Suwanit DowningStudio Manager / Retoucher / Graphic Artist
CHAPTER 2The Pool of Tears“Dear, dear! How queer everything is to-day! And yesterday thingswent on just as usual. Was I the same when I got up this morning?But if I’m not the same, the next question is‘Who in the world am I?’ Ah, that’s the great puzzle!”
CHAPTER 3A Caucus-Raceand a Long Tale2006 – PresentDDB MelbourneStudio Manager/Retoucher2003 – 2006The CampaignPalace,Head of Studio1999 – 2003George PattersonY & R, MelbourneSenior Retoucher/Graphic Artist1998 – 1999Visual Identity,MelbourneGraphic Artist /Designer1997 – 1998Freelance-GraphicArtist 1994 – 1997FCB Worldwide,Bangkok,SeniorGraphic Artist1992 – 1993FX PostProduction,Bangkok,ComputerAnimatorEducationalBackground1987 – 1992Bachelor ofArts; Fine AndApplied Arts,MahawithayalaiRajabhat SuanSunandha, BangkokBangkok.1985 – 1986Diploma ofBusinessAdministration;CommunicationDesignPoh-ChangUniversity,Still she went on growing, and, as a last resource,she put one arm out of the window, and one foot up the chimney,and said to herself ‘Now I can do no more, whatever happens.What will become of me?’Suwanit’s career started while still at University in Bangkok as amember of Apple’s computer R&D team. After completing her degreein Fine and Applied Art, Suwanit worked as a Graphic Designer fora year before joining a post-production house specialising in visualeffects for television commercials. In 1994, she was lured toFCB Worldwide Bangkok as a Senior Computer Graphic Artist.After moving to Australia in 1997, Suwanit spent several years asa Senior Retoucher / Graphic Artist at George Patterson Y&RMelbourne. From 2003 to 2006, she was Head of Studio atMelbourne’s legendary The Campaign Palace. In 2006she set herself a new challenge, combining her graphic art andretouching skills with management responsibilities in her currentrole as Studio Manager / Retoucher with DDB Melbourne.
CHAPTER 4Advice from a CaterpillarFor some minutes it puffed away without speaking;but at last it unfolded its arms, took the hookah outof its mouth again, and said‘So you think you’re changed, do you?’‘I’m afraid I am, Sir.’
CHAPTER 5Pig & PepperAt this moment the door of the house opened, and a large platecame skimming out, straight at the Footman’s head: it just grazedhis nose, and broke to pieces against one of the trees behind him.The Footman continued in the same tone, exactly as if nothinghad happened. ‘How am I to get in?’ asked Alice again,in a louder tone. ‘Are you to get in at all?’ said the Footman.‘That’s the first question, you know.’
CHAPTER 6A Mad Tea-PartyOnce more she found herself in the long hall,and close to the little glass table.‘Now, I’ll manage better this time,’she said to herself, and began by taking the little golden key,and unlocking the door that led into the garden.
CHAPTER 7The Queen’s Croquet-Ground‘Yes, it is his business!’ said Five, ‘and I’ll tell him—it was forbringing the cook tulip-roots instead of onions.’ Seven flung downhis brush, and had just begun ‘Well, of all the unjust things—’When his eye chanced to fall upon Alice, as she stood watching them,and he checked himself suddenly: the others looked round also,and all of them bowed low. ‘Would you tell me,’ said Alice,a little timidly, ‘why you are painting those roses?’
CHAPTER 8The Lobster Quadrille‘What are your shoes done with?’ said the Gryphon.‘I mean, what makes them so shiny?’ Alice looked downat them, and considered a little before she gave her answer.‘They’re done with blacking, I believe.’
CHAPTER 9Who Stole the Tarts?‘The Queen of Hearts, she made some tarts.All on a summer day: The Knave of Hearts, he stole those tarts,And took them quite away!’ ‘Consider your verdict,’the King said to the jury. ‘Not yet, not yet!’ the Rabbit hastilyinterrupted. ‘There’s a great deal to come before that!’‘Call the first witness,’ said the King; and the White Rabbit blewthree blasts on the trumpet, and called out, ‘First witness!’
CHAPTER 10The Evidence‘That’s the most important piece of evidencewe’ve heard yet,’ said the King, rubbing his hands;‘so now let the jury —’
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