Download this as a PDF - The James Bond 007 Dossier

; • inn, a cur- : r i>r ii .^i.iri, \ y, Uijl i ilun-: ,i,i iiiiT s^inalfhtrt for « raad icorkoid, appropriately tailed by a yleamivg Mercedes. Then {ri-jhl i he aiitfit.s himxelf icilh lio'td atlacht ca^:e, opens da secret iray so it won't explode,and assembles super gun. On the way to Boudmanahip al lost, N ye enjoys a sharing orgy with assorted UU7 loilelries. flanked by photographs of Bond conquests.Everyone was nervous because of thesharks. They made an eerie sight, circlingendlessly around the pool. Thehouse belonged to a Mr. and Mrs,Sullivan, who rented the place toThunderball but chose not to move out.much to the surprise of the producers.and even invited houseguests to watchthe fun. Everyone had his little toy,and this was theirs.Most of the shooting was done atnight, and the area around the JXK)!.with its impeccable shrubbery and chicpatio chairs, was blanketed in theglamorous clutter of movie making.Heavy cables ran in all directions. Talllights and scaffolds rose everywhere;cameras and booms were shoved backand forth; technicians with earphonessat twirling mysterious dials. StuntmanBill Cummings made practicejumps into the swimming pool andscurried back out. Occasionally one ofthe "shark wranglers" climbed into thepool and jabbed the sharks—thechange of water was making themdrowsy —to make sure that they wouldbe wide awake when Bond arrivedamong them. Producers bustled about,conferring. Assistant directors shoutedthrough megaphones. Baddies triedjudo holds and karate blows on oneanother. Connery waited. And at oneedge of the crowd the Sullivans sat inevening clothes, sipping drinks.The dnnks were real, the sharks werereal, Connery was real. Young's voicewas real as it told the black-garlx;dbaddies in the calm tone of a Cambridgehonors graduate how lo sendBond to his gruesome death. But noneof it looked real. It looked . . . youknow, s