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FLOWER BUDS at Busan IFF 2012 - Czech Film Center

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NEWSLETTER 3/<strong>2012</strong><br />

Národní 28, 110 00 Prague 1, <strong>Czech</strong> Republic, Tel.: +420 221 105 398, Fax: +420 221 105 303, info@filmcenter.cz, www.filmcenter.cz<br />

3Newslet 1 2 3<br />

NEW CZECH FILMS<br />

NEW CZECH FILMS<br />

NEW CZECH CZECH FILMS<br />

1<br />

2<br />

3<br />

7<br />

8<br />

9<br />

VÁŇA<br />

VÁŇA<br />

4 5 6<br />

CZ <strong>2012</strong> | 75 min | DCP<br />

D: Jakub Wagner<br />

Domestic release:<br />

September 5, <strong>2012</strong><br />

A cinem<strong>at</strong>ic portrait of the legendary<br />

jockey Josef Váňa gradually reveals<br />

the inner world of his thoughts.<br />

It is not easy to describe his lifestyle<br />

in words, you have to experience it –<br />

see it. We spend a unique, informal<br />

year up close and personal with<br />

Váňa. The film, in its imagery,<br />

becomes Váňa and it also goes<br />

behind the scenes of the sport of<br />

steeplechase, which isn’t always<br />

wh<strong>at</strong> fe<strong>at</strong>ure films would lead us to<br />

believe it is. Váňa acts as a magnet<br />

on people wherever he appears.<br />

There is unbelievable electricity just<br />

when you say his name.<br />

VE STÍNU<br />

IN THE SHADOW<br />

KONFIDENT<br />

THE CONFIDANT<br />

CZ, SK <strong>2012</strong> | 108 min | DCP<br />

D: Juraj Nvota<br />

Cast: Jiří Mádl, Jan Budař,<br />

Ondřej Vetchý, Michaela<br />

Majerníková<br />

Domestic release: July 5, <strong>2012</strong><br />

A film about friends th<strong>at</strong> the regime<br />

brings together and divides. The<br />

occup<strong>at</strong>ion of <strong>Czech</strong>oslovakia in<br />

1968. Adam is an am<strong>at</strong>eur radio<br />

enthusiast. He works in the Svazarm,<br />

the Union for Cooper<strong>at</strong>ion with the<br />

Army. The following year, during<br />

normalis<strong>at</strong>ion, an Interior Ministry<br />

decree merges their division with<br />

a section of the St<strong>at</strong>e Security. The<br />

radio am<strong>at</strong>eur becomes<br />

a professional, a technical employee<br />

in charge of wiretaps. One day he<br />

finds out th<strong>at</strong> they are also listening<br />

to him... The film is based on real<br />

events. The story of the young<br />

am<strong>at</strong>eur radio enthusiast who<br />

became the secret service’s centre of<br />

interest is based on inform<strong>at</strong>ion<br />

archived in the files of the N<strong>at</strong>ion’s<br />

Memory Institute in Br<strong>at</strong>islava.<br />

CZ, PL, SK <strong>2012</strong> | 100 min | 35 mm,<br />

DCP<br />

D: David Ondříček<br />

Cast: Ivan Trojan, David Švehlík,<br />

Soňa Norisová, Sebastian Koch,<br />

Marek Taclík, Jiří Štěpnička<br />

Domestic release:<br />

September 13, <strong>2012</strong><br />

An exciting detective story takes<br />

place with the dram<strong>at</strong>ic events of<br />

the 1950’s in the former<br />

<strong>Czech</strong>oslovakia in the background.<br />

Captain Hakl is investig<strong>at</strong>ing<br />

a robbery in a jewellery shop. Major<br />

Zenke, a police specialist from the<br />

GDR, takes over Hakl’s investig<strong>at</strong>ion<br />

on orders from the St<strong>at</strong>e Security.<br />

Under his direction it appears th<strong>at</strong><br />

the stolen gold was to be used by<br />

the Jewish community to “finance<br />

the support of Zionist terrorism.” As<br />

an experienced detective, however,<br />

Hakl’s instinct tells him all is not as<br />

it seems and he continues the<br />

investig<strong>at</strong>ion on his own. But can<br />

one just man hold his own in a fight<br />

with the well-coordin<strong>at</strong>ed network of<br />

the communist police?<br />

BASTARDI 3<br />

BASTARDS 3<br />

Intern<strong>at</strong>ional Premiere of<br />

<strong>FLOWER</strong> <strong>BUDS</strong><br />

by Zdeněk Jiráský<br />

in the FLASH FORWARD competition<br />

<strong>at</strong> <strong>Busan</strong> <strong>IFF</strong> <strong>2012</strong><br />

October 10 <strong>at</strong> 7:00 p.m. Cinema 2<br />

October 7 <strong>at</strong> 2:00 p.m. Megabox Haeundae 3<br />

October 12 <strong>at</strong> 7:00 p.m. Megabox Haeundae 9<br />

NEJVĚTŠÍ PŘÁNÍ<br />

THE GREATEST WISH<br />

CZ <strong>2012</strong> | 80 min | DCP, DVD<br />

D: Olga Špátová<br />

Domestic release:<br />

September 20, <strong>2012</strong><br />

The protagonists of the full-length<br />

film The Gre<strong>at</strong>est Wish are the first<br />

adult gener<strong>at</strong>ion th<strong>at</strong> was formed in<br />

a free society following forty years<br />

of Communism. Olga Špátová filmed<br />

young people reflecting on the<br />

seemingly banal question “Wh<strong>at</strong> is<br />

your gre<strong>at</strong>est wish?” in schools,<br />

prisons, <strong>at</strong> demonstr<strong>at</strong>ions, in the<br />

city and in the country. Outcasts of<br />

society, ambitious professionals,<br />

lovers, believers and civic activists<br />

all open their hearts to her. Birth is<br />

present, as is dying. The Director<br />

used a unique opportunity to<br />

compare the values of her peers<br />

with two previous gener<strong>at</strong>ions using<br />

archive m<strong>at</strong>erial from the years 1964<br />

and 1989 from films of the same<br />

name by her f<strong>at</strong>her, a classic of<br />

<strong>Czech</strong> documentaries, Jan Špáta.<br />

7 8 9<br />

CZ <strong>2012</strong> | 97 min | DCP, DVD<br />

D: Tomáš Magnusek<br />

Cast: Tomáš Magnusek, Rudolf<br />

Hrušínský ml., Ilona Svobodová,<br />

Jan Tříska, Tomáš Töpfer,<br />

K<strong>at</strong>eřina Brožová<br />

Domestic release:<br />

September 20, <strong>2012</strong><br />

The teacher Tomáš Majer, who came<br />

to one former special school in 2010,<br />

has disappeared. He came to the<br />

school a few months after his sister,<br />

also a teacher, was murdered. The<br />

boys th<strong>at</strong> murdered Jana Majerová<br />

died mysteriously during the school<br />

year. It seems th<strong>at</strong> Tomáš Majer most<br />

likely cold-bloodedly revenged his<br />

sister’s de<strong>at</strong>h. Is there no problem<br />

with th<strong>at</strong>? Will the police apprehend<br />

him? Will he face trial? Wh<strong>at</strong> do the<br />

children’s parents think? And Tomáš<br />

Majer’s parents? Society? Wh<strong>at</strong> will<br />

happen when similar schools are<br />

shut down? The film th<strong>at</strong> shocked the<br />

public two years ago is coming to its<br />

conclusion. A drama th<strong>at</strong> plainly<br />

shows the hard reality of this day<br />

and age, th<strong>at</strong> shows how far things<br />

can go it we only idly w<strong>at</strong>ch...<br />

POLSKI FILM<br />

POLSKI FILM<br />

CZ, PL <strong>2012</strong> | 113 min | 35 mm,<br />

DCP<br />

D: Marek Najbrt<br />

Cast: Tomáš M<strong>at</strong>onoha, Pavel<br />

Liška, Josef Poláček, Marek<br />

Daniel, Jana Plodková, Jan<br />

Budař<br />

Domestic release: July 7, <strong>2012</strong><br />

Tomáš M<strong>at</strong>onoha, Pavel Liška, Josef<br />

Polášek and Marek Daniel met<br />

during their studies and cre<strong>at</strong>ed<br />

a cre<strong>at</strong>ive foursome bound together<br />

by close friendship. As time went by,<br />

they saw th<strong>at</strong> even though they<br />

were successful as actors, they<br />

encountered a wide range of<br />

struggles for existence and<br />

existential problems and doubts. In<br />

their forties, they decide to “travel<br />

back in time” and shoot a film about<br />

their youth, vanished energy, lost<br />

illusions and long-gone naivety.<br />

Unexpectedly, a story emerges about<br />

friendship, crisis and absurdity in the<br />

life of an actor, balancing between<br />

reality and illusions.<br />

CESTA Z LESA<br />

TO THE WOODS<br />

CZ <strong>2012</strong> | 110 min | DCP<br />

D: Tomáš Vorel<br />

Cast: Tomáš Hanák, Tomáš Vorel<br />

Jr., Anna Linhartová, Bolek<br />

Polívka, Eva Holubová, Bára<br />

Schlesingerová, Jiří Schmitzer<br />

Domestic release: October 4, <strong>2012</strong><br />

Honza Marák has long since left his<br />

career in IT behind him and has<br />

bought a cottage <strong>at</strong> the end of<br />

a small village, where he has settled<br />

in with his wife Markéta, daughter<br />

Anyna and son Sayen. He works in<br />

the forest as a general labourer. The<br />

Papoš family are farmers of long<br />

standing in the community. Their son<br />

Ludva Papoš jr. does not live on the<br />

farm with his parents and he refuses<br />

to tend the farm with his f<strong>at</strong>her. He<br />

studied forestry college and lives in<br />

a gamekeeper’s lodge in the middle<br />

of the forest, all alone with his dog.<br />

After work he goes to shoot pests<br />

when, one night, he encounters the<br />

nymph Anyna, a vegetarian...<br />

4<br />

5<br />

6<br />

SVATÁ ČTVEŘICE<br />

THE HOLY QUATERNITY<br />

CZ <strong>2012</strong> | 78 min | 35 mm, DCP<br />

D: Jan Hřebejk<br />

Cast: Jiří Langmajer, Marika<br />

Procházková, Hynek Čermák,<br />

Viktorie Čermáková, Luděk<br />

Munzar, Jana Gýrová<br />

Domestic release: August 28, <strong>2012</strong><br />

Ondra and Vítek, electricians from the<br />

same company, who receive an offer<br />

for an exotic “summer job” on<br />

a Caribbean island where a hurricane<br />

had destroyed the electric lines.<br />

Ondra and Vítek are friends and<br />

neighbours from a duplex in which<br />

they and their families live in<br />

absolute harmony. Their wives, Dita<br />

and Marie, are friends and Ondra’s<br />

teenage sons are d<strong>at</strong>ing Vítek’s<br />

teenage daughters. It is simply an allencompassing<br />

idyllic situ<strong>at</strong>ion, except<br />

for one thing: boredom in the<br />

bedroom. So when f<strong>at</strong>e throws them<br />

a gauntlet in the form of a foreign<br />

business trip, they pick up the<br />

gauntlet and their wives and head off<br />

to the Caribbean. And here, in this<br />

exotic paradise, they concoct a plan<br />

after which their sex lives will never<br />

be the same, or boring, again.<br />

KAREL REISZ, TEN FILMOVÝ<br />

ŽIVOT<br />

KAREL REISZ, A LIFE OF FILM<br />

CZ <strong>2012</strong> | 90 min | DCP, DVD<br />

D: Petra Všelichová<br />

Domestic release: October 4, <strong>2012</strong><br />

A documentary film about Karel Reisz,<br />

next to Miloš Forman the most<br />

famous filmmaker of <strong>Czech</strong> origin.<br />

The film captures an interesting<br />

personal and professional story of<br />

a man who used his childhood in<br />

Ostrava and <strong>Czech</strong>oslovakia as the<br />

found<strong>at</strong>ion for the establishment of<br />

Free Cinema and the British New<br />

Wave. The Free Cinema films are<br />

a valuable legacy – fascin<strong>at</strong>ing,<br />

beautiful, sometimes hopeful and<br />

often sad, but always authentic. In his<br />

first films the substantial influence of<br />

Ostrava can be seen, a city th<strong>at</strong> is<br />

fascin<strong>at</strong>ing, often sad, but full of life<br />

and truth. A city th<strong>at</strong> formed his<br />

cinem<strong>at</strong>ic poetry.


INTERVIEW<br />

INTERVIEW<br />

TELEGRAM<br />

FILM COMMISSION NEWS<br />

In your film you deal with the theme of addiction to gambling machines,<br />

which is not discussed all th<strong>at</strong> often. Why did you choose th<strong>at</strong> theme?<br />

I was growing up right when these machines were starting to find a foothold here<br />

in this country. Pubs and bars th<strong>at</strong> had them immedi<strong>at</strong>ely lost their magic, there<br />

immedi<strong>at</strong>ely grew up a new c<strong>at</strong>egory of customer. The speed with which many of<br />

them lost their family, friends and possessions was astounding. I knew one guy<br />

and it took him about half a year. Today he is homeless, having lost his mother’s<br />

fl<strong>at</strong> and remaining hundreds of thousands of crowns in debt to suckers he used to<br />

know. To this day this problem has not been solved, with the exception of a few<br />

enlightened town halls. Politicians fight about who is going to get the proceeds<br />

from gambling, but it doesn’t occur to anyone th<strong>at</strong> elimin<strong>at</strong>ing it would help<br />

society far more. The laws are set up so th<strong>at</strong> the st<strong>at</strong>e and the municipality get<br />

rich on the oper<strong>at</strong>ion of gambling machines, there is almost no public educ<strong>at</strong>ion<br />

and the gamblers keep on losing their loved ones’ possessions. I have never heard<br />

of anyone getting rich off these games,<br />

because it is set up for just the<br />

opposite. I wanted to point out wh<strong>at</strong><br />

I think is an anachronism in this day<br />

and age and I am ashamed th<strong>at</strong><br />

nothing has changed over these last<br />

twenty years.<br />

You casted lesser-known actors in<br />

the film. How did you choose the<br />

performers?<br />

It was a question of genre with Flower<br />

Buds. The overuse of a few famous<br />

actors in <strong>Czech</strong> films today has only<br />

persuaded me th<strong>at</strong>, while it may lead<br />

to a bit of a larger audience, it<br />

definitely does not help credibility. And<br />

truthfulness is the essence of the<br />

The 16th Intern<strong>at</strong>ional Ji.hlava festival of documentary films brought an<br />

untraditional accompanying program from 25 August to 1 September <strong>2012</strong>. The<br />

Live Cinema project, fe<strong>at</strong>uring projections in cutting rooms and in the directors’<br />

homes, will be taking place for the fifth year in Prague. Audiences will experience<br />

discussions with those most competent, the actual authors of the selected<br />

documentary films. Prague’s Live Cinema begins on 25 August with a projection of<br />

a long-awaited film th<strong>at</strong> will be released to official distribution <strong>at</strong> the end of<br />

September. Viewers th<strong>at</strong> want to see a film right before completion should be<br />

sure not to miss the projection of The Gre<strong>at</strong>est Wish from Director Olga Špátová,<br />

right in the cutting room when the film is currently being completed.<br />

The exhibition of <strong>Czech</strong> cinem<strong>at</strong>ography<br />

travelling around Germany, our closest<br />

neighbour, under the name <strong>Czech</strong> on Tour<br />

presents a cross-section of <strong>Czech</strong> film over the<br />

last few years. The exhibition is based on<br />

former successful events th<strong>at</strong> the CFC organised<br />

in Germany and in Gre<strong>at</strong> Britain. The exhibition’s<br />

opening ceremony will take place on September<br />

22 in the Metropolis Cinema in Hamburg, where<br />

Petr Nikolaev’s film It Gonna Get Worse,<br />

dedic<strong>at</strong>ed to the <strong>Czech</strong> Underground wave of<br />

the 70’s, will be shown. The director will<br />

introduce it in person, just like his most recent<br />

film Lidice. The Hamburg exhibition will present another 4 films. A selection from<br />

nine <strong>Czech</strong> films will gradually be shown in seventeen German cities as part of<br />

<strong>Czech</strong> on Tour, lasting until the spring of 2013. These will include, in addition to<br />

Nikolaev’s two films, the following fe<strong>at</strong>ure films: Ondříček’s Grandhotel, Trojan’s<br />

Identity Card, A Night Too Young by Olmo Omerzu and Eighty Letters from Václav<br />

Kadrnka, which will be supplemented by the full-length documentaries Citizen<br />

Havel (dir. P. Koutecký and M. Janek), Marital Etudes, 20 Years L<strong>at</strong>er (dir. H.<br />

Třeštíková) and M<strong>at</strong>chmaking Mayor (dir. E. Hníková).<br />

BUSY FILM AUTUMN IN THE CZECH REPUBLIC<br />

Jean-Pierre Ameris’ film L’homme qui rit<br />

(The Man Who Laughs), shot in the<br />

<strong>Czech</strong> Republic in spring of this year,<br />

saw its world premiere <strong>at</strong> the 69th<br />

Venice Intern<strong>at</strong>ional <strong>Film</strong> Festival. The<br />

French-<strong>Czech</strong> coproduction served as<br />

the festival’s closing film. The<br />

production received support from the<br />

<strong>Film</strong> Industry Support Program (FISP), which offers intern<strong>at</strong>ional productions<br />

reb<strong>at</strong>es of up to 20% on qualifying spend, in 2011 and <strong>2012</strong>. With its Venice<br />

premiere, The Man Who Laughs is another high-profile example of the success of<br />

the <strong>Czech</strong> incentives. A Royal Affair, another European coproduction which<br />

received support from the FISP, won two awards <strong>at</strong> the 62nd Berlin Intern<strong>at</strong>ional<br />

<strong>Film</strong> Festival in February.<br />

<strong>Czech</strong> <strong>Film</strong> Commission supported<br />

establishment of four new regional<br />

film offices in interesting <strong>Czech</strong><br />

regions outside of Prague. In most<br />

developed countries in the world,<br />

regional film offices are quite<br />

common. But until recently, the <strong>Czech</strong><br />

Republic had only a n<strong>at</strong>ional film<br />

office – the <strong>Czech</strong> <strong>Film</strong> Commission.<br />

<strong>Czech</strong> regional film offices do not yet<br />

have funds to support filmmaking. However, they can help in negoti<strong>at</strong>ions with<br />

officials, recommend suitable loc<strong>at</strong>ions, and connect filmmakers with authorities<br />

and property owners. <strong>Film</strong> office represent<strong>at</strong>ives can also help negoti<strong>at</strong>e cheaper<br />

accommod<strong>at</strong>ion and support loc<strong>at</strong>ion scouting. The main goal is to ensure troublefree<br />

shooting so filmmakers are happy to come back to the region. On the other<br />

hand, filmmaking helps to promote the regions and supports tourism.<br />

Q & A WITH<br />

ZDENĚK<br />

JIRÁSKÝ<br />

the director of Flower Buds, premiering<br />

intern<strong>at</strong>ionally in the Flash Forward<br />

competitive section of the <strong>Busan</strong><br />

Intern<strong>at</strong>ional <strong>Film</strong> Festival<br />

genre th<strong>at</strong> I decided to use to tell this story. I wanted to make it easier for the<br />

audience to be able to identify with the characters. Of course I also chose the<br />

actors on the basis of the type and quality of their acting. Vladimír Javorský is an<br />

exception to the rule, but his quality simply made him a shoe-in for th<strong>at</strong> role.<br />

Do you think th<strong>at</strong> the audience in Korea will find some characteristics<br />

they have in common with the protagonists from Flower Buds?<br />

I would say th<strong>at</strong> they will easily understand the social fears and the desire for<br />

a better life. Dreaming about something we don’t have, though we know it<br />

vicariously… I think th<strong>at</strong> is the same the world over. When a young girl in Eastern<br />

Europe gets pregnant, she plans her future with similar hopes as her peers in the<br />

Far East or in Central America. And when a f<strong>at</strong>her of a family loses the certainty<br />

th<strong>at</strong> he can get his loved ones out of a difficult situ<strong>at</strong>ion th<strong>at</strong> he himself got them<br />

in, then if he is a man he reaches for an extreme solution in Africa just like in<br />

Northern Europe. The only motif th<strong>at</strong><br />

might not be understandable on an<br />

intern<strong>at</strong>ional level is the Spartakiad<br />

exercises and the resentment<br />

connected with this. But I am prepared<br />

to explain this to people in Korea and<br />

in America.<br />

How are your other film projects<br />

coming along? Wh<strong>at</strong> are you<br />

working on now?<br />

I am writing a new screenplay,<br />

a psychological drama about three<br />

women. The producer Viktor Schwarcz<br />

and I are preparing it for production.<br />

I am studying the environment, doing<br />

research, working with the<br />

dram<strong>at</strong>urge...<br />

Fein.Košt, an evening of short films, will take place on October 19 in Dresden as<br />

part of <strong>Czech</strong> on Tour. The <strong>Czech</strong> <strong>Film</strong> <strong>Center</strong>, together with AG-Kurzfilm, will be<br />

presenting the l<strong>at</strong>est short films from the <strong>Czech</strong> Republic and Germany here. The<br />

<strong>at</strong>tending <strong>Czech</strong> and German directors will discuss their films with the audience<br />

after the projections.<br />

The two <strong>Czech</strong> social dramas Flower<br />

Buds by Zdeněk Jiráský and Gypsy by<br />

Martin Šulík are shortlisted and are<br />

waiting to be nomin<strong>at</strong>ed for the<br />

European <strong>Film</strong> Academy Award.<br />

Alois Nebel by Tomáš Luňák made it<br />

already on the list: The <strong>Czech</strong><br />

anim<strong>at</strong>ion fe<strong>at</strong>ure is nomin<strong>at</strong>ed in the c<strong>at</strong>egory EUROPEAN FILM ACADEMY<br />

ANIMATED FEATURE FILM <strong>2012</strong> together with Pir<strong>at</strong>es (UK/USA) by Peter Lord and<br />

Wrinkles (ES) by Ignacio Ferreras. The nomin<strong>at</strong>ions <strong>2012</strong> will be announced <strong>at</strong> the<br />

beginning of November. The award ceremony of the 25th European <strong>Film</strong> Awards with<br />

the present<strong>at</strong>ion of the winners will take place in Malta on S<strong>at</strong>urday, 1st December.<br />

At the end of August Jan Hřebejk started shooting<br />

his new film Honeymoon. Honeymoon represents<br />

a continu<strong>at</strong>ion of the long-standing cooper<strong>at</strong>ion<br />

between the author-director team of Petr<br />

Jarchovský and Jan Hřebejk. Anna Geislerová will<br />

appear in the starring role. Honeymoon concludes<br />

a loose trilogy of modern-day stories comprised of<br />

the films Kawasaki’s Rose and Innocence. The common denomin<strong>at</strong>or of these<br />

films is a secret hidden in the past th<strong>at</strong> comes back to haunt the lives of the<br />

characters years l<strong>at</strong>er. The Falcon distribution company is planning on a premiere<br />

in the autumn of 2013. The film’s producers are Fog’n’Desire <strong>Film</strong>s, K <strong>Film</strong>, <strong>Czech</strong><br />

Television and Samastinor. The film is being co-produced on the part of Slovakia<br />

by Sokol Kollar and Trigon Production.<br />

Norwegian director Bard Breien<br />

is shooting his second fe<strong>at</strong>ure<br />

The Down’s Detective in the<br />

<strong>Czech</strong> Republic.The film is<br />

a Norwegian-<strong>Czech</strong>-Danish-<br />

German co-production The story<br />

is about a man with Down’s<br />

syndrome who wants to be<br />

a priv<strong>at</strong>e detective. He has to<br />

pursue a former ice-sk<strong>at</strong>ing<br />

legend who is now down on his<br />

luck. Svein Andre Hofso, who<br />

has Down’s syndrome, will play<br />

the lead. Prague will stand in for Oslo in the film. Friland’s production partners are<br />

Nimbus (Denmark), Unafilm (Germany) and Evolution <strong>Film</strong>s (<strong>Czech</strong> Republic).<br />

TrustNordisk will handle intern<strong>at</strong>ional sales and Cinemart has <strong>Czech</strong> rights. The<br />

film has received financial support from the Norwegian <strong>Film</strong> Institute, the Nordic<br />

<strong>Film</strong> and Television Fund, the Danish <strong>Film</strong> Institute, the <strong>Czech</strong> St<strong>at</strong>e Fund for the<br />

Support and Development of <strong>Czech</strong> Cinema, and Eurimage. Breiein’s first film The<br />

Art of Neg<strong>at</strong>ive Thinking won the best director prize <strong>at</strong> KV<strong>IFF</strong> in 2007. The film<br />

went on to win the <strong>Czech</strong> Lion for best foreign film and then was adapted as<br />

a stage production.

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