Shawyer dissertation May 2008 final version - The University of ...

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Creamer, Matthew. “Media Relations—Turning Crowds into Customers.” PR Week 20Oct. 2003: 20.“Daley City Under Siege.” Time Magazine 30 Aug. 1968: 18-25.Danilova, Maria. “KPRF ‘Flash Mob’ Hits Movie Premiere.” Moscow Times 6 Nov.2003: 3.Davis, R. G. “Guerrilla Theatre.” TDR: Tulane Drama Review 10.3 (1966): 130-136.- - - . “Guerrilla Theatre: The Life Style that Won't Quit.” Liberation News Service 45 (26Feb. 1968): 29-30.Debord, Guy. The Society of the Spectacle. 1967. Trans. Donald Nicholson-Smith. NewYork: Zone, 1994.De Certeau, Michel. The Writing of History. 1975. Trans. Tom Conley. New York:Columbia UP, 1988.“The Decline and Fall of the Democratic Party.” Editorial. Ramparts 7.5 (28 Sept. 1968):20-42.Deleuze, Gilles and Guttari, Felix. A Thousand Plateaus: Capitalism and Schizophrenia.1980. Trans. Brian Massumi. Minneapolis: U of Minnesota P, 1987.Delio, Michelle. “E-Mail Mob Takes Manhattan.” Wired News 19 Jun. 2003. Jan. 2008..Diani, Mario. “The Concept of Social Movement.” Sociological Review 40.1 (1992): 1-25.Dodd, Thomas Joseph. Introduction. The New Left: Memorandum Prepared for theSubcommittee to Investigate the Administration of the Internal Security Act andOther Internal Security Laws of the Committee on the Judiciary, United StatesSenate by Allan Charles Brownfeld. 2 nd ed. Washington: U. S. Government, 1968.1-7.Dolan, Jill. Utopia in Performance: Finding Hope at the Theater. Ann Arbor: U ofMichigan P, 2005.Doyle, Michael William. “Staging the Revolution: Guerrilla Theater as a CounterculturalPractice, 1965-1968.” Imagine Nation: The American Counterculture of the 1960sand ‘70s. Ed. Peter Braunstein and Michael William Doyle. New York:Routledge, 2002. 71-97.232
Editorial. Chicago Tribune. 29 Aug. 1968: A20.Eliscu, Lita. “Theatra?” East Village Other 3.23 (10 May 1968): 7+.Estrin, Mark. “Guerrilla Theatre from The American Playground.” TDR: The DramaReview 13.4 (1969): 72-79.Farber, David. Chicago ‘68. Chicago: U of Chicago P, 1988.- - - . The Age of Great Dreams: America in the 1960s. New York: Hill and Wang, 1994.Farber, Donald C. From Option to Opening: A Guide for the Off-Broadway Producer.New York: DBS, 1968.Fleming, Michael, and Barraclough, Leo. “Baron Cohen Up for ‘Seven.’” Variety 1 Jan.2008. Feb. 2008. < http://www.variety.com/article/VR1117978253.html>.Forrest Gump. Dir. Robert Zemeckis. Paramount Pictures, 1994.Fouratt, Jim. MySpace.com profile. 2007. Dec. 2007..Franklin, Ben A. “War Protesters Defying Deadline Seized in Capital.” New York Times23 Oct. 1967: 1, 32.Gallup, George H. The Gallup Poll: Public Opinion 1935-1971. New York: RandomHouse, 1972.Garson, Barbara. Macbird! New York: Grove, 1967.Genet, Jean. “The Members of the Assembly.” Trans. Richard Seaver. Esquire 70.5(1968): 86-89.Gerhart, Ann. “Democrats Shake Their Booty.” Washington Post 29 Oct. 2003: C1.“Get Ready for a Flash Mob!” People 25 Aug. 2003: 92.Ginsberg, Allen. “Pentagon Exorcism: No Taxation without Representation.” WIN:Peace and Freedom through Nonviolent Action 4.2 (31 Jan. 1968): 7.- - - . Howl. 1956. Selected Poems 1947-1995. New York: Harper Collins, 1996.233
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CopyrightbySusanne Elizabeth Shawye
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Radical Street Theatre and the Yipp
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Kokai, Olivia Whitmer O’Hare, Tam
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organizational strategies of the an
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IntroductionThe Chicago Poster:Cont
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adical hipsters, or counterculture
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linguistic theory, the field of per
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The language of performance thus al
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protest from theatre. 8 Mass demons
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performative has the potential to e
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evolution using methodological and
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Realist, suddenly noticed that when
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Revolution for the Hell of It is a
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The Yippies’ politics are clear i
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2). They embraced a romantic notion
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made up of many separate organizati
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and a free store on the Lower East
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When they formed the Youth Internat
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Most of the dozen core Yippies were
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acknowledgment that her business sk
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The claim of millions of Yippies wa
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Man to tease out the New Left’s n
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eports from the popular press, test
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Image of Yippie Chicago poster.47
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surround the Pentagon are a long wa
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the Conference for New Politics in
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Washington was no stranger to mass
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uilding in acts of civil disobedien
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had a history of civil disobedience
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the crowd into affinity groups by m
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Like Abbie Hoffman, Rubin was aware
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Krishna” and “Om” to their re
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Pentagon began its work for the wee
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A respectable horde of respectable
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that time was still expected to see
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It didn’t matter if there was dis
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democratic political-economic and c
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social activist Malcolm X, Communis
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The aesthetic of the New Left now t
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straight-laced emphasis on communit
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Unlike the young student politician
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on the improvised actions of variou
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society” by changing, not ignorin
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similar to the very same ones used
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scenery falls. The Yippies loved th
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unrest by the lower ranks of societ
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Don’t rely on words. Words are th
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writing to President Johnson from V
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wasn’t just their situation that
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freshly-shorn young men in army uni
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I also argue that blurring of life
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Armed with a budget of just $15.00
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ounced through the air above the cr
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they ran into again in Chicago when
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Yip-In moved into an unexpected sec
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Yippies had been publishing manifes
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experimental works. Like other New
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not Broadway, was the venue for pla
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adicalism of Off-Off-Broadway conte
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theater, and including it on their
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environment that pays special atten
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meaning or appreciate the aesthetic
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Since Happenings emerged from New Y
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that contrasted visual peaceful pro
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prominence of ordinary actions and
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The costumes of the Yip-In particip
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ecruit, several blocks from the hip
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free stores, or crash pads. In 1969
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The hippies and Yippies also used m
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from their weekday Establishment re
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perform the power of authority and
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commuters the actions and dress tha
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emotion and hope, like the “utopi
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Chapter ThreeThe Festival of Life:
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Double (1938). The Yippies used the
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anti-war views, and movement leader
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Republican candidate Richard Nixon;
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death, it seemed like Humphrey was
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American politicians. We’ll infil
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named themselves the Youth Internat
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if necessary, Mobe was unable to ge
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ut the Yippies’ signs supported a
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craze, offering a special section o
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efforts to bring performances to th
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commentary in the East Village Othe
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which Hoffman designated as ‘medi
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already in Chicago, and prepared to
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Even though many of the demonstrato
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with a fire-cracker throwing crowd
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Hilton to interview passing delegat
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Page 191 and 192: protest against the order, rules, a
Page 193 and 194: experience the performance event wi
Page 195 and 196: The Battle of Michigan Avenue was a
Page 197 and 198: “It would take an inspired Artaud
Page 199 and 200: The letters in the Johnson Library
Page 201 and 202: watching” (Box 66). Korean War ve
Page 203 and 204: members who felt that the Yippies g
Page 205 and 206: Dismayed by his lack of action abou
Page 207 and 208: night of the Battle of Michigan Ave
Page 209 and 210: Chapter FourFlash Mobs: The Yippie
Page 211 and 212: that is, they were political only t
Page 213 and 214: as their primary political and cult
Page 215 and 216: 1969, “Four Days of Rage” campa
Page 217 and 218: The Festival of Life and the ensuin
Page 219 and 220: The Yippies’ revolutionary action
Page 221 and 222: Glasgow, Rome, Vienna, Berlin, Sydn
Page 223 and 224: and social conventions: flash mobs
Page 225 and 226: social behaviors, and the technolog
Page 227 and 228: organized by anyone with access to
Page 229 and 230: advantage of the dramaturgy of prot
Page 231 and 232: Yet the insider/outsider dynamic of
Page 233 and 234: List of AbbreviationsCOREFBIHUACLBJ
Page 235 and 236: Letter, Roger Light to the Presiden
Page 237 and 238: Telegram, Marjorie Satthoff to the
Page 239: Brown, Joe David, ed. The Hippies.
Page 243 and 244: Higgins, Dick. “The Origin of the
Page 245 and 246: Karastamatis, John. “Don’t Star
Page 247 and 248: McMillian, John. “Garbage Guerril
Page 249 and 250: Rosenberg, Bernard. “Chicago: Blo
Page 251 and 252: Stewart, M. J. F. and Davis, Lisa.
Page 253: VITASusanne Elizabeth Shawyer was b
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