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#K1803 - "The Guardian" - Production Draft 8/9/96 13.9 CONTINUED (3)9MOVE IN ON THE WIDOWQUINN(half -whisper)That woman is my mother.(Pause) )And the boy... is me.holding hands with the dark-haired little boy who glancesback over his shoulder as we...END OF ACT ONEFADE TO BLACK:Prepared by Earth Prime
#K1803 - "The Guardian" - Production Draft 8/9/96 14.FADE IN ON:ACT TWO10 EXT. OUTSKIRTS OF CEMETERY - DAY - THE SERVICE10has ended and the procession is walking right past TheSliders. MRS. MALLORY once again glances at Quinn as sheleads a deeply mournful YOUNG QUINN down the path.Once they've gone, Rembrandt sees that his friend Quinn isstanding perfectly still, barely breathing.QUINNIt's exactly as I remember it.Everything... just as it happened.(hangs his head)The day we buried my father.Rembrandt really feels for his friend. He drapes an armover his shoulder as we...SLOWLY DISSOLVE TO:11 INT. DOMINION HOTEL - NIGHT - THE SLIDERS11are spread out about the room - Quinn is standing, silentlystaring out the window, while Arturo is pouring himself adrink.ARTUROI have something to share - I'ddecided to keep it to myself, butnow that we're partners in Slidingagain, I feel I owe you the truth.Quinn glances over at the Professor, surprised - Arturotakes a swig and goes in a different direction...ARTUROIn recent weeks I've done someintensive calculations based on ourjourneys and the writings ofRussian physicist VladimirSkrevadenska.REMBRANDTOh yeah, there you go again -Hubert Van Decamp, VladSkrevadooski - don't smart guysever have simple names?(CONTINUED)Prepared by Earth Prime
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