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Street dance: form of expressing identity in adolescents and youth ...

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Timişoara Physical Education <strong>and</strong> Rehabilitation n JournalIntroductionAs a dist<strong>in</strong>ct stage <strong>in</strong> life, adolescence marks thetransition from childhood to adulthood,characterised through com<strong>in</strong>g-<strong>of</strong>-age <strong>and</strong> social<strong>in</strong>tegration, through more complex social <strong>and</strong>pr<strong>of</strong>essional requirements <strong>and</strong> responsibilities.Dur<strong>in</strong>g this stage, familial <strong>and</strong> scholasticguardianship, which is very strong when it comes toa child, knows a <strong>form</strong> <strong>of</strong> change. Furthermore, alllevels <strong>of</strong> personality face significant development,which could be perceived as a dom<strong>in</strong>ant element <strong>of</strong>the whole period. The <strong>adolescents</strong>, characterised bytheir cont<strong>in</strong>uous struggle to “be themselves”, toaffirm <strong>in</strong>dividual personality but also to be the sameas their friends <strong>and</strong> their age group, are <strong>in</strong> endlesssearch <strong>of</strong> new <strong>form</strong>s through which the “self” can bebrought forward. Hip-hop is such a medium, <strong>in</strong> whichthe adolescent can f<strong>in</strong>d new values, <strong>in</strong> accor<strong>dance</strong>to the age needs: “The search <strong>of</strong> an equilibriumthrough new identifications, through the discovery <strong>of</strong>a new <strong>identity</strong> – <strong>in</strong> the conditions <strong>of</strong> not be<strong>in</strong>g surewhat the adolescent really is <strong>in</strong> reality – are not easy<strong>and</strong> can lead not only to difficulties <strong>of</strong> <strong>in</strong>tegration,but also to manifestations <strong>of</strong> noncon<strong>form</strong>ity” [1].Hip-hop is a concept that encompasses street<strong>dance</strong>, besides rap music, graffiti, Dj<strong>in</strong>g, Mc<strong>in</strong>g,beatbox<strong>in</strong>g. There are many practised <strong>form</strong>s <strong>of</strong>street <strong>dance</strong>: break<strong>dance</strong>, popp<strong>in</strong>g, krump<strong>in</strong>g,lock<strong>in</strong>g, gr<strong>in</strong>d<strong>in</strong>g, stomk<strong>in</strong>g, crip walk, snap <strong>dance</strong>,etc. In Romania, hip-hop appeared <strong>in</strong> 1990 <strong>and</strong> hassignificantly developed due to mass media <strong>and</strong>especially television. After see<strong>in</strong>g Western styles <strong>of</strong><strong>dance</strong> practised on television, young people wouldcopy them without hav<strong>in</strong>g a guide <strong>in</strong> the <strong>form</strong> <strong>of</strong> a<strong>dance</strong> teacher or <strong>in</strong>structor, without be<strong>in</strong>g part <strong>of</strong> a<strong>dance</strong> school <strong>and</strong> without practis<strong>in</strong>g it <strong>in</strong> theconf<strong>in</strong>ements <strong>of</strong> a gym, culture centre, etc. As a <strong>form</strong><strong>of</strong> oppos<strong>in</strong>g <strong>and</strong> chang<strong>in</strong>g their social background,filled with con<strong>form</strong>ism <strong>and</strong> limits. The freedom <strong>of</strong>manifestation ga<strong>in</strong>ed through practis<strong>in</strong>g street<strong>dance</strong> is the <strong>form</strong> <strong>of</strong> oppos<strong>in</strong>g the dom<strong>in</strong>ant culture<strong>of</strong> the social background: “<strong>dance</strong> is neitherlanguage nor politics, it is clarified <strong>and</strong> qualifiedthrough these means” [2].One <strong>of</strong> the major problems <strong>of</strong> adolescence isbuild<strong>in</strong>g a personal <strong>identity</strong>, develop<strong>in</strong>g selfconsciousness, underst<strong>and</strong><strong>in</strong>g one’s own person asa dist<strong>in</strong>ct entity from the others, but at the sametime coherent dur<strong>in</strong>g various life situations: “Identityis the clear conscience <strong>of</strong> a person’s <strong>in</strong>dividuality,<strong>form</strong>ed through the <strong>in</strong>tegration <strong>of</strong> a unique construct<strong>of</strong> self perception <strong>and</strong> the perception <strong>of</strong> the others’expectancy towards one’s self-esteem” [3].As <strong>in</strong> other places, street <strong>dance</strong> has become awidespread phenomenon with <strong>adolescents</strong> <strong>in</strong>Romania, mark<strong>in</strong>g an evolution from the famous„battle <strong>of</strong> the year” between <strong>dance</strong> groups for thehigh school cup to competitions on a local ornational level. The fact that break<strong>dance</strong> has enteredschools proves its popularity with the young people<strong>in</strong> search <strong>of</strong> their own <strong>identity</strong>, <strong>of</strong> freedom from theconstra<strong>in</strong>ts imposed by their family, <strong>of</strong> new <strong>form</strong>s <strong>of</strong>corporal practice <strong>and</strong> physical activity, but at thesame time <strong>of</strong> new ways <strong>of</strong> socialis<strong>in</strong>g. If dur<strong>in</strong>gpuberty the process <strong>of</strong> personality development <strong>and</strong>biological changes are impetuous <strong>and</strong> s<strong>in</strong>usoidal,dur<strong>in</strong>g adolescence the development <strong>of</strong> personalityevolves towards the need <strong>of</strong> identify<strong>in</strong>g personalresources (aptitudes, abilities, wishes, aspirations<strong>and</strong> ideals) for the realisation <strong>of</strong> an <strong>identity</strong> <strong>and</strong> <strong>of</strong>an own <strong>in</strong>terior world, to the detachment from thefamily’s guardianship <strong>and</strong> to the <strong>in</strong>crease <strong>of</strong>autonomy <strong>and</strong> <strong>in</strong>dependence, which are graduallyobta<strong>in</strong>ed. All these elements can be labelled as “asecond birth” as J.J. Rousseau called it, as street<strong>dance</strong> <strong>of</strong>fers <strong>adolescents</strong> the opportunity to testthese personal resources <strong>and</strong> to build <strong>and</strong> conquertheir autonomy.8Volume 3 ♦Issue 6 ♦2011

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