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Re<strong>view</strong>s of the album PassagesAnod<strong>in</strong>e is a bandwhich can reallyoffer someth<strong>in</strong>g newwith theirkaleidoscopic,genre-defy<strong>in</strong>gapproach [...]One of the best ,most forwardth<strong>in</strong>k<strong>in</strong>gandambitious debuts of2013 without adoubt!Germany has no<strong>to</strong>riously been spitt<strong>in</strong>g out some ofthe most edgy, revolutionary and groundbreak<strong>in</strong>gelectronic music out there over the past 3 decades,not only sett<strong>in</strong>g up the ground for electronic music,but also explor<strong>in</strong>g the genre, the productionnuances, its sonic boundaries and possibilities, itsseveral shapes, attitudes and contam<strong>in</strong>ations.The very same country has also earned another staron the music his<strong>to</strong>ry wall of fame for be<strong>in</strong>g a veryspeciel, absolutely unique focal po<strong>in</strong>t for dark music:the “official” birthplace of goth culture, a movement(if you wanna call it like that) which gave a differentface <strong>to</strong> “darkness” <strong>in</strong> music, transform<strong>in</strong>g elementsthat were never thought as be<strong>in</strong>g “commercial” <strong>in</strong><strong>to</strong>“pop”. Sure, not your usual pop, but still. This scenemanaged <strong>to</strong> <strong>to</strong> push the boundaries and add<strong>in</strong>gsometh<strong>in</strong>g new <strong>to</strong> the global music scene.Hail<strong>in</strong>g from Dusseldorf, Anod<strong>in</strong>e is a project led byPatrick Heyer that def<strong>in</strong>itely falls fully <strong>in</strong> l<strong>in</strong>e witheveryth<strong>in</strong>g that was just mentioned above. Thewhole po<strong>in</strong>t of my lengthy <strong>in</strong>troduction was <strong>to</strong>actually po<strong>in</strong>t out that this project is embrac<strong>in</strong>g thespirit of its cultural environment, act<strong>in</strong>g as achannel<strong>in</strong>g network, a so-called melt<strong>in</strong>g pot, whereall of these <strong>in</strong>fluences brilliantly crash, <strong>in</strong> asuccessful attempt <strong>to</strong> deliver someth<strong>in</strong>g reallyunique, <strong>in</strong> the formal of a very personal sound,somewhere <strong>in</strong>-between trip-rock, electro, <strong>in</strong>dustrialand psychedelia.Anod<strong>in</strong>e’s debut album “Passages” f<strong>in</strong>ally sees the light of day <strong>in</strong> 2013, a few years after the project’s<strong>in</strong>cipit <strong>in</strong> 2008. This album was def<strong>in</strong>itely well worth the wait: Anod<strong>in</strong>e didn’t settle for anyth<strong>in</strong>g but areally well produced and detailed album, featur<strong>in</strong>g 16 tracks for an as<strong>to</strong>nish<strong>in</strong>g 80 m<strong>in</strong>utes of music(someth<strong>in</strong>g that happens really rarely these days).1 / 2Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album PassagesIf we have drag <strong>in</strong> comparisons, The overall sound makes me th<strong>in</strong>k of a bizarre meet<strong>in</strong>g between N<strong>in</strong>eInch Nails, Mew and Rammste<strong>in</strong>. The classy and edgy approach of the first comb<strong>in</strong>es perfectly with thetwangy guitars and wide-open melodies of the second, with a <strong>to</strong>uch of the wall of sound and power ofthe third.Influences aside, Anod<strong>in</strong>e is a band which can really offer someth<strong>in</strong>g new with their kaleidoscopic, genredefy<strong>in</strong>gapproach that could have only been so natural and well balanced com<strong>in</strong>g from a country withsuch an eclectic and colorful cultural scene as Germany is these days.“Passages” is a real musical journey, with each of the 16 featured tracks br<strong>in</strong>g<strong>in</strong>g the listener <strong>to</strong> a differentdest<strong>in</strong>ation, while keep<strong>in</strong>g some watermarks <strong>in</strong>tact throughout the album’s entire play<strong>in</strong>g time: The keyelement of Anod<strong>in</strong>e’s music is arguably <strong>in</strong> the contrast of sounds: Dramatic, melancholic and beautifulmelodies of vocals, guitars and synth beautifully collide with the cold, granitic wall of dis<strong>to</strong>rted bass andguitars, driven by a tight and metronomic rhythm section.My idea of the album be<strong>in</strong>g a “musical journey” is sort of confirmed by the production of the record itself:The album is <strong>in</strong> fact meant <strong>to</strong> be enjoyed with no breaks between tracks, a cont<strong>in</strong>uous and everchalleng<strong>in</strong>g flow of music, hitt<strong>in</strong>g the listeners with an impressive variety of sounds. For the non-<strong>in</strong>itiated,Anod<strong>in</strong>e could very well rem<strong>in</strong>d of successful acts such as Muse, Incubus or Radiohead, <strong>in</strong>corporat<strong>in</strong>g theheavy, epic sound of the former and the alternative, edgy approach of the latter bands.Dark and mesmeriz<strong>in</strong>g, this 80 m<strong>in</strong>utes trip is also fitt<strong>in</strong>g really well with its given title “Passages”, areference <strong>to</strong> “the hidden doorways that enable one <strong>to</strong> reach various places of the astral planes”. Theimag<strong>in</strong>ary of the band suggests mysticism, supernatural beauty and a love for occult art, as the enigmaticartwork very well showcases.Anod<strong>in</strong>e is def<strong>in</strong>itely one of those names you want <strong>to</strong> keep track of. One of the best , most forwardth<strong>in</strong>k<strong>in</strong>gand ambitious debuts of 2013 without a doubt!Andrea Caccese (Paper W<strong>in</strong>gs Music)February 21, 2013L<strong>in</strong>k2 / 2Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album PassagesDanke für diesenwunderbarenOHRgasmus.Höchstnote!!!!Was für e<strong>in</strong> grauer bescheidener Alltag. Das Wettermacht was es will, die Lust auf irgendwelcheFreizeitaktivitäten ist so ziemlich auf Null. Alsogenau die richtige Stimmung für e<strong>in</strong> kle<strong>in</strong>es Stückerstklassischer Musik. Anod<strong>in</strong>e, so der Name derBand bzw. des Projektes von Multitalent PatrickHeyer. Auf der vor mir liegenden CD wurden alleStücke komplett alle<strong>in</strong>e e<strong>in</strong>gespielt, was michnatürlich sehr fasz<strong>in</strong>ierte.Das Intro “Antilight” kommt mit sehr experimentellen Klängen aus den Boxen, woraus man eigentlichke<strong>in</strong>erlei Erwartungen an das gesamte Machwerk hat. Es macht e<strong>in</strong>fach nur wahns<strong>in</strong>nig neugierig, was esbedeutet Alternative Trip Rock zu machen.Nach dem Intro wird es dann richtig <strong>in</strong>teressant, hier entsteht gerade e<strong>in</strong> richtig gutes Stück Musik. ”Color of this place” kommt mit schweren, tiefer gestimmten Gitarren, die dazu animieren rhythmisch denKopf zu bewegen, aber das wird sofort von der leid geplagten, emotionalen Stimme unterbrochen.Masterm<strong>in</strong>d Patrick Heyer legt bereits bei Song Nr. 1 e<strong>in</strong>e sehr hohe Messlatte <strong>in</strong> den BereichenArragement, Musikalität und Qualität. Bei “Dark Side of Venus” wird die erste Vermutung auch dannerfüllt. Schon hier ist bewusst, was e<strong>in</strong>en noch erwartet. Nämlich e<strong>in</strong> kle<strong>in</strong>es Meisterwerk an DüsseldorferUnterhaltungskunst, die nicht e<strong>in</strong>fach vorbeiziehen darf oder <strong>in</strong> den Massen untergeht. Sehr schöne,melodiöse Bassläufe, die nicht nur der Rhythmik dienen, perfekt getimtes Schlagzeug und e<strong>in</strong>e Stimme,die drausen direkt wieder den gefallenen Schnee schmelzen lassen.“In<strong>to</strong> the white Light” fängt elektronisch an, was eigentlich so gar nicht me<strong>in</strong>s ist, aber der darauffolgende Basslauf lässt das Musikerherz höher schlagen. E<strong>in</strong>fach nur e<strong>in</strong> klasse Sound, der hier aus denBoxen kommt. Und wer denkt, das käme aus Übersee oder von der Insel, der schneidet sich mal schön <strong>in</strong>die F<strong>in</strong>ger. Das ist Düsseldorf!!!Bei “Breakaway”, dem nächsten Stück haben wir e<strong>in</strong>en kle<strong>in</strong>en Stilbruch zu der bis hierh<strong>in</strong> gewohntenMelancholie <strong>in</strong> der Stimme. Zu der überragenden Musik kommt es jetzt mal e<strong>in</strong>er Änderung <strong>in</strong> derStimme. Das ganze etwas härter, mit leichten Growle<strong>in</strong>lagen, was jedoch sehr gut <strong>in</strong> das Gesamtkonzeptpasst.1 / 2Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album PassagesUnd genau da ist das Zauberwort…Konzept. Jede Note, jeder Ton und jede Stimmlage ist bis zumkle<strong>in</strong>sten Detail überdacht. Selten habe ich e<strong>in</strong> Album e<strong>in</strong>es relativ unbekannten Künstlers gehört, was sovor Musikalität strotzt. “Passages” hat e<strong>in</strong>fach alles für e<strong>in</strong>en Major Deal. Es rockt, es jammert, es berührt…es macht Spass, es weckt Emotionen. Und das beste überhaupt. Es kommt aus Düsseldorf. Vielleicht istdieses Re<strong>view</strong> journalistisch wertlos, aber das ist uns so ziemlich egal. Wir verstehen die Message.Jeder, der offen für Experimentelles ist sollte hier se<strong>in</strong>e Ohren h<strong>in</strong>halten. E<strong>in</strong>e Mischung aus Muse,Def<strong>to</strong>nes und Korn mit e<strong>in</strong>er Priese P<strong>in</strong>k Floyd und New Order. Kl<strong>in</strong>gt komisch, aber es passt!Danke für diesen wunderbaren OHRgasmus.Höchstnote!!!!Andreas Wagner (Rockzentrale Düsseldorf)Februar 21, 2013L<strong>in</strong>k2 / 2Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album PassagesIt is easy <strong>to</strong> get lost<strong>in</strong> the soundscape ofthe album even atmoments when itseems <strong>to</strong> get <strong>to</strong>odark, the productionpulls you right backout and <strong>in</strong><strong>to</strong> theastral plane of musicthat "Passages"represents.Rat<strong>in</strong>g: 9/10The album beg<strong>in</strong>s with the trance-like soundscapeof "Antilight" which slowly beg<strong>in</strong>s <strong>to</strong> set the <strong>to</strong>ne forthe at-times gloomy theme of the album. Mysterious<strong>in</strong> where it will take you, it is a fitt<strong>in</strong>g beg<strong>in</strong>n<strong>in</strong>g forthe hypnotic soundscape which "Passages" is madeup from. Immediately follow<strong>in</strong>g Antilight, "Color OfThis Place" booms <strong>in</strong> with heavy guitars and the triprock experience beg<strong>in</strong>s. The chorus asks thequestion "Who I Am? My Flesh, My Blood, My spirit",open<strong>in</strong>g the doors <strong>to</strong> self-reflection and showcas<strong>in</strong>ga bit of the vocal range Anod<strong>in</strong>e's lead s<strong>in</strong>ger iscapable of reach<strong>in</strong>g. The 3rd track, "Dark Side ofVenus" is a standout track that pulls you deeper <strong>in</strong><strong>to</strong>emotion over some of the album's best production.You can't help but want <strong>to</strong> move over <strong>to</strong> the rawaggression <strong>in</strong> the guitars."In<strong>to</strong> The White Light" questions and reflects onwhat we believe and believe <strong>in</strong>, ask<strong>in</strong>g for thetangible and while question<strong>in</strong>g human weakness.Another stand out track that features greatproduction and vocals. "Break Away" takes a morehardcore turn with low <strong>to</strong>ned vocals over a mean<strong>in</strong>strumental. Its literally screams <strong>to</strong> be free fromdrama and is a cry for freedom from pa<strong>in</strong>. "The Virus"seems <strong>to</strong> pick up where "Break Away" left off butfrom the standpo<strong>in</strong>t of a man damaged, caughtbetween giv<strong>in</strong>g up and fight<strong>in</strong>g <strong>to</strong> keep mov<strong>in</strong>gforward. It is sonically the perfect follow up."Hidden Places" slides back <strong>in</strong><strong>to</strong> a self-reflective state, with lyrics that create visuals of an almost Matrixlike build<strong>in</strong>g of secret doors, with secrets hidden <strong>in</strong> each room. Its almost like sonically travel<strong>in</strong>g throughan astral plane. "No Summer" describes the emotion of a cold heart scorned by another heart just as coldand the refusal <strong>to</strong> allow such pa<strong>in</strong> aga<strong>in</strong>. The next track warns of a pend<strong>in</strong>g "S<strong>to</strong>rm", this track almostmakes you wait <strong>in</strong> anticipation of what may be. It is melodically one of the stand out tracks on "Passages".It is an anthem for the read<strong>in</strong>ess of the unknown troubles that await. "Dark Field" plunges <strong>in</strong><strong>to</strong> thetroubles "S<strong>to</strong>rm" may have been alluded <strong>to</strong> as it describes an evil entity controll<strong>in</strong>g, watch<strong>in</strong>g and wait<strong>in</strong>gfor his, or their, move.1 / 2Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album Passages"Somewhere, Sometime, Somehow" asks for a second chance <strong>to</strong> make right a wrong and the possibility ofit be<strong>in</strong>g so. It has a great bridge and break down halfway through that showcases more of this albumssuperb production. "City" kicks <strong>in</strong> the door with heavy hitt<strong>in</strong>g drums and guitar riffs. An excellentmetaphoric explanation of the City as a person break<strong>in</strong>g down the damage and sustenance it providesfor its occupiers."This Moment" speaks on the pursue of fame and the sacrifice <strong>to</strong> get it. Its dark, but an anthem for liv<strong>in</strong>g<strong>in</strong> the moment and swimm<strong>in</strong>g through the darkness it takes <strong>to</strong> reach it. "Room 23" seeks a release frompa<strong>in</strong> and asks for someone <strong>to</strong> come along carry the load. You can almost picture a man sulk<strong>in</strong>g <strong>in</strong> hisroom wait<strong>in</strong>g for someone <strong>to</strong> walk through the door. "Resistance" is a rise <strong>to</strong> arms aga<strong>in</strong>st deception,particularly self-deception. It begs the listener <strong>to</strong> become free from their own mental bondage andbecome the cause of themselves. "She Calls", the f<strong>in</strong>al track on "Passages", booms <strong>in</strong> with an aggressivedrum roll and completes the album with a melodic, trance like, but energetic f<strong>in</strong>ish.Overall the album boast's high quality production, excellent musical composition and is very hypnotic. Itis socially and self-reflective, travel<strong>in</strong>g deep <strong>in</strong><strong>to</strong> the question of "Who I Am". By the f<strong>in</strong>ish of the album,you may have a better answer <strong>to</strong> that question. It is easy <strong>to</strong> get lost <strong>in</strong> the soundscape of the album evenat moments when it seems <strong>to</strong> get <strong>to</strong>o dark, the production pulls you right back out and <strong>in</strong><strong>to</strong> the astralplane of music that "Passages" represents.Rat<strong>in</strong>g: 9/10Adi Ladson (Digi<strong>in</strong>die.com)February 24, 2013L<strong>in</strong>k2 / 2Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album PassagesAnod<strong>in</strong>e are abless<strong>in</strong>g <strong>to</strong> modernrock n’ roll, theydon’t succumb andconform <strong>to</strong> all thebland trends foundso prom<strong>in</strong>ently <strong>in</strong><strong>to</strong>day’s music. [...]This must be one ofthe most eclectic andethereal <strong>in</strong>die rockalbums <strong>in</strong> recentyearsANODINE: “Passages” Creates A Hybrid, Adrenal<strong>in</strong>Pump<strong>in</strong>g Rock Sound!Anod<strong>in</strong>e is a trip rock project orig<strong>in</strong>at<strong>in</strong>g <strong>in</strong> 2008that comb<strong>in</strong>es the genres alternative rock and triphop. The hypnotic-driv<strong>in</strong>g style is characterized bytight atmosphere and emotional <strong>in</strong>tensity. Thegloomy-melodic songs ma<strong>in</strong>ly deal with lim<strong>in</strong>alpsychic experiences and critical reflections ofsociety.Anod<strong>in</strong>e are a bless<strong>in</strong>g <strong>to</strong> modern rock n’ roll, theydon’t succumb and conform <strong>to</strong> all the bland trendsfound so prom<strong>in</strong>ently <strong>in</strong> <strong>to</strong>day’s music. They possessan extremely tight-knit sound that mixes melodywith rock and thrash, at free will. The guitars oftencome <strong>in</strong> bloodlett<strong>in</strong>g spurts, and the heavy vibe, <strong>to</strong>songs like “Color Of This Place,” “Dark Side Of Venus,”and “Break Away,” all hearken back <strong>to</strong> a heavy metalage when bands like Black Sabbath and Iron Maidenruled, not that these guys sound like anyth<strong>in</strong>g thosebands by a long-shot it’s just that Anod<strong>in</strong>e has anaura <strong>to</strong> its sound, rem<strong>in</strong>iscent of where bands likeMaiden and Sabbath came from. Anod<strong>in</strong>e take thoseclassic rock rhythms and mix it <strong>to</strong> the modernalternative sound of bands like the Muse, then throw<strong>in</strong> the creative atmosphere of Massive Attack, <strong>to</strong>create an orig<strong>in</strong>al hybrid sound, that is noth<strong>in</strong>g lessthan adrenal<strong>in</strong> pump<strong>in</strong>g.A t<strong>in</strong>ge of Power-rock also makes conf<strong>in</strong>ed appearances across the album, though not nearly radio readyhits, some songs have an absolutely modern, catchy appeal, mostly due <strong>to</strong> the freshly styled vocals. Attimes speed metal, at times heavy pop, at times dark metal, at times ambient trip rock, Anod<strong>in</strong>e can’t bep<strong>in</strong>ned down <strong>to</strong> any one sound. Some tunes are even driven by what sounds like operatic arrangements,a perfectly stunn<strong>in</strong>g <strong>to</strong>uch for any modern rock album, let alone an <strong>in</strong>die one.1 / 2Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album PassagesIndeed, “Passages” seems <strong>to</strong> be a comb<strong>in</strong>ation of riff-heavy metal and an eclectic, experimental approach.The result is an album cram full of twisted guitars, trippy vocals, and eccentric song structures, sure <strong>to</strong>please even the most discrim<strong>in</strong>at<strong>in</strong>g rock fan. The album, which after the open<strong>in</strong>g track, “Antilight,” firesout of the gate with the roar<strong>in</strong>g “Color Of This Place.” From there on, the goods come hard and quickly, asthe next three songs are all no less than terrific.From “The Virus” on-wards the tracks take on an esoteric turn, with sounds that dig deep <strong>in</strong><strong>to</strong> a blackhole, draw<strong>in</strong>g <strong>in</strong> endless epic-rock and grunge sounds, and moreover, spitt<strong>in</strong>g out bass riffs that groove <strong>in</strong>a hyper k<strong>in</strong>etic fury, that is so loud, it can split the calluses on your ears. “S<strong>to</strong>rm,” “No Summer” and “SheCalls,” are perfect examples of this.This must be one of the most eclectic and ethereal <strong>in</strong>die rock albums <strong>in</strong> recent years, at least amonganyth<strong>in</strong>g near the ma<strong>in</strong>stream. But if you like rock that disregards boundaries while pound<strong>in</strong>g the lesscoherent areas of your bra<strong>in</strong>, then Anod<strong>in</strong>e are def<strong>in</strong>itely for you.It’s hard <strong>to</strong> know what <strong>to</strong> compare this album <strong>to</strong>. It’s not gimmicky nu-metal, or alternate thrash. It’s justgreat songwrit<strong>in</strong>g, great lyrics, and terrific <strong>in</strong>strumentation. It’s the most <strong>in</strong>telligent and well crafted triprock (if you have <strong>to</strong> put <strong>in</strong><strong>to</strong> this <strong>in</strong><strong>to</strong> a genre), I’ve heard <strong>in</strong> the <strong>in</strong>die arena, <strong>in</strong> a while!Rick Jamm (Jamsphere.com)February 25, 2013L<strong>in</strong>k2 / 2Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album PassagesThis album <strong>to</strong>okmany years of hardwork, creativity,thought, production,and post production<strong>to</strong> deliver amasterpiece <strong>to</strong> theworld. FeedbackFury gives the album“Passages” byAnod<strong>in</strong>e an11 out 11!Anod<strong>in</strong>e is a project driven by the German multi<strong>in</strong>strumentalistPatrick Heyer. Their debut album“Passages” was released <strong>in</strong> January 2013. The albumfeatures 16 songs of atmospheric rock with reallystrong and <strong>in</strong>terest<strong>in</strong>g melodies. I would describetheir sound as a cross between N<strong>in</strong>e Inch Nails andKorn with a little David Bowie thrown <strong>in</strong> for somespice.Patrick has a really dark and forebod<strong>in</strong>g voice thatreally carries most of the album. He creates reallymemorable melodies that carry you on apsychedelic journey. Lyrically, Heyer says he isstrongly <strong>in</strong>fluenced by his dreams. When listen<strong>in</strong>g <strong>to</strong>this album, you can hear a dream like vocalpresence, but the music will wake you up with itsdark and powerful driv<strong>in</strong>g force.One of the standout tracks is “Dark Side of Venus” - areally <strong>in</strong>terest<strong>in</strong>g song with a cool driv<strong>in</strong>g rhythmand emotional performance by Heyer on vocals. Thesong builds up <strong>to</strong> a really strong chorus.The production value on “Passages” is fantastic.There are some subtle keyboard and synth partsthroughout the album that add <strong>to</strong> the overalltexture of the experience. Anod<strong>in</strong>e likes <strong>to</strong> mix thecomb<strong>in</strong>ation of hard rock guitars, atmospherickeyboards and synths with a drum beat <strong>to</strong> dance <strong>to</strong>.“Breakaway” has a killer guitar riff and driv<strong>in</strong>g progression that really jumps out of the speakers. Patrickreally digs <strong>in</strong> deep <strong>to</strong> deliver an <strong>in</strong>tense vocal delivery.A lot of the songs written by Patrick are <strong>in</strong>spired by dreams. A prime example is some of the lyrics <strong>to</strong>“Breakaway.” “I awake <strong>to</strong> f<strong>in</strong>d I'm dead and it's OK, I'm content. The world is m<strong>in</strong>e, just for a while, before Iforget aga<strong>in</strong>.”1 / 2Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album Passages“City” is another cool track on the album. It has a more straightforward rock arrangement approach withsome great electric guitar riffs that keep the song mov<strong>in</strong>g. It rem<strong>in</strong>ds me a little bit of The Cult.Overall, “Passages” by Anod<strong>in</strong>e is a great album that will keep the listener <strong>in</strong>terested <strong>in</strong> the production,arrangements, and variety of voices and melodies delivered by Partick Heyer. This is not an album thatwas just slapped <strong>to</strong>gether <strong>in</strong> a couple of weeks. This album <strong>to</strong>ok many years of hard work, creativity,thought, production, and post production <strong>to</strong> deliver a masterpiece <strong>to</strong> the world.Feedback Fury gives the album “Passages” by Anod<strong>in</strong>e an 11 out 11!Eldon McGraw (Feedback Fury)April 20, 2013L<strong>in</strong>k2 / 2Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album PassagesOverall this is anamaz<strong>in</strong>g albumwhich I thoroughlyenjoyed lett<strong>in</strong>gmyself beimmersed <strong>in</strong>.Anod<strong>in</strong>e – Prepare To Enter A Dark World OfAmaz<strong>in</strong>g SoundGreat music can come from many different<strong>in</strong>fluences. Sometimes it is hear<strong>in</strong>g a certa<strong>in</strong> bandand their style that leads a musician <strong>to</strong> pursue asimilar dream. Sometimes it is other experiencesoutside of music that lead <strong>to</strong> the creation of a newstyle that comes from with<strong>in</strong>. One artist that drawsfrom <strong>in</strong>spiration outside of the normal realm isAnod<strong>in</strong>e.The German band is the bra<strong>in</strong>child of multi<strong>in</strong>strumentalistPatrick Heyer, who beganexperiment<strong>in</strong>g with writ<strong>in</strong>g and produc<strong>in</strong>g musicwhile <strong>in</strong> his teen years. He seems <strong>to</strong> be correct <strong>in</strong> declar<strong>in</strong>g himself a rebel nonconformist. His musecomes <strong>to</strong> him <strong>in</strong> lucid dreams, out-of-body experiences, occult literature, and controversial conceptionsof reality. His music is not meant for the masses but there is a large underground follow<strong>in</strong>g ready <strong>to</strong> eatup his <strong>in</strong>novative style. Anod<strong>in</strong>e’s genre could be described as dark trip rock with a goal of truly enter<strong>in</strong>gthe listeners m<strong>in</strong>d, not only his ears. Patrick was able <strong>to</strong> f<strong>in</strong>d some like m<strong>in</strong>ds <strong>in</strong> his quest for new music <strong>in</strong>Holger Girlich on Guitar, Fabian Siepen on Bass, and Jörg Skaramage on Drums.Back <strong>in</strong> January Anod<strong>in</strong>e released their debut album Passages. The 16 track, over 80 m<strong>in</strong>ute epicwelcomes the listener <strong>in</strong><strong>to</strong> an alternate and much darker world with no promise of an escape. Theopen<strong>in</strong>g track ‘Antilight’ tries <strong>to</strong> prepare you for what you are about <strong>to</strong> hear with sonic explosions andmellow bra<strong>in</strong>wash<strong>in</strong>g keyboard l<strong>in</strong>es. Songs such as ‘Color Of This Place’ and ‘Dark Side Of Venus’ aremore dark rock style songs <strong>in</strong> the ve<strong>in</strong> of bands like Def<strong>to</strong>nes and Korn. Aggressive, yet warm <strong>in</strong> a waykeep<strong>in</strong>g the listener glued <strong>to</strong> his headphones. There is much experiment<strong>in</strong>g here as Anod<strong>in</strong>e comb<strong>in</strong>esdifferent genres <strong>to</strong>gether <strong>to</strong> make someth<strong>in</strong>g orig<strong>in</strong>al with tracks like ‘The Virus’ and the schizophrenic‘Dark Field’. The production values of the album are <strong>to</strong>p notch and sound as professional as any bigbudget darkwave album out there <strong>to</strong>day. Overall this is an amaz<strong>in</strong>g album which I thoroughly enjoyedlett<strong>in</strong>g myself be immersed <strong>in</strong>. It seems like the dark soundscape music that seems <strong>to</strong> have fallen out offavor with the bubblegum pop crowd is still alive and well underground with<strong>in</strong> Passages by Anod<strong>in</strong>e.When you are ready <strong>to</strong> devote a full hour and a half <strong>to</strong> music that will make you feel deep <strong>in</strong>side your soulgo give this a listen at: http://anod<strong>in</strong>emusic.bandcamp.comKeith Pro (Indie Band Guru)April 30, 2013L<strong>in</strong>kAnod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de


Re<strong>view</strong>s of the album PassagesTHIS IS THE SCENERYOF NIGHTMARES,THE ARTISTS SEEMINFATUATED WITHTHE DARK SIDE. [...]LABEL THIS ONE,FOR NIHILISTS ANDDARKSIDE FANSONLY.HERE’S ONE FOR THE NIHILISTS. IF YOU LIKEELECTRO-PSYCHEDELIC-ALTERNATIVE ROCK, THENTHIS MIGHT BE YOUR BAG. THE MUSICIANSHIP ISGOOD, THE VOCAL QUALITY, EVEN BETTER, BUT THISIS NO CHEERFUL ROMP IN THE PARK, MUSIC FANS.IT HAS A COOL URBAN SOUND, AND ALL-ENCOMPASSING SOUND-ENVIRONS, BUT I’M NOTSURE WHO WOULD WANT TO LIVE HERE. THIS IS THESCENERY OF NIGHTMARES, THE ARTISTS SEEMINFATUATED WITH THE DARK SIDE. THE LYRICSCOULD STAND ALONE AS DECENT POETRY, AND THEVOCALS ARE SKILLFUL. I’M JUST NOT SURE WHOWANTS TO TRIP IN THESE DOMAINS……….LABELTHIS ONE, FOR NIHILISTS AND DARKSIDE FANS ONLY.Angela Tafari, freelancerFebruary 23, 2013In<strong>to</strong> The White LightGermany's Anod<strong>in</strong>e scores a melodic dark<strong>in</strong>trospection with In<strong>to</strong> The White Light from theirnew album Passages. The slippery, snakelike andforebod<strong>in</strong>g bass l<strong>in</strong>es and ethereal synth-pads w<strong>in</strong>ds like a serpent<strong>in</strong>e <strong>in</strong><strong>to</strong> your psyche and fills theempt<strong>in</strong>ess with despair and a long<strong>in</strong>g, search<strong>in</strong>g energy. The cynical lyrics state a manifes<strong>to</strong> of thefaithless and pose a f<strong>in</strong>al question <strong>to</strong> the orig<strong>in</strong> of the pa<strong>in</strong>. The lyrics are well matched <strong>to</strong> the gloom ofthis trip rock alternative song with the dreamy and lonely meander<strong>in</strong>gs. The wistful str<strong>in</strong>gs conclude theshadowy journey <strong>in</strong><strong>to</strong> the white light. This track was made for those who love Korn, Massive Attack andBjork.Nor<strong>in</strong>e Braun (Braun and Bra<strong>in</strong>s Music)February 21, 2013Anod<strong>in</strong>e c/o Patrick HeyerRosmar<strong>in</strong>str. 12 E +49-211-7328835040235 Düsseldorf music@anod<strong>in</strong>e.deGermanywww.anod<strong>in</strong>e.de

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