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textiles issue - The National Society for Education in Art and Design

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H<strong>and</strong>s-on <strong>in</strong> the classroomVisitwww.gamthi.comH<strong>and</strong>s-on <strong>in</strong> the classroomIndian<strong>in</strong>spirationNaomi Renouf, textile artist <strong>and</strong> art <strong>and</strong>design coord<strong>in</strong>ator at St Lawrence PrimarySchool <strong>in</strong> Jersey, shows how Indian<strong>textiles</strong> can <strong>in</strong>spire textile <strong>and</strong> mixedmediaart projects <strong>for</strong> Key Stage 2.India is a topic studied annually <strong>in</strong> Year 5 atSt Lawrence School <strong>and</strong> art always has ahigh profile. This has led to a variety ofrelated art projects, most of which <strong>in</strong>volve<strong>textiles</strong> <strong>in</strong> some way, be<strong>in</strong>g developedover a number of years.Background: Gujarati patchworkwall-hang<strong>in</strong>gsGujarati wall-hang<strong>in</strong>gs are colourful <strong>and</strong>highly decorative. <strong>The</strong>y are made ofsections of cloth<strong>in</strong>g that has been worn <strong>for</strong>special events such as wedd<strong>in</strong>gs, religiousceremonies <strong>and</strong> festivals. <strong>The</strong>se may befamily heirlooms, passed down fromgeneration to generation until they areeventually replaced by newer garments.Sections of these garment are then‘recycled’ to make patches <strong>in</strong> beautiful wallhang<strong>in</strong>gs. <strong>The</strong>se wall hang<strong>in</strong>gs can beused <strong>in</strong> school as a stimulus <strong>for</strong> children toproduce their own <strong>in</strong>terest<strong>in</strong>g texturedwork us<strong>in</strong>g a variety of media.Mixed-media texturedpicturesLearn<strong>in</strong>g objectives• to consider pattern, colour <strong>and</strong>composition <strong>in</strong> decorative Indian <strong>textiles</strong>• to create pattern <strong>and</strong> texture us<strong>in</strong>g avariety of mediaPreparationShow the children a suitable hang<strong>in</strong>g. <strong>The</strong>seare widely available <strong>in</strong> markets <strong>and</strong> shops <strong>in</strong>the UK <strong>and</strong> on the <strong>in</strong>ternet. Look carefully atthe construction <strong>and</strong> the layout, <strong>and</strong> at thepatterns made by the embroidery, beads,sequ<strong>in</strong>s <strong>and</strong> mirrors. <strong>The</strong> children can drawsome of these patterns <strong>in</strong> their sketchbooks<strong>in</strong> preparation <strong>for</strong> work<strong>in</strong>g on their f<strong>in</strong>ishedpieces.Pa<strong>in</strong>t<strong>in</strong>g the paperGive the children pre-cut paper <strong>and</strong> askthem to divide it up <strong>in</strong> a similar way to thewall hang<strong>in</strong>g, us<strong>in</strong>g a pencil. Once theyhave done this they can pa<strong>in</strong>t each areawith acrylic pa<strong>in</strong>t. Let them choose <strong>and</strong>mix their colours, <strong>and</strong> encourage variety –they don’t need to be the same as thehang<strong>in</strong>g. Once the paper is completelycovered, leave it to dry.Decorat<strong>in</strong>g the surfacePattern <strong>and</strong> texture can be created <strong>in</strong> anumber of ways, but it is a good idea tooutl<strong>in</strong>e the pa<strong>in</strong>ted patches of colour first.This can be done with 3D pa<strong>in</strong>t or pa<strong>in</strong>tmixed with PVA glue <strong>in</strong> a plastic bottlewith a nozzle (it gives a thicker l<strong>in</strong>e than 3Dpa<strong>in</strong>t but is much cheaper). It can also bedone with str<strong>in</strong>g or similar thread, or evenwith a l<strong>in</strong>e of glue with coloured s<strong>and</strong>spr<strong>in</strong>kled on it. Patterns can then be builtup with<strong>in</strong> the coloured areas <strong>in</strong> the sameway. Pipe cleaners can be twisted <strong>in</strong>tosuitable shapes <strong>and</strong> stuck on (don’t usethe brightly coloured chenille ones as theyare very difficult to stick on). <strong>The</strong>y can bepa<strong>in</strong>ted with metallic pa<strong>in</strong>t afterwards.Beads, sequ<strong>in</strong>s, buttons, pieces of lace,<strong>textiles</strong> <strong>and</strong> threads can all be used tobuild up the surface <strong>and</strong> create someth<strong>in</strong>grichly patterned <strong>and</strong> <strong>in</strong>terest<strong>in</strong>g.Resourcescartridge paper (calico could also beused), acrylic pa<strong>in</strong>t, PVA glue, 3D fabricpa<strong>in</strong>t, str<strong>in</strong>g, s<strong>and</strong>, <strong>textiles</strong>, pipe-cleaners,metallic pa<strong>in</strong>ts, plastic applicator bottles,e.g. washed out hair-dye bottles (<strong>for</strong>thicker l<strong>in</strong>es), beads, buttons, sequ<strong>in</strong>s<strong>and</strong> other suitable bits <strong>and</strong> piecesBead <strong>and</strong> sequ<strong>in</strong> workFor this next activity, you can use a Gujaratihang<strong>in</strong>g, embroidered sari fabric or otherexamples of Indian <strong>textiles</strong>. Other shapescould be used, but the motif that we nowcall paisley is particularly suitable. Thisshape was orig<strong>in</strong>ally a representation ofthe teardropped-shaped leaf of the Chenartree <strong>and</strong> was found on Kashmiri shawls.Learn<strong>in</strong>g objectives• to look at pattern <strong>and</strong> shape• to stitch objects on to a surface• to look at typical pattern<strong>in</strong>g <strong>in</strong> Indian<strong>textiles</strong>• to create an <strong>in</strong>dividual <strong>in</strong>terpretation ofpart of a patternWhat to doShow the children examples of Indian<strong>textiles</strong> with suitable patterns <strong>and</strong>beadwork. Get each child to draw a simpleoutl<strong>in</strong>e shape on their piece of fabric. Alength of thick decorative thread can thenbe couched <strong>in</strong> place on top of this outl<strong>in</strong>eshape by stitch<strong>in</strong>g over the top of thethread at <strong>in</strong>tervals along its length. Beads<strong>and</strong> sequ<strong>in</strong>s can then be arranged <strong>and</strong>stitched around it. To keep sequ<strong>in</strong>s <strong>in</strong>place, stitch up through the fabric <strong>and</strong>sequ<strong>in</strong>, then stitch though a small bead<strong>and</strong> back though the sequ<strong>in</strong> <strong>and</strong> fabric.If you don’t want to sew, you can do thesame activity us<strong>in</strong>g 3D fabric pa<strong>in</strong>ts. Whilethe pa<strong>in</strong>t is still wet, you can place beads<strong>and</strong> sequ<strong>in</strong>s <strong>in</strong> the pa<strong>in</strong>t <strong>and</strong> they willrema<strong>in</strong> <strong>in</strong> place when it dries, or they canbe attached afterwards us<strong>in</strong>g PVA glue.ResourcesSmall pieces of coloured cotton, thread,needles, needle-threaders, beads,sequ<strong>in</strong>s, thick decorative threadsBlock-pr<strong>in</strong>ted fabrics<strong>The</strong> art of mak<strong>in</strong>g Indian block-pr<strong>in</strong>t <strong>textiles</strong>has survived from ancient times to thepresent. <strong>The</strong> three ma<strong>in</strong> tools used <strong>in</strong> thisprocess are the wooden blocks, the fabric<strong>and</strong> the dye. It takes carvers days to createan <strong>in</strong>tricate design <strong>in</strong> a block of teak <strong>for</strong> useas a pr<strong>in</strong>t<strong>in</strong>g block, but blocks are availableto buy <strong>and</strong> are great <strong>for</strong> us<strong>in</strong>g <strong>in</strong> school. Ifyou want to create your own, l<strong>in</strong>o-cutt<strong>in</strong>g isa good alternative.Some good examples of Indianblock-pr<strong>in</strong>ted fabric can be seen atwww.gamthi.com.START THE MAGAZINE FOR PRIMARY AND PRE-SCHOOL TEACHERS OF ART, CRAFT AND DESIGNSTART THE MAGAZINE FOR PRIMARY AND PRE-SCHOOL TEACHERS OF ART, CRAFT AND DESIGN

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