Shawyer dissertation May 2008 final version - The University of ...

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Improv Everywhere. “Look Up More.” Improv Everywhere. 19 Mar. 2005. Jan 2008..- - - . “Frozen Grand Central.” Improv Everywhere. 31 Jan. 2008. Feb. 2008..- - - . “IE Global: Freeze Events in London and Toronto.” Improv Everywhere. 17 Feb.2008. Feb. 2008. .“In the Streets: Tear Gas and Clubs.” Washington Post 29 Aug. 1968: A1+.Isserman, Maurice. If I Had a Hammer . . . The Death of the Old Left and the Birth of theNew Left. New York: Basic, 1987.Isserman, Maurice and Kazin, Michael. America Divided: The Civil War of the 1960s.New York: Oxford UP, 2000.Jezer, Martin. “A Happening for the Birds.” WIN: Peace and Freedom throughNonviolent Action 4.1 (15 Jan. 1968): 10.- - - . “YIP!” WIN: Peace and Freedom through Nonviolent Action 4.6 (14 Apr. 1968): 8.- - - . “A Yippee History.” Liberation News Service 66 (15 Apr. 1968): 1-3.- - - . “The Whole World was Watching.” WIN: Peace and Freedom through NonviolentAction. 4.16 (16 Sept. 1968): 5-6.- - - . [as Marty Jezer]. Abbie Hoffman: American Rebel. New Brunswick, NJ: RutgersUP, 1992.Jezer, Martin et al. Special Report on the Grand Central Station Yip-In. Liberation NewsService 58 (25 Mar. 1968): 1-2.“Johnson Rating in Poll Hits Low.” New York Times 31 Mar. 1968: 50.Jones, LeRoi [Amiri Baraka]. Black Magic: Poetry 1961-1967. Indianapolis: Bobbs-Merrill, 1969.Kaprow, Allan. “Calling: A Happening for Performers Only.” TDR: Tulane DramaReview 10.2 (1965): 203-211.- - - . Assemblage, Environments, & Happenings. New York: Harry N. Abrams, 1966.236
Karastamatis, John. “Don’t Start the Flash Mob Without Me.” National Post [Toronto] 6Sept. 2003: T5.Kenworthy, E. W. “Thousands Reach Capital to Protest Vietnam War.” New York Times21 Oct. 1967: 1, 8.Kershaw, Baz. The Radical in Performance: Between Brecht and Baudrillard. London:Routledge, 1999.Kifner, John. “Hippies Shower $1 Bills on Stock Exchange Floor.” New York Times 25Aug. 1967: 23.Kirby, Michael. Happenings: An Illustrated Anthology. New York: E. P. Dutton, 1965.- - - . “The New Theatre.” TDR: Tulane Drama Review 10.2 (1965): 23-43.Kostelanetz, Richard. The Theatre of Mixed Means: An Introduction to Happenings,Kinetic Environments, and Other Mixed-means Performances. New York: Dial,1968.Krassner, Paul. How a Satirical Editor Became a Yippie Conspirator in Ten Easy Years.New York: G. P. Putnam’s Sons, 1971.- - - . Confessions of a Raving, Unconfined Nut: Misadventures in the Counter-culture.New York: Simon and Schuster, 1993.- - - . “Anita and the Blow-Up Doll: Death of a Yippie.” Tikkun 14.3 (1999): 44-48.- - - . “The Morning After Election Day.” Tikkun 16.1 (2001): 36-37.Kupfer, David. “The Progressive Interview: Paul Krassner.” Progressive 57.11 (1993):28-32.Kurlansky, Mark. 1968: The Year that Rocked the World. New York: Ballantine, 2004.Kusch, Frank. Battleground Chicago: The Police and the 1968 Democratic NationalConvention. Westport, CT: Praeger, 2004.Lampe, Keith. “From Dissent to Parody.” 1967. The New Left: A Documentary History.Ed. Massimo Teodori. Indianapolis: Bobbs-Merrill, 1969. 373-375.Leary, Timothy. Start Your Own Religion. 1967. Turn On. Tune In. Drop Out. Oakland:Ronin: 1999.237
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CopyrightbySusanne Elizabeth Shawye
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Radical Street Theatre and the Yipp
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Kokai, Olivia Whitmer O’Hare, Tam
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organizational strategies of the an
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IntroductionThe Chicago Poster:Cont
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adical hipsters, or counterculture
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linguistic theory, the field of per
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The language of performance thus al
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protest from theatre. 8 Mass demons
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performative has the potential to e
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evolution using methodological and
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Realist, suddenly noticed that when
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Revolution for the Hell of It is a
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The Yippies’ politics are clear i
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2). They embraced a romantic notion
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made up of many separate organizati
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and a free store on the Lower East
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When they formed the Youth Internat
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Most of the dozen core Yippies were
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acknowledgment that her business sk
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The claim of millions of Yippies wa
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Man to tease out the New Left’s n
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eports from the popular press, test
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Image of Yippie Chicago poster.47
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surround the Pentagon are a long wa
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the Conference for New Politics in
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Washington was no stranger to mass
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uilding in acts of civil disobedien
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had a history of civil disobedience
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the crowd into affinity groups by m
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Like Abbie Hoffman, Rubin was aware
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Krishna” and “Om” to their re
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Pentagon began its work for the wee
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A respectable horde of respectable
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that time was still expected to see
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It didn’t matter if there was dis
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democratic political-economic and c
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social activist Malcolm X, Communis
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The aesthetic of the New Left now t
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straight-laced emphasis on communit
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Unlike the young student politician
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on the improvised actions of variou
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society” by changing, not ignorin
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similar to the very same ones used
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scenery falls. The Yippies loved th
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unrest by the lower ranks of societ
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Don’t rely on words. Words are th
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writing to President Johnson from V
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wasn’t just their situation that
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freshly-shorn young men in army uni
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I also argue that blurring of life
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Armed with a budget of just $15.00
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ounced through the air above the cr
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they ran into again in Chicago when
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Yip-In moved into an unexpected sec
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Yippies had been publishing manifes
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experimental works. Like other New
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not Broadway, was the venue for pla
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adicalism of Off-Off-Broadway conte
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theater, and including it on their
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environment that pays special atten
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meaning or appreciate the aesthetic
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Since Happenings emerged from New Y
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that contrasted visual peaceful pro
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prominence of ordinary actions and
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The costumes of the Yip-In particip
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ecruit, several blocks from the hip
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free stores, or crash pads. In 1969
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The hippies and Yippies also used m
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from their weekday Establishment re
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perform the power of authority and
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commuters the actions and dress tha
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emotion and hope, like the “utopi
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Chapter ThreeThe Festival of Life:
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Double (1938). The Yippies used the
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anti-war views, and movement leader
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Republican candidate Richard Nixon;
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death, it seemed like Humphrey was
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American politicians. We’ll infil
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named themselves the Youth Internat
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if necessary, Mobe was unable to ge
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ut the Yippies’ signs supported a
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craze, offering a special section o
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efforts to bring performances to th
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commentary in the East Village Othe
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which Hoffman designated as ‘medi
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already in Chicago, and prepared to
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Even though many of the demonstrato
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with a fire-cracker throwing crowd
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Hilton to interview passing delegat
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political positions, merged to form
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protest against the order, rules, a
Page 193 and 194: experience the performance event wi
Page 195 and 196: The Battle of Michigan Avenue was a
Page 197 and 198: “It would take an inspired Artaud
Page 199 and 200: The letters in the Johnson Library
Page 201 and 202: watching” (Box 66). Korean War ve
Page 203 and 204: members who felt that the Yippies g
Page 205 and 206: Dismayed by his lack of action abou
Page 207 and 208: night of the Battle of Michigan Ave
Page 209 and 210: Chapter FourFlash Mobs: The Yippie
Page 211 and 212: that is, they were political only t
Page 213 and 214: as their primary political and cult
Page 215 and 216: 1969, “Four Days of Rage” campa
Page 217 and 218: The Festival of Life and the ensuin
Page 219 and 220: The Yippies’ revolutionary action
Page 221 and 222: Glasgow, Rome, Vienna, Berlin, Sydn
Page 223 and 224: and social conventions: flash mobs
Page 225 and 226: social behaviors, and the technolog
Page 227 and 228: organized by anyone with access to
Page 229 and 230: advantage of the dramaturgy of prot
Page 231 and 232: Yet the insider/outsider dynamic of
Page 233 and 234: List of AbbreviationsCOREFBIHUACLBJ
Page 235 and 236: Letter, Roger Light to the Presiden
Page 237 and 238: Telegram, Marjorie Satthoff to the
Page 239 and 240: Brown, Joe David, ed. The Hippies.
Page 241 and 242: Editorial. Chicago Tribune. 29 Aug.
Page 243: Higgins, Dick. “The Origin of the
Page 247 and 248: McMillian, John. “Garbage Guerril
Page 249 and 250: Rosenberg, Bernard. “Chicago: Blo
Page 251 and 252: Stewart, M. J. F. and Davis, Lisa.
Page 253: VITASusanne Elizabeth Shawyer was b
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