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DP54Cover - Deadly Pleasures

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face frilled by white hair”. If ‘bad language’ bothers you as<br />

a reader, steer clear, and there are no-holds-barred<br />

references to the most intimate bodily functions. An<br />

insider’s knowledge of work in the police is used to good<br />

effect (Campbell was a serving police officer). But the<br />

strained relationships between Anna and her new team,<br />

which includes ex-lover Jamie (now married with a wife and<br />

a child), are as gripping as the hunt for the bad guy. A<br />

powerful first time novel from Campbell, who brings a<br />

scorching honesty to the emotional inner-life of her characters.<br />

This will surely be the start of a successful series.<br />

STEEL WITCHES by Patrick Lennon (Hodder<br />

& Stoughton, £19.99). Ex-cop turned private eye, Tom<br />

Fletcher, receives a bizarre phone call from his estranged<br />

father, a call which leads him to the<br />

murdered body of a young physics student<br />

who was moonlighting as a club<br />

hostess. Why was physics student Daisy so<br />

interested in the art painted on wartime<br />

aircraft, and how are Fletcher’s family<br />

connected to the mystery? Modern day<br />

conflicts have their roots in the distant<br />

past and Lennon plays on age old fears<br />

about witchcraft and persecution and<br />

spins marvellous depictions of the<br />

Fenlands and the spooky air-bases, old<br />

and new, that pepper the Fens. As the<br />

country is thrown into the grip of a ferocious<br />

winter storm, with freezing weather<br />

giving way to floods and a ‘psychlone’ on<br />

the way, the conspiracy thriller builds to a<br />

terrific climax. There is a breadth to the<br />

story that is captivating as well as some<br />

finely drawn characters and lovely language<br />

but the star must be the fantastic<br />

landscape as it is battered by the biggest<br />

storm in centuries.<br />

FLESH HOUSE by Stuart MacBride (Harper<br />

Collins, £12.99). The title gives a fair steer as to what<br />

you’re going to find between the covers. MacBride has<br />

penned a gory thriller with human flesh and body parts by<br />

the truck full -- prime cuts which have got into the meat<br />

supply. The Flesher — a serial killer who butchered his<br />

victims -- has served time, been released and is now<br />

missing. Officers originally involved in securing his conviction<br />

are being targeted. And off-shore from Aberdeen a<br />

container is found to be stuffed with human joints.<br />

DS Logan McRae is on the case, trying to avoid<br />

the machinations of his bosses and cope with the inadequacies<br />

of his deeply flawed colleagues, and with the appaling<br />

Aberdonian weather. Whilst such fare may not be to<br />

everyone’s taste, MacBride manages to combine the<br />

darkest of situations with the workaday foibles of his cops<br />

(and their attempts to maintain some sanity in a world gone<br />

barmy) and to make the whole shebang both very funny<br />

and suspenseful.<br />

KILLER TUNE by Dreda Say Mitchell (Hodder &<br />

Stoughton, £6.99). Rap singer Lord Tribulation is about to<br />

make the big time: he’s on the brink of a new recording<br />

<strong>Deadly</strong> <strong>Pleasures</strong><br />

71<br />

deal and tipped to retain his title in the slamdown for The<br />

Writer in Residence for Ladbroke Grove. Then his life is<br />

rocked to the core. A teenager listens to Lord Tribulation’s<br />

music as he fire-bombs a house, injuring people inside, and<br />

Lord Tribulation’s father, a veteran musician dies suddenly<br />

in an alley. An elaborate plot unfolds linking both incidents<br />

to 1976, a time when the far right was organising racist<br />

attacks, black people were hounded by the use of the ‘sus’<br />

law, radical black groups were emerging in response and<br />

a riot erupted at the Notting Hill Carnival. The narrative<br />

leads to unpalatable truths and secrets and also works as<br />

a coming of age story for Lord Tribulation as he is forced<br />

to make hard choices and deal with his own short-comings.<br />

Steeped in music, and laden with musical references, and<br />

with its own play list appended, KILLER<br />

TUNE is a celebration of a culture and<br />

a community rarely found in crime fiction.<br />

This is the second novel from Say<br />

Mitchell who won the CWA’s John<br />

Creasey Best First Novel Award with<br />

RUNNING HOT.<br />

SMALL CRIMES by Dave<br />

Zeltserman (Serpent’s Tail, £7.99). Excop<br />

Joe Denton is released from prison<br />

after serving several years for a brutal<br />

attack which left the local district attorney<br />

horribly disfigured. Joe gets precious<br />

little welcome when he returns<br />

home. Already estranged from his exwife<br />

and daughters and hurt that his<br />

parents never once visited him in prison,<br />

he now finds himself ostracised by his<br />

former colleagues and most of the town<br />

community. Top gangster Manny Vassey<br />

is dying of cancer and is close to coming<br />

clean: a confession that would send Joe<br />

back inside. Another player gives Joe an<br />

ultimatum: silence Manny or we’ll silence you. Powerfully<br />

tense, reading this is like watching a car crash happen, as<br />

Joe thrashes like a landed fish trying to survive in a world<br />

seriously stacked against him. The characterisation and<br />

mental torment are reminiscent of the insightful psychological<br />

thrillers of Jim Thompson. Stunning stuff.<br />

Martin Edwards Reviews<br />

WHITE NIGHTS by Anne Cleeves (Macmillan,<br />

£16.99). Ann Cleeves’ idea for the Shetland Quartet<br />

featuring the appealing cop Jimmy Perez is that each book<br />

will be set in a different season of the year. Here the<br />

backdrop is summer, the time of the long white nights. The<br />

Shetland setting is beautifully done. Few if any modern<br />

crime writers convey the essence of a rural community as<br />

effectively as Ann Cleeves, and with the islands off the<br />

north of Scotland, she is in her element. There is a lot of<br />

interesting background detail. I now know what the ‘simmer<br />

dim’ is and what ‘singling neeps’ involves, while<br />

RAVEN BLACK introduced me to the tradition of Up<br />

Helly Aa, Europe’s largest fire festival. Reading these

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