- Page 4: Bloom’s Literary ThemesTHE SUBLIM
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- Page 21 and 22: 2Kate Chopinsublime that cannot be
- Page 23 and 24: 4Kate Chopinand tongue, eyes and sk
- Page 25 and 26: 6Kate Chopinone of ravishment; as R
- Page 27 and 28: 8Kate Chopin(10.3); “she uses the
- Page 29 and 30: 10Kate Chopincan signify both life
- Page 31 and 32: 12Kate Chopinas being like an abyss
- Page 33 and 34: 14Kate Chopinfirst time alone, bold
- Page 35 and 36: 16Kate Chopinwith wanting itself
- Page 37 and 38: 18Kate Chopinshe finds a new idiom
- Page 39 and 40: 20Kate ChopinI have relied upon the
- Page 41 and 42: 22Kate Chopinsemiotic collapse, def
- Page 43 and 44: 24Kate ChopinWhile it would be extr
- Page 45 and 46: 26Kate Chopin24. Walter Benn Michae
- Page 47 and 48: 28Rainer Maria Rilkearrived at the
- Page 49 and 50: 30Rainer Maria Rilkereference an an
- Page 51 and 52: 32Rainer Maria RilkeThe Duino Elegi
- Page 53 and 54: 34Rainer Maria Rilkehe anticipated
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EMMA(JANE AUSTEN),.“ ‘Hurrying
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Emma 39a transformation, if even mo
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Emma 41and the use of the third per
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Emma 43WORKS CITEDAusten, Jane. The
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46Edgar Allan Poeassociate with Rom
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48Edgar Allan PoeIn this sense, “
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50Edgar Allan Poehouse as a slave (
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52Edgar Allan PoeCanning. As he rea
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56William BlakeBlake’s “The Tyg
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58William Blakecommand to establish
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60William Blakeportrays Rahab as a
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64William BlakeBaudelaire, Charles.
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Frankenstein 67aspiring hero learns
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Frankenstein 69that a dream fades a
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Frankenstein 71The creation is at o
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Frankenstein 73This powerfully char
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Frankenstein 75through reality. To
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78Mary ShelleyShelley’s fiction.
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80Mary ShelleyIII.There is an intri
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82Mary Shelleyinto discourse, the a
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84Mary Shelleyregard him as editor
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86Mary Shelleydesire”; he simply
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“GOD’S GRANDEUR”(GERARD MANLE
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92Gerard Manley Hopkinsdefinition,
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94Gerard Manley Hopkins[i.e., heed]
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96Gerard Manley Hopkinspower. Just
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98Gerard Manley Hopkins“strikes l
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100The Poetry of Homer and Sapphofr
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102The Poetry of Homer and SapphoTh
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104The Poetry of Homer and Sapphofu
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106The Poetry of Homer and SapphoYe
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108The Poetry of Homer and Sappho4.
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110The Poetry of John Keatsterror a
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112The Poetry of John Keatsprocess
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114The Poetry of John Keatshe belie
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116The Poetry of John Keatsthe infi
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118The Poetry of John Keatsas trans
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120The Poetry of John KeatsHowever,
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122The Poetry of John Keatsam indeb
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124The Poetry of John KeatsIn The F
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126The Poetry of John KeatsNotes1.
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128The Poetry of John KeatsAeschylu
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King Lear(William Shakespeare),.“
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King Lear 133intellect would have p
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King Lear 135incidents recorded in
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King Lear 137Of the secondary plot
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King Lear 139it be the stars that g
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King Lear 141disaster, a flame whic
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King Lear 143age was precisely this
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King Lear 14512. Compare Edmund’s
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148Samuel Taylor Coleridgelength) (
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150Samuel Taylor Coleridgedevotion
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152Samuel Taylor Coleridgeauthority
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154Samuel Taylor Coleridgethat her
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156Samuel Taylor ColeridgeMilton, M
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158William WordsworthI“Tintern Ab
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160William Wordsworth“depth” of
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162William Wordsworthintrospection,
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164William WordsworthThat awful Pow
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166William WordsworthBy now it shou
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168William Wordsworththat was, up t
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170William Wordsworthharmony” and
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172William Wordsworththe landscape.
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174William Wordsworthwhen first”
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176William Wordsworthmost obvious e
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178William Wordsworthinto a single
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180William Wordsworthphenomenology
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182William Wordsworthprophetic hear
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184William Wordsworth(1) the prevai
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The Poetry of Robert Lowell,.“Rob
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The Poetry of Robert Lowell 189For
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The Poetry of Robert Lowell 191as w
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The Poetry of Robert Lowell 193avat
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The Poetry of Robert Lowell 195Two
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The Poetry of Robert Lowell 197most
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The Poetry of Robert Lowell 199infi
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The Poetry of Robert Lowell 201As i
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The Poetry of Robert Lowell 203Chur
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The Poetry of Robert Lowell 205As L
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The Poetry of Robert Lowell 207At t
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The Poetry of Robert Lowell 209not
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The Poetry of Robert Lowell 211iden
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The Poetry of Robert Lowell 21313.
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Moby-Dick(Herman Melville),.“The
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Moby Dick 217transported into a tra
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Moby Dick 219appalls him about the
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Moby Dick 221these jets as both a c
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Moby Dick 223has nailed to the mast
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Moby Dick 225Sealts, Merton M., Jr.
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228John MiltonIf we divide the peri
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230John MiltonSuch was the nidus or
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232John Miltonis the translation of
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234John MiltonIn the description of
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236Percy Bysshe ShelleyMerely allow
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238Percy Bysshe Shelleythe sublime
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240Percy Bysshe ShelleyShelley call
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242Percy Bysshe ShelleyThe impulse
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Song of Myself(Walt Whitman),.“Th
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Song of Myself 247the spirit behind
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Song of Myself 249flower named in t
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Song of Myself 251In what way is
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Song of Myself 253interplay of the
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256The Poetry of William Butler Yea
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258The Poetry of William Butler Yea
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260The Poetry of William Butler Yea
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262The Poetry of William Butler Yea
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264The Poetry of William Butler Yea
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266The Poetry of William Butler Yea
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268The Poetry of William Butler Yea
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270The Poetry of William Butler Yea
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272The Poetry of William Butler Yea
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274The Poetry of William Butler Yea
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276The Poetry of William Butler Yea
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278The Poetry of William Butler Yea
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280The Poetry of William Butler Yea
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282The Poetry of William Butler Yea
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284The Poetry of William Butler Yea
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286AcknowledgmentsWlecke, Albert O.
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288IndexBurke, Kenneth, 21n11, 178,
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290IndexFredericks, Nancy, 216, 220
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292Indexlute, 47, 48Lyotard, Jean-F
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294IndexSatan, 70, 76, 203, 232-233
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296Index“Meditations in Time of C