FLOWER BUDS at Busan IFF 2012 - Czech Film Center
FLOWER BUDS at Busan IFF 2012 - Czech Film Center
FLOWER BUDS at Busan IFF 2012 - Czech Film Center
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NEWSLETTER 3/<strong>2012</strong><br />
Národní 28, 110 00 Prague 1, <strong>Czech</strong> Republic, Tel.: +420 221 105 398, Fax: +420 221 105 303, info@filmcenter.cz, www.filmcenter.cz<br />
3Newslet 1 2 3<br />
NEW CZECH FILMS<br />
NEW CZECH FILMS<br />
NEW CZECH CZECH FILMS<br />
1<br />
2<br />
3<br />
7<br />
8<br />
9<br />
VÁŇA<br />
VÁŇA<br />
4 5 6<br />
CZ <strong>2012</strong> | 75 min | DCP<br />
D: Jakub Wagner<br />
Domestic release:<br />
September 5, <strong>2012</strong><br />
A cinem<strong>at</strong>ic portrait of the legendary<br />
jockey Josef Váňa gradually reveals<br />
the inner world of his thoughts.<br />
It is not easy to describe his lifestyle<br />
in words, you have to experience it –<br />
see it. We spend a unique, informal<br />
year up close and personal with<br />
Váňa. The film, in its imagery,<br />
becomes Váňa and it also goes<br />
behind the scenes of the sport of<br />
steeplechase, which isn’t always<br />
wh<strong>at</strong> fe<strong>at</strong>ure films would lead us to<br />
believe it is. Váňa acts as a magnet<br />
on people wherever he appears.<br />
There is unbelievable electricity just<br />
when you say his name.<br />
VE STÍNU<br />
IN THE SHADOW<br />
KONFIDENT<br />
THE CONFIDANT<br />
CZ, SK <strong>2012</strong> | 108 min | DCP<br />
D: Juraj Nvota<br />
Cast: Jiří Mádl, Jan Budař,<br />
Ondřej Vetchý, Michaela<br />
Majerníková<br />
Domestic release: July 5, <strong>2012</strong><br />
A film about friends th<strong>at</strong> the regime<br />
brings together and divides. The<br />
occup<strong>at</strong>ion of <strong>Czech</strong>oslovakia in<br />
1968. Adam is an am<strong>at</strong>eur radio<br />
enthusiast. He works in the Svazarm,<br />
the Union for Cooper<strong>at</strong>ion with the<br />
Army. The following year, during<br />
normalis<strong>at</strong>ion, an Interior Ministry<br />
decree merges their division with<br />
a section of the St<strong>at</strong>e Security. The<br />
radio am<strong>at</strong>eur becomes<br />
a professional, a technical employee<br />
in charge of wiretaps. One day he<br />
finds out th<strong>at</strong> they are also listening<br />
to him... The film is based on real<br />
events. The story of the young<br />
am<strong>at</strong>eur radio enthusiast who<br />
became the secret service’s centre of<br />
interest is based on inform<strong>at</strong>ion<br />
archived in the files of the N<strong>at</strong>ion’s<br />
Memory Institute in Br<strong>at</strong>islava.<br />
CZ, PL, SK <strong>2012</strong> | 100 min | 35 mm,<br />
DCP<br />
D: David Ondříček<br />
Cast: Ivan Trojan, David Švehlík,<br />
Soňa Norisová, Sebastian Koch,<br />
Marek Taclík, Jiří Štěpnička<br />
Domestic release:<br />
September 13, <strong>2012</strong><br />
An exciting detective story takes<br />
place with the dram<strong>at</strong>ic events of<br />
the 1950’s in the former<br />
<strong>Czech</strong>oslovakia in the background.<br />
Captain Hakl is investig<strong>at</strong>ing<br />
a robbery in a jewellery shop. Major<br />
Zenke, a police specialist from the<br />
GDR, takes over Hakl’s investig<strong>at</strong>ion<br />
on orders from the St<strong>at</strong>e Security.<br />
Under his direction it appears th<strong>at</strong><br />
the stolen gold was to be used by<br />
the Jewish community to “finance<br />
the support of Zionist terrorism.” As<br />
an experienced detective, however,<br />
Hakl’s instinct tells him all is not as<br />
it seems and he continues the<br />
investig<strong>at</strong>ion on his own. But can<br />
one just man hold his own in a fight<br />
with the well-coordin<strong>at</strong>ed network of<br />
the communist police?<br />
BASTARDI 3<br />
BASTARDS 3<br />
Intern<strong>at</strong>ional Premiere of<br />
<strong>FLOWER</strong> <strong>BUDS</strong><br />
by Zdeněk Jiráský<br />
in the FLASH FORWARD competition<br />
<strong>at</strong> <strong>Busan</strong> <strong>IFF</strong> <strong>2012</strong><br />
October 10 <strong>at</strong> 7:00 p.m. Cinema 2<br />
October 7 <strong>at</strong> 2:00 p.m. Megabox Haeundae 3<br />
October 12 <strong>at</strong> 7:00 p.m. Megabox Haeundae 9<br />
NEJVĚTŠÍ PŘÁNÍ<br />
THE GREATEST WISH<br />
CZ <strong>2012</strong> | 80 min | DCP, DVD<br />
D: Olga Špátová<br />
Domestic release:<br />
September 20, <strong>2012</strong><br />
The protagonists of the full-length<br />
film The Gre<strong>at</strong>est Wish are the first<br />
adult gener<strong>at</strong>ion th<strong>at</strong> was formed in<br />
a free society following forty years<br />
of Communism. Olga Špátová filmed<br />
young people reflecting on the<br />
seemingly banal question “Wh<strong>at</strong> is<br />
your gre<strong>at</strong>est wish?” in schools,<br />
prisons, <strong>at</strong> demonstr<strong>at</strong>ions, in the<br />
city and in the country. Outcasts of<br />
society, ambitious professionals,<br />
lovers, believers and civic activists<br />
all open their hearts to her. Birth is<br />
present, as is dying. The Director<br />
used a unique opportunity to<br />
compare the values of her peers<br />
with two previous gener<strong>at</strong>ions using<br />
archive m<strong>at</strong>erial from the years 1964<br />
and 1989 from films of the same<br />
name by her f<strong>at</strong>her, a classic of<br />
<strong>Czech</strong> documentaries, Jan Špáta.<br />
7 8 9<br />
CZ <strong>2012</strong> | 97 min | DCP, DVD<br />
D: Tomáš Magnusek<br />
Cast: Tomáš Magnusek, Rudolf<br />
Hrušínský ml., Ilona Svobodová,<br />
Jan Tříska, Tomáš Töpfer,<br />
K<strong>at</strong>eřina Brožová<br />
Domestic release:<br />
September 20, <strong>2012</strong><br />
The teacher Tomáš Majer, who came<br />
to one former special school in 2010,<br />
has disappeared. He came to the<br />
school a few months after his sister,<br />
also a teacher, was murdered. The<br />
boys th<strong>at</strong> murdered Jana Majerová<br />
died mysteriously during the school<br />
year. It seems th<strong>at</strong> Tomáš Majer most<br />
likely cold-bloodedly revenged his<br />
sister’s de<strong>at</strong>h. Is there no problem<br />
with th<strong>at</strong>? Will the police apprehend<br />
him? Will he face trial? Wh<strong>at</strong> do the<br />
children’s parents think? And Tomáš<br />
Majer’s parents? Society? Wh<strong>at</strong> will<br />
happen when similar schools are<br />
shut down? The film th<strong>at</strong> shocked the<br />
public two years ago is coming to its<br />
conclusion. A drama th<strong>at</strong> plainly<br />
shows the hard reality of this day<br />
and age, th<strong>at</strong> shows how far things<br />
can go it we only idly w<strong>at</strong>ch...<br />
POLSKI FILM<br />
POLSKI FILM<br />
CZ, PL <strong>2012</strong> | 113 min | 35 mm,<br />
DCP<br />
D: Marek Najbrt<br />
Cast: Tomáš M<strong>at</strong>onoha, Pavel<br />
Liška, Josef Poláček, Marek<br />
Daniel, Jana Plodková, Jan<br />
Budař<br />
Domestic release: July 7, <strong>2012</strong><br />
Tomáš M<strong>at</strong>onoha, Pavel Liška, Josef<br />
Polášek and Marek Daniel met<br />
during their studies and cre<strong>at</strong>ed<br />
a cre<strong>at</strong>ive foursome bound together<br />
by close friendship. As time went by,<br />
they saw th<strong>at</strong> even though they<br />
were successful as actors, they<br />
encountered a wide range of<br />
struggles for existence and<br />
existential problems and doubts. In<br />
their forties, they decide to “travel<br />
back in time” and shoot a film about<br />
their youth, vanished energy, lost<br />
illusions and long-gone naivety.<br />
Unexpectedly, a story emerges about<br />
friendship, crisis and absurdity in the<br />
life of an actor, balancing between<br />
reality and illusions.<br />
CESTA Z LESA<br />
TO THE WOODS<br />
CZ <strong>2012</strong> | 110 min | DCP<br />
D: Tomáš Vorel<br />
Cast: Tomáš Hanák, Tomáš Vorel<br />
Jr., Anna Linhartová, Bolek<br />
Polívka, Eva Holubová, Bára<br />
Schlesingerová, Jiří Schmitzer<br />
Domestic release: October 4, <strong>2012</strong><br />
Honza Marák has long since left his<br />
career in IT behind him and has<br />
bought a cottage <strong>at</strong> the end of<br />
a small village, where he has settled<br />
in with his wife Markéta, daughter<br />
Anyna and son Sayen. He works in<br />
the forest as a general labourer. The<br />
Papoš family are farmers of long<br />
standing in the community. Their son<br />
Ludva Papoš jr. does not live on the<br />
farm with his parents and he refuses<br />
to tend the farm with his f<strong>at</strong>her. He<br />
studied forestry college and lives in<br />
a gamekeeper’s lodge in the middle<br />
of the forest, all alone with his dog.<br />
After work he goes to shoot pests<br />
when, one night, he encounters the<br />
nymph Anyna, a vegetarian...<br />
4<br />
5<br />
6<br />
SVATÁ ČTVEŘICE<br />
THE HOLY QUATERNITY<br />
CZ <strong>2012</strong> | 78 min | 35 mm, DCP<br />
D: Jan Hřebejk<br />
Cast: Jiří Langmajer, Marika<br />
Procházková, Hynek Čermák,<br />
Viktorie Čermáková, Luděk<br />
Munzar, Jana Gýrová<br />
Domestic release: August 28, <strong>2012</strong><br />
Ondra and Vítek, electricians from the<br />
same company, who receive an offer<br />
for an exotic “summer job” on<br />
a Caribbean island where a hurricane<br />
had destroyed the electric lines.<br />
Ondra and Vítek are friends and<br />
neighbours from a duplex in which<br />
they and their families live in<br />
absolute harmony. Their wives, Dita<br />
and Marie, are friends and Ondra’s<br />
teenage sons are d<strong>at</strong>ing Vítek’s<br />
teenage daughters. It is simply an allencompassing<br />
idyllic situ<strong>at</strong>ion, except<br />
for one thing: boredom in the<br />
bedroom. So when f<strong>at</strong>e throws them<br />
a gauntlet in the form of a foreign<br />
business trip, they pick up the<br />
gauntlet and their wives and head off<br />
to the Caribbean. And here, in this<br />
exotic paradise, they concoct a plan<br />
after which their sex lives will never<br />
be the same, or boring, again.<br />
KAREL REISZ, TEN FILMOVÝ<br />
ŽIVOT<br />
KAREL REISZ, A LIFE OF FILM<br />
CZ <strong>2012</strong> | 90 min | DCP, DVD<br />
D: Petra Všelichová<br />
Domestic release: October 4, <strong>2012</strong><br />
A documentary film about Karel Reisz,<br />
next to Miloš Forman the most<br />
famous filmmaker of <strong>Czech</strong> origin.<br />
The film captures an interesting<br />
personal and professional story of<br />
a man who used his childhood in<br />
Ostrava and <strong>Czech</strong>oslovakia as the<br />
found<strong>at</strong>ion for the establishment of<br />
Free Cinema and the British New<br />
Wave. The Free Cinema films are<br />
a valuable legacy – fascin<strong>at</strong>ing,<br />
beautiful, sometimes hopeful and<br />
often sad, but always authentic. In his<br />
first films the substantial influence of<br />
Ostrava can be seen, a city th<strong>at</strong> is<br />
fascin<strong>at</strong>ing, often sad, but full of life<br />
and truth. A city th<strong>at</strong> formed his<br />
cinem<strong>at</strong>ic poetry.
INTERVIEW<br />
INTERVIEW<br />
TELEGRAM<br />
FILM COMMISSION NEWS<br />
In your film you deal with the theme of addiction to gambling machines,<br />
which is not discussed all th<strong>at</strong> often. Why did you choose th<strong>at</strong> theme?<br />
I was growing up right when these machines were starting to find a foothold here<br />
in this country. Pubs and bars th<strong>at</strong> had them immedi<strong>at</strong>ely lost their magic, there<br />
immedi<strong>at</strong>ely grew up a new c<strong>at</strong>egory of customer. The speed with which many of<br />
them lost their family, friends and possessions was astounding. I knew one guy<br />
and it took him about half a year. Today he is homeless, having lost his mother’s<br />
fl<strong>at</strong> and remaining hundreds of thousands of crowns in debt to suckers he used to<br />
know. To this day this problem has not been solved, with the exception of a few<br />
enlightened town halls. Politicians fight about who is going to get the proceeds<br />
from gambling, but it doesn’t occur to anyone th<strong>at</strong> elimin<strong>at</strong>ing it would help<br />
society far more. The laws are set up so th<strong>at</strong> the st<strong>at</strong>e and the municipality get<br />
rich on the oper<strong>at</strong>ion of gambling machines, there is almost no public educ<strong>at</strong>ion<br />
and the gamblers keep on losing their loved ones’ possessions. I have never heard<br />
of anyone getting rich off these games,<br />
because it is set up for just the<br />
opposite. I wanted to point out wh<strong>at</strong><br />
I think is an anachronism in this day<br />
and age and I am ashamed th<strong>at</strong><br />
nothing has changed over these last<br />
twenty years.<br />
You casted lesser-known actors in<br />
the film. How did you choose the<br />
performers?<br />
It was a question of genre with Flower<br />
Buds. The overuse of a few famous<br />
actors in <strong>Czech</strong> films today has only<br />
persuaded me th<strong>at</strong>, while it may lead<br />
to a bit of a larger audience, it<br />
definitely does not help credibility. And<br />
truthfulness is the essence of the<br />
The 16th Intern<strong>at</strong>ional Ji.hlava festival of documentary films brought an<br />
untraditional accompanying program from 25 August to 1 September <strong>2012</strong>. The<br />
Live Cinema project, fe<strong>at</strong>uring projections in cutting rooms and in the directors’<br />
homes, will be taking place for the fifth year in Prague. Audiences will experience<br />
discussions with those most competent, the actual authors of the selected<br />
documentary films. Prague’s Live Cinema begins on 25 August with a projection of<br />
a long-awaited film th<strong>at</strong> will be released to official distribution <strong>at</strong> the end of<br />
September. Viewers th<strong>at</strong> want to see a film right before completion should be<br />
sure not to miss the projection of The Gre<strong>at</strong>est Wish from Director Olga Špátová,<br />
right in the cutting room when the film is currently being completed.<br />
The exhibition of <strong>Czech</strong> cinem<strong>at</strong>ography<br />
travelling around Germany, our closest<br />
neighbour, under the name <strong>Czech</strong> on Tour<br />
presents a cross-section of <strong>Czech</strong> film over the<br />
last few years. The exhibition is based on<br />
former successful events th<strong>at</strong> the CFC organised<br />
in Germany and in Gre<strong>at</strong> Britain. The exhibition’s<br />
opening ceremony will take place on September<br />
22 in the Metropolis Cinema in Hamburg, where<br />
Petr Nikolaev’s film It Gonna Get Worse,<br />
dedic<strong>at</strong>ed to the <strong>Czech</strong> Underground wave of<br />
the 70’s, will be shown. The director will<br />
introduce it in person, just like his most recent<br />
film Lidice. The Hamburg exhibition will present another 4 films. A selection from<br />
nine <strong>Czech</strong> films will gradually be shown in seventeen German cities as part of<br />
<strong>Czech</strong> on Tour, lasting until the spring of 2013. These will include, in addition to<br />
Nikolaev’s two films, the following fe<strong>at</strong>ure films: Ondříček’s Grandhotel, Trojan’s<br />
Identity Card, A Night Too Young by Olmo Omerzu and Eighty Letters from Václav<br />
Kadrnka, which will be supplemented by the full-length documentaries Citizen<br />
Havel (dir. P. Koutecký and M. Janek), Marital Etudes, 20 Years L<strong>at</strong>er (dir. H.<br />
Třeštíková) and M<strong>at</strong>chmaking Mayor (dir. E. Hníková).<br />
BUSY FILM AUTUMN IN THE CZECH REPUBLIC<br />
Jean-Pierre Ameris’ film L’homme qui rit<br />
(The Man Who Laughs), shot in the<br />
<strong>Czech</strong> Republic in spring of this year,<br />
saw its world premiere <strong>at</strong> the 69th<br />
Venice Intern<strong>at</strong>ional <strong>Film</strong> Festival. The<br />
French-<strong>Czech</strong> coproduction served as<br />
the festival’s closing film. The<br />
production received support from the<br />
<strong>Film</strong> Industry Support Program (FISP), which offers intern<strong>at</strong>ional productions<br />
reb<strong>at</strong>es of up to 20% on qualifying spend, in 2011 and <strong>2012</strong>. With its Venice<br />
premiere, The Man Who Laughs is another high-profile example of the success of<br />
the <strong>Czech</strong> incentives. A Royal Affair, another European coproduction which<br />
received support from the FISP, won two awards <strong>at</strong> the 62nd Berlin Intern<strong>at</strong>ional<br />
<strong>Film</strong> Festival in February.<br />
<strong>Czech</strong> <strong>Film</strong> Commission supported<br />
establishment of four new regional<br />
film offices in interesting <strong>Czech</strong><br />
regions outside of Prague. In most<br />
developed countries in the world,<br />
regional film offices are quite<br />
common. But until recently, the <strong>Czech</strong><br />
Republic had only a n<strong>at</strong>ional film<br />
office – the <strong>Czech</strong> <strong>Film</strong> Commission.<br />
<strong>Czech</strong> regional film offices do not yet<br />
have funds to support filmmaking. However, they can help in negoti<strong>at</strong>ions with<br />
officials, recommend suitable loc<strong>at</strong>ions, and connect filmmakers with authorities<br />
and property owners. <strong>Film</strong> office represent<strong>at</strong>ives can also help negoti<strong>at</strong>e cheaper<br />
accommod<strong>at</strong>ion and support loc<strong>at</strong>ion scouting. The main goal is to ensure troublefree<br />
shooting so filmmakers are happy to come back to the region. On the other<br />
hand, filmmaking helps to promote the regions and supports tourism.<br />
Q & A WITH<br />
ZDENĚK<br />
JIRÁSKÝ<br />
the director of Flower Buds, premiering<br />
intern<strong>at</strong>ionally in the Flash Forward<br />
competitive section of the <strong>Busan</strong><br />
Intern<strong>at</strong>ional <strong>Film</strong> Festival<br />
genre th<strong>at</strong> I decided to use to tell this story. I wanted to make it easier for the<br />
audience to be able to identify with the characters. Of course I also chose the<br />
actors on the basis of the type and quality of their acting. Vladimír Javorský is an<br />
exception to the rule, but his quality simply made him a shoe-in for th<strong>at</strong> role.<br />
Do you think th<strong>at</strong> the audience in Korea will find some characteristics<br />
they have in common with the protagonists from Flower Buds?<br />
I would say th<strong>at</strong> they will easily understand the social fears and the desire for<br />
a better life. Dreaming about something we don’t have, though we know it<br />
vicariously… I think th<strong>at</strong> is the same the world over. When a young girl in Eastern<br />
Europe gets pregnant, she plans her future with similar hopes as her peers in the<br />
Far East or in Central America. And when a f<strong>at</strong>her of a family loses the certainty<br />
th<strong>at</strong> he can get his loved ones out of a difficult situ<strong>at</strong>ion th<strong>at</strong> he himself got them<br />
in, then if he is a man he reaches for an extreme solution in Africa just like in<br />
Northern Europe. The only motif th<strong>at</strong><br />
might not be understandable on an<br />
intern<strong>at</strong>ional level is the Spartakiad<br />
exercises and the resentment<br />
connected with this. But I am prepared<br />
to explain this to people in Korea and<br />
in America.<br />
How are your other film projects<br />
coming along? Wh<strong>at</strong> are you<br />
working on now?<br />
I am writing a new screenplay,<br />
a psychological drama about three<br />
women. The producer Viktor Schwarcz<br />
and I are preparing it for production.<br />
I am studying the environment, doing<br />
research, working with the<br />
dram<strong>at</strong>urge...<br />
Fein.Košt, an evening of short films, will take place on October 19 in Dresden as<br />
part of <strong>Czech</strong> on Tour. The <strong>Czech</strong> <strong>Film</strong> <strong>Center</strong>, together with AG-Kurzfilm, will be<br />
presenting the l<strong>at</strong>est short films from the <strong>Czech</strong> Republic and Germany here. The<br />
<strong>at</strong>tending <strong>Czech</strong> and German directors will discuss their films with the audience<br />
after the projections.<br />
The two <strong>Czech</strong> social dramas Flower<br />
Buds by Zdeněk Jiráský and Gypsy by<br />
Martin Šulík are shortlisted and are<br />
waiting to be nomin<strong>at</strong>ed for the<br />
European <strong>Film</strong> Academy Award.<br />
Alois Nebel by Tomáš Luňák made it<br />
already on the list: The <strong>Czech</strong><br />
anim<strong>at</strong>ion fe<strong>at</strong>ure is nomin<strong>at</strong>ed in the c<strong>at</strong>egory EUROPEAN FILM ACADEMY<br />
ANIMATED FEATURE FILM <strong>2012</strong> together with Pir<strong>at</strong>es (UK/USA) by Peter Lord and<br />
Wrinkles (ES) by Ignacio Ferreras. The nomin<strong>at</strong>ions <strong>2012</strong> will be announced <strong>at</strong> the<br />
beginning of November. The award ceremony of the 25th European <strong>Film</strong> Awards with<br />
the present<strong>at</strong>ion of the winners will take place in Malta on S<strong>at</strong>urday, 1st December.<br />
At the end of August Jan Hřebejk started shooting<br />
his new film Honeymoon. Honeymoon represents<br />
a continu<strong>at</strong>ion of the long-standing cooper<strong>at</strong>ion<br />
between the author-director team of Petr<br />
Jarchovský and Jan Hřebejk. Anna Geislerová will<br />
appear in the starring role. Honeymoon concludes<br />
a loose trilogy of modern-day stories comprised of<br />
the films Kawasaki’s Rose and Innocence. The common denomin<strong>at</strong>or of these<br />
films is a secret hidden in the past th<strong>at</strong> comes back to haunt the lives of the<br />
characters years l<strong>at</strong>er. The Falcon distribution company is planning on a premiere<br />
in the autumn of 2013. The film’s producers are Fog’n’Desire <strong>Film</strong>s, K <strong>Film</strong>, <strong>Czech</strong><br />
Television and Samastinor. The film is being co-produced on the part of Slovakia<br />
by Sokol Kollar and Trigon Production.<br />
Norwegian director Bard Breien<br />
is shooting his second fe<strong>at</strong>ure<br />
The Down’s Detective in the<br />
<strong>Czech</strong> Republic.The film is<br />
a Norwegian-<strong>Czech</strong>-Danish-<br />
German co-production The story<br />
is about a man with Down’s<br />
syndrome who wants to be<br />
a priv<strong>at</strong>e detective. He has to<br />
pursue a former ice-sk<strong>at</strong>ing<br />
legend who is now down on his<br />
luck. Svein Andre Hofso, who<br />
has Down’s syndrome, will play<br />
the lead. Prague will stand in for Oslo in the film. Friland’s production partners are<br />
Nimbus (Denmark), Unafilm (Germany) and Evolution <strong>Film</strong>s (<strong>Czech</strong> Republic).<br />
TrustNordisk will handle intern<strong>at</strong>ional sales and Cinemart has <strong>Czech</strong> rights. The<br />
film has received financial support from the Norwegian <strong>Film</strong> Institute, the Nordic<br />
<strong>Film</strong> and Television Fund, the Danish <strong>Film</strong> Institute, the <strong>Czech</strong> St<strong>at</strong>e Fund for the<br />
Support and Development of <strong>Czech</strong> Cinema, and Eurimage. Breiein’s first film The<br />
Art of Neg<strong>at</strong>ive Thinking won the best director prize <strong>at</strong> KV<strong>IFF</strong> in 2007. The film<br />
went on to win the <strong>Czech</strong> Lion for best foreign film and then was adapted as<br />
a stage production.