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input near the end of next year, so be mulling this over. I<br />
hope to do something similar with the Mystery Series of the<br />
Decade, although perhaps not in a Barry Award fashion.<br />
Reginald Hill’s Latest. Reginald Hill continues<br />
to impress with his wide array of talent and style. In 2008<br />
he published the latest in the Dalziel & Pascoe series<br />
(which, in my opinion, represents the best of his writing) A<br />
CURE FOR ALL DISEASES, and the sixth in the lighter,<br />
more humorous Joe Sixsmith series, THE ROAR OF<br />
From From the the Assistant<br />
Assistant<br />
Editor<br />
Editor<br />
As a reviewer, I do, at times, write negative<br />
reviews. For me, this usually occurs when I am assigned to<br />
read books I normally would not pick up. For example, the<br />
Reviewed to Death books for DP (although I have liked<br />
several of them – the current CHILD 44 being an<br />
example of that) and the Edgar/ CWA nominees, which I<br />
volunteer to read and review each year. These selections<br />
and short lists often include many books not to my liking.<br />
In my regular review column, I tend to write<br />
favorable reviews because I choose to read what I think I<br />
will like. This is quite common with all fan reviewers. But<br />
given that I attend mystery conventions with many, many<br />
authors in attendance, any negative reviews I may have<br />
written can lead to awkward situations in that I sometimes<br />
encounter the authors of books I have panned. My first<br />
experience with this phenomenon was at my first<br />
Bouchercon in Milwaukee. I remember witnessing George<br />
and Russ being verbally chastised by an otherwise very nice<br />
female author whose book they gave mixed reviews to (she<br />
had the room right across the hall from them and the<br />
“nightmare” continued – with some humorous encounters<br />
– throughout the convention). I don’t see her books around<br />
any longer, so perhaps George and Russ knew what they<br />
were writing about.<br />
This year I had an especially difficult time reading<br />
the Edgar nominees. To me, it was overall an uninteresting<br />
list and, hence, proved difficult to get through. After weeks<br />
and weeks of struggling with these nominees, the last book<br />
I picked up was BLOOD OF PARADISE by David<br />
Corbett. This is a very long book, well written, but full of<br />
political background on San Salvador (a subject of no<br />
interest to me) and it had what I considered a stagnant<br />
pace. This novel was way more than I wanted to take on<br />
at that point of the process and I put it down part way<br />
through. My mistake was giving it an “F,” meaning failure.<br />
BLOOD OF PARADISE certainly does not deserve that<br />
rating and I want all readers to know that David Corbett is<br />
an excellent and very talented writer. I remember reading<br />
and enjoying his first book, THE DEVIL’S REDHEAD.<br />
The problem with my review of his latest book resides<br />
<strong>Deadly</strong> <strong>Pleasures</strong><br />
35<br />
BUTTERFLIES (in this case, a golfing mystery – if that is<br />
of any interest).<br />
There are some unusual aspects to the publication<br />
of THE ROAR OF BUTTERFLIES. In the U.K. it<br />
is published in hardcover, but the hardcover has no<br />
dustjacket (the boards themselves are illustrated). In the<br />
U.S., it is published in mass market paperback (that<br />
recently hit the bookstores) and there will be no hardcover<br />
edition.<br />
more with me than with David Corbett’s work – especially<br />
the frame of mind I had when I picked it up. I tried to<br />
explain this in the review, but didn’t do a very good job of<br />
it. My apologies to David and to those who liked his latest.<br />
Every year I attend the Edgar Awards in New York<br />
City. For the last few years, the night before the banquet,<br />
after the MWA Agents and Editors Party, I go out to dinner<br />
with Otto Penzler and one or two others whom we might<br />
ask to join us. Unbeknownst to me, Otto invited David<br />
Corbett. David, being none too happy with me, declined<br />
the invite, citing the fact that I hated his last book and that<br />
I thought he was a left-wing radical. (This is not true. I never<br />
thought he was a left-wing radical – I never got that far into<br />
the book to make a judgment call on that – and even if he<br />
were a left-wing radical, that wouldn’t affect how I judged<br />
the book’s quality.) I apologized to David with the above<br />
explanation.<br />
This is an unintended consequence of trying to<br />
give you my honest opinion as a reviewer – I may make<br />
some enemies. But let me assure you that when I write a<br />
negative review, it has nothing to do with whether I like or<br />
dislike an author as a person – it is not personal – yet some<br />
writers may take it that way.<br />
Recently, on DorothyL, the online mystery digest,<br />
a woman bemoaned the fact that there are too many bad<br />
reviews being written by fan reviewers, who don’t know or<br />
understand the writing process and how difficult it can be,<br />
because they are not novelists. Only authors should review.<br />
Her whole argument was quite silly and she was roundly<br />
taken to task by the others on the list. From my standpoint,<br />
I don’t really care how difficult it is to write a book. I<br />
understand how hard it may be, but to me, the end product<br />
is all that matters. Who better to review a book than the<br />
readers and consumers of the product? Other authors may<br />
love a book’s complexity and appreciate how technically<br />
difficult it was to create. Yet, if nobody buys it and reads it,<br />
the book might as well not exist. No, leave the reviewing<br />
to those of us who buy and read them (which includes some<br />
knowledgeable author-fans) and the writing to those who<br />
create them. It works fine that way.<br />
www.eurocrime.co.uk<br />
Excellent website that focuses purely on British<br />
and other European crime fiction writers (that<br />
have been published in English). Contains a lot of<br />
information about authors (with links to author<br />
websites) and lots of reviews of current crime novels.