why<br />
as the man is clearly enjoying himself and his<br />
band as he runs through hits such as ‘Are You Sure Hank Done It This<br />
Way’ and ‘I’ve Always Been Crazy.’ Musical pleasures to be had on this<br />
concert DVD include the fi ne work by steel guitar great Ralph Mooney<br />
and Waylon’s vocals with wife Jessi Colter on ‘Storms Never Last.’ Audio<br />
and visuals are good for this recording’s vintage. Includes a brief preshow<br />
interview with Jennings. – Rod Nicholson B+<br />
REAL MCKENZIES • WESTWINDS<br />
(STOMP)<br />
The whole Celt/punk thing has been by now<br />
beaten to death by bands who discovered that<br />
you can take an Irish reel, speed it up and then<br />
run it through some Marshall amps and by golly,<br />
look what you’ve got! Real McKenzies must take their share of the blame<br />
along with several other bands who won’t be named here who took what<br />
The Pogues did with real style thanks to the genuinely rebellious Shane<br />
McGowan and messed it up with repetition, pretension and too much volume.<br />
And so here we are with Westwinds, a stereotypically hearty serving<br />
of by-rote rabble-rousing (‘The Message’), anthems for the dead-drunk<br />
but not out yet crowd (‘My Luck Is So Bad’) and nods to high-speed punk<br />
rebellion (‘Fools Road’). Predictable. – Rod Nicholson C-<br />
THE ROLLING STONES • SOME GIRLS<br />
LIVE IN TEXAS ’78 (EAGLE)<br />
Recorded at the Will Rogers Memorial Center in<br />
Fort Worth, Texas six-weeks after the release of Some<br />
Girls, this DVD captures the Stones in peak form. The<br />
band kicks of their 17-track set with a rousing version<br />
of Chuck Berry’s ‘Let It Rock,’ followed by <strong>well</strong>known<br />
originals like ‘Brown Sugar,’ ‘Beast Of Burden,’<br />
and the disco-tinged ‘Miss You.’ The concert<br />
ends with Mick Jagger’s rousing performance on the classic ‘Jumpin’ Jack Flash.’<br />
Although the footage was originally shot on 16mm fi lm, it has been carefully<br />
restored and the sound remixed and remastered by Bob Clearmountain from<br />
the original multitrack tapes. Bonus features include a colorful and informative<br />
8-page booklet, and an extra DVD that contains an interview with Mick Jagger,<br />
an appearance on Saturday Night Live and an ABC News 20/20 interview with the<br />
Stones. All in all, an important document from the group often referred to as the<br />
“World’s Greatest Rock and Roll Band.” – John Sharpe B+<br />
HOT�INDIES<br />
VARIOUS ARTISTS • GRAND<br />
OLD OPRY CLASSIC HITS<br />
(CRACKER BARREL)<br />
In their continuing series of releases<br />
featuring live recordings that<br />
have languished in the Grand Ole<br />
Opry vaults for years, Cracker Barrel<br />
have provided a service to fans of the original Nashville<br />
sound. Classic Hits features a strong cast of country music royalty<br />
performing their best-known hits in a live setting on the<br />
famous Opry stage. Highlights include Johnny Cash and June<br />
Carter (‘Ring Of Fire’), Tammy Wynette (‘Stand By Your Man’),<br />
Patsy Cline (‘Crazy’), George Jones (‘The Race Is On’), Marty<br />
Robbins (‘El Paso’) and Ray Price (‘For The Good Times’). The<br />
only off-note may be the inclusion of latter-day New Country<br />
chart-topper Garth Brooks amongst such celebrated company.<br />
A great listen for classic Nashville fans and a fi ne historical<br />
recording as <strong>well</strong>. – Rod Nicholson B+<br />
PETER APPLEYARD AND THE JAZZ<br />
GIANTS • THE LOST 1974 SESSIONS<br />
(LINUS)<br />
Following a performance at the Ontario Place Forum,<br />
vibraphonist Peter Appleyard somehow managed<br />
to talk six of the fi nest musicians in jazz to<br />
accompany him for a late-night jam session at Toronto’s<br />
RCA Studio. Working in a relaxed setting, Appleyard and The Jazz Giants<br />
turn in superb takes on a swingin’ set of jazz standards that have the feel<br />
of an informal jam at a New York night club. Appleyard has even included<br />
snippets of the in-studio dialogue between the musicians and the engineer,<br />
which adds to the album’s “you are there” atmosphere. As one would expect,<br />
Appleyard’s all-star sidemen -- pianist Hank Jones, bassist Slam Stewart, tenor<br />
saxophonist Zoot Sims, trombonist Urbie Green, cornetist Bobby Hackett,<br />
and drummer Mel Lewis – are in fi ne form and deliver tasty solos throughout.<br />
Highly recommended. – John Sharpe Performance: A/Production: B+<br />
DOUG VARTY • FEEL FREE (INDIE)<br />
All you need to know about veteran London guitarist/vocalist<br />
Doug Varty’s new album is encapsulated<br />
on the opening track, ‘Kickin’ Ass.’ Throughout<br />
the course of 10 original compositions Varty, along<br />
with Rob Allen (bass) and Dale Penney (drums/<br />
background vocals), delivers solid, straight ahead rock ’n’ roll that display<br />
an obvious debt to classic rockers like AC/DC and Bad Company. Highlights<br />
include the pounding ‘Misfi t,’ the dark humour of ‘Make My Day’ and the<br />
leader’s tale of nasty teenage seduction on the bluesy title track. The latter<br />
track benefi ts from the fi ne work of Big Sugar’s Kelly Hoppe on harmonica,<br />
one of two tracks he appears on. Kudos as <strong>well</strong> to producer Bob Breen who<br />
manages to clearly capture the kind of high-voltage energy Varty is capable<br />
of. – John Sharpe Performance: B+/Production: B+<br />
THE COUNTERS • THIS DOESN’T<br />
MEAN WE’RE FRIENDS<br />
(COLONEL MUSTARD)<br />
From track –to-track you’re never sure what The<br />
Counters are going to come up with next. Led by<br />
London guitarist/songwriter Rupert Heath, The<br />
Counters’ debut release is an intriguing mix of styles and infl uences -- part<br />
rock ’n’ roll, part country folk. Throughout, Heath gets excellent support<br />
from local musicians like The Mongrels’ guitarist Robert Charles-Dunne on<br />
pop-rockers like ‘When You Come Round’ and ‘Border Line,’ while Martin<br />
Horak’s mournful violin on ‘Cowboy Song,’ ‘Roses’ and ‘Death Wont Slow<br />
Me Down’ adds much to their melancholy mood. Recorded and engineered<br />
by Andy Magoffi n at the House of Miracles, This Doesn’t Mean We’re Friends<br />
is a fi ne showcase for Heath’s wry sense of humour and creative storytelling.<br />
– John Sharpe Performance: B-/Production: B-<br />
CANARY MINE • BETWEEN A ROCK<br />
AND A HEARTBREAK (INDIE)<br />
Canary Mine often bills itself as a “folk-hop”<br />
band but the group’s new full-length and seventh<br />
independent album, Between A Rock And A<br />
Heartbreak fi nds them touching on rock, country,<br />
honky-tonk and blues. The album’s eclectic<br />
program kicks off with the rockabilly sounds of ‘I Gotta Say, I Kinda Wish’<br />
and it’s a good indicator of the kind of energy the group displays throughout.<br />
Comprised of London resident Carl Welch on drums, along with Mim Adams<br />
(keyboards), Joe Arnup (bass) and James Lanbro (guitar), Canary Mine are<br />
not above having a little fun from time to time as their rendition of ‘Walk My<br />
Dog’ and ‘The Bombizzle Blues’ demonstrates. Inserting a doo-wop interlude<br />
at the end of a straight-ahead rocker like ‘Get Out Of Your Head’ shows this<br />
is one group that isn’t afraid to experiment. – John Sharpe Performance:<br />
B/Production: B Editor’s Note: Canary Mine play The Black Shire Pub on<br />
Saturday, April 21.<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
17
OF FARMS AND<br />
BEAUTY QUEENS:<br />
MISS CALEDONIA AT<br />
THE MCMANUS<br />
LONDON, ON<br />
The year is 1953, and on a family farm in rural<br />
Caledonia, Ontario, there’s work to be done. Hay<br />
needs to be baled, barn stalls beg to be cleaned,<br />
and cows wait to be milked. For 15-year-old Peggy Ann<br />
Douglas, this spells utter drudgery. For Peggy Ann yearns<br />
for the bright lights and glamour of Hollywood.<br />
But how – the teen wonders – does one achieve this?<br />
Become a baton-twirling pageant queen, of course.<br />
Such is the premise of Miss Caledonia, a new production<br />
coming to the McManus Studio Theatre from March<br />
21 to 24. The play is a true story written and performed<br />
by Peggy Ann’s daughter, Melody Johnson. Funny and<br />
heart-warming, the show follows the youthful Peggy<br />
Ann on her grand quest for the tiara.<br />
“My mom had such a hard time on the farm, not<br />
wanting to do that kind of work, she just wanted to get<br />
off the farm and get into the city and be a movie star.<br />
And in the ‘50s, if you wanted to be a star, doing the pageant<br />
circuit seemed to be the route to take to get there.<br />
She would <strong>read</strong> about these movie stars that did that, so<br />
that’s what she decided to do too,” Johnson said.<br />
With the help of 4H, Peggy Ann picked up some new<br />
skills to better her chances in the competitions. “She<br />
started entering pageant after pageant and gained some<br />
momentum and started winning and broadening her<br />
horizons. She actually had the Miss Canada application<br />
form in her hand, but she opted to stop there and get<br />
married and have some kids. It’s a coming of age story,<br />
a ‘who am I’; ‘how do I fi t into the world’-type story,”<br />
Johnson added.<br />
She may not have been destined for Hollywood, but<br />
Peggy Ann did win some rather glamorous prizes, one<br />
time even landing a date with country crooner Tommy<br />
Hunter. Johnson has all of her mother’s sashes, trophies,<br />
and other memorabilia from her pageant circuit days.<br />
The play wraps up shortly after Peggy Ann competes in<br />
the Miss Caledonia pageant in 1956. The one-hander is<br />
complemented by live fi ddle, played with gusto by Alison<br />
Porter. Rick Roberts and Aaron Willis direct.<br />
Miss Caledonia is a long way from the type of pageant<br />
culture popularized in shows such as TLC’s Toddlers in<br />
Tiaras, Johnson explained.<br />
“People tend to focus on the negative aspects of pageants,<br />
but this play really shines a light on the positive<br />
aspects. At that time in the ‘50s, it was such a bonding<br />
experience for the young women involved. They met<br />
other young women from across the country, developed<br />
meaningful relationships, honed their skills and<br />
learned things beyond what they would have normally<br />
i THE<br />
GRAND THEATRE (471 RICHMOND STREET)<br />
PRESENTS TEMPTING PROVIDENCE UNTIL MARCH<br />
31. FOR TICKETS CALL 519-672-8800.<br />
18<br />
�FEATURES<br />
MELODY JOHNSON STARS AS PEGGY ANN,<br />
A GIRL WITH A DREAM OF ESCAPING FARM LIFE,<br />
IN MISS CALEDONIA<br />
been exposed to. That lifestyle expanded my mom’s way<br />
of thinking,” Johnson said.<br />
After her pageantry days, Peggy Ann became a member<br />
of a sorority and kept a strong social connection with<br />
other women throughout the years. “It’s funny, but I’ve<br />
had women come up to me after the show and say things<br />
like, ‘I was Miss Deer Island out in Nova Scotia in 1957’<br />
– an interesting thing to come out of doing the show.<br />
They seem to get a kick out of it,” Johnson said.<br />
Peggy Ann and her husband, Bob, moved to nearby<br />
Brantford to raise their family. Though Peggy Ann never<br />
forced her daughter to follow in her footsteps, traces of<br />
her beauty pageant past would sometimes surface.<br />
“It was always a part of my life, if we would go have<br />
a family portrait taken, my mom would say, ‘turn your<br />
thigh out,’ or ‘remember to point your toe,’ which I always<br />
kind of bristled at as a young kid. I went the other<br />
way and became a tomboy. I did dance, tap, baton – but<br />
I didn’t have the inclination for beauty pageants,” Johnson<br />
recalled with a laugh.<br />
Peggy Ann provided many of the ideas for Miss Caledonia,<br />
so much so that Johnson considers her the dramaturge<br />
of the play. Thankfully, Johnson added, Peggy Ann<br />
was able to see the play before she passed away last April.<br />
Johnson hopes audiences will come out and enjoy a<br />
new perspective of life on the farm.<br />
“It’s been a while since we’ve had a new farm story.<br />
The Wingfi eld series keeps going, which is such an<br />
amazing thing, and it’s important to keep supporting<br />
farmers,” she said. “I think it’s also important to hear<br />
a female voice about the farmers’ life, and have some<br />
fun doing it.”<br />
~ Amie Ronald-Morgan<br />
LONDON, ON<br />
The music produced by master guitarists Jorge Strunz<br />
and Ardeshir Farah is so timeless, so impossibly<br />
seamless, that it is hard to believe that it originates<br />
from two very different parts of the world.<br />
Born in Costa Rica and Iran, Strunz and Farah brilliantly<br />
meld the cultural infl uences of their native lands into one<br />
enduring sound that critics repeatedly refer to as ‘magical.’<br />
A local audience will be treated to this singular music<br />
experience on March 17 when the duo takes to the stage<br />
at Aeolian Hall.<br />
To fully understand how these worlds collided, we must<br />
travel back to 1979 when the pair met. Ardeshir Farah had<br />
come to Los Angeles to further his studies in architecture<br />
and civil engineering. The young musician had come from<br />
a family of civil engineers who played music as a hobby,<br />
except for an uncle who played violin with the Teheran<br />
Symphony.<br />
The home where he spent his formative years was often<br />
fi lled with the sound of his uncle playing. At the age of 11,<br />
Farah received his fi rst guitar and began experimenting<br />
with pop music and improvisation. It wasn’t long before he<br />
became a sought-after player.<br />
One evening in Los Angeles Farah attended a concert by<br />
Caldera, a <strong>well</strong>-known Latin jazz group on the circuit at<br />
the time. Farah was drawn to the technique of the band’s<br />
guitarist, Jorge Strunz, and thought he might like to get together<br />
with him to play.<br />
A mutual friend gave<br />
him Strunz’s phone<br />
number and they arranged<br />
to jam. From<br />
that fi rst meeting, it<br />
was obvious to both of<br />
them that theirs was<br />
a rare collaboration<br />
worth building on.<br />
Playing in tandem<br />
– and unbeknownst<br />
to the young men at<br />
the time – a signifi -<br />
cant milestone was<br />
occurring; the meeting<br />
marked the fi rst time that Latin American and Middle<br />
Eastern music had come together on the guitar. They found<br />
that they could play with rapid-fi re speed, fl awlessly and in<br />
perfect harmony.<br />
Born into a long line of career diplomats, Strunz picked<br />
up the guitar at the age of six and began playing professionally<br />
as a teenager, dashing his family’s expectations<br />
for him to enter politics. The travels of his diplomat father<br />
took him to Columbia, Spain, Mexico, England, Canada,<br />
and eventually the United States. He arrived in Los Angeles<br />
in 1973 and began searching for the band mates who<br />
would eventually become Caldera. The group met with a<br />
fair amount of success, recording four albums for Capitol<br />
and embarking on two national tours.<br />
Strunz’s greatest achievements, however, were yet to<br />
�arts<br />
THREE DECADES OF<br />
STRUNZ AND FARAH<br />
GUITARISTS JORGE STRUNZ AND ARDESHIR FARAH<br />
PLAY AEOLIAN HALL MARCH 17<br />
come. Fluent in numerous genres of what was later to be<br />
dubbed ‘world music’, Strunz and Farah recorded their debut<br />
album in 1980, laying bare their infl uences from their<br />
respective backgrounds as <strong>well</strong> as a prodigious facility for<br />
improvisation. The self-produced album, Mosaico, was released<br />
in 1982.<br />
“We have a lot of fl amenco infl uence in our melodics, we<br />
are admirers of many fl amenco guitar players... but our<br />
music is really a mixture of different elements including<br />
fl amenco, classical, Latin folk, Middle Eastern music and<br />
jazz in the sense that we like to improvise within the structure<br />
of our music,” Strunz explained.<br />
With this unique harmonic blend of infl uences, delivered<br />
with immaculate technique, the duo quickly distinguished<br />
themselves as two of the most gifted acoustic guitarists performing<br />
today.<br />
Over the next three decades, the pair released 17 albums,<br />
including Primal Magic (1990) and Américas (1992),<br />
which won Billboard’s World Music Album of the Year and<br />
a Grammy nomination, respectively, and spent months in<br />
the top of Billboard’s World Music chart. Another album,<br />
Heat of the Sun (1995), spent four months in the top 10 of<br />
the World Music chart. Their most recent album, Journey<br />
Around the Sun (2011), has earned them some of their<br />
most glowing reviews to date. Their albums have sold in<br />
excess of one million copies.<br />
After three decades together, Strunz and Farah are still<br />
in rare form. Guitar<br />
lovers will not want<br />
to miss their Aeolian<br />
Hall concert, where<br />
they will be backed by<br />
an international ensemble<br />
of world-class<br />
musicians. The show<br />
begins at 8pm. including<br />
Japan, Chile, Columbia,<br />
Venezuela, and<br />
numerous European<br />
countries. He has performed<br />
at the crème<br />
de la crème of venues;<br />
Caesars Palace, Tropicana<br />
and Flamingo Hilton, all in Las Vegas; Showboat in<br />
Atlantic City; Crystal Palace Casino in Nassau, Bahamas;<br />
and the Genting Resort in Kuala Lumpur, Malaysia.<br />
Frewin has been able to reach an even wider audience<br />
through 40 television appearances. He starred in an hourlong<br />
special entitled Magic Man: Home for the Holidays<br />
aired on CBC Television in December 2009, and has also<br />
appeared on ABC’s Champions of Magic and NBC’s World’s<br />
Greatest Magic. He is currently developing a special with<br />
The Discovery Channel that will air later this year.<br />
~ Amie Ronald-Morgan<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012<br />
i<br />
CUNTRERA PRODUCTIONS PRESENTS AN EVENING<br />
WITH STRUNZ & FARAH AT AEOLIAN HALL<br />
(795 DUNDAS STREET EAST), MARCH 17 AT 8PM.<br />
DOORS OPEN AT 7:30PM. FOR TICKETS,<br />
CALL 519-672-7950.
arts�<br />
PIANO<br />
ORCHESTRA<br />
ORCHESTRA<br />
CLASSICAL�CDS<br />
PIANO MUSIC FROM KOREA<br />
KLARA MIN (PIANO)<br />
NAXOS, 2011<br />
Western and Eastern ideas of aesthetic beauty merge on this<br />
recently released Naxos compilation of piano pieces by Korean<br />
composers. Although the expositions presented here have been<br />
infl uenced in some way by schools of modern European composition<br />
– and by Schoenberg’s twelve-tone technique - they<br />
also retain stillness, clarity and purpose, all qualities pervasive<br />
in Asian culture and art. The opening piece on the CD<br />
– Younghi Pagh-Paan’s ‘Pa-mun’ exemplifi es the Koreans’<br />
collective approach to composition, demonstrating a style<br />
that resonates thematically within the pastoral tradition of the<br />
West while retaining the nuance and sense of stark natural beauty that characterizes many Asian<br />
musical works. “On a quiet lake, and when one throws small stones one after another, the surface<br />
makes circles and those circles create another ‘pa-mun’. After a while, the lake fi nds its peace,”<br />
Pagh-Paan writes, articulating the central insight that inspired his work. Allusions to the natural<br />
world are also evident in Isang Yun’s ‘Five Pieces for Piano’, as <strong>well</strong> as the lumbering opening<br />
movement of Chung Gil Kim’s abridged suite, ‘Memory of Childhood’. This last piece concludes<br />
with a tentativeness that belies the composition’s fi nality; yet it is pianist Klara Min’s impeccable<br />
performance here – and throughout the recording - that subtly suggests to listeners nothing in<br />
nature ends without something else being born. Profoundly affecting.<br />
ALFREDO CASELLA – SYMPHONY NO. 3<br />
ORCHESTRA SINFONICA DI ROMA, FRANCESCO LA VECCHIA (CONDUCTOR)<br />
NAXOS, 2011<br />
The ambitious works of Alfredo Casella are more palatable<br />
if one avoids the fact that the composer was a vocal supporter<br />
of Italian fascism – and by extension, anti-Semitism - during<br />
the fi rst half of the 20th century. However, the music’s sublime<br />
appeal is evidenced by the fact that it outlasted the dubious<br />
political proclivities of its creator. For example, the two sprawling<br />
orchestral pieces presented here retain all the hallmarks<br />
of high romanticism fused with the sombre gravitas of a world<br />
at war. Casella was inspired to compose his Op. 29 – ‘Elegia<br />
eroica’ or ‘Heroic elegy’ – while refl ecting on the sacrifi ces<br />
made by soldiers during WWI. The piece was intended to evoke nationalist sentiment; Casella even<br />
described the rondo fi nale as “an image of our country as mother, cradling her dead son.” Powerful<br />
stuff, indeed - the sort of music that provokes an authentic response from listeners, regardless<br />
of whether or not they know the story of its origin. The other piece on the recording – Symphony<br />
No. 3 – was written during the fi rst year of WWII. Opening with a solo oboe, the composition<br />
evolves organically through four thematically interconnected movements, in a style reminiscent<br />
of Russian master symphonists Dmitri Shostakovich and Sergei Prokofi ev. Made to live again by<br />
the efforts of the Rome Symphony Orchestra under the baton of renowned conductor Francesco<br />
La Vecchia, this music assumes the consequential tone of historicity Casella always intended, while<br />
remaining blissfully unfettered by the composer’s unfortunate prejudices.<br />
ALWYN – CONCERTO GROSSI NOS. 2 AND 3<br />
ROYAL LIVERPOOL PHILHARMONIC ORCHESTRA,<br />
DAVID LLOYD JONES (CONDUCTOR)<br />
NAXOS, 2011<br />
Prolifi c British composer William Alwyn died in 1985, leaving<br />
behind a substantial body of work written in almost every<br />
musical genre imaginable – opera, ballet, orchestral, chamber,<br />
instrumental and song. On this new Naxos collection, the instrumentalists<br />
of the Royal Liverpool Philharmonic Orchestra<br />
bring together a delicious sampling of Alwyn’s oeuvre, including<br />
world premiere recordings of Seven Irish Tunes – Suite<br />
for Small Orchestra, Serenade, and the CD’s opening number,<br />
Dramatic Overture: The Moor of Venice. Based on the events of<br />
the Shakespearean play Othello, the overture was commissioned by the BBC Light Programme in<br />
1956. It’s a sombre, slow-burning affair with expectant brass and a muted classicism in line with<br />
the theme of the piece. In contrast, the bustling mood of the next track - Alwyn’s second concerto<br />
- is at turns serine and ebullient, setting the stage for the remainder of the recording; a program<br />
which is certain to appeal to students and collectors of English symphonic music.<br />
~ Chris Morgan<br />
BLOODLINE: A HAUNTED CRIME STORY • BY STAN ROGAL<br />
INSOMNIAC PRESS, 2011 • 269 PAGES<br />
Peter Donaldson is a pretty nondescript kind of guy; approaching middle<br />
age, sells hardware supplies, married with kids and living a predictable – if<br />
not somewhat drab – life. Peter also travels a lot for work, resulting in ample<br />
time to do serious thinking. Early in the story we meet Lynda, a streetwise,<br />
somewhat punky teen hitchhiking along the highway that Peter frequently<br />
travels. Given Peter’s somewhat staid existence outlined later on in the novel,<br />
it’s not surprising why he would be compelled to stop and pick her up. Around<br />
the two characters, activity is swirling. Police are investigating a series of<br />
murders, all of teenage girls found in ditches along the roadside. Peter believes<br />
he’s being a Good Samaritan for picking up Lynda – who knows what<br />
evil is lurking around, waiting for a victim with an outstretched thumb? Then,<br />
another body is found; belonging to a different girl that Peter had also given<br />
a ride to, and allegedly dropped off, alive and <strong>well</strong>. As the evidence stacks up against him, we want to believe<br />
Peter is innocent – just a man with a fatherly sense of duty in getting these girls out of harm’s way. There<br />
are just enough personality quirks to keep us guessing, however, as his home life starts falling apart. Then<br />
comes a bizarre twist in the form of a costume Peter unearths from a dusty trunk in his basement. From it<br />
he pulls a black cape, top hat, and a decorative sword cane belonging to an ancestor rumoured to have been<br />
a serial killer during the Victorian era. There is a serious cliff-hanger at the end of the story – so much so<br />
that it may mystify or downright annoy many <strong>read</strong>ers – leading them to wonder if, in fact, Peter himself is<br />
the victim of a cursed bloodline.<br />
~ Amie Ronald-Morgan<br />
FAR AND AWAY, A PRIZE EVERY TIME • BY NEIL PEART<br />
ECW PRESS, 2011 • 296 PAGES<br />
This author of this particular volume is internationally acclaimed musician<br />
Neil Peart, lyricist and drummer for the Canadian band Rush. Some years ago,<br />
Peart began blogging his experiences as he lived and traveled; what started out<br />
as an experiment gradually became an enjoyable hobby and grew into this<br />
book. Combined with breathtaking photos taken by the author and friends,<br />
Peart’s stories follow him around the world on his motorcycle. Riding solo or<br />
with companions, through cities, rural areas, and sometimes in the middle of<br />
nowhere, Peart has encountered some interesting people and places. Through<br />
all kinds of weather and over all sorts of terrain, he’s had near-death experiences,<br />
mechanical trouble, and apparently a lot of fun. With a unique ability<br />
to turn a phrase and create memorable captions and colorful prose, Peart shares four years of his life with the<br />
<strong>read</strong>er. His adventures from the road as he travels on vacation and between concert locations, personal stories<br />
of love and family, humour and a zest for life come together to create a special collection. Although not just for<br />
Rush fans, those familiar with the band will certainly catch more of the nuances. The photos are a wonderful<br />
addition - landscapes, animals, architecture, concerts, motorcycle cam, and self-portraits - these truly make<br />
the stories live. “A prize every time” is a phrase taken from Peart’s childhood; one which the author has invested<br />
with a deeper meaning. He looks at life and each experience as a gift, and this written offering is his gift, or<br />
prize, for the <strong>read</strong>er.<br />
~ Merry Hakin<br />
THE MALADJUSTED • BY DEREK HAYES<br />
THISTLEDOWN PRESS, 2011 • 203 PAGES<br />
The Maladjusted is an enjoyable and unpredictable collection of short stories by Londonborn<br />
author Derek Hayes. His characters range from relatively normal to complete misfi ts,<br />
and he writes with compassion about issues of mental health, anxiety and depression.<br />
As the title suggests, his protagonists have diffi culty adapting to their circumstances, but<br />
Hayes’ empathetic writing style makes them easy for <strong>read</strong>ers to identify with, especially<br />
since the stories take place in very normal settings. A woman who thinks herself unattractive<br />
obsessing over a new waiter at her favorite restaurant; a college student worried<br />
about fi tting in at university; and even a teacher frustrated by the lack of interest and effort<br />
from students in a history class – something with which Hayes, a high school teacher,<br />
is undoubtedly familiar. Hayes is never shy in his descriptions, and doesn’t disguise the<br />
faults, vulnerabilities or unpopular thoughts of his characters. This makes them seem<br />
both more realistic and understandable. Although Hayes has been writing professionally for nearly a decade, this is his<br />
fi rst Canadian publication. Great care has been taken to make each story excellent and engaging. Hayes puts the <strong>read</strong>er<br />
directly into the shoes of often deeply fl awed characters, and they will fi nd themselves at times disappointed, saddened,<br />
overjoyed, or even proud.<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
19<br />
MYSTERY<br />
PHOTO/MEMOIR<br />
SHORT STORY<br />
BOOK�REVIEWS<br />
~ Adam Shirley
THE POWER OF ONE: TEMPTING<br />
PROVIDENCE AT THE GRAND<br />
LONDON, ON<br />
She was known as the ‘Florence Nightingale of the North,’ and her story is<br />
one that all Canadians should hear.<br />
At long last, local audiences have the chance to take in one of the past<br />
decade’s most buzzed about plays. Opening on the Grand Theatre main stage is<br />
Tempting Providence, an intimate and powerful portrait of Myra Bennett and<br />
how she helped transform Canada’s east coast.<br />
In 2000, Theatre Newfoundland Labrador commissioned Robert Chafe to research<br />
and write a play based on the true story of Bennett, a nurse who came<br />
to Canada after the Great War. She arrived in Newfoundland from her native<br />
England in 1921 after learning about the desperate need for trained health care<br />
providers in rural areas.<br />
“Myra arrived at this very small community of Daniel’s Harbour, which is basically<br />
the middle of nowhere, with no running water and no electricity, and becomes<br />
the only medical help for 600 miles of coastline,” explained Willow Kean,<br />
who has multiple roles in the play.<br />
“She did it all. She walked through winter storms to pull teeth and deliver<br />
babies, taking care of all sorts of medical emergencies and needs. She established<br />
herself in the community and then became a part of it by marrying into it,” Kean<br />
added. It was a community she would be part of as the area’s only nurse for over<br />
50 years. Bennett was 100 years old when she died in 1990.<br />
Kean is the newest addition to the cast, coming on board in April of 2011. The<br />
Labrador native was a fi xture of Theatre Newfoundland Labrador’s Gros Morne<br />
Theatre Festival when she was tapped to join the long-time cast of Tempting<br />
Providence. One of Kean’s best friends, Deidre Gillard-Rowlings, who plays Nurse<br />
Myra, has been with the production since its inception; the two other cast members,<br />
Darryl Hopkins and Robert Wyatt Thorne, have had their roles for ten years.<br />
At fi rst Kean was intimidated to join such a <strong>well</strong>-established cast, all of whom<br />
are close friends who have travelled the world with the production.<br />
“It was terrifying actually because the three other cast members are dear<br />
friends of mine, we’ve all known each other for 15 years. The two women who<br />
played my part previous to me are both dear friends as <strong>well</strong>. The Canadian the-<br />
at the<br />
aNight<br />
Opera<br />
SATURDAY MARCH 31 2012<br />
8 pm Wesley-Knox United Church<br />
91 Askin Street, London<br />
Adults $20 / Seniors $17 in advance ($22 / $19 at the door)<br />
Students $10 / Children 6 - 12, accompanied by an adult, free<br />
Tickets from Tuckey Home Hardware, Chapters, Long & McQuade (formerly Belle Air)<br />
Information: 519.455.8895 or www.kssingers.com<br />
Tickets may be purchased online at www.kssingers.com<br />
20<br />
atre scene is fairly tight-knit, and in Newfoundland it’s especially tight-knit, so I<br />
had two very big pairs of shoes to fi ll,” she said.<br />
Furthermore, the show’s quick pace and exacting choreography meant that<br />
there was no room for script <strong>read</strong>ing during the rehearsal process.<br />
“I had to be off book from day one and these are three of my good friends,<br />
three of my peers who have been doing the show for ten years – I didn’t want to<br />
let them down. But they were all so incredibly supportive and a huge help, and<br />
our director Jillian Keiley is great. Everybody was very patient with me and after a<br />
couple of weeks I felt that the part was really my own,” she added.<br />
Kean plays over a dozen characters aged seven to 87, a feat in itself. “I’m pretty<br />
busy onstage but it’s the best challenge you could possibly have. It’s a great showcase<br />
as what you can do as a performer,” she said. Robert Wyatt Thorne, who<br />
also plays multiple roles, was especially helpful in acquainting Kean with the<br />
set’s few props.<br />
“Everything is done with a table, four chairs and a sheet. The sheet becomes<br />
everything from a baby to a tablecloth to a boat. The play is very specifi c; the<br />
sheet has to be tied a certain way, or the chair has to be placed just so. It’s really<br />
very elegant and a treat to watch,” Kean said.<br />
The cast will mark the 500th performance of the play during the London run,<br />
and Kean hopes people will come out and connect with what is essentially a<br />
universal story.<br />
“It is a story about Newfoundland, but it’s also the story of the struggle against<br />
illness, against the weather, and it’s about a community coming together. People<br />
everywhere get that. I hope the audience walks away with a sense of pride in<br />
Canadian history and knowing this woman, who really should be more familiar<br />
�arts<br />
NURSE MYRA BENNETT (PICTURED) IS THE SUBJECT OF TEMPTING<br />
PROVIDENCE, ON STAGE NOW AT THE GRAND THEATRE<br />
than she is. It’s a story we are all really excited to be a part of,” Kean said.<br />
“Newfoundlanders have been so proud of it – of the story and the way it’s told<br />
– and we’ve gotten great responses from it. We’re so pleased to fi nally bring it<br />
to London.”<br />
~ Amie Ronald-Morgan<br />
LONDON’S�INDIE�ART<br />
KAREN SCHUESSLER SINGERS BRING THE PASSION OF THE OPERA TO WESLEY-KNOX ON MAR. 31<br />
A night at the opera with the<br />
Karen Schuessler Singers<br />
For their upcoming concert at Wesley-Knox United Church, the<br />
Karen Schuessler Singers will take on a genre they haven’t explored<br />
up until this point – opera. “We’re doing the famous choruses from<br />
<strong>well</strong>-known operas, and they are famous for a reason,” choir director<br />
Karen Schuessler explained. “The choruses come in at the peak<br />
of the action; composers bring the chorus in when things are exciting.<br />
The music is fantastic and the melodies – we’ve all heard them<br />
many times. We’re singing at least half of them in English, so everyone<br />
can be pulled into the drama. There will be short introductions<br />
before each piece so people have a feel for what the chorus is all<br />
about and where it is in the story. People will be grabbed not only<br />
musically, but also dramatically,” she added. The evening’s guest<br />
soloists are opera vocalists Rachel Weisdorf, soprano, and Sebastian<br />
Haboczki, tenor. Weisdorf will be singing Un bel di by Puccini from<br />
Madama Butterfl y and Caro Nome by Verdi from Rigoletto, while<br />
Haboczki will showcase his talents in Una furtiva lagrima from<br />
Donizetti’s L’elisir d’amore, and Lonely House from Street <strong>Scene</strong> by<br />
Kurt Weill. They will join the choir along with pianist Mark Payne<br />
and two percussionists for Verdi’s Anvil Chorus (Il trovatore), Verdi’s<br />
Va pensiero (Nabucco), Triumphal <strong>Scene</strong> (Aida) and Bizet’s March<br />
of the To<strong>read</strong>ors (Carmen). “Between all of these fabulous choruses<br />
and our guests, with accompaniment by Mark – who’s phenomenal<br />
– the audience is in for just a really, really fun night at the opera,”<br />
Schuessler said. The concert takes place March 31, 8pm. Check the<br />
Arts Listings for ticket details.<br />
~ Amie Ronald-Morgan<br />
NOTE: CALLING ALL ARTISTS! DO YOU HAVE A NEW RECORDING,<br />
AN UPCOMING SHOW OR NEWSWORTHY STORY? TELL SCENE<br />
READERS ABOUT IT! CONTACT US AT ARTS@SCENEMAGAZINE.COM<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012<br />
?
arts�<br />
VISUAL ARTS<br />
AEOLIAN HALL (795 Dundas St) – The Aeolian<br />
Winter Art Show & Sale featuring Jackie<br />
Bourns, Wendy Cakarnis, Helen Bezeau Kajan,<br />
Alice Martin, Monica Meunier, Beverley<br />
Payne, Persis Willis, Jacqueline Wojtowich.<br />
Until Apr 15. 519-672-7950.<br />
THE ART EXCHANGE (247 Wortley Rd) –<br />
Tim Cosens: Arboretum, until Mar 24. Ted<br />
Gooden: Mar 27 – Apr 14. Reception Mar 31,<br />
7:30pm. 519-434-0000.<br />
ARTLAB (John Labatt Visual Arts Centre,<br />
Room 128, UWO) – Mainstreaming #pomo:<br />
Until Mar 22. 519-661-2111 x 85855.<br />
THE ARTS PROJECT (203 Dundas St) –<br />
Marked Up: The Annual 2nd Year Fanshawe<br />
College Exhibition, until Mar 17. Ingrid Connidis:<br />
Taking Flight, Mar 20 – 31. Reception<br />
Mar 24, 2pm-4pm. 519-642-2767.<br />
FOREST CITY GALLERY (258 Richmond St)<br />
– Julian Forrest: In My Dreams I Was Almost<br />
There. Mar 16 – Apr 27. Reception Mar 16,<br />
7pm. 519-434-5875.<br />
GOOD NEWS CHRISTIAN REFORMED<br />
CHURCH (476 Clarke Rd) – Kisemanito<br />
Pakitinasuwin: The Creator’s Sacrifi ce, Mar<br />
18 – Apr 5. 519-451-3414.<br />
INGERSOLL CREATIVE ARTS CENTRE (125<br />
Centennial Lane, Ingersoll) – Sara Parsons:<br />
My Way of Seeing Things, until Mar 25. 519-<br />
485-4691.<br />
LAMBETH UNITED CHURCH (4268 Colonel<br />
Talbot Rd) – Lambeth Art Association 40th<br />
Annual Art Show and Sale: Apr 26, 7pm-<br />
10pm; Apr 27, 10am-pm; Apr 28, 10am-4pm.<br />
Free admission. 519-652-2093.<br />
LONDON ARTISTS’ STUDIO TOUR 2012 (Various<br />
locations) – A self-guided tour of the<br />
studios of London painters and artists. Meet<br />
artists in their working environments. Apr 14<br />
– 15. Maps are available at Museum London<br />
and all library branches throughout the city.<br />
Free. 519-438-4217.<br />
THE LONDON CAMERA CLUB (At Free Methodist<br />
Church, 402 Commissioners Rd W)<br />
– Camera Club meets every Thursday at<br />
7:30pm until Sept 15.<br />
MCINTOSH GALLERY (UWO Campus) – Amin<br />
Rehman: White Wash. Until Apr 14. 519-661-<br />
3181.<br />
MICHAEL GIBSON GALLERY (157 Carling St)<br />
– Stephen Hutchings: New Paintings. Mar 30<br />
– Apr 28. 519-439-0451.<br />
MUSEUM LONDON (421 Ridout St N) – Exhibitions:<br />
Gary Spearin: iNiFiNiTi, until<br />
Mar 18. Front by Front: Until Mar 18. Larry<br />
To<strong>well</strong>: Danger and Aftermath, Until Apr<br />
1. From Family to Factory: London on the<br />
Home Front, until Apr 2. Battleground: War<br />
Rugs from Afghanistan, until Apr 8. The River<br />
Thames: Until Nov 3. 519-661-0333.<br />
NOVACKS (Alleyway behind store, 211 King<br />
St) – Artfusion Fest: A 2-day graffi ti and<br />
music festival. Mar 31 – Apr 1. Free. 519-709-<br />
7686.<br />
THE ORGANIC OSCARS (Third Floor, 236<br />
Dundas St) – Paintings and Prints by Rian<br />
Torr, Saturdays until July. 519-266-4096.<br />
PALACE THEATRE (710 Dundas St) – UPwithART:<br />
Unity Project for relief of homeless-<br />
FREE<br />
ness. Showcase and silent auction of the work<br />
of over 75 Unity Project artists. Apr 5, 6:30pm.<br />
$20/Adv; $25/Door. 519-433-8809.<br />
SPENCER GALLERY (Inside D. B. Weldon Library,<br />
UWO Campus) – Artwork by Josephine<br />
De Vincenzo, until Apr 27. 519-661-2111 x<br />
83166.<br />
ST. PAUL’S CATHEDRAL (472 Richmond St)<br />
– Brush & Palette Club 40th Anniversary Art<br />
Show and Sale: Mar 29, 7pm-9pm; Mar 30,<br />
10am-9pm; Mar31, 10am-4pm. Free admission,<br />
refreshments. 519-432-3475.<br />
THIELSEN GALLERIES (1038 Adelaide St N) –<br />
Group Exhibition featuring Ed Bartram and<br />
Patrick Landsley: Until Apr 14. 519-434-7681.<br />
PERFORMING ARTS<br />
AEOLIAN HALL (795 Dundas St) – Strunz &<br />
Farah: Mar 17, 8pm. $53/Gen. Intersection:<br />
Jazz with Classical Series - Alex Ernewein &<br />
Vladimir Soloviev, Mar 18, 7:30pm. $20/Gen;<br />
$15/Sr&St. Caladh Nua: Mar 25, 7pm. $22/<br />
Adv; $25/Door. The Light of East Ensemble<br />
Presents: The Art of the Arabic Qanun, Apr<br />
22, 7:30pm. $20/Adv; $22/Door; $15/St. 519-<br />
672-7950.<br />
APK LIVE (The Third Floor, 340 Wellington<br />
Rd) – The Boneyard Man: Mar 23, 8pm. $15/<br />
Gen at door; $5 under 16. 519-601-5483.<br />
THE ARTS PROJECT (203 Dundas St) – See<br />
Productions Presents: Goodness, until Mar<br />
17, 8pm; Mar 16, 1pm & 2pm matinees. 519-<br />
642-2767.<br />
BISHOP CRONYN MEMORIAL CHURCH (442<br />
William St) – Cronyn Centre Space for the<br />
Arts: Red Maple with Veronique Mathieu and<br />
Boris Kupesic, Mar 16, 8pm. $20/Gen; $15/Sr;<br />
$10/St. 519-432-5718.<br />
BYRON UNITED CHURCH (420 Boler Rd) –<br />
Plumbing Factory Brass Band: March of the<br />
Masters. Mar 28, 7:30pm. $15/Gen; $10/St.<br />
519-471-1250/519-659-3600.<br />
CENTENNIAL HALL (550 Wellington St) –<br />
Orchestra London Red Hot Weekends Series:<br />
A Tribute to Michael Jackson, Mar 23 & 24,<br />
8pm. $37-$60/Gen; $15/St; $76/Family of 4<br />
(two members must be between age 4 – 18).<br />
519-679-8778. Fanshawe Chorus London &<br />
Gerald Fagan Singers: Faure & Saint Saens<br />
Requiem, Apr 6, 7pm. $30/Gen; $15/St. 519-<br />
433-9650. Orchestra London Masterworks<br />
Series: Joe’s 25th, Apr 14, 8pm. $41-$64/Gen;<br />
$19.15/St. 519-679-8778. Cheech & Chong –<br />
Get it Legal Tour: Apr 18, 7pm. $59.75/Gen.<br />
519-672-1967.<br />
COLBORNE STREET UNITED CHURCH (711<br />
Colborne St) – 100 Years of Fashion & Music:<br />
Show featuring vintage fashions of Marion<br />
Kernighan accompanied by pianist Angus<br />
Sinclair. Mar 31, 1:30pm & 7pm. $20/Gen.<br />
519-432-4552.<br />
CONRON HALL (University College, UWO) –<br />
Nightfall with Edgar Allan Poe, a play by Eric<br />
Coble. Mar 23 & 24, 7pm; Mar 25, 2pm. $10/<br />
Adv; $12/Door. Tickets through Infosource.<br />
EAST VILLAGE COFFEEHOUSE (785 Dundas<br />
St) – The Ukellettes: Friday evenings from<br />
7pm-9pm. Free. 519-266-7584.<br />
THE GRAD CLUB (Middlesex College, lower<br />
level, UWO) – Thursdays Live with Chris Norley<br />
(rock/pop/blues/jazz/folk vocals and guitar):<br />
Mar 15, 9pm – 12am. Free. 519-661-2111.<br />
LISTINGS IN SCENE ARE FREE ~ Email: arts@scenemagazine.com.<br />
Please Include: Venue Name, Address, Event Title, Date, Time, Brief Description,<br />
Admission Fee and Phone Number.<br />
Deadline for March 29, 2012 edition~March 23, 2012<br />
FREEALL<br />
~ Amie Ronald-Morgan/Chris Morgan<br />
THE�LISTINGS<br />
GRAND THEATRE (471 Richmond St) –<br />
Tempting Providence: Until Mar 31. $26-$62.<br />
519-672-8800/1-800-265-1593.<br />
JOHN LABATT CENTRE (99 Dundas St) –<br />
Video Games Live: A videogame multimedia<br />
experience with Orchestra London, Mar 21,<br />
8pm. $71.75, $56.75, $36.75, $26.75. 1-866-<br />
455-2849.<br />
JOSEPHINE SPENCER NIBLETT LAW BUILD-<br />
ING (1151 Richmond Street, UWO Campus)<br />
– Where We’ve Been: Western International<br />
Law Student Photography Exhibition. Until<br />
Mar 31.<br />
KNOLLWOOD PARK P. S. (70 Gammage St)<br />
– Annie Jr. Apr 3, 1pm-7pm. Apr 4, 7pm. $7/<br />
Gen; $5 each for orders of 4 or more (advance<br />
sales only). 519-452-8290.<br />
LONDON DISTRICT CHRISTIAN SECONDARY<br />
SCHOOL (25 Braesyde Ave) – A Midsummer<br />
Night’s Dream: Apr 12 – 14, 7:30pm. $12/<br />
Gen. 519-455-4360.<br />
LONDON JEWISH COMMUNITY CENTRE (536<br />
Huron St) – Yuk Yuk’s Stand Up Comedy: An<br />
evening of Fun & Fundraising in support of<br />
the London Community Hebrew Day School.<br />
Featuring Dylan Mandlsohn, Jen Grant &<br />
Lawrence Morgenstern. Plus food, door<br />
prizes, silent auction. Mar 31, 9pm. $36/Gen.<br />
519-439-8419.<br />
MCMANUS THEATRE (471 Richmond St - inside<br />
the Grand Theatre) – Miss Caledonia:<br />
Mar 21 – 24. Spelling 2-5-5: Mar 29 – 31.<br />
$22.60/Gen; $16.95/17 and under. 519-672-<br />
8800, 1-800-265-1593.<br />
METROPOLITAN UNITED CHURCH (468 Wellington<br />
St) – A Service of Lessons and Carols<br />
for Passiontide: Mar 18, 3pm. Freewill offering.<br />
519-432-7189 x 27.<br />
NOVACKS (Alleyway behind store, 211 King St)<br />
– Artfusion Fest: A 2-day graffi ti and music<br />
festival. Mar 31 – Apr 1. Free. 519-709-7686.<br />
PALACE THEATRE (710 Dundas St) – Musical<br />
Theatre Productions - The Drowsy Chaperone:<br />
Mar 23 – 31. $25/Gen. 519-432-1029.<br />
London Community Players - Enchanted<br />
April: May 11 – 19. $22/Gen; $18/Sr; $16/St;<br />
$5/Elementary & High school students. 519-<br />
432-1029.<br />
ST. PAUL’S CATHEDRAL (472 Richmond<br />
St) – Orchestra London Cathedral Series: A<br />
la Francaise, Mar 28, 8pm. $49-$51/Gen;<br />
$19.15/St. 519-679-8778. Noon Hour Organ<br />
Recital Series: Every Tuesday at 12pm. Mar<br />
20: Jeremy Tarrant. Mar 27: Daniel Norman.<br />
Apr 3: Andrew Keegan Mackriell. Apr 10: Joel<br />
Vander Zee. All free. 519-432-3475 x 225.<br />
UNITARIAN FELLOWSHIP OF LONDON (557<br />
Clarke Rd) – Find Your Voice! Ladies a cap-<br />
Promote your unique building<br />
with a custom rendering!<br />
Great on stationary, business<br />
cards and in advertisement.<br />
pella singing, harmony style, and audition<br />
for voice placement weekly practises. Free.<br />
Mondays, 7pm – 10pm. 519-455-8653/519-<br />
660-4695.<br />
UNITY OF LONDON (4026 Meadowbrook Dr,<br />
unit 137) – Open Mic Night for Peace: Show<br />
off your vocal stylings, poetry skills, or whatever<br />
you’d like to share. Mar 21, 7pm. Donations<br />
of $5 accepted. 519-652-9294.<br />
WESLEY-KNOX UNITED CHURCH (91 Askin<br />
St) – A Night at the Opera: a concert by Karen<br />
Schuessler Singers. Mar 31, 8pm. Adv: $20/<br />
Gen; $17/Sr. Door: $22/Gen; $19/Sr. 519-432-<br />
7683/519-439-0101.<br />
WINDERMERE CAFE (200 Collip Circle) –<br />
Live classical guitar by Kevin Love during<br />
brunch, Sundays, 11am-2pm. 519-858-1414<br />
x 430.<br />
WOLF PERFORMANCE HALL (Central Library,<br />
251 Dundas St) – The Jeffery Concerts presents<br />
The Cecilia Quartet: Mar 24, 8pm. $30/<br />
Gen; $25/Sr; $15/St. 519-672-8800.<br />
LITERARY<br />
GIBRALTAR WEEKEND MARKET (1712 Dundas<br />
St) – London Rogues Sci-fi /Fantasy 6:<br />
Twelve sci-fi and fantasy groups attending<br />
from London and abroad, including Pam<br />
Rose, Thomas A. Knight; A.Jaye and Alison<br />
Williams, and John Bulmer. May 12 & 13,<br />
9am-5pm. $5/Door; Kids 12 & under free.<br />
FANSHAWE COLLEGE (1001 Fanshawe College<br />
Blvd, Lecture Theatre Rm. D106) – Author<br />
Terry Griggs: <strong>read</strong>ing, book sale, and<br />
signing Mar 15, 2pm. Free. 519-452-4442.<br />
UNIVERSITY OF WESTERN ONTARIO DPT.<br />
ENGLISH (University College) – Meet with<br />
UWO Writer-in-Residence Sheila Heti to discuss<br />
writing projects. Tuesdays until March<br />
27, by appointment only. No charge. Call 519-<br />
661-3403.<br />
MUSEUMS<br />
BANTING HOUSE NATIONAL HISTORIC SITE<br />
OF CANADA (442 Adelaide St N) – Explore the<br />
Birthplace of Insulin and learn about the discovery<br />
that saved millions of lives. Regular<br />
admission: $5/Gen; $4/St&Sr; $12/Family.<br />
519-673-1752.<br />
CANADIAN MEDICAL HALL OF FAME (267<br />
Dundas St, Suite 202) – The only national<br />
organization dedicated to celebrating the accomplishments<br />
of Canada’s medical heroes.<br />
Admission by donation. 519-488-2003.<br />
ELDON HOUSE (481 Ridout St N) – London’s<br />
oldest residence is a provincial historic site<br />
preserved from the 1820s. Surviving infectious<br />
disease in 19th century London: a talk<br />
by Tara Jenkins, Mar 18, 2pm. Admission by<br />
Custom<br />
Pencil<br />
Portraits<br />
By Nick White<br />
Turn your cherished photograph<br />
into a<br />
ONE-OF-A-KIND<br />
piece of artwork<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
21<br />
donation. Sunday afternoon guided tour –<br />
Mar 25 at 1pm, 2pm & 3pm. Admission by<br />
donation. Regular admission: $6/Gen; $5/<br />
St&Sr; $1/Under 13; $11/Family. 519-661-<br />
0333.<br />
FIRST HUSSARS MUSEUM (1 Dundas St) –<br />
Displaying the history of London’s oldest regiment.<br />
See artifacts from First Hussars participation<br />
in 20th century confl icts, including<br />
the D-Day Invasion during World War Two.<br />
Admission by appointment. Free admission;<br />
donations greatly appreciated. 519-455-4533.<br />
LABATT BREWERY (150 Simcoe St) – Brewery<br />
Tours. Mon - Fri at fl exible start times.<br />
Tours must be pre-booked. $5/Gen. 519-850-<br />
8687.<br />
LONDON REGIONAL CHILDREN’S MUSEUM<br />
(21 Wharncliffe Rd S) – A playful learning<br />
environment that engages children through<br />
hands-on exhibits and interactive experiences.<br />
Grickle Grass Festival: A fully licensed<br />
concert fi lls every fl oor of the museum with<br />
music and nostalgia for adults who remember<br />
what it was like to be a child: May 26, 8pm<br />
– 1am. $15/Adv; $20/Door. Regular admission:<br />
$6/Gen; members and kids under 2 admitted<br />
free. Free admission Friday evenings<br />
from 5-8pm. 519-434-5726.<br />
MUSEUM OF ONTARIO ARCHAEOLOGY (1600<br />
Attawandaron Rd) – Devoted to the study, display,<br />
and interpretation of the human occupation<br />
of Southwestern Ontario over the past<br />
11,000 years. Exhibition - The Inuit: Their<br />
Land, Their Lives, Their Art. Until May. Regular<br />
admission: $5/Gen; $4/St&Sr; $3/5-12yrs;<br />
$12/Family. 519-473-1360.<br />
SECRETS OF RADAR MUSEUM (930 Western<br />
Counties Rd) – Preserves the history, stories<br />
and experiences of the men and women who<br />
helped develop military radar in Canada and<br />
abroad. Regular hours: Thurs-Sat 10am-<br />
4pm. Admission by donation. 519-691-5922.<br />
THE ROYAL CANADIAN REGIMENT MUSEUM<br />
(701 Oxford St E) – Celebrates the achievements<br />
of Canada’s oldest regular infantry.<br />
$5/Gen, $4/Stud, $3/Child. Free admission<br />
for veterans, regimental family members and<br />
preschool children. 519-660-5102.<br />
MISCELLANEOUS<br />
AEOLIAN HALL (795 Dundas St) – London<br />
Opera Guild Annual Meeting: Guest speaker<br />
Iain Scott will give a talk on G.F. Handel’s<br />
opera Semele. Mar 18, 2pm. Free. 519-433-<br />
8701.<br />
MIDDLESEX COUNTY COURTHOUSE (399<br />
Ridout St N) – London Middlesex Historical<br />
Society presents a talk by Dan Brock<br />
on The Lawrasons of London: A Tale of Two<br />
Families. Mar 21, 8pm. Free.<br />
� Memoriums � Pets � Christenings � Graduations � Engagements � Weddings � Anniversaries<br />
�������� ������������������������������� �� �������� � �����������������
The Spinster Cycle<br />
I’m a 32-year-old woman with a Ph.D.<br />
I’m beyond happy with my career path,<br />
but I’m not meeting men I’m impressed<br />
with or inspired to see again. A girlfriend<br />
sent me a New York Times op-ed<br />
by a historian named Stephanie Coontz,<br />
who said that highly educated women<br />
can fi nd a man if they drop “the cultural<br />
ideal of hypergamy -- that women<br />
must marry up.” Coontz advises women<br />
to “reject the idea that the ideal man<br />
is taller, richer, more knowledgeable,<br />
more renowned or more powerful.” She<br />
claims a woman’s marital happiness<br />
is predicted not by how much she looks<br />
up to her husband, “but how sensitive<br />
he is to her emotional cues and how<br />
willing he is to share the housework<br />
and child-care. And those traits are often<br />
easier to fi nd in a low-key guy than<br />
a powerhouse.” She then adds, “I’m not<br />
arguing that women ought to ‘settle.’”<br />
Really? Sounds that way to me.<br />
--Dismayed<br />
Yes, you can have it all -- a high-powered<br />
education, a high-powered career, and the<br />
perfect high-powered man to go with. Of<br />
course, it helps if you’re willing to relax<br />
your standards a little, like by widening<br />
your pool of acceptable male partners to<br />
include the recently deceased.<br />
I respect Stephanie Coontz as a historian,<br />
but as a forecaster of economic and romantic<br />
possibilities for women, I have to<br />
give her a thumbs-down. Coontz claims<br />
that “for a woman seeking a satisfying relationship<br />
as <strong>well</strong> as a secure economic future,<br />
there has never been a better time to<br />
be or become highly educated.” Actually,<br />
as doctorate holders “Occupying” sleeping<br />
bags outside city halls will tell you, that<br />
depends on what you’re becoming highly<br />
educated in. Ph.D. in fi nancial engineering?<br />
Hedge fund, here you come. Ph.D. in<br />
Tibetan gender studies? You’ll be lucky to<br />
be teaching the merits of pulverized lavender<br />
in the body oils section of the food<br />
co-op.<br />
Coontz is wrong again in deeming hypergamy<br />
-- women’s preference for men of<br />
? GOT<br />
A PROBLEM? WRITE AMY ALKON, 171 PIER AVE, #280, SANTA MONICA, CA<br />
90405, OR E-MAIL ADVICEAMY@AOL.COM (WWW.ADVICEGODDESS.COM)<br />
22<br />
a higher socio-economic status -- a cultural<br />
construct. The preference for the alpha<br />
male is biological, an evolutionary adaptation<br />
that exists in women across cultures<br />
-- and species. (Do we really think the<br />
lady peacock wants the alpha male peacock<br />
because she’s been watching way too<br />
much “Desperate Housewives”?)<br />
Some feminist academics claim that<br />
women only want big bucks/high status<br />
men because they lack those things themselves.<br />
But, a number of studies by evolutionary<br />
psychologists have found that<br />
women with big bucks and big jobs want<br />
men with bigger bucks and bigger jobs.<br />
Even women who are feminists. Dr. Bruce<br />
J. Ellis writes in “The Adapted Mind” that<br />
when 15 feminist leaders described their<br />
ideal man, they repeatedly used words<br />
like “very rich,” “brilliant,” and “genius”<br />
(and they didn’t mean “genius with a baby<br />
wipe!”).<br />
So, if you’ve become the man you<br />
would’ve married in the ‘50s, don’t be surprised<br />
if your mating pool starts to seem<br />
about the size of the one that comes with<br />
Barbie’s Dream House. Biology is neither<br />
fair nor kind. What those pushing feelgood<br />
sociology don’t want to believe or<br />
tell you is that you increase your options<br />
by being hot -- or hotting yourself up the<br />
best you can. Obviously, looks aren’t (SET<br />
ITAL) all (END ITAL) that matter, but while<br />
your female genes are urging you to blow<br />
past the hot pool boy to get to the moderately<br />
attractive captain of industry, men<br />
evolved to prioritize looks in women, so<br />
powerful men will date powerfully beautiful<br />
waitresses and baristas. As evolutionary<br />
psychologist Dr. David Buss writes,<br />
“Women’s physical attractiveness is the<br />
best known predictor of the occupational<br />
status of the man she marries and the best<br />
known predictor of hypergamy.”<br />
There isn’t a person on the planet who<br />
doesn’t have to settle. (Maybe Brad Pitt<br />
farts in bed.) Want kids? You’re more likely<br />
to fi nd yourself a husband to have them<br />
with if you do as Coontz suggests -- go for<br />
a man who’s shorter, poorer, and not that<br />
intellectually exciting but who’s emotionally<br />
present and willing to be appointed<br />
vice president of diaper rash. Problem<br />
solved -- if you can keep from seething<br />
with contempt for his lack of ambition and<br />
intellect. A lack of respect for one’s spouse<br />
is defi nitely not the ground happy marriages<br />
are built on. That’s why settling is<br />
most wisely discussed not as some blanket<br />
policy for women, but in terms of what<br />
an individual woman wants and what<br />
she’s willing and able to give up to get<br />
it. Realistically assessing that for yourself<br />
is how you fi nd your happiest medium --<br />
between possibly being in a panic to fi nd<br />
ADVICE�GODDESS<br />
a sperm donor at 42 and trying to make<br />
it work now with some guy who watches<br />
the soaps after dusting a few surfaces and<br />
drinking a few too many glasses of blush<br />
wine.<br />
Lard Of The Dance<br />
When I got married, I was a slim 6’2”,<br />
but I’ve gained a lot of weight. My wife<br />
gained about 20 pounds but recently<br />
lost that and more. I’ve been as high<br />
as 265, but I’m now at 238 and losing<br />
about a pound a week, which isn’t<br />
fast enough for my wife. When I contemplate<br />
going on a stricter diet, what<br />
comes to mind is feeling angry, tired,<br />
and hungry at my high-stress job. My<br />
wife said that I obviously love food<br />
more than her, and that if I won’t lose<br />
weight for her, maybe I’ll do it for our<br />
boys. She considers me self-centered<br />
and narcissistic because I’m not losing<br />
enough weight, and I consider her selfcentered<br />
and narcissistic for framing<br />
every argument in terms of what she<br />
wants and isn’t getting. What do you<br />
think? Does being overweight mean<br />
you don’t love your signifi cant other?<br />
--Fatso<br />
Some women just can’t appreciate their<br />
husband’s collections: comic books, shot<br />
glasses, broken-down cars, chins.<br />
There’s your wife, wagging a carrot stick<br />
at you, telling you that if you loved her<br />
you’d be surviving on iceberg lettuce<br />
sandwiches or going on the Drink Your<br />
Own Urine Diet -- whatever it takes to<br />
drop fl ab fast. Probably because weight<br />
loss seems easier for her, she assumes<br />
you’re lazy and self-indulgent. She’s now<br />
trying to guilt-ivate you into losing weight<br />
(“Picture your children fatherless…Doritobreath”),<br />
which is more helpful than voicing<br />
the other thing she’s probably thinking:<br />
“I don’t want to have sex with you; I<br />
want to harpoon you.”<br />
Chances are, the problem isn’t that your<br />
diet isn’t “strict enough” -- as in, you<br />
should be sniffi ng celery sticks instead of<br />
eating them -- but that you’ve been following<br />
the obesity-causing dietary “science”<br />
promoted by the government and much<br />
of the medical establishment. The “weight<br />
loss” diet they advise -- high-carb, low-fat<br />
-- is actually a weight-gain diet. Also, as Dr.<br />
Mary Dan Eades, co-author of “The Protein<br />
Power Lifeplan,” writes, “Study after study<br />
has shown the low fat diet to be a failure<br />
in treating obesity, in solving diabetes, in<br />
reducing blood pressure or in decreasing<br />
heart disease risk.”<br />
Investigative science journalist Gary<br />
Taubes spent more than a decade digging<br />
through the body of research on<br />
diet. As he writes in “Why We Get Fat,” the<br />
evidence shows that it is carbohydrates --<br />
from sugar, fl our, easily digested starchy<br />
�life<br />
vegetables like potatoes, and juice and<br />
beer -- that cause the insulin secretion that<br />
puts on fat. So, if you want to drop pounds<br />
-- and not just one a week but like they’re<br />
stones falling off a truck -- eat low-carb/<br />
high-fat foods like cheeseburgers. Even<br />
bacon cheeseburgers. (Just see that you<br />
feed the bun to the pigeons.)<br />
Unfortunately, it seems your love handles<br />
have become resentment handles. Some of<br />
the ill will between you may melt away<br />
as you lose the gut that Ding Dongs and<br />
Mountain Dew built, but it points to a bad<br />
pattern. You don’t win marital arguments<br />
by clinging to how right you are and how<br />
wrong your spouse is; you win by working<br />
together to make things as right as<br />
you can for both of you (“us fi rst” instead<br />
of “me fi rst”). Some problems aren’t solvable,<br />
but you’ll be more able to shrug off<br />
an impasse if you’re consistently putting<br />
yourselves in each other’s place. That’s the<br />
spirit that keeps you from striking out in<br />
revenge -- for example, by insisting you’re<br />
on the Zone diet (but not mentioning that<br />
it’s the zone from the outermost wall of<br />
Dunkin’ Donuts to the outermost wall of<br />
Cinnabon).<br />
Memory Bank Fraud<br />
I’m trying to start a relationship with<br />
a woman, but I can’t stop thinking<br />
about my last girlfriend. I want a family<br />
(eventually), so I couldn’t marry her.<br />
She al<strong>read</strong>y has two children, which is<br />
a dealbreaker for me, and has other<br />
baggage: debt and baby daddy drama.<br />
But, we developed a deep love, and I’m<br />
having a hard time getting over her.<br />
--Stuck<br />
It was the best of times, it was the best<br />
of times. And it’s called selective remembering.<br />
Your mental projector keeps playing<br />
this loop of your ex trying on lingerie.<br />
There are never any misty shots of the repo<br />
man or your ex emerging from the mist to<br />
chase the baby daddy with a big cleaver.<br />
And where are the little mind movies of<br />
her children? Or as you call them, “dealbreakers,”<br />
not “dealbenders.” Keeping this<br />
woman as your fantasy girlfriend will be<br />
a wedge between you and any woman<br />
you’re with in real life. To move on, harness<br />
the power of negative thinking. Sure,<br />
go ahead and indulge. Take that walk<br />
down memory lane with your ex. Just be<br />
sure you ask the cameraman to pull out<br />
to reveal the stroller you’re pushing with<br />
some other guy’s screaming kids in it.<br />
© 2012, Amy Alkon, all rights reserved.<br />
Read Amy Alkon’s book: “I SEE RUDE<br />
PEOPLE: One woman’s battle to beat<br />
some manners into impolite society”<br />
(McGraw-Hill, $16.95).<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012
life� Thank you for nominating<br />
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Produced in partnership with<br />
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MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
23
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LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012
life� movies�<br />
THE ACCIDENTAL<br />
ASTROLOGER<br />
SUN SIGNS FOR MAR 15 APR 11<br />
Aries (March 21 – April 19) Like the butterfl y emerging from<br />
its cocoon, you engage the world with a vitality<br />
that assures success in whatever venture is undertaken.<br />
Your colourful personality will be a powerful<br />
asset over coming weeks when used to advance<br />
career or creative ambitions. As the day of your birth nears, let<br />
the light, smells and sounds of spring be your celebration.<br />
Taurus (April 20 – May 20) Something big is stirring in your<br />
unconscious, like you’ve been fi shing on top of a<br />
whale. It doesn’t have any discernable form yet, but<br />
patterns are beginning to emerge, and pretty soon<br />
you can expect some life-changing events to occur.<br />
Although these events could be characterized as positive, they<br />
will be largely what you make of them.<br />
Gemini (May 21 – June 20) It’s a good time to make a public<br />
appearance since your career or reputation could use<br />
a boost. Friends and associates are standing-by to offer<br />
support and your affable charisma adds a delightful<br />
dimension to any social occasion. But you are far from<br />
an accessory, as anyone willing to hear your opinion<br />
will soon discover.<br />
Cancer (June 21 – July 22) New routines can enrich your<br />
daily life in unimaginable ways. Because desired<br />
changes will occur incrementally, the initial decision<br />
taken to improve your lot represents the most<br />
signifi cant step towards your goal. After all, the application<br />
of consistent effort yields nothing unless your energy is<br />
focused constructively.<br />
Leo (July 23 – August 22) Many of you would prefer to spend<br />
money without a net, or any kind of budgetary concerns.<br />
Even if cash isn’t on hand, credit will do –<br />
often to the detriment of your long-term fi nancial<br />
status. Keep this in mind the next time you consider<br />
buying beyond your means, and concentrate more<br />
on cultivating inner riches.<br />
Virgo (August 23 – September 22) There’s a time for leisure<br />
and there’s a time to get the job done, and a wise<br />
person knows the difference between the two. You<br />
may be reluctant to knuckle-down and complete<br />
whatever task is at hand, but you’ll feel better once<br />
it’s over - so much so that you’ll probably start<br />
something new.<br />
?<br />
Libra (September 23 – October 22) You’re like a spark to<br />
a fl ame, Libra! You may set the workplace<br />
on fi re with some radical new idea of organizational<br />
culture or you could fan the fl ame of a hot relationship<br />
to see what happens. Whatever you do, it’s important<br />
to express this dynamic energy. If you block it off, you’ll only<br />
be hurting yourself.<br />
Scorpio (October 23 – November 21) Your job is the perfect<br />
place to express your desire for organization<br />
and control. While it’s true that most successful<br />
people work harder than anybody else, it could<br />
also be said that they work smarter than anybody<br />
else. Taking a cue from such individuals could be one of the<br />
best professional decisions you’ve made in a long time.<br />
Sagittarius (November 22 – December 21) The dying days<br />
of winter may fi nd you spending a lot of time at<br />
home, waiting out the elements. However, more<br />
adventurous centaurs may be catching some air<br />
on the slopes with their snowboards or skiing in<br />
climes of rare natural beauty. Wherever you are, you feel centred<br />
and positive, as if all is right with the world.<br />
Capricorn (December 22 – January 19) Even though your<br />
current position may seem a little tenuous, your<br />
cool head and shrewd ability to size-up a position<br />
will win the day. If the worst thing you do is worry<br />
(and we both know you do!), make yourself a<br />
promise to be happy when everything works out for the best.<br />
Aquarius (January 20 – February 18) Whatever it is that<br />
you want, you’re <strong>read</strong>y to go get it. The<br />
energy is certainly available to you, as is<br />
the motivation to act. You are your own<br />
greatest enemy now. Avoid the temptation to procrastinate and<br />
delay initiatives you were meant to undertake. Like an old pop<br />
song once intoned, “All we’ve got is this moment...”<br />
Pisces (February 19 – March 19) 2012 may go down as<br />
a real banner year for you, Pisces. Numerous opportunities<br />
present themselves, allowing you to<br />
realize some of your most cherished ambitions<br />
and dreams. To boot, few prohibitions exist. Just be<br />
careful not to get carried away with the power of<br />
your imagination.<br />
~Chris Morgan<br />
DO YOU HAVE A QUESTION OR COMMENT FOR THE ACCIDENTAL ASTROLOGER? IF<br />
SO, FEEL FREE TO EMAIL HOUSEOFCORNWALL@GMAIL.COM. IF THE QUESTION IS<br />
OF AN ASTROLOGICAL NATURE, PLEASE INCLUDE YOUR DATE, PLACE AND TIME OF<br />
BIRTH TO ENSURE ACCURATE AND TIMELY RESPONSES.<br />
THE SUN CONTINUES ITS TRANSIT<br />
THROUGH PISCES UNTIL MARCH 19<br />
THE SUN BEGINS ITS SOJOURN THROUGH<br />
ARIES ON MARCH 20<br />
DVD�REVIEWS<br />
BILL MOYERS:<br />
AMAZING GRACE<br />
Transcending race, creed, geography, generation, and social station,<br />
“Amazing Grace” has been recorded more times than any other hymn and<br />
is widely credited with transforming lives. Written by John Newton, an English<br />
clergyman and former slave-ship captain, the poem was published in<br />
1779 and took on its familiar tune during the Second Great Awakening in<br />
the United States. Produced and directed by Emmy® and Peabody winner<br />
Elena Mannes, this documentary features illuminating conversations and<br />
stirring performances by Johnny Cash, Judy Collins, Jessye Norman, Marion<br />
Williams, the Boys Choir of Harlem, shape-note singers, prison inmates,<br />
and more. Produced in 1990, the documentary features Jeremy Irons as the<br />
voice of John Newton. BONUS FEATURES: Pure Pete Seeger, a musical portrait<br />
of the folk singer, songwriter, storyteller, and activist, filmed for Bill Moyers Journal at Seeger’s home in<br />
New York’s Hudson Valley (60 min.); biographies of Bill Moyers and the featured performers; 12-page viewer’s<br />
guide with an introduction by Bill Moyers, articles on the inspiration for the program and shape-note singing,<br />
fascinating facts about the song, plus more.<br />
> Rating: not rated<br />
> Genre: Documentary<br />
> Run time: Approx. 80 minutes plus bonus<br />
> Director: Elena Mannes<br />
WYATT EARP’S REVENGE<br />
Based on the true story of the legendary lawman, Earp recounts how he<br />
brought together the Best of the West to avenge the vicious murder of his beloved<br />
Dora. Joined by the famed Bat Masterson, Charlie Bassett, Bill Tilghman<br />
and Doc Holliday, Earp rides after the Kenedy brothers, who are on a murder<br />
spree that spans from Dodge City to Mexico. Protected by their powerful father,<br />
the ruthless brothers know that the law won’t touch them - but they gravely<br />
underestimated Earp and his posse. Featuring Shawn Roberts, Matt Dallas,<br />
Grammy nominated Country Music artist Trace Adkins and Val Kilmer.<br />
> Rating: PG<br />
> Genre: Action, Adventure, Drama, Western<br />
> Run Time: 93<br />
> Director: Michael Feifer<br />
JACK AND JILL<br />
Jack Sadelstein (Adam Sandler), a successful advertising executive in Los<br />
Angeles with a beautiful wife (Katie Holmes) and kids, d<strong>read</strong>s one event each<br />
year: the holiday visit of his identical twin sister Jill (also Adam Sandler).<br />
Jill’s neediness and passive-aggressiveness are maddening to Jack, turning<br />
his normally tranquil life upside down. Things spin even more out of control<br />
for Jack when Jill decides to extend her visit-and he doesn’t think that she’ll<br />
ever leave!<br />
> Rating: PG<br />
> Genre: Comedy, Family<br />
> Run Time: 91<br />
> Director: Dennis Dugan<br />
TAYLOR SWIFT:<br />
AMERICAN BEAUTY:<br />
UNAUTHORIZED DOCUMENTARY<br />
Taylor Alison Swift has evolved into one of the most popular names in<br />
modern music. Her strong voice and natural charm has made her the most<br />
successful country music artist in history. At the tender age of 21, she’s<br />
al<strong>read</strong>y sold over 34 million digital tracks alone. However her success is no<br />
coincidence! Taylor Swift is one of the hardest working performers in music.<br />
What is it that makes her so great? This biography picture goes beyond<br />
the music and explores her challenges and triumphs.<br />
> Rating: not rated<br />
> Genre: Music<br />
> Director: Jason Boritz<br />
MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
25
SELECT MOVIE REVIEWS CONTINUED FROM PAGE 24<br />
er and little sister in what’s left of<br />
North America, in one of 12 districts<br />
all being run by the Capitol. Despite<br />
mastering the skill of hunting and<br />
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hungry. Each year, the names of<br />
all residents between the ages of 12<br />
and 18 are entered into a lottery and<br />
two names, one girl and one boy, are<br />
chosen at random from each district<br />
to compete in the televised Hunger<br />
Games. The 24 children must try to<br />
kill each other off and the last one<br />
standing is rewarded by the Capitol<br />
with a feast of food. When her<br />
little sister’s name is selected, Katniss<br />
steps up to take her place in the<br />
deadly competition. Based on the<br />
fi rst novel of Suzanne Collins’ bestselling<br />
“The Hunger Games” trilogy.<br />
Rainbow Cinemas.<br />
John Carter<br />
Former military captain John Carter<br />
(Taylor Kitsch) is inexplicably transported<br />
to Mars, where he becomes<br />
reluctantly embroiled in an epic confl<br />
ict amongst the planet’s inhabitants,<br />
including Tars Tarkas (Willem<br />
Dafoe) and the captivating Princess<br />
Dejah Thoris (Lynn Collins). In a<br />
world on the brink of collapse, Carter<br />
rediscovers his humanity when he<br />
realizes that the survival of Barsoom<br />
and its people lies in his hands.<br />
Based on the classic sci-fi novel “A<br />
A SCENE FROM PINA<br />
26<br />
Princess of Mars” by Edgar Rice Burroughs.<br />
Rainbow Cinemas.<br />
Journey 2: The Mysterious Island<br />
Sean (Josh Hutcherson) goes on<br />
a new journey when he receives a<br />
distress signal from an island where<br />
none is known to exist. Thinking<br />
it might be the “Mysterious Island”<br />
Jules Verne wrote about, and that the<br />
signal may have come from Sean’s<br />
grandfather, the boy and his new<br />
stepdad (Dwayne Johnson) decide<br />
to travel halfway around the world<br />
to fi nd the island, with the help of a<br />
helicopter pilot (Luis Guzman) and<br />
his daughter (Vanessa Hudgens).<br />
Rainbow Cinemas.<br />
La Sacrée<br />
François, a professional con artist<br />
hoping to marry a rich heiress<br />
who wants children, is devastated<br />
to fi nd he’s infertile. Desperate, he<br />
returns to his Ontario hometown,<br />
Fort-Aimable, hoping that his recently<br />
deceased uncle has left him a<br />
substantial inheritance. But instead,<br />
François has inherited an old barn.<br />
Martine, a restaurateur, convinces<br />
François to help the local economy<br />
by reviving and marketing La Sacrée,<br />
a beer once brewed in Fort-Aimable.<br />
Discovering by chance that La<br />
Sacrée caused a rise in births, François<br />
thinks the beer may provide<br />
a cure for infertility, as long as the<br />
FOLLOW US<br />
PHOTO BY DONATA WENDERS<br />
KATNISS EVERDEEN (JENNIFER LAWRENCE) IN THE HUNGER GAMES<br />
original recipe can be replicated. But<br />
Angelica, the brewer, who also happens<br />
to be his former lover, is unable<br />
to identify the last ingredient of the<br />
mixture. Hyland Cinemas.<br />
Pina<br />
A tribute to the late choreographer<br />
and artistic genius Pina Bausch.<br />
Filmmaker Wim Wenders opens up<br />
the dances, employing the streets<br />
and parks of Wuppertal—where<br />
Bausch’s company, Tanztheater Wuppertal,<br />
is based—as exciting backdrops<br />
to some of her best-known<br />
productions. Hyland Cinemas.<br />
Project X<br />
A group of high school buddies try<br />
to throw, what will go down as, the<br />
most epic 17th birthday party ever.<br />
Shot from the perspective of their<br />
handheld digital cameras, the party<br />
slowly goes from normal to way out<br />
of control. Rainbow Cinemas.<br />
Safe House<br />
Bored by his post house sitting a<br />
CIA-operated safe house in South<br />
Africa, a rookie operative (Ryan<br />
Reynolds) goes on the run with a<br />
dangerous renegade (Denzel Washington)<br />
when the place is destroyed<br />
by mercenaries. Now they have to<br />
fi gure out if the attackers are terrorists<br />
or one of their own—someone<br />
on the inside, before they know who<br />
they can trust. Rainbow Cinemas.<br />
A Separation<br />
There is one thing Nader (Peyman<br />
Moaadi) and his wife Simin (Leila<br />
Hatami) will never agree on. Simin<br />
dreams of leaving abroad where they<br />
can provide a better future for their<br />
only daughter, Termeh. But Nader<br />
feels his duty lies at home, where he<br />
can care for his sick father (Ali-Asghar<br />
Shahbazi). Refusing to settle for<br />
a mediocre life, Simin is determined<br />
to take her daughter and leave the<br />
country even if it means leaving her<br />
husband behind. Hyland Cinemas.<br />
Shame<br />
New Yorker Brandon (Michael Fassbender)<br />
manages to create an aura<br />
of being an average, normal guy,<br />
while underneath, he’s a seething<br />
pit of sexual compulsion. His addiction<br />
to pornography and casual sex.<br />
The release it provides means he can<br />
avoid real relationships with women.<br />
In fact, the only woman he shares<br />
a relationship with is his sister Sissy<br />
(Carey Mulligan). Although Brandon<br />
successfully pre tends to be average<br />
in public, Sissy has long stopped trying.<br />
She’s needy and impulsive and<br />
when she crashes into Brandon’s<br />
apartment on the verge of self-destruction,<br />
it becomes clear that these<br />
siblings bring out the worst in each<br />
other. Hyland Cinemas.<br />
Silent House<br />
A young woman (Elizabeth Olsen)<br />
fi nds herself sealed inside her family’s<br />
secluded lake house. With no<br />
contact with the outside world—and<br />
no way out—panic turns to terror as<br />
events become increasingly ominous<br />
in and around the house. Rainbow<br />
Cinemas.<br />
CINEMA•VENUES<br />
CENTRAL BRANCH LIBRARY<br />
251 Dundas St, Tonda Room • . 519-661-4600<br />
CENTENNIAL HALL<br />
550 Wellington St• 519-672-1967<br />
EAST VILLAGE ARTS CO-OP<br />
757 Dundas St• 519-661-5122<br />
EMPIRE WELLINGTON 8 CINEMAS<br />
757 Dundas St • 519-685-2529<br />
HYLAND CINEMA<br />
240 Wharncliffe Rd S • 519-913-0312<br />
MUSEUM LONDON<br />
421 Ridout St N • 519-661-0333<br />
RAINBOW CINEMAS<br />
Citi Plaza • 519-519-434-3073<br />
SILVERCITY<br />
Masonville Place • 519-673-4125<br />
WESTERN FILM (UWO)<br />
2nd Fl UCC, McKellar Rm • 519-661-3616<br />
WESTMOUNT 6/VIP CINEMAS<br />
Westmount Shopping Ctr • 519-474-2152<br />
WOLF PERFORMANCE HALL<br />
Central Library, 251 Dundas St • 519-640-5397<br />
�movies<br />
A Thousand Words<br />
Jack McCall (Eddie Murphy) is a<br />
literary agent who has a way with<br />
words, often using them to get what<br />
he wants, even if it means stretching<br />
the truth a little. To teach him a<br />
lesson, a spiritual guru grants Jack a<br />
thousand words to use however he<br />
wishes. But Jack will have to choose<br />
his words wisely because when they<br />
run out, so will his life. Rainbow Cinemas.<br />
Wanderlust<br />
George (Paul Rudd) and Linda (Jennifer<br />
Aniston) are an overextended,<br />
stressed out Manhattan couple.<br />
After George is downsized out of<br />
his job, they fi nd themselves with<br />
only one option: to move in with<br />
George’s awful brother in Atlanta.<br />
On the way there, George and Linda<br />
stumble upon Elysium, an idyllic<br />
community populated by colorful<br />
characters who embrace a different<br />
way of looking at things. Money? It<br />
can’t buy happiness. Careers? Who<br />
needs them? Clothes? Only if you<br />
want them. Is Elysium the fresh start<br />
George and Linda need? Or will the<br />
change of perspective cause more<br />
problems than it solves? Rainbow<br />
Cinemas.<br />
THE•LISTINGS<br />
CENTRAL BRANCH LIBRARY<br />
Monthly Film Series - King Corn: Mar 19, 7pm-<br />
9pm. Forces of Nature: Apr 16, 7pm-9pm. All free.<br />
CENTENNIAL HALL<br />
The Short Shock Film Festival: Apr 13 – 15.<br />
$60/weekend pass.<br />
HYLAND CINEMA<br />
A Separation (PG) / Shame (18A) / Pina (G; subtitled)<br />
/ The Artist (PG) / La Sacree (PG), Mar<br />
19, 7pm only / Back to the Future (PG) Mar 16,<br />
11pm only<br />
MUSEUM LONDON<br />
Approaching Afghanistan Film Series - Afghan<br />
Chronicles (NR) & A Dream for Kabul (NR):<br />
Mar 18, 1pm. Free. Family Films - Willy Wonka<br />
and the Chocolate Factory (G): Mar 25, 3pm.<br />
Free<br />
RAINBOW CINEMAS<br />
21 Jump Street (14A) / John Carter (PG) / Silent<br />
House (14A) / Dr. Seuss’ The Lorax (G) / A<br />
Thousand Words (PG) / Journey 2: The Mysterious<br />
Island 3D (PG) / The Hunger Games (not<br />
rated), starts Mar 23<br />
WESTERN FILM<br />
Until Mar 22: The Iron Lady (PG) / Tinker Tailor<br />
Soldier Spy (14A)<br />
WOLF PERFORMANCE HALL<br />
The Coves Cinematic Premiere: The story of The<br />
Coves, an ecological gem located in the heart of<br />
London, told through the eyes of individuals who<br />
are striving to protect it and share the story of its<br />
signifi cance. Refreshments included. Mar 30,<br />
7pm-9pm. Free; donations accepted.<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012<br />
PHOTO CREDIT: MURRAY CLOSE
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You Employ<br />
Skill Expertise Technique<br />
in the pursuit of<br />
Your<br />
Livelihood<br />
Tell <strong>read</strong>ers about<br />
your experience!<br />
email news@scenemagazine.com<br />
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Best Family Entertainent Value!<br />
$ 5 00 Children,<br />
Seniors<br />
$ 7 00 Adult<br />
Matinee<br />
$ 7 00 Students<br />
Evenings<br />
“THE MOST AWESOME<br />
COMEDY OF THE YEAR!”<br />
Shawn Edwards, FOX-TV<br />
COARSE LANGUAGE,<br />
SEXUAL CONTENT,<br />
SUBSTANCE ABUSE<br />
Check Theatre Directory or SonyPic turesReleasing.ca for Locations and Showtimes<br />
STARTS FRIDAY<br />
A CHILD’S WISH IS WAITING.<br />
YOU CAN HELP MAKE IT COME TRUE.<br />
Every 40 minutes, the Make-A-Wish Foundation® grants the wish of a child with a<br />
life-threatening medical condition — being a veterinarian for a day,<br />
having a computer to stay connected or going anywhere their imagination takes them.<br />
Join in our mission to create lasting hope, strength and joy.<br />
Visit www.swo.makeawish.ca today.<br />
© 2010 Make-A-Wish Foundation. All marks are the property of the Make-A-Wish Foundation.<br />
$ 9 00 Adult<br />
Evenings<br />
EXCLUDES 3-D<br />
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$ 3 00<br />
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MARCH 15 TO 28 • 2012 LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER!<br />
27<br />
24 HOUR<br />
MOVIE INFO<br />
434-3073<br />
www.rainbowcinemas.ca
28<br />
LONDON’S LARGEST GENERALLY WELL-READ NEWSPAPER! MARCH 15 TO 28 • 2012