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DP54Cover - Deadly Pleasures

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never have dreamed of, while a killer strikes again and<br />

Davis is next on the murder list.<br />

Libby Fischer Hellmann, author of the awardwinning<br />

Ellie Forman series, uses this novel to spin-off<br />

Georgia Davis, a minor character in that series. Forman<br />

and her daughter Rachel return the favor, making a brief<br />

appearance here, as well. However, this tale is really<br />

Davis’s alone. Hellmann has created a considerably<br />

darker story here than in her earlier series. The author has<br />

matured over time as a writer, creating a substantially<br />

more complex plot for her protagonist to resolve. She has<br />

also taken the real life incident from a few years ago of high<br />

school senior girls hazing younger ones and let it run to the<br />

extreme result of the death of one of the unwilling<br />

participants.<br />

The weakness in the book, if indeed it is a<br />

weakness since it seems common in<br />

many private eye novels, is the constant<br />

questioning of witnesses who do not<br />

want to talk, with Davis getting little<br />

information out of them. Just chalk this<br />

up to the genre and do not let it get in<br />

the way of this otherwise fast-moving<br />

and entertaining story.<br />

This story is about much more<br />

than a simple murder. Hellmann examines<br />

the problems even rich young<br />

people think they face and what they<br />

do to achieve their own ends in the face<br />

of unloving and uncaring parents and<br />

so-called friends. She shows us the<br />

lengths that some people, adults as well<br />

as teenagers, will go to in order to<br />

accomplish their goals. Further, her<br />

characters, especially Davis, are well<br />

drawn, given both strengths and weaknesses<br />

to bring them to life. The author<br />

gets into the mindsets of these young<br />

women and their rationalizations for the courses in life they<br />

choose to take. Hellmann lives in the Chicago area, adding<br />

authenticity to the setting.<br />

This is a very different kind of mystery from<br />

Hellmann and she has succeeded very well at it.<br />

NAMELESS NIGHT by G. M. Ford ($23.95,<br />

William Morrow, February, 2008). Rating: B- About<br />

seven years before the story opens, a man is found in a<br />

railroad car, face horribly bashed in, but still alive. Mentally<br />

impaired and given the name Paul Hardy, he spends<br />

those years living in a group home for disabled adults until<br />

he is once again seriously injured, this time in an automobile<br />

accident. Following surgery Hardy regains many of his<br />

thought and speech processes, discovering that he can<br />

remember small glimpses of his life before he was found<br />

in the railroad car. As soon as the only name he can<br />

remember from the past is put into a computer search<br />

engine, some not very nice government agents (is there<br />

any other kind in these stories?) begin a violent nationwide<br />

search for him.<br />

Reviews<br />

<strong>Deadly</strong> <strong>Pleasures</strong><br />

41<br />

Okay, we’ve all seen this sort of story before. Man<br />

get amnesia, there’s some big horrible secret in his past,<br />

the government doesn’t want it known, so they try to hunt<br />

him down, all the while shouting “national security,” and he<br />

does his best to stay one step ahead of them even though<br />

he has no idea what is going on. That alone does not make<br />

it a bad story. It is what the author does with that basic tale<br />

that will make the difference between a solid, suspenseful<br />

tale and an average, predictable one. And G. M. Ford has<br />

come up with a pretty interesting tale of one man on the<br />

run from an unscrupulous government.<br />

For the most part Ford puts the reader into the<br />

shoes of his protagonist, telling us only what other information<br />

we might need to know to build the confusion felt by<br />

the man on the run. Why is he running? What does he<br />

know? What is so important that others around him are<br />

arrested (“national security” again) or<br />

dying? Ford slowly pulls back the layers,<br />

letting both Hardy and the reader in on<br />

the secrets that have lain hidden for<br />

years.<br />

Along the way the book has a lot<br />

of padding, with a number of what could<br />

be considered human-interest stories of<br />

people Hardy meets along the path to<br />

the return of his memory. This is sort of<br />

like the old Fugitive television series<br />

but in the case of this book it is like<br />

substantial padding that through a series<br />

of pretty unbelievable coincidences<br />

keeps Hardy pointed in the right direction.<br />

A little of that goes a long way and<br />

there is a lot of it here.<br />

Still the story moves along swiftly<br />

in spite of these many detours as the<br />

truth behind the conspiracy at the heart<br />

of the novel is revealed. In this day and<br />

age of conspiracy theories and paranoia<br />

about the enhanced “national security” powers of the<br />

government, this novel does not seem so far off the mark.<br />

THE GRAVING DOCK by Gabriel Cohen<br />

($23.95, Thomas Dunne Books /St. Martin’s Minotaur,<br />

November 2007). Rating: A It’s the frigid winter days<br />

of 2001 in the aftermath of the destruction of the World<br />

Trade Center. Brooklyn South Homicide Detective Jack<br />

Leightner is called upon to solve the death of a young boy<br />

whose body was found in a small coffin floating in a bay off<br />

New York Harbor. The dead boy has the letters “G.I.”<br />

“I believe it was Natasha Cooper who said that crime<br />

fiction writers deal with the dregs of society so, as a<br />

result, everyone they meet in real life is an absolute<br />

delight. Romance novelists, on the other hand, write<br />

about idealised characters and everyone they meet is<br />

a hideous disappointment.” Donna Moore

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