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face frilled by white hair”. If ‘bad language’ bothers you as<br />
a reader, steer clear, and there are no-holds-barred<br />
references to the most intimate bodily functions. An<br />
insider’s knowledge of work in the police is used to good<br />
effect (Campbell was a serving police officer). But the<br />
strained relationships between Anna and her new team,<br />
which includes ex-lover Jamie (now married with a wife and<br />
a child), are as gripping as the hunt for the bad guy. A<br />
powerful first time novel from Campbell, who brings a<br />
scorching honesty to the emotional inner-life of her characters.<br />
This will surely be the start of a successful series.<br />
STEEL WITCHES by Patrick Lennon (Hodder<br />
& Stoughton, £19.99). Ex-cop turned private eye, Tom<br />
Fletcher, receives a bizarre phone call from his estranged<br />
father, a call which leads him to the<br />
murdered body of a young physics student<br />
who was moonlighting as a club<br />
hostess. Why was physics student Daisy so<br />
interested in the art painted on wartime<br />
aircraft, and how are Fletcher’s family<br />
connected to the mystery? Modern day<br />
conflicts have their roots in the distant<br />
past and Lennon plays on age old fears<br />
about witchcraft and persecution and<br />
spins marvellous depictions of the<br />
Fenlands and the spooky air-bases, old<br />
and new, that pepper the Fens. As the<br />
country is thrown into the grip of a ferocious<br />
winter storm, with freezing weather<br />
giving way to floods and a ‘psychlone’ on<br />
the way, the conspiracy thriller builds to a<br />
terrific climax. There is a breadth to the<br />
story that is captivating as well as some<br />
finely drawn characters and lovely language<br />
but the star must be the fantastic<br />
landscape as it is battered by the biggest<br />
storm in centuries.<br />
FLESH HOUSE by Stuart MacBride (Harper<br />
Collins, £12.99). The title gives a fair steer as to what<br />
you’re going to find between the covers. MacBride has<br />
penned a gory thriller with human flesh and body parts by<br />
the truck full -- prime cuts which have got into the meat<br />
supply. The Flesher — a serial killer who butchered his<br />
victims -- has served time, been released and is now<br />
missing. Officers originally involved in securing his conviction<br />
are being targeted. And off-shore from Aberdeen a<br />
container is found to be stuffed with human joints.<br />
DS Logan McRae is on the case, trying to avoid<br />
the machinations of his bosses and cope with the inadequacies<br />
of his deeply flawed colleagues, and with the appaling<br />
Aberdonian weather. Whilst such fare may not be to<br />
everyone’s taste, MacBride manages to combine the<br />
darkest of situations with the workaday foibles of his cops<br />
(and their attempts to maintain some sanity in a world gone<br />
barmy) and to make the whole shebang both very funny<br />
and suspenseful.<br />
KILLER TUNE by Dreda Say Mitchell (Hodder &<br />
Stoughton, £6.99). Rap singer Lord Tribulation is about to<br />
make the big time: he’s on the brink of a new recording<br />
<strong>Deadly</strong> <strong>Pleasures</strong><br />
71<br />
deal and tipped to retain his title in the slamdown for The<br />
Writer in Residence for Ladbroke Grove. Then his life is<br />
rocked to the core. A teenager listens to Lord Tribulation’s<br />
music as he fire-bombs a house, injuring people inside, and<br />
Lord Tribulation’s father, a veteran musician dies suddenly<br />
in an alley. An elaborate plot unfolds linking both incidents<br />
to 1976, a time when the far right was organising racist<br />
attacks, black people were hounded by the use of the ‘sus’<br />
law, radical black groups were emerging in response and<br />
a riot erupted at the Notting Hill Carnival. The narrative<br />
leads to unpalatable truths and secrets and also works as<br />
a coming of age story for Lord Tribulation as he is forced<br />
to make hard choices and deal with his own short-comings.<br />
Steeped in music, and laden with musical references, and<br />
with its own play list appended, KILLER<br />
TUNE is a celebration of a culture and<br />
a community rarely found in crime fiction.<br />
This is the second novel from Say<br />
Mitchell who won the CWA’s John<br />
Creasey Best First Novel Award with<br />
RUNNING HOT.<br />
SMALL CRIMES by Dave<br />
Zeltserman (Serpent’s Tail, £7.99). Excop<br />
Joe Denton is released from prison<br />
after serving several years for a brutal<br />
attack which left the local district attorney<br />
horribly disfigured. Joe gets precious<br />
little welcome when he returns<br />
home. Already estranged from his exwife<br />
and daughters and hurt that his<br />
parents never once visited him in prison,<br />
he now finds himself ostracised by his<br />
former colleagues and most of the town<br />
community. Top gangster Manny Vassey<br />
is dying of cancer and is close to coming<br />
clean: a confession that would send Joe<br />
back inside. Another player gives Joe an<br />
ultimatum: silence Manny or we’ll silence you. Powerfully<br />
tense, reading this is like watching a car crash happen, as<br />
Joe thrashes like a landed fish trying to survive in a world<br />
seriously stacked against him. The characterisation and<br />
mental torment are reminiscent of the insightful psychological<br />
thrillers of Jim Thompson. Stunning stuff.<br />
Martin Edwards Reviews<br />
WHITE NIGHTS by Anne Cleeves (Macmillan,<br />
£16.99). Ann Cleeves’ idea for the Shetland Quartet<br />
featuring the appealing cop Jimmy Perez is that each book<br />
will be set in a different season of the year. Here the<br />
backdrop is summer, the time of the long white nights. The<br />
Shetland setting is beautifully done. Few if any modern<br />
crime writers convey the essence of a rural community as<br />
effectively as Ann Cleeves, and with the islands off the<br />
north of Scotland, she is in her element. There is a lot of<br />
interesting background detail. I now know what the ‘simmer<br />
dim’ is and what ‘singling neeps’ involves, while<br />
RAVEN BLACK introduced me to the tradition of Up<br />
Helly Aa, Europe’s largest fire festival. Reading these