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Operation Manual.pdf - PSU Music Technology

Operation Manual.pdf - PSU Music Technology

Operation Manual.pdf - PSU Music

, EnglishReason Reason Adapted Adapted for Berklee for Digidesign | music.comVersion2.5, Operation Manual

  • Page 2: Operation Manual by Synkron: Ludvig
  • Page 6 and 7: 4TABLE OF CONTENTS
  • Page 8 and 9: RecordingRecording and Playback Bas
  • Page 11 and 12: Copying REX loops toSequencer Track
  • Page 13: EditingThe Arrange View allows you
  • Page 17 and 18: Selecting GroupsTo select a Group,
  • Page 19 and 20: QuantizingThe Quantize function mov
  • Page 21 and 22: VelocityAdjusts the velocity of the
  • Page 23 and 24: 2D Routing Audio and CV
  • Page 25 and 26: Color CodingCables are color coded
  • Page 27 and 28: Using CV and GateCV/Gate is used fo
  • Page 29 and 30: 3D Routing MIDI to Reason
  • Page 31 and 32: Sending MIDI Data fromOther Applica
  • Page 33: 4D Using Reason as a ReWire Slave
  • Page 36 and 37: Using the Transport andTempo Contro
  • Page 38 and 39: Details About VariousReWire HostsTh
  • Page 40 and 41: IntroductionIt is possible to assig
  • Page 42 and 43: 40MIDI REMOTE CONTROL
  • Page 44 and 45: ReWire users - Read This!This chapt
  • Page 46 and 47: If Latency Compensation isn’t eno
  • Page 48 and 49: OverviewThe transport panel has sta
  • Page 50 and 51: Additional Transport Panel ItemsAut
  • Page 52 and 53:

    50TRANSPORT PANEL

  • Page 54 and 55:

    Audio OutputsThe Hardware Interface

  • Page 56 and 57:

    IntroductionThe Channel StripAUX Se

  • Page 58 and 59:

    Signal flowThe basic signal flow fo

  • Page 60 and 61:

    Chaining MixersPartially or Non-Cha

  • Page 62 and 63:

    IntroductionAbout File FormatsRedru

  • Page 64 and 65:

    Programming PatternsAbout Pattern S

  • Page 66 and 67:

    FlamA flam is when you double-strik

  • Page 68 and 69:

    Level and VelocityThe Level knob se

  • Page 70 and 71:

    High Quality InterpolationUsing Red

  • Page 72 and 73:

    70REDRUM

  • Page 74 and 75:

    IntroductionSubtractor is an analog

  • Page 76 and 77:

    Setting Oscillator 1 Frequency - Oc

  • Page 78 and 79:

    When phase offset modulation is act

  • Page 80 and 81:

    D 24 dB Lowpass (LP 24)Lowpass filt

  • Page 82 and 83:

    DNotchA notch filter (or band rejec

  • Page 84 and 85:

    DecayAfter the maximum value has be

  • Page 86 and 87:

    DestinationThe available LFO 1 Dest

  • Page 88 and 89:

    Pitch Bend and Modulation WheelsThe

  • Page 90 and 91:

    ConnectionsFlipping the Subtractor

  • Page 92 and 93:

    IntroductionA sampler could be desc

  • Page 94 and 95:

    About Key Zones andSamplesLoading a

  • Page 96 and 97:

    About Key zones, Assigned and Unass

  • Page 98 and 99:

    Automap SamplesIf you have a number

  • Page 100 and 101:

    The Filter SectionFilters are used

  • Page 102 and 103:

    LFO Section| Waveform | Description

  • Page 104 and 105:

    LegatoLegato works best with monoph

  • Page 106 and 107:

    104NN-19 SAMPLER

  • Page 108 and 109:

    IntroductionThe Dr.Rex Loop Player

  • Page 110 and 111:

    Creating Sequencer NotesTo be able

  • Page 112 and 113:

    The Filter SectionFilters are used

  • Page 114 and 115:

    DestinationThe available LFO Destin

  • Page 116 and 117:

    Audio Quality SettingsThese two par

  • Page 118 and 119:

    Common Device FeaturesWhile the spe

  • Page 120 and 121:

    Reverb algorithms and parametersAbo

  • Page 122 and 123:

    ArenaEmulates the ambience in an ar

  • Page 124 and 125:

    When Tap 1 - 4 is selected with the

  • Page 126 and 127:

    The parameters for the Gate section

  • Page 128 and 129:

    COMP-01 Auto Make-upGain Compressor

  • Page 130 and 131:

    Reason Menu (Mac OS X)About ReasonT

  • Page 132 and 133:

    A self-contained song contains not

  • Page 134 and 135:

    Transferring patterns between Reaso

  • Page 136 and 137:

    Delete Unused SamplesThis menu item

  • Page 138 and 139:

    1. Select the track with the patter

  • Page 140 and 141:

    Preferences - GeneralShow Parameter

  • Page 142 and 143:

    Audio Card Driver - Mac OS 9This me

  • Page 144 and 145:

    Preferences - Sound Locations4. If

  • Page 146 and 147:

    Checking ConnectionsIt is possible

  • Page 148 and 149:

    146MENU AND DIALOG REFERENCE

  • Page 150 and 151:

    General InformationAudio QualityThe

  • Page 152 and 153:

    PC Specific InformationAbout ASIO D

  • Page 154 and 155:

    152ABOUT AUDIO ON COMPUTERS

  • Page 156 and 157:

    About This ChapterThis chapter brie

  • Page 158 and 159:

    AADSR 81AlterNotes 19, 137Pattern (

  • Page 160 and 161:

    MIDI InputsAbout 28Setting Up 28MID

  • Page 162:

    SongsCreating New 128End position 1

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