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Advanced Copyright Issues on the Internet - Fenwick & West LLP

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Napster argued that its users’ downloads of music for <strong>the</strong>ir own pers<strong>on</strong>al use wereimmunized by <strong>the</strong> Audio Home Recording Act of 1992 (AHRA). 1169 The AHRA made twomajor substantive changes to copyright law. First, Subchapter D of <strong>the</strong> AHRA (Secti<strong>on</strong> 1008)immunizes certain n<strong>on</strong>commercial recording and use of musical recordings in digital or analogform. 1170 Secti<strong>on</strong> 1008 provides:No acti<strong>on</strong> may be brought under this title alleging infringement of copyright 1171based <strong>on</strong> <strong>the</strong> manufacture, importati<strong>on</strong>, or distributi<strong>on</strong> of a digital audio recordingdevice, a digital audio recording medium, an analog recording device, or ananalog recording medium, or based <strong>on</strong> <strong>the</strong> n<strong>on</strong>commercial use by a c<strong>on</strong>sumer ofsuch a device or medium for making digital musical recordings or analog musicalrecordings.Sec<strong>on</strong>d, Subchapters B and C (Secti<strong>on</strong>s 1002-1007) of <strong>the</strong> AHRA require (i) that any“digital audio recording device” c<strong>on</strong>form to <strong>the</strong> “Serial <str<strong>on</strong>g>Copyright</str<strong>on</strong>g> Management System”(SCMS), which allows unlimited first generati<strong>on</strong> copies of an original source, but prohibitssec<strong>on</strong>d generati<strong>on</strong> copies (i.e., copies of a copy), and (ii) that manufacturers and distributors ofdigital audio recording devices and digital audio recording media (such as DAT tape andrecordable CDs) pay royalties and file various notices and statements to indicate payment ofthose royalties. 1172Napster argued that under <strong>the</strong> direct language of Secti<strong>on</strong> 1008, no acti<strong>on</strong> for infringementof copyright could be brought against Napster’s users, who were c<strong>on</strong>sumers and who wereengaged in <strong>the</strong> n<strong>on</strong>commercial making and sharing (distributi<strong>on</strong>) of digital musical recordings.Because <strong>the</strong> acti<strong>on</strong>s of Napster’s users were immune, Napster argued that it could not bec<strong>on</strong>tributorily or vicariously liable for those acti<strong>on</strong>s. 1173 Napster cited <strong>the</strong> following legislativehistory of <strong>the</strong> AHRA as support for its argument that C<strong>on</strong>gress intended to afford a very broadimmunity for n<strong>on</strong>-commercial copying of audio recordings:S. Rep. 102-294 (1992) at 51 (“A central purpose of <strong>the</strong> Audio Home Recording Act of1991 is c<strong>on</strong>clusively to resolve [<strong>the</strong>] debate” over <strong>the</strong> “copyright implicati<strong>on</strong>s of privateaudio recording for n<strong>on</strong>commercial use.”).H. Rep. 102-873(I) (1992) at 24 (“In <strong>the</strong> case of home taping, <strong>the</strong> exempti<strong>on</strong> protects alln<strong>on</strong>commercial copying by c<strong>on</strong>sumers of digital and analog musical recordings.”).1169 Pub. L. No. 102-563, 106 Stat. 4244 (1992), codified at 17 U.S.C. §§ 1001-1010.1170 Nimmer § 8B.01 (2000).1171 The immunity applies with respect to copyrights in both <strong>the</strong> sound recordings and any musical compositi<strong>on</strong>sembodied <strong>the</strong>rein. Id. § 8B.07[C][2], at 8B-90.1172 Id. §§ 8B.02 & 8B.03 (2000).1173 Oppositi<strong>on</strong> of Defendant Napster, Inc. to Plaintiffs’ Moti<strong>on</strong> for Preliminary Injuncti<strong>on</strong>, A&M Records, Inc. v.Napster, Inc., Civ. Nos. C99-5183 MHP (ADR) & C00-0074 MHP (ADR) (July 5, 2000), at 5-6 (hereinafter,“Napster’s PI Opp. Br.”), <strong>on</strong> file with <strong>the</strong> author.- 269 -

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