The Art of Execution - Illuminating Engineering Society

Is your dream candidateabout to bolt? p.26The Bay Watchis on p.38New heights forHigbee p.42LIGHTFAIRReview p.46The magazine of the Illuminating Engineering Society of North AmericaFreeFlowingAnewkindofriverrollsthrough rolls AnaheimJuly 2013www.ies.org

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CONTENTSLIGHTING DESIGN & APPLICATIONVol.43/No.7UP FRONT4 Editorial6 President’s Perspective10 News + Notes3438COLUMNS12 Energy Advisor18 Apps + Answers22 Policy Points26 The Company • The Candidate4642DEPARTMENTS33 Anatomy of an Award59 Products in Practice60 Events62 Classified Advertisements65 Ad Index & Ad Offices66 New and Sustaining Members69 IES FYI72 Out of the ArchiveFEATURES34 GO WITH THE FLOWAfter water was ruled out, a river of light now dazzles guests atthe Anaheim Convention Center38 SCULPTURE BY THE BAYHow do you add 25,000 lights to a bridge in a graceful not garishmanner? Just ask artist Leo Villareal42 HIGH ON HIGBEEThere’s more to this local landmark’s façade lighting thanmeets the eye46 LIGHTFAIR REVIEWAn overview of the industry awards and productsseen at LIGHTFAIR 2013 in PhiladelphiaREVIEWON THE COVER: A simulated river was created with 300 ingrade fi xtures within thestained concrete (p.34). Photo: Tom Paiva, Tom Paiva Photography7 • 2013

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PRESIDENT’S PERSPECTIVEDuring some much appreciatedvacation time in May, my wifeMelonie and I stayed at a favoritelocation on the SouthwestWashington coast. Those getaways overthe years have supplied me with countlessopportunities to take photos of seabirdslike the one on page 8. When it comes tophotography I cannot tell you what all thetechnical details are that bring a photo likethis to life; I am more concerned with compositionand framing, not the f-stop andshutter speed. There are those who cantake apart and put together those aspectsand not only am I in awe of what they do, Iam grateful for their talents. In the sameway, there are a great many members inthe IES whose talents we find ourselvesthankfully drawing on as we work throughissues and opportunities that our industryengages in with all the demands of progressiveideals.Over the last few years I have had the wonderfulpleasure of working with many peopleat the Board of Director level whose abilitiesmade me feel fortunate to know and workwith them. This past year I had a truly blessedexperience working with Chip Israel; we hada lot of fun and did a lot of good work in areasthat we share a common interest in suchas emerging professionals and education. Asuccessful move forward has taken place inthe IES from which we are just starting to seebenefits. Thank you, Chip, for giving us a goodpush and I look forward to working with youthis year in your new role as past-president.There are others who are leaving the Boardof Directors after years of hard work whoseamazing talents helped create the changeswe have seen. I would ask you all to dropthem a line of thanks because we benefitedfrom their talents for a season: Shelli Sedlak(director), Neall Digert (director), PeggySue Meehan (regional director), Peter Hugh(regional director) and last, but nowhere nearleast, Denis Lavoie (past president). Fromsomeone who knows them well, these arepeople who are devoted to the IES and itsmembers; let them know they are appreciated.COME A LITTLE CLOSER TO THE FIREThis brings me to a very important topic thatcarries a deadline. It’s time we start gatheringnames of those who have leadership abilitiesvery much needed by the Society—peoplewho can contribute the talents necessary forthe continuing growth of the IES. Trust me,each individual has specific talents they maynever realize until they’ve had the opportunityto see them put to use under circumstancesdifferent from their everyday experience.Some of the most amazing individuals I knowin leadership positions are people who werein the background, quietly working away butnever allowing themselves to be challengeduntil someone encouraged them to “come alittle closer to the fire”. . . of leadership.Each of the individuals listed above sawa reason to screw their courage to the walland step up to the challenge at the Section,District and Board of Director levels. They didit because they saw an opportunity to stepinto the fray. What they gained in experience,2013-2014Board of DirectorsPRESIDENTDaniel Salinas, LCNelson Electric, Inc.dsalinas@nelsonelec.comPAST PRESIDENTChip IsraelLighting Design AllianceVICE PRESIDENT(President-Elect)Paul Mercier, LCLighting Design InnovationsTREASURERNick BleekerPhilips LightingEXECUTIVE VICE PRESIDENTWilliam HanleyDIRECTORSBoyd CorbettMaxliteShirley Coyle, LCCree Canada Corp.Jeffrey J. Davis, LCSystem Design ConsultantsCheryl English, LCAcuity BrandsBrian LiebelThe Lighting PartnershipAllan LongMemphis Light, Gas & Water DivisionFrancois-Xavier MorinJames RadiShat-R-ShieldMark RoushExperience Light, LLCArdra ZinkonTEC StudioBen FisherEmerging ProfessionalSTL Lighting Group(non-voting member)6 July 2013 | LD+A www.ies.org

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PRESIDENT’S PERSPECTIVEknowledge and leadership far exceeds whatthey paid in dues and expenses. The deadlinefor nominations for Board of Director positionsis September 1. If this is an area that youfeel ready to pursue, the time to step in is now.Over the next year my goal is to use the“President’s Perspective” to point out some ofthe great opportunities within the IES, and thismonth I present to you the IES Committees.Five years ago the IES Knowledge Committee(a subcommittee within the Board of Directorsupdate and review of existing documents,to technical review and final review by theBoard of Directors. Some of these documentsare part of joint work with organizationssuch as USGBC, ASHRAE, ANSI, IALD,AIA, IDA, NEMA and numerous others whojoin with us for a specific purpose. If you goto the IES website’s members section andscan the list of committees and subcommittees,you will see a varied list of subjectsthat we as a body are dealing with. The listwell as work that is part of the Strategic Planof the Society. The committees are a majorpart of this work. When we get to the AnnualConference, October 27-29 in HuntingtonBeach, CA, take time to sit in on a committeemeeting or two; it will open your eyes.If you are an Emerging Professionalattending the conference, I invite you to theStudent and Emerging Professionals Day onSaturday, October 26. Our theme this year isbased on the circular aspect of education inThe deadline for nominations for Board of Director positions isSeptember 1. If this is an area that you feel ready to pursue,the time to step in is nowWhat do photography and membership in aprofessional society have in common? Read on.at the time) created a matrix of all the documentsthe IES has in its charge, whether asstandalone endeavors or a joint work withallied organizations. The result was greaterthan we realized, especially when we added allthe committees charged with the work, theirdeadlines, especially those with ANSI accreditationand their needs. This gave us a tool tohelp monitor the health of the committees andprioritize documents of concern. Needless tosay the list has grown—currently this documentis 29 pages long—and will continue togrow as we move forward.At this point, we have well over 175 documentsof multiple types that are in variousstages of development, from project initiationto draft versions of new documents, todoesn’t include specific task groups withinthose committees that research informationto bring back to the committee for review.KEEP YOUR EAR TO THE GROUNDBesides being on committees, I have theopportunity from time to time to sit in on othercommittee meetings and take notes on whatthey do. A few months ago it was a short segmentof a Technical Procedures Committeemeeting; now I truly understand the difficultyand importance of their work. Each phasewithin certain sections of a document canbe interpreted incorrectly unless it is statedas succinctly and concisely as possible. Theindividuals working on it debated long onsome issues, and I tip my baseball cap tothem and the work they do. As we look to theyear ahead, there are many new initiatives, aswhat we do as a Society and an industry—from education to implementation and evaluationof those decisions so we can continueto improve and innovate. The ConferenceCommittee has been working hard to takethis event to the next level and it is lookinggreat. I look forward to seeing you there andremember to bring your board shorts!Oh, and about that photo, I took it at F5.6,shutter speed 1/1000, ISO 125, 200mm focallength; but if you want someone who knowswhat that means better than I, talk to BobHorner or Jim Benya, they like the techiestuff. Cheers.DANIEL G. SALINAS, LC,IES PRESIDENT8 July 2013 | LD+A www.ies.org

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NEWS+NOTESSleep No MoreRed Light Increases Alertness During‘Post-Lunch’ DipAcute or chronic sleep deprivation resulting in increased feelings of fatigue is one of theleading causes of workplace incidents and related injuries. More incidents and performancefailures, such as automobile accidents, occur in the mid-afternoon hours known as the “postlunchdip.” The dip typically occurs from 2-4 p.m., or about 16-18 hours after an individual’sbedtime from the previous night.A new study from the Lighting Research Center (LRC) at Rensselaer PolytechnicInstitute shows that exposure to certain wavelengths and levels of light have the potentialto increase alertness during thepost-lunch dip. The research wasa collaboration between MarianaFigueiro, LRC Light and Health programdirector and associate professorat Rensselaer, and LRC doctoralstudent Levent Sahin. Results of thestudy titled “Alerting effects of short-wavelength (blue) and long-wavelength (red) lights inthe afternoon,” were recently published in Physiology & Behavior journal.During the study conducted at the LRC, participants experienced two experimental lightingconditions in addition to darkness. Long-wavelength “red” light and short-wavelength“blue” light were delivered to the corneas of each participant by arrays of LEDs placed in60 by 60 by 60cm light boxes. Participant alertness was measured by EEG and subjectivesleepiness (KSS scale). The team found that, compared to remaining in darkness, exposureto red light in the middle of the afternoon significantly reduces power in the alpha, alphatheta and theta ranges. Because high power in these frequency ranges has been associatedwith sleepiness, these results suggest that red light positively affects measures of alertnessnot only at night, but also during the day.NumbersGame26,026Attendees at this year’sLIGHTFAIR International, anew record for the tradeshowand conference.127.1 %Increase on ayear-over-year basis forhalogen A-line lampshipments during Q1 2013,according to NEMA’s index.220 millionUnits of LED tubelights projected to shipglobally in 2013, accordingto Digitimes Research.e-report@Coming soonto an inboxnear you!10 July 2013 | LD+A www.ies.org

NEWS + NOTESPhoto: MechoSystemsNuckolls Fund ExpandingEducational OutletsThe Nuckolls Fund for Lighting Education plans to become amajor resource for the acquisition and distribution of teachingmaterials and information for use by educators in the teaching oflighting design. The first major educational resource is the sevenmodulecourse guide, “Lighting Across the Design Curriculum,”developed by a team of lighting educators led by Prof. Katherine S.Ankerson of Kansas State University. It was funded by a $50,000Nuckolls Fund Twentieth Anniversary Grant awarded in 2010.“The idea underpinning the module is that lighting is so criticalto all aspects of design that the study of light and lightingmust be initiated early in a student’s design education,” saysAnkerson. Each of the seven modules comprising “Lighting Acrossthe Design Curriculum” has explanatory material enhanced byannotated images. Modules are titled: Light as a Design Element;Digital Interface of Lighting; Light Shade and Shadow InformingDesign in 3D; Historical Examination of Use of Light; Effect of Lighton Material Application; Topic-based Modules for Upper LevelStudios; and Lighting for a Sustainable Future.“Lighting Across The Design Curriculum” is now available at nocharge on the Fund’s newly redesigned website, www.nuckollsfund.org,in the Educational Resources section.The New YorkTimes is SatisfiedThe Lawrence Berkeley NationalLaboratory (LBNL) produced the resultsof its New York Times Building postoccupancyenergy savings examination.The post-occupancy study showed thatSolarTrac (from MechoSystems), thewindow management system for the Times’ new headquarters,saved 43 percent lighting energy, 23 percent cooling energy, 22 percentpeak-day energy and 24 percent total energy. According to theLBNL report, the automated-shading system specifically contributedto overall occupant satisfaction with the headquarters.1,000 In a DayAs Superstorm Sandy struck the East Coast last fall, power was knockedout to millions of homes and businesses. But utility FirstEnergy quicklypressed GE Lighting’s Hendersonville, N.C., manufacturing plant into action,and in just one day, nearly 40 employees built and delivered 1,000 HIDstreet lighting fixtures to FirstEnergy’s New Jersey territory.MaxLite's enhanced line of LED Small FloodLights are available in wide 120-degree ornarrow 40-degree optics for far and widelight distribution.FAR AND WIDEIDEAL FOR LIGHTING:• Landscape Accenting• General Security• Façades• SignsHigh EfficacySame LumensLess Watts15W = 100W QH25W = 150W MH45W = 175W MHmaxlite.comSimply LED... Simply MaxLEDwww.ies.org LD+A | July 2013 11

ENERGY ADVISORWhat I Learned At the Fairby Willard L. Warren‘How to’ meets‘what’s new’was the essence ofLIGHTFAIR 2013Aformer editor of EC&M (ElectricalConstruction & Maintenance) magazine,Berlon Cooper, told advertisersthat architects and engineersare eager to learn “what’s new” and“how to do it.” In Philadelphia, LIGHTFAIRInternational 2013 provided the “what’s new”at the Innovation Awards and the manufacturers’booths, while the “how to” was coveredin seminars. One “how to” featured thelighting upgrade of the 10-year-old, 600,000sq ft offices of Ernst & Young LLP, located inNew York City’s Times Square, while anotherdescribed three different energy conservationprojects ongoing in Philadelphia:• The energy upgrade of six local municipalrecreational areas• The Philadelphia Mayor’s Office ofSustainability “Greenworks” programand• The energy upgrade on the campus ofthe University of Pennsylvania.Two different scenarios were illustrated:one for a major commercial accountingfirm known for watching every pennyspent by them and their clients and theother for municipal and institutional (nontaxable)clients, where the choice of siteswas influenced by local needs.The Ernst & Young LLP space initially hada connected lighting power density load(LPD) of 2 watts per sq ft, however, StephenMargulies, partner of One Lux Studio, wasdetermined to cut the LPD in half to 1 wattper sq ft to meet the energy code limitprescribed for new construction. In orderto do that, Margulies replaced the existinghalogen MR16s with LEDs; converted allthe pendant luminaires installed in privateoffices that initially had T5HO lamps to standardenergy-saving T5s; and completelyretrofitted the 3,000 26-W quad CFL downlightslocated in sheetrock ceilings withnew reflectors, sockets, drivers and LEDsthat had to be installed “laparoscopicly,”i.e., through the hole in the ceiling.Margulies’s team included constructionmanager Jim Schwartz of JAS Consulting,who handled all the logistics, and FrankAustin of Philips North America, who coordinatedwith the original luminaire manufacturerand UL for the listing of all the conversionkits. In addition, all the existing lightingcontrols were found to be ineffective andwere re-commissioned and re-addressed.The reduction of 600 kilowatts cost $3.5million, with a payback of three-and-a-halfyears at the present blended rate of 18cents per kWh. Those “negawatts” cost$5,800 per kilowatt—which is less thanit would cost to build a new generatingcapacity in the New York City area—plus ithad a payback of $1 million annually.THE PHILADELPHIA STORYThe “Philadelphia Story” was told bythree locally based designers:• Mary Alcaraz, principal of EwingCole,advanced the lighting of six recreationalareas that included swimming pools,basketball and tennis courts and baseballfields with annual electricity usageof 1.12 million kWh.• Fredda Lippes of the Philadelphia Mayor’sOffice of Sustainability explained thecity’s “Greenworks” program, and• Margo Barnes of the University ofPennsylvania discussed its 290-acrecampus, 14 million sq ft of indoor spacein 12 schools housed in 180 buildings,which were badly in need of energyupgrading and cost reduction.12 July 2013 | LD+A www.ies.org

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ENERGY ADVISORAlcaraz converted the T12 magneticfluorescents to T8 electronics using bothfluorescent retrofit kits and new luminaires,retrofitted incandescent and CFLsin open bottom pendant units with LEDsand replaced 250-W HPS outdoor floodlightswith 65-W LED units. She providedevery project with three different designoptions within a maximum allowable paybackperiod of five years at a utility rate of12 cents per kWh, and chose the best solutionof the three. In addition, web-basedmonitoring was added to every facility sothat each specific area or major functioncould be separately monitored and locallycontrolled. The results were an energycost reduction from 20 to 60 percent.Lippes described the “Greenworks” programas necessary to counter Philadelphia’sincreasing cost of energy as well as reducingits environmental footprint. One goalwas the purchase and generation of 20percent of the city’s energy needs usingalternate sources by 2015, which includelocating solar panels on the roofs of municipallyowned facilities (they are already 60percent of the way there). The programmandates energy benchmarking for buildingsand educating users on how to implementenergy conserving measures.Barnes not only manages U of Penn’sEnergy Reduction and Load Managementplan with building upgrades, but she hasalso developed a strategy for behavioralchange of their 20,000 students and an equalnumber of faculty and staff members toaid in energy conservation. Two buildingshave been totally upgraded using conventionalmeasures similar to those described byAlcaraz. However, in addition, the Universityhas a “Rapid Response Team” for reducingspikes in energy usage revealed by graphicEnergy Usage displays. In addition, she hasinitiated a pilot program for trying new technologyon a small scale before installing itin their buildings—such as LEDs installedin the T-bar grid in hung ceilings. All indoorspaces will now include occupancy sensorcontrols and all outdoor areas are beingswitched from 250-W HPS to 65-W LEDs.The University also compares costs on every14 July 2013 | LD+A www.ies.org

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ENERGY ADVISORupgrade with and without dimming within apayback period maximum of five years.THE REALLY BIG PICTUREThere’s over 5 billion sq ft of office spacein place in the U.S. of which 90 percentare over 10 years old with an average LPDof 2 watts per sq ft. By using new, moreefficacious sources, more efficient luminaires,controls for set-point and occupantdimming, occupancy and vacancy sensing,and daylight harvesting they can beCRAFTSMANSHIPANDCONFIDENCEVista Architectural Lighting continues to build a reputation ofexcellence on a trusted foundation. We’re committed to supportingyour success with American made, expertly engineered fixturessuperbly crafted to your specifications. Visitour new website to learn how Vista is leadingthe way with superior service and lightingsolutions that will exceed your expectations.STEP | IN-GRADE | UP & ACCENT | BOLLARDS & PATH LIGHTSupgraded as were demonstrated in thetwo LIGHTFAIR presentations. In fact, halfof our existing office space predates 1980,when we stopped shipping magnetic ballastswith PCBs to drive T12 lamps. Thosepotentially toxic sites probably average 3watts per sq ft in lighting, which can alsobe upgraded to 1 watt per sq ft, a potentialsaving of 5 million killowatts. It costsover $5,000 per kilowatt to build new generatingcapacity and some utilities offerincentives of up to $1,000 per kilowattsfor “negawatts” in saved electrical energy.Upgrading existing facilities and givingutilities back that many “negawatts” hasa market value of at least $10 billion. Andsoon, when all lighting installations willhave to be dimmed by code, the installationswith LEDs will be so much easier tocontrol. And when we get reliable, inexpensiveand dimmable LED tube lights, the laborcost of upgrading will be further reduced.We know we can replace our old carsand appliances when they are economicallyobsolete. New technology offers so muchcost reduction in upgrading existing lightingthat we can also apply an economic lifeexpectancy to our existing lighting installations.LIGHTFAIR international 2014 inLas Vegas would be a great time to initiatean “Implementation Awards” presentation,when “how to” meets “what’s new.”Wi llard L.Warren, PE, Fellow IES, LC, DSA,is principal of Willard L. Warren Associates.email a letter tothe editor:ptarricone@ies.org800-766-8478 | www.vistapro.com16 July 2013 | LD+A www.ies.org

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APPS + ANSWERSThe Art of Executionby Don Peifer‘Safe-bet’ SSL productsoften result when designintent gets lost on thejourney to productlaunch. Some ideas forimproving the processFor lighting designers looking forthe newest thing, it can be frustrating.At any one time, maybe 5percent of the installed base is upfor bid, and there is a lot of competitionfor a seat at the table. As lighting experts,we need to drive value or risk losing thatseat. Our best chance lies in our abilityto teach the architects, the engineersand the contractors about the latestand greatest lighting technology. Theproblem is that the latest—especiallywhen it comes to LED products—is notnecessarily the greatest. Heck, most ofthe time, we’d settle for good.The problem is an influx of uninspiredfare. We are now surrounded by a funnelcloud of products that meet performancespecifications but are decidedly utilitarian.One conclusion you can draw from that isthat manufacturers are playing it safe—only thinking about one part of the problem.Indeed, as the performance of individualLEDs increase and even more applicationsopen up to the technology, it is clear theends don’t justify the means. Most designerscontinue to bemoan the presence ofindividual optics capable of retina-fryingluminance and heat sinks that are bettersuited for hand-to-hand combat thansophisticated design projects. It is worthasking: how did we arrive at this place?One clue lies in the paradigm shift toSSL. Prior to the advent of LED, the lightingworld had an understanding. Therewere lamp manufacturers and there werefixture manufacturers. The former solda commodity product and went throughdistribution; the later was a specificationproduct sold through agencies. The twopieces met at the job site, and everyoneunderstood his or her place. Lamp manufacturersdidn’t want to think about bendingand shipping metal, and the fixturemanufacturers didn’t want to think aboutmaking sources. Because of LEDs, thewedge that separated these two referenceplanes was pulled out, and they camecrashing down upon one another. Now,you can’t build a fixture without a LED, andthe lamp manufacturers of the previousparadigm are scrambling to bring SSL backto the old paradigm with palatable engines.The results are less than ideal.TYRANNY OF ENGINEERINGAnother clue is that the new paradigmof lighting has pulled in a different breedof system designer. If you were a fixturemanufacturer in the old paradigm, youwere concerned fundamentally with onlymechanical and optical engineering. SSLhas added electrical and thermal engineeringto the list. It is a greatly expanded skillset, which naturally pulls in people withroots in the semi-conductor industry. Theapproach becomes predictable: we havethis LED, we are happy with it, now how dowe put it into a package that is palatable tothe consumer? The danger of an LED-firstapproach is that you are working frominside to out. You’re not thinking about theapplication, light on the task or the needsof the spec community.It is similar to the “car show effect.” Carshows are ground zero for inspiration. Theyare a celebration of the automotive industry’spotential and the “what if?” We showup, we get excited by a hot prototype. Wewait a couple of years, but what we get isthe result of the product development lifecycle. Engineering gets their hooks in it. Then,18 July 2013 | LD+A www.ies.org

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APPS + ANSWERSimplications. Add an LED and you need todesign a new board, change the numberof LEDs in a string, possibly go to a completelydifferent power supply. Because ofthe prohibitive amount of engineering thatgoes into each product, manufacturers aremuch less inclined to turn on those ideas.This creates a crisis of sorts, and it isthe reason that so much emphasis is beingplaced on the creation of decent engines.Prepackaged LED arrays and power suppliesallow designers the opportunity tomaintain early paradigm conceits. By notdesigning from ground zero around thestrengths of the technology, however, wedelay the inevitable shift away from theprevious lamp and fixture paradigm.Another thing that I never appreciateduntil I started meeting with manufacturersis how rare a breed the company is thatcould bring a decent concept to fruition.From one angle, it is alarming, but fromanother it gives me hope. Business is theultimate meritocracy. As SSL evolves, themarket will reward those that get it andcan execute and will punish those thatcan’t. Success and sophisticated, nuancedproducts ultimately is less about artfulnessand more about the art of execution.That’s scalable, that’s sustainable and thatis worth waiting for.Don Peifer is director of lighting at Sensity.FOR BACK ISSUESCall Leslie Prestia212-248-5000 ext 111www.ies.org LD+A | July 2013 21

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POLICY POINTSup with its own version. And, guess what!The House has developed its own version.And, guess what again? This time, the Houseversion is identical to the Senate version!The House bill (also introduced in April) isdesignated H.R. 1616, the “Energy Savingsand Industrial Competitiveness Act of 2013.”The bill’s main sponsor is RepresentativeMcKinley (R-WV) with Rep. Welch (D-VT)as the co-sponsor. The bill was referred to nofewer than six committees, which will almostsurely create introduction delays (Ya think!).As an aside, these two representatives arethe new co-chairs of the High-PerformanceBuildings Congressional Caucus.What’s the next step? It appears (again,at the date of this writing) that the Senatebill has a good chance of passing. Whenthat happens, there will probably be somenegotiation with whatever the House producesfrom the six committees assignedto work on their version. As you may surmise,passage of a bill by both Chambers ofCongress may be a ways off.A SHORTER BILLIn a related building energy issue,Representatives Welch (D-VT) and Gardner(R-CO) have introduced a bill in April designatedH.R. 1659, the “Federal BuildingsEnergy Saving Act of 2013.” It has beenreferred to the House Energy and CommerceCommittee and is awaiting markup. It is quitea short bill (probably done just to get the ballrolling) and is likely going to be significantlyenhanced in committee prior to being reintroduced.The main intent of this bill isto provide for utilization of energy savingsperformance contracts and utility energyservice contracts when government buildingsconsider energy-efficiency improvementsin existing buildings. This approachdiscourages the use of government fundsfor modifications and encourages the use ofprivate sector funding.So, it looks like April was the month forintroducing building energy bills. Let’s hopewe see some results soon and help getbuilding energy efficiency (and of course,lighting energy efficiency) on a more activepath, especially for retrofits of existingbuildings. After all, that’s one way to get oureconomy moving and produce jobs.Bob Horner is director of public policy forthe IES.24 July 2013 | LD+A www.ies.org

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THE COMPANY • THE CANDIDATESigns That They’re Just Not That Into Youby Paul PompeoOne of these redflags might not bemuch to worryabout. But two ormore could meanyour candidate justdoesn’t have coldfeet—it’s more likethey’re frozen solidThere was a film that came out a fewyears ago in the romantic-comedygenre entitled He’s Just Not ThatInto You, starring Drew Barrymore,Jennifer Aniston, Scarlett Johansson andBen Affleck. It was based on a self-helpbook by Greg Behrendt and Liz Tuccillofrom a few years earlier. Now what doesthat have to do with light engines or hiringa chief technology officer, you may ask?Good question. I’m working backwards,here, so please bear with me.I wrote a column a few years back(“Avoiding Candidate Remorse”), whichtalked about things hiring managers shoulddo as soon as a candidate has acceptedthe job offer and before the start date. Asdiscussed in that column, many companiesmake the mistake of assuming thatjust because the candidate accepted theirposition, that’s all they need to do otherthan look forward to the candidate’s startdate. It’s a great position, great companyand of course you’re a great manager, andthe candidate seemed pretty excited at thelast interview and/or while accepting, sonothing more needs to be done to maintainthe candidate’s interest, right?In fact, there have been many times that Ihave received a call from a company presidentlooking to have us conduct a searchfor, say, a vice president of sales. That presidentwill say: “We thought we had someonehired, we were very excited about them,but they have now turned down the offer(or accepted another offer).“ So now theirsearch begins anew. When this happens,there are almost always warning signs, butthe employer might not have been awareof their importance. So, with apologies toBehrendt and Tuccillo, here are the top 11signs that your employee to be is just notthat into your offer:1. Doesn’t return your calls right away.Yes, your candidate may be currentlyemployed and should be wrapping uploose ends at his current company, buthe should be able to return your callspromptly. He may be traveling, but thereshould be no reason you shouldn’t beable to have your call returned withinless than 24 hours. Delayed return callsafter acceptance can be a sign thatsomething is amiss.2. Responds to your phone messages bye-mail and/or text. We had a situationearlier last year where the president ofour client (a building controls manufacturer)was calling the candidate whohad accepted their offer as vice presidentof sales. Instead of a call back, theclient, after a delay, would receive atext message. This happened severaltimes and in this case it turns out thecandidate did not accept.3. Hasn’t given notice yet. Your candidatewill never start with your companyif they don’t first give notice at theircurrent one. The vast majority of candidateswe place give notice withinone or two business days of receivinga written offer. Accept no excuses—ifyour candidate has not given noticeby this time, ask for a deadline forthem to do so (within 72 hours is morethan enough, barring any extenuatingcircumstances). Reluctance to givenotice is not unusual, but if they seemto delay and push back giving notice,there is usually a problem.4. Can’t provide you with a concrete (oracceptable) start date. Beware the26 July 2013 | LD+A www.ies.org

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THE COMPANY - THE CANDIDATEvague answers from your prospectivenew employee when you try to set astart date. Now, it’s not uncommonfor a newly-engaged couple to set awedding date of say, six months, oneyear (or even two) from the date oftheir engagement. Not the same forthe candidate you want to hire. If yourcandidate can’t provide you a specificstart date or asks for a start date of amonth or more from their acceptance,they have something to hide: Theyeither have concerns about taking yourposition, are waiting on another opportunity,or both.5. The start date creeps backward. Fromour experience, most candidates areeager to get on board with their newcompany as soon as possible. Anytime your candidate comes back toyou requesting a later date to start, it’sgood to at least evaluate the reasonsfor the request. They may have a validexplanation for the delay, but you havethe right to ask why and you shouldclearly understand the reason.6. Hasn’t examined housing in your area. Ifthe position requires relocation and yourcandidate is not enquiring about tripsto the area, and his or her significantother has no questions about schoolsor demographic information about thearea, this indicates that either the topicof relocation hasn’t been discussedbetween them (a definite red flag) oryour candidate has truly not made thedecision to relocate. Candidates readyto take your opportunity will have manyquestions about housing, commutepatterns, cost of living, recommendedneighborhoods, etc. The candidate withno questions is a warning sign.7. Surprises keep cropping up. Issues cancome up once a candidate has accepted.However, if one problem after anothercomes up, you need to examine if yourcandidate has other concerns about theposition. I remember hearing the story acouple years ago of a search candidatefor a vice president of operations, who,two weeks after accepting an offer andone week before his scheduled startdate, suddenly remembered a clause inhis contract with his current employerthat required him to pay back the relocationfunds his old company had providedif he left within a certain period of time.With surprises like this, either you havea candidate who is very forgetful, isnot big on details, or wasn’t forthcomingabout things you really should havebeen informed of much earlier. In anycase, you may have a bigger problemthan his latest issue/crisis.8. Additional demands crop up/candidatebegins negotiating after the fact. Soyour candidate has accepted your offer.Now she begins to want to debate termsor seek changes in terms she previouslyhad agreed to. It could be an effort topush back the timeframe in which sheneeds to relocate or, worse yet, she maybe reconsidering her desire to relocate.9. Hasn’t returned a copy of the signedoffer letter. The excuses can be manywhen this happens—doesn’t haveaccess to a scanner, the fax machine isbroken, it’s being reviewed by an attorney.Anytime a candidate takes morethan 24-48 hours to sign and returnyour offer letter, be aware that you mayhave a problem.10. Doesn’t provide references even if theoffer is contingent upon them. Almost28 July 2013 | LD+A www.ies.org

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THE COMPANY - THE CANDIDATEHOW EMPLOYERS CAN NIP IT IN THE BUDHiring managers need not feel helpless if they have a reluctant warrior on theirhands. Here are a half-dozen things employers can do to prevent the issues describedin the main article from cropping up, or to deal with them once those warning bellsstart to go off:1. When extending a verbal offer, always set a start date set at the same time. Youcan always shift it one or two weeks forward or backward if a candidate’s currentemployer would like them to stay one more week to wrap up loose ends, or haveyour candidate start earlier if they are released by their company after giving notice(which often occurs if a candidate is going to a direct competitor).2. If your offer was accepted verbally, make sure that the written version goes out nomore than 24-48 hours from the time the candidate verbally accepted (and make sureall terms match completely).3. Include a date within the offer letter by which the document must be signed andreturned (24, 48 and 72 hour periods are fairly common). If the offer is not signedand returned on or before the deadline, the document is void.4. Keep your offer letter as brief as humanly (and legally) possible. You want to include allthe needed points, but we occasionally see written offers from clients that look likemortgage documents. Keep in mind, the longer your offer letter (or the more convolutedor filled with “legalese”), the more likely your prospective employee will want tohave her attorney review it, which then often leads to a battle on points between thetwo parties’ lawyers. This can sometimes not only delay the start date but also createan adversarial tone to the relationship with your desired hire.5. When you start to see two more of the points discussed earlier come up with yourprospective employee, deal directly (but positively) with the candidate right away.This should only be done by the hiring manager—the person to whom the personwill report. It’s okay (and helpful) to ask questions like, “Has anything changedsince we spoke last?” “Are you still excited about the opportunity?” “What was thereaction of your employer when you gave notice?” A good executive recruiting firmwill be asking these questions of your candidate, but it doesn’t hurt if you do as well.P.S. Never do these in an e-mail. You can hear a lot more in the tone of the voiceor long pauses before answering your question. This will never be caught in ane-mail exchange.6. If all else fails, you can always employ the “R” word—rescind. This is not somethingyou want to do lightly, but if the start date becomes that mirage on a deserthighway—always somewhere ahead of you on the horizon, but never gettingcloser—this may be an option. Likewise, if you see multiple warning signs withyour candidate (even if they profess their interest), it’s okay to bring up the topic ofpossibly rescinding. How you deliver the message depends on how much you wantthe candidate and how credible you feel their reasons are.everyone should be able to providesome references (a person who isretired, who has since left the industry,etc.). Dragging one’s feet on thisimplies either someone wants to delaythe process and/or is concerned aboutwhat the references will say—neitheris a positive reason.11. Is reluctant to have you announce her/his joining your company. Now, if that’snot a red flag, what is? If the candidatehasn’t given notice to his old company,that’s understandable. However,if he has, or if he’s between companies,this type of hesitation is kind of likethe groom-to-be who doesn’t want hisfiancée to announce their engagement.Not a good sign.TWO AND COUNTINGNow, is one of these items enough tocause you panic or to consider rescindingyour offer? Probably not. But it is a warning,like a light going on your car’s dashboard,of something you should at least beaware of. However, once you see two ormore of these signs come up with a candidatebefore start date, there is probablygood reason to be concerned. It’s importanthere not to be idle, but a proactiveapproach on your part can potentially saveyou time, grief, money and embarrassment.Paul Pompeo is president of The PompeoGroup (www.pompeo.com), an executiverecruiting firm in the lighting, LED and controlsarena.email a letter tothe editor:ptarricone@ies.org30 July 2013 | LD+A www.ies.org

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CherylRamberg Fordand Allyn FordAlumni Center Fluorescent uplights exaggeratethe atrium’s height.Photos: Mark GodfreyThe Cheryl Ramberg Ford and Allyn Ford Alumni Center at the University of Oregon was designedfor boldness, innovation and environmental sensitivity. The building serves as a gateway to thecampus and a welcome center to everyone visiting. “Budget was a big driving force in the lightingdesign,” says Mark Godfrey, lighting designer with Interface Engineering Lighting Studio, Portland,OR. “State regulations required a 20 percent below energy code building, so the dominant sourcewas T5 and T8 fluorescent lamps.” The exterior public plaza is subtly lighted with LED at seatingareas and low level path lighting. Multiuse conference rooms are illuminated with narrow recessedfluorescent luminaires and wall wash to provide maximum flexibility. The boardroom is illuminatedwith drop glass CFL downlights, halogen downlights and wall wash to brighten the space withoutoverpowering users.ANATOMY OF AN AWARDDiana VentimigliaIES IlluminationAward of Merit Horizontal LED luminairesdifferentiate the bridges from thesurrounding architecture. Custom glass globes hangfrom fi beroptic cables andtwinkle throughout the space. Linear fluorescent luminairesprovide ambient light in the GrandRoom. PAR38 halogen downlights(45-W) and CFL pendants provideinterest to the space.www.ies.org LD+A | July 2013 33

ANAHEIM CONVENTION CENTERGo WithThe FlowAfter water was ruled out, a riverof light now dazzles guests at theAnaheim Convention CenterBY DIANA VENTIMIGLIAThe Anaheim Convention Center Grand Plaza is a 168,000 sq ftadult playground equipped with alfresco dining, concerts, receptions,exhibitions and more. The Grand Plaza representsan enormous transformation of the guest experience at theconvention center and its surrounding hotels. A former throughwayfor taxis and buses, the roadway has been converted into a largepedestrian mall of more than 1,400 ft long and 120 ft wide.After several workshops with stakeholders including the ConventionCenter, the City of Anaheim, the Anaheim Hilton and the AnaheimMarriott, lighting design consultancy StudioK1, Irvine, CA, workingwith landscape architectural firm RJM, developed a theme for unifyingthe plaza. “We came up with a ‘River of Light’ concept, groundedby large fountains on either end of the plaza,” explains Peter Maradudin,studio director of StudioK1. The river was originally intended tobe a water feature extending the 600-plus ft between the fountains,representing the Santa Ana River around which the City of Anaheimwas founded. The Mountain Fountain represents the San GabrielMountains, and as the water moves west it reaches the Ocean Fountain,representing the Pacific Ocean. After some analysis, however,the river water feature was deemed too expensive and unwieldy.“When we realized we couldn’t execute our original concept, Iproposed creating a kinetic light artwork that would simulate theflow of water and the sparkle of sunlight playing on its surface,”says Maradudin. “With the right controls, I knew it could be programmedto do anything.” With the help of lighting designer KaitlinLeSage Crawford, also of StudioK1, a landscape of light was createdthat flows organically from one fountain to the other. The entirelighting design provided energy efficiency without skimping onquality. LEDs were used throughout the project—from the pedestrianpoles to the floodlights. The entire installation uses less than16,000 watts of light, or approximately .1-W per sq ft.PARTING THE SEASThe simulated river is composed of about 300 ingrade fixtures(Targetti/Poulsen) of two different sizes. Each was laid out in arandom pattern within a blue highlighted “river” stained into theconcrete. “The fixtures were chosen due to their high drive-overrating, integral drivers, tri-color LED chips and modular, easy tomaintain construction,” says Maradudin. “We had the lensesfrosted with a wave pattern anti-slip feature on the top of thelenses.” The tri-color LED chips were essential to the success ofthe project, as instead of seeing red, green and blue trying to mixtogether on each lens, each lens is the color already mixed.Photos: Tom Paiva, Tom Paiva Photography34 July 2013 | LD+A www.ies.org

ANAHEIM CONVENTION CENTERThe River of Light continues on to the OceanFountain which rises before the Convention Center.Opposite: The 60-ft monument greets guests.www.ies.org LD+A | July 2013 35

ANAHEIM CONVENTION CENTERThe River of Light wends its way over 600 ft from the Mountain Fountain in the distance through an arbor structure at the center of the Plaza.The concourse of palm trees is lighted by LED fixtures on tree rings that also provide base illumination for pedestrians.For 25 minutes of each half hour, the river has a pattern thatmimics the flow of water with sunlight sparkling off the surface.This is done with variations of blue, with white light flashing randomlythroughout. The effect was created using a video file, whichis part of the programming software. At each half hour, there is afive-minute show that uses a wider range of color and movement.During the 25 minute “quiescent” section of the programming, theocean fountain and its jets are low, with blue and white coloration.During the more active shows, the fountain also changes colordramatically, with the jets controlled by the lighting system, allowingfor dramatic changes in fountain jet height.Adorned with the words "Anaheim Convetion Center," the 60-ftmonument at the entrance to the plaza also changes color, but withina very tight palette range (magenta through purple to dark blue), andit transitions slowly, so as not to distract vehicular traffic or detractfrom the movement of the river. The monument is lighted from withinby seven high-powered Philips Color Kinetics RGB LED fixtures.Each is 295 watts, with a wide optic in the lower lens and a narrowoptic in the upper lens to get all the way to the top of the monument.CONTINUING MOVEMENTThere were several other layers of light to consider for theproject: pedestrian lighting, landscape lighting and lighting forthe benches and steps to name a few. There are 151 palm treesand 60 orange trees surrounding the plaza. To light the palm trees,Maradudin’s team used tree-ring mounted LED bullets—twopointing up into the palm canopy and two pointing down to lightthe pedestrian walkways. Each bullet is 15 watts.The existing fixtures lighting the pedestrian pathways werePoulsen Albertslund metal halide. “We felt we should be consis-36 July 2013 | LD+A www.ies.org

ANAHEIM CONVENTION CENTERLow-voltage, LED linear fixtures light benches.The Ocean Fountain’s jets change color during the daily light shows.tent with that look in the new plaza, but update the technologyto LED, as we wanted to have the potential to turn the lights offand on instantly for special events and for special moments withinthe River of Light programming,” explains Maradudin. The newfixtures are 117 watts, as opposed to over 160 watts for the metalhalide version, for a 38 percent decrease in energy use. Sincethe tree-ring mounted LED fixtures were already on the palms,Maradudin’s team decided to use those to light the bulk of theplaza. The Anaheim police requested 2 fc, average, for pedestrianareas, so StudioK1 had to meet that requirement.Lighting under the benches and under the fountain steps provedto be more of a challenge. “We used fixtures from iLight under thebenches, which was our original specification for the steps at theOcean Fountain, as well,” says Maradudin. “The City of Anaheim,however, was concerned about the low-voltage lighting in the fountainsteps, which was less than 10 ft from the water.“ To light thesteps, LED linear fixtures with an IP rating of 68 were used. The Q-Tran transformers were placed in the enclosures in order to meetthe requirements.Fountain lighting fell to the water feature designer, but StudioK1organized the control of the fixtures, which are RGB LED. The entireproject is controlled by an ETC Mosaic DMX control system withthree universes of DMX and over 1,500 channels to control all of theingrade fixtures of the River of Light, the two fountains and their jets,and the entry monument. The controller also triggers relay panels toturn on and off the pedestrian, roadway and landscape lighting. ■METRICS THAT MATTERAnaheim Grand PlazaWatts per sq ft: 0.1 (complies with ASHRAE/IESNA 90.1 2010)Illuminance Level: approximately 2 fcFixture Types: 10 (plaza); 2 (parking area)THE DESIGNERSPeter Maradudin, IALD, Member IES (2006), isthe studio director at StudioK1, Irvine, CA.Kaitlin LeSage Crawford, Associate IALD, LC,Member IES (2010), is a lighting designer withStudioK1.www.ies.org LD+A | July 2013 37

BAY BRIDGESculpture bythe BayHow do you add 25,000 lightsto a bridge in a graceful notgarish manner? Just ask artistLeo VillarealBY PAUL TARRICONE38 July 2013 | LD+A www.ies.org

BAY BRIDGEPhotos: Lucas SaugenFor San Francisco’s Bay Bridge, the possibilities are endless—orpretty close to it. The bridge was recently outfittedwith 25,000 LED nodes, each with 255 different lightlevels. Do the math—that factors out to 6 million potentialcombinations, which should be enough for the two years that TheBay Lights will be on display. The Bay Lights is the result of a publicprivatepartnership involving organizer Illuminate the Arts, Caltransand the renowned artist Leo Villareal. Organizers predict that this“light sculpture” could ultimately be viewed by 50 million people.The $8 million privately funded installation went live in March.Villareal, who in recent years has become something of a rockstar in lighting circles, has made his mark by combining LED lightsand encoded computer programming to create illuminated displays.In the case of The Bay Lights, he was determined to wielda gentle brush: “When I first considered what could be done withthe Bay Bridge, I looked at the structure of the bridge and didn’twww.ies.org LD+A | July 2013 39

BAY BRIDGEThe LED nodes (inset) are spaced 1 ft apart on the bridge cables, but when viewed from a distance, it appears as if there are solid lines of white light.want to add anything extra to it. I love the efficiency of the bridge.”Thus, his canvas for the illumination became the suspender cables.“The cables seemed like the ideal place to put lights. I knew I couldmake a grid of lights that I could then sequence. For me having theminimum impact on the bridge was very important.”Villareal called for 25,000 individual LED nodes (the eW Flex SLXproduct from Philips Color Kinetics) to be placed on the bridge’s300 vertical cables. The eW Flex SLX is a strand of individuallycontrollable white light LED nodes; the durable, flexible form factorallows dynamic points of white light to be installed across interioror exterior surfaces.Philips worked with Villareal to create custom spacing betweenthe nodes to accommodate his design. “We spaced thenodes 1 ft apart vertically. When viewed from a distance, it appearsas if there is a solid line of light and the in-between spacedisappears,” explains Villareal. “We did many tests to see whatbrightness and density would be necessary. We also tried variouslenses and ended up going with the flat clear lens which catches agood amount of light even when viewed at a 90 deg angle. Our goalwas to find a quality of light that was legible and could ‘read’ at adistance but not be aggressive in any way.”Essential to that non-aggressive design is the all-white palette.“Every bridge we’ve done prior to this has been RGB—which is tosay a color scheme,” says Phil O’Donnell, senior director, Philips.“To have a bridge in white is unusual and it’s trademark of Leo’s—the way he designs the animation, the sequencing, the method ofcontrol. This is unique on a bridge to have an artist-driven project.”Each night for seven hours, the 4,200K white LED lights (equalinga staggering 4.5 miles of product if the strands were laid out ina line) form patterns that dynamically recombine and move acrossthe bridge’s western span or slide up and down the supports. “Wechose the color temperature because it had a nice contrast to theexisting lights. The idea was to augment the structure of the bridgethrough the addition of another layer of light,” says Villareal.The Bay Lights installation measures 1.8 miles long and 500 fthigh at its tallest point. The suspended cables rest 30 ft apart. Thelength of the longest cable is 240 ft; the shortest, just 2 ft. The LEDsare expected to use 85 percent less energy than traditional lightingtechnologies. Over the course of one year, it will cost approximately$11,000 in energy to light the piece, which translates into $30 per40 July 2013 | LD+A www.ies.org

BAY BRIDGEday or $4.25 per hour. Dedicated solar panels installedin Davis, CA by CleanPath will offset the energy usedby the sculpture.Construction crews mounted the strands of LEDs on 300 cables, the tallest being 240 ft andthe shortest 2 ft.EVERY SHOW IS OPENING NIGHTBehind Villareal’s art are advanced controls. “Thisisn’t about just lighting another bridge with white orcolored light. The Bay Lights emphasizes the use of‘intelligent’ lighting, individual control and the ability tocreate 255 levels of brightness per node. The customsoftware allows for the creation of ever-changing patternsspecifically for this location,” says Villareal. Inshort, there are no “set” light shows. “The content isdynamically regenerated by the software and does notrepeat the same progression of sequences. There is noloop and no beginning, middle or end.”And with 6 million or so combinations—if you considereach individual node and its light level intensity—“thereare a huge amount of possible variations,”says Villareal. “Add to this an enormous variety ofphysical locations from which the piece can be seen,as well as all the environmental factors—time of day, atmosphericconditions, etc.—and it makes for an ever-changing canvas thatcontinues to repeatedly surprise viewers.”The only people who won’t be surprised are those driving on thebridge itself. While the lighting will be viewable from San Franciscoand points north, drivers crossing the bridge won't see thespectacle. ■METRICS THAT MATTERBay BridgeNumber of Cables: 300Number of LED Nodes on the Cables: 25,000Energy Use: 150-175 kWh; 7 hours of use per nightThe control system enables 255 levels of brightness per node, resulting inan almost infinite amount of light combinations on the bridge.THE DESIGNERLeo Villareal has permanent installations at the Museum of ModernArt in New York City, the National Gallery of Art in Washington,D.C., the Brooklyn Museum of Art and the Albright-Knox ArtGallery in Buffalo, NY. His work has also been on display at theHirshhorn Museum and Sculpture Garden in Washington, D.C., theLos Angeles Museum of Contemporary Art, the PS 1 Contemporary Art Center inLong Island City, NY and at the Brooklyn Academy of Music.www.ies.org LD+A | July 2013 41

HIGBEE BUILDINGThe color scheme transitions from amber towhite, and the footcandle level increases asthe façade lighting climbs the building.42 July 2013 | LD+A www.ies.org

HIGBEE BUILDINGDichotomy might be the best word to hang on the HigbeeBuilding in Cleveland. The building once housed a departmentstore of the same name that was featured in thefamily movie A Christmas Story, but today it’s anchored bysomething a bit more grown up—the Horseshoe Casino. It’s a locallandmark whose exterior had to be respected, but it also needs tostand out in an urban setting. It’s a building where lighting is criticalin creating drama, but where the light fixtures are effectively hidden.It’s a building that had to be visually striking from the outside,but not allow people to look inside. It has amber-colored light onthe lower floors and white light on the upper floors. And for a finalcontrast, the building had to accommodate both the view from a distanceand from up close.Tying these apparent contradictions into a cohesive package forCaesars Entertainment Corp. and Rock Gaming LLC was the designteam of project architect ka Architecture, design architect FriedmutterGroup and Farmington Hills, MI-based lighting designer IlluminatingConcepts. Sonia Brown, senior designer for Illuminating Concepts,recalls the client’s checklist for the façade portion of the project: “Upscale,classic, exclusive, very clean and historic-minded,” she says.The building’s location at 100 Public Square in Cleveland dictatedmajor elements of the exterior lighting plan. The building is surroundedby other tall buildings and doesn’t have much of a setbackon the street. From a distance, people can get some “intriguingpeeks, but there are limited long views of the building,” says Brown,explaining that Illuminating Concepts’ mission was to entice peopleby creating more drama at a distance. At the sidewalk level, theobjective was to provide a sense of safety and security, and guidecasino patrons to destination points with stronger illumination.BEHIND THE CURTAINSWith the exception of outdoor signage, the façade for the firsttwo floors is lighted exclusively from the inside. The goal was to“use interior lighting to evoke an exterior experience,” says MichaelShulman, executive director design/business strategy at IlluminatingConcepts. To mitigate views into the casino, sheers were hunginside the windows on the ground floor and grazed with 446 customizedamber LED wash lights (Traxon Technologies) at 2,200K to createwhat Brown calls “luminous window treatments.”Meanwhile, the signage lighting (exterior spotlights for awningsand flags) was specified at 3,000-3,500K. “We coordinatedthe color temperatures with the signage designer, so the signagelighting and the façade lighting would both pop against the façade,"says Brown. “The different lights play off each other anddon’t compete against each other.”As the lighting moves up the façade from floors three though 12,the color temperature increases slightly, the light changes from amberto white and the illuminance level increases, as more light wasneeded on the upper floors to emphasize the 1930s’ architectureand to accommodate long-range viewing. Illuminating Conceptsselected Lumenpulse luminaires to light 849 linear ft of façade onall sides of the building. To emphasize the building’s ornamental details,a combination of 1-ft, 2-ft and 4-ft linear LED fixtures (2,700K)were mounted on top of the cornices on the 4 th and 9 th levels, andThere’s more to this local landmark’s façade lighting than meets the eyeBY PAUL TARRICONEPhotos: Scott PeaseHigh on Higbeewww.ies.org LD+A | July 2013 43

HIGBEE BUILDINGAt left, the sheers prevent outsiders from looking inside the casino, but they are lighted with LED washers to create “luminouswindow treatments.” At right, narrow-beam LED spotlights mounted between windows emphasize the architecture.aimed upward to graze the surface. “These fixtures provide a softgradation of light up the vertical surface of the façade, while alsoproviding sharp highlights on the lower profile of the next cornice,”Brown adds. “Beam control was key in achieving the long throwdistances from one decorative cornice to the next.”In addition, 27 narrow-beam (6-deg) spotlights were installedbetween window pairings and in other strategic areas to outline thebuilding’s form. Because the Horseshoe Casino is located within acluster of high-rises, visors were used to minimize the glare to neighboringbuilding occupants. On-site and off-site mock-ups were alsoconducted prior to the installation to address potential glare.siderations. The fixtures’ run distances and on-board drivers helpedminimize the impact on the building. “The low wattage of the fixturescombined with the ability to through-wire mitigated the need for additionalbuilding penetrations,” says Brown. “Penetrations were onlyat the mortar joints due to the sandstone.” ■METRICS THAT MATTERHorseshoe Casino at the Higbee BuildingLinear ft of façade lighted: 849Watts Used: façade = 20,060; exterior spotlights for awningsand fl ags = 1,840Number of Fixtures: 543HISTORIC CHALLENGESWorking on a historic building posed its own set of challenges. Thechief concern, Brown notes, was how best to “conceal and integratemodern technology into a historic structure.” Building penetrationsfor power, mounting and the fixtures’ visibility were important con-THE DESIGNERSonia Brown is a senior designer with Illuminating Concepts,Farmington Hills, MI.44 July 2013 | LD+A www.ies.org

HIGBEE BUILDINGPhotos: Lisa WildingHistoric replica fixtures areused in the elevator lobby andaround the perimeter of theoffice space (below).History and HarmonyWhile the fun and gaming happens inside the HorseshoeCasino, more serious business is conducted was its low ceilings: fl oors six and eight had 9-ft ceilings, fl oorOne issue when working in the historic confi nes of Higbeea few fl oors up in the Higbee Building at the Key- nine had an 8-ft ceiling. One solution was indirect fl uorescentBank Cleveland Services Center. Karpinski Engineering, Cleveland,was responsible for lighting threefl oors of offi ce space and the lobby(which is separate from the casino lobby)for approximately 1,000 relocatedKeyBank staffers.The objective “was to maintain thebuilding’s historic charm while increasingenergy efficiency and maximizinglighting on the ceilings to provide a sense a height to the space.Linear recessed fl uorescent fi xturesthat extend from wall into the ceilingsalso create a more modern feel forKeyBank personnel.While the needs of today’s userswere, of course, paramount, the designteam also looked back for inspiration.“Photographs from the original Higbeeuser comfort and productivity,” saysMarian Perez, director of lighting designfor Karpinski Engineering, who receiveda 2012 IES Illumination Award of MeritSignage on the brick reading “New Store,”once found on the Higbee Building exterior, wasincorporated into the KeyBank space.Building were reviewed, and similar luminaireswere selected to tie togetherthe old and the new elements of thespace,” says Perez.for the project. “This was achieved by providing a harmoniousblend of a low ambient lighting system and individual task lighting;The design came in at more than 15 below the 90.1-2004 requirement,helping the project achieve LEED Gold certifi cation.integrating custom luminaires to retain historical details; incorporatingcolor into the luminaires to facilitate wayfinding; and highlighting— Paul Tarriconekey architectural elements throughout thespace.”www.ies.org LD+A | July 2013 45

LIGHTFAIR REVIEWREVIEW46 July 2013 | LD+A www.ies.org

LIGHTFAIR REVIEWCOOPER SOURCEAWARDSCooper Lighting announced the winners of its36th Annual SOURCE Awards national lightingdesign competition at the 2013 LIGHTFAIR KeynoteSpeaker Luncheon. Six professional awardsand five student awards were presented.Professional winners Creative Designs inLighting and Robert Singer and Associates,Inc. received a $2,000 monetary award. Studentwinner Huanhai Cheng received a $1,500award. All winners were presented with a crystaltrophy and offered an invitation to attend acomplimentary class at the SOURCE, CooperLighting’s education center.Colorow ResidencePROFESSIONAL COMMERCIALCATEGORYWinnerCole Capital, Phoenix, AZMark Mueller, Nikki Holt and Walter SpitzCreative Designs in LightingAward of Recognition –Creativity AwardSoBou, W Hotel, French Quarter,New OrleansKen Ventry, Courtney Mark and Levia LewReveal Design GroupAward of RecognitionHilton Columbus Downtown,Columbus, OHArdra Paige ZinkonTec Studio In.Honorable Mention SustainableDesign AwardUniversity of North Texas BusinessLeadership Building, Denton, TXKevin Williams, Kimberly Smith, NathanCarruth and Ennead ArchitectsJacobs Engineering Group, Inc.PROFESSIONAL RESIDENTIALCATEGORYWinnerColorow Residence, Edwards, CORobert Singer and Kim QuintRobert Singer and Associates, IncHonorable MentionTiehack Compound, Aspen, CORobert Singer, Kim Quint and Jason DiazRobert Singer and Associates, IncHonorable MentionHermes Men’s ShowroomAli KidwellAuburn UniversityHonorable MentionPADI Americas Headquarters ExpansionChristina CarecciaThe Art Institute of CaliforniaHonorable MentionEscalopeGraysen MillerMississippi CollegeAward of RecognitionBloomingdale’s Corporate OfficeAna Darice PayanThe Art Institute of CaliforniaSTUDENT CATEGORYWinnerPermeating by Light – The HarlemSchool of ArtsHuanhai ChengParsons The New School for Designwww.ies.org LD+A | July 2013 47

LIGHTFAIR REVIEWGE EDISON AWARDSIn Philadelphia on April 22, GE presentedits 2012 GE Edison Award to HerveDescottes, Jeff Taylor and Jessica Tchah ofL’Observatoire International, a lighting designfirm in New York City, for lighting VintryFine Wines in New York City.The winning project was one of fourAward of Excellence finalists. Also presentedat the GE Edison Awards ceremonywere five Awards of Merit, three Awardsfor Environmental Design and one Awardfor Residential Design.Vintry Fine WinesWinnerVintry Fine Wines, New York CityHerve Descottes, Jeff Taylor andJessica TchahL’Observatoire InternationalAwards of ExcellenceHarry Winston Shanghai Pavilion,Shanghai, The People’s Republic of ChinaFrancesca Bettridge, Michael Hennes andNicole Yoon KimCline Bettridge BernsteinSpace Shuttle Pavilion at the IntrepidSea, Air and Space Museum,New York CityBrett Anderson, Stephanie Daigle, SamuelKitchel and Kenneth SchutzFocus Lighting, Inc.Velti Headquarters, San Francisco, CAJody Pritchard and Kristin PeckPritchardPeck LightingAwards for Environmental DesignArquitipo UNARTE, Puebla,Puebla MexicoGustavo Aviles and Jose Ramon TagleLighteam Gustavo Aviles, S.C.Hilton Columbus Downtown,Columbus, OHArdra Paige ZinkonTec StudioScarlett Residence, CanadaGalina Abrizher and Vance HarrisTotal Lighting SolutionsAward for Residential DesignScarlett Residence, CanadaGalina Abrizher and Vance HarrisTotal Lighting SolutionsAwards of MeritArquitipo UNARTE, Puebla,Puebla MexicoGustavo Aviles and Jose Ramon TagleLighteam Gustavo Aviles S.C.The Burlington Performing Arts Centre,Burlington, Ontario, CanadaIon Luh and Ryan Fook-SheungConsullux LightingJon SoulesDiamond Schmitt ArchitectsConcert and Congress Centre,Augsburg, GermanyErwin Doringd-lightvisionThe Smith Center for thePerforming Arts, Las VegasSusan Brady, Attila Uysal, Donna Sumner,Wen Yuan Lin and Bruce TaylorSBLD StudioSutphin Boulevard Overpass,Jamaica, NYDomingo Gonzalez, Chae O’Keefe andIlva DodajDomingo Gonzalez Associates48 July 2013 | LD+A www.ies.org

PART OF THE SOLUTION.MEDLEYLED LINEARLIGHTING FORINTERIOR& EXTERIORAPPLICATIONSLEDARCHITECTURALLIGHTING FORINTERIOR& EXTERIORAPPLICATIONSLEDILLUMINATEDPANEL, WALL,WAYFINDING &ADVERTISINGSYSTEMSILLUSIONSLINEAR& VERTICALLUMINOUSLIGHTINGLEDFACADE,FLOOD&PATHWAYLIGHTINGOur mission is to develop innovative new products to assistour customers in meeting their lighting challenges. By creatingfunctional, aesthetic and energy conscious products, we striveto enhance the appearance and performance of the workingenvironment.Insight Lighting, let us be part of the solution.For more information, please visit:www.insightlighting.comPreparing the Future

LIGHTFAIR REVIEWHafencity-University Subway StationIALD AWARDSTen award winners representing architecturallighting design projects from ninecountries comprise the winners of the 30 thIALD International Lighting Design Awards.The winners were recognized at a presentationheld on April 24 at the Crystal TeaRoom in Philadelphia. One entry earned aRadiance Award for Excellence in LightingDesign, two earned Awards of Excellence,six earned Awards of Merit and one earneda Special Citation.Radiance Award for Excellence inLighting DesignHafencity-University Subway Station,Hamburg, GermanyGerd Pfarre, Katja Moebs, Katrin Rohr andChristoph MatthiasPfarre Lighting DesignAwards of ExcellenceCrown Towers Eastern Entry,Melbourne, AustraliaPaul Beale, Jess Perry and RosanaSalemeELECTROLIGHTSilo 468, Helsinki, FinlandTapio Rosenius, Oscar Martin, RodolfoLozano, Victor Soria, Gorka Cortazar,Reinaldo Alcala and Rodrigo ArcayaLighting Design CollectiveAwards of MeritBurlington Arcade, LondonAndrew Howis, Clementine Rodgers,Benz Ross and Ewan ParsonsSpeirs + MajorCite Du Surf Et De L’Ocean,Biarritz, FranceHerve Descottes and Nicolas DufilsL’Observatoire InternationalKunming Changshui InternationalAirport, Kunming City, ChinaDr. Xin Yingjie, Dr. Wen Yuan, Qi Hao,Li Yutian, Yu Qiang, Duan Lian,Deng Yunshan, Yuan Xinhua and Gao YuanShanghai Grandar Light Art &Technology CoLakewood Cemetery GardenMausoleum, Minneapolis, MNTao HamHGA Architects + EngineersSneakerology, Sydney, AustraliaPaul Beale and Jess PerryElectrolightTokyo Skytree, TokyoHirohito Totsune, Kanae Sukegawa andShuhei KobayashiSirius Lighting Office Inc.Special CitationQatar National Convention CentreBanqueting Suite, Doha, QatarLee PrinceLight and Design Associates Ltd50 July 2013 | LD+A www.ies.org

LIGHTFAIR REVIEWLFI INNOVATION AWARDSThe LFI Innovation Awards honor industry innovations for lighting-related products and designs introduced in the past 12 months.Each product was judged by an independent panel of lighting professionals. This year, four products were awarded top distinctionsand 15 won best-of-category awards. (Note: The four products receiving top honors also won their respective category award.)MOST INNOVATIVE PRODUCT OF THE YEARCommercial Indoor (Linear Fluorescent, Troffers,Suspended, Surface, LED, OLED)BoldPlayPhilipsArchitectural LED luminaire delivering high performance andenergy savings.www.philips.comTECHNICAL INNOVATION AWARDNon-Luminous Components and Specialty HardwareMoldable SiliconesDow Corning CorporationMoldable silicones enable flexible lighting designs whileaddressing industry challenges.www.dowcorning.comDESIGN EXCELLENCE AWARDLED, OLED, Chips and ModulesLight SheetCooledge LightingA new LED lighting system that combinesthe mechanical, electrical andsource together into a flexible sheetof light.www.cooledgelighting.comJUDGES’ CITATION AWARDDynamic Color, Theatrical, Cove, Stripes and TapeHue personal wireless lightingPhilipsHue is a system that is secure and easy to experience.It enables light to connect to the internet.www.philips.comwww.ies.org LD+A | July 2013 51

LIGHTFAIR REVIEWLFI INNOVATION AWARDSBEST-OF-CATEGORY AWARD WINNERSResearch, Publications, Software andMeasuring DevicesAGi32 Version 14Lighting Analysts, Inc.AGi32 Version 14 performs Mesopic calculations per IES TM-12-12 to show improved visibility in low-light environments.www.lightinganalysts.comConventional, Retrofit and ReplacementLED LampsSYLVANIA OCTRON 800 XP XL SUPERSAVERT8 Fluorescent LampsOSRAMExtended T8 lamp life, up to 84,000 hrs in 25-W SS and 28-W SSbacked by 5-year QUICK 60+ system warranty.www.osram.comBallasts, Transformers and LED DriversFulham HighHorse Controllable InductionGeneratorFulham Co.Offers controllable generator mounting and thermal management.www.sylvania.comSolar, Shades and Daylight IntegrationSolatube Smart LED SystemSolatube International, Inc.A fusion of daylighting and LED lighting that offers 94 percentlighting energy savings.www.solatube.comOutdoor Luminaires–Sports, Step, Landscape,Pool & FountainPrecision 2 In-Grade with Color Tuning BKSSLTechnologyB-K Lighting & Teka IlluminationTunable white 2,700K-6,000K, 100-5 percent dim, full sat/huecontrol, wireless remote. Copy/paste all settings from fixture.www.bklighting.comControls, Building Integration, Site Automationand Distribution SystemsHBA WASP2 Dimming Outdoor OccupancySensorHubbell Lighting, Inc.A dimming outdoor occupancy sensor providing 0-10VDC outputfor the control of dimmable LED fixtures.www.hubbellighting.comTrack, Display, Undercabinet and ShelfCielux T120 LED Track LightDicon LightingTrack light featuring adjustable beam angle, multipleCCTs and continuous dimming to five percent intensity.www.diconlighting.comIndustrial, Vandal, Emergency and ExitSeries CBM Central Battery with Monitoringand Reporting SystemSIGNTEX LIGHTINGEmergency lighting system with central batteries and LED fixturesintegrated throughoutmultiple buildings.www.signtexinc.comParking, Roadway and Area LuminairesGE Evolve LED Scalable Cobrahead RoadwayLightingGE LightingGE’s Evolve LED Scalable Cobrahead offers reduced glare andhigh coeffient of utilization while reducing energy use.www.gelighting.comIndoor Decorative (Chandeliers, Pendants,Sconces, Task Lights)Planar series Horizontal Core pendantManning LightingThe P-100 pendant edge-lights acrylic planes with LEDs for ageometric, yet ethereal appearance.www.manningltg.comRecessed Downlights (Wall Washers,Directionals, Modulars and Multiples)MultiSource Capable Recessed LightingSystemHubbell Lighting, Inc.LED MultiSource platform, true sustainability: Interchangeablewith remote phosphor, PAR LED and MR16 MH.www.hubbellighting.com52 July 2013 | LD+A www.ies.org

LIGHTFAIR REVIEWSEEN ATLIGHTFAIRThe EcoForm fromPhilips Gardco isa new low profile,outdoor-area LEDluminaire. It provides up to 20,000 lumensor more in a compact, value-drivenluminaire that rivals HID in light qualityand cost. The luminaire features a retrofitarm mount option, enabling existing sitesto adopt EcoForm, as the luminaire canmount on most existing pole hole spacingpatterns. A complete set of opticalsystems are available allowing it to betailored to meet site lighting requirements.www.sitelighting.comCree introduces a seriesof LED bulbs that break the$10 price barrier. The bulbis illuminated by Cree LEDFilament Tower technologyand provides a compact, opticallybalanced light source within a glass bulb todeliver warm light. They can be placed inmost lighting fixtures in the home and aredesigned to last 25,000 hours. The 40-Wreplacement retails for $9.97, the 60-W replacementretails for $12.97 and the 60-Wday light retails for $13.97. www.cree.comLutron Electronics added anightlight feature to its Picowireless remote control. Thecontinuously glowing LEDindicator makes it easy tolocate the control and turnon the lights in the dark. It iscompatible with a variety of Lutron lightingcontrol solutions and is available in twobuttonand three-button with raise/lowerconfigurations. www.lutron.comThe “Edison Inspired”Definity Professional A19(pictured) and GP19 LED lampseries from Lighting ScienceGroup is a direct replacementfor traditional general purpose lighting.The A19 LED lamp is dimmable down to 5percent and has a performance of up to71 lumens per watt. The GP19 LED utilizeslightweight aluminum to optimize theperformance and aesthetics. It achievesEnergy Star equivalency performancecomparable to a 40-W lamp. It also tops 80lumens per watt and is dimmable down to5 percent. www.lsgc.comSharp Electronics Corporation announcesa new portfolio of digital LED lightingproducts for commercial, industrial, retailand hospitality applications. They featureenergy-saving dimming options, multiplelumen packages and numerous color andbeam angle options. They also deliverapproximately 50,000 hours of operation.Sharp’s downlights are compatible withE26 and GU24 and are 6-in round with a 55deg beam angle. www.sharpledlighting.comThe NanoLED NXT and BeveLED2.0 fused technologies tocreate new pendant solutionsfrom USAI Lighting. The newNanoLED NXT pendant and BeveLED2.0 pendant don’t need to be paired withambient lighting to fully illuminate a room.The NXT pendant measures 3 in. in diameter,making it suitable for residential andhospitality spaces, while the BeveLED2.0 pendant measures 6 in. in diameter,making it suitable for high-ceiling spacesand commercial applications. They areavailable in multiple finishes, includingsatin nickel, white and custom colors,and offers customers a color-paletterange within 2,200K to 3,500K. www.usailighting.comPhihong USAintroducesa series ofwaterproofLED drivers for use in a broad range ofresidential and commercial applications.The PDA040 series is available inconstant-current outputs of 700, 1,050and 1,400mA at a nominal input voltagerating of 120-277 VAC. It includesover-voltage protection, over-currentprotection, short-circuit protection,brownout and brownout recovery. Theseries is completely waterproof and mayoperate in temperatures ranging from -40deg C to over 80 deg C and is availablewith 0-10V dimming as the PDA040W andwithout dimming as the PDA040B. www.phihong.comEcoSense Lighting announcesthe EcoSpecFloodlight Bullet (pictured)and EcoSpec Floodlight BulletMini. These new indoor/outdoor-rated luminaires drive high efficaciesand smooth dimming. The Floodlight54 July 2013 | LD+A www.ies.org

LIGHTFAIR REVIEWBullet has 150 deg vertical aiming and 358deg horizontal rotation. Color temperatureoptions include 2,700K, 3,000K, 3,500K and4,000K and fall within a 2-Step MacAdamEllipse. www.ecosenselighting.comThe Zipline modularretrofit system fromLeviton, expands itsline with the ZiplineLED Platinum Series,an energy-management solution forcommercial light fixtures that delivershigh performance LED installation. It islow-maintenance, provides more than50,000 hours at LM80 and complies withthe Design Lighting Consortium for efficiencystandards, making it eligible forenergy rebates. Available in 2 by 2 and 2by 4 versions, Zipline LEDs are compact,integrated pre-wired drivers that are ULlisted. www.leviton.comEYE Lighting Internationalannounces thenew LEDioc brand lamps,designed for simple andeasy field retrofit fromHID to LED light sourcein post-top and pendantluminaires. The 37-Wlamp, consuming only 42 system watts,comes complete with a driver and surgeprotector, and can be applied in 120-Vthrough 277-V systems. The 5,000Kmodel provides 44,000 lumens, 70 CRIand 106 lumens per watt. The 3,000Kmodel provides 31,000 initial lumens, 85CRI and 75 lumens per watt. Both feature70 percent lumen maintenance at 50,000hours of lie. www.eyelighting.comSierra LED Bollard is an illuminatingbollard for accenting,waymarking and pathwayillumination from HessAmerica.The bollard is suitable for landscape,accenting and pathwayillumination applications, wherelow power consumption, longlife and unobstrusive, contemporary architecturaldesign are sought. It is availablein both round and square profileswith a choice of horizontal or diagonalcut at the transition of the shaft to thelens. Power consumption is 23 watts, andstandard finishes are matte silver greymetallic, dark grey and graphite grey.www.Hessamerica.comNora Lightingintroduces a newLED track wall washfixture for retail andcommercial applications. The T-Washfeatures an architecturally-styledhousing that includes the LED module,driver and a frosted lens for even lightdistribution. Designed to illuminate retailwall displays and areas of architecturalinterest, the fixture is specifiable withH, J and L adaptors. It is offered in twolengths: a 2-ft model with 33 watts and2,100 lumens, and a 4-ft model with 66watts and 4,200 lumens. Both fixturesare high CRI with either 3,000K or 4,000Klight output. www.noralighting.comLIGHT MEASUREMENT SPECIALISTSSPOT The Differencein Brightness6930 Metroplex Drive, Romulus, Michigan 48174tel 248 276 8820 fax 248 276 8825info@cookecorp.com www.cookecorp.com$2,250www.cookecorp.comwww.ies.org LD+A | July 2013 55

LIGHTFAIR REVIEWSEEN ATLIGHTFAIRMizar Vertical adjustableupright LED displayand display-caselights from JESCOLighting Group aresuitable for a broadrange of commercialand residential installations for jewelry,collectibles, art, retail merchandise,museum and gallery displays, and displaycases. They are specifically designedfor use wherever low-scale, discrete,aimable LED lighting is wanted. Thefixture comes in five sizes and is housedin compact upright bodies with threeintegral, aimable lights per model. www.jescolighting.comBEST BOOTH AWARDSLFI awarded Best Booth Awards to 12 exhibitors that excelled in visual boothdisplay and product presentation. The 2013 Best Booth winners are:• Touche Controls in the Building Integration Pavilion• Ciralight Global, Inc. in the Daylighting Pavilion• OCL Architectural Lighting in the Design Pavilion• AXO Light USA and Reggiani Lighting USA, Inc. in the Global Light + DesignPavilion• Nordic Light America, Inc. in the New Exhibitor Pavilion• Auroralight, Inc., in the Exterior & Roadway Lighting Pavilion• Oxygen in 100 sq ft• Everbrighten, Co., LTD in 200 to 300 sq ft• Iluminarc. in 400 to 500 sq ft• The Lighting Quotient in 600 to 800 sq ft• Juno Lighting Group and Philips in 900 sq ft and largerAcclaim Lighting announces the DynaSeries of white linear LED wall and covelighting that averages 200-W per ft andup to 50 lumens per watt. Available in twovoltage range models (90-135 VAC and200-300 VAC), the fixtures come in 1 ftand 4 ft sections standard. Each fixtureis available in 2,700K, 3,000K, 3,500K and4,000K color temperature options. Theyare CE and cETLus approved, and comewith a 5-year limited product warranty.www.acclaimlighting.comHubbell Lighting’s Prescolite brand hasdeveloped an LED downlight solution forvexing problems in architectural downlighting.The 12,000 lumen MegaLum hasheat pipe technology in the fixture. Theheat pipe technology—traditionally usedin computers, HVAC systems and solarproducts—transfers heat away from theLEDs at speeds more than 10 times fasterthan conduction systems. The recesseddownlight is available in multiple configurationsfor design flexibility and compatiblewith Hubbell Lighting’s Wi-HUBBsystem for expanded controllability. Thedownlight’s driver and light engine arecompletely accessible from above orbelow the ceiling plane for serviceability.www.prescolite.comSaveTheDate2014June 1-5Las Vegas56 July 2013 | LD+A www.ies.org

IC Central, Wollonggong NSW - AustraliaLigman Lighting – Outdoor Lighting SolutionsLigman Lighting designs and manufactures an extensiverange of exterior lighting products that are distributed throughoutthe world. The company has offices in UAE, India,Netherlands, USA, UK, Hong Kong, Indonesia, Malaysia,Finland, Philippines, Singapore and Thailand.Only top quality components and energy efficient lamps areused. The Ligman range of products are manufactured fromdie cast aluminium. Ligman subjects all aluminium componentsto a tightly controlled, double step pretreatment processand chromating prior to being finished with a UV stabilisedpolyester powder coating. Ligman has supplied products forinstallations internationally, that have endured many years ofextreme environmental conditions.outdoor lighting products is also suitable for landscaping,flood and decorative lighting requirements.Full and comprehensive details of the extensive Ligman range,including product and photometric data, with installationmanuals, are accessible on the company’s website –www.ligmanlighting.comFor a copy of our new 876-page catalogue, or any otherlighting information, please contact the nearest Ligmanoffice or Distributor or email info@ligmanlighting.comAll products are identified by the International Protection IPclassifications that demonstrate their protection againstingress of water and dust. These products are also identifiedwith IK ratings indicating their impact resistance.Ligman Lighting products are suitable for all exterior applicationssuch as sporting arenas, car parks, streets, publicplaces, walk ways and shopping areas. The use of theseLigman Lighting USA Inc.3302 NW 211th Terrace, Hillsboro OR, USA Tel : +1 503 645 0500 | Fax : +1 503 645 8100sales@ligmanlightingusa.com | www.ligmanlightingusa.comLIGHTING USAOutdoor Lighting Solutions

PPPRODUCTSIN PRACTICEU.S. EMBASSY ON ITS WAY TO PLATINUMThe U.S. Embassy in Helsinki, Finland, ison track to be the first Embassy in theworld to be certified Platinum under theU.S. Green Building Council’s Leadership in Energyand Environmental Design (LEED) standardwith the installation of OLED lighting from WinonaLighting, an Acuity Brands company.The Trilia OLED luminaire was customized witha honeycomb design for the conference room inthe Innovation Center.The Innovation Center houses the public officesof the Embassy and showcases the latest in energy-efficienttechnologies. The luminaire was anintegral part of sustainable building design strategiesthat will help enable the Embassy to achieveits stringent energy goals of using 38 percent lessenergy than other buildings of its type. “The luminairewas a good solution because of the modularunits that allow single luminaires to combine intodistinctive, organic patterns,” says Nancy Clanton,president of Clanton and Associates, Inc.,Boulder, CO, who was the lead lighting designerfor the project. “The thinness of the OLED deliversan extremely comfortable and uniform distributionof light.” The luminaire was an ideal fit for the sizeand height of the conference room space.Diana VentimigliaThe Challenge: Achieveenergy goals withoutcompromising light quality.The Solution: Install acustom OLED luminaire.www.ies.org LD+A | July 2013 59

EEVENTSJuly 24-25: GE is offering “LightingRetrofits” geared to facilitymanagers, engineers, specialists forenergy services companies and thoseinvolved with specification and implementationof energy-saving strategies.Retrofits offer easy and directways to reduce energy consumption.Learn how energy legislation is makinga variety of lighting products andabout products that offer the best retrofitsolutions. Cost: $400. Contact:go to www.gelighting.com/LightingWeb/na/resources/lighting-institute/schedule/lighitng-courses/index.jspJuly 30-August 1: GE is offering“Fundamentals of Lighting.” Gearedto newcomers to the lighting industry,this conference provides basicproduct and application training forcommercial and industrial lighting.The program contains lectures andfull-scale lighting demonstrationsthat create an interesting, fast-paced,comprehensive lighting conference.Topics include: lighting terminology,lighting measurements and color, anoverview of major light source familiesand systems, lighting economics,and application modules for retail,office, industrial and outdoor lighting.Cost: $550. Contact: go to www.gelighting.com/Lighting Web/na/resources/lighting-institute/schedule/lighitng-courses/index.jspSeptember 5-6: GE is offering “LightingRetrofits.” See (July 24-25).September 8-11: The IES 32ndStreet and Area Lighting Conference,held at the Marriott PhoenixDesert Ridge Hotel, Phoenix, AZ,provides industry professionalswith a forum for an open exchangeof information on a wide range ofoutdoor lighting issues. Learn thelatest cutting-edge outdoor lightingtechnology and applications, thenewest products and services, howto apply real solutions to businesschallenges and network withhundreds of colleagues. Educationalopportunities and CEUs available.Contact: Valerie Landers, 212-248-ANNUAL CONFERENCEOctober 26–29, 2013Huntington Beach, CAHYATT REGENCY HOTEL5000 ext. 117, E-mail: vlanders@ies.org or visit www.ies.org/salcSeptember 10-12: The LRC is offeringtheir “LED Lighting Institute,” tobe held at the Troy, NY facility. Thishands-on seminar teaches industryprofessionals how to incorporatelight-emitting diodes (LEDs) andorganic light emitting diodes (OLEDs)into lighting applications. The workshopincludes new content on OLEDsand more time for industry professionalsto participate in sessionsusing LEDs and OLEDs. LRC expertshelp participants learn about thesequickly evolving solid-state lightingtechnologies in a small classroomsetting. The program culminates withparticipants designing, building, andevaluating their own lighting fixtures.Contact: Rebekah Mullaney, 518-687-7118. E-mail: mullar2@rpi.edu orwww.lrc.rpi.edu or go to www.lrc.rpi.edu/education/outreachEducation/InHouseInstitute.aspSeptember 12-13: The IES RoadwayLighting Committee (RLC) will hold itsFall meeting at the JW Marriott DesertRidge which will be immediately afterthe annual Street and Area LightingConference being held at the samehotel. The RLC is responsible for developingand writing technical documentsrelated to lighting of all typesof public roads, including tunnels andunderpasses, parking lots and toll plazasto name a few. Contact: AndrewBloomfield, 905-283-4058, E-mail:abloomfield@enersource.com.www.ies.org/ac#iescon IES Annual ConferenceSeptember 25-27: GE is offering “LCPrep Course.” This course providesparticipants with an in-depth finalreview, prior to taking the LightingCertified (LC) exam administered bythe National Council on Qualificationsfor Lighting Professionals (NCQLP).A panel of experts will provide anoverview of subject matter identifiedby NCQLP in the examination contentoutline. After this course, participantsshould be familiar with the scope oftopics included in the LC exam offeredin November, identifying areas for furtherindependent study. In addition,60 July 2013 | LD+A www.ies.org

they will become more familiar with the basicsof how to take a test to optimize time utilization.Prior to taking this course, participants areencouraged to review primary reference materialsrecommended by the NCQLP. (This course isnot associated with the NCQLP and completionof this course does not guarantee participantwill pass the LC exam.) Cost: $550. Contact: go towww.gelighting.com/Lighting Web/na/resources/lighting-institute/schedule/lighitng-courses/index.jspOctober 8-9: The LRC is offering their “PhotometryInstitute” to be held at the LRC’s photometriclaboratories, Troy, NY. Geared to engineers,technicians, testing personnel, product developersand designers from lighting and related companies,this hands-on seminar teaches industryprofessionals about the latest developments inphotometric testing and evaluation, including newtesting requirements for solid-state light sourcesand systems. Participants will come away withthe knowledge and skills needed to establish andconduct photometric testing and evaluation of awide range of lighting products and systems. ThePhotometry Institute is accredited by the NationalVoluntary Laboratory Accreditation Program.Contact: Rebekah Mullaney, 518-687-7118. E-mail:mullar2@rpi.edu or www.lrc.rpi.edu or go towww.lrc.rpi.edu/education/outreachEducation/PhotometryInstitute.aspand banquet dinner at the Pima Air and SpaceMuseum. Contact: Ken Lepera, conferencechair, 410-785-7220: E-mail: chair@ies.org orwww.iesalc.orgOctober 27-29: The IES 2013 Annual Conference“Developing the Proficient Lighting Professional”will be held at the Hyatt Regency, HuntingtonBeach Hotel, Huntington Beach, CA. Join withfriends, colleagues and others interested inhigh-quality lighting for three days of learningopportunities. Through a variety of researchpapers and seminars the attendee will developEVENTStools to assist in their everyday practice. Mixedwith social events, award presentations andnetworking opportunities, this conference willstimulate new ideas and enhance your professionallighting knowledge. Geared to students,emerging professionals, researchers, engineers,architects, designers and educators, courses aredesigned to instruct attendees on the creativeskills of learned listening and critical thinking tothe realization of integrated lighting solutions.Contact Valerie Landers 212-248-5000, ext. 117,E-mail: vlanders@ies.org or www.ies.orgOctober 16-17: The LRC is offering their “OutdoorLighting Institute” to be held at Rensselaer PolytechnicInstitute, Troy, NY. Geared to engineers,lighting designers, municipal officials, utilitypersonnel and others, this hands-on seminarteaches how to effectively design, specify, andcommission energy-efficient outdoor lightinginstallations for a variety of sites and locationsincluding streets and roadways, parking areas,parks and pedestrian areas. The goal of thetraining program is to provide the knowledgeand tools needed to develop outdoor lightinginstallations that substantially reduce energy useand light pollution while improving safety andsecurity. Contact: Rebekah Mullaney, 518-687-7118. E-mail: mullar2@rpi.edu or www.lrc.rpi.eduor go to www.lrc.rpi.edu/education/outreachEducation/OutdoorInstitute.aspOctober 20-24: The IES Aviation Lighting Committeeannounces the “84th Annual AviationLighting Conference” to be held at LowesVentana Canyon, Tucson, AZ. This conferenceincludes four full days of technical papers, interactiveeducational seminars, golf tournamentwww.ies.org LD+A LD+A | October | July 2013 2012 61

CLASSIFIEDMECHANICAL ENGINEERMechanical Engineer with solid experience in the lighting industry.Adept at creating shop drawings and engineering specs for a widevariety of decorative lighting fixtures. Strong knowledge of materialsincluding metals, glass and acrylics, as well as lighting sourcesranging from incandescent to LEDs. Contact Meyda Custom Lighting,1-800-222-4009 x257FOR BACK ISSUESCall Leslie Prestia212-248-5000 ext 111FUNDAMENTALS OF LIGHTING FOR VIDEO-CONFERENCING |RECOMMENDED PRACTICE FORTUNNEL LIGHTING ING | LIGHTING ING FOR HOSPITALS I ANDHEALTH Recommended CARE FACILITIES Practice | NOMENCLATURE forANDDEFINITIONS Library ONSFOFOR LightingILLUMINATING LUMING ENGINEERING| PHO-TOBIOLOGICAL OLOGOGICICALSAFETY FOR LAMPS AND LAMPSYS-TEMS—GENERAL REQUIREMENTS | RECOMMENDEDENDEThis document has been written for use byPRACTICE OF DAYLIGHTING | NECA/IESNA RECOMlightingdesign professionals, architects,MENDEDengineers, libraryPRACTICEadministrators, librariansFOR INSTALLING EXTERIORLIGHTING and educators FIXTURES to provide useful | practical NECA/IESNA ESNA RECOMMENDEDPRACTICE information that FOR will help INSTALLING produce an energy INDOOR COMMERCIALLIGHTING efficient and SYSTEMS pleasing lighted environment | NECA/IESNA in ESNA RECOMMENDEDPRACTICE libraries. FOR INSTALLING INDUSTRIAL LIGHTING|RECOMMEND RP-4-13 provides design YSTEMS criteria for | the PHOTOBIOLOGICAL many OBIOLOGICAL SAFETYFOR different LAMPS types of spaces AND found LAMP within today’s SYSTEMS-MEASUREMENTSYSTEMS libraries. The document — MEASUREMENT also addresses theTECHNIQUES ES | PHO-TOBIOLOGICAL many and varied visual tasks SAFETY encountered FOR LAMPS ANDList Price: $75.00LAMPIES Member Price: $52.50SYSTEMS-RISK by patrons and staff during GROUP the course of CLASSIFICATION Order AND # RP-4-13 LA-BELING their activities | RECOMMENDED in libraries of all types (Public, PRACTICE FOR LIGHTINGOMMENDEDSchool, Special, and AcademicPRACTICEand Research).FOR TUNNEL LIGHT-As energy criteria have gained predominanceING | LIGHTING FOR INTERIOR APPLICATIONSthroughout our society, so too has a focusSUREMENT | RECOMENDED PROCEDURE FORon lighting quality. The relationship betweenLIBRARIES | LIGHTING FOR INTERIOR SPACESenergy demand and lighting quality is evidentAND EXTERIOR LIGHTING POWER ALLOWANCES |within this document.RECOMMENDED PRACTICE FOR OFFICE LIGHTINGGENERATION FOR MORE INFORMATION VISIT RS FOR SENIOR LIVING WWW.IES.ORG/STORE TESIGN FOR INTERIOR | RECOMMENDED PRACTICEBACK ISSUES ARE NOW ONLINEwww.ies.org62 July 2013 | LD+A www.ies.org

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The companies listed below would like to tell you more about their products andservices. To learn more, access the websites listed here.Company Website Page #American Bright Lighting Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . www.ab-lighting.com . . . . . . . . . . .24Color Kinetics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.colorkinetics.com . . . . . . . . . . 23Cooledge Ltg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.cooledgelighting.com . . . . . . . . 31Cree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.cree.com . . . . . . . . . . . . . . 9Crestron . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.crestron.com . . . . . . . . . . . 27Dialux . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.dialux.com . . . . . . . . . . . . 67Eye Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.eyelighting.com . . . . . . . . . . 29FX Luminaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.fxl.com . . . . . . . . . . . . . . 64Harvard Engineering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.harvardeng.com . . . . . . . . . . 21Honeywell, E-mon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.honeywell.com . . . . . . . . . . . .14IES Annual Conference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.ies.org . . . . . . . . . . . . . . 60IES Aviation Committee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.ies.org . . . . . . . . . . . . . . 70IES Besal Scholarship . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.ies.org . . . . . . . . . . . . . . 28IES Progress Report . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.ies.org . . . . . . . . . . . . . . 68IES RP-4 Recommended Practice for Library Lighting . . . . . . . . . . . .www.ies.org . . . . . . . . . . . . . . 62Insight Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.insightlighting.com . . . . . . . . . 49Intense Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.intenselighting.com . . . . . . . . . 32Intertek . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.intertek.com/lighting . . . . . . . . .15Juno . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.junolightinggroup.com . . . . . . . . 63Kenall Manufacturing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.kenall.com . . . . . . . . . . . . . 2Kim Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.kimlighting.com . . . . . . . . . . .19King Luminaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.stresscrete.com . . . . . . . . . . 25Lighting Analysts, Inc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.agi32.com. . . . . . . . . . . . . 53Ligman Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.ligmanlightingusa.com . . . . . . . 57Lithonia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.lithonia.com . . . . . . . . . . . . .17LSI Industries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.lsi-industries.com . . . . . . . . . 20Lumenpulse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.lumenpulse.com . . . . . . . . . . .13Lutron Electronics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.lutron.com . . . . . . . . Cover 4Maxlite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.maxlite.com . . . . . . . . . . . . .11Meteor-Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.meteor-lighting.com . . . . . . . . . 7Nichia America . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.nichia.com . . . . . . . . . . . . . 1PCO-Tech . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.pco-tech.com . . . . . . . . . . . 55RAB Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.rabweb.com . . . . . . . . . . . . 71Shat-r Shield . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.shatrshield.com . . . . . . . . . . 61SPI Lighting Inc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.specadvent.com . . . . . . Cover 2Spring City . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.springcity.com . . . . . . . . . . . . 5USAI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.usailighting.com . . . . . . Cover 3Visionaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.visionairelighting.com . . . . . . . . 58Vista Professional Outdoor Lighting . . . . . . . . . . . . . . . . . . . . . . . www.vistapro.com. . . . . . . . . . . . .16ADVERTISINGOFFICESGENERAL OFFICESLD+A Advertising DepartmentLeslie Prestia120 Wall Street, 17th FloorNew York, NY 10005-4001(212) 248-5000 ext. 111(212) 248-5017/18 (fax)lprestia@ies.orgNEW ENGLAND/MID-ATLANTICBrett GoldfineSage2455 Teller RoadThousand Oaks, CA 91320(805) 410-7143(610) 420-7143 (cell)(805) 375-5282 (fax)brettgoldfine@sagepub.comStates serviced: NY, NJ, CT, VT, MA, NH,RI, ME, MD, DE, Wash DC, VA, NC, & PASOUTH/MIDWESTBill MiddletonMiddleton Media561 Robin LaneMarietta, GA 30067(770) 973-9190(770) 565-7013 (fax)midmedia@aol.comStates serviced: GA, SC, TX, OK, AR, LA,MS, AL, FL, TN, NE, KS, MO, IA, MN, WI,IL,MI, IN, KY, OH, WV, ND, & SD—andCanadian Provinces of Ontario, Quebec, NewBrunswick, Newfoundland and Labrador,Nova Scotia and Prince Edward IslandWESTAmanda DanielMohanna Associates305 W. Spring Creek PkwyBuilding C-101Plano, TX 75023(214) 291-3657(972) 985-8069 (fax)amanda@mohanna.comStates serviced: CA, MT, ID, OR, WY, UT,NV, WA, CO, AZ, NM, AK, HI—and CanadianProvinces of Manitoba, Saskatchewan,Alberta and British ColumbiaThis index is provided as a service by the publisher, who assumes no liability for errors or omissions.www.ies.org LD+A | July 2013 65

NEW MEMBERSMEMBERSMembershipCommittee chairFred Haslerannounced theIES gained fourSustaining Membersand 92 Members(M), Associates andStudent Membersin May.Sustaining MembersBright Light Systems, Alpharetta, GARombald, Inc., Waterloo, ONSANSI Technology, Inc.,Chino Hills, CATechBrite LLC, Cincinnati, OHMidwest RegionRichard D. Anderson (M), WinonaSolutions + Light /Acuity Brands,Winona, MNMark A. Boberg (M), WinonaLighting, Winona, MNBrian T. Burgess, KenallManufacturing, Gurnee, ILTom A. Duffy (M), Winona Solutions +Light (Acuity Brands), Winona, MNStephen P. Gollehon, Farris Lighting,Omaha, NEEric Goy (M), Indiana University,Bloomington, INEric W. Haney (M), Cree, Inc.,Copley, OHJoseph M. Kugler (M), OSRAMSYLVANIA, Carol Stream, ILJamie T. Meindl, Gescan Division ofSonepar Canada, Inc.,Winnipeg, MBRashesh Patel (M), Singh andAssociates, Chicago, ILWilliam D. Stermer (M), AECOM,Chicago, ILSarah L. Wallin, Werner Electric,St. Cloud, MNNortheast RegionIgor Bondar (M), Hatch MottMacDonald, Jersey City, NJJoe R. Casper, Ephesus Lighting, Inc.,Syracuse, NYAndrew Cheng, Venneri ConsultingEngineers, Toronto, ONBarry T. Donahoe (M), UnitedTechnology Corporation,Farmington, CTDave Galinskie, Relume Technologies,Shiremanstown, PAJackson M. Hale, Ecova,Norwood, MAFrancis E. Hodgson, Flux Lighting, Inc.,Ottawa, ONAndrea Johnston, Radiance Resources,Salem, MAMatthew Konrad, IES, New York, NYLiliya Lifanova, Cooper Crouse-Hinds,Syracuse, NYJesse D. McMullen, GVA Lighting,Toronto, ONMichael B. Montgomery (M),EcoSense Lighting, New York, NYGuy M. Pallai, Eklipse ArchiteturalLighting, Montreal, QCMarco Paulo (M), CIMA +, Laval, QCShawn R. Rementer (M), SylvaniaLighting Service, Tobyhanna, PAKyoungjin (Lydia) Shin, Cosentini,New York, NYMario Turrin (M), D2S, Inc., Toronto, ONKaijun Yang (M), M & E Engineering,Vaughan, ONThe New SchoolIan M. JurgensenSouth RegionIan T. Altares, Lucifer LightingCompany, San Antonio, TXJosé Luís Angeles Santiago Sr.,Desarrollos y AplicacionesTecnicas, Tlalnepantla, MexicoJason A. Boyll, Gresham Smith &Partners, Alpharetta, GAElena Brindis Ramirez, BrimareDistribuciones Electricas S.A. deCV, Ciudad de Mexico, MexicoW. Tyler Cobb (M), OSRAMSYLVANIA, Covington, LAChandler Coffman, Coffman HomeDecor LLC, Elkton, KYJarred C. Cook, E-Max, Inc.,Louisville, KYDavid J. Fernandez (M), Terrytown, LASajol Ghoshal (M), AMS-TAOS USA,Austin, TXPeter J. Gray (M), CNR Lighting,Baltimore, MDRonald G. Harrington Sr., ProtectronLighting Control, Westminster, MDDavid Herrejon Ing, Diseño Tecnológico S.A. de C.V., Queretaro, MexicoLuis Jose Jacobo, Spectro, Doral, FLRuben Lopez, DPI Iluminacion,San Pedro Garza Garcia,Nuevo Leon, MexicoAlberto E. Martinez (M), H2MG,San Antonio, TXNeal McHenry, One Source Securityand Sound, Humble, TXMagali K. Mendez, Saas LightingConception, Mexico City, MexicoJustin T. Moon, Acuity BrandsLighting, Conyers, GAMarc L Motter, Birmingham, ALGerardo de Jesus Porras Hernandez(M), Celec Instalaciones, S.A deC.V., Leon, GTO, MexicoEnrique A. Quintero Sr. (M),Arquitectura De La Luz, Ciudad deMéxico, MexicoRonald L. Real, Philips Lighting,Wilmington, NCCharles D. Roberts, URS Corporation/City of Sandy Springs,Sandy Springs, GAGabriela Ruiz, Acuity Brands,Los Moreles Polanco, MexicoGeorgina Salazar (M), GAiluminacion, Merida, MexicoPaul D. Scheidt, Cree, Inc.,Durham, NCHeiko K. Stugg (M), CH2MHILL,Spartanburg, SCPedro R. Ucan Sr., Light in Motion,Zacatecas, MexicoRuben R. Urquijo (M), LutronElectronics, Co. Inc., Mexico City,MexicoAlpheus (Troy) L. Vessel (M),Austin Energy, Austin, TXAndy Wiesner, Iluminacion Helios CA,Miami, FLLindsay A. Wiesner (M),Ameresco, Charlotte, NCNC State UniversityKrystof T LeszczynskiUniversity of AlabamaJan MorykwasWest RegionEd A. Allen (M), GE Lighting,Calgary, ABStephen Atwater, Evolv Electric,Novato, CAEric Avanian, Davis Silverman &Associates, Inc, Glendale, CAJim D. Bishop (M), Farnsworth Group,Colorado Springs, COSean D. Casey, Render Light &Planning, Inc., Vancouver, BCDarcie A Chinnis (M), Clanton &Associates, Inc., Boulder, COJeff G. Farrar, Graybar Canada,Calgary, ABDerick L. Holmes (M), Nulite Lighting,Denver, COManan Kapoor, HemisphereEngineering, Inc., Edmonton, ABMichael S. Leung, Cree SBTC,Goleta, CAHoracio V. López Sr. (M), Perth yLópez Ingenieros Asociados S.A.de C.V., México City, MexicoAndrew R. Moore, Exp LightingDesign, San Francisco, CAJulian S. Osinski (M), Pacific LightTechnologies, Woodside, CAStephanos Papademetriou (M),Oramic, LLC, Mountain View, CAJazmin D. Porras, Philips LightingNorth America, Henderson, NVBrian H. Putt (M), NAC Engineering,Spokane, WAVictor S. Quezada, Render Light &Planning, Inc., Vancouver, BCGeorge M. Roth Jr. (M), ColumbiaPacific Sales, Portland, ORCascadia Community CollegePerry SpringInternationalOlusegun W. Musa, InternationalEnergy Services Limited,Lagos, NigeriaAlphonsus J. Oreye MNSE, MNIEEE(M), Seplat PetroleumDevelopment Company,Lagos, NigeriaDae-Hee Park (M), WonkwangUniversity, Jeonbuk, KoreaClaudia Paola Paz (M), Claudia PazLighting Design Studio, Lima, PeruEder F. Santos (M), LID LightingDesign, São Paulo - SP, BrazilHongHua Xu, ASA Lighting Design(Shanghai) Co., Ltd., Shanghai,ChinaUniversity of CambridgeWing Lam Lo66 July 2013 | LD+A www.ies.org

SUSTAINING MEMBERSThe following companies have elected to support the Society as Sustaining Members which allowsthe IES to fund programs that benefit all segments of the membership and pursue new endeavors,including education projects, lighting research and recommended practices. The level of support isclassified by the amount of annual dues, based on a company’s annual lighting revenues:Diamond Elite: $25,000 annual duesLighting revenues over $500 millionDiamond: $15,000 annual duesLighting revenues over $500 millionEmerald: $10,000 annual duesLighting revenues to $500 millionPlatinum: $5,000 annual duesLighting revenues to $200 millionGold: $2,500 annual duesLighting revenues to $50 millionSilver: $1,000 annual duesLighting revenues to $10 millionCopper: $500 annual duesLighting revenues to $4 million (Copper membersare listed in the IES Annual Report.)DIALuxLighting design software.DIAMOND ElitePhilips LightingDIAMONDAcuity BrandsCooper LightingGE LightingHubbell Lighting, Inc.OSRAM SYLVANIA Products, Inc.EMERALDRAB Lighting, Inc.PLATINUMCree, Inc.Crestron ElectronicsFinelite, Inc.H. E. Williams, Inc.Lighting Science Group Corp.Lutron ElectronicsMusco LightingSamsung Semiconductor Inc.Watt Stopper/LegrandGOLDA.L.P. Lighting Components, Inc.Almeco, USA, Inc.Artemide, Inc.Barron Lighting GroupBartco Lighting, Inc.Con-Tech LightingDuke EnergyEdison Price Lighting, Inc.Electra LEDEspen TechnologyETCEureka LightingEye Lighting International of NAFocal Point LLCIntense LightingKenall Mfg Co.The Kirlin CompanyKurt Versin Co.Lighting Services IncLitecontrol CorpLouis Poulsen Lighting, Inc.LSI Industries, Inc.Lucifer Lighting Co.Lumen Optix LLCNational GridPhilips Emergency LightingPhilips GardcoPrudential Lighting CorpSan Diego Gas + ElectricSoraaSternberg LightingTempo IndustriesToshiba International CorpVisa LightingVista Professional Outdoor LightingZumtobel Lighting, Inc.SILVERApogee TransliteAscent Battery Supply LLCAssociated Lighting Representatives, Inc.Aura Light International ABBAERO North America, Inc.Barth Electric Co., Inc.Birchwood Lighting, Inc.BJB Electric LPBlack + McDonaldBorder States Electric SupplyBulbrite Industries, Inc.Cammar LightingCarmanah TechnologiesCelestial ProductsCIMON Lighitng, Inc.City of San FranciscoCon Edison Co. of New YorkCree Canada Corp.Day Lite Maintenance Co.Eastern Energy Services, Inc.Eclipse Lighting, Inc.Eco LumensEiko Ltde-Lumen International, Inc.Energy Network ServiceENMAXEnterprise Lighting SalesEPCOR Technologies, Inc.Gamma Scientific, Inc.Gammalux SystemsGrasshopper Lighting Corp.Illuminating Technologies, Inc.Illumineer LtdL. J. Illuminacion SA de CV.LCA Holdings P/LLCTECH (Zhongshon) Testing Service Co. Ltd.The L.C. Doane CompanyLED Engineering, Inc.LED Roadway Lighting Ltd.Lee Filters USALeedarsonLegion Lighting Co.Leviton Mfg. Co., Inc.Lighting Analysts, Inc.Lighting Design Lab.Lightology LLCLitelab CorpLiteline CorporationLos Angeles LightingLuxim CorporationMetalumen Manufacturing, Inc.MP LightingNational Lighting Co.Nora LightingO’Blaney Rinker AssociatesOCEM Acquisition Corp. dbaParamount Industries, Inc.Peter Baso Associates, Inc.POSCO LEDQ-TranReflex Lighting Group, Inc.Richard McDonald & Associates, Ltd. - CalgarySchneider Electric Mexico S.a. de C.V.Senso LightingSentry Electric CorporationSouthern California EdisonStandard Vision LLCStressCrete King Luminaire Co.Synopsys, Inc., Optical Solutions GroupTerraLux, Inc.The Lighting QuotientTivoli, LLC.Traxon TechnologiesTrinity Manufacturing LLCUS Energy Sciences, Inc.Utility Metals.VAOPTOVelux America, Inc.Vode Lighting, LLC.WAC Lighting Co.Westpac LED Lighting, Inc.Xal, Inc.Zenaro Lighting, Inc.As of May 20130.00$price for you to upgrade to the world‘sleading lighting design software.Free of charge, easy to use,complete. Guaranteed forever.Full version. No registration.No follow-up costs.500,000+ professional users worldwide.Get your free copy atdialux.comwww.ies.org LD+A | July 2013 67

2013 IES PROGRESS REPORTINVITATION TO SUBMITThe IES is looking for significant new advancements inlighting products, research, publications and design tools from the past yearSUBMISSIONS ARE OPEN TO ALLSubmit online at www.ies.org/progressWHAT DOES IT COST? $50 Processing fee per submission through June 29.($75 after June 29)Submissions are reviewed by the IES Progress CommitteeACCEPTED SUBMITTALSPresented live at the 2013 IES Annual Conference • Huntington Beach, CA - Oct 27-29Published in LD+A magazinePresented at IES Section meetingsAccessible throughout the year at the IES websiteOnline Submissions Open: May 17 – July 19, 2013Put yourBest Light ForwardFro more information visit: www.ies.org

IESFYIJULY 2013Member MentionsLalith Jayasinghe was appointed globaldirector of applications engineering andtechnical customer support at Evolucia Inc.WattStopper and the Continental AutomatedBuildings Associate (CABA)announced that Eric Fournier has joinedCABA’s Board of Directors.Edward Bartholomew isthe new commercial lightingprogram manager forNational Grid.BartholomewRuss Leslie, associatedirector and professorat the Lighting ResearchCenter at Rensselaer,along with Leora Radetsky, Leslieresearch assistant, and Aaron Smith,former research specialist, have beenawarded the Leon Gaster Award from theSociety of Light and Lighting for the paper“Conceptual design metrics for daylighting,”published by Lighting Research &Technology last year.Lutron Electronics was announcedas the 2013 recipient of the Da Vinci ScienceCenterCorporateGrand MaestroHall ofFame Award.It was presented to founders Joel andRuth Spira.IES Introduces a New Level forSustaining MembershipThe IES has introduced a new level of financial support to its Sustaining Membership program.A Diamond Elite membership was created to address current corporate branding strategiesfor larger companies to maintain one Sustaining Membership under their parent corporatename.This new SM level Diamond Elite level of $25,000annual dues will include additional membershipsand additional IES libraries as part of the benefitspackage. The Diamond Elite level will allow a companyto hold one IES Sustaining Membership undertheir corporate brand. IES will also prominently list Diamond Elite members on the IES websiteand in LD+A magazine.The Society is proud to announce that Philips Lighting has selected this level to representtheir corporate support of the IES. “Philips strongly supports the work done by the IlluminatingEngineering Society and its members, and our new Diamond Elite Sustaining Membershipis reflective of our commitment,” says Arif Quraishi, vice president, marketing & salessupport for Philips Lighting Americas. “It will also allow us to work more closely with industryprofessionals to understand their challenges and to demonstrate how Philips LightingSolutions can help them meet their customer’s needs.”LRC Student Earns Shemitz ScholarshipUte Besenecker, a graduate student pursuing her doctoral degree in architectural scienceswith a concentration in lighting at Rensselaer’s Lighting Research Center, is the recipientof the Sylvan R. Shemtiz Memorial Scholarhip. The Lighting Quotient announced thatBesenecker won the annual scholarship, awarded in conjunction with the IES. This is thethird year in a row that an LRC student has won the first prize in the national competition.The award grants $2,500 to one student who demonstrates creativity, vision and knowledgein the field of architectural lighting.Stephen Squillace (above)and James Benya are amongthe inaugural class.Michigan’s Hall of FamersThe Detroit IES Section Board of Managers and the GrandRapids Section Board have jointly created a new honorary society,The Michigan Lighting Hall of Fame. On April 30, the inauguralclass was honored at the College for Creative Studieswith the first three inductees being Stephen S. Squillace, FIESand IES past-president, David L. DiLaura, FIES, and James R.Benya, FIES, LC.www.ies.org LD+A | July 2013 69

FYIGraduation PartyThe IES Fredericton Fiddlehead Section, New Brunswick, Canada, recently presenteda six-day Comprehensive Lighting Course encompassing the Complete 12 IntermediateLevel Seminar Series. The following are the course graduates:Front Row (from left to right): Michael Bannister, Matthew Keezer, Samir Yammine,Laura Kaderly, Matthew Morrell, Shawn Chisholm.Back Row (from left to right): Martyn K. Timmings (course presenter), Jevon Baird, GlennMacMullin, Ryan Gaudet, Donald Sharpe, Indika Jayasekara, Stephane LeBlanc, Ralph A. Smith(course facilitator). Absent: Mitch Gallant.FOR BACK ISSUESCall Leslie Prestia212-248-5000 ext 11184 th Annual IESALC Fall ConferenceThe best opportunity to interact with the most knowledgeable people in the Aviation Lighting Industry!October 20–24, 2013 LOEWS VENTANA CANYON, TUCSON, ARIZONAIES Aviation Lighting Committee ConferenceREGISTRATION INCLUDES: Over four full days of Technical Papers, Interactive EducationSeminars, Golf Tournament, Breakfasts, Lunches, Banquet Dinner, etc.The Loews offers complementary shuttle service to the Sabino Canyon Parkas well as local restaurants and shopping areas.The Loews is a 35 minute drive (~20 miles) from the Tucson International Airportand a 2 hour drive (~115 miles) from Phoenix Sky Harbor International Airport.The conference room rate is $145 per night which includes parking.Visit www.iesalc.org to register for the reduced room rate under the IESALC room block.Conference now offers 3.0 CEU credits.*Early registration: $550. Registration includes Banquet dinner at the Pima Air and Space Museum.For conference registration & hotel reservations go to www.iesalc.orgQuestions? Contact Ken Lepera, 2013 Conference Chair, chair@iesalc.orgFor conference questions 410.785.7220* (30 PDH credits)Visit our web site at www.iesalc.orgPrevious Seminarsubjects included:» LED Lighting» Constant Current Regulators» Government Contacts Sub-Committee» Control Systems» Lighting Maintenance Issues» R&D Projects70 July 2013 | LD+A www.ies.org

OUT OF THE ARCHIVEJuly1985» Lighting an Industrial Museum: The July 1985 issue of LD+A focused onindustrial applications and daylighting. The cover story addressed therenovation of the Sloss Furnace, Birmingham, AL, a major tourist attractionand evening stage/concert area. Lighting was integral, as designerswanted to emphasize the outdoor elements, while preserving a historicalsymbol of Alabama’s steel industry. To keep energy and maintenancecosts down, high-pressure sodium luminaires were used wherever possible.Flood, spotlights and high-bay industrial luminaires were also usedto illuminate the larger structures.» Make it a Double: A feature story on the Hiram Walker Whiskey BottlingHall, Dumbarton, Scotland, showed readers how artificial lighting anddaylighting allowed the company to facilitate four “special visual taskrequirements”: bottle filling, bottle capping, labeling and packaging.The lighting scheme ultimately produced twin lux levels of 307 lx at theworkplace and 688 lx at special task areas.Volume 15/No.7» Window of Opportunity: Back in 1985, much like today, lighting professionalswrestled with both the energy question and occupant productivity/comfortwhen considering daylighting. In the article “Daylighting inAmerica,” contributor Ross McCluney gives some practical suggestionsfor proper usage of daylighting. He starts by pointing out designers whowish to use daylighting often “abandon it due to lack of knowledge orthe inaccessibility of methods for calculating economic performance.”Taking a more holistic approach, McCluney’s article addressed bothoccupant comfort and satisfaction, and energy performance, by focusingon something quite simple—windows. To help ease designers intodaylighting, he created some fenestration guidelines which focused onwindow design and placement.72 July 2013 | LD+A www.ies.org

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