FINE & DECORATIVE ART
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<strong>FINE</strong> & <strong>DECORATIVE</strong> <strong>ART</strong>at AUCTIONSESSION IThursday, June 28 th , 2012beginning at 10:00 a.m.Lots # 1-457SESSION IIFriday, June 29 th , 2012beginning at 10:00 a.m.Lots # 501-951Wednesday, June 27 th from 10:00 a.m. to 5:00 p.m.,and each morning of the sale from 8:45 to 9:45 a.m.Catalog: $26.50 in office$30.00 by mail (MA residents, please add $1.50 sales tax)Canada: $38.00 Overseas: $40.0018% buyer’s premium will be added to all purchases.The buyer’s premium is 18% of the final bid price up to and including $300,000and 10% of the final bid price over $300,000.<strong>ART</strong>FACT LIVE! AUCTIONThis auction will be held simultaneously on “Artfact Live!” (www.artfact.com). The buyer’s premium is 21%for purchases bought via Artfact Live!. Prospective bidders must register and be approved prior to placing bidsor bidding live.**Please be advised that we DO NOT ACCEPT CREDIT CARDS or Paypal for paymentof any auction purchases.**Bidders holding a valid Massachusetts or out-of-state resale numbermust provide their certificate or a copy thereof when registering,or they will be required to pay 6.25% Massachusetts sales tax on purchases.**IMPORTANT NOTICEProspective buyers should satisfy themselves by personal inspection as to the condition of each lot. Although conditionreports may be given on request, such reports are statements of opinion only. Regardless of whether or not a conditionreport is given, all property is sold subject to Item 1 of our Conditions of Sale, which provides that all property is sold asis. The absence of a condition report does not imply that the property is in good condition. All dimensions are approximate.Front cover illustrations: 620Back cover illustrations: Lots 79, 132, 153, 289, 290, 652, 703ROBERT C. ELDRED CO., INC.P.O. BOX 7961483 ROUTE 6AEAST DENNIS, MA 02641PHONE: (508) 385-3116 FAX: (508) 385-7201e-mail: info@eldreds.comMA License # 155www.eldreds.comMA License no. 155
CONDITIONS OF SALE1. CORRECTNESS OF DESCRIPTION: Robert C. Eldred Co., Inc. (hereinafter referred to as Eldred’s) has exercisedreason able care to catalog and describe correctly the property to be sold, but neither Eldred’s nor its consignorswarrant the correctness of description, attribution, authenticity, or condition of said property. No statements shall bedeemed such a warranty or representation or an assumption of liability with respect thereto, but are to be construed as opinionsonly. Bidders are encouraged to personally examine all property to be sold prior to the beginning of the auction.2. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered.3. Eldred’s reserves the right to withdraw any property before the sale.4. DETERMINATION OF HIGHEST BIDDER: The highest bidder accepted by the auctioneer shall be the buyer. In the eventof any dispute between bidders, the auctioneer may determine who is the successful bidder or the auctioneer may re-offer thearticle in dispute and his decision shall be final.5. REJECTION OF BIDS: The auctioneer reserves the right to reject any nominal raise or any bid or raise which, in his opinion, is not commensurate with the value of the article being offered. At his discretion, he may also reject any nominal raise orany bid that he may determine as having a detrimental effect on the item in question or the sale as a whole. Eldred’s may refuseto issue bidding privileges to any person not in good credit standing with Eldred’s, or to any person who is deemed by Eldred’sin its sole discretion, to be disruptive of or harmful to established auction practices, either before or after the acceptance of bidsor the fall of the hammer.6. TITLE: Except as herein otherwise provided, title will pass to the highest bidder as determined by the auctioneer, and theproperty is thereafter at the purchaser’s sole risk and responsibility.7. PAYMENT: On title passing to the highest bidder acknowledged by the auctioneer, and subject to all the conditions set forthherein, such bidder will thereupon pay the full purchase price. Payment in full is due at the time of sale. Any bills not paid infull within 25 days of the date of the sale will accrue interest at a rate of 1.5% per month. In addition, the purchaser may besubject to one or more of the following actions: a) Any and all legal remedies available to Eldred’s and its consignors by lawincluding without limitation the right to hold the purchaser liable for the total purchase price; b) Immediate cancellation ofthe sale, with Eldred’s retaining as liquidated damages all payments made by the purchaser; c) Resale of the property at publicauction, wherein the original purchaser shall be liable for any deficiency, costs, and Eldred’s commission on both sales. AtEldred’s option, payment will not be deemed to have been made in full until Eldred’s has collected funds represented bychecks, or in the case of bank or cashier’s checks, their authenticity has been confirmed.A buyer’s premium will be added to the hammer price to be paid by the buyer as part of the purchase price.8. ORDER BIDS: Subject to these Conditions of Sale and to such terms and conditions as it may prescribe, but at no charge tothe customer, Eldred’s will undertake to execute all order bids submitted to it by a customer who has established credit withsaid company. Requests for such bidding must be given in writing with such clearness as to leave no room for misunderstanding as to the amount to be bid and must state the catalog number and the name or title of the article to be bid on. Telephonebids must be confirmed in writing or by cable. All bids are kept in strict confidence. In the event of identical bids, the earliestreceived by Eldred’s will take precedence. Eldred’s shall not be held responsible for errors or failure to execute bids. A depositof 10% of the total amount bid is required. TELEPHONE BIDS: While the sale is in progress, bidding by telephone may beallowed by the auctioneer at his discretion. A deposit of 10% of the anticipated top bid is required. Eldred’s shall not be heldresponsible for any failure to properly execute such a bid whether it be due to equipment failure, loss of connection, or failureto hear or understand the bidder’s directions. Any advice or opinions provided by Eldred’s or its employees are given strictlyas a courtesy and are not a warrant of condition, attribution, authenticity, or description of said property. All bidding by telephone s solely at the risk of the bidder.9. CONDITION: If for any cause whatsoever any article sold cannot be delivered, or cannot be delivered in as good condition asthe same may have been at the time of sale, due to a failure or damage on the company’s part, the sale will be cancelled, andany amount that may have been paid on account of the sale will be returned to the purchaser. EXCEPTION: Eldred’s will notbe held responsible for damage to picture frames or lampshades.10. SALES TAX: All purchases are subject to the Massachusetts sales tax (currently 6.25%) unless the purchaser A) possesses aMassachusetts sales tax exemption or resale number and registers that number with the company, B) is an out-of-state vendorwho meets all the requirements of Massachusetts Department of Revenue GLC 64H 1(5) and Directive 89-10 and registerswith the company prior to each purchase, or C) has purchases shipped out of state directly from Eldred’s by a bona fide shipping agent. Dealers, museums, etc. can apply for a Massachusetts number prior to the auction by contacting the MassachusettsDepartment of Corporations and Taxation, 100 Cambridge Street, Boston, MA 02204.11. RESERVES: Unless advertised as an “Unreserved Auction”, all sales may have items subject to reserve (an agreed upon pricebetween the auctioneer and the consignor, below which the article will not be sold).12. UNDELIVERED ITEMS: All purchases not picked up within two weeks of the day of the sale may be shipped by Eldred’sto the purchaser. All shipping, packing and handling charges will be the responsibility of the purchaser. If said articles have notbeen paid for, see paragraph 7 above.13. PACKING: Purchasers are advised that packing and/or handling by Eldred’s employees is undertaken solely as a courtesy forthe convenience of customers. In the case of fragile articles, it will be undertaken at the sole discretion of the company. Handling and packing by Eldred’s is at the risk of the purchaser. SHIPPING: When requested, Eldred’s may arrange shipment ofpaid purchases. Eldred’s will not be responsible for damage or loss once the item has been received by the shipper. In the caseof fragile articles, shipping will be undertaken at the sole discretion of the shipper. Please refer to our Advice to Bidders fordetails.14. These Conditions of Sale cannot be altered except in writing by Eldred’s or by public announcement by the auctioneer at thetime of the sale.15. Bidding on any article(s) indicates acceptance of the terms set forth above.16. These Conditions of Sale and any suits arising thereunder shall be construed and governed by the laws of Massachusetts.Revised 8/1/09
INDEX OF <strong>ART</strong>ISTS<strong>ART</strong>IST LOT # <strong>ART</strong>IST LOT #Aliotti, Claude 817Askevold, Anders Monsen 522Avery, William H. 669Bacher, Thomas 678Baker, Richard 666Bates, H. 807Battista, Giovanni 785Bazzanti, Pietro 877Boudin, Eugène 619Bouth, Jan-Dirksz (attr.) 786Busson, Charles 615Campaiola, Tommaso 868Capuano, Francesco 917Chagall, Marc 719Child, Edwin B. 913, 914Chwala, Fritz 790Cobelle, Charles 677Coignet, Jules-Louis-Philippe 518Coletti, Joseph Arthur 878Compton, Edward Harrison 788Coyne, Petah 708Dagnan-Bouveret, Pascal-Adolphe-Jean 620Dali, Salvador715, 886Danby, James Francis 511de Leeuw, Alexis 618Devine, Jed 707Duncan, Chris 665Erwitt, Elliott 711Fontcuberta, Joan 706Fremiet, Emmanuel 269Frische, Heinrich Ludwig 809Fuchs, Therese 787Gehrmann, Paul 813Giffi nger, Rudolf 793Goetz, Richard Vernon 504Goodwin, Gilberta Daniels 670Heinlein, Heinrich 611Heyn, Ernst 523Hoagland, Adeline 682Hodgkin, Eliot 621Irmer, Carl 508Ivanov, Igor (Attr.) 676Jansen, Joseph 616Jenkins, Paul 672Kapustin, Grigorij 502Le Feubure, Karl 524le Meilleur, Georges 802Lejeune, Adolphe Frédéric 794Leman, Martin 663Lepie, Ferdinand 800Leu, Oscar 905Liebermann, M. 664Liesegang, Helmut 612Lobingier, Elizabeth 671Martin, David McLeod 673Miro, Joan 712Moreau, Hippolyte François-after 867Morimura, Yasumasa 709Nesbitt, Lowell Blair 718Ovchinnekov, Nikolai Vasiliyevic 906Petit, J. André 509Reisz, Hermann 501Reynaud, Marius Gustave 896Ross, Clifford 720Rourke, Richard W. 675Runge, Julius Friedrich Ludwig 899Salviati, Gino 515Scheuerer, Otto 806Schneider, Gary 710Seeman, James 681Sergyev, Lev 668Sowden, John 918Sperakis, Nicholas George 674Steinacker, Alfred 530Steiner, Léopold Clément 875Strutt, Alfred William 796Sumiga, Jan 898Surikov, Vasily Ivanovich 617Thoma, Josef 510, 516, 529, 614, 795Thors, Joseph 897Ulbricht, John 514Van Merlen, Sylvine 680Vautrinot, Madolin 814Vidal, Hahn 801von Bemmel, Peter (Attr.) 789von Martin, Joseph 613Watson, Sydney Robert 903Watt, Amy 507Weber, Theodore Alexander 792Wilson, Helen Miranda 679Young, Alexander 525Zopf, Julius 799
Eldred’s Staff DirectoryAntiques and Fine Art SpecialistsRobert C. Eldred Jr.CEOAmericana and Maritime Artsrce@eldreds.comJohn H. SchofieldPresidentAsian Artjohns@eldreds.comSusan M. SchofieldTreasurerThe Prints of Paul Jacouletsue@eldreds.comJoshua F. EldredVice PresidentAmerican and European Paintingsjosh@eldreds.comWilliam BourneAmericana, Maritime Arts and Sporting Antiquesbill@eldreds.comEric S. MulakAmericana, Sporting Antiques and Collectibleseric@eldreds.comGlen KrawczykOriental Rugsglen@eldreds.comCynthia L. GageSilver, Shipping Administratorcindyg@eldreds.comProduction and Administrative StaffMary Ann EldredAppraisal and Mailing List Directormaeldred@eldreds.comDeborah G. ClemenceCatalog Layout and Designdeb@eldreds.comDennis C. CowanMusical Instruments, Shippingdennis@eldreds.comWendy A. DunfordAssistant Treasurerwendy@eldreds.comWilliam GarnierPhotographybillg@eldreds.comShannon GoheenDigital Image Editorshannon@eldreds.comAnne G. LajoieAppraisals and Condition Reportsannie@eldreds.comKristyn MachonDigital Image EditorKristyn@eldreds.comBobby Nunes, Jr.Assistant Shipping Managerbobby@eldreds.comCheryl StewartCatalog Layout and Designcheryl@eldreds.com
<strong>FINE</strong> & <strong>DECORATIVE</strong> <strong>ART</strong> at AUCTIONSESSION IThursday, June 28 th , 2012, beginning at 10:00 a.m.Lots 1-4571. ENGLISH SILVER CASTOR SET London, 1819With eight cut glass bottles in a fenestrated floral frame. Bottles with silver collars and tops. Height overall 9”.800/1,2002. STERLING SILVER URNHallmarks for Edinburgh, 1822. Maker’s mark of “GMH” listed as unidentifi ed. Harlequin coat of armson one side and presentation inscription on reverse “By Harlequin, the Property of James Wilson ofCairnhainna[?] Esq. at the Spring Meeting Of the Tarriff[?] Coursing Club held at Carilehaugh 11th 12th& 13th March, 1823.” Height 8½”. Approx. 22.6 troy oz. 500/7003. ENGLISH SILVER SALT & PEPPER London, 1798In pedestal form on square platform foot. Height 6½”.Approx. 6.4 troy oz. 200/3004. GEORGE III SILVER STUFFING SPOON London, 1792In half-rib back tipted handle. Maker’s marks for George Smith III and William Fearns. Length 12”.Approx. 3.6 troy oz. 250/3505. PAIR OF SILVER PLATED THREE-SOCLE CANDLEABRAWith rope decoration and s-curve arms. Marks on base not identifi ed. Engraved with lion’s-head crest.Heights 17½”. Spread 16”. 250/3506. SIX ENGLISH STERLING SILVER COFFEE SPOONSSome by William Bateman as well as Ann and Peter Bateman. Some marked “SA”. 80/1207. SIX STERLING SILVER LIQUOR TAGSTwo in rectangular form inscribed with “Scotch” and “Bourbon”. Four in shield form inscribed with“Bourbon”, “Port”, “Scotch”, and “Sherry”. Approx. 3.6 troy oz. 150/2508. DUTCH SILVER TWO-HANDLED BOWL 18th CenturyIn lobed form with eight engraved acorn-design panels. Two applied handles with cherub and fl owerdecoration. Diameter 5⅝”. Approx. 5.6 troy oz. 300/4009. PAIR OF ENGLISH SILVER AND HORSE’S-HOOF CANDLESTICKS Late 19th CenturyInscribed “Sir Julian.” Maker’s mark “H. T.” Heights 7”. Possibly relating to Sir Julian Hedworth GeorgeByng (1862-1935). 800/1,00010. SANBORNS OF MEXICO STERLING SILVER WATER PITCHERWith chased decoration. Height 8¾”. Approx. 35.8 troy oz. 900/1,10011. PAIR OF STERLING SILVER AND ANTLER CANDLESTICKSWith weighted bases. Maker’s mark “J. T.” Heights 5¾”. Lengths 7½”. 250/35012. SANBORNS OF MEXICO STERLING SILVER BOWLWith chased fl oral decoration and sea horse-form feet. Height 3¼”. Diameter 6¼”.Approx. 10.8 troy oz. 300/40013. SANBORNS OF MEXICO STERLING SILVER HANDLED SUGAR & CREAMERWith chased fl oral and bird design. Height of creamer 2½”.Approx. 9.2 troy oz. 250/350
14. ENGLISH SILVER SALVER 19th CenturyIn circular form with waved edge and applied shell border. Supported on three hooved feet. Maker’smark “E. C.”. Diameter 6¾”. Approx. 7.0 troy oz. 300/40015. CONTINENTAL SILVER CREAMER Early 19th CenturyWith repoussé foliate decoration and oval vignettes on each side depicting a coastal scene and afarming scene. Height 3½”. Approx. 3.2 troy oz. 100/20016. PAIR OF ENGLISH SILVER PLATED CANDLESTICKSIn oval form with reeded decoration. Marked “A. S. & S. - Made in England”. 150/25017. CONTINENTAL SILVER-MOUNTED BLOWN GLASS CLARET JUGWith fl ower and vine decoration. Monogrammed. Height 10”. 800/1,00018. CONTINENTAL SILVER BOXIn the form of a violin with chased fi gural and fl oral decoration. Marked “Sterling”. Other marks illegible.Length 8¼”. Approx. 3.6 troy oz. 300/40019. ITALIAN .800 <strong>FINE</strong> SILVER FIGURE BY BUCCELLATTIIn the form of a fawn. Marked “M. Buccellatti - Italy 800” on rear hoof. Length 8”. Height 4¾”.Approx. 20.6 troy oz. 2,400/2,60020. PAIR OF GERMAN .800 <strong>FINE</strong> SILVER THREE-FOOTED BOWLS 19th CenturyWith figural feet and ribbed bodies. Diameters 5½”. Approx. 7.2 troy oz. 200/30021. CONTINENTAL .800 <strong>FINE</strong> SILVER TUMBLER 19th CenturyWith French shield design incised “Tircantonal Vaudois Verdon 1899”. Height 3”.Approx. 1.8 troy oz. 30/5022. SET OF TEN GERMAN SILVER TEASPOONSMonogrammed “HJ”. Approx. 5.8 troy oz. 100/13023. FOUR PIECES OF SILVER FLATWAREIncludes cocktail server, engraved ladle, Tiffany “Vine” pattern tablespoon, and a cold meat fork in the “Lily”pattern by International. Inscriptions and monograms. Approx. 6.8 troy oz. 150/25024. ENGLISH GILT-SILVER HORSE RACING TROPHYIn covered chalice form. Engraved “The 195th Derby Stakes - 1974”. Won by Snow Knight at Epsom Downs.The owners, jockey, and trainer’s names engraved under foot. Height 7½”.Approx. 9.8 troy oz. 500/70025. FRENCH FIRST STANDARD GILT-SILVER PLATE BY ODIOT OF PARISIn shaped circular form with rope and fl ower rim. Crest with coronet over two shields. Diameter 10½”.Approx. 16.8 troy oz. 500/70026. BELGIAN GILT-SILVER OVAL PEDESTAL BASKET BY WOLFERSWith coiled ribbon decoration to base and handle. Decorated with a pair of classic dolphins. Marked“835 fi ne silver”. Length 6”. Height 6”. Approx. 7.2 troy oz. 500/70027. ENGLISH SILVER CENTERPIECE BOWL London, 1933In shaped circular form with applied rope rim and central fruit-decoration knob. Maker’s mark for“Alfred Edward Jones”. Diameter 12½”. Approx. 32.6 troy oz. 4,000/6,00028. ENGLISH SILVER COVERED BOWL London, 1950In circular form on stepped foot with applied strapwork decoration and wood fi nial. Maker’s mark “RC”.Diameter 4½”. Approx. 11.6 troy oz. 300/50029. EIGHT PIECES OF EUROPEAN AND SOUTH AMERICAN SILVERIncludes a Peruvian box with Aztec design, small bowl with repoussé fl oral design, three liquor tags,German vodka glass, and two pill boxes. Approx. 15.8 troy oz. 300/500
30. BOLIVIAN SILVER DOLL’S TEA SET BY JUAN AREVALOConsisting of a tray, teapot, creamer & covered sugar, fi ve cups & saucers, six teaspoons, and sugartongs. Silver standard unknown. Height of teapot 1¾”. Accompanied by a note suggesting the set waspart of the Paris World Exposition of 1889. 250/35031. STERLING SILVER TRAYWith college logo. Diameter 13”. Approx. 18.0 troy oz. 400/50032. GERMAN .800 <strong>FINE</strong> SILVER HANDLED BASKETFenestrated edge and chased decoration of cupid. Height 8¼”.Approx. 23.2 troy oz. 500/60033. CONTINENTAL .800 <strong>FINE</strong> SILVER FENESTRATED TRAYWith chased fi gural decoration. Length 10¾”. Approx. 10.2 troy oz. 150/25034. STERLING SILVER LADLEWith London hallmarks. Shell handle. Length 15¼”.Probably Late 18th CenturyApprox. 8.6 troy oz. 200/30035. ENGLISH SILVER STUFFING SPOON BY PAUL STORR London, 1816With shell, fi sh scale, and anthemion decoration. Gold washed bowl. Monogrammed. Engraved coatof arms. Length 12¼”. Approx. 5.8 troy oz. weighable. 700/90036. PAIR OF STERLING SILVER SAUCEBOATS BY POOLEIn Georgian style with scallop shell feet. Length 7”. Approx. 15.6 troy oz. 350/45037. PAIR OF ENGLISH STERLING SILVER OPEN SALTS London, 1874With chased fl oral decoration and ruffl ed rim. Supported on three paw feet. Maker’s mark forEdward Charles Brown. Worn monogram. Diameter 2¾”. Later glass inserts.Approx. 5.4 troy oz. weighable. 250/35038. TIFFANY & CO. SILVER-PLATED, BONE-HANDLED, COVERED CHAFING DISHTogether with a footed burner stand. Height 12”. 100/15039. PAIR OF ENGLISH SHEFFIELD SILVER PLATED CANDLESTICKS Second Quarter of the 19th CenturyIn column form. Heights 11½”. 200/30040. EASTERN EUROPEAN SILVER ORNAMENT 19th CenturyIn the form of a covered sled drawn by two oxen. Length 4¼”.Approx. 2.9 troy oz. 300/40041. ENGLISH SILVER EASTER EGG EGG 20th CenturyDesigned to open and reveal a gilt silver hippopotamus emerging from waves. Height 3”.Approx. 7.0 troy oz. 300/40042. CONTINENTAL SILVER CUP Late 17th/Early 18th CenturyWith half-rib design. Monogrammed “J. S.”. Multiple marks on base. Height 3⅜ ”.Approx. 2.8 troy oz. 800/1,00043. CASED SET OF ENGLISH SILVER OPEN SALTS AND SPOONS London, 1888With swirl rib design supported on three ball feet. Maker’s mark “E. F. over H. T.”Approx. 3.2 troy oz. 250/35044. CONTINENTAL .800 <strong>FINE</strong> SILVER MIRROR PLATEAUIn oval form with fl oral rim. Supported on four paw feet. Length 14”. 250/35045. TWO CASED SETS OF CONTINENTAL .800 <strong>FINE</strong> SILVER DEMITASSE SPOONSIncludes twenty-nine spoons by various makers. Approx. 11.4 troy oz. 200/30046. SIX ENGLISH SILVER BANQUET FORKS London, 1810With forward-tipt handles. Monogrammed “R”. Maker’s marks for Sarah and John William Blake. Lengths 8¼”.Approx. 11.8 troy oz. 600/800
47. TEN ENGLISH STERLING SILVER-MOUNTED CUTLERY ITEMS 19th Century or EarlierSix knives, two carving knives, a meat fork, and a sharpening steel. All with fl oral and foliate-decoratedhandles. Untraceable marks. 400/60048. PAIR OF DANISH SILVER THREE-SOCLE CANDELABRAS 20th CenturyIn a modernist calla lily-like design. Heights 9¼”. Approx. 21.0 troy oz. 800/1,00049. LARGE TWO-PINT GORHAM SILVER AND LEATHER FLASKEngraved on base “1899.” Engraved on back “P. P.” Height 9”. 400/70050. FOUR PIECES OF AUSTRO-HUNGARIAN .800 <strong>FINE</strong> SILVER 19th CenturyIncludes gravy ladle and two place spoons in a violin pattern, maker’s mark “H.A.”, and a tablespoonwith pointed end. Approx. 7.6 troy oz. 300/50051. EIGHT FRENCH FIRST STANDARD SILVER FLATWARE PIECESMaker’s mark for Henri-Louis Chenailler. Includes three serving spoons, three dinner forks, and twoteaspoons. Approx. 16.0 troy oz. 275/35052. TWELVE FRENCH FIRST STANDARD SILVER LUNCHEON FORKSWith shell-style handles. Maker’s mark “Deniere”. Bears crest on back.Approx. 19.2 troy oz. 300/35053. SEVEN PIECES OF CONTINENTAL SILVERFour pieces with chased fi gural scenes by various makers. Includes small jewelry casket, talc bottle,inkwell, and small hand mirror. Together with two combs and one comb back.Approx. 13.2 troy oz. weighable 250/35054. ENGLISH SILVER MONTEITH Birmingham, 1909With applied cherubs at rim, lion’s-head swing handles, and dome foot. Maker’s mark “W. H. Ltd.”Inscribed “Presented by the Marquis of Gramoy to the Hanger Hill Golf Club for Annual Competition.”Height 5”. Diameter 7½”. Approx. 18.8 troy oz. 400/60055. THREE ENGLISH SILVER PLATED WINE COASTERSWith fenestrated design and turned-wood interiors. Diameters 4” and 5½”. 150/25056. THREE .800 <strong>FINE</strong> SILVER SERVING PIECESA fenestrated serving spoon with windmill-form handle, a cake slice with figural decoration and beehive-formhandle, and a serving fork with a three-masted ship-form handle.Approx. 6.6 troy oz. 130/15057. FOUR GEORGE III ENGLISH SILVER SALT CELLARS London, 1800In two-handled urn form. Maker’s mark for Peter Podie. Inscribed with crest of rampant wolf over “W”.Height 2¼”. Diameter 4½”. Approx. 17.6 troy oz. 800/1,00058. RUSSIAN .84 <strong>FINE</strong> SILVER PEDESTAL SALT Circa 1856Ornate urn-form salt on platform base. Maker’s mark for Karol Filip Malcz of Warsaw. Height 2¾”.Approx. 4.0 troy oz. 250/35059. TWO SILVER PLATED COVERED STANDISHESThe fi rst with engraved eagle on the front. The lid reveals two covered glass bottles fl anking a cenralcovered compartment. Marked on base “Writing Desk of Eaton”. Length 8”. The second with lion’s-headand ring handles. The lid reveals two covered glass bottles fl anking a cenral covered compartment.Length 7¾”. 120/18060. SILVER PLATED THREE-SECTION SERVING TRAY BY FRIEDMAN SILVER CO., NYIn rectangular form with well-and-tree center and two side trays, rope edge, and shell motif. Supportedon four paw feet. Length 17”. Width 13”. 150/25061. SHEFFIELD SILVER PLATED BISCUIT BOX Late 19th CenturyIn circular form with ribbed and brite-cut decoration. Maker’s mark for Joseph Ridge & Co. of Sheffi eld,England. Height 7”. 100/150
62. (SILVER) Keefe, J. and Hough, S., Magnificent, Marvelous Martele. New Orleans, 2001. Q. Cloth. Dj. 90/10063. THREE SILVER-CASED GLASS BOTTLESCylindrical bottle with ball-form stopper, height 7”, ovoid bottle with ball fi nial, height 4”, and ovoidbottle, height 3”. 300/50064. ROOKWOOD <strong>ART</strong> POTTERY VASE Circa 1924With foliate molding in a blue-green glaze. Height 11¼”. 300/50065. ROOKWOOD <strong>ART</strong> POTTERY VASE Circa 1921Impressed Art Nouveau design in a green-graduated-to-pink matte glaze. Height 5¾”. 150/25066. MOORCROFT <strong>ART</strong> POTTERY VASEIn baluster form in dark blue glaze with decoration of iris. Stamped on base “W. Moorcroft, potter to theQueen”, “Made in England”, and signed “W.M.”. Height 6”. 400/50067. MOORCROFT <strong>ART</strong> POTTERY VASEIn spade form with fl ared rim. Moss-green and mallard green glaze with poppy decoration. Stamped onbase “Moorcroft” and “Made in England” and signed “WM”. Height 7½”. 400/50068. TWO PIECES OF MOORCROFT <strong>ART</strong> POTTERYPitcher with fl oral decoration in a dark blue ground. Height 5”. Stamped on base “Moorcroft” and“Made in England” as well as printed “WM” cypher. Together with a small dish with a fl oral center in amoss-green interior and a mallard-green exterior. Diameter 4½”. Paper label under foot. 300/40069. PAIR OF LARGE ROSEVILLE <strong>ART</strong> POTTERY VASES 20th CenturyFloral design on a blue ground. Marked on bottom “Roseville U.S.A. 992-15”. Heights 15½”. 300/40070. VAN BRIGGLE <strong>ART</strong> POTTERY SWAN-FORM TABLE LAMP Early 20th CenturyIn cranberry glaze. Height of swan 8”. 120/18071. ROSEVILLE FUTURA VASE First Half of the 20th CenturyIn an Art Deco style with brown and green glaze and fl oral decoration. Unmarked. Height 6”. 200/30072. WELLER <strong>ART</strong> POTTERY COPPER-TONE VASEIn trumpet form with low-relief decoration of lily pads and four frog’s heads protruding from the surfaceof the circular base. Small Weller Pottery stamp on base. Height 11½”. 700/90073. FULPER <strong>ART</strong> POTTERY VASE Early 20th CenturyIn moss-green mottled and textured glaze. Straight line molded mark on bottom. Height 9½”. 500/1,00074. WELLER <strong>ART</strong> POTTERY COPPER-TONED VASEIn tapered cylinder form in a mottled green and matte brown glaze. Unmarked. Height 12¼”. 700/90075. VAN BRIGGLE <strong>ART</strong> POTTERY CENTERPIECE BOWL Early 20th CenturyIn blue and aqua with mermaid at the side and shell-form fl ower frog. Signed on bottom“Van Briggle” with monogram. Height 8¾”. Length 14¾”. Depth 13”. 700/1,00076. WELLER <strong>ART</strong> POTTERY JARDINIÈRE Second Quarter of the 20th CenturyWith raised classical fi gures on a blue and fl oral ground. Height 9½”. 150/25077. VAN BRIGGLE <strong>ART</strong> POTTERY CENTERPIECE BOWL Early 20th CenturyIn cranberry glaze with a swan-form fl ower frog. Monogram signature on fl ower frog, height 8½”. Signedon bottom of bowl “Van Briggle”, diameter 15”. 200/30078. PAIR OF VAN BRIGGLE <strong>ART</strong> POTTERY OWL-FORM BOOKENDS Early 20th CenturyIn cranberry glaze. One with monogram signature on bottom. Heights 5”. 300/50079. ROOKWOOD <strong>ART</strong> POTTERY VASE Circa 1900In standard glaze of brown and green. Thistles cascade from neck to bottom of vase. Signed on bottomby artist “Katherine Hickman”. Height 11¾”. 500/800
80. ROOKWOOD <strong>ART</strong> POTTERY VASE Dated 1912Decorated by Caroline Steinle, 1912. Vellum glaze with lily of the valley decoration. Shape mark “2040E”.Height 7½”.Formerly used in the Snow Inn, Harwichport. 300/40081. MOORCROFT <strong>ART</strong> POTTERY VASEIn baluster form. Moss-green glaze with decoration of poppies. Height 12¾”. William Moorcroft stampand a signature on base. 1,000/1,50082. MOORCROFT <strong>ART</strong> POTTERY TABLE LAMPIn baluster form with fl oral decoration on a moss-green ground. Faux-brass metal base with dolphin-formfeet. Height to fi xture 16”. 1,200/1,60083. AMERICAN <strong>ART</strong> POTTERY VASEIn moss-green mottled glaze. Molded heron and fl ower design on one side. Height 7½”. 150/20084. TWO ROOKWOOD <strong>ART</strong> POTTERY ITEMSVase in organic form under a matte green glaze on the exterior and a glossy yellow glaze on theinterior. Marked 2713C and dated 1928 in Roman numerals. Height 6”. Width 13”. Together with a similarorganic-form fl ower frog in a glossy yellow glaze. Numbered 2844. RN date obscured by holes. Lengthapproximately 6”. 120/18085. FULPER <strong>ART</strong> POTTERY BOWL Early 20th CenturyWith blue and brown phosphatic glaze. Fulper mark on base. Diameter 14”. 250/35086. RED WING <strong>ART</strong> POTTERY VASE First Half of the 20th CenturyIn glossy green glaze with vertical panel moldings. Height 9½”. 100/15087. WELLER DICKENSWARE VASEDepicting Mr. James Carker from Dickens’ novel, “Dombey and Son”. Marked on base “12 Weller”. Height 13”.500/70088. PAIR OF TURKISH BLUE AND WHITE PORCELAIN BOTTLE VASES Late 19th CenturyWith leaf and foliate design. Heights 10¾”. 600/80089. PAIR OF LATE STAFFORDSHIRE RECUMBENT LIONS 20th CenturyHeight 10”. 200/30090. GERMAN BISQUE PORCELAIN FIGURE Late 19th CenturyDepicting a young man in 18th Century garb seated on a rockery base. Height16”. 200/30091. SITZENDORF PORCELAIN CANDLESTICK Late 19th CenturyWith full-relief decoration of a young woman and putti amongst fl owers. Height 12”. 100/20092. PORCELAIN HANDLED VASE BY NIPPONWith fl oral decoration on a green-gold luster ground. Height 9”. 80/12093. ANTIQUE ENGLISH PRATTWARE CREAMER First Half of 19th CenturyIn fox head form with swan handle. Height 5”. 250/35094. PAIR OF STAFFORDSHIRE DOGSHeights 8”. 150/25095. YELLOW GOLD AND DIAMOND FLOWER-FORM SLIDE/PENDANTDiameter ⅞”. 500/70096. 14KT YELLOW GOLD, AQUAMARINE, AND DIAMOND RINGWith faceted oval aquamarine surrounded by diamonds. Size 5½”. 300/40097. YELLOW GOLD, OPAL, AND DIAMOND RINGWith central oval-form opal fl anked by six diamonds. Unmarked, probably 14kt. Size 5. 650/750
98. MAN’S 18KT YELLOW GOLD ROLEX PRESIDENT OYSTER WATCHModel #R180388. Case serial #6114008. 18kt yellow gold case with 30-jewel chronometer movement.Synthetic sapphire crystal. Platinum bezel set with forty-four diamonds. Midnight-blue dial set with twobaguette and eight brilliant-cut diamonds. Custom 14kt gold nugget jacket/bracelet, approx. 70.58dwt. Original leather wrapped case. 7,000/9,00099. 18KT WHITE GOLD AND RAINBOW SAPPHIRE RINGWith channel-set stones. Size 7. 250/350100. 18KT YELLOW GOLD AND GREEN JADE PENDANTIn heart shape. Length 1¾”. 200/300101. 14KT YELLOW GOLD AND AMETHYST RINGWith faceted rectangular stone in an openwork setting. Size 5. 200/300102. 14KT YELLOW GOLD AND PINK TOURMALINE RINGWith bypass-like setting. Size 6. 150/250103. 14KT YELLOW GOLD RINGIn a horse design. Size 7½. Approx. 5.4 dwt. 250/350104. 14KT YELLOW GOLD AND OPAL BRACELETHinged bangle bracelet with four opals separated by three bands of three small opals each in anopenwork and engraved gold setting. Approx. 16.20 dwt including stones. 350/500105. PAIR OF 14KT YELLOW GOLD AND DIAMOND EARRINGSWith classical design. Made for pierced ears. Approx. 6.1 dwt. 500/600106. 14KT TRI-COLOR YELLOW GOLD NECKLACEIn alternating channel style with engraved surfaces. Length 16”¼”. Approx. 25.40 dwt. 600/700107. 18KT YELLOW GOLD WEDDING BANDMarked “W. & W.” Size 8. Approx. 2.4 dwt. 100/150108. 14KT YELLOW GOLD AND DIAMOND ETERNITY BANDSmall diamonds in channel setting around the circumference. Size approx. 9½. 150/250109. 14KT YELLOW GOLD AND DIAMOND RINGEight small diamonds set in a 14kt white gold mount. One small diamond missing from the setting. Size 6¼.200/250110. 14KT YELLOW GOLD AND DIAMOND RINGApprox .5 carat central diamond prong-set in a 14kt white gold mount on a yellow gold band. Ringdesigned for three stones but the two fl anking the diamond are missing. Size 8¼. 150/250111. YELLOW GOLD, OPAL, AND DIAMOND PENDANT NECKLACEIn butterfl y design. 14kt yellow gold chain, length 16”. Pendant gold standard unknown. 100/200112. 14KT YELLOW GOLD AND DIAMOND RINGIn an openwork fl oral design with forty-three diamonds. Size 7. 1,000/1,500113. PLATINUM, DIAMOND, AND RUBY GUARD RINGWith channel-set diamonds and rubies. Size 6. 250/350114. DIAMOND AND SAPPHIRE RINGIn white gold or platinum setting with cushion-cut sapphire fl anked by six diamonds. Size 5. 2,000/3,000115. YELLOW GOLD AND AMETHYST BROOCH/PENDANT Early 20th CenturyAmethyst with seed pearl and star center prong-set in a circular openwork foliate design. Diameter 1”.200/300116. 14KT YELLOW GOLD AND PEARL CIRCLE PINDiameter 1”. 300/400
117. YELLOW GOLD AND DIAMOND PENDANT BROOCHIn starburst form with central diamond (approx. .3 carats) and thirty-two smaller diamonds. Diameter 1”.700/900118. 18KT YELLOW GOLD AND IVORY PENDANT NECKLACEInverted heart-form pendant, length ¾”, with 14kt yellow gold chain, length 16”. Overall weight approx.4.4 dwt. 200/300119. LADY’S OPEN FACE POCKET WATCH BY WALTHAMIn 14kt yellow gold.15-jewels with Arabic numerals. Diameter of face 1¼”. Gold-fi lled chain, length 30”.150/250120. 14KT YELLOW GOLD NANTUCKET BASKET PENDANTBasket, width 1”, on a 14kt yellow gold chain, length 29”. Approx. 12.60 dwt. 300/400121. HUNGARIAN GOLD FOUR GAL COINDepicting Franz Josef the First. Dated 1915. Diameter 1½”. Approx. 10.4 dwt. 800/1,000122. 14KT YELLOW GOLD MESH BRACELETApprox. 43.7 dwt. 2,000/2,500123. 14KT YELLOW GOLD BRAIDED NECKLACELength 23”. Approx. 26.40 dwt. 500/700124. 14KT YELLOW GOLD DOME RINGIn a rope twist design. Size 8. Approx. 4.4 dwt. 120/180125. 18KT YELLOW GOLD AND LAPIS LAZULI RINGIn a saddle design. Size 7½. Overall weight 3.9 dwt. 120/180126. 14KT YELLOW GOLD HINGED BANGLE BRACELETWith engraved foliate design. Approx. 8.9 dwt. 300/500127. PLATINUM AND DIAMOND BANDMounted with ten small diamonds. Size 7. 100/200128. 14KT YELLOW GOLD AND DIAMOND SOLITAIRE RINGMounted in a six-prong setting. Size 6. 100/200129. YELLOW GOLD, GREEN JADE, AND DIAMOND BROOCH Early 20th CenturyBy Erwin Paltscho. In four-leaf clover form. Length 1½”. In original box. 400/500130. AUSTRIAN GOLD, DIAMOND, EMERALD, AND RUBY BROOCH Early 20th CenturyIn feather form. Length 2¾”. 1,500/2,000131. GOLD, JADE, DIAMOND, AND YELLOW STONE BROOCHBy Erwin Paltscho. Depicting edelweiss. Length 1⅜”. With original box. 1,000/1,500132. PEARL DOUBLE-STRAND NECKLACEBy Erwin Paltscho. With diamond, ruby, turquoise, and sapphire clasp. Length 27”. 1,000/1,500133. 18KT YELLOW GOLD BRACELETIn a rope twist design. Approx. 2.0 dwt. 200/300134. 14KT YELLOW GOLD RINGIn the form of a ‘fl ip fl op’ sandal with a small diamond. Size 4½. 250/300135. ITALIAN .800 <strong>FINE</strong> SILVER AND AQUAMARINE TIARA BY PERUZZIWith nine aquamarines in various sizes set in a fi lagree tiara with brite-cut decoration. 1,200/1,500136. SWISS 18KT GOLD AND DIAMOND LADY’S WRIST WATCHBy Corum. Gross weight approx. 32.9 dwt. 2,500/3,500
137. UNIVERSAL SWISS WRIST WATCHWith 14kt yellow gold band. Diameter of face ⅝”. 500/600138. TWO CARVED IVORY ELEPHANT PENDANTS1) Elephant, length 1½”, with 14kt gold braided chain, length 20”. 2) Elephant height ¾” with simple14kt yellow gold chain, length 16”. Gold approx. 5.0 dwt. 150/200139. YELLOW GOLD AND TOURMALINE RINGWith oval stone in pink and dark green. 250/350140. LOT OF JEWELRYOne child’s gold bracelet, one 16” strand of gold beads, and six rings including: two 18kt white goldbands, one platinum band with small diamonds, one 14kt white gold setting (no stones), one 14kt whitegold ring with large cubic zirconia, and one yellow gold band. Gold standard unknown unless specifi ed.350/500141. 14KT YELLOW GOLD, GARNET, AND DIAMOND RINGSet with three garnets and four diamonds in a fl ower-like setting. Size 3½. 350/450142. 10KT YELLOW GOLD, BLUE TOPAZ, AND DIAMOND RINGWith oval faceted topaz fl anked by two diamonds. Size 7. 300/400143. SIX ASSORTED VENETIAN GLASS WINE GLASSESBy Davide Fuin of Murano, Italy. All retain label of Fuin’s DF Glassworks. Varied forms and colors. Heightsfrom 10” to 11”. 250/350144. DANTE MARIONIAmerican, 20th CenturyLarge art glass vase in opaque red with applied black glass handles, knop, and rings at neck and foot.Height 34¼”. 1,800/2,500145. FIVE CHATHAM GLASS CO. <strong>ART</strong> GLASS VASES 20th CenturyIn varied forms and colors. Heights from 6” to 10¼”. 300/500146. MOLLY STONE <strong>ART</strong> GLASS BOWL ContemporaryFrosted textured glass bowl with cased pink interior. Four-color graduated stepped base. Signed onbase “M. Stone”. Height 4”. Diameter 4½”. 120/180147. TWO PIECES OF MODERN <strong>ART</strong> GLASSA cobalt blue and clear vase signed on bottom “Robinson Scott”, height 10¾”, and a blue and blackcharger signed “S. Stang”, diameter 17¼”. 200/300148. TWO <strong>ART</strong> GLASS VASES ContemporaryMedium blue vase in a repetitive swirl design with illegible signatureon bottom, height 14”, and a pale amethyst paneled tapered vase signed on base “Julie Oke”, height15¼”. 150/250149. JAKE <strong>FINE</strong> <strong>ART</strong> GLASS ROLLING PIN ContemporaryIn blue, white, and black latticinio design. Length 16”. 120/180150. PAIR OF <strong>ART</strong> GLASS WINE GLASSES ContemporaryBlown glass clear bowls attached to iridescent fusion glass bases. Each signed “Maslach”on bottom.Heights 8½”. 120/180151. STEUBEN BLUE “GROTESQUE” GLASS BOWL Circa 1920Height 6”. Width 11½”. Depth 6½”. 200/300152. PAIR OF PINKWATER BLOWN GLASS CANDLESTICKS ComtemporaryIn opaque orange, yellow, teal, and lavender in a swirled form. Signedand dated on feet “Pinkwater 98”. Heights 13¾” and 14¾”. 500/800
153. DAVID LEVIAmerican, 20th CenturyContemporary art glass vase in green, black, yellow, red, and lavender with two lime green glass birdsperched on applied glass handles. Signed and dated on underside of foot “David Levi 1997”.Height 26½”. 1,000/1,500154. CHATHAM GLASS CO. <strong>ART</strong> GLASS VASE ContemporaryIn yellow and red with stick top and bulbous-form bottom. Signedon bottom. Height 11¾”. 150/200155. PAIR OF CHATHAM GLASS CO. VASESGreen bodies and applied black glass rim and foot. Each containing three glass long-stemmed fl owers.Vase heights 11¼”. 200/250156. PINKWATER <strong>ART</strong> GLASS SUGAR & CREAMER ContemporaryOpaque blue sugar bowl with yellow and red dots. Opaque orange creamer with blue and yellow dots.Signed and dated “97” on underside. Height of creamer 5¼”. 150/200157. TWO SETS OF GLASS DRINKING GLASSES ContemporaryFour lemonade glasses and four tumblers in opaque colors with varied applied bandings to tops.Several have illegible signatures on bottoms. 150/250158. FOUR ASSORTED CARL ROTTER LÜBECK CUT OVERLAY GLASS TUMBLERSIn cranberry and blue. Heights 3”. Together with a red and clearcompote attributed to Lübeck. Height 4½”. 120/180159. DOULTON LAMBETH STONEWARE PITCHERTwo-tone brown glaze with raised heraldic medallions and the words “For ev’ry ill beneath the sun there isa remedy or none if there be one then try to find it if there be none than never mind it.” Height 7”. 150/250160. DOULTON LAMBETH STONEWARE TANKARDWith raised fi gural decoration. Height 5¼”. 120/180161. DOULTON LAMBETH STONEWARE TWO-HANDLED HOUND MUGWith raised fi gural and other decoration. Height 5½”. 80/120162. DOULTON LAMBETH STONEWARE PITCHERWith two-tone glaze and raised fl oral decoration. Height 7½”. 150/250163. WEDGEWOOD BLUE AND WHITE JASPERWARE CREAMER.Height 5¼”. 100/150164. PAIR OF ENGLISH JACKFIELD SPANIELS 20th CenturyIn black with gold highlighting. Height 11¼”. 300/400165. PAIR OF ENGLISH STAFFORDSHIRE SPANIELS Early 20th CenturyRed on white with black collar, lock, and chain. Heights 12”. 200/300166. PAIR OF ENGLISH STAFFORDSHIRE SPANIELS Late 19th/Early 20th CenturyIn copper lustre on white. Heights 10”. 180/250167. MAJOLICA DOG-FORM PITCHER Late 19th/Early 20th CenturyIn brown glaze, with blue-green ears, pouring lip, and handle. Height 7¼”. 100/200168. THREE PIECES OF DOULTON LAMBETH STONEWAREWith two-tone brown glaze and raised decoration of figures, dogs, etc. Consisting of a tobacco jar, height 6”,a tobacco box, height 5½”, and a pitcher with raised fi gural decoration, height 8”. 150/200169. TWO DOULTON LAMBETH STONEWARE TANKARDSIn two-tone brown glaze with raised decoration. Each with a motto: “Heaven Helps Those Who HelpThemselves” and “Health to the Sick, Honour to the Brave, Success to the Lover, Freedom to the Slave”.Heights 5”. 80/120
170. BLUE AND WHITE SPRIGWARE COVERED CHEESE DISH Mid-19th CenturyWith classical fi gural design. Diameter 8”. Height 6¾”. 400/500171. ENGLISH STAFFORDSHIRE POTTERY PITCHER Late 19th CenturyIn the form of a seated gentleman holding a pitcher and glass. With spatter and other colorfuldecoration. Height 9¾”. 300/400172. PAIR OF ENGLISH STAFFORDSHIRE SPANIELS Late 19th/Early 20th CenturyGlass eyes and gold highlights. Heights 9¾”. 200/250173. SET OF NINE MINTON DINNER PLATESWith enameled fl oral borders. Diameters 10”. 150/250174. PAIR OF ENGLISH STAFFORDSHIRE FIGURE GROUPS Second Quarter of the 19th CenturyEach of a man and a woman. Heights 12½”. 250/350175. DOULTON LAMBETH STONEWARE PITCHERTwo-tone brown glaze with raised decoration of classical scenes with motto “Good is not good enough.The best is not too good.” 150/250176. SIX PIECES OF DOULTON LAMBETH STONEWARE POTTERYTwo-tone brown glaze with raised decoration of various drinking, hunting, and horse-racing scenes.Consisting of a pitcher, height 6”, a beaker with silver-plated rim, height 5”, a small jar with silver-platedrim, height 2¼”, a handled tankard tapered to top with repaired lip, height 5”, a pitcher, height 4¾”,and a beaker, height 4”. 200/400177. DOULTON LAMBETH TERRACOTTA BEVERAGE DISPENSER 19th CenturyWith blue, red, and white raised decoration. Height 14½”. 400/600178. DELFT POTTERY BUILDING Late 19th/Early 20th CenturyIn blue and white glaze. Height 6”. 200/300179. SAMSON PORCELAIN VASE Early 20th CenturyWith heraldic and fl ower decoration. Mounted as a table lamp. Height 11½”. 200/300180. SET OF FOUR CERAMIC MUGS ContemporaryIn semi-abstract form. Each signed and dated on underside “BL 85”. Heights from 2” to 4”. 100/200181. CONTINENTAL CERAMIC PITCHER Early 20th CenturyIn a mottled green and brown glaze with a bird-form spout. Height 10½”. 120/180182. DOULTON LAMBETH STONEWARE TOBACCO JARIn two-tone brown glaze with raised apostle decoration. Height 8½”. 100/150183. THREE DOULTON LAMBETH STONEWARE PIECESIncludes cider mug, large tankard, and pitcher in two-tone brown glaze with raised hunting scenes.Heights 5½”, 4½”, and 6” respectively. 100/150184. TWO ENGLISH STAFFORDSHIRE POTTERY PIECES Late 19th CenturyIncludes a spill holder in the form of a castle and model of “Stanfi eld Hall”. Heights 5½”. 200/300185. TWO SMALL POTTERY PLANTERSWith relief forest decoration. 1) Polychrome relief decoration. Height 7½”. Diameter 8¾”. 2) Two-tonerelief green glaze. Height 5½”. Diameter 6½”. 300/500186. SET OF SPODE COPELAND CHINAIn the “Famille Rose” pattern. Consists of:12 10¼” dinner plates 12 9” luncheon plates 12 8” salad plates15 6¼” bread and butter plates 12 shallow soup bowls 3 two-handled cream soup bowls1 oval vegetable dish. 9 teacups 12 saucers1 15” platter 200/400
187. LONGPORT SALT GLAZE PITCHER 19th CenturyWith relief depiction of fi gures in a jungle, possibly Swiss Family Robinson. Height 11¼”. 200/300188. STAFFORDSHIRE FIGURE Mid-19th CenturyIn the form of a young girl seated in a chair with a bird on her hand and a cat beside her. Height 8”. 100/200189. ENGLISH MAJOLICA FIGURE Early 20th CenturyIn the form of a man seated behind a wheelbarrow. Height 10”. Length 11½”. 200/300190. VILLEROY & BACH METTLACH # 1821 MASTER STEIN/PITCHERWith pewter lid. Underglaze green with incised inscription “Meitlaci VB”. Height 12½”. Together with twosimilar steins, both stamped on bases “Villeroy & Bach Mettlach”. Both incised with #1370. Heights 5½”.300/500191. BING & GRONDAHL PORCELAIN FIGUREDepicting a penguin. #1822. Height 9½”. 250/350192. LARGE ASSEMBLED COLLECTION OF QUIMPER POTTERY Last Half of the 20th CenturyIncluding two tiles, two fi gural dishes, two-heart shaped dishes, eight cups, eleven saucers, ten butterplates, fi ve handled bowls, seven dinner plates, three other plates, one sugar, one creamer, one teapot,one casserole, and one oval dish. 300/400193. SAMPSON MINIATURE PORCELAIN TEAPOT 19th CenturyWith enameled fl oral decoration. Crest on one side. Height 3”. 150/250194. SPANISH CENTERPIECE BOWL First Half of the 20th CenturySemi-porcelain fl oral-decorated bowl mounted to a brass foliate and swan fi gural base. Height 9”.Diameter overall 19”. 300/500195. AUSTRIAN PORCELAIN FRUIT SET Early 20th CenturyIncludes a serving bowl, fi ve 6” bowls, six 5½” bowls, and nine 8¼” plates with fl oral borders and centers.Beehive mark on bottoms. 200/300196. POLYCHROME PORCELAIN BUST OF A DANDY ON A PEDESTAL Probably French, 19th CenturyHeight 17½”. 75/125197. 14KT WHITE GOLD, EMERALD, AND DIAMOND RINGProng-set emerald (approx. .75 carat) fl anked by two diamond baguettes. Size approx. 7½. 400/500198. 14KT WHITE GOLD, SAPPHIRE, AND DIAMOND RINGFaceted oval sapphire surrounded by nine small diamonds in a starburst design. Size 8. 500/700199. 14KT YELLOW GOLD, DIAMOND, AND SAPPHIRE RINGSet with five diamonds and five sapphires in an open rope-twist design. Size 8. Weight overall approx. 4.9 dwt.400/500200. 14KT YELLOW GOLD AND RUBY RINGIn a fl oral design with multiple faceted rubies. Size 7½. 600/800201. EIGHT PIECES OF COSTUME AND GOLD JEWELRYIncludes an Italian .985 gold link necklace (16”), cameo brooch, pair of 14kt gold and pearl dropearrings, pair of faux pearl drop earrings, small English gold cross, and costume dinner ring. 200/300202. 18KT WHITE GOLD AND ONYX DINNER RINGWith rectangular concave onyx and small cushion-cut diamond in a fi ligree setting. Size 7. 150/250203. FIVE GOLD RINGS AND A PAIR OF EARRINGSTwo rings set with aquamarines (sizes 8 and 9½), one with a yellow topaz (size 9), one with coral andpearls (size 10), and one ring (size 9½) and stud earrings set with green glass. 300/500204. 14KT YELLOW GOLD AND DIAMOND RINGSmall central diamond in a two-tone vintage setting. Size 9¼. 250/350
205. TWO 14KT YELLOW GOLD DEMI-PARURESEach comprised of a bracelet and matching pair of earrings, mounted with glass ovals believed to bemade from Sandwich glass. Earrings for pierced ears. 150/300206. 14KT YELLOW GOLD AND EMERALD RINGApprox. .54 carat emerald fl anked by an. approx .45 carat diamond on each side, all set in a 14ktwhite gold mount on a 14kt yellow gold band. Size 7¾. 500/700207. ROSS COPPELMAN YELLOW GOLD, BLACK OPAL, PEARL, AND DIAMOND RING American, ContemporaryLarge black opal fl anked by a strip of pearl and a small diamond, all bezel-set in a 22kt and 14kt yellowgold mount. Size 7. 1,000/1,500208. YELLOW GOLD, AMETHYST, AND DIAMOND RINGMarquis-cut amethyst fl anked by six diamonds. Size 8. 300/500209. 14KT WHITE GOLD, DIAMOND, AND SAPPHIRE RINGApprox. 1 carat central diamond and two smaller synthetic sapphires in a white gold mount. Size 7½.1,000/1,500210 WALTHAM LADY’S OPEN FACE WATCHIn 14kt yellow gold case. Diameter 1”. 120/180211. 14KT YELLOW GOLD AND DIAMOND SOLITAIRE RINGApproximately .4 carat diamond. Size 5½. 800/1,000212. GOLD CHARM BRACELETWith four charms. Length 6½”. 350/450213. ONYX AND YELLOW GOLD PENDANT/BROOCHOval onyx pendant, length 1¼”, on a 14kt yellow gold chain, length 15”. 120/200214. 18KT YELLOW GOLD CHARM BRACELETTogether with ten 14kt yellow gold circular charms. Length approx. 8¾”. Approx. 34.0 dwt. 1,600/2,200215. 14KT YELLOW GOLD HINGED BANGLE BRACELETTextured brushed gold design. Approx. 13.9 dwt. 450/650216. CULTURED PEARL NECKLACEConsisting of eighty (approx. 5mm) pearls. 14kt white gold clasp. Length 24”. 400/600217. CULTURED PEARL NECKLACEConsisting of forty-six (approx. 7mm) pearls. 14kt white gold clasp. Length 16”. 400/600218. 18KT YELLOW GOLD, ALEXANDRITE, AND DIAMOND RINGWith faceted oval alexandrite highlighted by a swirl of pavé diamonds. Size 7½. 400/600219. 14KT YELLOW GOLD, PINK TOURMALINE, AND DIAMOND RINGWith emerald-cut tourmaline surrounded by diamonds. Size 7. 500/700220. 14KT YELLOW GOLD AND DIAMOND RINGWith a display of eighteen diamonds in a diagonal design. Size 4½. 1,500/2,500221. 14KT YELLOW GOLD, DIAMOND, AND EMERALD RINGSet with three emeralds and two diamonds on a tassel-like setting. Size 3½. 350/450222. 18KT WHITE AND YELLOW GOLD DEMI-PARUREConsisting of a bracelet and necklace in a rope-twist design. Length of bracelet 7¾”. Length ofnecklace 28”. Approx. 34.9 dwt. 1,800/2,200223. LADY’S 14KT YELLOW GOLD WRIST WATCHBy Cresaux. Case and band in 14kt yellow gold. Retailed by Bigelow Kennard. Approx. 11.0 dwt. 500/700
224. 1915 2.5 DOLLAR INDIAN HEAD GOLD COIN PENDANT NECKLACEGold plated mount and 14kt yellow gold chain, length 18”. (Coin not weighable with plated mount).Weight of chain approx. 4.1 dwt. 600/800225. 14KT YELLOW GOLD, PEARL, AND SAPPHIRE BROOCHIn the form of leaves and fruit. Length 2”. 800/1,000226. 18KT YELLOW GOLD AND ENAMEL FISH PENDANT NECKLACEWith articulated body. Length of pendant 1¾”. Gold chain, length 19”. Approx. 9.9 dwt. 800/1,000227. WHITE GOLD AND DIAMOND PENDANT NECKLACEHeart-form diamond pendant, length 1”, on a 14kt white gold chain, length 17½”. Overall weightapprox. 2.4 dwt. 400/600228. 14KT YELLOW GOLD BANGLE BRACELETMarked “585”. Approx. 8.8 dwt. 400/500229. 14KT GOLD, TANZANITE, AND DIAMOND BRACELETWith three prong-set tanzanites, each flanked by small diamonds. Length 6¼”. Gross weight approx. 5.9 dwt.250/350230. 14KT YELLOW GOLD, MABE PEARL, AND DIAMOND PENDANTIn circular form with key fret border. Length 1⅛”. 800/1,000231. GOLD WIRE AND FRESHWATER PEARL NECKLACELength approximately 16”. 400/500232. GOLD BEAD AND PEARL NECKLACE TOGETHER WITH A GOLD AND PEARL PENDANT DROPNecklace has twenty-two gold beads and eighty-four pearls. Length 27”. Length of pendant 1”. 1,200/1,500233. THREE-PIECE 14KT YELLOW GOLD AND TANZANITE DEMI-PARUREA delicate tanzanite and diamond pendant necklace with a matching pair of stud earrings. Lengthof 14kt gold chain approx. 16”. 100/200234. 14K YELLOW GOLD, SAPPHIRE, AND DIAMOND RINGIn an open fl oral design. Size 4. 350/450235. 14KT YELLOW GOLD, DIAMOND, AND SMOKEY QU<strong>ART</strong>Z RINGIn a fl oriform setting. Size 2¼”. 150/200236. 14KT YELLOW GOLD, TANZANITE, AND DIAMOND RINGOval tanzanite fl anked by two diamonds on one side and three on the other. Size 4½”. 350/450237. YELLOW GOLD AND SHELL CAMEO RINGWith bust portrait of a woman. Size 3½”. 100/200238. YELLOW GOLD, GREEN TOURMALINE, AND SEED PEARL RINGWith emerald-cut stone surrounded by seed pearls. Size 6. 300/400239. WHITE GOLD AND DIAMOND RINGWith an approximately .5 carat diamond. Size 5. 700/900240. VINTAGE 18KT WHITE GOLD AND SAPPHIRE RINGWith central faceted stone fl anked by two smaller stones in a fi ligree mount. Size 6. 500/700241. 14KT YELLOW GOLD AND DIAMOND RINGWith central diamond fl anked by two smaller diamonds. Size 5½. 700/900242. WHITE GOLD, EMERALD, AND DIAMOND RINGWith faceted oval emerald surrounded by eight diamonds in a fl oriform setting. Size 6. 400/600243. 14KT YELLOW GOLD AND PEARL NECKLACEWith two suspended pearls. Length of chain sans pendants 15”. 400/500
244. LOT OF ASSORTED JEWELRYIncluding a yellow gold bangle bracelet, pearl and black enamel brooch with a pair of similar earrings,scarab watch band, and a gold-fi lled circle brooch. 200/300245. 14KT YELLOW GOLD, CITRENE, AND DIAMOND RINGEmerald-cut citrene fl anked by two diamonds. Size 2. 150/250246. 14KT YELLOW GOLD CHAINWith open links. Length 19”. Approx. 5.5 dwt. 200/300247. 14KT YELLOW GOLD, DIAMOND, AND ENAMEL RINGIn a pinwheel design of small diamonds around a larger central diamond. Size 3. 400/600248. 14KT YELLOW GOLD AND DIAMOND BRACELETGold “x” links separated by small diamond clusters. Length 7”. Approx. 11.90 dwt including stones. 300/500249. WHITE GOLD, DIAMOND, AND SAPPHIRE BRACELETWith twenty-one diamonds and twenty-one sapphires. Length 7¼”. 1,500/2,500250. THREE-PIECE 14KT YELLOW GOLD, EMERALD, AND DIAMOND DEMI-PARURE A pair of emerald anddiamond earrings and pendant necklace, en suite. Pierced earrings, oval length ⅜”. Pendant length ⅝”.Length of chain approx. 14”. 1,000/1,500251. THREE SILVER JEWELRY ITEMSA Continental silver repoussé cuff bracelet, a sterling silver bracelet with seven carnelian-set links, and asilver ring with a large blue half-cut pearl, size 8¼. 100/200252. CITRENE WATCH FOB Mid-19th CenturyWith 14kt gold hanger and silk ribbon. Presented to Captain J. Barrell by theFirst Company Lafayette Guards. 150/250253. YELLOW GOLD CLUSTER RINGSet with eight opals and seventeen sapphires. Gold standard unknown. 180/225254. 14KT YELLOW GOLD BEAD NECKLACEWith graduated beads. Length 16½”. Approx. 13.8 dwt. 700/750255. 14KT YELLOW GOLD, DIAMOND, AND RUBY RINGWith channel-set rubies and diamonds. 700/900256. TWO 14KT YELLOW GOLD BRACELETSOne with fret-design links and one with alternating “x” link design. Lengths approximately 7¼”. Approx.16.30 dwt. 300/500257. SHELL CAMEO RING AND LARGE CAMEO BROOCH/PENDANTRing in 14kt yellow gold, size 9, and non-matching brooch in 14kt white gold, height 2½”. 300/500258. CHINESE PENDANT NECKLACELight celadon jade ring surrounding eight different colored jade and stone “blossoms” in a gold foliatesetting. 14kt yellow gold chain, length 24”. 200/300259. BLUE TOPAZ, DIAMOND, AND BLACK STONE BRACELETIn a yellow gold mount. Length 6¼”. 400/500260. 14KT YELLOW GOLD AND GREEN JADE RINGWith oval cabochon. Size 6½. 300/400261. IVORY, PINK QU<strong>ART</strong>Z, AND CLOISONNÉ BEAD NECKLACE Chinese, ModernCarved ivory fi gure of a woman fl anked by pink quartz and cloisonné beads. Length 34”. 200/250262. <strong>ART</strong> DECO 14KT YELLOW GOLD BRACELETAdorned with black and red cylinders, a book-form charm, and a Victorian pendant. Length approx. 7”.100/150
263. THREE 14KT GOLD BAR PINSTwo white gold and one yellow. One white gold set with a blue stone, the others in a fi ligree design.Lengths from 2” to 2½”. Approx. 6.65 dwt. 250/350264. 14KT YELLOW GOLD NECKLACELength 19”. Together with an 18kt yellow gold ram-form pendant. Approx. 4.65 dwt. 150/250265. GOLD AND DIAMOND ETERNITY BANDProbably white gold. With small channel-set diamonds around the circumference. Size 10. 150/200266. TWENTY-TWO PIECES OF ASSORTED JEWELRY 19th & 20th CenturyVaried forms. 100/150267. PAIR OF SILVERED-BRONZE FIGURESIn the form of cobras. Mounted to marble bases. Each marked on back of cobra’s coil “RischmannFrance”. Heights 6½” and 7¼”. 500/1,000268. AUSTRIAN COLD-PAINTED BRONZE AND ALABASTER DESK TRAY Circa 1900Depicting two pheasants on a green alabaster base with concave center segment. Length of largestpheasant 8¼”. Marked “Geshutz” under largest pheasant. Diameter of tray 12”. 300/400269. EMMANUEL FREMIETFrench, 1824-1910Depicting a dog. Signed on base “E. Fremiet”. Bronze sculpture. Height 3¾”. Length 8”. 400/600270. HEAVY BRONZE FIGURE OF A LION AND CUBSet ino a marble base. Unsigned. Height 9½”. Width 16”. Depth 11½”. 750/1,000271. BRONZE FIGURE AFTER THE DYING GAULLength 11¾”. 150/250272. ELEVEN AUSTRIAN COLD-PAINTED BRONZE FIGURESA ten piece dog band and a rabbit holding a broom. Heights approximately 1½”. 400/600273. SEVENTEEN GILT-BRONZE ORNAMENTS Early 20th CenturyIn the form of Roman soldiers’ heads. Some with screw backs. Lengths 3”. 300/500274. TWENTY-ONE BRONZE MOUNTSTwo in head form, two busts of women, one circular medallion with female fi gure, two post fi nials, twocolumn-form items, and twelve urn and scroll-design pieces. 300/500275. AUSTRIAN COLD PAINTED BRONZE FIGURE OF AN EAGLEWith wings spread. Length 8”. 400/600276. BRONZE FIGURE GROUP AFTER AUGUSTE MOREAUDepicting Evelyn Nesbit seated on a swing. Height 10¼”. 600/800277. ITALIAN <strong>ART</strong> GLASS CHANDELIER ModernAttributed to Venini. Consists of thirty-six ribbed cylindrical elements mounted on a chrome frame. 19½” x19½” overall. 1,000/1,200278. MIDDLE EASTERN METAL DRESSER BOXInlaid with turquoise chips and decorated with wire fl oral design. Length 7¼”. Width 3¾”. 250/350279. PAIR OF MCCLELLAND BARCLAY ‘SAD DOG’ BOOKENDSCast in metal alloy and fi nished with a verdigris bronze-like patina. “McClelland Barclay ©” on loweredge of each. Heights 5½”. 150/250280. PAIR OF MCCLELLAND BARCLAY ‘SAD DOG’ BOOKENDSCast in metal alloy and fi nished with a verdigris bronze-like patina. “McClelland Barclay ©” on loweredge of each. Heights 5½”. 150/250
281. BRONZE MODEL OF A CLASSICAL ROMAN HELMETHeight 3¾”. 100/150282. CAST IRON FIGURE OF A SEATED DOG Late 19th CenturyMounted on an oval base. Wearing a collar. Height 8½” 200/300283. ROYAL VIENNA-STYLE URN 19th CenturyWith fi gural and landscape cartouches on a pale yellow fl oral ground. Ormolu handles, foot, and mouth.Height 14½”. 300/400284. PAIR OF SÈVRES PORCELAIN MANTEL URNS 20th CenturyPainted floral centers and gilt-decorated covers, neck, and feet. Brass mountings. Sèvres mark on underside.Heights 21”. 500/700285. TWO DELFT POTTERY CHARGERSIn blue and white paint with fruit and urn design. Diameters 13¾”. 300/500386. SEVEN-PIECE CERAMIC SAKE SET ContemporaryCircular tray with applied handles in a Southwestern motif and six footed sake cups. Each signed“Lambert” and dated “82”. Diameter of tray 13”. 150/250287. LARGE SET OF ROYAL DOULTON CHINAIn the “Old Leeds Sprays” pattern. Consists of:15 9¾” dinner plates 20 8½” luncheon plates 24 6½” butter plates12 7½” bowls 6 6” bowls 10 5” sauce bowls4 assorted platters 1 open vegetable dish two 9” serving bowls2 covered vegetable dishes 1 sauce boat 1 teapot1 open sugar bowl 1 creamer 8 coffee cups & 13 saucers8 cream soups & 12 saucers 16 double-handled bouillon cups 18 bouillon saucers400/600288. ROYAL DOULTON <strong>ART</strong> POTTERY VASEBlue chrysanthemums on a cream ground. Datemark for 1918. Marks for artists Eliza Simmance, A. Hayes,and Agnete Hoy. (Hayes and Hoy might be the same person.) Height 11½”. 200/300289. FRAMED LIMOGES PAINTED PORCELAIN PLAQUE Late 19th/Early 20th CenturyDepicts a young peasant woman holding a vase. 7” x 5”. 300/500290. FRAMED PAINTED PORCELAIN PLAQUE German, Late 19th CenturyA young girl in a white blouse, blue bodice, and red skirt seated in a kitchen with numerous doves eatingon the counter. Signed lower right “Wagner”. Titled on reverse “Cinderella”. 7” x 5”. 800/1,400291. PAIR OF HAND-PAINTED VILLEROY & BOCH POTTERY PLAQUES Late 19th CenturyIn oval form with rustic Italian fi gures. Signed “Biandini G Bertini”. Lengths 18½”. Framed. 800/1,000292. PAIR OF STAFFORDSHIRE DOGS Late 19th CenturyHeights 5⅛”. 150/250293. GERMAN PORCELAIN TANKARD BY MUSTERSCHUTZIn the form of a laughing pig. With pewter collar and hinged thumb piece. Height 7¾”. 200/300294. OVERSIZED STAFFORDSHIRE-STYLE CERAMIC SPANIEL 20th CenturyIn rust on white. Height 24”. 150/250295. PAIR OF PARIS PORCELAIN URN-ON-PEDESTAL-FORM VASES Circa 1860In gilt paint with hand-painted fi gural landscape cartouches on one side; gilt fl oral decoration on thereverse. Gilt fl oral and dot-in-box banding at shoulder and foot. Swan-form handles.Heights 12”. 600/900296. MINTON MAJOLICA COCKATOO FIGURE Circa 1900Perched on a tree stump in blue, green, and gold. Height 12”. 400/600
297. ROYAL DERBY PORCELAIN VASE Circa 1880In ovoid form with scrolled handles and garlic mouth. Body decorated with gilt fl owers and butterfl ies ona red ground. Red crown mark on base. Height 5¼”. 150/250298. METAL-MOUNTED PORCELAIN JAR 20th CenturyWith exotic bird cartouche on a crackle ground. Art Nouveau-style mounts and dragonfl y handles.Dated on bottom “1895”. Height 9”. 150/250299. ENGLISH ROCKINGHAM GLAZE SPANIEL 19th CenturyHeight 10½”. 120/180300. PAIR OF ENGLISH STAFFORDSHIRE SPANIELS Late 19th/Early 20th CenturyBlack on white fur with gilt collar, lock, and chain. Heights 9¾”. 200/250301. PAIR OF GERMAN PORCELAIN FIGURES Late 19th/Early 20th CenturyIn the form of a man and a woman, with a royal crest on the front of each base. Man’s cape andwoman’s ribbon damaged. Height of man 11¾”. Height of woman 10½”. 150/200302. LARGE SET OF COPELAND CHINA 20th CenturyDeep blue and gilt Greek key border. Includes eleven 10” dinner plates, twenty-four 9” luncheon plates,twelve 8” salad plates, nine tea cups & twelve saucers, ten coffee cups & twelve saucers, two openvegetable dishes, two covered vegetable dishes, three nesting platters, eleven sauce bowls, anda sauceboat with undertray. 500/1,000303. ROYAL WORCESTER BREAKFAST SET England, 1881With gilt decoration of fauna on a repeating grayfl oral background. Consists of an eight-lobed revolving ‘lazy Susan’ tray-on-stand, a 6” covered teapot,covered sugar & open creamer, and six demitasse cups & saucers. 600/900304. CERAMIC FISH PLATTER AFTER PABLO PICASSODepicts a yellow, green, and blue fi sh on a black ground. Edition Picasso Padilla Mexico mark on reverse.Also inscribed “169 ZA/500”. Length 17”. 800/1,200305. SET OF TWELVE COALPORT SERVICE PLATES 20th CenturyPale yellow borders, deep blue edges, and gilt decoration. Diameters 10¼”. 400/600306. PAIR OF BLUE AND WHITE DELFT PLATES 18th CenturyWith chinoiserie fi gural landscape design. Diameters 9”. 120/180307. STAFFORDSHIRE COTTAGE Late 19th CenturyIn brick with thatched roof. Height 5¾”. Length 6”. 100/200308. PAIR OF STAFFORDSHIRE FIGURES Late 19th CenturyDepicting children on the backs of dogs. Heights 5½”. 100/200309. COLLECTION OF TEN SHELLEY MINIATURE PORCELAIN CUPSIncludes nine saucers. In varied patterns. 600/900310. ROYAL COPENHAGEN PORCELAIN CANDELABRUM 20th CenturyIn blue and white decoration of snails and mythical fi gures. Five socles surround central socle. Height22”. 300/600311. PAIR OF PARIAN PORCELAIN FIGURES Late 19th CenturyDepicting a young man and young woman. With polychrome details. Anchor mark on base. Height 19”.400/500312. ENGLISH SOFT PASTE TEAPOT 19th CenturyWith overglaze-painted fl oral design in pink, maroon, green, and red. Height 5¾”. 150/250
313. ENGLISH POTTERY WHISKEY JUGIn mustard and cream tones. Design on front “Grannie Taylor’s Liqueur Whiskey by Taylor Brothers ofGlascow and London”. 100/150314. THREE PIECES OF CAPODIMONTE PORCELAIN Early 20th CenturyA dresser box with cherub decoration, length 5¼”, and fi gures of the Artful Dodger and Mrs. Bardell,heights 6¾”. 200/350315. EIGHTEEN CONTINENTAL BLUE AND WHITE POTTERY TILESWith various scenes. Size approximately 5” x 5”. 600/800316. PAIR OF FRENCH PORCELAIN ROBIN’S EGG BLUE VASES Late 19th CenturyEach with hand-painted landscape scenes of a fi gure fi shing on a lake with mountains in the background.Gilt scalloped edges at rim and gilt handles with scrolled and diamond-point embellishments. Nosignature or marks found. Heights 14”. 150/250317. PAIR OF ANTIQUE ENGLISH STAFFORDSHIRE DOUBLE-HANDLED STANDS First Half of the 19th CenturyTogether with four matching service plates, all in cobalt blue and terracotta decoration. Width of stands11”. Diameters of plates 9¾”. 300/500318. CHINESE CELADON PORCELAIN UMBRELLA STANDWith molded fl oral designs. Height 24¼”. 400/600319. DOULTON PUNCH BOWL Late 19th CenturyIn blue and white with gilt rim and highlights. Impressed blue crown mark “Doulton...Warwick”. Alsoimpressed “ivory”. Height 8”. Diameter 14¼”. 100/150320. CAMEO GLASS FLUID LAMP 19th CenturyIn ovoid form with butterfly and flower design in pink and white on a yellow ground. Diameter 5½”. 400/600321. RARE CANARY CUT GLASS VASE Early 20th CenturyIn tulip form with starburst cutting. Height 7¼”. 200/300322. QUEZAL FEATHER VASE Late 19th/Early 20th CenturyIridescent gold interior and white feathers capped with an iridescent purple on exterior. Signed on pontil“Quezal”. Height 6½”. 700/1,000323. BLOWN RUBY GLASS PITCHERProbably for advertising use. White enamel lettering reads “Daniel Crawford Scotch Whiskey”. Height 7”.200/300324. CRANBERRY-CUT-TO-CLEAR OVERLAY GLASS PITCHER 19th CenturyIn tapered octagonal form with clear handle and gilt decoration. Height 8”. 300/400325. <strong>ART</strong> GLASS VASEWith relief dancer decoration. Height 12”. 200/300326. AUSTRIAN GLASS BOWL Early 20th CenturyAttributed to Loetz. In deep iridescent purple-blue with exterior mottling in wave form. Exaggeratedruffl ed edge. Largest diameter 12”. 400/600327. GLASS TABLE LAMP Italian, ContemporaryIn an orange and gold ribbed design with controlled bubbles. Height of body 24”. 200/300328. SANDWICH SCRAMBLE GLASS PAPERWEIGHT 19th CenturyMulti-colored broken cane design. Diameter 2⅝”. 250/350329. CROWN PAPERWEIGHT Possibly Sandwich, 19th CenturyWith white, blue, green, and red twisting canes fl owing down the sides. Diameter 2⅝”. 300/400330. NEW ENGLAND GLASS COMPANY FRUIT PAPERWEIGHT 19th CenturyWith fi ve pears, four cherries, and leaves on a latticinio ground. Diameter 2¾”. 400/600
331. SANDWICH GLASS SCRAMBLE PAPERWEIGHT 19th CenturyDiameter 2¾”. 150/250332. SANDWICH SCRAMBLE GLASS PAPERWEIGHT 19th CenturyWith multi-colored broken cane design. Diameter 2⅝”. 250/350333. SANDWICH GLASS CUT OVERLAY COLOGNE BOTTLECranberry-cut-to-clear in a graduated honeycomb pattern with floral etched design. Height 9½”. 200/300334. THREE-PIECE GLASS CUT OVERLAY TABLE GARNITUREA center compote and a pair of matched lustres in white-cut-to-cranberry with gilt decoration. Compoteheight 8½”. Lustres heights 11½”. 400/600335. STEUBEN COVERED BOWL WITH APPLIED GAZELLE FINIALSigned on base. Height 6¼”. 300/500336. TWO STEUBEN GLASS PIECES BY DONALD POLLARD.In the “Spiral” design. Includes a vase and an open bowl. Signed on bases. Heights 6½” and 3½” respectively.250/350337. SET OF EIGHT THERESIENTHAL GERMAN WINE GLASSES Early 20th CenturyWith transparent enamel fl oral decoration on bowls and cut pale green stems. Heights 8½”. 600/900338. SET OF SIX ENAMEL-DECORATED AND CUT STEM GERMAN WINE GLASSES Late 19th/Early 20th CenturyPale green in color with gilt fl oral enamel decoration. Heights 7¾”. 250/350339. EMERALD GREEN GLASS WITH STERLING SILVER OVERLAY VASE Early 20th CenturyWith ruffl ed top. Possibly by Alvin. Height 8⅛ ”. 650/850340. PAIR OF IRISH CUT CRYSTAL CANDLESTICKS 19th CenturyWith prisms and hurricane shades. Heights overall 26¾”. 400/600341. INTAGLIO CUT GLASS VASEIn peacock feather design. Height 14½”. 100/200342. LARGE CUT GLASS TRUMPET-FORM VASENew York state Brilliant Period. Height 14”. 200/300343. PAIR OF GREEN GLASS VASES Late 19th CenturyIn urn form with gilt key fret and foliate design. Height 9½”. 150/250344. FIVE PIECES OF VENETIAN GLASSGrape-handled bowl, length 8¼”, swan-handled chalice, height 5¼”, gold and white ewer, height 8”, ribbonglass vase, height 3½”, and ribbon glass toothpick holder, height 2½”. 300/500345. CASED GLASS LIQUOR SET 19th CenturyContains four square-stoppered bottles with hand-p ainted gilt vine decoration about the shoulders andpaneled sides. Sixteen matching cordial glasses in a removable fi tted tray. Black lacquered wood casewith brass inlay and applied brass embellishments in vintage and bust portrait motif. 400/600346. PAIR OF BRISTOL GLASS VASES 19th CenturyWith portrait medallions depicting a young girl and her mother surrounded by gilt frames, all on a paleblue ground. Height 10”. 200/300347. TWO PIECES OF STEUBEN GLASS1) Circa 1920 “Grotesque” bowl in clear-fading-to-pink. Height 6¼”. Length 12”. 2) Late 20th Centuryclear petal-form footed bowl. Height 3¼”. Length 10¼”. Both signed. 250/400348. THREE EMERALD GREEN GLASS VASESWith silver overlay decoration. Heights 3½”, 4½”, and 5⅛”. 150/250349. PAIR OF GREEN GLASS CORNUCOPIA FLOWER VASES Mid-19th CenturySet into cast iron ram’s-head bases mounted to marble. Heights 6¾”. 200/300
350. PAIR OF IRISH CRYSTAL MANTEL CANDLE GARNITURES 19th CenturyTwo arm socles. Central feather-style plume holds swags of crystals draped to each arm. Height 13½”. 250/350351. <strong>ART</strong> NOUVEAU <strong>ART</strong> GLASS VASEFirst Quarter of the 20th CenturyIn emerald green with acid-cut and silver resist fl oral vines, leaves, and blossoms. Height 13¼”. 150/200352. HEREND PORCELAIN TEA SET 20th CenturyIn bird and insect design. Includes 4” teapot, sugar & creamer, and four cups & saucers. 250/350353. FIVE MEISSEN PORCELAIN LUNCHEON PLATES 19th CenturyWith varying fl oral designs. Four with Hausmalerei crossed swords mark and one with crossed swordsmark. Diameters 8”. 500/600354. MEISSEN PORCELAIN SAUCE BOAT WITH UNDERTRAY 19th CenturyIn two-handled boat form with fl oral decoration. Crossed swords mark on base. Length 9¾”. 250/350355. MEISSEN PORCELAIN FRUIT BOWL 19th CenturyWith cut corner design and fl oral decoration. Hausmalerei crossed swords mark on base. 8½” square.400/500356. MEISSEN OVAL PLATTERIn the “Blue Onion” pattern. Length 15¼”. 100/200357. FOUR PIECES OF MEISSEN PORCELAIN Early 20th CenturyIncludes a chop plate, diameter 13”, oval relish tray, length 10½”, and 7”square bowl, all in the “BlueOnion” pattern. Together with a shell-form dish, length 5”. 150/250358. FOURTEEN PIECES OF MEISSEN PORCELAIN Early 20th CenturyIn the “Blue Onion” pattern. Six 9” soup bowls, six 9” plates, and two 7” plates. 150/250359. SIXTEEN PIECES OF MEISSEN PORCELAIN Circa 1900In the “Blue Onion” pattern. Includes: fi ve coffee cups, two teacups, eight saucers, and a toothpickholder. Each with crossed swords mark. 150/250360. THREE PIECES OF MEISSEN PORCELAIN Circa 1900In the “Blue Onion” pattern. A covered sugar bowl with creamer and a leaf-form dish, length 7½”. Eachwith crossed swords mark. 150/250361. AUTHENTIC HERMÈS “KELLY” BAGIn navy blue leather with original brass lock. “Hermes Paris” stamped on brass mount and lettered in goldunder flap. Key and underside of lock marked “005”. Interior zipper stamped “Eclair”.From a Sandwich, Massachusetts private collection. Purchased by the consignor in Europe in the mid-20thCentury. 1,000/2,000362. AUTHENTIC HERMÈS “KELLY” BAGIn black leather with original brass lock. “Hermes Paris” stamped on brass mount and lettered in goldunder fl ap. Key and underside of lock marked “004”. Interior zipper stamped “Eclair”.From a Sandwich, Massachusetts private collection. Purchased by the consignor in Europe in the mid-20thCentury. 1,000/2,000363. HERMÈS SILK SCARF“La Cle Des Champs”. Depicting birds with rococo scroll work on a pale blue ground. 34” square. 200/300364. GUCCI SILK SCARFIn a fl oral design on a blue ground. 33” square. 200/300365. THREE GUCCI LADY’S SCARVESAll in fl oral designs. Each approx. 33” square. 250/350366. HERMÈS LADY’S SCARF“Napoleon”. 34” x 35”. 200/300
367. HERMÈS LADY’S SCARF“Harnais de Cérémonie”. Depicting a coach with two horses surrounded by various harnesses and tackon a white ground. 35” x 32”. 200/300368. HERMÈS LADY’S SCARF“Pasementerie”. Depicting multi-colored tassels on an ivory ground. 35” x 32”. 200/300369. HERMÈS NEEDLEWORK BELT 1930’sWith iconic carriage design on a black ground. Labeled “Hermès Paris”. Overall length 44”. 200/300370. HERMÈS PURSE 1930’sIn red leather with gilt-metal mounts. Labeled “Hermès Paris”. Length 9½”. 1,000/1,500371. HERMÈS SCARF”Louveterie Royale”. Depicting hunt scenes. 34” square. 200/300372. TEXTILE WALL HANGING 20th Century“Natureza! Vaes Vencis!!!”. Depicting ten colorful birds in a jungle setting. Signed on reverse by artist“M. Colaco”. Approx. 48” x 48”. 500/1,000373. FOUR PIECES OF SILK NEEDLEWORK BEDDINGAll with fi erce blue dragon designs. Including bedspread, two circular pillow covers, and a large bolstercover. 300/500374. ENGLISH FRAMED NEEDLEWORK SAMPLER”Wrought by Mary Whitworth”. Dated 184[?]. Alphabet and verse surrounded by trees and birds witha church on the lower border. 16¾” x 12¼” sight. 300/400375. HAND-WOVEN PAISLEY PIANO COVER Early 20th CenturyMultiple stripes in red, white, pale green, green, and dark chestnut with arabesque foliate motifsthroughout. 52” x 104”. 120/180376. FRAMED NEEDLEWORK PICTURE 18th CenturyDepicting Louis XVI as St. Louis. 14½” x 12”. 300/400377. <strong>FINE</strong> LACEWORK MORNING JACKET 19th CenturyIn a rose pattern with metallic threadwork trim. 300/400378. METALLIC LACEWORK VEST Circa 1800With faceted gilt-copper beads and elaborate loop design. 400/500379. LARGE LOT OF ASSORTED LACE INCLUDING NUMEROUS COLLARS, RIBBONS, AND OTHER FORMS 19th Century400/500380. TWO LACE DE VENICE PANELSTable runner with equestrian fi gures, 51” x 16”, and gilded table cover, 42” square. 200/300381. <strong>FINE</strong> LACEWORK TABLECLOTH Early 19th CenturyWith medallion center. 135” x 64” 400/500382. LACEWORK TABLECLOTH 19th CenturyIn a fl oral rondel design. 66” x 76”. 200/300383. LARGE LOT OF ASSORTED 19TH AND EARLY 20TH CENTURY LACE ITEMS 300/400384. RARE LACEWORK SKIRT HEM 19th CenturyWith stuffed foliate details. Length 96”. 100/200385. TAPESTRY 19th Century or EarlierDepicting lions and cranes in a landscape with a river at lower left. Cat o’ nine tails and other foliagethroughout. 46” x 65”. 300/500
386. THREE PANELS OF RUSKIN OR PUNTA IN ARIA LACE 19th CenturyOne length 29”, one length 120”, and one panel, oval length 14”. 200/300387. LOT OF LACE ITEMS 19th CenturyThree table runners in fl oral designs, together with two similar place mats. 250/350388. LOUIS VUITTON SUITCASEIn brown leather with standard “LV” monogram print on sides, front, and back. Retains Saks FifthAvenue tag near handle. Interior of top retains leather-mounted placard “Louis Vuitton Paris, France.Manufactured by The French Co. U.S.A. under special license”. Height 20”. Width 25¾”. Depth 9¼”.400/600389. VINTAGE LOUIS VUITTON SUITCASEOriginal leather covering with standard “LV” monogram. Tag on lid interior marked in gold “Louis Vuitton842851”. Retains original interior lining and straps. Monogrammed “W.W.R.” in red paint on front. Height 7”.Length 28”. Depth 16”. 1,000/1,500390. HERMÈS LADY’S SCARF”Pierres d’Orient et d’Occident”. In a blue and green floral pattern on a black ground. 35” x 34”. 200/300391. LOUIS VUITTON LIFT-TOP LEATHER SUITCASEPainted near handle “Edward Beckham” in red with white highlights. Some wear to edges. Height 20½”.Width 25¾”. Depth 8”. 1,000/1,500392. GIANT SEA CLAM SHELLHeight 11”. Width 33”. Depth 24”. 600/800393. VINTAGE LOUIS VUITTON HARD SIDE SUITCASEMonogrammed “WW”. Leather handle. Wonderful condition. Original key. Height 9”. Width 25½”. Depth17½”. 1,200/1,400394. VINTAGE FENDI DUFFLE BAGOriginal shoulder strap and key. Height 11”. Width 24”. Depth 11”. 150/250395. THREE ENAMEL LADY’S CIRCULUAR POWDER COMPACTSSmallest in celadon green, the other two in turquoise and mint green. Diameters 1¼” and 2½”. 300/500396. TWO LIFT-TOP SNUFF BOXES 19th CenturyOne in burled walnut with mother-of-pearl inlay, height 3”, and one in bone, height 2½”. 100/200397. FOURTEEN ASSORTED PIPES Early 20th CenturyIncludes one in skull form and souvenir pipes. 300/500398. CASED IVORY FAN 19th CenturyPainted on one side with a classical landscape; on reverse with a riverscape. Height 13”. Width 15¾”.400/600399. EXCEPTIONALLY CARVED BONE AND SILVER HORSE HEAD CANEWith glass eye and silver bridle. Wood shaft with bone tip. Height 36”. 800/1,200400. D<strong>ART</strong>MOUTH COLLEGE CANEDated “56.” Wood with Indian’s head handle. Length 37½”. 150/250401. EBONY AND IVORY-HANDLED CANE Late 19th CenturyLength 32”. 150/250402. LOT OF FIVE WOOD SHAFT CANES Late 19th CenturyOne with a silver collar and one with a silver-tipped handle. Lengths 34” to 37”. 200/400403. ENGLISH WOOD CANEWith silver golf club-form head. Monogrammed. Length 36”. 200/300
404. GOLF CLUB-FORM CANE Late 19th/Early 20th CenturyHead of cane carved in the form of a golf club head. Bone collar with shaft carved in alligator design.Length 36”. 150/250405. WOOD CANE WITH CARVED SNAKE Mexican, Late 19th CenturyCarved handle with geometric design. Snake wrapped around shaft. Length 33¾”. 100/200406. SIX ASSORTED CANESIncludes one English hallmarked silver tip, one English hallmarked silver collar, two bamboo, and two silverplated tip. Together with a cast iron cane stand with ropework and shell design in black paint. Height 26”.200/300407. CARVED WOOD DOG HEAD CANE Late 19th CenturyIn the form of a boxer. With wood shaft and glass eyes. Length 32½”. 150/200408. DIAMOND, RUBY, AND PEARL BROOCH Late 19th CenturyIn a scrolled design with thirty channel-set rubies, twenty-one diamonds and four pearls. Unmarked. 700/900409. ROSS COPPELMAN 22KT AND 18KT YELLOW GOLD, DIAMOND, SAPPHIRE, RUBY, AND TOURMALINE BRACELETOne-of-a-kind hinged bangle. Approx. 31.7 grams. 3,000/3,500410. PLATINUM, DIAMOND, AND JADE DINNER RINGWith an oval jade cabochon surrounded by twenty-seven diamonds, the largest approximately .25carat. Size 6½. 1,200/1,500411. MOVADO 14KT YELLOW GOLD WRIST WATCH Circa 1940Non-magnetic. Chronograph-style movement. Diameter of crystal 1”. 500/1,000412. FRENCH GOLD POCKET WATCHBy the European Watch and Clock Co Inc. Back of case with French gold standard marks. Diameter ofcrystal 1½”. 400/600413. EXTRAORDINARY IVORY CARVING Circa 1960In the form of a watch and chain. Chain divided into three sections, each carved with a hidden portraitof mogul royalty, “Maharana Pratap”, “Maharana Sanga”, and “Maharaja Shivaji”. Watch case opensto reveal a detailed depiction of the Red Fort in Dehli opposite a minutely-detailed view of the TajMahal with a depiction of the tomb of Ranee Mumtaz inside. The tomb reveals a relief carving of RaneeMumtaz. Length overall 6¼”. 1,000/1,500414. ENGLISH MAJOLICA SHELL-FORM FOOTED DISHWith dolphin-form feet. Height 2¼”. Length 9”. 150/250415. ST. PETERSBURG PORCELAIN PLATE Circa 1900In an arabesque design with imperial crests. Diameter 9½”. 200/300416. SET OF FOUR WEDGWOOD MAJOLICA SHELL-FORM DISHES 19th CenturyTwo in pink and white glaze, and two in pink, white, and yellow glaze. Straight line Wedgwood mark onbottom. Lengths from 13” to 13¾”. 500/700417. SET OF SIX WEDGWOOD MAJOLICA SHELL-FORM PLATES 19th CenturyIn pink and white glaze. Straight line Wedgwood mark on bottoms. Lengths 8½”. 250/350418. PAIR OF SPODE SHELL-FORM DISHES First Half of the 19th CenturyWith gilt and raised fl oral designs. Lengths 8½”. 180/250419. SET OF TEN MINTON PORCELAIN SERVICE PLATES Circa 1900With fl oral wreath design surrounded by raised turquoise blue spotting. Diameters 9¾”. 300/500420. PAIR OF SPODE SHELL-FORM SERVING DISHES 19th CenturyWith fl oral decoration. Straight line Spode mark on bottom. Lengths 9½”. 200/300421. FOUR MINIATURE ROYAL CROWN DERBY CUPS & SAUCERS 20th CenturyTogether with a miniature Gaudy-decorated cup & saucer. 150/250
422. MEISSEN PORCELAIN OVAL PLATTER 19th CenturyWith tulip and fl ower design. Hausmalerei crossed swords mark. Oval length 18½”. 600/800423. SET OF FIVE MEISSEN PORCELAIN SOUP BOWLS 19th CenturyWith varying fl oral decorations. Hausmalerei crossed swords mark on three, crossed swords mark on two.Diameters 9½”. 500/600424. HAND-PAINTED PORCELAIN PUNCH BOWL Late 19th CenturyIn grapevine design. Diameter 16”. 100/200425. MEISSEN PORCELAIN CHOP PLATE 19th CenturyIn rose fl oral design. Hausmalerei crossed swords mark on base. Diameter 13¼”. 400/500426. NINE MEISSEN PORCELAIN SALAD PLATES 19th CenturyIn rose fl oral design with Haus Malerie crossed swords mark on bases. Diameters 8”. 250/350427. TWO PIECES OF MEISSEN PORCELAIN Circa 1900In the “Blue Onion” pattern. Includes a covered butter dish with shaped base, diameter 8”, and afl oriform cake dish, diameter 10¾”. Both with crossed swords mark. 150/250428. SET OF ELEVEN MEISSEN PORCELAIN PLATES 19th CenturyEach hand painted with varying fl oral designs. Hausmalerei crossed swords mark on six, crossed swordsmark on six. Diameters 9½”. 1,000/1,500429. HEREND PORCELAIN PLATTERIn the “Rothschild Bird” pattern with shaped gilt edge. Length 16¼”. 150/200430. NEW HALL PORCELAIN TEA SET English, Late 18th CenturyWith decoration of floral sprays. Includes a teapot, height 6”, a creamer, height 4”, a waste bowl, diameter6”, six handleless cups, and seven saucers. 150/250431. WEDGWOOD MAJOLICA TABLE CENTERPIECE 19th CenturyIn pink and white glaze. Nautilus-form bowl on an entwined dolphin-form base. Straight line Wedgwoodmark on bottom. Height 17”. 500/1,000432. FIVE RUSSIAN PORCELAIN SWEETMEAT DISHES Late 19th CenturyIn clamshell form with pink and white glaze. “CT” mark on base. Lengths 4¾”. 120/180433. GERMAN PORCELAIN BOWLSilver plated rim and applied lobster-form feet. Inscribed “Musierschuiz” on bottom. Height 4½”. Diameter8½”. 100/150434. SET OF TWELVE AUSTRIAN PORCELAIN DINNER PLATESWith yellow borders and gilt decoration. Retailed by Higgins & Seiter, New York. Diameters 9½”. 200/300435. PAIR OF ENGLISH DERBY SHALLOW BOWLS 19th CenturyEach with central views of Derbyshire by H.S. Hancock. Diameters 5½”. 200/300436. UNMARKED WEDGWOOD BLACK BASALT CREAMER English, 18th CenturyExterior decoration of garlands, columns, and cherubs. Height 4”. 200/300437. DR. WALL ENGLISH SOFT PASTE CREAMER Early 19th CenturyWith blue landscape decoration on a white ground. Height 3½”. 200/300438. FRENCH PORCELAIN PLATE Late 18th/Early 19th CenturyWith hand-painted fl oral center and a grape and gilt border. Diameter 8¾”. 120/180439. ENGLISH PORCELAIN TEAPOT Late 18th/Early 19th CenturyWith landscape decoration on one side; bird decoration on reverse. Height 6¼”. 250/400440. ENGLISH SOFT PASTE TEAPOT Late 18th CenturyIn pear shape with foliate design. Domed cover with onion fi nial. Possibly Bow. Height 9½”. 500/600
441. DOCTOR WALL ENGLISH SOFT-PASTE BOWL Early 19th CenturyExterior blue fl oral decoration. Geometric decoration on interior rim. Wall mark on bottom. Height 3½”.Diameter 8¼”. 200/300442. WORCESTER BLUE AND WHITE PORCELAIN TEA BOWL Dr. Wall PeriodWith underglaze blue fl oral and butterfl y decoration. Blue crescent mark. Diameter 5¾”. 200/250443. TWO MOORCROFT VASESOne in green with salmon fl owers and paper label, height 6¼”, the other in blue with lavender and bluefl owers and signature in blue, height 4¾”. 100/120444. FIVE PIECES OF BLUE AND WHITE WEDGWOOD JASPERWARE Late 19th/Early 20th CenturyAll with classical sprigging. Includes teapot, milk pitcher, covered sugar, creamer, and spill holder. 200/300445. SET OF TWELVE PORCELAIN NAPOLEONIC FIGURES German, Late 19th/Early 20th CenturyHeights approx. 9½”. 800/1,200446. PORCELAIN FIGURE OF ÉLISABETH D’AUTRICHE German, Late 19th/Early 20th CenturyNicely detailed and sculpted depiction. Marked on bottom “Elizabeth d’Autrichie, Femme de CharlesIX”. Elisabeth of Austria was Queen of France and daughter of Holy Roman Emperor Maximilian II ofAustria. Height 10½”. 200/300447. PORCELAIN FIGURE BY HUTSCHENREUTHER German, Early 20th CenturyIn form of a sparrowhawk. Impressed paper label “G.Granget”. Height 9”. 400/600448. MINIATURE CROWN STAFFORDSHIRE TEA SET 20th CenturyWith peafowl decoration. Set includes a 1¼” teapot, sugar & creamer, washbowl & pitcher, ginger jar,and four cups & saucers. 200/300449. TEN FRENCH PORCELAIN PLATES BY CREIL & MONTEREAU Early 20th Century“Suject Musicaux” comic opera themes. Hand-colored. Numbered and signed. Diameters 8¾”. 250/350450. SET OF TEN ROYAL DOULTON PORCELAIN PLATES Late 19th CenturyIn leaf form with hand-painted orchid designs. Lengths 8½”. 300/400451. SET OF TWELVE ROYAL CROWN DERBY PLATES 20th CenturyWhite with molded edge and gilt decoration. Diameters 9¼”. 200/300452. SET OF ELEVEN COPELAND SPODE SHALLOW SOUP BOWLS 20th CenturyCream grounds with gilt decoration. Gadroon edges. Diameters 8”. 200/300453. DOCCIA SEMI PORCELAIN PLATE Circa 1740In fl ower form with fl oral sprig and basketry border. Diameter 9”. 1,000/1,500454. LARGE BISQUE BUST FIGURE Continental, Early 20th CenturyIn the form of an ancient man. Height 17”. 250/350455. RUSS ERVIN CARVED WOOD FIGURE OF A MERMAIDFrom the Water’s Edge Studio in Hope Town, Bahamas. Length 18”. 100/150456. <strong>FINE</strong>LY MADE BACKGAMMON BOX 20th CenturyWith mother-of-pearl-inlaid fi gure of Athena, “1933”, and a moon and stars. Reverse depicts mother-ofpearl-inlaidfl oral decoration and “A.K. Conragan”. Interior with inlaid backgammon pattern and Greciandecoration. Includes thirty plastic game pieces and two dice. Height 3½”. Width 10”. Length 20”. 100/200457. TWO CHINESE CARVED WOOD FIGURESOne depicting a meijin and one depicting a sage with his staff. Heights 7”. 100/200End of Session I
<strong>FINE</strong> & <strong>DECORATIVE</strong> <strong>ART</strong> at AUCTIONSESSION IIFriday, June 29 th , 2012, beginning at 10:00 a.m.Lots 501-951501. HERMANN REISZ Austrian, 1865-1920“Pfl ügender Bauer” (“Ploughing Farmer”). Signed lower left “H. Reisz” Titled on frame plaque.Provenance: Dorotheum. Oil on board, 12” x 18½”. Framed. 600/900502. GRIGORIJ KAPUSTIN Russian, 1865-1925Shipwreck on a rocky coast. Signed in cyrillic lower right “Geralde von J.K. Aiwasowski”.Oil on board, 9½” x 6¼”. Framed. 1,500/2,000503. FRAMED PAINTING Italian, Circa 1900Nativity scene. Unsigned. Oil on canvas, 16¼” x 21½”. 400/600504. RICHARD VERNON GOETZ American, 1915-1991Still life with apples and a scale. Signed upper right “R.V. Goetz 11.3.61”. Oil on canvas, 18” x 24”. Framed.400/600505. FRAMED PAINTING 19th CenturyStill life of roses on a tabletop with a bowl in the background. Oil on canvas, 14” x 24”. 300/400506. FRAMED PAINTING Late 19th CenturyStill life of roses in a blue bowl. Unsigned. Oil on canvas, 16” x 20”. 200/300507. AMY WATT British, 20th CenturyHarbor scene with numerous vessels. Signed lower left “Amy Watt”. Oil on artist panel, 11½” x 15½” sight.Framed. 250/400508. CARL IRMER German, 1834-1900Seascape with rocky shore. Signed lower right “C. Irmer”. Oil on canvas, 28½” x 37”. Framed.1,000/1,500509. J. ANDRÉ PETIT European, Late 19th/Early 20th CenturyWashday in a mountain river. Signed lower right “J.A. Petit”. Oil on canvas, 23½” x 35½”. Framed.800/1,200510. JOSEF THOMA Austrian, 1828-1899Farm in the mountains. Singed lower right “J. Thoma”. Oil on canvas, 27½” x 41½”. Framed. 3,000/5,000511. JAMES FRANCIS DANBY English, 1816-1875Sunset on the beach. Signed lower right “J. Danby”. Oil on canvas, 7” x 11½”. Framed. 4,000/6,000512. THREE PEN AND INK DRAWINGS Continental, Circa 1817Two titled “Romitorio Di Monte Asinario”. The other titled “Villa Borghesi Roma”. Also dated lower left“Roma 1817”. All are unsigned but appear to be by the same hand. The smallest, 8½” x 11½”. Unframed.300/500513. CONTINENTAL SCHOOL 17th/18th Century.A hiker in the mountains. Unsigned. Sepia wash on paper, 11” x 17”. Unframed. 200/300514. JOHN ULBRICHT American, b. 1926Abstract landscape. Signed lower right “Ulbricht”. Oil on board, 12” x 18¼” sight. Framed. 300/500515. GINO SALVIATI Italian, 1911-1998Venetian canal. Signed lower left “Gino Salviati”. Oil on canvas, 24” x 48”. Framed. 700/1,000
516. JOSEF THOMA Austrian, 1828-1899Derelict mountain cabin. Signed lower right “J. Thoma”.Oil on panel, 14½” x 23”. Unframed.1,500/2,500517. FRAMED PAINTINGDanish Coastal Scene. Signed illegibly lower right. Oil on canvas, 15” x 19”. 600/800518. JULES-LOUIS-PHILIPPE COIGNET French, 1798-1860European landscape. Signed lower right “J. Coignet”. Oil on canvas, 17½” x 26”. Framed. 1,000/1,500519. CONTINENTAL SCHOOL Late 19th CenturyLandscape with red tile-roofed houses rising above a tree-lined path. Unsigned. Oil on canvas, 16” x24½”. Framed. 500/800520. CONTINENTAL SCHOOL 19th CenturyTabletop still life with lavish fl oral bouquet and fruit. Formerly used in the Snow Inn, Harwichport. Oil oncanvas, 63” x 40”. Framed. 600/800521. FRAMED PAINTING Late 19th/Early 20th CenturySailing vessel in rough seas. Signed lower right “J. Brown”. Oil on canvas, 12¼” x 18”. 400/600522. ANDERS MONSEN ASKEVOLD Norwegian, 1834-1900“Capioller” (Mountain) Signed lower left “Capioller / A. Askevold”. Provenance: Wolf’s, Cleveland Ohio.Martin Parker Collection of Fine Art. December 4, 1998. Lot 140. Oil on canvas, 15” x 19½”. Framed.800/1,200523. ERNST HEYN American, 1841-1894Gebirgsbach (Mountain stream). Signed lower left “E. Heyn”. Provenance: Dorotheum. Oil on canvas,37½ “x 30”. Framed. 700/1,000524. KARL LE FEUBURE German, 1847-1911Mountain landscape. Signed lower left “Le Feubure”. Oil on canvas, 17” x 22½”. Framed. 800/1,200525. ALEXANDER YOUNG Scottish, 1865-1923Cattle by a river. Signed and dated lower right “A. Young 1900”. Oil on canvas, 14” x 22”. Framed.1,000/1,500526. FRAMED PAINTINGEuropean city square lined with gaslights. Signed lower right “Aldo”. Oil on canvas, 21½” x 18”. 120/180527. CONTINENTAL SCHOOL 19th CenturyLoading Hay. Monogrammed lower right “T.N”? Depicts a small vessel at dock being loaded with hay.Oil on board, 9” x 12”. Shadow box frame. 250/350528. AMERICAN SCHOOL Late 19th CenturyEuropean wedding party with bride, groom, and guests in a horse-drawn cart procession through thecountryside. Signed illegibly lower right. Oil on canvas, 30” x 50”. Framed. 700/900529. JOSEF THOMA Austrian, 1828-1899Alpine landscape. Signed lower right “J. Thoma”. Depicts a young lady carrying a basket and leading agoat down a path. A river fl ows throughout the lower left corner with majestic snow-covered Alps fi llingthe background. Oil on canvas, 27” x 41”. Framed. 3,000/5,000530. ALFRED STEINACKER Austrian, 1838-1914Rural landscape. Signed lower left “A. Stone” (a pseudonym for the artist). Provenance: Dorotheum. Oilon canvas, 12” x 24”. Framed. 800/1,200531. RUSSIAN SCHOOL Late 19th/Early 20th CenturyShips at sea. Signed in Cyrillic lower left. Oil on canvas, 19½” x 24”. Unframed. 400/600532. FRAMED PAINTING French, 18th CenturyPortrait of a young woman with flowers. Unsigned. Oil on canvas, 29” x 24”. Framed. 1,000/1,500
533. FRAMED WATERCOLOR English, Early 19th CenturyLandscape with dancing fi gures. On paper, 13” x 19” sight. 200/300534. CONTINENTAL SCHOOL 19th Century“The Wine Seller”. Signed illegibly lower left. Depicts fi gures by an ox-pulled cart carrying a large barrelof wine. Titled on reverse. Oil on artist board, 13” x 11”. Framed. 200/300535. FRAMED WATERCOLOR English, 19th CenturyDepicting a woman walking toward a rustic cottage. Signed with a monogram. On paper, 13¾” x 9½”sight. 250/350536. <strong>FINE</strong> QUALITY TWO-P<strong>ART</strong> STEP-BACK BOOKCASEIn mahogany. Upper section with molded cornice and two bays with twenty total shelves. Lower sectionwith eleven drawers and central cabinet with fi ve interior sliding trays. Brass hardware. Plinth-style base.Overall height 84½”. Width 60”. 2,000/3,000537. ANTIQUE ENGLISH SLANT-LID DESK Circa 1780In walnut. With drawer and pigeonhole interior, four graduated drawers, and fl at bracket feet. Height41”. Width 30”. Depth 17¼”. 500/700538. FRENCH PROVINCIAL BOW-FRONT TWO-P<strong>ART</strong> CORNER CUPBOARD 18th CenturyIn oak with a graduated three-tier upper section with shaped and molded edges. Base with two paneleddoors and two interior shelves. Height 74½”. Requires a 23¾” corner. 1,000/1,500539. EMPIRE PEDESTAL-BASE DINING ROOM TABLEIn mahogany veneer. Central column-form pedestal with four fl anking column-form pedestals. Ornatelycarved lion’s-paw feet. Height 30½”. 48” x 53” plus four 11” leaves. 400/600540. GOLDEN OAK ROLL-TOP JEWELRY CABINET Early 20th CenturyWith four interior felt-lined sliding trays. Chrysanthemum-form handles at sides and hammered copperknob at front. Height 15”. Width 20”. Depth 18¾”. 400/700541. UPHOLSTERED WOOD FOOTSTOOL 20th CenturyWith geometric carving to legs. Light green velvet upholstery. Height 20½”. Width 19”. Depth 15”.Formerly used in the Snow Inn, Harwichport. 60/80542. SET OF FOUR REGENCY-STYLE SIDE CHAIRSIn walnut with rush seats and saber legs.Formerly used in the Snow Inn, Harwichport. 100/200543. EASTLAKE GENTLEMAN’S ARMCHAIRIn walnut with geometric carving. Green and white upholstery. Formerly used in the Snow Inn,Harwichport. 100/150544. FRENCH EMPIRE BUREAU 19th CenturyIn mahogany and mahogany veneers with dark gray marble top. Secret upper drawer hidden in moldingover three more drawers below, all with crotch grain veneers. Brass pulls. Half-turned columns with brasscapitals and feet flank lower three drawers. Tapered and turned front feet. Height 35½”. Width 50½”. Depth23¼”. 200/300545. FRENCH ORMOLU-MOUNTED MARBLE-TOP CUPBOARD First Half of the 20th CenturyIn select wood veneers with ormolu figural mounts at chamfered corners and circular bronze mounts to doorpanels. Two doors open to reveal a shelved interior. Height 39”. Width 49”. Depth 15½”. 1,000/1,500546. STEPBACK CUPBOARD 19th Century EnglishIn walnut. Molded cornice and fluted carved sides. One shelf over two paneled doors that open to reveal oneshelf. Tapered legs. Height 68½”. Length 46½”. Depth 21”. 500/800547. ENGLISH ARMCHAIR IN YEW WOOD Late 18th CenturyWith double vasiform back splat, vertical rod back and sides. H-form stretcher on pad feed. 200/300
548. GEORGE II-STYLE ARM CHAIRWith yoke back in mahogany frame, select woods, and mahogany veneers. Cabriole legs with carved foliateknees on pad feet. 200/400549. ENGLISH CORNER WASHSTAND Early 19th CenturyIn mahogany with a single drawer and splashback. Height 41¼”. 350/450550. MAHOGANY ONE-DRAWER WASHSTAND 19th CenturyWith square top and square tapered legs. Top 16” square. Height 33½”. 300/400551. PAIR OF LOUIS XV-STYLE FAUTEUILS Late 19th CenturyWith burgundy velvet upholstery. 300/400552. CONTINENTAL ROCOCO OVAL MIRROR Probably Italian, 19th CenturyElaborate raised foliate gilt frame with shell at bottom. Height 25”. 500/700553. ADAM-STYLE MIRROR 20th CenturyCarved wood frame with phoenix crest and other bird and foliate carvings. Height 53”. Width 29½”.600/900554. PAIR OF ENGLISH CHIPPENDALE-STYLE GENTLEMAN’S ARMCHAIRSIn mahogany with fl oral carved back rail and urn-carved pierced splat. Slip seats with gold brocadeupholstery. 800/1,200555. CHIPPENDALE-STYLE CORNER CHAIRIn mahogany with vertical pierced splats. Front leg with carved foliate knee. All legs connected withcross-stretcher base and end in claw & ball feet. 300/400556. CHIPPENDALE-STYLE CORNER CHAIRIn mahogany. With crest rail and three repetitive back splats. Cabriole legs with shell & tassel carving onknees. Crossed rails on claw & ball feet. 400/600557. GILT-FRAMED MIRROR Late 19th CenturyWith urn and garland fi nial. 34” x 21”. 250/350558. PAINT-DECORATED LAVABO AND STANDLavabo decorated with musical instruments and fl owers on a green ground. Stand with cabriole legs,shaped back, and a single drawer. Height 67½”. 250/350559. ADAM-STYLE MIRROR Early 20th CenturyWith faux white marbleized fi nish. Top arch-form panel with fi gural landscape with waterfall, halfcolumnsat sides, and open-work wood design at top and bottom. Height 46”. Width 21¾”. 250/350560. ENGLISH BED STEPS 19th CenturyIn mahogany veneer. Replaced leather. Height 24”. Width 26”. Depth 20”. 300/400561. CHIPPENDALE-STYLE LOOKING GLASSIn mahogany. Shaped and carved pediment top with central phoenix. Intricate foliate-carved archand foliate and acorn-carved sides. Height 47”. Width 19½”. 600/900562. CHIPPENDALE-STYLE BLOCK-FRONT SECRETARYIn mahogany. Upper case with bonnet top, paneled cupboard doors, and candle slides. Lower casewith slant lid, block front, and ogee bracket feet. Height 90”. Width 36”. Depth 21”. 400/700563. ANTIQUE DEMILUNE-FORM CARD TABLE English, Circa 1800In mahogany with string and banded inlay to skirt and legs, and fl oral urns inlaid at the top of each leg.Height 29½”. Width 36½”. Depth 18”. 500/700564. PAIR OF BIEDERMEIER-STYLE SIDE CHAIRSIn walnut. Original upholstered seats and backs, as is. 400/600565. VICTORIAN MARBLE-TOP TABLEIn walnut with scrolled legs. Height: 27”. Width 31”. Depth 23”. 180/250
566. OVAL VICTORIAN MARBLE-TOP TABLEIn walnut with ornately carved legs. Top inset with walnut surrounding. Height 29”.Width 34”. Depth 26”.300/500567. LOUIS XIV-STYLE VITRINE Early 20th CenturyWith rouge marble top, beveled glass doors, side panels, and claw & ball feet. Some ormolu mounts.Height 36”. Width 35½”. Depth 16”. 600/800568. LOUIS XIV-STYLE FAUTEUILWith wreath-carved crest and leaf-carved arms. 200/300569. ORIENTAL RUG: KESHAN 8’4” x 11’7”Central pendant medallion of dark blue with a light blue and ivory center. Red fi eld of arabesque vineswith fl ower blossoms, serrated leaves, and Shah Abbas rendered in green, brown, blues, pink, yellow,and ivory. Spandrels match medallions. Guard borders of light blue and ivory with a dark blue mainborder. 700/1,000570. ORIENTAL RUG: KAZAK-DESIGN RUNNER 2’5” x 8’6”Seven latchhook medallions of gold, navy blue, pale green, light blue, and tan on a red fi eld. Mainborder with wine cup and serrated leaf motif. Blue and red guard borders. 450/650571. ORIENTAL RUG: KIRMAN 7’11” x 9’9”Floral central medallion with pendants in blues, tan, crimson, green, and ivory on an open ivory fi eldwith a perimeter of fl oral bouquets. Blue and tan fl oral borders. 300/600572. ORIENTAL RUG: PERSIAN 4’5” x 7’0”Navy blue central medallion with green and red center and geometric elements about the perimeter.Pink fi eld and light blue subfi eld with red and green spandrels. Flowering vines and foliate motifsthroughout. Ivory, red, and navy blue borders. 300/500573. ORIENTAL RUG: BOUKARA DESIGN 5’3” x 8’2”Three rows of quartered guls of black, ivory, red, and dark gold ona red fi eld. Multiple borders containing repeated stylized elements in the same colors. 300/400574. ORIENTAL RUG: SARABAND 12’4” x 15’3”Dark blue fi eld with small boteh in red, pink, ivory, and light blue. Multiple narrow borders surround amain ivory border containing traditional meandering vines. 800/1,200575. ORIENTAL RUG: HAMADAN 3’9” x 6’5” Geometric ivorycentral medallion outlined in red and light blue contains a cluster of fl ower blossoms in red, blue, green,pink, and orange. Red fi eld with bold Herati pattern in blues and greens, brown, pink, and orange. Ivoryspandrels. Navy blue and ivory borders. 100/200576. ORIENTAL RUG: HAMADAN MAT 2’3” x 3’9”Central medallion of ivory outlined in red and faded blue on a red fi eld with stylized leaves and fl owers.Ivory spandrels. Borders of brown, faded yellow, and red. 60/90577. ORIENTAL RUG: KAZAK-DESIGN RUNNER 2’9” x 12’9”Five geometric medallions in alternating light and dark blue run down the center of a red fi eld withmatching bisected medallions of ivory about the perimeter. Blue and ivory borders containing repeatedstylized elements. 450/650578. ORIENTAL RUG: SULTANABAD DESIGN 8’2” x 9’10”Delicate arabesque vine bearing bold fl owering elements and a central Shah Abbas in greens andgolds on a dark red fi eld. Burgundy main border and gold guard borders feature similar elements.900/1,200579. ORIENTAL RUG: HAMADAN 3’5” x 5’0”Dark red central medallion with an ivory center surrounded by fl ower blossoms of maroon, pink, ivory,and gray. Ivory fi eld fi lled with Herati pattern in the same colors. Red and ivory spandrels. Tan and redborders. 100/200
580. ORIENTAL RUG: MAHAL DESIGN 12’0” x 8’10”With gold, green, rust, and beige fl oral elements on a midnight-blue ground. Ivory main border.800/1,200581. MACHINE-MADE CARPET: KARASTAN IN HERIZ DESIGN 5’9” x 9’0”Gabled central medallion of dark blue with red center on an abrashed salmon fi eld fi lled with traditionalmeandering vine and stylized blossoms. Blue, salmon, and green spandrels. Gold guard borders.Salmon-red turtle border. 300/500582. ORIENTAL RUG: MIR 4’1” x 6’9”Staggered rows of repeated small botehs in pink, blue, green, and tan on a red fi eld. Red, blue, and tanborders. 450/550583. ORIENTAL RUG: SERAPI DESIGN 6’0” x 8’9”Gabled medallion of rust-red, light green, and midnight blue with midnight-blue pendants on aterracotta fi eld with meandering vine, fl ower blossoms, and serrated leaves in ivory, gray, blues, andgreens. Ivory, midnight-blue, and terracotta spandrels. Terracotta turtle border. 600/900584. ORIENTAL RUG: MALAYER 4’8” x 6’9”Repeating stylized fl oral and foliate elements in dark red, pink, gold, ivory, and blue on a navy blue fi eld.Similar elements in red spandrels. Gold and blue fl oral borders. 450/550585. ORIENTAL RUG: KESHAN DESIGN 9’10” x 14’0”Graceful arabesque vine, Shah Abbas and palmettes rendered in light red, pink, tan, gray, light blue,and slate blue meandering throughout an ivory fi eld. Similar elements repeat throughout ivory mainborder. Pink, blue, and tan guard borders. 800/1,200586. ORIENTAL RUG: SERAPI DESIGN 6’1” x 9’0”Gabled central medallion of navy blue, pale green, and light pink on a terracotta fi eld. Light blue andlight pink spandrels. Traditional fl oral and foliate elements throughout. Midnight-blue turtle border.600/900587. ORIENTAL RUGS: SAROUK MAHAL RUNNER 3’7” x 14’1”Dark blue fi eld with a small red central medallion surrounded by a very graceful arabesque vine bearingfl owers, palmettes, and Shah Abbas, all rendered in ivory, pink, red, blue, and pale yellow. Guardborders of pale yellow. Floral red main border. 500/700588. ORIENTAL RUG: PERSIAN 2’8” x 7’10”Abrashed maroon fi eld with three small gabled medallions each surrounded by a repeated array ofleaves, vines, and fl oral elements in ivory, olive green, and gold. Moss-green main border containingsimilar elements. 200/400589. ORIENTAL RUG: BAKHTIARI 5’0” x 9’9”Traditional garden design with fi ve columns of rectangular panels each containing stylized motifs allrendered in red, slate blue, green, brown, and dark ivory surrounded by red, green, and blue guardborders and a dark ivory main border containing a repeated stylized motif. 300/600590. ORIENTAL RUG: KAZAK DESIGN 4’6” x 6’7”Eagle-type central medallion rendered in blue, ivory, and crimson. Crimson field with various stylizedelements in ivory, light blue, dark blue, gold, and peach. Blue and ivory borders. 350/450591. ORIENTAL RUG: KAZAK DESIGN 3’10” x 5’5”Stylized elements contained within a geometric central medallion surrounded by dark blue with apeach and ivory center. Bold stylized elements fl ank medallion. Red, ivory, and blue borders. 300/400592. ORIENTAL RUG: KAZAK-DESIGN MAT 2’0” x 3’1”Two geometric medallions of red, blue, pale peach, aqua, faded gold, and ivory on a red fi eld.Repeating stylized elements throughout ivory border. 120/180593. SWEDISH TALL-CASE CLOCK Late 19th CenturyIn decorative orange-brown paint with fl oral pattern layered on top. Floral-painted door with “JOS.LGE(?) 1871”. Includes two weights and no pendulum. Height 83”. 500/1,000
594. ENGLISH TALL-CASE CLOCK 18th CenturyBy John Elliott. In walnut and walnut veneers. Bonnet with modifi ed dental molding and applied leafcarving below fronted by brass-capped stop-fl uted reeded columns. Brass face with circular upper panelengraved with birds and “Tempis Fugit”. Brass Roman numeral dial with second sweep and calendarsigned “John Elliott”. Central face painted with a shepherd, a hunter, and a classical scene. Case withshaped front door, carved quarter columns, and molded panel at bottom. Height 84”. 2,500/3,500595. ANTIQUE FRENCH EMPIRE MARBLE MANTEL CLOCK Circa 1835Face marked “Graverand”, “Boult des Capuchines 1” and “A Paris”. Case features nicely scrolled reliefcarvedmoldings. Height 17½”. 1,200/1,800596. HOWARD MILLER GRANDFATHER CLOCKMillennium edition. Moon dial. Oak case fronted by half columns. Glass side panels. Includes pendulumand weights. Height 89”. Width 27”. Depth 16”. 600/800597. GILBERT BEEHIVE-FORM SHELF CLOCK Early 20th CenturyHand-painted case depicting landscapes. Height 13¼”. 150/250598. FRENCH BRASS CARRIAGE CLOCKBeveled glass and brass handle. Height 5”. 150/250599. FRENCH BRASS SHELF CLOCKWith enameled dial, fl oral decoration on a white ground, and beveled glass sides. Brass case. Height 10”.150/250600. UNUSUAL CASED TRAVEL CLOCK Early 20th CenturySterling silver and leather case opens to reveal velvet interior containing a large Black Star & Frost clock.Maker’s name stamped on base of case. Height 6”. 300/500601. ENGLISH WALL-MOUNTED CIRCULAR CLOCK Mid-19th CenturyFace marked “E. Fehrenbach. 5 Ferdinand Street”. Diameter of dial 5½”. 100/150602. 14KT YELLOW GOLD TRAVEL CLOCKBy C. B. Baillot of Geneva, Switzerland. Quarter-hour repeater, 15-jewels, and four adjustments. Markedon case and back of works. Interior inscribed with presentation to Daniel Waldo Field. Monogrammedlid and back. Approx. 82.41 dwt. 5,000/7,000603. <strong>ART</strong> DECO STERLING SILVER CIGARETTE CASE BY THE THOMAE CO. FOR C<strong>ART</strong>IERApplied gold fl eur-di-lis bearing four small sapphires decorates the top. Monogrammed. Length 3½”.Width 2¾”. Approx. 4.4 troy oz. weighable 300/500604. SHIELD-FORM CLOCK Late 19th CenturyIn copper with heavy relief silver plated decoration depicting Crusader knights and mythologicalfi gures. Mounted on a pine backboard. French movement inside. Height 30”. Width 23”. 1,000/1,500605. BRASS AND MARBLE MANTEL CLOCK 19th CenturyWith white enamel face and black Roman numerals. Face suspended between two gray and white columnswith floral finials. Scrolling acanthus swag below face. White platform base. Height 16”. Length 9½”. Depth 6”.150/250606. ANSONIA MANTLE CLOCKWith urn-form pedestal, gilt fi nish, fl oral scroll work, and beveled glass. Includes pendulum key. Height 5½”.200/300607. TIFFANY & CO. BRASS CARRIAGE CLOCK ContemporaryWith handle. Battery operated. Height 6½”. 100/200608. BLACK FOREST CARVED WALNUT CLOCK 20th CenturyIn fruit and fl ower design. Length 25”. 200/300609. INTERNATIONAL TIME CLOCK Late 19th CenturyIn an oak case. No time card mechanism. Height 47”. 200/300
610. FRENCH BRASS CARRIAGE CLOCKWith beveled glass sides and brass handle. Height 4¼”. 150/250611. HEINRICH HEINLEIN German, 1803-1885Mountain lake. Signed lower right “Heinlein”. Provenance: Dorotheum. Oil on board, 12½” x 15”. Framed.1,000/1,500612. HELMUT LIESEGANG German, 1858-1945Dutch canal scene. Signed lower right “H. Liesegang”. Oil on panel, 9½” x 13”. Framed. 800/1,200613. JOSEPH VON M<strong>ART</strong>IN European, 19th CenturyAngler Am Bergsee Signed lower left “Von Martin”. Provenance: Dorotheum. Thursday, May 17, 1990, lot96. Oil on cradled board, 16½” x 21”. Framed. 3,000/5,000614. JOSEF THOMA Austrian, 1828-1899Waterfall in an alpine landscape. Signed lower right “J. Thoma”. Depicting a derelict building below athundering waterfall. Oil on canvas, 39” x 27½”. Framed. 3,000/5,000615. CHARLES BUSSON French, 1822-1908Cows watering at a river’s edge. Signed and dated lower left “Ch. Busson 84”. Frame plaque reads “SocieteAmis Des Arts Exposition de 1885”. Oil on canvas, 24” x 29½”. Framed. 2,000/3,000616. JOSEPH JANSEN German, 1829-1905”Parthie aus Meiringen”. Signed lower left “J. Jansen”. Titled in pencil on stretcher.Provenance: Dorotheum. Oil on canvas, 15½” x 23”. Framed. 1,500/2,500617. VASILY IVANOVICH SURIKOV Russian, 1848-1916An old man reading. Signed in Cyrillic lower right and dated 1870. Watercolor on paper, 10” x 8½”. Framed.6,000/9,000618. ALEXIS DE LEEUW Belgian, 1848-1883Luminous landscape with sheep. Signed lower right “A. de Leeuw”. Depicts a shepherd resting with his flockunder a winter sunset. Oil on canvas, 40” x 30”. Newcomb-Macklin frame 1,200/1,800619. EUGÈNE BOUDINFrench, 1824-1898The harbor at Trouville. Depicting the twin lighthouses, beach, boats, and fi gures. Signed lower right “E.Boudin”. Dated ’92. Oil on wood panel, 14” x 10½”. Framed 90,000/110,000620. PASCAL-ADOLPHE-JEAN DAGNAN-BOUVERETFrench, 1852-1929A young man and woman gaze out a window. Signed lower right “P.A.J. Dagnan-B. 1877”.Private Collection, Cape Cod. Oil on canvas, 12” x 16¼”. Framed. 6,000/9,000621. ELIOT HODGKINEnglish, 1905-1987“Five Red Apples”. Nicely detailed still life of apples on a gray-blue ground. Signed lower left “EliotHodgkin”. Also signed and titled verso. Egg tempera on artist panel, 4¾” x 14” sight. Framed.10,000/15,000622. SET OF SIX KITTINGER CHIPPENDALE-STYLE PIERCED BACK CHAIRSIn mahogany. Unmarked. With multi-colored upholstered seats. 500/800623. ANTIQUE GEORGE II DUMBWAITER Mid-18th CenturyIn Cuban mahogany with three graduated dish-molded shelves spaced by turned and spiral urncarvedshafts. Three arch-carved legs end in claw & ball feet fi tted with original casters. Height 42”.Diameter of top tier 15”. 1,000/1,600624. CHIPPENDALE-STYLE CHILD-SIZE SETTEE First Half of the 20th CenturyAttributed to the shop of A.H. Davenport of Boston. In mahogany with carved and shaped doublechair back and square molded front legs connected with H-stretchers. Hand-crafted needleworkupholstered seat. Height of back 25”. Length 34”. 400/600
625. MAHOGANY THREE-DRAWER BUREAU Late 19th CenturyWith brass hardware. Molded top and turned feet. Height 32”. Width 49”. Depth 23”. 150/250626. ENGLISH WALNUT SERVER Last Half of the 19th CenturyThree shelves with turned support columns. Boldly turned legs on casters. Height 42¼”. Width 46”. Depth 17”.250/350627. ENGLISH SMALL SERVER 19th CenturyIn pine. Galleried top above two molded doors above two drawers with brass pulls. Square tapering legs.Overall height 25½”. Width 37”. Depth 11½”. 200/300628. QUEEN ANNE-STYLE CORNER CHAIRIn old brown fi nish. Turned X-form stretcher base. 200/300629. DIMINUTIVE ANTIQUE ENGLISH ARMCHAIR 18th/19th CenturyIn oak. Winged spindle back, plank seat, turned front stretcher and modified Dutch feet. 200/400630. FALL-FRONT TABLETOP SECRETARY WITH BASE English, Mid-to-Late 19th CenturyMid-19th Century secretary in walnut with molded cornice and paneled fold-out door enclosing interiorfi tted with letter holders, four small drawers, and a sloped writing surface. Height 18”. Width 28½”. Depth10”. Late 19th Century base in walnut and fi gured wood veneers with eight drawers and scrolled feet.Base not original to top. Height 23”. Width 26”. Depth 15”. 250/350631. CONVEX MIRROR Late 19th/Early 20th CenturyIn faux gilt finish with an eagle crest. Foliate and shell molding at the bottom. Height 39”. Width 25”. 500/1,000632. ANTIQUE HEPPLEWHITE PEMBROKE TABLE Circa 1800In mahogany with oval top and bowed ends. Height 27”. Length 29”. Width 21” plus two 9” drop leaves.400/600633. ANTIQUE GEORGIAN TILT-TOP TEA TABLE Second Half of the 18th CenturyIn mahogany with a round molded dish top set on a baluster-turned pedestal. Platform base with threearch-carved legs ending in carved slipper feet. Height 27”. Height when tipped 41”. Diameter of top26”. 400/600634. ANTIQUE ENGLISH BOWFRONT CHEST Circa 1810In mahogany veneers with two half-drawers above two full-width drawers, and slightly splayed bracketfeet. Height 35¾”. Width 35¼”. Depth 18¼”. 300/500635. CONSOLE TABLEMade from old parts in a Hepplewhite style. In mahogany with banded and string inlay. Serpentine frontand tapered legs. Height 30”. Width 37¼”. Depth 15”. 300/500636. FRENCH PROVINCIAL STAND 19th CenturyIn walnut. Cupboard with tambour door. Height 30”. Width 15”. Depth 12¼”. 150/250637. CONTINENTAL BREAKFRONT Late 19th/Early 20th CenturyProbably Austrian. Upper section has multiple-mirrored back, central cupboard, and numerous galleriedshelves. Lower case has central cupboard flanked by two drawers and glass-paneled cupboards. Entirepiece has rosewood veneers with delicate marquetry inlays in multiple woods. Height 87½”. Width 60”.Depth 17”. 1,500/2,500638. ANTIQUE GEORGIAN TILT-TOP TABLE Last Half of the 18th CenturyIn mahogany with galleried rectangular top on a spiral-turned pedestal. Cabriole legs ending in Dutchfeet. Height 24”. Length 29½”. Width 22”. 200/300639. HEPPLEWHITE-STYLE SEWING STAND 20th CenturyIn mahogany with string inlay to top, skirt, and legs. Octagonal lift top reveals compartmentalizedinterior. Slide-out basket below. Tapered legs. Height 29”. Width 21½”. Depth 15”. 300/500640. ANTIQUE ENGLISH PEMBROKE TABLE Early 19th CenturyIn walnut with a single drawer and tapered legs. Height 27¼”. Length 30¼”. Width 18” plus two8½” drop leaves. 300/500
641. ENGLISH OAK GATE-LEG TABLE 18th CenturyOriginal base and replacement top. Height 30”. Length 48”. Width 19¼” plus two 20½” drop leaves.300/400642. MARQUETRY-INLAID TWO-DRAWER STAND Early 20th CenturyWith rectangular top, square tapered legs, and inlaid fl ower and urn decoration. Top 16” x 19”. Height29”. 250/350643. DIMINUTIVE REGENCY INLAID CABINET 19th CenturyIn mahogany. Single door with banded and ebony inlay. Interior with three shelves. Height 12”. Width9¼”. Depth 6¼”. 200/300644. ANTIQUE AMERICAN EMPIRE SECRETARY ABATTANT Southern United States, Early 19th CenturyIn mahogany and mahogany veneers. Mottled gray and white marble top over an ogee moldingcontaining a secret drawer. Fall front reveals fi tted interior with four pigeonholes over an open centerand several drawers with fi gured maple veneer fronts. Three drawers below. Simple bracket base andfeet. Height 60”. Width 33”. 800/1,200645. FRENCH EMPIRE SECRÉTAIRE HABITANTE 19th CenturyIn mahogany veneers. Gray marble top over plain molding with secret drawer. Crotch veneered fallfrontwith interior leather writing surface that opens to reveal empty upper space above six drawersbelow. Cupboard doors below open to reveal three drawers. Case fl anked by two exterior full-turnedcolumns with brass capitals and feet. Base with turned and tapered front feet. Height 57½”. Width 38¼”.Depth 18¼”. 300/500646. GEORGIAN-STYLE ARMCHAIRIn mahogany with vertical pierced splat, carved swag drops on back sides, and nicely scrolled arms.Molded front legs connected with H-stretcher base. 180/250647. EXTENSION DINING TABLE ContemporaryIn mahogany with shaped and molded top edge and apron. Delicately carved molding runs throughapron and down cabriole legs ending in scrolled feet. Height 29½”. Top 62” x 42” plus three skirted 12”extension leaves. 300/500648. ANTIQUE GEORGIAN SIDE CHAIR English, Circa 1780In mahogany with pierced vertical splat and H-stretcher base. 200/300649. ANTIQUE GEORGIAN SIDE CHAIR English, Circa 1790In walnut with scrolled ears, vertical pierced splat, and H-stretcher base. 200/300650. 18TH CENTURY FRENCH-STYLE ARMCHAIRWalnut frame with bird and fl oral-motif upholstery. 200/300651. LOUIS MAJORELLE WRITING DESK 20th CenturyIn nicely fi gured hardwood. Arched kneehole fl anked on each side by two drawers and a slideextension. Height 29½”. Width 49”. Depth 29½”. 3,000/4,000652. LOUIS MAJORELLE LOVE SEAT 20th CenturyWalnut frame with nicely fl owing lines to back and arms. Upholstered in royal blue crushed velvet.Length 52½”. 3,000/5,000653. FRENCH PROVINCIAL-STYLE SERVERIn mahogany. Molded top edge over case with four graduated central drawers with beaded fronts andscrolled metal pulls and fl anked on each side by matching simple drawer over a single cupboard door.Cabriole legs and scrolled feet. Height 37”. Top 62” x 20¾”. 150/250654. 18TH CENTURY FRENCH-STYLE ARMCHAIRWalnut frame with shell crest. Needlepoint back and seat. 200/300655. PAIR OF 18TH CENTURY FRENCH-STYLE ARMCHAIRSWalnut frames and gold-colored upholstery. 150/250
656. PAIR OF UPHOLSTERED ARMCHAIRS 19th CenturyWith differing needlework upholstery.Formerly used in the Snow Inn, Harwichport. 200/300657. VICTORIAN CIRCULAR MARBLE-TOP TABLEWith carved and turned wood pedestal. Four carved and scrolled legs. Height 30”. Diameter 42”.Formerly used in the Snow Inn, Harwichport. 300/400658. FRENCH EMPIRE CIRCULAR TABLE 19th CenturyIn mahogany and mahogany veneers with a dark gray marble top. Three column legs joined by a trispokebase with circular hub. Ring-form feet. Height 28”. Diameter 33½”. 150/250659. KITTINGER OVAL DINING TABLEIn mahogany with walnut veneer with walnut veneered top. Two pedestal base with brass lion’s pawfeet. Label on underside of table. Height 29½”. Width 44”. Length 68” plus two 18” leaves. 500/800660. KITTINGER TWO-DRAWER SERVERIn mahogany and mahogany veneer. Brass gallery, turned legs, and copper-lined sliding upper trayover two drawers with satinwood keyhole escutcheons. Branded inside drawer. Height 37”. Length 36”.Width 20”. 300/400661. FRENCH WALNUT AND FRUITWOOD BED Mid-19th CenturyAll pieces ornately carved. Fabric-covered headboard carved with chain, ribbon, and pineappledecoration and acanthus-carved columns. Two rails with ribbon and bead-carved edges. Footboardwith ribbon and bead-carved edges and very ornate fl oral bouquet-in-urn-carved fi nials. Height 51½”.Length 61”. Height of footboard 25½”. 500/800662. FOLD-OUT POKER TABLE Late 19th/Early 20th CenturyTogether with an oak cased set of poker chips. Table in mahogany with rope-turned legs. Slide-out topreveals backgammon board. Top folds open to reveal a felt surface and chip compartments. Height32”. Length 43”. Closed width 19”. Open width 38”. 300/500663. M<strong>ART</strong>IN LEMANBritish, b. 1935“Marmalade”. An orange tabby cat on a red drape. Signed lower right “Leman”. Titled on reverse.Oil on panel, 12” square. Framed. 1,200/1,800664. M. LIEBERMANNContinental, 20th CenturyIllustration: Theatrical scene. Signed upper left “M. Liebermann”. Watercolor on paper, 11¾” x 9½”. Unframed.400/600665. CHRIS DUNCANAmerican, ContemporaryUntitled, 2008. Unsigned. Identifi ed on a gallery label verso. Provenance: Jeff Bailey Gallery, New YorkSpray paint, acrylic, gouache, watercolor, ink, colored pencil, and graphite on paper, 12” x 9”. Framed.500/1,000666. RICHARD BAKERAmerican, b. 1959“Tulips”. Signed and dated lower left “R. Baker 99”. Provenance: Albert Merola Gallery, New York.Charcoal on paper, 36” x 20” sight. Framed. 800/1,200667. TWO FRAMED HAITIAN PAINTINGSOne depicting a group of Haitians picking fruit. Signed lower right “Emile”. Oil on panel, 4½” x 4½”. Onedepicts a jungle scene with fi ve black panthers. Signed lower right “J.A. Bernard”. Oil on canvas, 8” x 10”.150/250668. FRAMED GOUACHE BY LEV SERGYEVAbstract portrait: view of a woman. Signed in pencil. On paper, 11¾” x 8¼”. 200/300
669. WILLIAM H. AVERYAmerican, 1912-2004Abstract design in yellow and greens on a blue ground. Signed on reverse. Provincetown Art Associationlabel on reverse. Oil on canvas, 42” x 28”. Framed. 300/400670. GILBERTA DANIELS GOODWIN American, b. 189“Allegretta”. Signed lower right “G. Goodwin”. Titled on reverse. Oil on canvas, 17¾” x 24”. Framed.300/500671. ELIZABETH LOBINGIER American, 1889-1973“Christmas Night at the Church, or Christmas” Abstract. Signed lower right “Elizabeth Lobingier”. Watercolorand gouache, 23” x 17” sight. Framed. 300/500672. PAUL JENKINS American, b. 1923“Phenomenon Water Vail” Signed lower left “Paul Jenkins”. Titled, signed and dated 1988on reverse. Provenance: Jo Ann Perse Gallery, Chesterfi eld, MS, Private Collection, Cape Cod.Watercolor on paper, 43” x 31”. Framed. 7,000/9,000673. DAVID MCLEOD M<strong>ART</strong>IN, RSW, RGI Scottish, b. 1922“Cyclamen in the Village”. Still life at window overlooking houses. Titled on reverse. Signed lower right“David M. Martin”. Oil on canvas, 30” x 30”. Framed. 2,000/3,000674. NICHOLAS GEORGE SPERAKIS American, b. 1943Untitled portrait study. Signed lower right “N. Sperakis”. Mixed media on paper, 23¾” x 18”. Unframed.200/300675. RICHARD W. ROURKE American, 1929-1993“Contrasts”. Signed lower right “Richard W. Rourke”. Signed and titled on stretcher bars as well. Oil oncanvas, 24” x 36”. Framed. 200/300676. ATTRIBUTED TO IGOR IVANOV Russian, b. 1934“The City at Night”. Unsigned. Watercolor on paper, 11½” x 16½” sight. Framed. 300/500677. CHARLES COBELLE French/American, 1902-1998Horse race. Signed lower right “Cobelle”. Born in Alsace-Lorraine, France, and becoming a U.S. citizenin the late 1920’s, Charles Cobelle, whose birth name was Carl Edelman, began his career in Paris afterearning Bachelor and Master’s Degrees at the University of Munich. Later he studied at the L’Ecole desBeaux Arts in Paris and with Marc Chagall and apprenticed in the studio of Raoul Dufy in Menton on theRiviera. Oil on canvas, 12” x 15½”. Framed. 300/500678. THOMAS BACHER American, b. 1951Abstract of circles and lines that glow in the dark. Signed lower right “Bacher”. Oil on canvas, 36¼” x54¼”. Unframed. 1,000/1,500679. HELEN MIRANDA WILSONAmerican, b. 1948“In Purdagh”. Signed on reverse. Provenance: DC Moore Gallery, New York. Oil on panel, 7” x 8”. Framed.500/1,000680. SYLVINE VAN MERLEN Cape Cod, d. 2009“Bouquet”. Depicting wildflowers in and around a vase set on a windowsill overlooking a city balcony.Signed upper right “Van Merlen ’65”. Titled, signed, and dated verso “Sylvine Van Merlen 1965”. Ms. VanMerlen was born in Paris, France, became a naturalized U.S. and was educated at the Lycée Français deNew York and Columbia University. She served as the curator of the Cape Cod Artist Association for manyyears. Oil on canvas, 30¼” x 22¼”. Framed. 300/500681. JAMES SEEMAN American, 1914-1994“Gagnes Sur Mer, 1965”. Signed, titled, and dated lower right. Gouache on paper, 26” x 20”. Framed.150/250
682. ADELINE HOAGLAND American, ContemporaryChildren playing on the beach. Signed and dated lower right “Adeline Hoagland ’88”. Oil on canvas,28” x 22”. Framed. 300/500683. UNFRAMED WATERCOLORA row of brownstones, possibly in Boston’s Back Bay. Illegible signature and dated “88” lower right. Onartist board, 22” x 28”. 200/300684. ORIENTAL RUG: SERAPI DESIGN 9’1” x 12’0”Gabled medallion of navy blue, light gold, and salmon with ice-blue pendants on a brick-red fi eld withspandrels of ivory, salmon, and light green. Meandering vines bearing stylized elements throughout.Light gray guard borders. Tan main border with turtle motif. 1,500/2,000685. ORIENTAL RUG: TABRIZ 6’7” x 10’1”In garden design with bird and fl ower elements executed in dark red, light blue, ivory, faded gold, andlight gray. 800/1,000686. ORIENTAL RUG: BIBIKIBAD 5’5” x 8’5”Ivory central pendant medallion fi lled with red, blue, and green fl oral elements. Red fi eld with darkblue and ivory spandrels. Herati design of blue, pale green, pink, and ivory throughout. Blue and ivoryborders. 350/550687. ORIENTAL RUG: HERIZ 2’9” x 4’1”Two gabled medallions of salmon, teal green, aqua, and blue on a dark blue fi eld. Stylized elementsthroughout fi eld and borders of gold, brick-red, and blue. 80/120688. ORIENTAL RUG: HAMADAN 3’5” x 5’5”Central medallion of faded gold and navy blue with a serrated arabesque edge. Red fi eld full of Heratipattern in blues, greens, pink, and ivory. Stylized elements throughout borders of ivory, red, and navyblue. 200/300689. ORIENTAL RUG: HAMADAN 3’7” x 4’9”Ivory pendant medallion at the center of a dark blue fi eld surrounded by a delicate red vine withfl owers and leaves in pink, blue, brown, yellow, ivory, and aqua. Red and blue spandrels. Ivory mainborder. 250/350690. ORIENTAL RUG: INDO-TABRIZ PRAYER 4’2” x 5’10”Brick-red fi eld contains lamp hanging from mihrab above a stylized fl ower vase below. Flanked eachside by traditional columns. Top with urns from which emerge stylized fl oral elements. Multiple borders ofdark blue, light blue, brown, pink, and ivory. 100/200691. ORIENTAL RUG: SAROUK-DESIGN RUNNER 2’9” x 9’0”Traditional clusters of fl owering branches in midnight blue, slate blue, green, gold, crimson, and ivory ona salmon fi eld. Midnight-blue main border fi lled with fl owers. 350/450692. ORIENTAL RUG: SERAPI DESIGN 8’2” x 9’10”Gabled central medallion of gold, midnight blue, and salmon on a rust-red fi eld with spandrels of ivory,salmon, and green. Traditional fl oral and foliate elements throughout. Midnight turtle border. 900/1,200693. ORIENTAL RUG: PERSIAN DESIGN 7’10” x 9’9”Floral central medallion in pastel shades of tan, pink, gray, blue, violet, and midnight blue on a richred fi eld of arabesque vines and fl ower blossoms on a tan fl oral subfi eld. Matching elements throughborders of light gray and midnight blue. 900/1,200693A. ORIENTAL RUG: HERIZ DESIGN 10’1” x 14’3”Dramatic lattice work rendered in light blue, dark blue, light green, gold, pink, brown, and ivory ontraditional brick red fi eld. Main border of navy blue contains fl ower blossoms, vine and serrated leaves.500/1,000694. ZINC GARDEN FOUNTAINDepicting a cherub and goose. Signed illegibly. Height 40”. 800/1,000
695. MARBLE AND BRASS-INLAID WOOD PLINTHIn walnut with satinwood inlay. Green marble inset to top. Height 45½”. Top 11” x 11”. 200/400696. LARGE COVERED MARBLE URNHeight 26”. 200/300697. DOME-TOP JEWELRY BOX Late 19th CenturyWith lift top. Brass and stained bone panels. Height 4½”. Length 6½”. Width 4¾”. 300/500698. CARVED GILTWOOD EAGLE AND ASSORTED GILT ITEMSTaken from a girandole mirror. Eagle has wingspan of 17”. 200/400699. PAIR OF CHAMPLEVÉ ENAMEL AND BRASS COVERED URNS 19th CenturyWith two handles. Affi xed covers. Heights 10”. 200/300700. TIFFANY & CO. BRONZE DOME-TOP CLOCKWith verdigris finish. Simulated leaf and scroll decoration. Height 7½”. Length 12”. 800/1,200701. UNUSUAL VELVET UNIFORM Late 19th CenturyIncluding a dark blue velvet jacket with rhinestone buttons and lace sleeves, blue velvet kneebreeches, blue velvet vest, cockade hat, silver threadwork sash, kid gloves, as well as a rhinestoneencrusteddress sword. All contained in a painted tin box marked “James Burdick, Esquire C.C.”. Madeby Wyatt and Bush Military Tailors, Cannon Street, London. 500/1,000702. BRONZE AMBOYNA INKSTAND French, 19th CenturyOrmolu ram’s-head and foliate-design form pen holder and ormolu mounts. Brass bun feet. Height 6¾”.Width 9¾”. Depth 4¾”. 200/300703. WHITE MARBLE PEDESTALWith square base, pear-shaped column with relief lotus leaves, and square tablet. Height 40”. 400/600704. UNUSUAL CARVED WOOD <strong>DECORATIVE</strong> CORNICE 19th CenturyIn crown form with orb and cross fi nial. Height 25½”. Width 20”. 300/500705. COMPOSITION FIGURE OF THE MADONNA & CHILD 19th CenturyIn standing position with antique clothing. Mounted on a giltwood base and marbleized pedestal.Overall height 28½”. 200/300706. JOAN FONTCUBERTA Spanish, 20th Century“Claviculas de Salomon”. Unsigned. Gelatin silver print, 13¼” x 10” sight. Framed. 300/500707. JED DEVINE American, b. 1944“Two Babes in our Cookshed Friendship, Long Island”. Provenance: Bonni Benrubi Gallery, New York.Palladium print, 10” x 8”. Framed. 200/300708. PETAH COYNE American, b. 1953“Untitled / The Debs, Alfred Hitchcock”. Provenance: Julie Saul Gallery.Gelatin silver print, 14” x 11”. Framed. 800/1,200709. YASUMASA MORIMURA Japanese, b. 1951“Self Portrait / Vivien Holding Camera 1996-7”. Edition 9/10. Provenance: Luhring Augustine Gallery, NewYork. Gelatin Silver Print, 17½” x 14”. Framed. 1,500/2,500710. GARY SCHNEIDER American, b. 1954“John With His Eyes Closed”. Titled and dated 1992 on reverse. Numbered 3/20. Gelatin print, 10” x 8”.Framed. 300/500711. ELLIOTT ERWITT American, b. 1928“East Hampton”. Signed in pen lower right “Elliot Erwitt”. Exhibited: A New Reality: Black-and-WhitePhotography in Contemporary Art. Zimmerli Art Museum at Rutgers University. Provenance: The Artist.Edwynn Houk Gallery, New York. Gelatin Silver Print, 11” x 14”. Framed. 800/1,200
712. JOAN MIRO Spanish, 1893-1983“Le Lezard aux Plumes D’Or”. Signed in pencil lower right “Miro”. Numbered in pencil lower left “51/100”.From a suite of 18. Published 1967. Reference: Miro Lithographs #III, #520. Provenance: Jo Ann PerseGallery, Chesterfi eld, MO. Private Collection, Cape Cod. Lithograph on paper, 13¼” x 39¾”. Framed.7,000/9,000713. FRAMED POSTER: “PARIS PRET A PORTER FEMININ” Late 20th CenturyBy Razzia. 34¾” x 23½” sight. 100/200714. FRAMED JOAN MIRÓ LITHOGRAPH Spanish, 1893-1983“Star Scene”. From the Sculpture Collector’s Limited. 16” x 20¾” sight. 400/600715. SALVADOR DALI Spanish, 1904-1989“Ascent of Gala”. Abstract with small image of Abe Lincoln in one of the squares. Signed in pencil in lowerright margin. Colored lithograph on paper, image size 24” x 16”. Framed. 150/200716. GENEVIÈVE CLAISSE SERIGRAPHGeometric design with squares and circles. Numbered 99 of 100. Signed in pencil. 31” x 25½”. Framed.600/800717. ANDY WARHOL American, 1928-1987”Campbell Soup Box 1985” Printed signature and copyrighted “Andy Warhol and Campbell SoupCompany 1985” in image. From a private collection of a former sales and marketing executive atCampbell Soups Silkscreen poster on paper, 30¾” x 20 ¼”. Unframed. 500/700718. LOWELL BLAIR NESBITT American, 1933-1993”Golden Arches”. Signed and dated in pencil lower right “Lowell B. Nesbitt 1961”. Titled in pencil lowerleft. Marked “Imp 6/15”. Woodblock print on paper, 11” x 16” sight. Framed. 400/600719. MARC CHAGALL Russian/French, 1887-1985Depicting a large bird and a female nude. Numbered 3/50. Titled lower left “Mer on Coq bleu”[?].Signed in pencil lower right “Chagall”. Together with a poetic description of ceramics on “ReserveMiramar ... Cannes” stationery signed “Marc Chagall”. Print, 16¼” x 12½” sight. Both framed. 1,000/1,500720. CLIFFORD ROSS American, b. 1952”Hurricanes XXVI-XXX”. Five views of crashing waves. Original presentation box with signed title page.Gelatin silver prints, each 2½” x 3” sight. Framed. 2,000/3,000721. LAURA AGUILAR American, Contemporary“Clothed / Unclothed #16”. 1992. Edition 4/10. Exhibited: A New Reality: Black-and-White Photographyin Contemporary Art. Zimmerli Art Museum at Rutgers University. Provenance: Susanne Vielmetter LosAngeles Projects. Collection of Arthur and Anne Goldstein, New Jersey. Gelatin silver diptych print, each16” x 20”. Framed. 100/150722. FRAMED PRINT BY JOHN LENNONDepicting a man at a piano. Numbered in pencil lower left “1539/5000”. Sheet size approximately36” x 24”. 300/500723. LIMOGES ENAMEL TRIPTYCH 17th/18th CenturyCentral panel depicting the crowning of a female saint, 10¾” x 7”, surmounted by a small oval paneldepicting the Crucifixion. Four separate panels on both sides, each consisting of two circular panelsdepicting figures of saints, diameters 3¾”, and two oval panels depicting Biblical scenes, lengths 2”.Mounted at a later date into a tooled leather container with a 20th Century lacquered wood base.Monogrammed “DCH”. Overall height 18½”. 10,000/20,000724. RUSSIAN ENAMEL-ON-SILVER ICONDated Moscow, 1861. Depicts the Madonna with Child and a saint. English hallmarks for sterling silver.12½” x 10½”. 1,000/1,500725. FRAMED RUSSIAN ICONHand-painted wood panel mounted behind a gilt silver plated oklahd. Oklahd 7½” x 5¾”. Overall11¼” x 9¼”. 600/900
726. RUSSIAN PARCEL-GILT SILVER ICONDated Moscow, 1854. Depicts Christ, the Virgin Mary, and Disciples. Giltwood shadow box frame.16” x 13½” overall. 1,500/2,000727. ORNATELY CARVED BLACK FOREST SIDEBOARD 19th CenturyIn mahogany. Backsplash with bird-and-dog-carved ends and central deer’s-head surmount. Centraldrawer fl anked by a double pedestal base, each pedestal with one door with high-relief fi gural carving.Overall height 68”. Working height 34”. Width 74”. Depth 28”. 1,500/2,500728. FRENCH THREE-DRAWER CHEST 18th CenturyIn walnut with original brasses. Height 35½”. Width 45”. Depth 26”. 3,000/5,000729. <strong>ART</strong>S & CRAFTS STAND Early 20th CenturyIn quarter-sawn oak with mortise and tenon construction. Gallery top with six-slat construction.Height 26½”. Top 14” square. 200/300730. TILT-TOP TEA TABLE Late 19th/Early 20th CenturyIn quarter-sawn oak with piecrust top, vasiform pedestal, and cabriole legs ending in camel’s-toe feet.Height 29”. Diameter of top 27¼”. 300/500731. CONTINENTAL ICON Probably Greek, 19th CenturyWood panel hand-painted with religious fi gure in a landscape with an unmarked silver oklahd. Twowords in Cyrillic at upper edge of panel. 12½” x 8”. 500/800732. ENGLISH LIFT TOP BOX Early 19th CenturyIn walnut with burlwood veneers. Interior lined with wallpaper. Height 4”. Width 15”. Depth 11”. 200/300733. LEATHER UPHOLSTERED SOFA Early 20th CenturyLight brown. High chair-like back and three-cushion seat. Large brass studs around edges. Length 76”.500/1,000734. TWO-P<strong>ART</strong> CARVED AND PANELED WOOD SIDEBOARD Second Half of the 19th CenturyIn walnut. Upper section with domed carved crest above domed mirror. Mirror fl anked by fl oral andfoliate carving and fl uted columns. Base with fi ve drawers and two cabinets. Height 76”. Width 72”. Depth26”. Formerly used in the Snow Inn, Harwichport. 500/1,000735. STAINED GLASS WINDOW Late 19th/Early 20th CenturyIn two pieces. Depicting a religious fi gure. Largest piece 69” x 25”. Smaller piece 25½” x 25”. 500/1,000736. CONTEMPORARY RECLINERWith dark green leather cushions on a laminated hardwood frame. 500/1,000737. L. & J.G. STICKLEY OAK SETTEEWith seven-splat back. Applied label. Replaced upholstery in green leather. Length 72”. Height 36”.3,000/4,000738. LARGE GILT-FRAMED MIRROR 20th CenturyFrame in foliate form. Height 42½”. 300/500739. QUEEN ANNE-STYLE DROP-LEAF DINING TABLEWith shaped corners and duck feet. Height 29”. Length 48”. Width 21” plus two 14” drop leaves. 150/200740. VENETIAN GLASS MIRROR Late 19th CenturyIn serpentine form with ribbon crest and fl oral embellishments. Length 27½”. Width 17½”. 250/350741. SIX ADAM-STYLE DINING CHAIRS ContemporaryIn cherry. Backs and seats upholstered in red and ivory fl oral stripe fabric. Two armchairs and four sidechairs. 500/700742. ANTIQUE EMPIRE SOFA 19th CenturyIn mahogany and mahogany veneers. Ogee backboard and apron. Figural needlework upholstery byAunt Bessie Thompson of Harwichport. “1926 Snow Inn” worked into upholstery pattern. Height 38½”.Length 82”. Depth 26”. Formerly used in the Snow Inn, Harwichport. 500/1,000
743. FRENCH LOUIS XIV-STYLE CURIO CABINETIn walnut with brass ormolu mounts. Curved sides and curved glass door. Lower panels with paintedlandscapes. Height 68”. Width 28”. Depth 13½”. 600/900744. FRENCH FRUITWOOD SIDE CHAIR Late 19th CenturyIn shell form on a tripod clawfoot base with central vasiform pedestal. Traces of polychroming andgilding. Height 22”. 400/600745. VICTORIAN CYLINDER DESKIn walnut. Molded top edge and serrated, carved frieze above paneled cylinder lid. Brass and ebonizedhardware. Interior with pigeon holes and red leather writing surface. Lower case with two drawers andbrass ring pulls. Octagonal-cut and turned legs. Height 47½”. Width 43”. Depth 26”. 400/600746. TWO CAMPAIGN-STYLE TWO-DRAWER END TABLES ModernIn pine with brass hardware. Heights 21”. Lengths 30”. Depths 16½”. 200/400747. QUEEN ANNE-STYLE DROP-LEAF BREAKFAST TABLE First Half of the 20th CenturyBench-made in mahogany with oval top, carved and shaped apron, and cabriole legs ending inQueen Anne padded feet. Retains label for Paine Furniture Company. Height 27”. Length 30½”. Widthwith leaves down 12”. 400/600748. CHIPPENDALE-STYLE OVAL BUTLER’S TRAY COFFEE TABLEAttributed to Baker Furniture Co. In mahogany with central patera inlay and segmented fl ame grainpanels. Four hinged sides. Square molded legs with fret-carved brackets and cross stretcher. Height 18”.Length 41”. Width 31”. 300/500749. <strong>ART</strong>S & CRAFTS LIBRARY TABLE Early 20th CenturyIn quarter-sawn oak, which appears to retain original fi nish. Mortise and tenon construction. Red vinyltop with brass tacks. Two drawers below with heavy brass hardware and square oak knobs. Height28½”. Width 44½”. Depth 23½”. 800/1,200750. <strong>ART</strong>S & CRAFTS ROCKER AND ARMCHAIR Early 20th CenturyIn quarter-sawn oak with mortise and tenon construction and red vinyl slip seats. Both appear to retainoriginal fi nish. 500/800751. EMPIRE MARBLE-TOP PIER TABLEIn mahogany veneers. Recessed mirror back below fl anked by scrolled supports and legs. Height 35½”.Width 40”. Depth 16½”. Formerly used in the Snow Inn, Harwichport. 500/600752. <strong>ART</strong>S & CRAFTS FIRE SCREEN First Quarter of the 20th CenturyIn quartered oak frame with large painted mica panel of a red house flanked by trees. Height 34”.Width 36”. 300/500753. FRENCH EMPIRE DAY BED 19th CenturyIn mahogany and mahogany veneers. Side panels with turned top rails. Front of panels feature fullturnedcolumns with brass capitals and feet resting on cylindrical bases terminating in tapered turnedfeet. Height 43”. Width 74”. Depth 47”. 300/400754. FRAMED MIRROR 20th CenturyIn select yew wood veneers with cut and beveled corners. Height 36”. Width 31½”. 400/600755. AMERICAN CHERRY SIDEBOARD First Quarter of the 20th CenturyThree drawers across the top with open central cupboard fl anked by two closed-face cupboardsbelow. Drawer facings with fl oral garland carving. Doors with recessed sunburst carvings. Fluted andfoliate-carved legs. Brass mounts and back rail. Illegible maker’s stamp inside drawer. Overall height 47”.Width 72”. Depth 23½”. 600/900756. EMPIRE-STYLE ADJUSTABLE-HEIGHT COFFEE TABLEIn mahogany. Highly fi gured circular top and octagonal pedestal set on a square platform with concavesides. Retains old label for Old Colony Furniture. Lowest height 20½”. Diameter 36½”. 150/250
757. MODERNIST SIDE CHAIR AND SMALL TABLE 20th CenturyBy Richard Judd. Chair with bird’s-eye maple back with ebony diamond-form inlays. Black leather seatand ebonized seat frame and legs. Two-tier table in wavy cherry with ebonized legs. Height 27”.Top 13¼” square. 500/1,000758. OAK LIBRARY TABLE Late 19th/Early 20th CenturyWith fl oral-carved top and carved, fl uted, and spiral-columned legs. Height 29¾”. Length 45”. Width 30”.500/800759. GILT GIRANDOLE MIRROR Early 19th CenturyIn circular form with eagle crest, acanthus leaf carving, and sixteen ball embellishments about the bezel.Diameter of mirror 17½”. Height 40½”. 1,500/2,000760. BENCH-MADE CHIPPENDALE-STYLE BLOCK-FRONT DRESSING TABLEIn mahogany. Two drawers with brass hardware. Cyma-curve legs ending in claw & ball feet. Height28¼”. Width 30”. Depth 18¾”. 300/500761. CONTINENTAL CARVED WOOD DESK STANDISHIn walnut in the form of a hawk with prey on a bed of oak leaves. Two clear cut glass ink bottles with oakleaf-form stoppers. Signed on back “Bergin”. Height approx. 6½”. Width 14½”. Depth 12½”. 300/500762. CAROLINIAN-STYLE SIDE CHAIR 16th/17th CenturyWith pierced carved crest, shaped legs, pierced stretcher, and claw feet. 300/400763. ANTIQUE ANGLO-INDIAN CARVED WOOD AND IVORY SEWING BOX First Half of the 19th CenturyIn teak and other woods. Elaborate carving. Carved and inlaid fitted interior with one cylindrical ivory boxremaining. Brass side handles. Brass ball feet. Height 5”. Width 13½”. Depth 9¼”. 500/800764. SWISS TEN-TUNE MUSIC BOX 19th CenturyIn walnut veneer case with fl oral inlay to lid and front. European and American tunes. Working order. Noteeth missing. Height 6”. Width 23½”. Depth 9½”. 400/500765. FEDERAL-STYLE FENESTRATED BRASS FIRE FENDERHeight 11½”. Length 52”. 200/400766. IRON TRIVET French, 18th CenturyTogether with a separate rotating trivet of the same age. Height 6”. Longest length 29”. Diameter 9”.200/300767. ANTIQUE BRASS FIRE FENDER Circa 1820Paw feet. Height 9”. Width 41”. Depth 12½”. 200/250768. PAIR OF BRASS CANDLESTICKS Continental, Late 18th/Early 19th CenturyEngraved stems and bases. Heights 10¾”. 150/250769. RARE AND UNUSUAL TRENCH <strong>ART</strong> TAZZA Early 20th CenturyDepicting a soldier with a machine gun in the field. Made from the brass bottom of a artillery shell. Affixed toa marble foot. Signed illegibly at lower right. Height 2½”. Diameter 4¾”. 100/200770. MAJORELLE CATHAY TABLE Circa 1910In wrought iron and pink marble with Art Nouveau curvate legs. Diameter 24”. Height 29”. 400/600771. CHINOISERIE-DECORATED TEA CANNISTER Late 19th CenturyDecorated with an Alpine village and chinoiserie motifs. Height 19¾”. 150/200772. PAIR OF MASSIVE BAROQUE-STYLE IRON ANDIRONS French, Late 19th CenturyHeavily scrolled with swing arms. In black paint with rust. Sent home to America by WWI Americanoffi cer stationed in France. Each approx. 80 lbs. Heights 41½”. 500/1,000773. DESK STANDISH Late 18th/ Early 19th CenturyIn brass with center taper stick, two later cut glass ink bottles. Length 12½”. Height 3¾”. 100/200
774. PAIR OF CAST BRONZE URNS Late 19th/Early 20th CenturyWith ancient scenes of chariots and cherubs, and molded grape decoration. Heights 22”. 250/350775. FIVE ENGLISH PEWTER PIECES London, 18th CenturyIncludes two large platters, one smaller platter, and two dishes. Maker’s mark for Samuel Ellis. Somemonogrammed. Diameters 15”, 11¾” and 7⅞” respectively. 300/500776. MODERNIST NAUTICAL SCULPTURE Circa 1960-1970Depicting three sailboats and six birds in brass, wrought iron, and bronze. Signed “C. Jere”. Height 21½”.Length 49”. 300/600777. RELIGIOUS SHADOW BOX Probably German, 19th CenturyDepicting an altar made of metal and paper. 12” x 10” sight. 300/400778. ALUMINUM TEA SET ContemporaryIncludes teapot, sugar bowl, and salt & pepper in fl ying saucer form, and a tray. All with burnished fi nishand gold rims. Gold band at top of tray, length 16½”. 300/500779. FRAMED PUB SIGN 19th CenturyDepicting a puppy holding an umbrella while balancing on a stool. All set on a platform representingthe British fl ag. Height 25½”. 800/1,200780. ENGLISH TRADE GORGET Circa 1814With bronze royal seal and sterling silver keepers buttons dated 1814. Touchmark “P. H.” for PierreHuguet dit Latour (Montreal, 1771-1829). Length 4”. 200/300781. COLLECTION OF THIRTY-THREE ASSORTED HELMET PLAQUES Early 20th CenturyFrom WWI, mostly French. 300/500782. DOUBLE-EDGED SWORD Chinese, 20th CenturyWith brass-mounted handle and scabbard. Length blade 15¾”. 80/120783. PAIR OF WALNUT-FRAMED PHOTOGRAPHS Late 19th CenturyHand-colored portraits on milk glass. Original labels on back. By “James Cremer’s” portraits. Each5”x 3½” sight. 400/600784. PAIR OF LARGE CHINESE COMPOSITE AND LAQUER QUAILHeights 17”. Lengths 21”. 200/300785. GIOVANNI BATTISTA Italian, 1860-1925The bay of Naples. Signed lower left “G. Battista”. Gouache on paper, 13½” x 19½” sight. Framed.1,500/2,000786. ATTRIBUTED TO JAN-DIRKSZ BOUTH Dutch, 1618-1952Rural landscape with peasant fi gures and cattle at a bridge. On tin, oval 14” x 19½”. Framed.3,000/5,000787. THERESE FUCHS German, 1849-1898Fjord. Signed lower right “Th. Fuchs Dusseldorf 1886”. Oil on canvas, 32” x 48”. Unframed. 800/1,200788. EDWARD HARRISON COMPTON English, 1881-1960Winter mountain landscape. Signed and dated lower right “E. Harrison Compton 1948”.Oil on canvas, 16” x 24”. Framed. 1,000/1,500789. ATTRIBUTED TO PETER VON BEMMEL German, 1685-1754House on a riverbank. Signed in lower margin “Peter von Bemmel”. Pencil on paper, 8” x 10”. Unframed.200/300790. FRITZ CHWALA Austrian, 1872-1936Home on a mountain stream. Signed lower right “F. Chwala”. Oil on canvas, 22” x 27”. Framed.700/1,000
791. CONTINENTAL SCHOOL 20th CenturyPeasant working in the fi elds. Singed lower left “Vincent”. Oil on paper, 9” x 12½”. Framed. 200/300792. THEODORE ALEXANDER WEBER German, 1838-1907”Hafen Von Fecamp”. (The Port of Fecamp) Signed lower left “Th. Weber”. Titled on a French gallery labelverso. Fecamp is a port on the northern coast of France. Oil on canvas, 19½ “x 32”. Framed. 1,000/1,500793. RUDOLF GIFFINGER German, 19th CenturyA river cascading through the mountains. Signed lower right “R. Giffinger”. Oil on canvas, 32 “x 20”. Framed.800/1,200794. ADOLPHE FRÉDÉRIC LEJEUNE French, 1879-1912Landscape with distant mountains. Signed lower right “A.F. Lejeune”. Oil on canvas, 24” x 29½”. Framed.700/1,000795. JOSEF THOMA Austrian, 1828-1899An expansive view with mountains and lake. Signed lower right “J. Thoma”. Oil on canvas, 29” x 40”. Framed.3,000/5,000796. ALFRED WILLIAM STRUTT British, 1856-1924”Stop! Stop!! Stop!!!” Two greyhounds chasing a rabbit. Signed lower left “A.W. Strutt 81”. Pen and inkdrawing on paper, 11½” x 16¾”. Framed. 500/700797. AMERICAN SCHOOL Circa 1930Two works: Nudes. One depicting a reclining nude gazing at the sky signed illegibly lower right. The otherdepicting two nudes at the beach. Watercolors on paper, 15” x 19” sight. Framed. 300/500798. FRAMED PAINTINGFrench street scene. Signed lower right “Aldo”. Oil on canvas, 18½” x 22”. 120/180799. JULIUS ZOPF Austrian, 1838-1897Austrian home in the mountains. Signed lower left “J. Zopf”. Oil on canvas 27” x 41½”. Unframed. 800/1,200800. FERDINAND LEPIE Czech Republic, 1824-1883”Blick Auf Gmunden” (View of Gmunden, Austria). Signed lower right “F. Lepie”. Titled in later hand onreverse. Oil on canvas laid down on board, 27½” x 39”. Framed. 1,500/2,500801. HAHN VIDAL American, Contemporary”Larkspur”. Depicting bouquet of blue and white larkspur in a white vase. Inscribed in marker on reverse“Larkspur”, “Hahn Vidal London 66”.” Signed lower right “Hahn Vidal.” Oil on canvas. 30” x 20”. Framed.800/1,000802. GEORGES LE MEILLEUR French, 1861-1945”Autumn in Normandy”. Signed faintly lower left. Titled and identifi ed on frame plaque. Oil on canvas,35” x 46”. Framed. 800/1,200803. PAIR OF FRAMED MINIATURE PAINTINGS ON IVORY Late 19th/Early 20th CenturyBoth with classical scenes. One signed illegibly middle right. Each 2¼” x 3¾”. 180/250804. PAIR OF FRAMED MINIATURE PORTRAITS ON IVORY Late 19th/Early 20th CenturyDepicting Napoleon and Josephine. Both signed middle right “Dimarc”. Each 3¾” x 2½” sight. 200/250805. FRAMED PAINTINGFishing boat at dock. Signed lower right “Aldo”. Oil on canvas, 18½” x 22”. 120/180806. OTTO SCHEUERER German, 1862-1934Barn interior with chickens. Signed illegibly lower left “Otto Scheuerer Mil (?)”. Oil on board, 5½” x 7”. Framed.300/500807. H. BATES English, Late 19th CenturyA fi sherman on a mountain lake. Signed lower right “H. Bates”. Oil on canvas, 20” x 30”. Framed. 500/800
808. FRAMED PAINTINGFlemish landscape. Oil on panel, 8½” x 9½”. 500/700809. HEINRICH LUDWIG FRISCHE German, 1831-1901Mountain cliff with river. Signed lower right “H. Frische”. Oil on canvas, 28¼” x 24”. Framed. 1,500/2,500810. CONTINENTAL SCHOOL Early 20th CenturyA gondolier on a Venitian canal. Signed lower left “B. D....”. Watercolor on paper, 12” x 6¼” sight. Framed.300/500811. FRAMED PAINTING Late 19th/Early 20th CenturyShepherd with sheep on left, and a pond in foreground. Illegible signature lower right. Oil on canvas,16” x 24”. 500/800812. PAIR OF QADJAR-STYLE MINIATURE PORTRAITS ON IVORY Late 19th CenturyDepicting royal princesses. Oval lengths 2¼” Framed. 300/400813. PAUL GEHRMANN German, b. 1861”Stilleben mit Äpfel, Weintrauben und Krug” (Still Life With Apples, Grapes, and a Pitcher). Signed lowerright “P. Gehrmann”. Provenance: Dorotheum. April 07, 1998. Lot 70. Oil on board, 22” x 16½”. Framed.600/900814. MADOLIN VAUTRINOT French, b. 1913”South Jersey Landscape”. Signed lower left “Vautrinot”. Titled on an Associated Artistsof Pittsburgh label on reverse. Oil on canvas, 18” x 22”. Framed. 400/600815. FRAMED MAP “SURREY” 18th CenturyBy Robert Morden. 14½” x 16¾”. 250/350816. FRAMED MAP OF SURREYEngraved by J. Cary. Published by John Stockdale in 1805. 16” x 19¾”. 250/350817. CLAUDE ALIOTTI French, 1925-1989”House by a Pond”. Signed lower left “Aliotti”. Oil on canvas, 15” x 24”. Framed. 400/600818. FRAMED MAP BY F. BERTINDepicting the Roman Empire. Dated “1694”. 19” x 24”. 300/500819. MAP OF ENGLANDBy Robert Morden. Dated verso 1695. 14½” x 17½” sight. Nicely matted and framed. 250/350820. 2003 CADILLAC DEVILLE DHS FOUR-DOOR SEDANIn red with tan and brown leather interior, digital instrument panel, V8 automatic, factory chrome rims,and moon roof. Equipped with “On Star”, CD, cassette, and AM-FM radio. Air-conditioning. 48,000 miles.5,500/7,500821. 1983 PORSCHE 911 SC CABRIOLET CONVERTIBLE6 cylinder, 5-speed. White with black top and interior. Factory original wheels. 20,000/25,000822. PAIR OF GILT-METAL, MARBLE, AND GLASS GIRANDOLES 19th CenturyIn the form of birds on fl owering branches. Clear pendant prisms. Marble base. Heights 13½”. 100/150823. BARBEDIENNE FOUNDRY BRONZE FIGURE 19th CenturyDepicting a classically dressed woman leaning on a rocky outcropping. Marked. Height 10”. 400/600824. TULIP TABLE AFTER EERO SAARINEN American, Circa 1965Oval-top pedestal table in cast aluminum and fi berglass. Height 28”. Length 77”. 1,000/1,500825. EIGHT CHAIRS AFTER EERO SAARINEN American, Circa 1965Two armchairs and six side chairs in cast aluminum. 1,000/1,500826. PAUL MCCOBB TWO-DRAWER DESK AND CHAIRDesk in maple with brass knobs. Turned legs. Height 29½”. Width 48”. Depth 24”. 200/400
827. PAIR OF PAUL MCCOBB ONE-DRAWER END TABLESIn maple with turned legs. Heights 24”. Widths 22”. Depths 17¼”. 200/400828. PAUL MCCOBB DRESSERIn maple with ten drawers fl anked by two compartmented cabinets. Brass knobs. Straight legs. Height33½”. Width 72”. Depth 18¼”. 500/800829. ADAM-STYLE DINING TABLE First Half of the 20th CenturyCut-cornered top features select veneers of varied woods and inlays. Tapered fl uted legs with carvedrosettes at top and foliate carving at foot. Height 29½”. Length 68”. Width 45½” plus one 11” leaf.1,200/1,800830. MODERNIST BLANKET CHEST 20th CenturyMaker unknown. Nicely fi gured maple and hardwood veneers. Lift top opens to reveal two upper trayswith storage below. Height 23¾”. Width 47”. Depth 23”. 500/800831. PAUL MCCOBB FOUR-DRAWER DRESSERIn maple with brass knobs. Turned legs. McCobb label on inside of top drawer. Height 41”. Width 36”.Depth 18¼”. 200/400832. HEPPLEWHITE-STYLE CARD TABLEIn mahogany and mahogany veneers with satinwood inlay. Height 30½”. Length 36”. Depth 17¾”. 400/700833. VICTORIAN UPHOLSTERED SOFA Circa 1900In walnut with carved crest. Floral upholstery. Height 42”. Length 67”. Formerly used in the Snow Inn,Harwichport. 120/180834. ENGLISH CHEST OF DRAWERS 19th CenturyIn select mahogany veneers with light string inlay. Three drawers with recessed molded diamond andhalf-moon forms to top and middle. Height 31”. Width 29”. Depth 18½”. 300/500835. CHINESE CARVED HUNG MU WOOD LOW STAND Late 19th/Early 20th CenturyBamboo-carved legs and foliate and berry-carved skirt. Height 17”. Top 13½” x 13½”. 150/250836. ANTIQUE ENGLISH BOWFRONT SERVER Early 19th CenturyIn mahogany with banded mahogany veneer at top. Molded tapered front legs end in spade feet.Turned tapered back legs. Height 36”. Width 82¼”. Depth 24”. 1,200/1,800837. KITTINGER CHIPPENDALE-STYLE SIDEBOARDIn mahogany veneer with satinwood banded inlays. Brass pulls. Six drawers and two doors. Ogeebracket feet. Branded on inside of center drawer. Height 37”. Length 65”. Depth 20½”. 400/600838. PAIR OF QUEEN ANNE-STYLE WING CHAIRS ModernWith carved cabriole legs. Light green upholstery with pink piping. Formerly used in the Snow Inn,Harwichport. 100/200839. FEDERAL-STYLE LOVESEATMahogany frame with foliate-carved crestrail ending in cornocopia. Paw feet. Satin rust-colored fl oralupholstery. Length 55”. 400/700840. BOWFRONT CHINA CABINET Late 19th CenturyIn mahogany with bowed sides and claw & ball feet. Height 67½”. Width 38”.Formerly used in the Snow Inn, Harwichport. 300/500841. WOODEN EASEL 20th CenturyWith carved foliate decoration. Height 74½” 200/400842. SET OF TEN HEPPLEWHITE-STYLE DINING CHAIRS BY JAEGER & ERNST 20th CenturyTwo armchairs and eight side chairs in Hawaiian koa wood with foliate-carved vertical splats and moldedfront legs with spade feet. Seats upholstered in lilac-colored leather. 1,500/2,000
843. SIDE CHAIR BY ÉDOUARD DIOT 20th CenturyWalnut frame with delicate Art Nouveau lines. Back and seat nicely reupholstered in an ivory print.500/1,000844. SET OF ANTIQUE SHERATON LIBRARY STAIRS First Quarter of the 19th CenturyIn mahogany with two steps, curved carved rail, and tapering turned legs. Height 22”. Width 20”.Depth 20”. 400/600845. SCANDINAVIAN OAK ARMCHAIR Dated 1791With rush seat, pierced ‘death head’ back splat, scrolled arms, and turned stretcher base. Crestinscribed “17 M. K. 91”. 300/400846. PAIR OF FANCY BRASS CHENETS 20th CenturyWith fenestrated spire tops. Mythological bird and lion motif. Paw feet. Heights 21½”. Depths 21½”. 200/400847. MEXICAN HARD FRUITWOOD BANQUET TABLEFrom Nogales, Mexico. With cabriole legs, linen-fold skirt, and a two-hundred-year-old top insert. Hiddendrawers at each end. Length 92¼”. Width 39”. Height 31”. 2,000/2,500848. SIX MEXICAN HARD FRUITWOOD DINING CHAIRSFrom Nogales, Mexico. In conquistador style with carved arms and rust-colored leather seats and backs.1,500/2,000849. SECTIONAL THREE-P<strong>ART</strong> DINING TABLE BY JAEGER & ERNST 20th CenturyIn Hawaiian koa wood. Carved molded top with exceptional grain and molded edge. Each section ona three-legged pedestal base with ribbed molding at top of legs and stepped molding at feet. Height30”. Length 120”. Width 48”. Note: Can also be used as a two-part table, length 80”. 1,500/2,500850. THREE-PIECE CAST IRON GARDEN FURNITURE SET Late 19th/Early 20th CenturyIncluding garden bench and two chairs. Heavy foliate design with geometric circular design on seats. Inwhite paint. Length of bench 59½”. 800/1,200851. PAIR OF CLEAR GLASS CANDLESTICKS Second Half of the 19th CenturyWith cut bases. Pale salmon glass hurricane shades with star cutting (fi rst half of the 20th Century)epoxied to candlesticks. Heights overall 15½”. 300/500852. LEADED GLASS SHADE TABLE LAMPPossibly by Doffner & Kimberly. Shade glass in custard yellow with green and peach fl oral design at loweredge. Bronze base with foliate moldings. Height overall 24¼”. Diameter of shade 18”. 500/1,000853. HANDEL TABLE LAMP Early 20th CenturyReverse-painted landscape decoration on a glass shade. Brass base. Lamp marked with a cloth labelon underside of base. Height 23½”. Diameter of shade 17¾”. 1,200/1,800854. HEAVY GILT-BRONZE CANDELABRUM Last Quarter of the 19th CenturyCentral electrifi ed socket surrounded by six arms with electrifi ed sockets. Foliate and fi gural moldings.Height 28½”. 1,200/1,800855. RARE SABBATH CHANDELIER Probably Dutch,18th CenturyIn brass. Five-arm candle socles with fi ve-point pan light below. Height 14¾”. Width 15¼”. 500/1,000856. MID-CENTURY LAMP Mid-20th CenturyIn brass and wood. Drum shade. Height 31½”. 100/200857. ‘GONE WITH THE WIND’ LAMP Late 19th CenturyRed body with gilt decoration of pond lilies. Matching shade. Height 25¾”. 180/250858. ‘GONE WITH THE WIND’ LAMP 19th CenturyRed glass body in a molded fl oral form. Matching shade. Height 26½”. 180/250859. PAIR OF FIVE-SOCLE BRONZE CANDELABRA Late 19th CenturyIn rococo style with foliate elements. Heights 22½” including fi nials. 300/500
860. ENAMELED BRONZE SCULPTURE OF A FROGBy Tim Cotterill (British, b. 1950). With reed and ladybug. Signed on base “Tim Cotterill 75/2000.” Height6”. Length 14”. 1,500/2,000861. ENAMELED BRONZE SCULPTURE OF A FROGBy Tim Cotterill (British, b. 1950). Frog with leg hanging over edge. Signed illegibly on inside right thigh.Height 13”. 600/900862. ENAMELED BRONZE SCULPTURE OF A FROGBy Tim Cotterill (British, b. 1950). Frog peeking over edge. Signed “92 Tim Cotterill 303/1000.” Length 13”.800/1,200863. ENAMELED BRONZE SCULPTURE OF A FROGBy Tim Cotterill (British, b. 1950). Frog in seated position. Signed on base “Tim Cotterill 49/1000.” Height 3”.300/500864. ENAMELED BRONZE STATUE OF A FROGBy Tim Cotterill (British, b. 1950). Frog stretched out and holding a ball. Signed on base “96 Tim Cotterill40/1000.” Length 9”. 800/1,200865. LOETZ <strong>ART</strong> GLASS VASE Early 20th CenturyIn squared ovoid form with iridescent blue-gold color. Height 8½”. 100/200866. ITALIAN GILT-METAL WALL-MOUNTED CANDELABRA Mid-20th CenturyWith eleven socles. Height 38”. Width 44½”. 200/400867. AFTER HIPPOLYTE FRANÇOIS MOREAU French, 1832-1927”L’Histoire”. Signed on base “Hip Moreau”. Pot metal sculpture, height exclusive of base 28”. 700/1,000868. TOMMASO CAMPAIOLA Italian, 20th CenturySpear-wielding warrior on horseback. Signed on back “T. Campaiola”. Bronze, 25” to top of spearexclusive of white marble base. 1,500/2,500869. SHEET METAL FIGURE OF TUBA PLAYER Mid-20th CenturyBlue, gold, and red highlights. Height 40”. 150/250870. BRONZE SCULPTURE OF A WHIPPET 20th CenturyMounted on a black mottled marble base. Bronze base signed “E. Fremiet”. Overall height 9½”. Overalllength 12”. 200/400871. CEMENT GARDEN SCULPTURE OF A FISH 20th CenturyHeight 14½”. Length 33½”. 200/300872. JAPANESE CERAMIC VASEIn waisted form. With decoration of crane and young in a pine tree landscape on a light blue ground. Paintedgold highlights. Mounted as a table lamp. Height including finial 40½”. 150/200873. PAIR OF BRONZE TWO-SOCLE SCONCES 19th CenturyIn a classical design. Lengths 13½”. 400/500874. NICKEL-PLATED STUDENT’S LAMP 19th CenturyWhite glass shade with green exterior fi nish. Height 21½”. 350/450875. LÉOPOLD CLÉMENT STEINER French, 1853-1899A young girl with a washbasin. Signed on base “L. Steiner”. Thiébault Frères, Paris, foundry mark on base.Bronze, height 9”. 300/500876. ENGLISH TEA CADDY WITH BURL WOOD VENEER 19th CenturyBrass mounts and feet. Interior reveals two covered compartments. Height 6¾”. Length 9¾”. Depth 6”.200/300
877. PIETRO BAZZANTIItalian, 1825-1895Carved bust depicting a classical male fi gure. Stepped base. Signed on back “P. Bazzanti.”White marble, height 13¾”. 400/600878. JOSEPH <strong>ART</strong>HUR COLETTIAmerican, 1898-1973 Seated female nude fi gure in a reclining positiion. Ochre fi nish, worn. Signed onbase “Joseph Coletti, 1938”. Plaster casting, height overall 46”. Length 43”. Depth 17”. 500/600879. PATINATED METAL TABLE LAMPIn a brown, beige, and off-white mottled pattern. In the form of a vase on a pedestal base. Plaquemounted to side of base inscribed “Lampe a Moderateur ...”. Height 33”. 100/200880. PAIR OF VENETIAN GLASS MIRRORED SCONCES Early 20th CenturyIn basket form with engraved fi gural design. Lengths 10”. 200/300881. PAIR OF BIRD’S-FOOT LAMPS 20th CenturyIn aluminum. Heights 33”. 200/400882. FRAMED ENGRAVING FROM A PAINTING BY ROSA BONHEUR”Morning in the Highlands”. Printed by Charles Lewis. “London, Published March 15, 1859 by E. Gambert& Co. 25 Berners St, Oxford St, London & 8 Rue de Bruxelles, Paris.” Inscribed “To William Wilson, Esqof Banknock, this engraving from this picture in his gallery. Is respectfully dedicated by his ObedientServents. E. Gambert & Co.”. 20” x 33” sight. 500/600883. FRAMED COLORED ENGRAVING 19th Century”Summer Amusement”. After George Morland. Mat opening 17” x 22”.Formerly used in the Snow Inn, Harwichport. 50/100884. PAIR OF FRAMED COLORED ENGRAVINGS 19th Century”The Dairy Farm” and “Milk Maid and Cow Herd”. After George Morland. Mat opening 19½” x 15”.Formerly used in the Snow Inn, Harwichport. 50/100885. FRAMED COLORED ENGRAVING 19th Century”Saturday Evening, The Husbandman’s Return From Labour”. After George Morland. Mat opening 17” x22”. Formerly used in the Snow Inn, Harwichport. 50/100886. SALVADOR DALI Spanish, 1904-1989”The Battle of Tetuan”. Signed in pencil lower right margin, and numbered “hc 12/90” lower left. Coloredlithograph on paper, image size 17” x 22½”. Framed. 300/500887. FRAMED ENGRAVING 19th CenturyCherubs. Black and gilt reverse-painted glass mat. Oval mat opening. Framed size 17” x 12”.Formerly used in the Snow Inn, Harwichport. 80/100888. THREE FRAMED LEONOR FINI PRINTSAll fi gural. Each numbered and signed in pencil lower right “Leonor Fini”. Each 18” x 14” sight. 500/1,000889. GENEVIÈVE CLAISSE SERIGRAPHGeometric design with squares and circles. Numbered 99 of 100. Signed in pencil. 31” x 25½”. 600/800890. FRAMED BOOK PAGESAttributed to the printing of Peter Drach. Complete with typewritten note “Conjoint pair of specimenleaves from Conradus de Alemania’s Latin Concordance to the Bible printed in Speier by Peter Drach in1485 ...”. 18¼” x 24½” sight. 300/500891. PAIR OF TWO FRAMED ENGLISH HAND-COLORED LITHOGRAPHS 19th Century1) “Westminster Abbey, St. Margaret’s Church & the New Square From Parliament Street”, plate no. 147.Published by R.H. Laurie, July 20th, 1822. Mat opening 11¾” x 17¾”. 2) “A View of the Royal Palace ofWindsor / Vue du Palais Royal de Windsor”, plate no. 42. Published by Laurie & Whittle, May 12th, 1794. Matopening 10¼” x 16”. Overall framed size of each 20½” x 25½”. 250/400
892. PAIR OF FRAMED HAND-COLORED ENGRAVINGS 19th Century1) “Le Fermier Bienfaisant”. Marked “A Paris, chez Bulla, Rue St Jacques No. 38” and “Dessiné et Gravépar Moreau” and “Déposé au Bureau des Estampes”. 2) “Une Jeune Fille Imploré Du Secours Pour SonPère”. Unmarked. Mat opening, 10½” x 13¾”. 250/400893. ROBERT SWAIN GIFFORD American, 1840-1905Three unframed etchings: 1) “Summer Storm”, plate line approximately 3¾” x 7¾”. 2) “Palestine”, plateline approximately 7¼” x 5¼”. 3) “Near the Coast”, plate line approximately 7” x 10¾”. All signed inpencil. 200/300894. FIVE FRAMED HAND-COLORED BOOK PLATES 19th CenturyAll aquatic subjects. 10½” x 8” and 8¼” x 5¾” sight. 120/180895. FRAMED HAND-COLORED BOOK ENGRAVING London, Circa 1743From William Cavendish’s “A General System of Horsemanship in All Its Branches”. 15¼” x 20” sight.Framed. 150/250896. MARIUS GUSTAVE REYNAUDFrench, 1860-1935View of the Baie d’Alger. Signed lower left “M. Reynaud”. Almost the identical scene as “La Baie d’Alger”.Artcurial Briest Le Fur Poulain F. Tajan, 12/2/2009, lot 33. Oil on canvas, 17½” X 38¼”. Framed. 5,000/7,000897. JOSEPH THORSEnglish, Circa 1843-1898Rural river landscape. Signed lower left “J. Thors”. Oil on canvas, 21” x 17”. Framed. 1,200/1,500898. JAN SUMIGAPolish, 1944-2005Mythical scene. Signed lower right “Sumiga”. Acrylic on canvas, 29” x 21½”. Framed. 300/500899. JULIUS FRIEDRICH LUDWIG RUNGEGerman, 1843-1922Fisherman hauling nets. Signed lower left “J. Runge”. Oil on canvas, 20” x 32”. Framed. 800/1,200900. FRAMED PORTRAIT ON COPPER Probably Continental, 19th CenturyDepicting a young woman holding a potted plant. Oval, 8” x 6”. 500/700901. FRAMED MAP “ISLE OF WIGHT” 19th Century7¾” x 10” sight. Beautifully framed and matted. 180/250902. FRAMED MAP OF MONMOUTHSHIRE 19th Century10¼” x 7¾” sight. Nicely framed and matted. 200/300903. SYDNEY ROBERT WATSONEnglish, 1892-1976Panoramic seascape. Signed in monogram lower left. Provenance: Wolf’s Cleveland Ohio.Oil on board, 12” x 22”. Framed. 300/500904. CONTINENTAL SCHOOLLate 19th CenturyTravelers in mountain vista. Unsigned. Oil on canvas, 22¾” x 18½”. Framed. 400/600905. OSCAR LEUGerman, 1864-1942Pastoral landscape with cows. Signed lower left “Oscar Leu”. Oil on board, 11” x 15”. Framed. 600/900906. NIKOLAI VASILIYEVICH OVCHINNEKOVRussian, 1918-2004Birch trees. Signed in Cyrillic lower right. Oil on board, 19” x 31”. Framed. 400/600
907. UNFRAMED MAP OF GREECE AND WESTERN TURKEYEntitled “Graeciae Antiqvae Tabvla Nova in qua locorum situstum ad distantias itinerarias tum adObservationes Astronomicas exactus accurante Christophoro Weigelio.” 14⅛” x 16½”. 150/250908. COLORED “MAP OF SOUTH AMERICA””With all the European Settlements & whatever else is remarkable from the latest & best observations.”Undated. 19¾” x 15” sight. Matted and framed. 150/250909. COLORED MAP OF SOUTH AMERICA”A Chart of the Southern Part of South America; With the Track of the Centurion from the Island of St.Catherines to the Island of Juan Fernandes ... “ 20¼” x 19¼” sight. Matted and framed. 150/250910. FRAMED MINIATURE PORTRAITBust portrait of a woman in a blue bonnet, oval, 2½” x 2”. Ivory and shell frame, 4½” x 4¼”. 200/300911. FRAMED PAINTING ON WOOD Late 18th/Early 19th CenturyDepicting Neptune and other deities surrounded by nude female figures. Diameter 3”. 300/400912. FRAMED DOUBLE-SIDED ILLUMINATION ON VELLUM 16th/17th CenturyDepicting a hand-wrought Biblical verse with painted red, blue, and gold decoration about the edges.15” x 10”. 400/500913. EDWIN B. CHILD American, 1868-1937Portrait of a woman wearing a black dress and white fur stole. Signed lower right. Dated 1926. Oil oncanvas, 29½” x 24”. Framed. 400/600914. EDWIN B. CHILD American, 1868-1937Portrait of a seated gentleman holding a book and a cigarette holder. Signed lower left.Dated 1931. Oil on canvas, 40” x 32”. Framed. 350/450915. COLORED FRENCH MAP”Carte D’Artois Et Des Environs ...” 19” x 24¼” sight. Matted and framed. 150/250916. THREE CELESTIAL MAPS”Winter”, “Spring”, and “Summer”. Each approx. 10½” x 11¾” sight. Matted and framed. 150/250917. FRANCESCO CAPUANOItalian, 1854-1908Trees by a riverbed. Signed lowe right “F. Capuano”. Oil on canvas, 20” x 30”. Framed. 1,000/1,500918. JOHN SOWDENBritish, 1838-1926Still life with a bird’s nest and fl owers. Signed lower right “J. Sowden”. Watercolor on paper, 6¾” x 8½”.Framed. 1,000/1,500919. DWARF-STYLE CLOCK Early 19th Century StyleIn walnut. Bonnet with broken arch pediment. Case with quarter columns and ogee bracket feet. WestGerman works with chiming movement. Height 57½”. 500/700920. ANTIQUE ENGLISH MIRROR Circa 1780Gilt and mahogany veneer frame. Top with broken arch pediment and shell crest with scrolled moldingsbelow. Retains original label from William Sprinks Ltd. Height approximately 47”. Width 27½”. 1,000/1,500921. PAIRPOINT SWAN FINIAL PAPERWEIGHTWith controlled bubble knob on pedestal base. Height 6¼”. 100/150922. GILT-METAL LIFT-TOP BOX Late 19th CenturyBejeweled with faceted glass gems, enamelwork, and seed pearls. Length 6”. 200/300923. BRONZE PLAQUEDepicting a bust portrait of a Native American Indian chief. Initials on lower right “C. P.” Diameter 9”.200/300
924. CASED APOTHECARY SET Mid-19th CenturyCase in mahogany with string inlay. Top lifts to reveal fi tted interior with glass bottles and otherimplements. Sides open to reveal inlaid drawers and bottles on one side; compartments and bottles onthe other side. Height 12½”. Width 10¼”. Depth 8”. 500/800925. CAST METAL FIGURE OF A DANCERStepped base with marble bottom. Signed on base “A. Faural”. Height including base 52”.1,000/1,500926. PAIR OF BLACK MARBLE URNS 20th CenturyOn stepped bases. Heights 14¾”. 500/800927. MARDI GRAS SEQUINED HEADDRESSSilver headdress topped with a red bird perched in a tree. Height 22”. 200/400928. COLLECTION OF THREE GOLF IRONS Early 20th CenturyTogether with a hickory-shaft Mills putter and a canvas bag. 200/300929. SET OF FOUR J.W. AUDUBON QUADRUPED PRINTSPrinted J.T. Bowen. 6” x 8” sight. Nicely matted and in fi gured wood frames. 600/900930. PAIR OF FRAMED HAND-COLORED BOTANICAL ENGRAVINGS Second Quarter of the 19th Century14” x 8½” sight. Nicely framed and matted. 300/400931. PAIR OF FRAMED PRINTS OF GRAPESBy Lemercier. 10” x 16¼”. Beautifully framed and matted. 400/600932. FRAMED BOTANICAL ENGRAVING Continental, 19th Century17¼” x 10¼” sight. Nicely framed and matted. 200/300933. PAIR OF FRAMED BOTANICAL PRINTS Probably Italian, 18th CenturyEach 20¼” x 15¼” sight. 200/300934. PAIR OF FRAMED HAND-COLORED PRINTS European, Early 19th CenturyOne of Constantinople and the other “Granada”. Each 13” x 20¼” sight. 300/400935. PAIR OF FRAMED HAND-COLORED BOTANICAL PRINTS 19th CenturyBy John Bull. Depicting a variety of pansies. 6¾” x 9¾” sight. Nicely framed and matted. 300/500936. PAIR OF FRAMED BOTANICAL ENGRAVINGS 18th Century13” x 8½” sight. Beautifully framed and matted. 400/600937. SET OF FOUR FRAMED HAND-COLORED BOTANICAL ENGRAVINGS Continental, 18th Century12½” x 8½” sight. Beautifully framed and matted. 500/1,000938. LARGE FRAMED HAND-COLORED BOTANICAL PRINT Early 19th Century”Costus Arabicus”. 23½” x 16¾” sight. Beautifully framed and matted. 500/1,000939. PAIR OF FRAMED BOTANICAL PRINTS 19th CenturyBoth with Latin titles. 12¼” x 9¼” sight. Nicely framed and matted. 300/400940. PAIR OF FRAMED BOTANICAL PRINTS 19th Century12¾” x 9½” sight. Nicely framed and matted. 400/600941. PAIR OF FRAMED ARCHITECTURAL ENGRAVINGS Probably English, Early 19th Century15” x 9¼” sight. Beautifully framed and matted. 300/500942. PAIR OF FRAMED HAND-COLORED ENGRAVINGS Second Quarter of the 19th Century14¼” x 8½” sight. Nicely framed and matted. 300/500943. PAIR OF FRAMED FRENCH MILITARY PRINTS 19th Century”Etats-Unis D’Amerique” and “France 1864-Offr De Spahis”. 13½” x 9” sight. Beautifully framed andmatted. 300/500
944. FOUR FRAMED BOTANICAL PRINTSPublished by S. Curtis. Mid-19th Century publication dates. 8” x 9¾” sight. Nicely framed and matted.400/700945. SET OF FOUR FRAMED BOTANICAL PRINTS English, Mid-19th CenturyBy S. Curtis. 9¾” x 8” sight. Nicely framed and matted. 400/700946. PAIR OF FRAMED HAND-COLORED ENGRAVINGS German, 19th Century14” x 8½” sight. Nicely framed and matted. 300/400947. PORCELAIN FIGURINE BY ISPANKY Circa 1971Mr. & Mrs. Otter. In upright position on oval base. Limited edition 430/500. Height 13”. 300/500948. ITALIAN CERTOSA DI FIRENZE FLASK IN BOOK FORM Late 19th/Early 20th CenturyIn blue and white with fl ying dragon design. Painted on reverse “Certos di Firenze and the trade mark.”Length 4½”. Width 1”. 150/250949. TWO PAIRS OF ANTIQUE BRASS CANDLESTICKSOne in the “Jack of Diamond” pattern. With push-ups. Height 10¾”. The other a a pair of short brasspush-up candlesticks. Height 4 1/2”. 250/350950. PAIR OF BRASS CANDLESTICKS ContinentalWith turned stick on three paw feet. Heights 15”. 100/150951. THREE MODERN TIN FIGURESIn the form of suits of armor. Heights 27”, 40”, and 55”. 300/500End of Session II
THE PROPERTY LISTED IN THIS CATALOG WILL BE OFFERED AND SOLD SUBJECT TOTHE TERMS AND CONDITIONS LISTED IN THIS CATALOG.1. Carefully read the Conditions of Sale.ADVICE TO BIDDERS2. Pre-sale estimates are provided by the auctioneers for the convenience of our customers. They arenot meant to be taken as a guide to the value of an item, but as a guide to its expected selling price.Estimates are prepared well in advance of a sale and are subject to revision.3. Carefully examine any item that you might consider bidding on for any variation from the catalogdescription. If you are unfamiliar with auction procedure or terminology or would like clarificationof a catalog description, please ask for assistance from our staff members.4. Please read the Order Bid Procedure if you wish to leave an absentee bid.5. A 15% buyer’s premium will be added to the hammer price of all property sold, to be paid aspart of the purchase price. The buyer’s premium is 15% of the final bid price up to and including$300,000, and 10% of the final bid price over $300,000.6. Eldred’s reserves the right to refuse to issue, or to revoke, bidding credentials, or to reject any bid,if deemed necessary and proper in its sole discretion, for the conduct of the auction process, and toinsure fairness to consignors and other bidders.SHIPPING INFORMATIONAs a service and convenience, our shipping department can ship or arrange shipment of paid purchases. Thepacking and shipping of items by Eldred’s will be undertaken solely at our discretion. Upon receipt of payment,Eldred’s will pack and ship according to purchaser’s instructions for shipment. If no instruction is given, we willship by the best method and carrier. Eldred’s is not responsible for the acts or omissions of carriers or packers,whether or not recommended by us. Packing and handling of purchased items by us is at the entire risk of thepurchaser. Costs for this service will be based on the carrier’s current packing, transportation, and insurancecharges. There is a minimum handling charge of $10.00 for all shipments. We do not ship via the U.S. Post Officeunless special arrangements are made. All shipping costs will be C.O.D. unless otherwise arranged. Pleaseallow 4-6 weeks from receipt of payment for delivery.BIDDING INCREMENTSDue to the eBay live auction, please adhere to these bidding increments:$0-$49: $5 $1,000-$2,999: $100 $30,000-$49,999: $2,000$50-$199: $10 $3,000-$4,999: $250 $50,000-$99,999: $5,000$200-$499: $25 $5,000-$9,999: $500 $100,000 and above: $10,000$500-$999: $50 $10,000-$29,999: $1,000 Above $300,000 at the auctioneer’s discretion*Eldred’s reserves the right to adjust absentee bids to the nearest increment below the bid.*
ABSENTEE BID FORMIf you are unable to attend a sale, and if, after reading our Conditions of Sale you would like to have us bid for you on any itemor items, it can be handled in the following manner:1. Please list the lot number below with the name or title of the article(s) and the highest amount you are willing to pay. Carefullycheck your Bid Form. Although we attempt to check the description against the lot number, bids are posted by the number.2. A deposit of 10% of the total order is required. This sum will be held by us until after the auction.All absentee bids are kept in strict confidence.3. All absentee bids should be submitted in a timely manner to reduce the chance of posting error. All mail, phone, or fax bidsshould be received prior to the day of the sale. In the event of identical bids, the earliest received by Eldred’s will take precedence.4. On the day of the auction, a member of our staff will act as your agent and bid for you, and will attempt to obtain the lot or lotsfor you for the lowest possible amount. If you have indicated the highest amount you are willing to pay, you should not bedisappointed if you lose an item. Many times you will actually buy it for less than your bid.5. At the end of the auction, you will be notified. If successful, the amount of your deposit will be applied toward the purchaseprice. If unsuccessful, the full amount of your deposit will be returned promptly.6. A 15% buyer’s premium will be added to the hammer price of all property sold, to be paid as part of the purchase price.The buyer’s premium is 15% of the final bid price up to and including $300,000, and 10% of the final bid price over $300,000.7. Eldred’s shall not be held responsible for errors or failure to execute bids. Robert C. Eldred Co., Inc. offers this service as aconvenience to its clients and will not be held responsible for errors or failure to execute bids.8. All sales are subject to the Conditions of Sale printed in the catalog.I wish to place the following bid(s) on items in your auction dated :______________________________________________________LOT NO ITEM DESCRIPTION MAXIMUM BID15% BUYER’S PREMIUM WILL BE ADDED TO THE HAMMER PRICE*(*see item 6 above)I have ( ) have not ( ) examined the item(s) listed above.SIGNATURE:NAME: (Please print)ADDRESS:TOTAL:_______________________10% DEPOSIT:_______________________MA RESALE No:WILL PICK UP: ( ) OR: PLEASE SHIP TO:TELEPHONE: FAX: DATE:Please send form & deposit to: ROBERT C. ELDRED CO., INC., P.O. Box 796, East Dennis MA 02641
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