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E-Book of Articles - World Federation of Music Therapy

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Wheeler, Barbara: WMFT Proceedings <strong>of</strong> the Education Symposium<br />

completely private therapy in addition to (or rather than) that connected<br />

to the course?<br />

Another area discussed concerned boundaries. Where does idea that<br />

exploring traumatic blocks is part <strong>of</strong> training come from? How does that<br />

become an educational goal? How do they bridge personal boundaries and<br />

education? Inge responded that the goal is “to explore,” not “to cure.” It<br />

was suggested that other disciplines do not include personal growth. Inge<br />

responded that that gives experiential ETMT teachers the possibility <strong>of</strong><br />

showing and transferring to students how self-experiences can be a part <strong>of</strong><br />

a therapeutic identity. It was then asked why boundary problems and<br />

diffuse anxiety problems would not be shown in other aspects <strong>of</strong> the<br />

education? Why should someone who is essentially a personal therapist<br />

need to bring those back to class; they would normally show up in other<br />

aspects <strong>of</strong> class. Inge’s answer was that students with these problems can<br />

be referred from other aspects <strong>of</strong> class. If they are referred from the ETMT<br />

teacher, they will only go to one pr<strong>of</strong>essor and it can then be determined<br />

how to deal with the problems.<br />

A question was raised about the tape recording, with the point that it is<br />

unusual to use a tape with third person to “arbitrate.” Inge responded that<br />

they have never had to use this, so it is really done as a security for the<br />

student. Students <strong>of</strong>ten use the tapes to listen back to as a learning<br />

project. The therapist keeps, then destroys when the therapy is finished.<br />

But the student can have copies for personal use.<br />

It was questioned why supervisors <strong>of</strong> ETMT are psychologists and not music<br />

therapists? Inge responded that no music therapists have been trained so<br />

far to be supervisors. Tony also pointed out that the supervisor who is used<br />

has been involved with the program for many years.<br />

Mechtild said that she has been working in Berlin to have<br />

Lehrmusiktherapie included as requirement in the program, but that the<br />

Lehrmusiktherapie is done outside <strong>of</strong> the training. Students must go<br />

through a self-process in order to work. Mechtild is concerned that students<br />

cannot work if they know too much about each other – the boundaries are<br />

not safe. Boundaries are important; the work for the pr<strong>of</strong>essors is to<br />

integrate the outside and the inside. She thinks the boundaries are<br />

extremely important. She also believes that paying for it is important.<br />

Mechtild thought that her program in Berlin must be very different from<br />

the program at Aalborg because <strong>of</strong> this, and that it must be more<br />

analytically based. Inge responded that they have 20 hours, focused on the<br />

student being a therapist. Mechtild has 100 hours and a very different<br />

focus.<br />

The point was made that in Guided Imagery and <strong>Music</strong> (GIM)it is essential<br />

that the therapist experiences the method in a very full way in order for<br />

the educational method to be effective. But while experiencing it, certain<br />

issues come up. So when you see personal growth as the primary focus,<br />

versus having to deal with personal issues as they come up in training, it is<br />

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