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Usually I don’t care for police procedurals that<br />
solve the crimes by anything less than good detection, but<br />
I’ll have to make an exception for BORKMANN’S<br />
POINT. The intriguing plot, interesting characters and<br />
boffo ending, make this one a winner.<br />
Larry Gandle opines: The major strength of<br />
this work is the character of Van Veeteren. He is a likable<br />
and highly competent detective. The minor characters are<br />
also solid creations. This mystery is so character-driven that<br />
despite the somewhat simple solution, the book, as a<br />
whole, works remarkably well. Rating: B+<br />
� THE RETURN (Pantheon, $22.95, 2007;<br />
Macmillan, £12.99, 2007). On a rainy April day, a body—<br />
or what is left of it—is found by a young girl. Wrapped in<br />
a blanket with no hands, feet, or head, it signals the work<br />
of a brutal, methodical killer. The victim, Leopold Verhaven,<br />
was a track star before he was convicted for killing two of<br />
his ex-lovers. He consistently proclaimed his innocence,<br />
however, and was killed on the day of his return to society.<br />
This latest murder is more than a little perplexing and<br />
Chief Inspector Van Veeteren is determined to discover<br />
the truth, even if it means taking the law into his own hands.<br />
� THE MIND’S EYE (Pantheon, $22.95, June,<br />
2008; Macmillan, £16.99, July, 2008). ‘Don’t you see,’<br />
he’d have liked to ask her, ‘don’t you see, that if only<br />
you’d told me everything that first time we could have<br />
saved a life? Possibly two ...’ Janek Mitter stumbles into<br />
his bathroom one morning after a night of heavy drinking,<br />
to find his beautiful young wife, Eva, floating dead in the<br />
bath. She has been brutally murdered. Yet even during his<br />
trial Mitter cannot summon a single memory of attacking<br />
Eva, nor a clue as to who could have killed her if he had not.<br />
Only once he has been convicted and locked away in an<br />
asylum for the criminally insane does he have a snatch of<br />
insight -- but is it too late? Drawing a blank after exhaustive<br />
interviews, Chief Inspector Van Veeteren remains convinced<br />
that something, or someone, in the dead woman’s<br />
life has caused these tragic events. And as he delves even<br />
deeper, Van Veeteren realizes that the past never stops<br />
haunting the present...<br />
Maj Sjowall & Per Wahloo<br />
Series Character: Stockholm Detective Martin Beck<br />
� ROSEANNA 1965<br />
� THE MAN WHO WENT UP IN SMOKE<br />
1966<br />
� THE MAN ON THE BALCONY 1967<br />
� THE LAUGHING POLICEMAN 1968<br />
� THE FIRE ENGINE THAT DISAPPEARED<br />
1969<br />
� MURDER AT THE SAVOY 1970<br />
� THE ABOMINABLE MAN 1971<br />
� THE LOCKED ROOM 1972<br />
� COP KILLER 1974<br />
� THE TERRORISTS 1975<br />
<strong>Deadly</strong> <strong>Pleasures</strong><br />
Johan Theorin<br />
13<br />
� ECHOES FROM THE DEAD (Doubleday,<br />
£17.99, July 2008). Can you ever come to terms with a<br />
missing child? Julia Davidsson has not. Her five-year-old<br />
son disappeared twenty years previously on the Swedish<br />
island of Oland. No trace of him has ever been found. Until<br />
his shoe arrives in the post. It has been sent to Julia’s father,<br />
a retired sea-captain still living on the island. Soon he and<br />
Julia are piecing together fragments of the past -- fragments<br />
that point inexorably to a local man called Nils Kant,<br />
known to delight in the pain of others. But Nils Kant died<br />
during the 1960s. So who is the stranger seen wandering<br />
across the fields as darkness falls? It soon becomes clear<br />
that someone wants to stop Julia’s search for the truth. And<br />
that he’s much, much closer than she thinks.<br />
Helene Tursten<br />
Series Character: Detective Inspector Irene Huss,<br />
Goteborg, Sweden<br />
� DETECTIVE INSPECTOR HUSS (Soho Crime,<br />
$25.00, 2003). Inspector Irene Huss, stationed in Gteborg,<br />
is called through the rain-drenched wintry streets to the<br />
scene of an apparent suicide. The dead man landed on the<br />
sidewalk in front of his luxurious duplex apartment. He<br />
was a wealthy financier connected, through an old-boys’<br />
network, with the first families of Sweden. But the “Society<br />
Suicide” turns out to have been a carefully plotted murder.<br />
As more murders ensue, she tangles with street gang<br />
members, skinheads, immigrants and neo-Nazis, a crosssection<br />
of Sweden’s disaffected, in order to catch the killer.