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Horn-u-copia - Theory of design of trumpets and cornets?

Horn-u-copia - Theory of design of trumpets and cornets?

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<strong>Horn</strong>-u-<strong>copia</strong> - <strong>Theory</strong> <strong>of</strong> <strong>design</strong> <strong>of</strong> <strong>trumpets</strong> <strong>and</strong> <strong>cornets</strong>?CanadaGender:they say discretion is the better part <strong>of</strong> valour. I on the other h<strong>and</strong> ambeyond embarassment. So I don't mind holding forth a little on anythingshort <strong>of</strong> organic chemistry or astrophysics.Back to topView Pr<strong>of</strong>ile Email Email Personal Message50.93.86.61kentonYaBB AdministratorOnlineRe: <strong>Theory</strong> <strong>of</strong> <strong>design</strong> <strong>of</strong> <strong>trumpets</strong> <strong>and</strong><strong>cornets</strong>?Reply #19 - Sep 4 th , 2012 at 11:59pmQuote Modify Split RemoveA quick summary <strong>of</strong> some <strong>of</strong> the measurements I did a long time ago.Posts: 5450Punxsutawney, PaGender:InstrumentBore% <strong>of</strong> horn beforevalvesFischer Trumpet .500 40 41Keefer Trumpet .500 47 45Cavalier Cornet .500 35 40Olds Cornet .500 54 41Wurlitzer Altohorn .500 9 73Lauther Civil War Vintage tenorsaxhorn.531 18 72King Sousaphone .703 17 80%conicalI quit building that table after it quickly became apparent that there wasno pattern developing.But, I bring it up at this stage because although I do believe there is somescience lurking in the construction <strong>of</strong> instruments, as clearly someinstruments do play with better intonation than others, etc., I do not findany evidence that the % <strong>of</strong> conical tubing, the position <strong>of</strong> the valves or themanner in which the tubing is bent or braced; has anything more thanincidental effect on the performance <strong>of</strong> the instrument.But then, I don't sell new instruments, so I don't have to posture as to whymy instrument plays better than the next guys.Back to topView Pr<strong>of</strong>ile Email Email WWW141.158.211.202NinerSection LeaderOfflinePosts: 86AlabamaRe: <strong>Theory</strong> <strong>of</strong> <strong>design</strong> <strong>of</strong> <strong>trumpets</strong> <strong>and</strong><strong>cornets</strong>?Reply #20 - Sep 5 th , 2012 at 12:07amQuote Modify Split RemoveQuote:guess what I'm really trying to say in a round about way is that thebalanced business is only there to "balance" the horn physically, tomake it easier to h<strong>and</strong>le during long sessions. It has no effect on thesound <strong>of</strong> the instrument or the distribution <strong>of</strong> waves <strong>and</strong> nodesSo why is this so? There is probably a formula for total horn tube lengthrelated to tube diameter <strong>and</strong> metal density with added formula for slidegeometry <strong>and</strong> what the keys being utilized do to the path <strong>of</strong> the vibration<strong>of</strong> that causes the sound or the feedback to the mouthpiece <strong>and</strong> the part itplays. Where the keys are <strong>and</strong> how they relate to the rest <strong>of</strong> it has t<strong>of</strong>ile:///L|/Temp/<strong>Horn</strong>-u-<strong>copia</strong>%20-%20<strong>Theory</strong>%20<strong>of</strong>%20<strong>design</strong>%20<strong>of</strong>%20<strong>trumpets</strong>%20<strong>and</strong>%20<strong>cornets</strong>2%20.htm[9/7/2012 12:29:17 PM]

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